Of Men and War

  • 124 Documentary Features Submitted For 2015 Oscar Race

    Winter on Fire: Ukraine's Fight for Freedom, directed by Evgeny Afineevsky One hundred twenty-four features have been submitted for consideration in the Documentary Feature category for the 88th Academy Awards®. The submitted features, listed in alphabetical order, are: “Above and Beyond” “All Things Must Pass” “Amy” “The Armor of Light” “Ballet 422” “Batkid Begins” “Becoming Bulletproof” “Being Evel” “Beltracchi – The Art of Forgery” “Best of Enemies” “The Black Panthers: Vanguard of the Revolution” “Bolshoi Babylon” “Brand: A Second Coming” “A Brave Heart: The Lizzie Velasquez Story” “Call Me Lucky” “Cartel Land” “Censored Voices” “Champs” “CodeGirl” “Coming Home” “Dark Horse” “Deli Man” “Dior and I” “The Diplomat” “(Dis)Honesty – The Truth about Lies” “Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll” “Dreamcatcher” “dream/killer” “Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon” “Eating Happiness” “Every Last Child” “Evidence of Harm” “Farewell to Hollywood” “Finders Keepers” “The Forecaster” “Frame by Frame” “Gardeners of Eden” “A Gay Girl in Damascus: The Amina Profile” “Godspeed: The Story of Page Jones” “Going Clear: Scientology and the Prison of Belief” “He Named Me Malala” “Heart of a Dog” “Hitchcock/Truffaut” “How to Change the World” “Human” “The Hunting Ground” “I Am Chris Farley” “In Jackson Heights” “In My Father’s House” “India’s Daughter” “Ingrid Bergman – In Her Own Words” “Iraqi Odyssey” “Iris” “Janis: Little Girl Blue” “Karski & the Lords of Humanity” “Killing Them Safely” “Kurt Cobain: Montage of Heck” “Lambert & Stamp” “A Lego Brickumentary” “Listen to Me Marlon” “Live from New York!” “The Look of Silence” “Meet the Patels” “Meru” “The Mind of Mark DeFriest” “Misery Loves Comedy” “Monkey Kingdom” “A Murder in the Park” “My Italian Secret” “My Voice, My Life” “1971” “Of Men and War” “One Cut, One Life” “Only the Dead See the End of War” “The Outrageous Sophie Tucker” “Peace Officer” “The Pearl Button” “Pink & Blue: Colors of Hereditary Cancer” “Poached” “Polyfaces” “The Prime Ministers: Soldiers and Peacemakers” “Prophet’s Prey” “Racing Extinction” “The Resurrection of Jake the Snake” “Ride the Thunder – A Vietnam War Story of Victory & Betrayal” “Rosenwald” “The Russian Woodpecker” “Searching for Home: Coming Back from War” “Seeds of Time” “Sembene!” “The Seven Five” “Seymour: An Introduction” “Sherpa” “A Sinner in Mecca” “Something Better to Come” “Song from the Forest” “Song of Lahore” “Steve Jobs: The Man in the Machine” “Steve McQueen: The Man & Le Mans” “Stray Dog” “Sunshine Superman” “Sweet Micky for President” “Tab Hunter Confidential” “The Tainted Veil” “Tap World” “(T)error” “Thao’s Library” “Those Who Feel the Fire Burning” “3 1/2 Minutes, Ten Bullets” “The Touch of an Angel” “TransFatty Lives” “The True Cost” “Twinsters” “Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists” “The Wanted 18” “We Are Many” “We Come as Friends” “We Were Not Just…Bicycle Thieves. Neorealism” “Welcome to Leith” “What Happened, Miss Simone?” “What Our Fathers Did: A Nazi Legacy” “Where to Invade Next” “Winter on Fire: Ukraine’s Fight for Freedom” (pictured above) “The Wolfpack” Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • SWORN VIRGIN, WESTERN Among Winners of 2015 San Francisco International Film Festival Awards

    Alba Rohrwacher in a scene from Laura Bispuri's SWORN VIRGIN, playing at the 58th San Francisco International Film Festival, April 23- May 7, 2015. The 2015 San Francisco International Film Festival which ran April 23 to May 7, 2015, presented by the San Francisco Film Society, announced the winners of the juried Golden Gate Award (GGA) competitions.  Sworn Virgin, directed by Laura Bispuri won the Golden Gate New Directors Prize, and Western, directed by Bill Ross IV and Turner Ross won the Golden Gate Awards for Documentary Features. GOLDEN GATE NEW DIRECTORS PRIZE The Golden Gate Awards New Directors jury of the 2015 San Francisco International Film Festival was composed of producer and BFI Senior Production Executive Lizzie Franke, writer and filmmaker Ryan Fleck and producer Laura Wagner. Winner: Sworn Virgin (pictured above), Laura Bispuri (Italy/Switzerland/Germany/Albania/Kosovo) *  Receives $10,000 cash prize In a statement, the jury noted: “Laura Bispuri is a distinct new filmmaking talent who we are excited to follow as her career progresses. There is a great purity and truth in her approach to a story of contemporary female struggle. Bispuri has crafted a film, grounded by extraordinary performances, that is at once effortless and delicate, but also bold in its execution.” GOLDEN GATE AWARDS FOR DOCUMENTARY FEATURES The GGA Documentary feature competitions jury was comprised of filmmakers Kristine Samuelson and Robert Greene, and journalist Susan Gerhard. Documentary Feature Winner: Western, Bill Ross IV, Turner Ross (USA) *  Receives $10,000 cash prize The jury noted in a statement: “The competition was remarkable and every film in the category presented a unique vision, which made our job very difficult and brought us to reconsider the very nature of cinema itself in the year 2015. Films of great ambition, exceptional intimacy and intricate sound design, offered up empathy and poetry in equal measure and charted new paths for the form. We give the GGA Documentary Feature award to Western, a film that compresses observation and symbolism to take the experience of ‘seeing’ in a bold direction. Though driven by characters, those characters never overwhelm the sense of place, and the tension between narrative and poetry, fact and fictional refraction inflect new meanings on how we see the West.” Special Jury recognition: Of Men and War, Laurent Bécue-Renard (France/Switzerland) The jury noted: “Of Men and War makes us understand the horrors of war without ever showing us a single frame of battle, offering access to interior psychologies most viewers have never seen before in a tightly structured, beautifully edited, minimalist piece of nonfiction.” Bay Area Documentary Winner: Very Semi-Serious, Leah Wolchok (USA) *  Receives $5,000 cash prize The jury noted: “We award the Golden Gate Award for Bay Area Documentary Feature to Very Semi-Serious, which reminds us that humor has a purpose. It subtly reveals the vast array of personalities engaged in this art form, including women and young people making their way into a historically male-dominated field. Its brave ellipses in storytelling allow us to consider the intertwining of tragedy and comedy.” Special Jury recognition: T-Rex, Drea Cooper, Zackary Canepari (USA) The jury noted: “We recognize T-Rex for its ambition and courage. This film subverts the sports conquest genre and takes a clear-eyed view of race and class.” GOLDEN GATE AWARDS FOR SHORT FILMS The GGA Short Film jury consisted of filmmakers Grace Lee and Jonathan Duffy and curator Liz Keim. Narrative Short Winner: The Chicken, Una Gunjak (Germany/Croatia) *  Receives $2,000 cash prize Documentary Short Winner: Cailleach, Rosie Reed Hillman (Scotland) *  Receives $2,000 cash prize Animated Short Winner: A Single Life, Marieke Blaauw, Joris Oprins, Job Roggeveen (Netherlands) *  Receives $2,000 cash prize New Visions Short Winner: Discussion Questions, Jonn Herschend (USA) *  Receives $1,500 cash prize Bay Area Short First Prize Winner: The Box, Michael I Schiller (USA) *  Receives $1,500 cash prize Bay Area Short Second Prize Winner: Time Quest, John Dilley (USA) *  Receives $1,000 cash prize GOLDEN GATE AWARD FOR FAMILY FILM The Family Film jury consisted of Arts Education consultant Amy Balsbaugh, third grade teacher at Grattan School Susan DesBaillets and Head of Education and Community Programs at The Walt Disney Family Museum Hillary Lyden. Winner: The Story of Percival Pilts, Janette Goodey, John Lewis (Australia/New Zealand) *  Receives $500 cash prize Family Film Honorable Mentions: Lava, James Ford Murphy (USA) and One, Two, Tree, Yulia Aronova (France/Switzerland) GOLDEN GATE AWARD FOR YOUTH WORK The Youth Works jury was comprised of local high school students Diana Garcia, Ramses Mosley-Wise and Sean Rossiter, with adult supervisor Lisa Landi, producer of Film School Shorts at KQED. Winner: Two and a Quarter Minutes, Joshua Ovalle (USA) *  Receives $1,000 cash prize – including $500 donated by KQED Youth Work Honorable Mention: The Off / Season, Lance Oppenheim (USA) *  Receives $250 cash prize donated by KQED

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  • New Online Screening Room for 2015 San Francisco International Film Festival

    All of Me - directed by Arturo González Villaseñor The San Francisco International Film Festival will screen online 14 feature films and 11 shorts from the official 2015 lineup, as part of a new online streaming initiative called SFIFF Online Screening Room. The SFIFF Online Screening Room will provide an opportunity for SFFS members to stream select feature and short films free of charge for a limited time. Each film will become available to stream online starting the day of its final Festival screening, through May 31. For more information and to browse the lineup, visit the SFIFF Online Screening Room at watch.sffs.org. “We are grateful to our partner FORA.tv for providing a great reward for the loyal members of the Film Society, with this second chance to see some of the world’s finest films,” said Noah Cowan, Executive Director of the San Francisco Film Society. “This pilot program will let us measure interest in the Bay Area for a highly curated, short-window online look at a range of global cinema. Many of these films will not be returning to play in theaters, nor will they be readily available on traditional streaming services, so the opportunity really is something special.” FEATURE FILMS All of Me – directed by Arturo González Villaseñor (pictured above) Since 1995, the Patronas, a group of women in southern Mexico, prepare food and drinking water in large quantities to hand out as the train known as “The Beast” speeds by carrying men and boys from Central America to the US border. This deeply moving documentary allows the women to tell their stories, reluctantly at first, then eloquently and with enormous heart. (Mexico 2014, 90 min) Beats of the Antonov – directed by Hajooj Kuka Filmed in the civil war-ravaged region between South and North Sudan, Beats of the Antonov paints an inspiring portrait of the Blue Nile and Nuba Mountain refugee communities and their reliance on music-making not only as a healing force in the face of devastating loss and displacement, but also as a vital instrument to keep their cultural heritage alive. Black Coal, Thin Ice – directed by Diao Yinan Both tense whodunnit and layered character study, Diao Yinan’s Berlin Golden Bear winner spans five years in the life of a troubled cop who can’t shake his experiences working a particularly gruesome serial-killer case. A carefully plotted film noir packed with twists and offbeat moments, it also boasts a scorching breakout lead performance by Liao Fan. (China/Hong Kong 2014, 106 min) Bota – directed by Iris Elezi and Thomas Logoreci Populated by charming oddballs, quirky café/bar Bota (literally “the world” in Albanian) is a silent witness to the lives and secrets of people living in the shadow of the past. Long after the end of Albania’s harsh dictatorship, the locals’ lives have stagnated, most too poor to seize the opportunities liberty has offered them. But progress, in the form of a highway construction project, prompts change and new decisions for this very special café society. (Albania/Italy/Kosovo 2014, 104 min) El Cordero – directed by Juan Francisco Olea Domingo is a devoted family man and Christian missionary gliding through a dutifully modest if unexceptional life. He’d happily keep it that way, too, but for the fact that a fatal accident leaves him, disturbingly, without a sense of guilt. Shot through with a subtle, sardonic humor and beautifully acted, this exceptional feature debut is an engrossing dramatic thriller reverberating with deeper questions about our innermost natures and our ties to one another. (Chile 2014, 90 min) Fidelio: Alice’s Odyssey – directed by Lucie Borleteau Working in the macho world of sailors, ship engineer Alice is an expert in her field and fully in command of her sexuality as well. When she comes up against the classic double standard after an affair with the ship’s captain, she risks the taunts of her peers and reprimands of her superiors. First-time director Borleteau offers a compellingly acted portrait of a woman who dares to subvert conservative notions of female behavior in a male-oriented workplace. (France 2014, 95 min) Murder in Pacot – directed by Raoul Peck Grappling with the aftermath of Haiti’s devastating 2010 earthquake, a formerly well-to-do husband and wife rent their crumbling house in a tony Port-au-Prince neighborhood to a European aid worker. When his brash young Haitian girlfriend shows up, an emotionally fraught game of sexual intrigue and class warfare ensues in this tense and provocative film from acclaimed director Raoul Peck. (Haiti/France/Norway 2014, 130) NN – directed by Héctor Gálvez A team of forensic investigators in the Peruvian countryside digs up the remains of persons who were murdered during the brutal Fujimori Era of the 1980s and ’90s. The process of identifying one particular set of bones becomes an agonizing experience for the woman who claims they belong to her husband and for the investigator who has to go by the facts. Suffering, injustice and peace of mind are pitted against scientific truths with no easy answers in this engrossing, expertly paced drama. (Peru/Colombia/Germany/France 2014, 95 min) Of Men and War – directed by Laurent Bécue-Renard Winner of the 2014 IDFA award for Best Feature Documentary, Of Men and War is director Laurent Bécue-Renard’s multiyear account of the residents of The Pathway Home, an innovative treatment center for PTSD and related war traumas in Yountville, California. This quietly intense film bears witness to Iraq and Afghanistan veterans as they revisit the brutalities of combat, process the traumatic memories that haunt them and search for meaning in the psychological wreckage of war. (France/Switzerland 2014, 142 min) Red Amnesia – directed by Wang Xiaoshuai Deng, a retired widow, tries to care for her family, though her sons protest her “intrusions” into their personal lives. When mysterious phone calls and other strange occurrences disrupt her daily routine, she wonders, who-if anyone-might be coming after her. In this unsettling thriller set in contemporary China, Wang Xiaoshuai explores the political and personal consequences of memory, and traces the blurred lines between those who remember their past, and those who choose to forget. (China 2014, 110 min) T-Rex – directed by Drea Cooper and Zackary Canepari In the new Olympic sport of women’s boxing, 17-year-old Claressa Shields bursts out from the total obscurity of a small Flint, Michigan, gym to compete for a coveted gold medal. T-Rex beautifully captures her rapid ascent, her battle to overcome a damaged home life, the culturally ingrained bias against women’s boxing, the spellbinding thrill of her bouts and the indomitable willpower that shows, in its purest and most powerful sense, the meaning of warrior spirit. (USA 2015, 87 min) The Postman’s White Nights – directed by Andrei Konchalovsky Postman Lyokha serves an aging community of island dwellers in a remote corner of northwestern Russia. Globetrotting veteran director Konchalovsky returns to his home turf for this humorous, rueful, occasionally surreal slice of rural life that takes place over a few summer days. It’s a leisurely yet eventful tale filled with ravishing imagery and the natural appeal of mostly nonprofessional actors. (Russia 2014, 101 min) Two Shots Fired – directed by Martín Rejtman Argentine filmmaker and short story writer Martín Rejtman’s first feature in 10 years is a slyly funny low-key existential comedy for fans of films like Stranger than Paradise and Slacker. As the film’s ever-evolving story follows an intersecting group of teenage and adult characters, it upends narrative expectations about the significance of individual events and offers instead careful, amused observation of how we all get through life, one thing after the other. (Argentina/Chile/Germany/Netherlands 2014, 104 min) Western – directed by Bill Ross IV and Turner Ross This intimate, observational documentary portrait of the US-Mexico border focuses on two Eagle Pass, TX, residents-cattleman Martin Wall and Mayor Chad Foster-and follows the strains in the border town’s relationship to its sister city, Piedras Negras, Mexico. As drug cartel violence moves into the region and threatens to spin out of control, US Federal policies made a thousand miles away shut down commerce and further test an already delicate balance. (USA 2015, 93 min) SHORT FILMS ( * denotes availability to all SFIFF ticket-holders) Art – directed by Adrian Sitaru A 19-year-old girl auditions for a sexy film role while the director tries to convince her mother of the artistic rationale behind the provocative part. A wry look at the machinations of filmmakers from the director of Hooked (SFIFF 2009). (Romania 2014, 19 min) Bang Bang! – directed by Julien Bisaro An auto accident leads to a chance encounter in the woods in this moody suspense tale. (France 2014, 12 min) * Big Head – directed by Jairo Boisier The bond between humans and their pets is often difficult to express with words. In this charming documentary, a Chilean artist finds his own way to immortalize his beloved mastiff Domingo. (Chile 2014, 25 min) * The Box – directed by Michael I Schiller Created as part of a journalistic story by the Center for Investigative Reporting, this story centers on juvenile imprisonment in New York’s Rikers Island jail. (USA 2014, 6 min) Cailleach – directed by Rosie Reed Hillman In Gaelic mythology, Cailleach means “old woman.” In this intimate film, 86-year-old Morag reflects on her life, family, unique sense of independence and connection to her wild island home. (Scotland 2014, 14 min) The Chicken – directed by Una Gunjak In 1993 Croatia, young Selma’s birthday gift carries unexpected and harrowing consequences. (Germany/Croatia 2014, 15 min) * Hotel 22 – directed by Elizabeth Lo Hop onboard a unique Bay Area bus route that becomes an unofficial shelter for the homeless. (USA 2014, 8 min) No ID – directed by Emnet Mulugeta A lonely stretch of desert road becomes the scene of a dance battle where an unexpected occurrence yields surprising results. (Sweden 2014, 3 min) * Plamen – directed by Dress Code Attempting to call attention to governmental depredations in Bulgaria, 37-year-old construction worker and artist Plamen Goranov takes desperate action. (Bulgaria/USA 2014, 21 min) * Rain – directed by Johannes Stjärne Nilsson Stormy weather literally follows a young woman through her day in this whimsical new work from the Sound of Noise (SFIFF 2011) co-director. (Sweden 2014, 9 min) Sormeh – directed by Azadeh Ghochagh During the 1979 Iranian revolution, a woman getting ready for a marriage ceremony has to make a quick decision when confronted by a rebel hiding in her building. (Iran 2014, 10 min) image: Photo credit: Courtesy of San Francisco Film Society. Description: A scene from Arturo Gonzalez Villasenor’s All of Me, playing at the 58th San Francisco International Film Festival, April 23 – May 7 2015

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