
The 22nd SCAD Savannah Film Festival, presented by Savannah College of Art and Design (SCAD), will showcase a record total of 159 films, including 35 narrative films, 15 documentary films and 109 shorts, from October 26 to November 2.

The 22nd SCAD Savannah Film Festival, presented by Savannah College of Art and Design (SCAD), will showcase a record total of 159 films, including 35 narrative films, 15 documentary films and 109 shorts, from October 26 to November 2.
Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption]
The Shape of Water along with Hitman’s Bodyguard lead the nominations for the 19th annual Golden Trailer Awards competition that has emerged as the most recognized event devoted to the artistry of film marketers and companies that create movie trailers, commercials and posters worldwide.
GTA 19 will take place on Thursday, May 31st at the Theatre at the Ace Hotel in Downtown Los Angeles hosted by comedienne and actress Michelle Buteau (“The Tick,” “Broad City,” “Key & Peele”).
BATTLE OF THE SEXES[/caption]
Athena Film Festival (AFF) will open their 2018 edition on Thursday, February 22nd with BATTLE OF THE SEXES, directed by Jonathan Dayton and Valerie Faris. Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Billie Jean King will participate in a post-screening conversation.
Prior to opening night, the festival will host a special presentation premiering the first episode of Season three of Lifetime’s critically-acclaimed series UnREAL.
The Centerpiece film, documentary MANKILLER, directed by Valerie Red-Horse Mohl, will screen on Saturday, February 24th. The documentary tells the tale of a true American legend, Wilma Mankiller (1945-2010), a community organizer who became Chief of the Cherokee Nation and defied all odds to make a difference for her people. The film will be followed by a conversation with director Valerie Red-Horse Mohl, executive producer Gale Anne Hurd, and journalist and activist Gloria Steinem. Ann Hornaday from the Washington Post will moderate.
The festival will close on Sunday, February 25th with the Academy Award®-nominated THE POST, directed by Steven Spielberg, and starring Meryl Streep and Tom Hanks. In this thrilling drama, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war.
Additional films announced include 9 TO 5, directed by Colin Higgins and starring Dolly Parton, Jane Fonda, and Lily Tomlin; PATTI CAKE$, directed by Geremy Jasper and starring Athena’s 2018 Inaugural Breakthrough Award honoree Bridget Everett and Danielle Macdonald ; THELMA, directed and co-written by Joachim Trier and co-written by Eskil Vogt; NORTH COUNTRY, directed by Niki Caro and starring Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek; and the classic documentary MISS SHARON JONES!, directed by two-time Oscar® winner and 2018 Athena Film Festival Lifetime Achievement Award Honoree, Barbara Kopple.
Additional panels include Master Class: Alexa Junge ’85 and Spotlight on Women and STEM, sponsored by the Alfred P. Sloan Foundation, which will follow the screening of Bombshell, the Hedy Lamarr Story. This panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.
The festival will feature a program of narrative, documentary and short films, including: WONDER WOMAN, directed by Patty Jenkins and starring Gal Gadot; LADY BIRD, the directorial debut of Greta Gerwig ’06 and AFF ’11 Honoree and starring Saoirse Ronan; MEGAN LEAVEY, directed by Gabriela Cowperthwaite and starring Kate Mara; WAITING FOR HASSANA, directed by Ifunanya Maduka; BOMBSHELL: THE HEDY LAMARR STORY, directed and written by Alexandra Dean; I AM EVIDENCE, directed by Trish Adlesic and Geeta Gandbhir and produced by Mariska Hargitay; the New York City premiere of IT’S CRIMINAL, directed by Signe Taylor ’87; and the international premiere of MY YEAR WITH HELEN, directed by Gaylene Preston; FRONTIER, directed by Jillian Banner; and the New York premieres of AL IMAM, directed by Omar Al Dakheel; BEADS, directed by Rachel Byrd; CON MADRE, directed by Clancy McCarty; THE FAN directed by Mohammad Ghanefard and Ali Delkari, among others.
The 2018 Athena Film Festival Awardees include two-time Academy Award®-winning documentary filmmaker Barbara Kopple who will receive the Laura Ziskin Lifetime Achievement Award; BAFTA-winning writer and director Amma Asante who will receive the Athena Award; world-renowned cabaret artist and actress Bridget Everett who will receive the inaugural Breakthrough Award; and director, producer and screenwriter J.J. Abrams who will receive the Athena Leading Man Award. Awards will be presented at the Athena Film Festival Awards Ceremony on Friday, February 23rd.
The Athena Film Festival showcases films and TV series about strong, bold women leaders in real life and the fictional world; it is a weekend dedicated to elevating female voices and stories that inspire and empower a new generation of filmmakers and individuals. The eighth annual festival, co-founded by Barnard College’s Athena Center for Leadership Studies and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City.
FULL INFORMATION ON NEWLY ANNOUNCED FILMS AND PROGRAMS:
FEATURES
9 to 5
Director: Colin Higgins
Writer: Colin Higgins, Patricia Resnick
This office satire about three female secretaries—Dolly Parton, Jane Fonda and Lily Tomlin—who decide to get revenge on their tyrannical, sexist boss was an instant classic. Featuring a depiction of women agitators well ahead of their time and a score that doubled as anthem, 9 to 5’s impact has resonated for the thirty-plus years since its release and remains iconic in 2017’s #MeToo era.
North Country
Director: Niki Caro
Writer: Michael Seitzman
This classic feature, based on a true story, centers on Josey Aimes who takes a job at a local iron mine in Minnesota in 1975. She and other female miners endure unyielding harassment from male co-workers, ranging from verbal taunts to pornographic graffiti and physical abuse. Ignoring advice from family and friends, Josey files a ground-breaking lawsuit and wins a landmark decision that is still protecting women today. Directed by Niki Caro, North Country’s all-star cast includes Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek.
Battle of the Sexes – OPENING NIGHT FILM
Director: Jonathan Dayton, Valerie Faris
Writer: Simon Beaufoy
Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which women’s tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Riggs hyped the contest with a slew of misogynistic comments, including that “the best way to handle women is to keep them pregnant and barefoot.” In the period leading up to the match, King, a champion athlete and social justice pioneer, found herself beset with both personal and professional challenges as she sought to face her sexuality and fight for pay equity in tennis.
Patti Cake$ – Awardee Spotlight Film
Director and writer: Geremy Jasper
First-time writer/director Geremy Jasper showcases his music chops in this brash and bombastic story of unlikely rapper Patti “Killa P” Dombrowski. Breakout talent Danielle Macdonald plays Patti with the magnetism and stage presence of a seasoned musician, and is matched by the talents of the 2018 Athena Award winner Bridget Everett as Patti’s disillusioned mother, who missed her chance at stardom.
Thelma
Director: Joachim Trier
Writers: Joachim Trier and Eskil Vogt
Writer/director Joachim Trier crafts a haunting tale of Thelma (Eili Harboe) a shy college student who has just left her religious family in a small town Norway and finds herself intensely drawn to her classmate Anja (Kaya Wilkins). But in a surprising twist to this coming of age tale, first love and self-discovery arrive with uncontrollable seizures and supernatural powers, that forces her to confront the terrifying implications of her powers.
The Post – CLOSING NIGHT FILM
In this thrilling drama directed by Steven Spielberg, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war that spans three decades and four U.S. presidents. This movie shows the importance of the free press to the life of a democracy, but it’s also a very personal story about a woman who was trained to be a wife who becomes the main character in her own story. The Post is a movie about a woman who finds her voice and saves democracy in the process.
DOCUMENTARIES
MANKILLER – CENTERPIECE FILM
Director: Valerie Red-Horse Mohl
Executive Producer: Gale Anne Hurd
MANKILLER examines the legacy of the formidable Wilma Mankiller, who defied all odds to become one of the most influential leaders in the United States. Mankiller overcame rampant sexism and personal challenges to emerge as the Cherokee Nation’s first woman Principal Chief in 1985. Through rare archival footage and intimate interviews with activists including Gloria Steinem, as well as with Wilma herself, MANKILLER gives us insight into how this remarkable woman successfully navigated through the minefield of bipartisan politics.
Miss Sharon Jones! – Awardee Spotlight Film
Director: Barbara Kopple
This documentary, directed by the two-time Oscar winner and 2018 Athena Honoree, Barbara Kopple, tells the stirring story of Sharon Jones, a true soul survivor who’s been called “the female James Brown”. The film follows Sharon Jones on an emotional journey as she battles cancer, struggles to keep her band together and mount a comeback show at New York’s Beacon Theater.
TELEVISION
Lifetime’s UnReal
Join us for the premiere of the first episode of UnREAL, season 3, Lifetime’s critically-acclaimed series from A+E Studios. UnREAL takes place behind the scenes of the fictional dating competition show Everlasting, as the show’s producers manipulate the contestants to get the footage they need. Caitlin FitzGerald (“Masters of Sex,” “Rectify”) takes the reins in Season 3 as Everlasting’s female “suit
PANELS AND SPECIAL EVENTS
Master Class on Producing and Writing for Television: Alexa Junge – Sponsored by Stephens College
Come learn from Alexa Junge, a 1985 Barnard alumna, and accomplished showrunner, screenwriter, T.V. writer and producer whose credits include Friends, The West Wing, and Grace & Frankie.
Spotlight on Women and Stem – Sponsored by the Alfred P. Sloan Foundation
Following the screening of Bombshell, the Hedy Lamarr Story, a panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields, and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.
Patti Cake$[/caption]
Directors Guild of America President Thomas Schlamme announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film, and also for First-Time Feature Film Director for 2017.
“2018 marks the 70th anniversary of the DGA Awards, and filmmaking has reached new heights with each passing year. These nominees embody the excellence that comes to life when unique vision, craft and skill come together in pursuit of masterful storytelling,” said Schlamme. “Being nominated by their peers is what makes this award especially meaningful for directors, and I congratulate all of the nominees for their outstanding work.”

Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature.
The Square[/caption]
The Melbourne International Film Festival (MIFF) will present big award winners from this year’s Cannes Film Festival, including the 2017 Palme d’Or winning The Square, a deliriously strange detonation of art and imagination from Swedish director Ruben Öslund (Force Majeure, MIFF 14), featuring a riveting performance from Danish actor Claes Bang and scene stealing performances from Elizabeth Moss (also appearing in Top of the Lake: China Girl, MIFF 17) and Dominic West. Other films include Loveless, the must-see winner of the Jury Prize at this year’s Cannes – a razor-sharp portrayal of a marriage in the state of collapse from one of the greatest Russian filmmakers working today, Andrey Zvyagintsev (Leviathan, Elena, MIFF 11); and BPM, from French director Robin Campillo, (Eastern Boys, MIFF 14; They Came Back, MIFF 05) winner of this year’s Cannes Grand Jury Prize and Queer Palm winner, which dives headfirst into the passions, protests and politics of ‘90s AIDS activism.
International purveyor of the bizarre and MIFF favourite Yorgos Lanthimos is back with regular co-writer Efthymis Filippou (The Lobster, MIFF 15; Alps MIFF 12) for The Killing of a Sacred Deer – bringing Colin Farrell and Nicole Kidman together in a darkly comic modern rendering of an ancient Greek morality play; and Julianne Moore reunites with Todd Haynes for the enchanting Wonderstruck, an intoxicating, visually ravishing adaptation of Brian Selznick’s (writer of Hugo) illustrated tale of two deaf runaways and the glimmering, redemptive magic of cinema.
Thrillers that packed a punch include Good Time, where Robert Pattinson electrifies in the pulse-quickening heist thriller from American indie stars Josh and Benny Safdie who were subjects of a MIFF focus in 2015, with an electronic score by Oneohtrix Point End; and In the Fade, from Germany’s Faith Akin where Diane Kruger delivers her Best Actress-winning performance as a mother dealing with the aftermath of her Kurdish husband and young son’s death in a neo-Nazi hate crime.
Films from European directors that set Cannes ablaze include master auteur Michael Haneke’s (Amour, MIFF 12, The White Ribbon, MIFF 09) Happy End, which sees the director reunite with the great Isabelle Huppert and Jean-Louis Trintignant in a cutting portrait of bourgeois European Life; Let the Sunshine In, the Directors’ Fortnight award-winning new film from iconic French director Claire Denis (Bastards, MIFF 13), with Juliette Binoche delivering a shining performance in the starring role; and veteran French director Philippe Garrel’s (In the Shadow of Women, MIFF 15) Lover for a Day, shot in lyrical monochrome and starring his daughter Esther in her first major role, which once again brings a poetic touch to his perennial themes of fidelity and sexual freedom.
Also from France, the grande dame of the French New Wave Agnès Varda revives the spirit of The Gleaners and I (MIFF 01) with Faces Places, a picaresque romp through rural France, where she is joined in her travel by the artist JR; and The Venerable W, which sees Barbet Schroeder complete his “trilogy of evil” with a stunning portrayal of xenophobic demagogy in an unexpected quarter: Buddhist monks in the Republic of Myanmar.
Films exploring corruption and injustice include the winner of the prestigious Un Certain Regard prize A Man of Integrity, from acclaimed Iranian writer/director Mohammed Rasoulof (Manuscripts Don’t Burn, MIFF 13; Iron Island, MIFF 05), which is a potent thriller that captures one man’s desperate battle to stand up to a corrupt system; and Tehran Taboo, the boundary-pushing new animation from Iranian-born first-time feature director Ali Soozandeh, which tackles the sexual taboos of Islamic society and reveals a world of hypocrisy and political corruption.
Works of distinct individuality from exciting new voices in the cinematic landscape include the satirical and witty I Am Not a Witch, inspired by real-life rural witch camps in Africa and directed by first-time feature director Ryngano Nyoni, with cinematography by David Gallego (Embrace of the Serpent); Marlina the Murderer in Four Acts, a “feminist Indonesian Spaghetti Western” (The Irish Times) directed by a shining star of the blossoming Indonesian film industry, Mouly Surya; and Michael Franco’s (Chronic, MIFF 15) Un Certain Regard Jury Prize winner April’s Daughter, a gripping depiction of maternal devotion gone wrong, with Emma Suárez (Pedro Almodóvar’s Julieta, MIFF 16) mesmerising as the ruthlessly calculating mother.
Continuing to uncover and capture the bizarre and bold, the festival is proud to present Nothingwood, first-time documentarian Sonia Krunlund’s rousing portrait of Afghani writer/actor/director Salim Shaheen that captures the auteur using the resources available to him to make cheap, fast, out-of-nothing films starring himself, his friends and his family, which bring hope to his adoring fans in Afghanistan’s climate of violence; co-produced by Toni’s Erdmann’s Maren Ade, Western is the acclaimed Cannes hit from German writer/director Valeska Grisebach (Longing, MIFF 05) that uses non-actors in a European standoff to evoke the spirit of the titular American genre; starring and co-written by Saturday Night Live’s Kyle Mooney, helmed by frequent collaborator Dave McCary and produced by Andy Samberg, Brigsby Bear is the latest thigh-slapping comedic effort to double as an SNL “Where Are They Now?” reunion special; and hope springs from Josh Hartnett, a blonde wig and a Tokyo-to-California jaunt in Oh Lucy!, Atsuko Hirayangi’s affectionate expansion of her MIFF 2014 short of the same name.
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Patti Cake$[/caption]
The festival will feature the Australian premiere of the entire second season of Top of the Lake: China Girl, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman, and offering a unique opportunity to see the series before its television premiere on BBC First on Foxtel; and Patti Cake$, music video director Jeremy Gasper’s feature debut about an aspiring rapper, starring Australian actress Danielle McDonald in her sensational breakout performance.
Slower, more meditative works centered around image, exploration and self-reflexivity include Claire’s Camera, in which Isabelle Huppert reunites with director Hong Sang-soo to present an uncomplicated and refreshing meditation on the joy of chance encounters and the power of art; 24 Frames, a minimalist hymn to the capturing of images and the final work by the late Iranian master Abbas Kiarostami; and Naomi Kawase’s (Still the Water, MIFF 14) Radiance, which explores the complexity of cinematic images through description alone, as protagonist Misako writes voiceovers for vision impaired film viewers.
Scoring an award at the Cannes Directors’ Fortnight, Jonas Carpignano’s (Mediterranea, MIFF 15) latest, A Ciambra, explores the European refugee crisis in a heart-wrenching, ultra-realist tour of the outcast and refugee communities of Italy’s south; and in Hungarian phenomenon Kornél Mundruczó’s (White God, MIFF 14) Jupiter’s Moon, the superhero genre collides with the rolling tragedy of that same crisis in an action-packed assault on tribalism, human indecency of the basic laws of gravity.
Set to screen at MIFF as part of Night Shift, A Prayer Before Dawn is a claustrophobic, face-pulping mash of growling sound, kinetic editing and so-real-you-have-to-flinch fight scenes from French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 08); and Blade of the Immortal is samurai, swords and Takashi Miike – celebrating his 100th feature with the tale of an immortal swordsman looking to reclaim his soul.
Hot from the Un Certain Regard section, Closeness explores family relations intermingled with ethnic tensions in a stunning, disturbing debut from young Russian filmmaker Kantemir Balagov; shot in nine parts, each in sweeping unbroken takes, Beauty and the Dogs is based on a real incident of a young Tunisian student plunged into an infuriating and intimidating bureaucratic nightmare; and Until the Birds Return, a film of three stunningly rendered dispatches from the still-scarred people and landscapes of modern Algeria, by young gun of North African cinema Karim Moussaoui.
And finally, Chilean filmmaker Marcela Said’s sophomore feature Los Perros explodes class privilege when a wealthy woman – the dynamite Antonia Zeger – falls for her older riding instructor, a man accused of war crimes; and A Gentle Creature, the latest film by Sergei Loznitsa (The Event MIFF 16; In the Fog, MIFF 12) that shifts from rusted realism to dreamy fantasy as it follows a woman (Vasilina Makovtseva) on a voyage through multiple layers of violence, indignity and human cruelty.