My Pure Land

  • Anna Jadowska WILD ROSES Wins Stockholm Impact Award at Stockholm Film Festival

    Anna Jadowska, Wild Roses, Stockholm Impact Award One of the world’s biggest cash prizes for film – the Stockholm Impact Award at Stockholm Film Festival went to Anna Jadowska for her film Wild Roses.  Jadowska won the prize worth one million SEK and the award designed by the Chinese artist Ai Weiwei. Ana Jadowska won “For the sensitive depiction of a mother who refuses to abandon her true self, for the portrait of a revolting child that questions an utterly conservative society, for the visually exquisite style that contrasts with a world plunged in prejudice and moral coercion, the Stockholm Impact Award goes to Anna Jadowska for Wild Roses, a metaphor for human resilience.” “Thank you so much for this award, I’m very honored. A special thanks to the Stockholm International Film Festival, the festival director, organizers, the city, of Stockholm and members of the jury. I had a long and difficult journey with this movie and to receive this award means a lot to me since it will give me the opportunity to do another film” says winning director Anna Jadowska. Director Anna Jadowska presents a powerful story about a woman facing the difficulties of following her own desires in a small, conservative and gossip-filled village. With striking forest imagery that beautifully captures light drizzling through branches, the film is an exceptional portrayal of a woman and her environment. While examining the plights of women in a conservative society, however, Wild Roses is also a touching depiction of the relationship between mother and daughter. The other nominated movies and directors were: Cardinals by Grayson Moore & Aidan Shipley The Last Verse by Ying-Ting Tseng My Pure Land by Sarman Masud Searing Summer by Ebrahim Irajzad The section Stockholm Impact Award is a collaboration between the Stockholm International Film Festival and the City of Stockholm with the purpose to highlight the possibility of film to create change and debate through the depiction of contemporary subjects. The prize amount of one million SEK will help the winner in the development of new film projects. Last year the director Wayne Roberts (USA) won the award for Katie Says Goodbye. 2015 the director Leena Yadav (India) won the award for Parched. Photo: Anna Jadowska – Wild Roses, (pictured center) 2017 Stockholm Impact Award Winner

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  • Lady Macbeth Leads with 15 Nominations for 2017 British Independent Film Awards | Complete List

    [caption id="attachment_19551" align="aligncenter" width="1200"]Lady Macbeth Lady Macbeth[/caption] Lady Macbeth topped the list of nominations for the 2017 British Independent Film Awards (BIFA) with 15 nominations including Best British Independent Film.  The Death of Stalin, I Am Not a Witch follow with 13 nominations each; and God’s Own Country and Three Billboards Outside Ebbing, Missouri each nominated 11 times. Overall, debut features dominate the nominations list, with the first-time writers, producers and directors of Lady Macbeth, I Am Not a Witch and God’s Own Country all recognized in the three newcomer categories – Debut Screenwriter, Breakthrough Producer  and The Douglas Hickox Award for Best Debut Director – as well as Best Screenplay, Best Director and Best British Independent Film. Past BIFA winners Armando Iannucci and Martin McDonagh are the writer-directors of this year’s other two Best British Independent Film nominees, The Death of Stalin and Three Billboards Outside Ebbing, Missouri. Both films have two nominees in the Best Supporting Actor category, with The Death of Stalin’s Simon Russell Beale and Steve Buscemi taking on Three Billboards’ Woody Harrelson and Sam Rockwell. Frances McDormand is nominated for Best Actress for her performance in Three Billboards and Andrea Riseborough for Supporting Actress for The Death of Stalin. Both films also have nominations for Best Director, Best Screenplay. Film Stars Don’t Die in Liverpool has four nominations including two for past BIFA winners Jamie Bell and Julie Walters, nominated for Best Actor and Best Supporting Actress. Gary Oldman will receive The Variety Award at the ceremony.The Variety Award recognizes a director, actor, writer or producer who has made a global impact and helped to focus the international spotlight on the UK. Past winners include Kate Winslet, Benedict Cumberbatch, Paul Greengrass, Jude Law, Kenneth Branagh, Liam Neeson, Sir Michael Caine, Naomie Harris, Daniel Craig, Helen Mirren and Richard Curtis. Winners will be announced by host Mark Gatiss at the British Independent Film Awards Ceremony on Sunday December 10 at Old Billingsgate.

    Best British Independent Film

    The Death of Stalin God’s Own Country I Am Not a Witch Lady Macbeth Three Billboards Outside Ebbing, Missouri

    Best International Independent Film

    The Florida Project Get Out I Am Not Your Negro Loveless The Square

    Best Director

    Armando Iannucci (The Death of Stalin) Francis Lee (God’s Own Country) Martin McDonagh (Three Billboards Outside Ebbing, Missouri) Rungano Nyoni (I Am Not a Witch) William Oldroyd (Lady Macbeth)

    Best Screenplay

    Alice Birch (Lady Macbeth) Armando Iannucci, David Schneider, Ian Martin (The Death of Stalin) Francis Lee (God’s Own Country) Martin McDonagh (Three Billboards Outside Ebbing, Missouri) Rungano Nyoni (I Am Not a Witch)

    Best Actress

    Emily Beecham (Daphne) Frances McDormand (Three Billboards Outside Ebbing, Missouri) Margaret Mulubwa (I Am Not a Witch) Florence Pugh (Lady Macbeth) Ruth Wilson (Dark River)

    Best Actor

    Jamie Bell (Film Stars Don’t Die in Liverpool) Paddy Considine (Journeyman) Johnny Harris (Jawbone) Josh O’Connor (God’s Own Country) Alec Secareanu (God’s Own Country)

    Best Supporting Actress

    Naomi Ackie (Lady Macbeth) Patricia Clarkson (The Party) Kelly MacDonald (Goodbye Christopher Robin) Andrea Riseborough (The Death of Stalin) Julie Walters (Film Stars Don’t Die in Liverpool)

    Best Supporting Actor

    Simon Russell Beale (The Death of Stalin) Steve Buscemi (The Death of Stalin) Woody Harrelson (Three Billboards Outside Ebbing, Missouri) Ian Hart (God’s Own Country) Sam Rockwell (Three Billboards Outside Ebbing, Missouri)

    Most Promising Newcomer sponsored by The London EDITION

    Naomi Ackie (Lady Macbeth) Harry Gilby (Just Charlie) Cosmo Jarvis (Lady Macbeth) Harry Michell (Chubby Funny) Lily Newmark (Pin Cushion)

    The Douglas Hickox Award (Best Debut Director)

    Deborah Haywood (Pin Cushion) Francis Lee (God’s Own Country) Thomas Napper (Jawbone) Rungani Nyoni (I Am Not a Witch) William Oldroyd (Lady Macbeth)

    Debut Screenwriter

    Alice Birch (Lady Macbeth) Gaby Chiappe (Their Finest) Johnny Harris (Jawbone) Francis Lee (God’s Own Country) Rungani Nyoni (I Am Not a Witch)

    Breakthrough Producer

    Gavin Humphries (Pin Cushion) Emily Morgan (I Am Not a Witch) Brendan Mullin, Katy Jackson (Bad Day For The Cut) Fodhla Cronin O’Reilly (Lady Macbeth) Jack Tarling, Manon Ardisson (God’s Own Country)

    The Discovery Award

    Even When I Fall Halfway In Another Life Isolani R My Pure Land

    Best Documentary

    Almost Heaven Half Way Kingdom Of Us Uncle Howard Williams

    Best British Short Film

    1745 Fish Story The Entertainer Work Wren Boys

    Best Cinematography

    Ben Davis (Three Billboards Outside Ebbing, Missouri) David Gallego (I Am Not a Witch) Tat Radcliffe (Jawbone) Thomas Riedelsheimer (Leaning Into the Wind) Ari Wegner (Lady Macbeth)

    Best Casting

    Shaheen Baig (Lady Macbeth) Shaheen Baig, layla Merrick-Wolf (God’s Own Country) Sarah Crowe (The Death of Stalin) Sarah Halley Finn (Three Billboards Outside Ebbing, Missouri) Debbie McWilliams (Film Stars Don’t Die in Liverpool)

    Best Costume Design

    Dinah Collin (My Cousin Rachel) Suzie Harman (The Death of Stalin) Sandy Powell (How to Talk to Girls at Parties) Holly Rebecca (I Am Not a Witch) Holly Waddington (Lady Macbeth)

    Best Editing

    Johnny Burke (Williams) David Charap (Jawbone) Jon Gregory (Three Billboards Outside Ebbing, Missouri) Peter Lambert (The Death of Stalin) Joe Martin (Us And Them)

    Best Effects

    Nick Allder, Ben White (The Ritual) Luke Dodd (Journeyman) Effects team (The Death of Stalin) Dan Martin (Double Date) Chris Reynolds (Their Finest)

    Best Make Up & Hair Design

    Julene Paton (I Am Not a Witch) Jan Sewell (Breathe) Nadia Stacey (Journeyman) Nicole Stafford (The Death of Stalin) Sian Wilson (Lady Macbeth)

    Best Music

    Carter Burwell (Three Billboards Outside Ebbing, Missouri) Fred Frith (Leaning Into The Wind) Matt Kelly (I Am Not a Witch) Paul Weller (Jawbone) Christopher Willis (The Death of Stalin)

    Best Production Design

    Jacqueline Abrahams (Lady Macbeth) Cristina Casali (The Death of Stalin) James Merifield (Final Portrait) Nathan Parker (I Am Not a Witch) Eve Stewart (Film Stars Don’t Die in Liverpool)

    Best Sound

    Anna Bertmark (God’s Own Country) Maiken Hansen (I Am Not a Witch) Andy Shelley, Steve Griffiths (Jawbone) Joakim Sundström (Three Billboards Outside Ebbing, Missouri) Sound team (Breathe)

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  • 28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] 150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th. A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave. After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change. This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda. The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year. A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.

    Stockholm International Film Festival – Program 2017

    Stockholm XXVIII Competition

    A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)

    Stockholm XXVIII Documentary Competition

    A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)

    Stockholm Impact

    Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)

    Open Zone

    A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)

    American Independents

    Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)

    Icons

    Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)

    Discovery

    Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)

    Documania

    Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)

    Twilight Zone

    A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)

    Spotlight

    An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)

    Stockholm XXVIII Short Film Competition

    A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)

    Special Event

    Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film

    1 Km Film

    Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

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  • 92 countries in Competition for Foreign Language Film Oscar at the 90th Academy Awards

    [caption id="attachment_19636" align="aligncenter" width="1200"]Pop Aye – Kirsten Tan Pop Aye – Kirsten Tan[/caption] A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards.  Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants. The 2017 submissions are: Afghanistan, “A Letter to the President,” Roya Sadat, director; Albania, “Daybreak,” Gentian Koçi, director; Algeria, “Road to Istanbul,” Rachid Bouchareb, director; Argentina, “Zama,” Lucrecia Martel, director; Armenia, “Yeva,” Anahit Abad, director; Australia, “The Space Between,” Ruth Borgobello, director; Austria, “Happy End,” Michael Haneke, director; Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director; Bangladesh, “The Cage,” Akram Khan, director; Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director; Bolivia, “Dark Skull,” Kiro Russo, director; Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director; Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director; Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors; Cambodia, “First They Killed My Father,” Angelina Jolie, director; Canada, “Hochelaga, Land of Souls,” François Girard, director; Chile, “A Fantastic Woman,” Sebastián Lelio, director; China, “Wolf Warrior 2,” Wu Jing, director; Colombia, “Guilty Men,” Iván D. Gaona, director; Costa Rica, “The Sound of Things,” Ariel Escalante, director; Croatia, “Quit Staring at My Plate,” Hana Jušić, director; Czech Republic, “Ice Mother,” Bohdan Sláma, director; Denmark, “You Disappear,” Peter Schønau Fog, director; Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director; Ecuador, “Alba,” Ana Cristina Barragán, director; Egypt, “Sheikh Jackson,” Amr Salama, director; Estonia, “November,” Rainer Sarnet, director; Finland, “Tom of Finland,” Dome Karukoski, director; France, “BPM (Beats Per Minute),” Robin Campillo, director; Georgia, “Scary Mother,” Ana Urushadze, director; Germany, “In the Fade,” Fatih Akin, director; Greece, “Amerika Square,” Yannis Sakaridis, director; Haiti, “Ayiti Mon Amour,” Guetty Felin, director; Honduras, “Morazán,” Hispano Durón, director; Hong Kong, “Mad World,” Wong Chun, director; Hungary, “On Body and Soul,” Ildikó Enyedi, director; Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director; India, “Newton,” Amit V Masurkar, director; Indonesia, “Turah,” Wicaksono Wisnu Legowo, director; Iran, “Breath,” Narges Abyar, director; Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director; Ireland, “Song of Granite,” Pat Collins, director; Israel, “Foxtrot,” Samuel Maoz, director; Italy, “A Ciambra,” Jonas Carpignano, director; Japan, “Her Love Boils Bathwater,” Ryota Nakano, director; Kazakhstan, “The Road to Mother,” Akhan Satayev, director; Kenya, “Kati Kati,” Mbithi Masya, director; Kosovo, “Unwanted,” Edon Rizvanolli, director; Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director; Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director; Latvia, “The Chronicles of Melanie,” Viestur Kairish, director; Lebanon, “The Insult,” Ziad Doueiri, director; Lithuania, “Frost,” Sharunas Bartas, director; Luxembourg, “Barrage,” Laura Schroeder, director; Mexico, “Tempestad,” Tatiana Huezo, director; Mongolia, “The Children of Genghis,” Zolbayar Dorj, director; Morocco, “Razzia,” Nabil Ayouch, director; Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director; Nepal, “White Sun,” Deepak Rauniyar, director; Netherlands, “Layla M.,” Mijke de Jong, director; New Zealand, “One Thousand Ropes,” Tusi Tamasese, director; Norway, “Thelma,” Joachim Trier, director; Pakistan, “Saawan,” Farhan Alam, director; Palestine, “Wajib,” Annemarie Jacir, director; Panama, “Beyond Brotherhood,” Arianne Benedetti, director; Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors; Peru, “Rosa Chumbe,” Jonatan Relayze, director; Philippines, “Birdshot,” Mikhail Red, director; Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors; Portugal, “Saint George,” Marco Martins, director; Romania, “Fixeur,” Adrian Sitaru, director; Russia, “Loveless,” Andrey Zvyagintsev, director; Senegal, “Félicité,” Alain Gomis, director; Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director; Singapore, “Pop Aye,” Kirsten Tan, director; Slovakia, “The Line,” Peter Bebjak, director; Slovenia, “The Miner,” Hanna A. W. Slak, director; South Africa, “The Wound,” John Trengove, director; South Korea, “A Taxi Driver,” Jang Hoon, director; Spain, “Summer 1993,” Carla Simón, director; Sweden, “The Square,” Ruben Östlund, director; Switzerland, “The Divine Order,” Petra Volpe, director; Syria, “Little Gandhi,” Sam Kadi, director; Taiwan, “Small Talk,” Hui-Chen Huang, director; Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director; Tunisia, “The Last of Us,” Ala Eddine Slim, director; Turkey, “Ayla: The Daughter of War,” Can Ulkay, director; Ukraine, “Black Level,” Valentyn Vasyanovych, director; United Kingdom, “My Pure Land,” Sarmad Masud, director; Uruguay, “Another Story of the World,” Guillermo Casanova, director; Venezuela, “El Inca,” Ignacio Castillo Cottin, director; Vietnam, “Father and Son,” Luong Dinh Dung, director. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

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  • MY PURE LAND is Britain’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

    MY PURE LAND British-Pakistani director Sarmad Masud’s Urdu language debut film My Pure Land has been selected as Britain’s submission for the best foreign language film category at the 2018 Oscars. The film stars Suhaee Abro, Eman Malik, Syed Tanveer-Hussain, Razia Malik, Atif Akhtar Bhatti, Tayyab Azfal and Ahsen Murad. My Pure Land world premiered at this year’s 2017 Edinburgh International Film Festival is based on a remarkable true story, told in partial flashbacks, about how a mother and her two daughters try to protect their remote Pakistan home, picking up machine guns to fight off a virtual army of armed men. MY PURE LAND is a film based on a true story. A young woman called Nazo and her mother and sister are called to defend their home after a bitter family feud leads to her father’s incarceration. In their isolated farmhouse in Pakistan, the women find themselves surrounded by armed men hired by their Uncle Mehrban to take back the land. When Nazo’s resistance leaves two of the men dead, an enraged Mehrban calls in a local ragtag militia – two hundred armed bandits. But even with only a handful of bullets left, Nazo refuses to give in… https://www.youtube.com/watch?v=rdY8bKCVIC0

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