The Zurich Film Festival will spotlight Hungary’s cinema, featuring 18 films made by a thriving new generation of Hungarian filmmakers.
Hungarian cinema has a long history of creating great masters. During the 1970s, a period of cultural thaw in the then socialist state, Hungary was regarded as one of the most important film producing countries in the world. Miklós Jancsó, Márta Mészáros and István Szabó astonished both Soviet and western audiences alike with their extraordinary political candour and their spectacular, cutting-edge film language.
Despite the efforts of some of its leading exponents, namely Bela Tarr and János Szász, the collapse of the Soviet Union signalled a downturn in the popularity of auteur film, and the country’s homegrown productions, which looked to the American model for inspiration, fell on blind eyes.
During a time in an ever more authoritarian country when democratic institutions, such as schools and universities, are closing and press freedom is becoming increasingly less free, a pleasing image is developing: filmmakers are clearly defying the situation – Hungarian cinema is back – and it’s thematically diverse, artistically radical, bursting with international esprit and enjoying remarkable success at the domestic box-office.
One of this cinema’s most striking thematic interests is the outsider, characters who are forced to assert themselves in a world where they feel alone. They do this in a whole variety of contexts, but always with resolute commitment and often with a huge pinch of humour, which can quite easily drift into the dark and absurd.
Hungary’s filmmakers are already at the highest international level when it comes to practising their craft. The renowned Budapest University of Drama and Film, and the countless international large-scale productions made in the capital, form two of Hungary’s most important talent forges. Here, they not only shape great directors, but also form their befitting cinematographers and technicians.
After celebrating success on the film world’s greatest stages, three filmmakers have become synonymous with the latest upturn in Hungarian cinema: director Kornél Mundruczó, an equally well-known force in the theatre world, astounded at Cannes in 2014 with his spectacularly directed, highly metaphoric film WHITE GOD (Un Certain Regard Award).
László Nemes’ debut-of-the-century, the Holocaust drama SON OF SAUL (2015), not only won the Jury Prize at Cannes and the Academy Award for Best Foreign Language Film, but also proved an astronomical success with Hungarian audiences after clocking up an almost unheard of 270’000 cinema entries in a country where 50’000 entries is already considered a hit. And finally, Ildikó Enyedi, whose breakthrough came in the 1990s, returned after an 18-year respite with her sensual and insidious romantic drama ON BODY AND SOUL (2017) to win a Golden Bear at the Berlinale and captivate the hearts of the Hungarian public.
These three great names of Hungarian cinema are far from standing alone: Hungary has been the recipient of many awards in recent years at the Karlovy Vary Film Festival, Central and Eastern Europe’s most important platform, including for Lili Horváth’s coming-of ager THE WEDNESDAY CHILD (2015) and Szabolcs Hajdu’s dark-humored family drama IT’S NOT THE TIME OF MY LIFE (2016), who, in a true Budapest spirit, shot the film in his own apartment with his own family members.
International multi award winning debuts such as Virág Zomborácz’s tragicomedy AFTERLIFE (2014), Gábor Reisz’s pioneering underground comedy FOR SOME INEXPLICABLE REASON (2014) and Attila Till’s black comedy KILLS ON WHEELS (2016) complete this new and remarkable image of a thriving filmmaking country.
This year’s most riveting Hungarian films further enhance the section’s program: Roland Vranik’s naturalization drama THE CITIZEN, György Kristof’s Cannes premiered debut OUT and the Berlin Panorama section’s audience favorite 1945 by Ferenc Török will screen alongside the award-winning documentary films JUDGMENT IN HUNGARY by Eszter Hajdú and DRIFTER by Gábor Hörcher. For the tenth time this year, the International Short Film Festival Winterthur has put together a comprehensive short film block comprising five films to round off the New World View section.
On Body and Soul (Testről és lélekről)
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Zurich Film Festival to Spotlight New Hungarian Cinema
The Zurich Film Festival will spotlight Hungary’s cinema, featuring 18 films made by a thriving new generation of Hungarian filmmakers.
Hungarian cinema has a long history of creating great masters. During the 1970s, a period of cultural thaw in the then socialist state, Hungary was regarded as one of the most important film producing countries in the world. Miklós Jancsó, Márta Mészáros and István Szabó astonished both Soviet and western audiences alike with their extraordinary political candour and their spectacular, cutting-edge film language.
Despite the efforts of some of its leading exponents, namely Bela Tarr and János Szász, the collapse of the Soviet Union signalled a downturn in the popularity of auteur film, and the country’s homegrown productions, which looked to the American model for inspiration, fell on blind eyes.
During a time in an ever more authoritarian country when democratic institutions, such as schools and universities, are closing and press freedom is becoming increasingly less free, a pleasing image is developing: filmmakers are clearly defying the situation – Hungarian cinema is back – and it’s thematically diverse, artistically radical, bursting with international esprit and enjoying remarkable success at the domestic box-office.
One of this cinema’s most striking thematic interests is the outsider, characters who are forced to assert themselves in a world where they feel alone. They do this in a whole variety of contexts, but always with resolute commitment and often with a huge pinch of humour, which can quite easily drift into the dark and absurd.
Hungary’s filmmakers are already at the highest international level when it comes to practising their craft. The renowned Budapest University of Drama and Film, and the countless international large-scale productions made in the capital, form two of Hungary’s most important talent forges. Here, they not only shape great directors, but also form their befitting cinematographers and technicians.
After celebrating success on the film world’s greatest stages, three filmmakers have become synonymous with the latest upturn in Hungarian cinema: director Kornél Mundruczó, an equally well-known force in the theatre world, astounded at Cannes in 2014 with his spectacularly directed, highly metaphoric film WHITE GOD (Un Certain Regard Award).
László Nemes’ debut-of-the-century, the Holocaust drama SON OF SAUL (2015), not only won the Jury Prize at Cannes and the Academy Award for Best Foreign Language Film, but also proved an astronomical success with Hungarian audiences after clocking up an almost unheard of 270’000 cinema entries in a country where 50’000 entries is already considered a hit. And finally, Ildikó Enyedi, whose breakthrough came in the 1990s, returned after an 18-year respite with her sensual and insidious romantic drama ON BODY AND SOUL (2017) to win a Golden Bear at the Berlinale and captivate the hearts of the Hungarian public.
These three great names of Hungarian cinema are far from standing alone: Hungary has been the recipient of many awards in recent years at the Karlovy Vary Film Festival, Central and Eastern Europe’s most important platform, including for Lili Horváth’s coming-of ager THE WEDNESDAY CHILD (2015) and Szabolcs Hajdu’s dark-humored family drama IT’S NOT THE TIME OF MY LIFE (2016), who, in a true Budapest spirit, shot the film in his own apartment with his own family members.
International multi award winning debuts such as Virág Zomborácz’s tragicomedy AFTERLIFE (2014), Gábor Reisz’s pioneering underground comedy FOR SOME INEXPLICABLE REASON (2014) and Attila Till’s black comedy KILLS ON WHEELS (2016) complete this new and remarkable image of a thriving filmmaking country.
This year’s most riveting Hungarian films further enhance the section’s program: Roland Vranik’s naturalization drama THE CITIZEN, György Kristof’s Cannes premiered debut OUT and the Berlin Panorama section’s audience favorite 1945 by Ferenc Török will screen alongside the award-winning documentary films JUDGMENT IN HUNGARY by Eszter Hajdú and DRIFTER by Gábor Hörcher. For the tenth time this year, the International Short Film Festival Winterthur has put together a comprehensive short film block comprising five films to round off the New World View section.
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51 Feature Films Selected for 2017 European Film Awards
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IN TIMES OF FADING LIGHT (IN ZEITEN DES ABNEHMENDEN LICHTS)[/caption]
The European Film Academy announced the titles of the 51 films on this year’s 2017 EFA Feature Film Selection, the list of feature fiction films recommended for a nomination for the European Film Awards 2017! With 31 European countries represented, the list once again illustrates the great diversity in European cinema.
In the coming weeks, the over 3,000 members of the European Film Academy will vote for the nominations in the categories European Film, Director, Actor, Actress and Screenwriter. The nominations will then be announced on November 4 at the Seville European Film Festival in Spain. A seven-member jury will decide on the awards recipients in the categories European Cinematographer, Editor, Production Designer, Costume Designer, Hair & Make-up Artist, Composer and Sound Designer.
The 30th European Film Awards ceremony will take place on December 9 in Berlin.
2017 EFA Feature Film Selection
A CIAMBRA Italy, USA, France, Sweden 120 min WRITTEN & DIRECTED BY Jonas Carpignano PRODUCED BY Jon Coplon A DATE FOR MAD MARY Ireland 82 min DIRECTED BY Darren Thornton WRITTEN BY Darren Thornton & Colin Thornton PRODUCED BY Ed Guiney & Juliette Bonass A GENTLE CREATURE КРОТКАЯ (KROTKAYA) France, Germany, Lithuania, Netherlands 143 min WRITTEN & DIRECTED BY Sergei Loznitsa PRODUCED BY Marianne Slot A JEW MUST DIE UN JUIF POUR L’EXEMPLE Switzerland 73 min DIRECTED BY Jacob Berger WRITTEN BY Jacob Berger, Aude Py & Michel Fessler PRODUCED BY Ruth Waldburger A MONSTER CALLS Spain 107 min DIRECTED BY J.A. Bayona WRITTEN BY Patrick Ness PRODUCED BY Belén Atienza, Ghislain Barrois & Álvaro Augustín AFTERIMAGE POWIDOKI Poland 100 min DIRECTED BY Andrzej Wajda WRITTEN BY Andrzej Mularczyk PRODUCED BY Michał Kwieciński ANA, MON AMOUR Romania, Germany, France 125 min DIRECTED BY Călin Peter Netzer WRITTEN BY Călin Peter Netzer, Cezar Paul Bădescu & Iulia Lumânare PRODUCED BY Călin Peter Netzer & Oana Iancu BIG BIG WORLD KOCA DÜNYA Turkey 101 min WRITTEN & DIRECTED BY Reha Erdem PRODUCED BY Ömer Atay BPM (BEATS PER MINUTE) 120 BATTEMENTS PAR MINUTE France 145 min WRITTEN & DIRECTED BY Robin Campillo PRODUCED BY Marie-Ange Luciani & Hugues Charbonneau BRIGHT SUNSHINE IN UN BEAU SOLEIL INTÉRIEUR France 94 min DIRECTED BY Claire Denis WRITTEN BY Claire Denis & Christine Angot PRODUCED BY Olivier Delbosc BRIMSTONE Netherlands, Germany, Belgium, France, Sweden, UK, Hungary 148 min WRITTEN & DIRECTED BY Martin Koolhoven PRODUCED BY Els Vandevorst & Uwe Schott FORTUNATA Italy 103 min DIRECTED BY Sergio Castellitto WRITTEN BY Margaret Mazzantini PRODUCED BY Nicola Giuliano, Francesca Cima, Carlotta Calori & Viola Prestieri FRANTZ France, Germany 117 min WRITTEN & DIRECTED BY François Ozon PRODUCED BY Eric Altmayer, Nicolas Altmayer, Stefan Arndt & Uwe Schott FROST Lithuania, France, Poland, Ukraine 120 min WRITTEN & DIRECTED BY Sharunas Bartas PRODUCED BY Janja Kralj GODLESS БЕЗБОГ (BEZBOG) Bulgaria, Denmark, France 99 min WRITTEN & DIRECTED BY Ralitza Petrova PRODUCED BY Rossitsa Valkanova, Eva Jakobsen & Laurence Clerc HAPPY END France, Germany, Austria 107 min WRITTEN & DIRECTED BY Michael Haneke PRODUCED BY Margaret Menegoz, Stefan Arndt, Veit Heiduschka & Michael Katz HEARTSTONE HJARTASTEINN Iceland, Denmark 129 min WRITTEN & DIRECTED BY Guðmundur Arnar Guðmundsson PRODUCED BY Anton Máni Svansson, Lise Orheim Stender, Jesper Morthorst & Guðmundur Arnar Guðmundsson HOME Belgium 103 min DIRECTED BY Fien Troch WRITTEN BY Fien Troch & Nico Leunen PRODUCED BY Antonino Lombardo ICE MOTHER BÁBA Z LEDU Czech Republic, Slovakia, France 106 min WRITTEN & DIRECTED BY Bohdan Sláma PRODUCED BY Pavel Strnad & Petr Oukropec IN TIMES OF FADING LIGHT IN ZEITEN DES ABNEHMENDEN LICHTS Germany 101 min DIRECTED BY Matti Geschonneck WRITTEN BY Wolfgang Kohlhaase PRODUCED BY Oliver Berben & Sarah Kirkegaard INDIVISIBLE INDIVISIBILI Italy 104 min DIRECTED BY Edoardo De Angelis WRITTEN BY Nicola Guaglianone, Barbara Petronio, Edoardo De Angelis PRODUCED BY Attilio De Razza & Pierpaolo Verga INSYRIATED Belgium, France 86 min WRITTEN & DIRECTED BY Philippe Van Leeuw PRODUCED BY Guillaume Malandrin ISTANBUL RED ISTANBUL KIRMIZISI Turkey, Italy 110 min DIRECTED BY Ferzan Ozpetek WRITTEN BY Ferzan Ozpetek, Gianni Romoli & Valia Santella PRODUCED BY Tilde Corsi, Gianni Romoli & Necati Akpinar JUPITER’S MOON JUPITER HOLDJA Hungary, Germany 123 min DIRECTED BY Kornél Mundruczó WRITTEN BY Kata Wéber PRODUCED BY Viktória Petrányi, Michael Weber, Viola Fügen & Michel Merkt LADY MACBETH UK 89 min DIRECTED BY William Oldroyd WRITTEN BY Alice Birch PRODUCED BY Fodhla Cronin O’Reilly LAYLA M. Netherlands, Jordan, Belgium, Germany 98 min. DIRECTED BY Mijke de Jong WRITTEN BY Jan Eilander & Mijke de Jong PRODUCED BY Frans van Gestel, Arnold Heslenfeld & Laurette Schillings LOVELESS НЕЛЮБОВЬ (NELYUBOV) Russia, Belgium, Germany, France 127 min DIRECTED BY Andrey Zvyagintsev WRITTEN BY Oleg Negin & Andrey Zvyagintsev PRODUCED BY Alexander Rodnyansky, Sergey Melkumov & Gleb Fetisov MY GRANDMOTHER FANNY KAPLAN МОЯ БАБУСЯ ФАНІ КАПЛАН (MOYA BABUSYA FANI KAPLAN) Ukraine 110 min DIRECTED & PRODUCED BY Olena Demyanenko WRITTEN BY Dmytro Tomashpolskiy & Olena Demyanenko ON BODY AND SOUL TESTRŐL ÉS LÉLEKRŐL Hungary 116 min WRITTEN & DIRECTED BY Ildikó Enyedi PRODUCED BY Mónika Mécs, András Muhi & Ernö Mesterházy PARADISE РАЙ (RAI) Russia, Germany 131 min DIRECTED BY Andrei Konchalovsky WRITTEN BY Andrei Konchalovsky & Elena Kiseleva PRODUCED BY Andrei Konchalovsky & Florian Deyle REQUIEM FOR MRS. J. REKVIJEM ZA GOSPOĐU J. Serbia, Bulgaria, FYR Macedonia, Russia, France 94 min WRITTEN & DIRECTED BY Bojan Vuletić PRODUCED BY Nenad Dukić RETURN TO MONTAUK Germany, France, Ireland 105 min DIRECTED BY Volker Schlöndorff WRITTEN BY Volker Schlöndorff & Colm Tóibìn PRODUCED BY Regina Ziegler, Volker Schlöndorff, Francis Boespflug, Sidonie Dumas, Hartmut Köhler, Stéphane Parthenay, Conor Barry, Til Schweiger, Tom Zickler, Marc Gabizon, Christoph Liedke, John Keville, Mike Downey, Sam Taylor & Rainer Kölmel SAMI BLOOD SAMEBLOD Sweden, Denmark, Norway 110 min WRITTEN & DIRECTED BY Amanda Kernell PRODUCED BY Lars G Lindström SON OF SOFIA O GIOS TIS SOFIAS Greece, Bulgaria, France 111 min WRITTEN & DIRECTED BY Elina Psykou PRODUCED BY Giorgos Karnavas & Konstantinos Kontovrakis SPOOR POKOT Poland, Germany, Czech Republic, Sweden, Slovakia 128 min DIRECTED BY Agnieszka Holland & Katarzyna Adamik WRITTEN BY Olga Tokarczuk & Agnieszka Holland PRODUCED BY Krzysztof Zanussi, Janusz Wąchała, Johannes Rexin, Pavla Janoušková Kubečková, Tomáš Hrubý, Fredrik Zander & Jakub Viktorín STEFAN ZWEIG – FAREWELL TO EUROPE VOR DER MORGENRÖTE Germany, Austria, France 106 min DIRECTED BY Maria Schrader WRITTEN BY Maria Schrader & Jan Schomburg PRODUCED BY Stefan Arndt, Uwe Schott, Pierre-Olivier Bardet, Denis Poncet, Danny Krausz & Kurt Stocker SUMMER 1993 ESTIU 1993 Spain 96 min WRITTEN & DIRECTED BY Carla Simón PRODUCED BY Valérie Delpierre THE CONSTITUTION USTAV REPUBLIKE HRVATSKE Croatia, Slovenia, Czech Republic, FYR Macedonia 93 min DIRECTED BY Rajko Grlić WRITTEN BY Ante Tomić & Rajko Grlić PRODUCED BY Ivan Maloča, Mike Downey, Rudolf Biermann, Maja Vukić, Dejan Miloševski, Jani Sever & Sam Taylor THE FURY OF A PATIENT MAN TARDE PARA LA IRA Spain 88 min DIRECTED BY Raúl Arévalo WRITTEN BY Raúl Arévalo & David Pulido PRODUCED BY Beatriz Bodegas THE KILLING OF A SACRED DEER Ireland, UK 121 min. DIRECTED BY Yorgos Lanthimos WRITTEN BY Yorgos Lanthimos & Efthimis Filippou PRODUCED BY Ed Guiney & Yorgos Lanthimos THE KING’S CHOICE KONGENS NEI Norway, Denmark, Sweden, Ireland 130 min DIRECTED BY Erik Poppe WRITTEN BY Jan Trygve Røyneland & Harald Rosenløw Eeg PRODUCED BY Finn Gjerdrum & Stein B. Kvae THE LAST FAMILY OSTATNIA RODZINA Poland 123 min DIRECTED BY Jan P. Matuszyński WRITTEN BY Robert Bolesto PRODUCED BY Leszek Bodzak & Aneta Hickinbotham THE NOTHING FACTORY A FÁBRICA DE NADA Portugal 177 min DIRECTED BY Pedro Pinho WRITTEN BY Pedro Pinho, João Matos, Luisa Homem, Leonor Noivo & Tiago Hespanha PRODUCED BY João Matos THE OTHER SIDE OF HOPE TOIVON TUOLLA PUOLEN Finland, Germany 100 min WRITTEN, DIRECTED & PRODUCED BY Aki Kaurismäki THE PARTY UK 71 min WRITTEN & DIRECTED BY Sally Potter PRODUCED BY Christopher Sheppard THE SQUARE Sweden, Germany, France, Denmark 145 min WRITTEN & DIRECTED BY Ruben Östlund PRODUCED BY Erik Hemmendorff & Philippe Bober THE TEACHER UČITEĽKA Slovakia, Czech Republic 103 min DIRECTED BY Jan Hřebejk WRITTEN BY Petr Jarchovský PRODUCED BY Zuzana Mistríková, Ľubica Orechovská, Ondřej Zima & Jan Prušinovský TOM OF FINLAND Finland, Germany, Sweden, Denmark 116 min DIRECTED BY Dome Karukoski WRITTEN BY Aleksi Bardy PRODUCED BY Aleksi Bardy, Annika Sucksdorff & Miia Haavisto WESTERN Germany, Bulgaria, Austria 119 min WRITTEN & DIRECTED BY Valeska Grisebach PRODUCED BY Jonas Dornbach, Janine Jackowski, Maren Ade, Valeska Grisebach & Michel Merkt WILD MOUSE WILDE MAUS Austria 103 min WRITTEN & DIRECTED BY Josef Hader PRODUCED BY Michael Katz & Veit Heiduschka YOU DISAPPEAR DU FORSVINDER Denmark, Sweden 117 min WRITTEN & DIRECTED BY Peter Schønau Fog PRODUCED BY Louise Vesth
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48 Films from International Filmmakers Among Contemporary World Cinema Slate of 2017 Toronto International Film Festival
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Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak)[/caption]
The Contemporary World Cinema slate of the 2017 Toronto International Film Festival will feature 48 titles from international filmmakers, that covers disparate regions of the world with a strong presence from Latin America, Scandinavia, and Central Europe.
“Each film in Contemporary World Cinema offers a much-needed look at another part of the world through the eyes of a storyteller embedded in that culture,” said Cameron Bailey, Artistic Director of TIFF. “Taken together, these four dozen films invite us all to expand and deepen our picture of the world.”
The Contemporary World Cinema program is being bolstered with a series of 23 World Premieres, among them Argentinian filmmaker Diego Lerman’s A Sort of Family, South African Khalo Matabane’s The Number, Iraqi Mohamed Jabarah Al-daradji’s The Journey, Finnish Teemu Nikki’s Euthanizer and Australian actor Simon Baker’s directorial debut, Breath. The program also highlights an impressive selection of films that have captivated audiences worldwide, including Félicité by Alain Gomis and the animated film The Big Bad Fox & Other Tales by Benjamin Renner and Patrick Imbert.
2017 Toronto International Film Festival Contemporary World Cinema Program
A Ciambra Jonas Carpignano, Italy/France/USA/Germany International Premiere A Sort of Family (Una Especie de Familia) Diego Lerman, Argentina/Brazil/France/Poland World Premiere Alanis Anahí Berneri, Argentina World Premiere Ana, mon amour Călin Peter Netzer, Romania/Germany/France North American Premiere Angels Wear White (Jia Nian Hua) Vivian Qu, China/France North American Premiere April’s Daughter (Las Hijas de Abril) Michel Franco, Mexico North American Premiere Arrhythmia Boris Khlebnikov, Russia/Finland/Germany North American Premiere Beyond Words Urszula Antoniak, Netherlands/Poland World Premiere Birds Without Names (Kanojo ga Sono Na wo Shiranai Toritachi) Kazuya Shiraishi, Japan World Premiere Breath Simon Baker, Australia World Premiere Dark is the Night (Madilim ang Gabi) Adolfo Alix Jr., Philippines World Premiere Directions (Posoki) Stephan Komandarev, Bulgaria/Germany/Macedonia North American Premiere Disappearance (Verdwijnen) Boudewijn Koole, Netherlands/Norway International Premiere Euthanizer (Armomurhaaja) Teemu Nikki, Finland World Premiere Félicité Alain Gomis, France/Senegal/Belgium/Germany/Lebanon North American Premiere Good Favour Rebecca Daly, Ireland/Belgium/Denmark/Netherlands World Premiere Hannah Andrea Pallaoro, Italy/Belgium/France North American Premiere Insyriated Philippe Van Leeuw, Belgium/France/Lebanon Canadian Premiere Life and nothing more Antonio Méndez Esparza, Spain/USA World Premiere Longing (Gaagua) Savi Gabizon, Israel North American Premiere Looking for Oum Kulthum Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar North American Premiere Marlina the Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak) Mouly Surya, Indonesia/France/Malaysia/Thailand North American Premiere Miami Zaida Bergroth, Finland International Premiere Motorrad Vicente Amorim, Brazil World Premiere Nina Juraj Lehotský, Slovakia/Czech Republic North American Premiere On Body and Soul Ildikó Enyedi, Hungary North American Premiere Samui Song (Mai Mee Samui Samrab Ter) Pen-ek Ratanaruang, Thailand/Germany/Norway North American Premiere Sergio & Sergei (Sergio & Serguéi) Ernesto Daranas Serrano, Spain/Cuba World Premiere The Big Bad Fox & Other Tales (Le Grand Méchant Renard et autres contes) Benjamin Renner, Patrick Imbert, France North American Premiere The Insult (L’Insulte) Ziad Doueiri, France/Lebanon Canadian Premiere The Journey (Al Rahal) Mohamed Jabarah Al-daradji, Iraq/United Kingdom/France/Qatar/Netherlands World Premiere The Lodgers Brian O’Malley, Ireland World Premiere The Number Khalo Matabane, South Africa World Premiere The Royal Hibiscus Hotel Ishaya Bako, Nigeria World Premiere The Summit (La Cordillera) Santiago Mitre, Argentina/Spain/France North American Premiere Tulipani, Love, Honour and a Bicycle Mike van Diem, Netherlands/Italy/Canada World Premiere Under the Tree (Undir Trénu) Hafsteinn Gunnar Sigurðsson, Iceland/Denmark/Poland/Germany International Premiere Veronica (Verónica) Paco Plaza, Spain International Premiere Wajib Annemarie Jacir, Palestine/France/Germany/Colombia/Norway/Qatar/United Arab Emirates North American Premiere Western Valeska Grisebach, Germany/Bulgaria/Austria North American Premiere Previously announced Canadian titles in the Contemporary World Cinema programme include Simon Lavoie’s The Little Girl Who Was Too Fond Of Matches, Adam MacDonald’s Pyewacket, Kyle Rideout’s Public Schooled, Ingrid Veninger’s Porcupine Lake, Mina Shum’s Meditation Park, Robin Aubert’s Les Affamés, Pat Mills’ Don’t Talk to Irene, and Tarique Qayumi’s BLACK KITE. The 42nd Toronto International Film Festival runs September 7 to 17, 2017.
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San Sebastian Film Festival Reveals First Titles in Pearls and Zabaltegi-Tabakalera Lineup
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The Square by Ruben Östlund[/caption]
The Pearls and Zabaltegi-Tabakalera sections of the 2017 San Sebastian Film Festival will feature some of the year’s most important films. The Square, winner of the Golden Palm at the last Cannes Film Festival, will open the Zabaltegi-Tabakalera section.
The Hungarian filmmaker Ilkidó Enyedi, winner of the Golden Bear with the fable Teströl és lékekröl / On Body and Soul, will compete for the City of Donostia / San Sebastian Audience Award against the Jury Prize in Cannes, Nelyubov / Loveless, by Russian moviemaker Andrey Zvyagintsev (Leviafan / Leviathan) and the Jury Grand Prix at the French festival, 120 battements par minute (120 BMP) / 120 Beats Per Minute by Robin Campillo, screenwriter of Foxfire, which competed in San Sebastian’s Official Selection in 2012.
Also competing for the award decided by the audience are Wonderstruck, the adaptation of a story by Brian Selznick which competed at Cannes, in which Todd Haynes (Carol) directs Julianne Moore, Michelle Williams and child actors Oakes Fegley and Millicent Simmonds, and two films premiered at Sundance: The Big Sick, third film by Michael Showalter, about an interracial couple forced to deal with their cultural differences, and Call Me By Your Name by Luca Guadagnino (A Bigger Splash), screened at the Berlinale following its stop at the North American Festival. Loving Pablo will close the Pearls section.
Other titles in the Zabaltegi-Tabakalera section include Philippe Garrel with L’amant d’un jour / Lover for a Day; and Tesnota / Closeness, the debut by Kantemir Balagov, presented in Un Certain Regard. Saura(s), helmed by Félix Viscarret, a film from the Cineastas contados series; the directorial debut of Gustavo Salmerón, Muchos hijos, un mono y un castillo / Lots of Kids, a Monkey and a Castle, winner of Best Documentary at Karlovy Vary; the documentary No intenso agora / In the Intense Now, by the Brazilian filmmaker João Moreira Salles, which competed at Berlin; and the world premiere of Movistar+ series Vergüenza, written and helmed by Juan Cavestany and Álvaro Fernández Armero. This is the first time a television series will have competed for the Zabaltegi-Tabakalera Award.
The remaining titles making up both sections will be announced in the coming weeks.
ZABALTEGI-TABAKALERA (PREVIEW)
THE SQUARE RUBEN ÖSTLUND (SWEDEN) Cast: Claes Bang, Elisabeth Moss, Dominic West, Terry Notary, Christopher Læssø OPENING NIGHT FILM Christian is a divorced father devoted to spending time with his two daughters. He’s a curator at a contemporary art museum, and the kind of guy who drives and electric car and supports the big humanitarian causes. He’s currently working on his next show, entitled The Square, an installation inviting passers-by to altruism, reminding them of their role as responsible fellow human beings. But sometimes it’s hard to live up to your own ideals: Christian’s meltdown in response to the theft of his mobile phone doesn’t exactly leave him in the best light… Meanwhile, the museum’s PR agency has created an unexpected campaign for The Square. The response is overblown and propels Christian headlong into an existential crisis. Golden Palm at Cannes. L’AMANT D’UN JOUR / LOVER FOR A DAY PHILIPPE GARREL (FRANCE) Cast: Éric Caravaca, Esther Garrel A 23 year-old comes home after the breakdown of a relationship to find that a woman the same age as herself now features in her father’s life. MUCHOS HIJOS, UN MONO Y UN CASTILLO (LOTS OF KIDS, A MONKEY AND A CASTLE.) GUSTAVO SALMERÓN (SPAIN) Cast: Julia Salmerón, Antonio García Cabanes, Gustavo Salmerón, Nacho Salmerón, Ramón García Salmerón, David García Salmerón, Paloma García Cabanes This is the story about Julita, a matriarch whose three childhood wishes have been granted: lots of kids, a monkey, and a Spanish castle. At her 81 years old, one of her children needs to find the vertebra of his murdered great-grandmother, lost among the exorbitant amount of weird objects she has hoarded throughout her life, revealing a very picturesque family history. This unique old lady is about to find the meaning of life. Winner of the Award to the Best Documentary at Karlovy Vary. NO INTENSO AGORA / IN THE INTENSE NOW JOÃO MOREIRA SALLES (BRAZIL) Made following the discovery of amateur footage shot in China in 1966 during the first and most radical stage of the Cultural Revolution, No Intenso Agora / In the Intense Now speaks to the fleeting nature of moments of great intensity. Scenes of China are set alongside archival images of the events of 1968 in France, Czechoslovakia, and, to a lesser extent, Brazil. In keeping with the tradition of the film-essay, they serve to investigate how the people who took part in those events continued onward after passions had cooled. The footage, all of it archival, not only reveals the state of mind of those filmed – joy, enchantment, fear, disappointment, dismay – but also sheds light on the relationship between a document and its political context. What can one say of Paris, Prague, Rio de Janeiro, or Beijing by looking at the images of the period? Why did each of these cities produce a specific sort of record? SAURA(S) FÉLIX VISCARRET (SPAIN) Félix Viscarret is a young director. Carlos Saura is a living legend. United by the Cineastas contados initiative tribute to the genius from Aragon, Viscarret devises a plan for his personal portrayal of the veteran filmmaker. It’s brilliant. It will show the most intimate Saura through conversations between the master and his 7 children. All accept. Saura isn’t fond of talking about the past. Viscarret insists. Saura likes painting. And photography. TESNOTA / CLOSENESS KANTEMIR BALAGOV (RUSSIA) Cast: Darya Zhovner, Olga Dragunova, Artem Tsypin, Nazir Zhukov, Veniamin Kats 1998, Nalchik. A Jewish family is in a dangerous situation: a young man and his fiancée are kidnapped one night and the next morning his family receives a ransom note. The amount demanded is so high that the family is forced to sell its small business and seek help from the local community. Un Certain Regard FIPRESCI Prize. VERGÜENZA JUAN CAVESTANY, ÁLVARO FERNÁNDEZ ARMERO (SPAIN) Cast: Javier Gutiérrez, Malena Alterio, Vito Sanz Jesús and Nuria have a problem: no matter what they do, they’re always the laughing stock of their family and friends, stupidly making a fool of themselves. He is a wedding and christening photographer, but believes he has a calling to show his true talent in ‘artistic’ photography. She believes that after her temporary crises she’ll start to have a more interesting life. Together they must decide whether being so pathetic is just a passing virus or if they actually have a chronic disease. Vergüenza is a ten chapter television series.PERLAS (PREVIEW)
LOVING PABLO FERNANDO LEÓN DE ARANOA (SPAIN – BULGARIA) Cast: Javier Bardem, Penélope Cruz CLOSING NIGHT FILM Not in competition The true story of the notorious drug kingpin Pablo Escobar, who killed thousands, made billions and struck up an unlikely love affair with his polar opposite, a glamorous television host named Virginia Vallejo. CALL ME BY YOUR NAME LUCA GUADAGNINO (ITALY – FRANCE) Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel North of Italy, Summer 1983. Elio Perlman, a 17-year-old American/French/Italian boy spends his days in his family’s 17th century villa lazily transcribing music and flirting with his friend Marzia. One day Oliver, an American 24-year-old, arrives to help Elio’s father in his academic activities while working on his doctorate on Heraclitus for a few weeks. Elio and Oliver will discover the beauty of desire slowly unfolding in the course of this unique summer. 120 BATTEMENTS PAR MINUTE (120 BPM) / 120 BEATS PER MINUTE ROBIN CAMPILLO (FRANCE) Cast: Nahuel Pérez Biscayart, Arnaud Valois, Adèle Haenel, Yves Heck, Emmanuel Ménard, Antoine Reinartz, François Rabette… Paris, in the early 1990s. A group of young activists multiply their actions to raise awareness of AIDS. Nathan, a newcomer to the group, has his world shaken up by the radical stance and energy of Sean, who throws the last of his strength into the struggle. Jury Grand Prix at Cannes. NELYUBOV / LOVELESS ANDREY ZVYAGINTSEV (RUSSIA – FRANCE – BELGIUM – GERMANY) Cast: Maryana Spivak, Alexey Rozin, Matvey Novikov A couple entangled in a messy divorce have no option but to join forces and search for their son when he disappears during one of their arguments. Jury Prize in Cannes. TESTRÖL ÉS LÉLEKRÖL / ON BODY AND SOUL ILDIKÓ ENYEDI (HUNGARY) Cast: Géza Morcsányi , Alexandra Borbély, Ervin Nagy, Pál Mácsai Two timid people make the chance discovery that they have the same dream every night. Confused and frightened by the revelation, they decide to accept the strange coincidence and set about recreating the experience in real life. A complicated task; the more they try, the further away their goal appears to be. In spite of it all, their clumsy attempts will topple their personal interior barriers and end up uniting them to one another. Golden Bear at Berlin. THE BIG SICK MICHAEL SHOWALTER (USA) Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano The Big Sick tells the real-life story of Kumail and Emily, a couple who meet after one of his comedy sets. However, what they thought would be just a one-night stand blossoms into the real thing, despite their cultural differences. The situation complicates everyone’s lives given the expectations harboured by Kumail’s traditional Muslim parents. And to make matters worse, Emily is beset with a mysterious illness… SXSW Audience Award. WONDERSTRUCK TODD HAYNES (USA) Cast: Oakes Fegley, Julianne Moore, Michelle Williams, Millicent Simmonds Ben and Rose are children from two different eras who secretly wish that their lives were different. Ben longs for the father he’s never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue and Rose reads an enticing headline, they both set out on epic quests to find what they’re missing.
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A FANTASTIC WOMAN, INSYRIATED, MR LONG Among First 6 Films Revealed for Stockholm International Film Festival
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A Fantastic Woman (Una Mujer Fantástica)[/caption]
The Stockholm International Film Festival today revealed the first six titles in the Fall program lineup. The 28th edition of the festival takes place November 8 to 19, 2017
A Fantastic Woman by Sebastian Lelio
The film, which depicts love and battle with great visual confidence, premiered at the Berlin Film Festival, where it was awarded three times. Maren Ade, who directed the celebrated movie “Toni Erdmann”, is a co-producer of the film that challenges the audience in the best possible way.
Wasted! The Story of Food Waste by Anna Chai, Nari Kye
Every year, a third of all food is thrown away before it even reaches consumers. The directors Anna Chai and Nari Kye want to change this behaviour with this strong, educational and hopeful documentary.
Amant Double by François Ozon
After the critically acclaimed drama “Frantz”, director François Ozon is back with an erotic thriller. The film had its world premiere at this year’s Cannes Film Festival and was nominated for the prestigious prize La Palme D’or.
Insyriated by Philippe Van Leeuw
“Insyriated” is a strong depiction of how a family caught in an apartment tries to endure another day in the Syrian war. The film blew the crowd away during Berlin film festival earlier this year and was awarded the Panorama Audience Award.
Mr. Long by Sabu
“Mr. Long “depicts the hard-boiled anti-hero from a new angle. With a unique blend of drama, humour and cooking, the film was nominated for the award for best film at the Berlin Film Festival.
This is Everything: Gigi Gorgeous by Barbara Kopple
The documentary “This is Everything: Gigi Gorgeous” is a moving film about the transwoman Gigi Gorgeous’ gender transitioning followed by thousands of fans on YouTube. The director Kopple has previously been awarded with two Oscar awards.
During the Fall, the following acclaimed films will be previewed for the film festival’s members:
On Body and Soul by Ildikó Enyedi (Golden Bear in Berlin)
120 BPM by Robin Campillo (Grand Prix in Cannes)
The Beguiled by Sofia Coppola (Best Director in Cannes)
The Nile Hilton Incident by Tarik Saleh (Grand Jury Price in Sundance)
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ON BODY AND SOUL Wins Sydney Film Prize at Sydney Film Festival
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On Body and Soul (Testről és lélekről) by Ildikó Enyedi[/caption]
On Body and Soul, directed by Ildikó Enyedi, beat 12 other films to win the prestigious 10th anniversary Sydney Film Prize at the 64th Sydney Film Festival. Winner of the Berlinale Golden Bear, On Body and Soul is Enyedi’s visually ravishing return to filmmaking after an 18-year break. The film is about the unconventional romance between two coworkers who discover that each night they have exactly the same dreams.
Accepting the award, Enyedi said, “It was such an amazingly strong competition. It’s marvelous that such a film can move so many people, it gives me so much hope in cinema and in human communication.”
Sydney filmmakers Sascha Ettinger Epstein and Claire Haywood were awarded the Documentary Australia Foundation Award for Australian Documentary’s $10,000 cash prize for The Pink House, about the last brothel in old mining town Kalgoorlie.
The Dendy Awards for Australian Short Films saw the $7000 cash prize for the Dendy Live Action Short Award going to Adele, directed by Mirene Igwabi. Sunday Emerson Gullifer was Highly Commended for her short film Tomorrow, and tomorrow, and tomorrow.
And Daniel Agdag’s animation Lost Property Office took out both the $7000 Rouben Mamoulian Award for Best Director and the $5000 Yoram Gross Animation Award.
The Event Cinemas Australian Short Screenplay Award, a $5,000 prize for the best short screenwriting, was awarded to Michael Cusack, the writer and director of stop motion animation After All.
And the writers of Screenability short film The Milky Pop Kid, Johanna Garvin and Emily Dash, were Highly Commended.
The $10,000 Sydney-UNESCO City of Film Award, bestowed by Create NSW to a trail-blazing NSW based screen practitioner, went to Indigenous Australian actor, director and writer Leah Purcell.
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Berlinale 2017: Complete List of Awards – ON BODY AND SOUL Wins Golden Bear
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On Body and Soul (Testről és lélekről) by Ildikó Enyedi[/caption]
A slaughterhouse in Budapest is the setting of a strangely beautiful love story, the Hungarian film On Body and Soul by Ildikó Enyedi, crowned winner of the Golden Bear for Best Film at the 2017 Berlin International Film Festival. The film also is the winner of the Berliner Morgenpost Readers’ Jury Award.
THE AWARDS OF THE 67th BERLIN INTERNATIONAL FILM FESTIVAL
PRIZES OF THE INTERNATIONAL JURY
GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer) Testről és lélekről On Body and Soul by Ildikó Enyedi SILVER BEAR GRAND JURY PRIZE Félicité by Alain Gomis SILVER BEAR ALFRED BAUER PRIZE for a feature film that opens new perspectives Pokot Spoor by Agnieszka Holland SILVER BEAR FOR BEST DIRECTOR Aki Kaurismäki for Toivon tuolla puolen (The Other Side of Hope/Die andere Seite der Hoffnung) SILVER BEAR FOR BEST ACTRESS Kim Minhee in Bamui haebyun-eoseo honja (On the Beach at Night Alone) by Hong Sangsoo SILVER BEAR FOR BEST ACTOR Georg Friedrich in Helle Nächte (Bright Nights) by Thomas Arslan SILVER BEAR FOR BEST SCREENPLAY Sebastián Lelio and Gonzalo Maza for Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION in the categories camera, editing, music score, costume or set design Dana Bunescu for the editing in Ana, mon amour by Călin Peter NetzerGWFF BEST FIRST FEATURE AWARD
GWFF BEST FIRST FEATURE AWARD Estiu 1993 Summer 1993 Sommer 1993 by Carla SimónGLASHÜTTE ORIGINAL DOCUMENTARY AWARD
GLASHÜTTE ORIGINAL DOCUMENTARY AWARD Istiyad Ashbah Ghost Hunting by Raed AndoniPRIZES OF THE INTERNATIONAL SHORT FILM JURY
GOLDEN BEAR FOR BEST SHORT FILM Cidade Pequena Small Town Kleine Stadt by Diogo Costa Amarante SILVER BEAR JURY PRIZE (SHORT FILM) Ensueño en la Pradera Reverie in the Meadow Träumerei in der Prärie by Esteban Arrangoiz Julien AUDI SHORT FILM AWARD Street of Death by Karam Ghossein SPECIAL MENTION Centauro Centaur Zentaur by Nicolás Suárez BERLIN SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS Os Humores Artificiais The Artificial Humors Die Künstlichen Humore by Gabriel AbrantesPRIZES OF THE JURIES GENERATION
Children’s Jury Generation Kplus CRYSTAL BEAR for the Best Film Piata loď Little Harbour Das fünfte Schiff by Iveta Grófová SPECIAL MENTION Amelie rennt Mountain Miracle — An Unexpected Friendship by Tobias Wiemann CRYSTAL BEAR for the Best Short Film Promise Versprechen by Xie Tian SPECIAL MENTION Hedgehog’s Home Das Haus des Igels by Eva CvijanovicInternational Jury Generation Kplus
THE GRAND PRIX OF THE GENERATION KPLUS INTERNATIONAL JURY for the best feature-length film Becoming Who I Was Werden wer ich war by Chang-Yong Moon and Jin Jeon tie Estiu 1993 Summer 1993 Sommer 1993 by Carla Simón THE SPECIAL PRIZE OF THE GENERATION KPLUS INTERNATIONAL JURY for the best short film Aaba Grandfather Großvater by Amar Kaushik SPECIAL MENTION Sabaku by Marlies van der WelYouth Jury Generation 14plus
CRYSTAL BEAR for the Best Film Butterfly Kisses by Rafael Kapelinski SPECIAL MENTION Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau Those Who Make Revolution Halfway Only Dig Their Own Graves by Mathieu Denis and Simon Lavoie CRYSTAL BEAR for the Best Short Film Wolfe by Claire Randall SPECIAL MENTION SNIP by Terril CalderInternational Jury Generation 14plus
THE GRAND PRIX OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best feature-length film, Shkola nomer 3 School Number 3 by Yelizaveta Smith and Georg Genoux SPECIAL MENTION Ben Niao The Foolish Bird by Huang Ji and Ryuji Otsuka THE SPECIAL PRIZE OF THE GENERATION 14PLUS INTERNATIONAL JURY for the best short film, The Jungle Knows You Better Than You Do by Juanita Onzaga SPECIAL MENTION U Plavetnilo Into the Blue by Antoneta Alamat KusijanovićPRIZES OF INDEPENDENT JURIES
PRIZES OF THE ECUMENICAL JURY Competition Testről és lélekről (On Body and Soul) by Ildikó Enyedi Special Mention: Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio Panorama Tahqiq fel djenna (Investigating Paradise) by Merzak Allouache Special Mention: I Am Not Your Negro by Raoul Peck Forum Maman Colonelle (Mama Colonel) by Dieudo Hamadi Special Mention: El mar la mar by Joshua Bonnetta and J.P. Sniadecki PRIZES OF THE FIPRESCI JURY Competition: Testről és lélekről (On Body and Soul) by Ildikó Enyedi Panorama: Pendular by Julia Murat Forum: Shu’our akbar min el hob (A Feeling Greater Than Love) by Mary Jirmanus Saba GUILD FILM PRIZE The Party by Sally Potter CICAE ART CINEMA AWARD Panorama: Centaur by Aktan Arym Kubat Forum: Newton by Amit V Masurkar LABEL EUROPA CINEMAS Insyriated by Philippe Van Leeuw TEDDY AWARD Best Feature Film: Una mujer fantástica (A Fantastic Woman) by Sebastián Lelio Best Documentary/Essay Film: Ri Chang Dui Hua (Small Talk) by Hui-chen Huang Best Short Film: Min Homosyster (My Gay Sister/Meine Homoschwester) by Lia Hietala Special Jury Award: Karera ga Honki de Amu toki wa (Close-Knit) by Naoko Ogigami Special Teddy Award: Monika Treut CALIGARI FILM PRIZE El mar la mar by Joshua Bonnetta and J.P. Sniadecki PEACE FILM PRIZE El Pacto de Adriana (Adriana’s Pact) by Lissette Orozco AMNESTY INTERNATIONAL FILM PRIZE La libertad del diablo (Devil’s Freedom) by Everardo González (Berlinale Special) HEINER CAROW PRIZE Fünf Sterne (Five Stars) by Annekatrin HendelREADERS’ JURIES AND AUDIENCE AWARD
PANORAMA AUDIENCE AWARD Fiction Film Insyriated by Philippe Van Leeuw PANORAMA AUDIENCE AWARD Documentary Film I Am Not Your Negro by Raoul Peck BERLINER MORGENPOST READERS’ JURY AWARD Testről és lélekről (On Body and Soul) by Ildikó Enyedi TAGESSPIEGEL READERS’ JURY AWARD Maman Colonelle (Mama Colonel) by Dieudo Hamadi HARVEY – MÄNNER READERS’ JURY AWARD God’s Own Country by Francis LeeDEVELOPMENT AWARDS
COMPASS-PERSPEKTIVE-AWARD Die beste aller Welten (The Best Of All Worlds) by Adrian Goiginger Special Jury Prize: Final Stage by Nicolaas Schmidt KOMPAGNON-FELLOWSHIP System Crasher (Systemsprenger) by Nora Fingscheidt (Berlinale Talents 2017) Der grüne Wellensittich by Levin Peter and Elsa Kremser (Perspektive Deutsches Kino 2016) ARTE INTERNATIONAL PRIZE Lost Country by Vladimir Perišić (Serbia), produced by KinoElektron (France), MPM Film (France) and Trilema Films (Serbia) EURIMAGES CO-PRODUCTION DEVELOPMENT AWARD Razor Film Produktion (Germany) for The Wife of the Pilot (Director: Anne Zohra Berrached) VFF TALENT HIGHLIGHT AWARD Producer Nefes Polat (Turkey) for The Bus to Amerika (Director: Derya Durmaz)
