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The Netherlands, Rotterdam, 02 February 2018. The 47th International Film Festival Rotterdam – IFFR 2018. IFFR 2018 Award Ceremony. All winners on stage after ceremony. Photo: 31pictures.nl / (c) 2018, www.31pictures.nl[/caption]
The Widowed Witch by Cai Chengjie won the prestigious prize – the winner of the Hivos Tiger Competition 2018 at the International Film Festival Rotterdam (IFFR). Rami Alayan was awarded the Special Jury Award for exceptional artistic achievement for his screenplay of
The Reports on Sarah and Saleem. Gustav Möller’s
The Guilty was the audience favorite, and therefore winner of the IFFR Audience Award. The Bright Future Award was picked up by Tiago Melo for his film
Azougue Nazaré.
This year’s VPRO Big Screen Award went to
Nina by Olga Chajdas; the film therefore will be broadcast on Dutch TV and released in Dutch theaters. All Hubert Bals Fund-supported films screening at IFFR 2018 were eligible for the Hubert Bals Fund Audience Award. This year, the award was won by The Reports on Sarah and Saleem by Muayad Alayan.
In congratulating all winners, Festival Director Bero Beyer said: “We’re very happy that the strong winners represent the bold spirit of the festival’s entire programming. They are filmmakers, both emerging and established, who use their talent to deliver a new view on our world. As diverse as they are, there seems to be a common thread: the beautiful and human thread of cinema!”
Two new awards were presented in 2018. Newsreel 63 – The Train of Shadows by Nika Autor won the Found Footage Award and Joy in People by Oscar Hudson won the Voices Short Audience Award.
Two awards from critics’ organisations were presented. The FIPRESCI Award went to Balekempa by Ere Gowda. The KNF Award, given by the Circle of Dutch Film Journalists, was won by Zama by Lucrecia Martel.
Nervous Translation by Shireen Seno won the NETPAC Award for best Asian film and the winner of the IFFR Youth Jury Award is The Guilty by Gustav Möller.
Complete list of award winners and jury reports
Hivos Tiger Competition
Winner Hivos Tiger Award:
The Widowed Witch by Cai Chengjie
Jury report: “This year’s Hivos Tiger Award winner is a film of epic dimensions with a narrative that is greater than one person or moment. It takes a feminist viewpoint with a strong central character, who refuses to be a victim. The struggle of her journey is framed in an emotional way that depicts her complexity, while never becoming sentimental, and the film even contains a laconic sense of humour. Its bold vision, created by a lyrical layering of cinematographic elements, makes this film stand out.”
Winner Special Jury Award: the screenplay of
The Reports on Sarah and Saleem written by Rami Alayan (dir. Muayad Alayan)
Jury report: “This well-crafted screenplay shows us four humans, each with their own flaws and desires, who have to face the consequences of their actions in a complicated, divided world. The screenplay intertwines the personal and the political and manages to balance a complex plot with convincing characters. This proves to be the basis for a strong film by a talented director and an excellent cast.”
Bright Future Award
Filmmakers presenting the world or international premiere of their first feature-length film in the Bright Future Main Programme are eligible for the Bright Future Award worth €10,000.
Winner:
Azougue Nazaré by Tiago Melo
Jury report: “For its singular vision, electrifying cinematic language, depiction of the explosive coexistence between good and evil, and for its ability to incorporate supernatural elements in an almost anthropological portrait of a small community, we proudly present the Bright Future Award to Tiago Melo for his film Azougue Nazaré.”
Special mention: “What begins as a personal quest gradually transforms into a reflection on loneliness, belonging, and existential homecoming. For this reason, the jury felt compelled to give a special mention to Malene Choi Jensen’s
The Return.”
VPRO Big Screen Award
Winner:
Nina by Olga Chajdas
Jury report: “It was a close call and we’d like to give a special mention to the runner-up, The Guilty by Gustav Möller. But another film ultimately connected with us in a more instinctive way. The winning film is a universal story about love, identity and hope. It’s about internalising society’s expectations and struggling to break free and be true to yourself. The story avoids easy solutions and gives us a somewhat idealised version of the world, thereby avoiding the stereotypical struggles and making it a more personal experience. It’s also visually beautiful with lingering and intimate shots and gives us wonderful performances by the main actors.”
IFFR Audience Award
Winner:
The Guilty by Gustav Möller
Hubert Bals Fund Audience Award
Winner:
The Reports on Sarah and Saleem by Muayad Alayan
Voices Short Audience Award
Winner:
Joy in People by Oscar Hudson
FIPRESCI Award
Winner:
Balekempa by Ere Gowda
Jury report: “For its subtle and delightful portrayal of a universal theme against the background of a rich local culture.”
KNF Award
The KNF Award is given to the best Dutch, or Dutch co-produced, feature film that is selected for IFFR 2018, as awarded by a jury from the Circle of Dutch Film Journalists.
Winner:
Zama by Lucrecia Martel
Jury report: “This bold project illustrates how co-producing can allow an immensely gifted filmmaker to enter different territory, just as the film itself transports the audience to an alien world. Without signposts or hand-holding, viewers are challenged to use all their senses in order to navigate this foreign land. The filmmaker’s sensory approach to cinema also poses a challenge to us critics; we’ve been struggling to find words that do justice to a film that ultimately can only be experienced.”
NETPAC Award
The NETPAC Award is presented to the best Asian feature film world premiering at IFFR by a jury from the Network for the Promotion of Asian Cinema.
Winner:
Nervous Translation by Shireen Seno
Jury report: “For its singularly original representation of childhood that beautifully captures a unique view of the world – one that is full of contradictory interactions, introspection, social and political dissonance, and disquietude. With this film, the director has succeeded in creating an unforgettable cinematic universe.”
IFFR Youth Jury Award
The film that makes the biggest impression on this jury of young people is awarded the IFFR Youth Jury Award.
Winner:
The Guilty by Gustav Möller
Jury report: “This film captivated us from beginning to end and was able to make the audience aware of its own preconceived notions of reality. The director deliberately withholds information from the audience, thereby creating uncertainty which leaves room for imagination. The film is a masterclass in suspense; it managed to keep our eyes glued to the screen throughout the entire film. Furthermore, we believe that this film will be attractive to a younger audience, as it is a good introduction into arthouse cinema.”
Found Footage Award
The new Found Footage Award is granted to a filmmaker who has made outstanding use of archive material. The award, worth €2,500, is supported by the Netherlands Institute for Sound and Vision.
Winner:
Newsreel 63 – The Train of Shadows by Nika Autor
Jury report: “This film convincingly introduces a new critical paradigm in which every new image questions the entire history of film as a medium and its role within society. It does so through brilliant use of the train as a rich metaphor for human aspiration and technological advancement, connecting the first Lumière film all the way through to the current practice of shooting smartphone footage to document refugees on their quest for a better life.”
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Pity by Babis Makridis[/caption]
Eight films have been selected for the Big Screen Competition at the 2018 International Film Festival Rotterdam (IFFR): three world premieres, one international premiere and four European premieres.
The three world premiere nominees are: Nina, Polish filmmaker Olga Chajdas’s feature film debut in which a couple’s love is tested as they struggle to find a surrogate mother for their child; Father to Son, the third feature by Taiwanese filmmaker Hsiao Ya-chuan (Mirror Image), a story of reconciliation in which a 60-year-old man goes to Japan to look for his father who abandoned him when he was 10, and An Impossibly Small Object by Dutch filmmaker David Verbeek, which confronts the relationship between maker and subject. In this meditative film, Verbeek himself plays a Dutch photographer transfixed by a picture he took of a girl in a Taiwanese parking lot. IFFR has screened many of Verbeek’s films in the past. His Shanghai Trance and Dead & Beautiful were both selected for CineMart.
The Big Screen Competition also includes the international premiere of Night Comes On, Jordana Spiro’s debut feature about an 18-year-old woman who takes her 10-year-old sister on a journey that could destroy their futures.
Lastly, the four European premieres. British filmmaker Jim Hosking’s comedy An Evening with Beverly Luff Linn stars Aubrey Plaza as a woman whose unsatisfactory marriage is shaken when she sees a performance piece by a mysterious man from her past. Danish filmmaker Gustav Möller’s intense feature debut The Guilty revolves around one emergency phone call – an initially disinterested police officer quickly jumps into action when he hears a woman being kidnapped. Pity by Greek filmmaker Babis Makridis (selected for CineMart in 2014) is about a man with such need for pity he’s willing to do absolutely anything to get it from others. IFFR previously screened Makridis’ film L, in 2012 in the Tiger Awards Competition. Sebastián Hofmann’s second feature Tiempo compartido was also selected for CineMart in 2014, and also received a grant from the Hubert Bals Fund. This satire follows the struggle of two paranoid men against the ever-smiling staff of an all-inclusive resort. Hofmann made his debut at IFFR 2013 with Halley, which also competed in the Tiger Awards Competition.In 2013, the VPRO Big Screen Award was inaugurated to promote the presence of quality films on the big screen and public television in the Netherlands. Of the €30,000 in prize money, €15,000 is spent towards the winning film’s theatrical release and €15,000 towards the production of the filmmaker’s next project. In 2017 the award was won by Kirsten Tan’s Pop Aye. Earlier winners were Les ogres by Léa Fehner in 2016, Second Coming by Debbie Tucker Green in 2015, Another Year by Oxana Bychkova in 2014 and Bellas mariposas by Salvatore Mereu in 2013. A jury of five experienced festival-goers picks the winner of the VPRO Big Screen Award, worth €30,000. The winning film will be released in Dutch cinemas and will be purchased by the Dutch public broadcasting network NPO to screen on national television.