Our Time (Nuestro tiempo) (2018)

  • TEMBLORES, BIRDS OF PASSAGE, ROMA Among Cinema Tropical 2019 Shortlist of Best Latin American and U.S. Latinx Films

    Birds of Passage (Pájaros de verano)
    Birds of Passage (Pájaros de verano)

    Cinema Tropical, the non-profit media arts organization leading presenter of Latin American cinema in the United States, announced its Third Annual Shortlist, comprising 25 Latin American films from eight different countries plus six U.S. Latinx productions that the New York–based organization has selected as the best of the year.

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  • International Film Festival Rotterdam Reveals First Films of 2020 Edition

    Babai directed by Artem Aisagaliev
    Babai directed by Artem Aisagaliev

    International Film Festival Rotterdam (IFFR) revealed the first confirmed films of the 2020 edition, including the world premiere of Artem Aisagaliev’s Babai, the international premiere of Oda Kaori’s Cenote, and the European premiere of Nigina Sayfullaeva’s Fidelity.

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  • 4th Neighboring Scenes, Festival of Contemporary Latin American Cinema Returns to Film Society of Lincoln Center, Announces Lineup

    Belmonte, directed by Federico Veiroj
    Belmonte, directed by Federico Veiroj

    Neighboring Scenes, the annual festival of contemporary Latin American cinema organized by the Film Society of Lincoln Center and Cinema Tropical, returns for the 4th edition in New York City with 13 features and 10 shorts with seven filmmakers in person, from February 22 to 26.

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  • ZAMA, BURNING, and FIRST REFORMED Top Film Comment 2018 Best Films

    First Reformed, directed by Paul Schrader
    First Reformed

    Lucrecia Martel’s Zama, Lee Chang-dong’s Burning, and Paul Schrader’s First Reformed took the top spots among films released in 2018 on Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Roberto Minervini’s What You Gonna Do When the World’s on Fire?, Mariano Llinás’s La Flor, and Khalik Allah’s Black Mother received the top rankings.

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  • AFI FEST 2018 World Cinema to Showcase 28 Foreign Films

    [caption id="attachment_29049" align="aligncenter" width="1000"]Capernaum by Nadine Labaki Capernaum[/caption] The World Cinema section of AFI FEST 2018 presented by Audi will showcase the most celebrated international films of the year and feature 28 titles from 27 countries.  The section includes seven official Best Foreign Language Film Oscar® submissions: CAPERNAUM (DIR Nadine Labaki), DOGMAN (DIR Matteo Garrone), “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” (DIR Radu Jude), NEVER LOOK AWAY (DIR Florian Henckel von Donnersmarck), SHOPLIFTERS (DIR Hirokazu Kore-eda), SUNSET (DIR László Nemes) and THE WILD PEAR TREE (DIR Nuri Bilge Ceylan). AFI FEST will also present the North American premiere of the first two episodes of MY BRILLIANT FRIEND as part of the section. Premiering on HBO November 18, the series is an adaptation of author Elena Ferrante’s celebrated international bestseller centered on the complicated friendship between two women across decades. AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt.

    WORLD CINEMA

    3 FACES (SE ROKH) – Jafar Panahi and Iranian actress Behnaz Jafari travel to a small village in northwest Iran to investigate the possible suicide of an aspiring young actress. Content to sit in the car while three generations of women examine their dual oppression, Panahi traverses moral and ideological pathways through rural Iran with trademark heart, charm and wit. DIR Jafar Panahi. SCR Jafar Panahi. CAST Behnaz Jafari, Marziyeh Rezaei, Narges Del Aram, Jafar Panahi, Maedeh Erteghaei. Iran AMATEURS (AMATÖRER) – When German investors show interest in building a superstore in the small town of Lafors, community leaders decide to create a promotional video. Turning to students for help, teenagers Aida and Dana begin filming — and the battle for the true image of Lafors is on. Director Gabriela Pichler returns to AFI FEST with a sharp, funny, youthful and complex drama about giving a voice to those most often unheard. DIR Gabriela Pichler. SCR Gabriela Pichler, Jonas Hassen Khemeri. CAST Zahraa Aldoujaili, Yara Aliadotter, Fredrik Dahl. Sweden ANGELS ARE MADE OF LIGHT – Filmed over three years, the latest documentary from James Longley follows students and teachers at a school in an old neighborhood of Kabul that is slowly rebuilding from past conflicts. Interweaving the modern history of Afghanistan with present-day portraits, the film offers an intimate and nuanced vision of a society living in the shadow of war. DIR James Longley. USA, Denmark, Norway ASH IS PUREST WHITE (JIANGHU ER NV) – Jia Zhang-ke returns to AFI FEST with his latest sprawling masterwork. Centering on the struggles of Qiao (played by Zhao Tao), a gangster’s girlfriend who spends five years in prison after getting caught up in a violent attack, ASH IS PUREST WHITE is a haunting, enigmatic portrait of individuals navigating China’s new “capitalism” at the dawn of the millennium. DIR Jia Zhang-ke. SCR Jia Zhang-ke. CAST Zhao Tao, Liao Fan, Xu Zheng. China, France BULBUL CAN SING – In Rima Das’ lyrical and quietly moving third feature, an independent girl, Bulbul, lives a typical teenage life in the Assam region of India. But when a cruel shaming by a group of local men balloons into a tragedy, Bulbul must learn how to deal with her awakening desires in a restrictive culture. DIR Rima Das. SCR Rima Das. CAST Arnali Das, Manoranjan Das, Bonita Thakuria, Pakija Begum. India CAPERNAUM (CAPHARNAÜM) – CAPERNAUM tells the story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. Zain journeys from gutsy, streetwise child to hardened 12-year-old “adult”: fleeing his abusive, negligent parents, surviving through his wits on the streets, and finally, seeking justice in a courtroom. DIR Nadine Labaki. SCR Nadine Labaki, Jihad Hojeily, Michelle Kesrwany. CAST Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad, Fadi Kamel Youssef, Cedra Izam, Alaa Chouchnieh, Nadine Labaki, Nour el Husseini, Elias Khoury. Lebanon DAUGHTER OF MINE (FIGLIA MIA) – 10-year-old Vittoria is a quiet girl whose uneventful Sardinian summer becomes upended when she discovers her birth mother is the town drunk, Angelica (Alba Rohrwacher). As Vittoria begins to split her time between Angelica and the more stable woman who raised her (Valeria Golino), she finds herself struggling with something deep and innate. DIR Laura Bispuri. SCR Francesca Manieri, Laura Bispuri. CAST Valeria Golino, Alba Rohrwacher, Sara Casu, Michele Carboni, Udo Kier. Italy, Germany, Switzerland DIAMANTINO – When Portuguese soccer god Diamantino blows a chance at World Cup glory, the disgraced footballer finds himself unwittingly tied up in conspiracies involving evil twin sisters, gender bending genetic experimentation, lesbian spies and far-right ultra-nationalists in delightfully sharp, future cult classic. DIR Gabriel Abrantes, Daniel Schmidt. SCR Gabriel Abrantes, Daniel Schmidt. CAST Carloto Cotta, Cleo Tavares, Anabela Moreira, Margarida Moreira, Carla Maciel, Filipe Vargas, Manuela Moura Guedes, Joana Barrios, Maria Leite. Portugal, France, Brazil DOGMAN – Matteo Garrone’s latest film is a gripping drama about Marcello, a gentle yet cowardly dog groomer who finds himself caught up in Italy’s criminal underworld. Marcello forms a dangerous, one-sided relationship with former boxer and cokehead Simone, who terrorizes the community. Before long, Marcello is part of his reckless antics. DOGMAN will screen at AFI FEST in partnership with Cinema Italian Style, an annual showcase of contemporary Italian cinema in Los Angeles. DOGMAN will be the opening night film of Cinema Italian Style. DIR Matteo Garrone. SCR Ugo Chiti, Maurizio Braucci, Matteo Garrone, Massimo Gaudioso. CAST Marcello Fonte, Edoardo Pesce, Nunzia Schiano, Adamo Dionisi, Francesco Acquaroli. Italy, France FUGUE (FUGA) – Alicja suffers from memory loss and has rebuilt her own free-spirited way of life. Two years later, she returns to her family and unwillingly resumes her role as wife, mother and daughter. FUGUE evokes the social taboos around motherhood and the pressure on women to accept maternity without hesitation or reflection. DIR Agnieszka Smoczyńska. SCR Gabriela Muskała. CAST Gabriela Muskała, Łukasz Simlat, Iwo RajskiMałgorzata Buczkowska, Zbigniew Waleryś, Halina Rasiakówna, Piotr Skiba. Poland, Czech Republic, Sweden GENESIS (GENÈSE) – While Guillaume, an outwardly confident teenager in a posh boarding school, struggles with surprising new feelings of love and alienation, his older sister Charlotte navigates a thorny path of relationships with disappointing men in Québécois director Philippe Lesage’s detailed, incisive portrait of adolescent yearning. DIR Philippe Lesage. SCR Philippe Lesage. CAST Noée Abita, Théodore Pellerin, Jules Roy-Sicotte, Maxime Dumontier, Edouard Tremblay-Grenier, Emilie Bierre, Pier-Luc Funk, Vassili Schneider, Mylène Mackay. Canada HAPPY AS LAZZARO (LAZZARO FELICE) – In auteur Alice Rohrwacher’s stunning third feature, a simple young man named Lazzaro works with other unpaid laborers on an isolated estate in the Italian countryside. But when Lazzaro suffers an accident, HAPPY AS LAZZARO kicks into high gear as a work of fantastic time-jumping poetry and grounded social critique. DIR Alice Rohrwacher. SCR Alice Rohrwacher. CAST Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Luca Chikovani, Tommaso Ragno, Sergi López, Natalino Balasso, Gala Othero Winter, David Bennent, Nicoletta Braschi. Italy HOTEL BY THE RIVER (GANGBYUN HOTEL) – A getaway destination along the frozen Han River is the setting for Hong Sang-soo’s latest, a simmering and melancholic family drama, lensed in stark black and white, about an aging poet facing mortality and his two competing sons who cross paths with a woman nursing the wounds of a scarring breakup. DIR Hong Sang-soo. SCR Hong Sang-soo. CAST Ki Joo-bong, Kim Min-hee, Song Seon-mi, Kwon Hae-hyo, Yu Jun-sang, Park Ran, Shin Seok-ho. South Korea “I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS” (ÎMI ESTE INDIFERENT DACA ÎN ISTORIE VOM INTRA CA BARBARI) – Mariana is a young, defiant artist mounting a theatrical production of the Odessa massacre, in which Romanian soldiers killed thousands of Ukrainian Jews. As she attempts to stage a realistic reenactment, to force her fellow Romanians to confront their sins of the past, she meets with stiff resistance from local powers. Radu Jude’s latest masterpiece is at once funny, uncomfortable and profound. DIR Radu Jude. SCR Radu Jude. CAST Ioana Iacob, Alexandru Dabija, Alex Bogdan. Romania, Czech Republic, France, Bulgaria, Germany MAYA – Mia Hansen-Løve reunites with Roman Kolinka for her sixth feature. As the French protagonist Gabriel, he travels to India after a traumatic stint of forced captivity and encounters the charming Maya. What takes shape is a subtle increase of silent attraction as the two explore his childhood home in this gentle film filled with yearning, wandering and rumination. DIR Mia Hansen-Løve. SCR Mia Hansen-Løve. CAST Roman Kolinka, Aarshi Banerjee, Alex Descas. France MY BRILLIANT FRIEND (L’AMICA GENIALE) – MY BRILLIANT FRIEND adapts the first book in Elena Ferrante’s renowned coming-of-age epic, beginning in 1950s Naples and spanning six decades. An unexpected phone call prompts Elena to reflect on her relationship with her brilliant friend Lila and the complexities of female friendship in a community replete with male violence. DIR Saverio Costanzo. SCR Elena Ferrante, Francesco Piccolo, Laura Paolucci and Saverio Costanzo. CAST Valentina Acca, Antonio Buonanno, Gennaro Canonico, Pina Di Gennaro, Sarah Falanga, Luca Gallone. Italy NEVER LOOK AWAY (WERK OHNE AUTOR) – Inspired by real events and spanning three eras of German history, NEVER LOOK AWAY tells the story of an art student Kurt, who falls in love with classmate Ellie. Ellie’s father, Professor Seeband, is dismayed at his daughter’s choice of boyfriend, and will stop at nothing to destroy the relationship. DIR Florian Henckel von Donnersmarck. SCR Florian Henckel von Donnersmarck. CAST Tom Schilling, Sebastian Koch, Paula Beer, Oliver Masucci Saskia Rosendahl. Germany, Italy NON-FICTION (DOUBLE VIES) – Olivier Assayas’ latest is a delightful, breezy comedy centering on a married couple (Juliette Binoche and Guillaume Canet) as they navigate the swiftly evolving landscape of the modern publishing industry, and the ever-thorny issue of monogamy (or lack thereof) in long-term relationships. DIR Olivier Assayas. SCR Olivier Assayas. CAST Guillaume Canet, Juliette Binoche, Vincent Macaigne. France OF FATHERS AND SONS – Award-winning documentarian Talal Derki gained the trust of a radical Islamist family in Syria and filmed their daily lives for two years. The result is OF FATHERS AND SONS, a jaw-dropping, intensely uninhibited look at young boys training as Jihadi fighters, and their Caliphate-obsessed father. DIR Talal Derki. Germany, Syria, Lebanon OUR TIME (NUESTRO TIEMPO) – Two-time AFI FEST alum Carlos Reygadas returns to the festival with an intensely personal project. OUR TIME tells the story of an upper-middle-class rancher (Reygadas) whose wife (played by Reygadas’ real-life spouse) draws him into a cuckolding fetish. As the emotional stakes rise, life on the idyllic landscape becomes threatened. DIR Carlos Reygadas. SCR Carlos Reygadas. CAST Carlos Reygadas, Natalia López, Eleazar Reygadas, Rut Reygadas, Phil Burgers. Mexico, France, Germany, Denmark, Sweden PIG (KHOOK) – Past-his-prime filmmaker Hasan is having a crisis of ego. A serial killer is offing local filmmakers, and Hasan wants to know why he isn’t being targeted. In veteran filmmaker Mani Haghighi’s wonderfully bizarre dark comedy, the satire is heavy and hilarious, and gender stereotypes get smashed right and left. DIR Mani Haghighi. SCR Mani Haghighi. CAST Hasan Majuni, Leila Hatami, Leili Rashidi, Parinaz Izadyar, Mina Jafarzadeh, Aynaz Azarhoosh. Iran PUTIN’S WITNESSES (SVIDETELI PUTINA) – With PUTIN’S WITNESSES, Vitaly Mansky returns to footage he filmed when commissioned — and provided with unnervingly intimate access — on a propaganda film promoting Vladmir Putin’s first presidential election. In this captivating portrait, Mansky both chronicles the alarming ease of the dictator’s rise to power and examines his own complicity in his near two-decade rule. DIR Vitaly Mansky. SCR Vitaly Mansky. Latvia, Switzerland, Czech Republic SHOPLIFTERS (MANBIKI KAZOKU) – The winner of the Palme d’Or at the 2018 Cannes Film Festival, SHOPLIFTERS tells the tender story of a family of misfits and grifters struggling to make ends meet. After taking in a girl off the street, a sudden incident upends their lives and exposes their secrets. Director Hirokazu Kore-eda returns to the screen with a nuanced class critique, and a beautiful portrait of family life. DIR Hirokazu Koreeda. SCR Hirokazu Kore-eda. CAST Lily Franky, Sakura Ando, Jyo Kairi, Miyu Sasaki, Kiki Kirin. Japan SUNSET (NAPSZALLTA) – As World War I approaches, Irisz arrives in Budapest with the dream to work as a milliner at Leiter, a store once owned by her family. Her hopes dashed by the new proprietor, she discovers news that a previously unknown sibling may exist, and sets out to meet them. DIR László Nemes. SCR László Nemes, Clara Royer, Matthieu Taponier. CAST Juli Jakab, Vlad Ivanov, Evelin Dobos, Marcin Czarnik, Judit Bárdos, Benjamin Dino, Balázs Czukor, Christian Harting, Levente Molnár. Hungary, France TOO LATE TO DIE YOUNG (TARDE PARA MORIR JOVEN) – Sixteen-year-old Sofia navigates the usual pitfalls of her age against the unusual backdrop of a burgeoning utopian society in the Chilean jungle of the 1990s. A moody, atmospheric period piece, this third feature firmly establishes Sotomayor as one of today’s most original filmmakers. DIR Dominga Sotomayor. SCR Dominga Sotomayor. CAST Demian Hernández, Antar Machado, Magdalena Tótoro. Chile VISION – Juliette Binoche stars in Naomi Kawase’s latest, a meditative journey into the heart of Japan, and a mysterious portrait of one woman’s search for meaning. When Jeanne (Binoche) seeks a rare medicinal plant in the forested Nara region, her quest is aided by a ranger who helps to reveal painful fragments of her past. DIR Naomi Kawase. SCR Naomi Kawase. CAST Juliette Binoche, Masatoshi Nagase. Japan, France THE WILD PEAR TREE (AHLAT AGACI) – THE WILD PEAR TREE is a portrait of an ambitious young writer returning home after college. At once languid and rhapsodic, Palme d’Or winner Nuri Bilge Ceylan’s film is a profound and poetic look at a misspent youth grasping at a maturity that, once attained, is revealed to be the ultimate disappointment. DIR Nuri Bilge Ceylan. SCR Akin Aksu, Ebru Ceylan, Nuri Bilge Ceylan. CAST Aydin Doğu Demirkol, Murat Cemcir, Hazar Ergüçlü, Serkan Keskin, Tamer Levent, Akin Aksu, Öner Erkan, Ahmet Rifat Şungar, Kubilay Tunçer, Kadir Çermik, Özay Fecht, Ercüment Balakoğlu, Asena Keskinci. Turkey YARA – Yara lives alone with her grandmother on a remote Lebanese mountain-side. A farmer brings supplies, a tour guide assists with odd tasks and, lost on a hike, a charismatic young hiker happens upon Yara hanging her underwear. A gently paced romance, Abbas Fahdel’s YARA captures the elation of first love and the crushing pain of its loss. DIR Abbas Fahdel. SCR Abbas Fahdel. CAST Michelle Wehbe, Elias Freifer, Mary Alkady. Lebanon, Iraq, France

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  • Toronto International Film Festival to Spotlight 11 Films by International Legends in 2018 Masters Program

    [caption id="attachment_31411" align="aligncenter" width="1200"]Peterloo Peterloo[/caption] The Toronto International Film Festival today unveiled the lineup for the 2018 Masters program, comprised of 11 daring new films by acclaimed, established auteurs with remarkable bodies of work.  Included in the 2018 Masters lineup are new works by three acclaimed European directors that unwaveringly address contemporary adversities: the debut of the single-installment version of Italian maestro Paolo Sorrentino’s corrosive comedy, Loro, which stars Toni Servillo as infamous politician Silvio Berlusconi; legendary French—Swiss auteur Jean-Luc Godard’s The Image Book, winner of the inaugural 2018 Special Palme d’Or at Cannes; and German director Christian Petzold’s daring Transit, an adaptation of Anna Seghers’ World War II novel set in an era resembling the present day, which offers subtle and timely reflections on rootlessness and exile. Among the auteurs in the lineup are: Algerian visionary Merzak Allouache, who explores religious radicalization with Divine Wind, the latest in a remarkable filmography that spans over four decades; acclaimed Turkish director Nuri Bilge Ceylan, who is known for his distinct cinematic use of landscape and who returns to the Festival with The Wild Pear Tree; Mexican master Carlos Reygadas, who delivers an existential meditation on a couple’s open relationship in Our Time; South Korean director Hong Sang-soo, who returns to the program with Hotel by the River, a black-and white-drama set in an isolated hotel during a cold winter; British director Mike Leigh, who explores the history of British parliamentary reform in Peterloo; and Iranian maverick Jafar Panahi, who presents 3 Faces, a thoughtful examination of traditional gender roles and artistic independence. Chinese pioneer Jia Zhang-ke will introduce his largest production to date, Ash Is Purest White, a look at the rapid evolution of Chinese capitalist society explored through the romance between two mismatched people, while veteran Japanese director Shinya Tsukamoto will present Killing, an ambitious samurai genre film set in mid-19th century Japan. The 43rd Toronto International Film Festival runs from September 6 to 16, 2018.

    2018 Toronto International Film Festival Masters Program

    3 Faces Jafar Panahi | Iran North American Premiere Ash Is Purest White ( Jiang Hu Er Nü) Jia Zhang-ke | China/France North American Premiere Divine Wind ( Rih rabani) Merzak Allouache | Algeria/France/Qatar/Lebanon World Premiere Hotel by the River ( Gangbyun Hotel) Hong Sang-soo | South Korea North American Premiere Killing ( Zan) Shinya Tsukamoto | Japan North American Premiere Loro Paolo Sorrentino | Italy/France World Premiere Our Time ( Nuestro Tiempo) Carlos Reygadas | Mexico/France/Germany/Denmark/Sweden North American Premiere Peterloo Mike Leigh | United Kingdom Canadian Premiere The Image Book ( Le livre d’image) Jean-Luc Godard | Switzerland/France North American Premiere The Wild Pear Tree ( Ahlat Ağacı) Nuri Bilge Ceylan | Turkey/France/Germany/Bulgaria North American Premiere Transit Christian Petzold | Germany North American Premiere

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  • 12 Latin American Films to Compete for Horizontes Award at 2018 San Sebastian International Film Festival

    [caption id="attachment_31363" align="aligncenter" width="1000"]Florianópolis Dream (Sueño Florianópolis) Florianópolis Dream (Sueño Florianópolis)[/caption] Twelve films produced, directed or set in Latin America will compete for the Horizontes Award at the 2018 San Sebastian International Film Festival. Las herederas (Marcelo Martinessi), opening film of the section, Familia sumergida (Immersed Family, María Alché), La noche de 12 años (A Twelve-Year-Night, Álvaro Brechner), Figuras (Figures, Eugenio Canevari), Cómprame un revólver (Buy Me a Gun, Julio Hernández Cordón), Enigma (Ignacio Juricic Merillán), Sueño Florianópolis (Ana Katz), Ferrugem / Rust (Aly Muritiba), Nuestro tiempo (Our Time, Carlos Reygadas), Marilyn (Martín Rodríguez Redondo), Los silencios (Beatriz Seigner) and El motoarrebatador (The Snatch Thief, Agustín Toscano) make up the Horizontes Latinos selection at the 66th edition of the San Sebastian Festival.

    Films in Horizontes Latinos at 66th San Sebastian Festival

    LAS HEREDERAS MARCELO MARTINESSI (PARAGUAY – GERMANY – BRAZIL – URUGUAY – NORWAY – FRANCE ) Cast: Ana Brun, Margarita Irún, Ana Ivanova, Nilda Gonzalez, María Martins, Alicia Guerra, Yverá Zayas OPENING NIGHT FILM For more than 30 years, Chela and Martina have lived together, like the daughters of families in a well-placed social position: they had inherited enough money to live comfortably with no need to work. But now, when both are over 60, the money has run out. When Martina is sent to prison for being unable to pay her debts, Chela starts providing older women from well-off families with a taxi service which helps her to get by. That’s how she meets Josefina, a glamorous woman 20 years younger than herself, with whom she immediately hits it off. The connection changes the relationship Chela has with herself and with those around her, triggering an internal revolution. CÓMPRAME UN REVÓLVER (BUY ME A GUN ) JULIO HERNÁNDEZ CORDÓN (MEXICO) Cast: Matilde Hernández Guinea, Rogelio Sosa Mexico, sometime in a near future… Women are disappearing and a girl called Huck wears a mask to hide her gender. She helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play. The father tries to protect her as he can. With the help of her friends, a group of lost boys who have the power of camouflaging themselves in the windy desert, Huck has to fight to overcome her reality and to defeat the local capo. EL MOTOARREBATADOR (THE SNATCH THIEF) AGUSTÍN TOSCANO (ARGENTINA – URUGUAY – FRANCE) Cast: Sergio Prina, Liliana Juárez, León Zelarrayán, Daniel Elías, Camila Plaate, Pilar Benítez Vibart, Mirella Pascual IV Europe-Latin America Co-production Forum In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings from his motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption. ENIGMA IGNACIO JURICIC MERILLÁN (CHILE) Cast: Roxana Campos, Rodrigo Pérez, Paula Zúñiga, Claudia Cabezas Films in Progress 33 Nancy receives the offer from a TV programme on unsolved mysteries to participate in the episode telling the story of her daughter, a young lesbian beaten to death, a crime for which no-one has been declared guilty eight years after it was committed. Nancy confronts her family and each one’s version of the events, as she decides whether or not to participate in the space and learn more about the person her daughter was. FAMILIA SUMERGIDA (IMMERSED FAMILY) MARIA ALCHÉ (ARGENTINA – BRAZIL – GERMANY – NORWAY) Cast: Mercedes Morán, Esteban Bigliardi, Marcelo Subiotto, Ia Arteta, Laila Maltz, Federico Sack Films in Progress 32 It’s summertime in an empty and heated Buenos Aires. Marcela’s world is shaken as her sister passes away, and it becomes estranged and unfamiliar. While still grieving, she will have to deal with clearing out her sister’s apartment. Willing to help out, Nacho, a young friend of her daughter’s, bursts in. His presence gives way to shared road trips and adventures. During these confusing days, people and conversations from another time will get intertwined, leading her to some self-questioning, as the imminence of everyday life pushes in. FERRUGEM / RUST ALY MURITIBA (BRAZIL) Cast: Tifanny Dopke, Giovanni Di Lorenzi, Pedro Inoue, Enrique Diaz, Clarissa Kiste, Dudah Azevedo Films in Progress 32 Tati is a 16-year-old girl, joyful and lively, who likes to share her happiest moments on social networks. She eagerly looks forward to a weekend trip with her school friends. She knows this may be a good opportunity to get to know Renet better, her mysterious classmate. Renet belongs to a family where things are not openly spoken, merely suggested, and most often in silence. The current unspoken matter between father and son is the departure of Renet’s mother, who left David, her ex-husband, caring alone for the boy. David is a teacher at the same school where Tati and Renet study. The hot topic at school is a video shared among the students in which the girl appears in a compromising situation. FIGURAS (FIGURES) EUGENIO CANEVARI (SPAIN – ARGENTINA) Cast: Stella Maris Santo, Francisco Dominguez, Valeria Ballerini Stella, an argentinian immigrant living in Spain, suffers from Amyotrophic lateral sclerosis (ALS) and needs constant attention. Paco, her longtime partner, helps her to move, eat, and communicate. Valeria, Stella’s daughter, visits them sporadically and, anguished by the visible deterioration of her mother, finds a manner of escape by going out to parties. While they wait for an answer about an opportunity for subsidized housing, they attempt to cope with the situation through humor and love. A real family performing in a real story. LA NOCHE DE 12 AÑOS (A TWELVE-YEAR-NIGHT) ÁLVARO BRECHNER (SPAIN – ARGENTINA – FRANCE – URUGUAY) Cast: Antonio de la Torre, Chino Darín, Alfonso Tort IV Europe-Latin America Co-production Forum September 1973. Uruguay is under the control of military dictatorship. The Tupamaros guerrilla movement has been crushed and out of action for a year. Its members imprisoned and tortured. One autumn night, three Tupamaros prisoners are taken from their prison cells in a secret military operation that will last for twelve years. From then on they will be hauled around different camps all over the country, subject to a macabre experiment; a new kind of torture aiming to break the limits of their mental resistance. The military order is clear: “since we couldn’t kill them, we’re going to drive them insane”. For more than a decade, the prisoners will be kept in isolation in tiny cells where they spend most of their time with hoods on, tied up, deprived of their basic needs, with hardly any food, and seeing how their senses are reduced to a minimum. With their bodies and minds pushed beyond the limits, La noche de 12 años (A Twelve-year Night) tells us how they managed to survive. LOS SILENCIOS BEATRIZ SEIGNER (BRAZIL – FRANCE – COLOMBIA) Cast: Marleyda Soto, Enrique Diaz, Maria Paula Tabares Peña, Adolfo Savilvino Films in Progress 33 Nuria, Fabio and their mother Amparo arrive in a small island in the middle of Amazonia, at the border of Brazil, Colombia and Peru. They ran away from the Colombian armed conflict in which their father disappeared. One day, he reappears in their new house. The family is haunted by this strange secret and discovers the island is peopled with ghosts. MARILYN MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE) Cast: Walter Rodríguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Germán Baudino, Andrew Bargsted, Rodolfo García Werner, Josefina Paredes III Europe-Latin America Co-production Forum Films in Progress 31 Marcos, a 17 year-old farmhand, discovers his sexuality in a hostile atmosphere. Nicknamed “Marilyn” by the other village teenagers, he becomes an object of desire and discrimination. Marcos feels increasingly more penned in. NUESTRO TIEMPO (OUR TIME) CARLOS REYGADAS (MEXICO – FRANCE – ALEMANIA – DENMARK – SWEDEN) Cast: Carlos Reygadas, Natalia López, Eleazar Reygadas, Rut Reygadas, Phil Burgers A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. When Esther becomes infatuated with a horse trainer, named Phil, the couple struggles to stride through the emotional crisis. SUEÑO FLORIANÓPOLIS (FLORIANÓPOLIS DREAM) ANA KATZ (ARGENTINA – BRAZIL – FRANCE) Cast: Mercedes Morán, Gustavo Garzón, Marco Ricca, Andréa Beltrão Couple Pedro and Lucrecia travel to Brazil with their teenage children. They have recently decided to separate, but to spend the holidays together as planned all the same. Marco, the Brazilian renting their summer house to the family, and Larissa, his ex-girlfriend, befriend Pedro and Lucrecia. On the beaches, among the waves, karaoke and water excursions, overlapping romances emerge together with an attraction that will rub off on the children on all sides. Parents and siblings have fun as they test the “Brazilian happiness”. While endless samba awakens the tourists from their lethargy, they separate to indulge in the passion and exploration, in the mirror, of more liberal and unexpected versions of themselves.

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