Parched


  • Palm Springs International Film Festival Announces Complete Line-up of Premieres, New Voices/New Visions Competition and Modern Masters

    Nicholas Hytner’s THE LADY IN THE VAN The 27th Palm Springs International Film Festival (PSIFF) running from January 1-11, 2016 in Palm Springs, California, announced its line-up of Premieres, New Voices/New Visions competition and Modern Masters. “I am thrilled at the breadth and depth of this year’s program,” said Festival Artistic Director Helen du Toit. “While Modern Masters showcases such widely acclaimed filmmakers as as Apichatpong Weerasethakul, Barbara Kopple and Terence Davies, our New Voices/New Visions program is evidence that new masters are emerging around the world. The range of approaches is extraordinary. Highlights include Raam Reddy’s Thithi (India), which skillfully juggles myriad characters in a delightful low key comedy; Yorgos Zois’ Interruption (Greece), which challenges the audience with a complex and highly compelling narrative; and Maris Curran’s Five Nights in Maine (USA), featuring David Oyelowo’s nuanced and heartbreaking performance as a widower reconnecting with his estranged mother-in-law.” Showcasing the diversity of international cinema, Festival premieres will include: World premieres: 50 Days in the Desert (Luxembourg) directed by Fabrizio Maltese, Agnes (Germany/Belgium), the documentary Broadway: Beyond the Golden Age (US) featuring Alec Baldwin, Carol Channing, Dick Van Dyke, Jane Fonda and Robert Redford, The Carer (Hungary/UK), Going Going Gone (UK), Searchdog (US) and Set the Thames on Fire (UK). North American premieres: Banat (Italy/Romania/Bulgaria/Macedonia), Death By Death (Belgium/France), A Decent Man (Switzerland), Departure (France/UK), Fly Away Solo (India/France), Interruption (Greece/Croatia), A Korean in Paris (South Korea/France), The Memory of Water (Chile/Spain/Argentina/Germany), Moor (Pakistan), On My Mother’s Side (Canada), Paradise Trips (Belgium/Croatia), Rosita (Denmark), Spy Time (Spain), Tanna (Australia/Vanuatu), Thithi (India/US/Canada), Utopians (Hong Kong) and When a Tree Falls (Spain). U.S. premieres: 1944 (Estonia/Finland), 3000 Nights (Palestine/France/Jordan/Lebanon), Atomic Falafel (Israel/Germany/New Zealand), Belgian Rhapsody (Belgium), Beyond My Grandfather Allende (Chile/Mexico), Born to Dance (New Zealand), Closet Monster (Canada), Enclave (Serbia/Germany), The Endless River (South Africa/France), Endorphine (Canada), Exotica, Erotica, Etc. (France), Fire Song (Canada), Five Nights in Maine (US), A Heavy Heart (Germany), Home Care (Czech Republic/Slovakia), Let Them Come (Algeria/France), My Big Night (Spain), My Internship in Canada (Canada), The Other Side (Italy/France), Our Everyday Life (Bosnia, Herzegovina/Slovenia/Croatia), The Paradise Suite (Netherlands/Sweden/Bulgaria), Parched (India/US/UK), Parisienne (France), Sabali (Canada), Sleeping Giant (Canada), Summer Solstice (Poland/Germany), Trap (Philippines), The Violin Teacher (Brazil), Wedding Doll (Israel) and Zubaan (India). The New Voices/New Visions competition showcases 12 US premieres from top emerging international directors marking their feature film debut at the Festival, with the additional criteria that the films selected are currently without U.S. distribution. Films selected for this year include: Banat (Italy/Romania/Bulgaria/Macedonia), Director Adriano Valerio Death By Death (Belgium/France), Director Xavier Seron Departure (UK/France), Director Andrew Steggall Five Nights in Maine (US), Director Maris Curran and starring David Oyelowo A Heavy Heart (Germany), Director Thomas Stuber Home Care (Czech Republic/Slovakia), Director Slávek Horák Interruption (Greece/Croatia), Director Yorgos Zois Let Them Come (Algeria/France), Director Salem Brahimi Our Everyday Life (Bosnia and Herzegovina/Slovenia/Croatia), Director Ines Tanovic Paradise Trips (Belgium/Croatia), Director Raf Reyntjens Sleeping Giant (Canada), Director Andrew Cividino Thithi (India/US), Director Raam Reddy The Modern Masters section features 10 films from international directors who set the standards for contemporary cinema. Films selected for this year include: Cemetery Of Splendour (Thailand/UK), Director Apichatpong Weerasethakul Dheepan (France), Director Jacques Audiard Miss Sharon Jones! (US), Director Barbara Kopple Mountains May Depart (China/France/Japan), Director Jia Zhangke My Golden Days (France), Director Arnaud Desplechin My Mother (Italy/France), Director Nanni Moretti Our Little Sister (Japan), Director Hirokazu Kore-eda Sunset Song (UK/Luxembourg), Director Terence Davies Sweet Bean (Japan), Director Naomi Kawase Women He’s Undressed (Australia), Director Gillian Armstrong Other Festival films with notable talent and directors include: 45 Years (UK) directed by Andrew Haigh and starring Charlotte Rampling and Tom Courtenay, Anomalisa (US) directed by Duke Johnson and Charlie Kaufman with the voices of David Thewlis and Jennifer Jason Leigh, Chronic (Mexico/France) starring Tim Roth, Closet Monster (Canada) with Connor Jessup and Isabella Rossellini, Eisenstein in Guanajuato (Netherlands/Mexico/Finland/Belgium/France) directed by Peter Greenaway, February (US/Canada) starring Kiernan Shipka and Emma Roberts, Hello, My Name is Doris (US) starring Sally Field, Max Greenfield, Beth Behrs and Stephen Root, Hitchcock/Truffaut (France/US) directed by Kent Jones and featuring Peter Bogdanovich, David Fincher and Richard Linklater, The Invitation (US) starring Logan Marshall-Green and Michiel Huisman, The Lady in the Van (UK) directed by Nicholas Hytner and starring Maggie Smith, Jim Broadbent and James Corden, (pictured above) Louder Than Bombs (USA) starring Jesse Eisenberg, Gabriel Byrne and Isabelle Huppert, Men & Chicken (Denmark) starring Mads Mikkelsen, Papa (Cuba) directed by Bob Yari and starring Giovanni Ribisi, Joely Richardson and Minka Kelly, A Perfect Day (Spain) starring Benicio del Toro, Tim Robbins and Olga Kurylenko, The Seventh Fire (US) executive produced by Terrence Malick, Natalie Portman and Chris Eyre, and Where to Invade Next (US) directed by Michael Moore.

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  • “Louder Than Bombs” “Mediterranea” Win Awards at 2015 Stockholm International Film Festival

    2015 Stockholm International Film Festival winners Norwegian director Joachim Trier’s Louder Than Bombs was awarded the Bronze Horse for Best film at the 2015 Stockholm International Film Festival. In Louder Than Bombs “an upcoming exhibition celebrating photographer Isabelle Reed three years after her untimely death brings her eldest son Jonah back to the family house – forcing him to spend more time with his father Gene and withdrawn younger brother Conrad than he has in years. With the three of them under the same roof, Gene tries desperately to connect with his two sons, but they struggle to reconcile their feelings about the woman they remember so differently.” Mediterranea by Jonas Carpignano was also a big winner, taking the awards for Best First Film, Telia Film Award, and Best Actor for Koudous Seihon. The complete list of awards for 2015 Stockholm International Film Festival Best film: Louder Than Bombs by Joachim Trier The prize for best film goes to an aesthetic masterpiece, a film that innovatively uses all cinematic components to move freely between present, past, dream and imagination. With this tightly woven family drama, the director gradually patches together our broken inner places and makes us visible to ourselves – and to each other. https://www.youtube.com/watch?v=QO1dLlaGvTs Best first film: Mediterranea by Jonas Carpignano The prize goes to a director who takes us on a journey to a place where reality triumphs with its hidden contempt. An unsentimental yet tender film about dreams, struggles and hopes for a better life that at the same time mirrors the contemporary state of the world. The director has with this knockout of a debut created a multifaceted and pressing real-life drama that leaves no one unaffected. https://www.youtube.com/watch?v=sk4SrMxTiS4 Best director: László Nemes, Son of Saul The award goes to a film that makes us hold our breath and instead become part of the film’s own pulse. With furious pacing, constant motion, a consistently subjective point-of-view and with long, meticulous and masterly executed sequences, the director takes a whole new perspective on a subject that has been depicted countless times, but never with this intensity – and never this good. https://www.youtube.com/watch?v=WOHDtPZmYj8 Best script: Deniz Gamze Ergüven and Alice Winocour, Mustang The writers of this film depict a serious topic with both humor and warmth. It is a touching story of sisterhood, an empowering film that challenges patriarchal oppression with its stale views on female sexuality. Conservative values are placed in opposition to modern society, the life within each of us – and every person’s right to their own bodies. https://www.youtube.com/watch?v=rU9JAN8LtIk Best cinematography: Manuel Dacosse, Evolution The prize for best cinematography goes to a cinematic masterpiece, a story that could as well take place in the subconscious as on a metaphorical plane or another planet. A hauntingly beautiful universe distilled through the lens of a master, with a singular visual expression that provokes goose bumps in the soul. https://www.youtube.com/watch?v=PkKZ2qx5f6g Best actress: Julija Steponaityte, The Summer of Sangaile The prize for best female lead goes to an actress who illuminates the screen with her absolute presence. It is a subtle yet multifaceted acting we are witnessing, at the same time cool and vulnerable, arrogant and passionate. She makes us curious – and we want to see more! https://www.youtube.com/watch?v=YY2990FsBAA Best actor: Koudous Seihon, Mediterranea The prize for best male lead goes to an actor who owns the story in every scene. It’s a portrait of a fighter, a street-smart survivor and a fellow human, who opens our hearts on his journey through a torn world full of dangers. He manages to convey a feeling of hope and faith in humanity in the midst of the brutal reality of the story. Best documentary: Behemoth by Liang Zhao Abandon all hope you who enter here. This filmmaker digs deep inside the bowels of its subject, showing us the monster of greed hiding in our destructive civilization. This film unveils hell right here on earth in a beautiful, emotive and poetic way. Through the power of great imagery, storytelling and empathy we are given a chance to perceive and finally end this abuse of the earth than of each other. Pure and utterly necessary. https://www.youtube.com/watch?v=-4kbx8x748Y Stockholm Impact Award: Leena Yadav, Parched Through superb acting giving a unique insight into the minds and hearts of women in rural India told with colourful, sensual cinematography. This film is a paradoxical celebration of life in tough circumstances, creating both anger and joy, giving fuel for debate as well as hope for change when addressing a burning question that affects, not half, but the whole of our society. https://www.youtube.com/watch?v=OpqKBf36bQ0 Best short film: A Few Seconds by Nora El Hourch In a very unique and bold way of storytelling the director manage to show how much humanity in the characters in such a short time. There are so many layers of emotions in this film. We are excited to discover this new talent in her future work. https://www.youtube.com/watch?v=L0k3EJYdF6U Stockholm Rising Star: Aliette Opheim This year’s Rising Star is awarded an actor who inhabits a deep sensibility as well as an immense power. Who delves into diverse roles with great courage and integrity. With the sense of carrying a secret. Telia Film Award: Mediterranea by Jonas Carpignano With a warm, humanistic touch Jonas Carpignano has written and directed a film with acute relevance and unexpected humour. Populated by brilliantly crafted and depicted characters with complexity, throughout the story, with an outstanding Koudous Seihon in the male lead. A beautiful film that humanizes what it is to live in the world today and offers a unique glimpse into experiences shared by many of the people fleeing across the Mediterranean Sea. FIPRESCI best film: Macadam Stories by Samuel Benchetrit The FIPRESCI award goes to Samuel Benchetrit’s Macadam Stories (Asphalte), an insightful, melancholic and tender comedy, filled with quirky deadpan humour. Three separate stories are seamlessly interwoven around the theme of urban loneliness and the longing for human connection, all beautifully drawn, highly nuanced and perfectly paced, while the excellent performances allow the characters humanity to shine through the cracks. Stockholm Achievement Award: Ellen Burstyn An icon of contemporary American cinema, a bold actress with great integrity, who has given life to groundbreaking characters. Her performances have left a lasting impression with a relentless struggle for independence and freedom. Stockholm Lifetime Achievement Award: Stephen Frears This year’s receiver of the Lifetime Achievement Award is a filmmaker who is not afraid to take a stand for those who exist at the margins of society. Regardless of what form the story takes, Stephen Frears shows us that he is a director with a genuine curiosity for people’s life stories. Stockholm Visionary Award: Yorgos Lanthimos This director gives us a perspective that is both challenging and headstrong. His films offer the audience an unpredictable cinematic trip that forces us to discover an inconvenient reflection of our own behaviour, logic and desires. And yet we cannot stop looking, identifying and yes, very oddly smiling. 1 km Film-scholarship: I turn to you by Victor Lindgren Two siblings are forced to experience the implosion of their parents’ relationship. The director poses an inconvenient question to us in the audience, can a child’s will to survive overcome the self-destructive desires of the parent. The film seamlessly connects refined form with emotional impact and the director shows great courage and promise. https://www.youtube.com/watch?v=xLDziuNrc6c iFestival Award: Tisure by Adrian Geyer Voted for by the 2015 Stockholm Film Festival audience.

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