Patti Cake$ (2017)

  • SCAD Savannah Film Festival Announces 2019 Lineup. Opens with THE AERONAUTS

    THE AERONAUTS directed by Tom Harper
    THE AERONAUTS directed by Tom Harper

    The 22nd SCAD Savannah Film Festival, presented by Savannah College of Art and Design (SCAD), will showcase a record total of 159 films, including 35 narrative films, 15 documentary films and 109 shorts, from October 26 to November 2.

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  • THE SHAPE OF WATER Leads Nominations for 19th Golden Trailer Awards

    [caption id="attachment_25167" align="aligncenter" width="1200"]The Shape Of Water Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] The Shape of Water along with Hitman’s Bodyguard lead the nominations for the 19th annual Golden Trailer Awards competition that has emerged as the most recognized event devoted to the artistry of film marketers and companies that create movie trailers, commercials and posters worldwide. GTA 19 will take place on Thursday, May 31st at the Theatre at the Ace Hotel in Downtown Los Angeles hosted by comedienne and actress Michelle Buteau (“The Tick,” “Broad City,” “Key & Peele”).

    19th Golden Trailer Awards Nominations

    Best Independent Trailer

    The Florida Project, “Trailer,” A24, Mark Woollen & Associates I, Tonya, “Haters,” Neon, Zealot Thoroughbreds, “Red Band Trailer,” Focus Features, Motive The Shape of Water, “Connection,” Fox Searchlight Pictures, MOCEAN Under the Silver Lake, “Trailer 1,” A24, Motive

    Best Documentary

    The China Hustle, “Trailer,” Magnolia, Zealot City of Ghosts, “Promise,” Amazon Studios, MOCEAN Icarus, “Distance,” Netflix, GrandSon Won’t You Be My Neighbor, “Trailer,” Focus Features, Mark Woollen & Associates Three Identical Strangers, “Reunited,” Neon, Zealot

    Best Drama

    All The Money In The World, “Power,” Sony Pictures, Project X|AV Darkest Hour, “Trailer,” Focus Features, Mark Woollen & Associates The Shape of Water, “Escape,” Fox Searchlight Pictures, MOCEAN Megan Leavey, “Mission,” Bleecker Street, Open Road Chappaquiddick, “Conspiracy,” Entertainment Studios, MOCEAN

    Best Comedy

    Game Night, “Welcome,” New Line Cinema, MOCEAN Uncle Drew, “Uncle Drew,” Lionsgate, Seismic Productions Sorry to Bother You, “Voice,” Annapurna Pictures, Trailer Park, Inc. Lady Bird, “Domestic Trailer #1,” A24 Films, Giaronomo Productions Gringo, “Friendly,” Amazon, GrandSon

    Best Horror

    A Quiet Place, “A Quiet Place | Teaser – Listen,” Paramount, Ignition Insidious: The Last Key, “Family,” Universal Pictures, Buddha Jones Mother!, “Puzzle,” Paramount Pictures, Buddha Jones A Quiet Place, “A Quiet Place,” Paramount, AV Squad Hereditary, “Hereditary,” A24, AV Squad

    Best Action

    Kingsman: The Golden Circle, “Team,” 20th Century Fox, Create Advertising Group Black Panther, “Crown,” Walt Disney Studios, Create Advertising Group Tomb Raider, “SURVIVOR,” Warner Bros., Ant Farm Avengers: Infinity War, “Millions,” Disney/Marvel, MOCEAN Rampage, “Battle,” Warner Bros., Aspect

    Best Animation / Family

    The Nutcracker and The Four Realms, “Clara,” Walt Disney Pictures, TRANSIT Peter Rabbit, “Home,” Sony Pictures, Create Advertising Group Ralph Breaks the Internet: Wreck It Ralph 2, “Wired Refresh,” Disney/Pixar, MOCEAN Isle Of Dogs, “Domestic Trailer #1,” Fox Searchlight, Giaronomo Productions Despicable Me 3, “Mojo,” Universal Pictures, Workshop Creative

    Best Fantasy Adventure

    Jumanji: Welcome To The Jungle, “New World,” Sony, TRANSIT Fantastic Beasts: The Crimes of Grindelwald, “Expelliarmus,” Warner Bros., Jax Thor: Ragnarok, “New Journey,” Disney/Marvel, MOCEAN Star Wars: The Last Jedi, “Rebellion Reborn DCM Trailer,” Walt Disney Studios / Lucasfilm, Tiny Hero Solo: A Star Wars Story, “Something,” Disney, Disney In-house

    Best Music

    The Greatest Showman, “Imagination,” 20th Century Fox, Wild Card All The Money In The World, “True Story,” Sony Pictures, Project X|AV Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Ocean’s 8, “7 People,” Warner Bros. Pictures, Trailer Park, Inc. Pacific Rim: Uprising, “Untouchable,” Universal Pictures, Inside Job

    Best Summer Blockbuster Trailer

    Ocean’s 8, “7 People,” Warner Bros., Trailer Park, Inc. Mission: Impossible – Fallout, “CHOICE,” Paramount Pictures, Ant Farm The Incredibles 2, “Illegal,” Disney, Trailer Park, Inc. Deadpool 2, “Comeback,” 20th Century Fox, MOCEAN Jurassic World: Fallen Kingdom, “Kingdom,” Universal Pictures, Inside Job

    Best Teaser

    Murder on the Orient Express, “Suspect,” 20th Century Fox, Wild Card Red Sparrow, “Program,” 20th Century Fox, Wild Card Deadpool 2, “Cable Red,” 20th Century Fox, MOCEAN Mortal Engines, “London,” Universal Pictures, Inside Job Avengers: Infinity War, “Balance,” Disney/Marvel, MOCEAN

    Best Thriller

    Annihilation, “Mission,” Paramount Pictures, Buddha Jones Unsane, “Believe,” Bleecker Street, Buddha Jones The Commuter, “The Commuter,” Lionsgate, AV Squad It Comes At Night, “It Comes at Night,” A24, AV Squad Sicario Day of the Soldado, “Win,” Sony Pictures Entertainment, MOCEAN

    Best Video Game Trailer

    Assassin’s Creed Origins, “Order of The Ancients,” Ubisoft, Sunny Side Up Creative Assassin’s Creed: Origins, “Legend,” Ubisoft, Buddha Jones Far Cry 5, “Story Trailer,” Ubisoft, Buddha Jones Call of Duty: WWII, “Call of Duty:WWII – Reveal Trailer,” Activision, gnet Outlast Series Switch Trailer, “Outlast Series Trailer for the Nintendo Switch,” Red Barrels, Altar Creative

    Golden Fleece

    Proud Mary, “Rolling, Sony Pictures Entertainment, Trailer Park, Inc. Flatliners, “Relax,” Sony Pictures & Columbia Pictures, Buddha Jones Death Wish, “Reaper,” MGM, Create Advertising Group The Meg, “Carnage,” Warner Bros., Trailer Park, Inc. Snowman, “Domestic Trailer #1,” Universal Studios, Giaronomo Productions

    Most Original Trailer

    Thoroughbreds, “Red Band Trailer,” Focus Features, Motive Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Deadpool 2, “Paintings – Bob Ross Trailer,” 20th Century Fox, MOCEAN/Big Picture Hereditary, “Hereditary,” A24, AV Squad Patti Cake$, “PATTI CAKE$ Lyric Video,” Fox Searchlight Pictures, Studio Cadre & Ruff Mercy

    Best Independent Trailer (for film budget shot under a million US)

    Still/Born, “Still/Born Trailer,” Vertical Entertainment, Jay Gartland Ghost House, “Ghost House Trailer,” Vertical Entertainment, Jay Gartland Gemini, “Trailer,” Neon, Mark Woollen & Associates MEAT, “COMPLEX,” M.P.I, Dhruv Kumar The Endless, “The Endless “Cult” Official Trailer,” Well Go USA Entertainment, Sequence Creative

    Best Motion/Title Graphics

    Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Ready Player One, “Hall H,” Warner Bros. , Buddha Jones THE SPY WHO DUMPED ME, “Bond”,” Lionsgate, Seismic Productions Thoroughbreds, “Twisted,” Focus Features, GrandSon Slice, “Line Rider,” A24, GrandSon

    Best Original Score

    Jurassic World: Fallen Kingdom, “Ignite,” Universal Pictures, Inside Job Avengers: Infinity War, “Millions,” Disney/Marvel, MOCEAN The Incredibles 2, “Illegal,” Disney, Trailer Park, Inc. Good Time, “Feelin It,” A24, GrandSon The Hitman’s Bodyguard, “Make New Friends,” Lionsgate, In House

    Best Romance

    Our Souls at Night, “Sunday Love Teaser,” Netflix, Mark Woollen & Associates Love, Simon, “Courage,” 20th Century Fox, TRANSIT Call Me By Your Name, “Call Me By Your Name,Theatrical Trailer,” Sony Pictures Classics, The Grossmyth Company Mamma Mia 2, “Memories,” Universal Pictures, Inside Job Adrift, “Bon Voyage,” STX Entertainment, Trailer Park, Inc.

    Best Sound Editing

    Baby Driver, “Heist,” Sony, Wild Card Baby Driver, “Tekillyah,” Sony Pictures Entertainment, Trailer Park, Inc. Mother!, “Puzzle,” Paramount Pictures, Buddha Jones Pacific Rim Uprising, “Pacific Rim Uprising,” Universal, AV Squad Star Wars: The Last Jedi, “Rebellion Reborn” DCM Trailer, Walt Disney Studios / Lucasfilm, Tiny Hero

    The Don LaFontane Award for Best Voice Over

    Micro Machines World Series Trailer, “Micro Machines World Series,” Deep Silver/Codemasters, YellowPike Media Mudbound, “Trailer,” Netflix, Mark Woollen & Associates Hellblade: Senua’s Sacrifice, Ninja Theory Mother!, “FEAR,” Paramount Pictures, Ant Farm The Hitman’s Bodyguard, “Bonus Sh*t!,” Lionsgate, Tiny Hero

    Trashiest Trailer

    Father Figures, “Every Dad,” Warner Bros., Create Advertising Group The Hitman’s Bodyguard, “Bonus Sh*t!,” Lionsgate,Tiny Hero The Little Hours, “The Little Hours,” Gunpowder & Sky, Jump Cut Creative Hitman’s Bodyguard, “Make New Friends”, Lionsgate, In House Sharknado 5: Global Swarming, “Stronger,” SyFy, AV Squad

    Best Foreign Action Trailer

    Salut – 7, “Salyut -7,” Eugeny Makharashvili, Butterfly Effect Beyond the edge, “Beyond the edge TRL,” KINODANZ, On/Off Production The Outsider, “Never Go Back,” Netflix, Jax Rubicon, “Trailer,” RFG, Most, Chechen Film, Alexandr Serzhantov The Villainess, “The Villainess, Official US Trailer,” Well Go USA Entertainment, Red Circle, Inc.

    Best Foreign Animation Family Trailer

    In This Corner Of The World, “International Trailer,” Manga, Editpool Bilal, “Unite,” Vertical, Zealot Monster Hunt 2, “Adventure,” EDKO Films Ltd., Trailer Park, Inc. Here Comes the Grump, “Here Comes The Grump Trailer,” GFM Films, Zealot UK Kikoriki. Dejavu, “Kikoriki. Dejavu,” The Riki Group, Stanislav Ivanov

    Best Foreign Comedy Trailer

    The Death Of Stalin, “US Trailer,” IFC, Intermission Film The Square, “Trailer,” Magnolia Pictures, Mark Woollen & Associates THE PARTY, “Trailer 1,” Roadside Attractions, Big Science Film Swinging Safari, “Swinging Safari Trailer,” Becker Film Group, Zealot UK Blockbuster, “Blockbuster Trailer,” NETFLIX, Zealot UK

    Best Foreign Documentary Trailer

    Faces Places, “Trailer,” Cohen Media Group, Mark Woollen & Associates Charcoal Burner Nights, Zeitraum Film, Trailerhaus GmbH McLaren, “McLaren Trailer,” Gunpowder & Sky, Zealot UK Devil’s Freedom, “JUNKY SKULL,” ANIMAL DE LUZ, ART Kingdom Yellow is Forbidden, “Couture,” Madman/NZ Film Commission, AV Squad

    Best Foreign Drama Trailer

    One Percent, “Trailer,” See Pictures, Zealot The Eternal Feminine, “The Eternal Feminine,” Luxbox , Good Hands Peace Breaker first trailer, “Peace Breaker first trailer,” Nurostar Rubicon, “Trailer,” RFG, Most, Chechen Film, Alexandr Serzhantov A Fantastic Woman, “A Fantastic Woman Trailer,” Curzon Artificial Eye, Intermission Film

    Best Foreign Horror Trailer

    From A House On Willow Street, “From A House On Willow Street.” Fat Cigar, The First Order Ghost Stories, “Trailer,” Lionsgate UK, Intermission Film Killing Ground, “Trailer,” IFC, Zealot The Secret Of Marrowbone, eOne, SILK FACTORY Slumber, “Slumber Trailer,” Goldcrest Films, Zealot UK

    Best Foreign Independent Trailer

    BPM, “Trailer,” The Orchard, Mark Woollen & Associates Moka, “Driven,” Film Movement, PK Creative Edie, “Trailer,” Arrow Films, Editpool Double Lover, “Lust,” Cohen Media Group, AV Squad IN THE AISLES, Zorro Film GmbH, Requination/Niemiproduktion

    Best Foreign Music Trailer

    MY GENERATION, “My Generation – UK Trailer,” Lionsgate, SILK FACTORY Youth, “Youth,” Nurostar Witnesses, “Silent” Trailer,” RFG, ARK PICTURES, Alexandr Serzhantov Foundling, “Foundling “Trailer,” Amedia Production, 1tv, Andrei Solodovnikov Pope Francis: A Man of His Word, Universal Pictures International, Muniq Creative Agency

    Best Foreign Romance Trailer

    About Love. Adults Only, Stanislav Ivanov From the Land of the Moon, IFC, Zealot A Fantastic Woman, Sony Pictures Classic, The Grossmyth Company Submergence, Embankment Films, Zealot UK Breathe, Bleecker Street, Zealot UK

    Best Foreign Teaser

    Coach, Kinoslovo/DK Entertainment, Vadzim Khudabets The Whiskey Bandit Viszkis Film, Film Force Team, Peter Varsics Yardie, Studiocanal, Intermission Film Viy 2: The Mystery of the Dragon’s Seal, “Visit”, RFG, Alexandr Serzhantov Wings of the Empire, 3xmedia, 1tv, Andrei Solodovnikov

    Best Foreign Thriller Trailer

    Killing Ground, IFC, Zealot THE GIRL IN THE FOG, Studio Canal, Silk Factory Luna, Universum Film, Trailerhaus GmbH Beast, Altitude, Intermission Film Double Lover, “Lust” Cohen Media Group, AV Squad

    Most Original Foreign Trailer

    The Square, Magnolia Pictures, Mark Woollen & Associates Frontier, Studio “KIT,” Stanislav Ivanov Youth, Nurostar Ichi The Killer, Well Go USA Entertainment, Sequence Creative Jeannette, Luxbox, Good Hands

    Best Action TV Spot (for a Feature Film)

    Kingsman: The Golden Circle, “Poppy Dance,” 20th Century Fox, Trailer Park, Inc. Wonder Woman, “Together :60,” Warner Bros., Buddha Jones Black Panther, “Entourage :60,” Walt Disney Pictures, AV Squad Deadpool 2, “Save Me / Tea,” 20th Century Fox, Wild Card Tomb Raider, “:30 “Brilliant,” Warner Bros., Mob Scene Creative & Productions

    Best Animation / Family TV Spot (for a Feature Film)

    The Greatest Showman, “World,” 20th Century Fox, Create Advertising Group Ferdinand, “Week Before Xmas,” 20th Century Fox Animation, MOCEAN Wonder, “TV60 “You Are A Wonder,” Lionsgate, Markus Wernig – Offramp Creative Inc. Isle Of Dogs, “:30TV “Sic Em,” Fox Searchlight, Giaronomo Productions Despicable Me 3, “Evil Mastermind,” Universal Pictures , Workshop Creative

    Best Comedy TV Spot (for a Feature Film)

    The Hitman’s Bodyguard, “Mofo Count” :30,” Lionsgate, Outpost Media Thoroughbreds, “Society Story,”Focus Features, Buddha Jones The Disaster Artist, “Make Movie,” A24, GrandSon Daddy’s Home 2, “Let’s Hold Hands,” Paramount Ocean’s 8, “7 People Cutdown,” Warner Bros. Pictures, Trailer Park, Inc.

    Best Documentary TV Spot (for a Feature Film)

    Jim and Andy: The Great Beyond, “Andy,” Netflix, Mark Woollen & Associates I Am Not Your Negro, “PBS Independent Lens – I Am Not Your Negro,” ITVS RBG, “Truth,” Magnolia Pictures, Mark Woollen & Associates Faces Places, “Cutdown 30,” Cohen Media Group, Mark Woollen & Associates Icarus, “RIVETING,” Netflix, Ant Farm

    Best Drama TV Spot (for a Feature Film)

    The 15:17 to Paris, “Departure,” Warner Bros., Wild Card Three Billboards Outside Ebbing, Missouri, “Pointy,” Fox Searchlight Pictures, Motive The Shape of Water, “Tale of Love,” Fox Searchlight, Mark Woollen & Associates War for the Planet of the Apes, “Fear :30,” Fox, AV Squad Mudbound, “Beautiful,” Netflix, GrandSon

    Best Fantasy Adventure TV Spot (for a Feature Film)

    Thor: Ragnarok, “Thor: Ragnarok, “Mjolnir” Digital,” Disney, Aspect Ready Player One, “Fantasy,” Warner Bros., Buddha Jones Guardians Of The Galaxy 2, “OogaChaka,” Walt Disney Studios / Marvel, Tiny Hero Ready Player One, “Come With Me 60,” Warner Bros., Statement Advertising Jumanji, “Worlds Apart :60,” Sony Pictures, Big Picture

    Best Foreign TV Spot (for a Feature Film)

    Selfie, “Selfie TV Spot “Double,” Stanislav Ivanov The Square, “Museum,” Magnolia Pictures, Mark Woollen & Associates Okja, “Ready Action,” Netflix, Bond Youth, “Youth and Fire,” Nurostar Black Water, “Koch Media Film,” Muniq Creative Agency

    Best Graphics in a TV Spot (for a Feature Film)

    War for the Planet of the Apes, “War / Letters,” 20th Century Fox, Wild Card Notes From The Field, “Graphic Tease,” HBO, Buddha Jones Get Out, “Poetic Review,” Universal Pictures, Inside Job THE SPY WHO DUMPED ME, “TSR BOND,” LIONSGATE, Seismic Productions Thoroughbreds, “Princess,” Focus Features, GrandSon

    Best Horror TV Spot (for a Feature Film)

    Alien: Covenant, “Born Neo,” 20th Century Fox, Wild Card IT, “:30TV “Friends,” Warner Bros., Aspect Mother!, “Experience,” Paramount Pictures, Buddha Jones A Quiet Place, “Survive,” Paramount Pictures, Project X/AV Insidious: The Last Key, “Invite :30,” Sony Pictures, AV Squad

    Best Independent TV Spot (for a Feature Film)

    Thoroughbreds, “Shall We,” Focus Features, Motive Three Billboards Outside Ebbing, Missouri, “Just About Right,” Fox Searchlight Pictures, Motive Mudbound, “Land Cutdown,” Netflix, Mark Woollen & Associates The Killing of a Sacred Deer, “Me,” A24, GrandSon Lady Bird, “Playgirl,” A24, GrandSon

    Best Music TV Spot (for a Feature Film)

    Bright, “Heroes/Danger MGK” Trailer,” Netflix, AV Squad Life Itself, “Love,” Amazon Studios, Trailer Park, Inc. Tomb Raider, “Lara,” Warner Brothers, Cole Barager/ Deva Studios Ocean’s 8, “7 People Cutdown,” Warner Bros.,Trailer Park, Inc. Black Panther, “Women of Wakanda,” Walt Disney Studios / Marvel, Tiny Hero

    Best Original Score TV Spot (for a Feature Film)

    Phantom Thread, “Taste,” Focus Features, Buddha Jones Phantom Thread, “Dying to Wear,” Focus Features, Buddha Jones Phantom Thread, “Triumph Review :60,” Focus Features, Buddha Jones The Greatest Showman, “Different,” 20th Century Fox, Create Advertising Group

    Best Romance TV Spot (for a Feature Film)

    Phantom Thread, “Dream,” Focus Features, Mark Woollen & Associates Fifty Shades Freed, “BROUGHT TO LIFE,” Universal Pictures, Ant Farm Life Itself, “Love,” Amazon Studios, Trailer Park, Inc. Love, Simon, “Digital “Heart,” 20th Century Fox, Aspect The Shape of Water, “Princess Without a Voice,” Fox Searchlight Pictures, Fox Searchlight Marketing

    Best Sound Editing in a TV Spot (for a Feature Film)

    Atomic Blonde, “Begin,” Universal, Wild Card Baby Driver, “Hip-Hop,” Sony Pictures, Project X|AV Star Wars: The Last Jedi, “It’s Time,” Disney, Trailer Park, Inc. The Killing of a Sacred Deer, “Me,” A24, GrandSon Black Panther, “Team,” Walt Disney Studios / Marvel, Tiny Hero

    Best Summer Blockbuster TV Spot (for a Feature Film)

    Solo: A Star Wars Story, “So Low Super Bowl,” Disney, Disney In-house Jurassic World: Fallen Kingdom, “Miracle,” Universal Pictures, Inside Job Solo: A Star Wars Story, “45TV “Crew,” Disney, Aspect Deadpool 2, “Save Me / Tea,” 20th Century Fox, Wild Card Deadpool 2, “Selfless.” 20th Century Fox, Wild Card

    Best Thriller TV Spot (for a Feature Film)

    Dunkirk, “Dunkirk | TV 60 – Never Surrender,” Warner Bros, Ignition Annihilation, “Evolution :60,” Paramount Pictures, Buddha Jones Suburbicon, “Doors :60,” Paramount, AV Squad The Shape of Water, “Ticking Thriller,” Fox Searchlight Pictures, MOCEAN Unsane, “Never Safe,” Bleecker Street, Open Road

    Best Video Game TV Spot

    Overwatch, “Dare,” Blizzard Entertainment, Mark Woollen & Associates Call of Duty WW2, “Heroes,” Activision, Aspect Gran Turismo Sport, “GT Sport – Go Get It,” Sony Interactive Entertainment, PlayStation Creative Call of Duty: WWII, “Call of Duty: WWII Story Trailer,” Activision, gnet PUBG, “PUBG – Unknown Air,” PUBG Corp., gnet

    Best Voice Over TV Spot (for a Feature Film)

    Atomic Blonde, “Modern Woman,” Universal, Wild Card Coco, “Coco – “You Know” – Christian Lanz,” Disney – Pixar, Create Advertising Insidious: The Last Key, “Welcome To New Mexico,” Sony, BOND Guardians Of The Galaxy 2, “Get it!,” Walt Disney Studios / Marvel, Tiny Hero The Hitman’s Bodyguard, “#1 Movie!,” Lionsgate, Tiny Hero

    Golden Fleece TV Spot (for a Feature Film)

    The Mummy, “Thrill Kids,” Universal Pictures, Rogue Planet Fifty Shades Freed, “Happy Ending,” Universal Pictures,Trailer Park, Inc. Resident Evil: The Final Chapter, “Reviewing Evil with Chris Hardwick,” Screen Gems, Viacom Velocity Flatliners, “Relax :30,” Sony Pictures & Columbia Pictures, Buddha Jones The Dark Tower, “Battle,” Sony Pictures, Create Advertising Group

    Most Original TV Spot (for a Feature Film)

    The Hitman’s Bodyguard, “Mofo Count” :30,” Lionsgate, Outpost Media I, Tonya, “Mirror,” Neon, Zealot Kingsman: The Golden Circle, “Poppy Dance,” 20th Century Fox, Trailer Park, Inc. Insidious: The Last Key, “Welcome To New Mexico,” Sony, Bond The House, “Frank’s Place,” New Line Cinema, MOCEAN

    Best Action (TV Spot / Trailer / Teaser for a series)

    Narcos: S3, “Succession,” Netflix, TRANSIT Jessica Jones S2, “Official Trailer “Control,” Netflix, Aspect Jack Ryan, “Brave – Super Bowl,” Amazon, Jax The Punisher, “The Punisher – Reflections,” Netflix, gnet Altered Carbon,”Altered Carbon – Last Night I Died Again,” Netflix, gnet

    Best Animation / Family (TV Spot / Trailer / Teaser for a series)

    Big Mouth S1, “Official Trailer “Life,” Netflix, Aspect Bojack Horseman S4, “Official Trailer “Missing,” Netflix, Aspect Trollhunters, “Trailer,” Netflix, InSync PLUS Spirit Riding Free, Dreamworks Animation Television, Jamestown Productions Trollhunters Tales of Arcadia – Season 3, Dreamworks Animation Television, Outpost Media

    Best Comedy (TV Spot / Trailer / Teaser for a series)

    American Vandal, “Conspiracy,” Netflix, Zealot Future Man, “Future Man | Trailer – Time Travel,” Hulu, Ignition Comrade Detective, “Comrades,” Amazon Studios, TRANSIT GLOW, “Become,” Netflix, Buddha Jones Hidden America: Season 2, “Travel,” Seeso, AV Squad

    Best Documentary/Reality (TV Spot / Trailer / Teaser for a series)

    National Geographic, “One Strange Rock Trailer,” 2C Creative Wormwood, “Disappeared,” Netflix, Wild Card Rock and a Hard Place “Redemption” Trailer”, HBO, AV Squad Flint Town, “System,” Netflix, GrandSon Bobby Kennedy for President, “Change,” Netflix, Mob Scene Creative & Productions

    Best Drama (TV Spot / Trailer / Teaser for a series)

    Ozark, “Last Resort – Trailer,” Netflix, Mark Woollen & Associates The Alienist, “Game,” TNT, Zealot Mr. Robot, “Democracy,” USA Network, Buddha Jones Dark, “Machine,” Netflix, Buddha Jones Westworld Season 2, “Locked Inside,” HBO, Jax

    Best Fantasy Adventure (TV Spot / Trailer / Teaser for a series)

    Game of Thrones, “Legendary,” HBO, Editpool Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. Legion – season 2, “Everything,” FX, Create Advertising Group The Tick, “Team,” Amazon Studios, Create Advertising Group Game of Thrones Season 7, “Survive,” HBO, Jax

    Best Foreign (TV Spot / Trailer / Teaser for a series)

    The Pack (Wataha) “Season 2 Heartbeat Teaser,” HBO Europe Dark: S1, “Tick Tock,” Netflix, TRANSIT Dark, “Machine,” Netflix, Buddha Jones O Mecanismo, “Greed,” Netflix, BOND YOU ARE WANTED S2 FOR AMAZON PRIME VIDEO, Amazon Prime Video, Pantaleon Films GmbH, Warner Bros. Entertainment GmbH, BDA Creative GmbH

    Best Graphics (in a TV Spot / Trailer / Teaser for a series)

    Comrade Detective, “Comrades,” Amazon Studios, TRANSIT Real Time with Bill Maher, “Open Our Eyes,” HBO, Buddha Jones Rotten The Future, “Netflix,” Buddha Jones Lady Dynamite, “Fancy Guest,” Netflix, GrandSon The Punisher, “The Punisher – Reflections,” Netflix, gnet

    Best Horror / Thriller (TV Spot / Trailer / Teaser for a series)

    Ash vs. Evil Dead (Season 3), “Supernatural,” Starz, Zealot Westworld, “New Chaos,” HBO, Motive Rellik, “What You Deserve,” Cinemax, Buddha Jones The Walking Dead Season 8B, “Nightmare,” AMC Network, Giaronomo Productions The Alienist, “Monster,” TNT, Trailer Park

    Best Music (TV Spot / Trailer / Teaser for a series)

    Ozark, Netflix, Mark Woollen & Associates Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. The Defenders, “Quartet,” Netflix, MOCEAN Impulse, “Impulse Teaser,” YouTube, Trailer Park The Crown, “For You,” Netflix, GrandSon

    Best Opening Title Sequence or Closing Credit Sequence for a feature film

    Wonder Woman, “Wonder Woman Main-On-End Titles,” Warner Bros, Greenhaus GFX Insidious – The Last Key, “The Last Key – Main-On-End Titles,” Blum House, Greenhaus GFX DC, “DC Logo,” Warner Bros., Buddha Jones Proud Mary, “Opening Title GFX,” Screen Gems, Seismic Productions Game Night, “Game Night,” New Line Cinema, Aspect

    Best Original Score (TV Spot / Trailer / Teaser for a series)

    Blood Drive, “Master Collection,” SyFy, Buddha Jones Fox League X Briggs- “HERE,” Fox Sports Creative Westworld Season 2, “Locked Inside,” HBO, Jax Westworld Season 2, “Beautiful World – Super Bowl,” HBO, Jax

    Best Promo for a OTO or Special (i.e. Oscars, CMAs or Super Bowl)

    NBC Sports: Championship Season, Agency: 2C Creative ESPN: Curry/Lonzo Game Promo, 2C Creative Jonestown: The Women Behind the Massacre, “Deadliest,” A&E, The Shop The OSCARS, “The Oscars 2018 Jimmy Returns,” ABC Entertainment Marketing + Black Label Content

    Best Promo for a TV Network

    2017 PBS Previews Campaign, “2017 PBS Previews Campaign: Drama,” PBS Stan Lee, “Stan the Man,” Disney/Marvel & Netflix, MOCEAN HBO Documentary, “Trailer,” HBO, Create Advertising Group HBO “Game of Thrones” Image, HBO, Trailer Park truTV, “truTV onair refresh,” truTV, TruTV

    Best Sound Editing (in a TV Spot / Trailer / Teaser for a series)

    The Pack (Wataha) “Season 2 Heartbeat Teaser,” HBO Europe Stranger Things Season 2, “Darkness,” Netflix, Trailer Park, Inc. Dark, “Machine,” Netflix, Buddha Jones The Punisher, “Family Man,” Netflix, MOCEAN Westworld S2, “30TV “Revenge,” HBO, Aspect

    Best Voice Over (in a TV Spot / Trailer / Teaser for a series)

    Ozark, “Last Resort Cutdown,” Netflix, Mark Woollen & Associates Ozark, “Money,” Netflix, Mark Woollen & Associates Comrade Detective, “Comrades,” Amazon Studios, TRANSIT GRAND PRIX DRIVER, “Series Trailer,” Amazon Studios, Tiny Hero

    Most Original (TV Spot / Trailer / Teaser for a series)

    American Vandal, “Conspiracy,” Netflix, Zealot Comrade Detective, “Comrades,” Amazon Studios, TRANSIT The Innocents, “Changes Everything,” Netflix, Trailer Park, Inc. The Crown 2, “The Crown Trailer,” Netflix, Intermission Film Altered Carbon, “Live Forever” Date Announce,” Netflix, gnet

    Best Action Poster

    Wonder Woman, “Wonder Woman, One-Sheet,” Warner Bros., BOND Thor: Ragnarok, “Thor: Ragnarok, One-Sheet,” Walt Disney Studios, BOND Wonder Woman, “Wonder Woman One Sheet,” Warner Bros., P+A Tomb Raider, “Tomb Raider Ice Pick,” Warner Bros., WORKS ADV

    Best Animation / Family Movie Poster

    Peter Rabbit, “Peter Rabbit One Sheet,” Sony Pictures Entertainment, WORKS ADV

    Best Billboard

    Wonder Woman, “Wonder Woman,” Warner Bros., “Concept Arts” Jumanji: Welcome to the Jungle, “Jumanji: Welcome to the Jungle, Billboard,” Sony, BOND Love, Simon, “Love, Simon LA Billboard 20th Century Fox,” WORKS ADV Black Panther, “Arclight Motion Billboard,” Walt Disney Motion Pictures, The M Factor

    Best Comedy Poster

    Game Over, Man! Digital Finish, Netflix, Ignition Life of the Party, Warner Bros. Pictures, Cold Open A Futile and Stupid Gesture,Netflix, Leroy & Rose Super Troopers 2, “Payoff Poster 2,” Fox Searchlight Pictures, Midnight Oil

    Best Comedy Poster for a TV Show / TV Series

    Baskets S3 One-Sheet, FX Networks, Ignition Vice Principals One-Sheet, “Vice Principals One-Sheet,” HBO, Ignition Hap & Leonard: Mucho Mojo, SundanceTV, The Refinery The Mick, “Season 2,” Fox, Leroy & Rose

    Best Documentary / Reality Poster for a TV Show or TV Series

    Wormwood One-Sheet, Netflix, Ignition Mind Field – Season 2, YouTube Red, Cold Open Daughters of Destiny, Netflix, Concept Arts Adam Ruins Everything, “Adam Ruins the Rest Room,” truTV, TruTV

    Best Documentary Poster

    DOLORES, PBS, POV Studio 54, AE Films, Concept Arts Lenny, HBO, Cold Open Jim & Andy: The Great Beyond, Netflix, BOND

    Best Drama / Action TV Series Poster

    Ozark, Netflix, The Refinery Handmaids Tale, Hulu, Leroy & Rose The Americans: Season 6, FX, P+A American Gods, Starz, BOND

    Best Drama Poster

    Mudbound, Netflix, The Refinery Realive, Syfy Films, The Refinery Dunkirk, “Bus Shelter,” Warner Bros., Concept Arts Three Billboards Outside Ebbing, Missouri, Fox Searchlight, BOND

    Best Fantasy / Adventure Poster

    Blade Runner 2049, Warner Bros., WORKS ADV Ready Player One, “Payoff,” Warner Brothers, BOND Star Wars: The Last Jedi, Walt Disney Studios, BOND The Shape of Water, Fox Searchlight Pictures, Midnight Oil, Digital Finishing by Daniel Clark Creative

    Best Foreign Poster

    Das Schweigende Klassenzimmer, “Silence speaks volumes,” The Dream Factory The Death of Stalin, AllCity Media Euphoria, Great Point Media, Coffee & Cigarettes Birthmarked, Aqute Media, Champ & Pepper

    Best Horror / Thriller TV Series Poster

    The Strain Digital Finish, FX Networks, Ignition Dark, Netflix, The Refinery American Horror Story: Cult, FX, BOND Fight of the Living Dead: Paradise Calls, YouTube Red, Cold Open

    Best Horror Poster

    The Cured, IFC Films, InSync PLUS Insidious: The Last Key, “Scream,” Universal Pictures, Concept Arts Winchester, CBS Films, Cold Open Slender Man, “Teaser,” Screen Gems, P+A

    Best Independent Poster

    Okja, Netflix, BOND Thelma, The Orchard, P+A The Little Hours, GUNPOWDER & SKY, Jump Cut Creative The Endless, Well Go USA Entertainment, Jump Cut Creative

    Best International Poster

    Downsizing One-Sheet, Paramount, Ignition Winchester – International Poster (Spain), CBS Films, Cold Open Wonder Woman, “Walking,” Warner Bros., WORKS ADV A Wrinkle in Time, “International (Germany),” Walt Disney Pictures, Cold Open

    Best Motion Poster

    Peter Rabbit, Sony Pictures Entertainment, WORKS ADV Dunkirk, “Destroyer,” Warner Bros., Concept Arts Isle Of Dogs, “Wild Post,”Fox Searchlight Pictures, BLT Communications, LLC Isle Of Dogs, “Sneezing,” Fox Searchlight Pictures, BLT Communications, LLC

    Best pre-show Theatrical Advertising for a Brand

    Guardians of the Galaxy Vol 2, “The Sprint Disruption,” Screenvision Media, 40 Foot Solutions Cinemark XD, “Magic,” Cinemark, MOCEAN A Quiet Theater, “A Quiet Theater,” Paramount Pictures, M3 Creative SHUDDER, “EVOKE,” SHUDDER, HEART SLEEVE CREATIVE Gogol, ‘Gogol asks to turn off phones in cinemas,” TV-3

    Best Radio / Audio Spot

    The Cloverfield Paradox, “Stop,” Netflix, Buddha Jones Kingsman: The Golden Circle, “Summer,” 20th Century Fox, Create Advertising Group The Hitman’s Bodyguard, “RADIO :30 SAM VS RYAN,” NEW LINE, Seismic Productions The Shape of Water, “Score Radio,” Fox Searchlight, Mark Woollen & Associates Black Panther, “Just Getting Started,” Walt Disney Studios / Marvel, Tiny Hero

    Best Summer Blockbuster Poster

    Rampage, New Line Cinema, Concept Arts Skyscraper, Universal Pictures, Concept Arts Wonder Woman, Warner Brothers, BOND Guardians of the Galaxy Vol. 2, Walt Disney Studios, BOND

    Best Teaser Poster

    Ocean’s 8, Warner Bros., WORKS ADV Game Night, Warner Brothers, Leroy & Rose All The Money In the World, Sony Pictures, P+A Super Troopers 2, Fox Searchlight Pictures, Midnight Oil

    Best Thriller Poster

    The New Mutants, 20th Century Fox, Ignition Flatliners, Sony, Concept Arts Annabelle: Creation, “Tea Party,” New Line Cinema, Concept Arts You Were Never Really Here, Amazon Studios, P+A

    Best Trailer for Book or Novel

    The Bad Seed, HarperCollins Publishers Everless, HarperCollins Publishers Tattoo, The 8 Percent The Butchering Art, Light Arcade The Sheriff’s Catch (Part 1 of The Sassana Stone Pentalogy), “Unbound,” James Vella-Bardon

    Best TrailerByte for a Feature Film

    Flatliners, “What Could Go Wrong,” Sony, BOND Thoroughbreds, “Alibi,” Focus Features, GrandSon The Greatest Showman, “Singalong Social Campaign,” 20th Century Fox, Create Advertising Super Troopers 2, “Super Troopers 2, Cologne Commercial,” Fox Searchlight Pictures, Fox Searchlight Marketing Peter Rabbit, “Bring The Fight,” Sony Pictures Entertainment, Workshop Creative

    Best TrailerByte for a TV Series/Streaming Series

    Ballers: Season 3, HBO, AV Squad GAME OF THRONES, “Season 7 Social Carousel,” HBO, Silk Factory Westworld S2, “Digital “Out There,” HBO, Aspect The Long Road Home, National Geographic, InSync PLUS Truth or Dare, “:10 Do or Die,” Universal Pictures Intl, The Picture Production Company

    Best Video Game Poster

    Civilization VI, 2K Games, Inc., Ignition Uncharted, “10th Anniversary Poster,” Sony Interactive Entertainment, PlayStation Creative Horizon Zero Dawn The Frozen Wilds, Sony Interactive Entertainment, PlayStation Creative Shadow of the Colossus, “Hero,” Sony Interactive Entertainment, PlayStation Creative

    Best Viral Campaign

    Bright, “Digital Campaign,” Netflix, InSync PLUS Impractical Jokers, “Surprise and Delight,” truTV, Fooji Gogol.Origins, “The first audience talks about the film Gogol. Origins,” TV-3, TV-3 Good Time, “Social Campaign,” A24, GrandSon The Disaster Artist, “The Tommy Award,” A24, GrandSon

    Best Wildposts (Teaser Campaign)

    Justice League, “Justice League,” Warner Bros., The Refinery Blade Runner 2049, “Blade Runner 2049 11up,” Warner Bros., Concept Arts Love, Simon, “Love Letter Wildposts,” 20th Century Fox, WORKS ADV Black Panther, “Character Series,” Marvel Studios, Art Machine

    Most Innovative Advertising (for a TV Series / Streaming Series)

    Altered Carbon, “Psychasec Campaign,” Netflix, gnet Westworld 2, “Loops,” HBO, HBO (Internal) The Long Road Home, “National Geographic,” InSync PLUS F Is For Family (Season 2), “Social Campaign,” Netflix, InSync PLUS Impractical Jokers, “Block Party,” truTV, Brand Connections

    Most Innovative Advertising for a Brand / Product

    Guardians of the Galaxy Vol 2, “Sprint Disruption,” Screenvision Studios, 40 Foot Solutions Citizen Graduation Gift, Screenvision Studios, 40 Foot Solutions Coco, “Celebration Family Digital,” Disney, Trailer Park, Inc. Oculus “Step into Rift” Brand Anthem, Oculus, space.camp

    Most Innovative Advertising for a Feature Film

    Bright, “Social Campaign,” Netflix, InSync PLUS The Babysitter, “Social Campaign,” Netflix, InSync PLUS A Quiet Place, “A Quiet Theater,” Paramount Pictures, M3 Creative A Ghost Story, “A Ghost Pie,” A24, GrandSon Coco, Walt Disney Motion Pictures, The M Factor

    Most Innovative Advertising for a Video Game

    Space Pirate Trainer, I-Illusions, kertgartner.com Call of Duty: WW2, “Brotherhood,” Activision, Aspect Hellblade: Senua’s Sacrifice, “Accolades Trailer,” Ninja Theory Oculus “Step into Rift” Brand Anthem, Oculus, space.camp Clash Royale, “Flash Royale,” Supercell, gnet

    Most Original Poster

    The Vietnam War: A Film by Ken Burns & Lynn Novick, “Reflections,” PBS Okja, Netflix, BOND Guardians of the Galaxy Vol. 2, Walt Disney Studios, BOND The Shape of Water, “Embrace Art,” Fox Searchlight Pictures, Midnight Oil, Digital Finishing by Daniel Clark Creative

    Best Film Festival Trailer

    Palm Springs International Film Festival, Palm Springs International Film Society, Stampede Studios Online Film Festival 2017, PBS Kamloops Film Festival 2018, Josh Sunderman BOFA Film Festival, Rhino Post Production BFI Bergman Season, BFI, The Picture Production Company

    Best Film Festival Poster

    Online Film Festival 2017, PBS Battle of the Sexes, “Telluride Poster,” Fox Searchlight Pictures, Fox Searchlight Marketing Battle of the Sexes, “Toronto Film Festival Poster,” Fox Searchlight Pictures, Fox Searchlight Marketing

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  • BATTLE OF THE SEXES to Open and THE POST to Close 2018 Athena Film Festival

    [caption id="attachment_23776" align="aligncenter" width="1000"]Battle Of The Sexes BATTLE OF THE SEXES[/caption] Athena Film Festival (AFF) will open their 2018 edition on Thursday, February 22nd with BATTLE OF THE SEXES, directed by Jonathan Dayton and Valerie Faris. Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Billie Jean King will participate in a post-screening conversation. Prior to opening night, the festival will host a special presentation premiering the first episode of Season three of Lifetime’s critically-acclaimed series UnREAL. The Centerpiece film, documentary MANKILLER, directed by Valerie Red-Horse Mohl, will screen on Saturday, February 24th. The documentary tells the tale of a true American legend, Wilma Mankiller (1945-2010), a community organizer who became Chief of the Cherokee Nation and defied all odds to make a difference for her people. The film will be followed by a conversation with director Valerie Red-Horse Mohl, executive producer Gale Anne Hurd, and journalist and activist Gloria Steinem. Ann Hornaday from the Washington Post will moderate. The festival will close on Sunday, February 25th with the Academy Award®-nominated THE POST, directed by Steven Spielberg, and starring Meryl Streep and Tom Hanks. In this thrilling drama, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war. Additional films announced include 9 TO 5, directed by Colin Higgins and starring Dolly Parton, Jane Fonda, and Lily Tomlin; PATTI CAKE$, directed by Geremy Jasper and starring Athena’s 2018 Inaugural Breakthrough Award honoree Bridget Everett and Danielle Macdonald ; THELMA, directed and co-written by Joachim Trier and co-written by Eskil Vogt; NORTH COUNTRY, directed by Niki Caro and starring Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek; and the classic documentary MISS SHARON JONES!, directed by two-time Oscar® winner and 2018 Athena Film Festival Lifetime Achievement Award Honoree, Barbara Kopple. Additional panels include Master Class: Alexa Junge ’85 and Spotlight on Women and STEM, sponsored by the Alfred P. Sloan Foundation, which will follow the screening of Bombshell, the Hedy Lamarr Story. This panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen. The festival will feature a program of narrative, documentary and short films, including: WONDER WOMAN, directed by Patty Jenkins and starring Gal Gadot; LADY BIRD, the directorial debut of Greta Gerwig ’06 and AFF ’11 Honoree and starring Saoirse Ronan; MEGAN LEAVEY, directed by Gabriela Cowperthwaite and starring Kate Mara; WAITING FOR HASSANA, directed by Ifunanya Maduka; BOMBSHELL: THE HEDY LAMARR STORY, directed and written by Alexandra Dean; I AM EVIDENCE, directed by Trish Adlesic and Geeta Gandbhir and produced by Mariska Hargitay; the New York City premiere of IT’S CRIMINAL, directed by Signe Taylor ’87; and the international premiere of MY YEAR WITH HELEN, directed by Gaylene Preston; FRONTIER, directed by Jillian Banner; and the New York premieres of AL IMAM, directed by Omar Al Dakheel; BEADS, directed by Rachel Byrd; CON MADRE, directed by Clancy McCarty; THE FAN directed by Mohammad Ghanefard and Ali Delkari, among others. The 2018 Athena Film Festival Awardees include two-time Academy Award®-winning documentary filmmaker Barbara Kopple who will receive the Laura Ziskin Lifetime Achievement Award; BAFTA-winning writer and director Amma Asante who will receive the Athena Award; world-renowned cabaret artist and actress Bridget Everett who will receive the inaugural Breakthrough Award; and director, producer and screenwriter J.J. Abrams who will receive the Athena Leading Man Award. Awards will be presented at the Athena Film Festival Awards Ceremony on Friday, February 23rd. The Athena Film Festival showcases films and TV series about strong, bold women leaders in real life and the fictional world; it is a weekend dedicated to elevating female voices and stories that inspire and empower a new generation of filmmakers and individuals. The eighth annual festival, co-founded by Barnard College’s Athena Center for Leadership Studies and Women and Hollywood, will take place February 22 to 25, 2018, at Barnard College in New York City. FULL INFORMATION ON NEWLY ANNOUNCED FILMS AND PROGRAMS: FEATURES 9 to 5 Director: Colin Higgins Writer: Colin Higgins, Patricia Resnick This office satire about three female secretaries—Dolly Parton, Jane Fonda and Lily Tomlin—who decide to get revenge on their tyrannical, sexist boss was an instant classic. Featuring a depiction of women agitators well ahead of their time and a score that doubled as anthem, 9 to 5’s impact has resonated for the thirty-plus years since its release and remains iconic in 2017’s #MeToo era. North Country Director: Niki Caro Writer: Michael Seitzman This classic feature, based on a true story, centers on Josey Aimes who takes a job at a local iron mine in Minnesota in 1975. She and other female miners endure unyielding harassment from male co-workers, ranging from verbal taunts to pornographic graffiti and physical abuse. Ignoring advice from family and friends, Josey files a ground-breaking lawsuit and wins a landmark decision that is still protecting women today. Directed by Niki Caro, North Country’s all-star cast includes Charlize Theron, Frances McDormand, Jeremy Renner, Woody Harrelson and Sissy Spacek. Battle of the Sexes – OPENING NIGHT FILM Director: Jonathan Dayton, Valerie Faris Writer: Simon Beaufoy Emma Stone and Steve Carell star in this dramatic retelling of the legendary 1973 tennis match in which women’s tennis star Billie Jean King faced off against 55-year-old former Wimbledon champion, Bobby Riggs who boasted that he could beat any woman player. Riggs hyped the contest with a slew of misogynistic comments, including that “the best way to handle women is to keep them pregnant and barefoot.” In the period leading up to the match, King, a champion athlete and social justice pioneer, found herself beset with both personal and professional challenges as she sought to face her sexuality and fight for pay equity in tennis. Patti Cake$ – Awardee Spotlight Film Director and writer: Geremy Jasper First-time writer/director Geremy Jasper showcases his music chops in this brash and bombastic story of unlikely rapper Patti “Killa P” Dombrowski. Breakout talent Danielle Macdonald plays Patti with the magnetism and stage presence of a seasoned musician, and is matched by the talents of the 2018 Athena Award winner Bridget Everett as Patti’s disillusioned mother, who missed her chance at stardom. Thelma Director: Joachim Trier Writers: Joachim Trier and Eskil Vogt Writer/director Joachim Trier crafts a haunting tale of Thelma (Eili Harboe) a shy college student who has just left her religious family in a small town Norway and finds herself intensely drawn to her classmate Anja (Kaya Wilkins). But in a surprising twist to this coming of age tale, first love and self-discovery arrive with uncontrollable seizures and supernatural powers, that forces her to confront the terrifying implications of her powers. The Post – CLOSING NIGHT FILM In this thrilling drama directed by Steven Spielberg, the Washington Post’s Katharine Graham, the first female publisher of a major American newspaper (Meryl Streep) and Post editor Ben Bradlee (Tom Hanks) race to catch up with The New York Times’ publication of the Pentagon Papers, which expose a massive cover-up of government secrets about the Vietnam war that spans three decades and four U.S. presidents. This movie shows the importance of the free press to the life of a democracy, but it’s also a very personal story about a woman who was trained to be a wife who becomes the main character in her own story. The Post is a movie about a woman who finds her voice and saves democracy in the process. DOCUMENTARIES MANKILLER – CENTERPIECE FILM Director: Valerie Red-Horse Mohl Executive Producer: Gale Anne Hurd MANKILLER examines the legacy of the formidable Wilma Mankiller, who defied all odds to become one of the most influential leaders in the United States. Mankiller overcame rampant sexism and personal challenges to emerge as the Cherokee Nation’s first woman Principal Chief in 1985. Through rare archival footage and intimate interviews with activists including Gloria Steinem, as well as with Wilma herself, MANKILLER gives us insight into how this remarkable woman successfully navigated through the minefield of bipartisan politics. Miss Sharon Jones! – Awardee Spotlight Film Director: Barbara Kopple This documentary, directed by the two-time Oscar winner and 2018 Athena Honoree, Barbara Kopple, tells the stirring story of Sharon Jones, a true soul survivor who’s been called “the female James Brown”. The film follows Sharon Jones on an emotional journey as she battles cancer, struggles to keep her band together and mount a comeback show at New York’s Beacon Theater. TELEVISION Lifetime’s UnReal Join us for the premiere of the first episode of UnREAL, season 3, Lifetime’s critically-acclaimed series from A+E Studios. UnREAL takes place behind the scenes of the fictional dating competition show Everlasting, as the show’s producers manipulate the contestants to get the footage they need. Caitlin FitzGerald (“Masters of Sex,” “Rectify”) takes the reins in Season 3 as Everlasting’s female “suit PANELS AND SPECIAL EVENTS Master Class on Producing and Writing for Television: Alexa Junge – Sponsored by Stephens College Come learn from Alexa Junge, a 1985 Barnard alumna, and accomplished showrunner, screenwriter, T.V. writer and producer whose credits include Friends, The West Wing, and Grace & Frankie. Spotlight on Women and Stem – Sponsored by the Alfred P. Sloan Foundation Following the screening of Bombshell, the Hedy Lamarr Story, a panel of illustrious filmmakers will focus on the stories of powerful women in STEM fields, and discuss the challenges of bringing these rich, and sometimes complicated scientific stories to life on the big screen.

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  • Directors of “Lady Bird” “Patti Cake$” “Wind River” Earn Nominations for 2017 Directors Guild of America Feature Film Awards

    [caption id="attachment_19920" align="aligncenter" width="1200"]Patti Cake$ Patti Cake$[/caption] Directors Guild of America President Thomas Schlamme announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film, and also for First-Time Feature Film Director for 2017. “2018 marks the 70th anniversary of the DGA Awards, and filmmaking has reached new heights with each passing year. These nominees embody the excellence that comes to life when unique vision, craft and skill come together in pursuit of masterful storytelling,” said Schlamme. “Being nominated by their peers is what makes this award especially meaningful for directors, and I congratulate all of the nominees for their outstanding work.”

    Outstanding Directorial Achievement in Feature Film

    The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Feature Film for 2017 are (in alphabetical order): GUILLERMO del TORO The Shape of Water (Fox Searchlight Pictures) Mr. del Toro’s Directorial Team: Unit Production Manager: J. Miles Dale Production Manager: Dennis Chapman First Assistant Director: Pierre Henry Second Assistant Director: Tyler Delben This is Mr. del Toro’s first DGA Award nomination. GRETA GERWIG Lady Bird (A24) Ms. Gerwig’s Directorial Team: Unit Production Managers: Lila Yacoub, Danielle Blumstein, Jamin O’Brien (New York Crew) First Assistant Directors: Jonas Spaccarotelli, Cedric Vara (New York Crew) Second Assistant Directors: Brendan Lee, Dana Zolli (New York Crew) Second Second Assistant Directors: Lillian Awa, Teri Barber This is Ms. Gerwig’s first DGA Award nomination. MARTIN McDONAGH Three Billboards Outside Ebbing, Missouri (Fox Searchlight Pictures) Mr. McDonagh’s Directorial Team: Unit Production Manager: Bergen Swanson Assistant Unit Production Manager: Peggy Robinson First Assistant Director: Peter Kohn Second Assistant Director: Paula Case Second Second Assistant Director: Spencer Taylor This is Mr. McDonagh’s first DGA Award nomination. CHRISTOPHER NOLAN Dunkirk (Warner Bros.) Mr. Nolan’s Directorial Team: Unit Production Managers: David Witz, Christine Raspillere (France Unit), Chris Brock (UK Unit), Nicky Tüske (Netherlands Unit) First Assistant Directors: Nilo Otero, William Pruss (France Unit), Willem Quarles van Ufford (Netherlands Unit) Second Assistant Director: Eric Lasko, Nicolas Baldino (France Unit), Alexis Chelli (France Unit), Clément Comet (France Unit) Second Second Assistant Director: Alina Gatti This is Mr. Nolan’s fourth DGA Feature Film Award nomination. He was previously nominated for Inception in 2010, for The Dark Knight in 2008 and for Memento in 2001. JORDAN PEELE Get Out (Universal Pictures) Mr. Peele’s Directorial Team: Unit Production Managers: Marcei A. Brown, Rick A. Osako (Fairhope Unit) First Assistant Director: Gerard DiNardi Second Assistant Directors: Ram Paul Silbey, Marc Newland (Fairhope Unit), Jack McKenna (New York Unit) Second Second Assistant Director: Maggie Ballard Location Manager: Kurt Engler (New York Unit) This is one of two DGA Award nominations this year for Mr. Peele. He is also nominated in the First-Time Feature Film category for Get Out.

    Outstanding Directorial Achievement in First-Time Feature Film

    The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement of a First-Time Feature Film Director for 2017 are (in alphabetical order): GEREMY JASPER Patti Cake$ (Fox Searchlight Pictures) Mr. Jasper’s Directorial Team: Unit Production Manager: Sara Blechman First Assistant Director: Inna Braude Second Assistant Director: Natasha Rivera Second Second Assistant Director: Lucas Isabella Additional Second Second Assistant Director: Alice Johnson This is Mr. Jasper’s first DGA Award nomination. WILLIAM OLDROYD Lady Macbeth (Roadside Attractions) Mr. Oldroyd’s Directorial Team: Production Manager: Robert K. Harm Unit Manager: Eugene Galbrath First Assistant Director: George Every Second Assistant Director: Richard Stanley Jan Harris This is Mr. Oldroyd’s first DGA Award nomination. JORDAN PEELE Get Out (Universal Pictures) Mr. Peele’s Directorial Team: Unit Production Managers: Marcei A. Brown, Rick A. Osako (Fairhope Unit) First Assistant Director: Gerard DiNardi Second Assistant Directors: Ram Paul Silbey, Marc Newland (Fairhope Unit), Jack McKenna (New York Unit) Second Second Assistant Director: Maggie Ballard Location Manager: Kurt Engler (New York Unit) This is one of two DGA Award nominations this year for Mr. Peele. He is also nominated in the Feature Film category for Get Out. TAYLOR SHERIDAN Wind River (Acacia Entertainment) Mr. Sheridan’s Directorial Team: Unit Production Manager: Christopher H. Warner First Assistant Director: Nicolas Harvard Second Assistant Director: Jason Altieri Second Second Assistant Director: Kristina Massie This is Mr. Sheridan’s first DGA Award nomination. AARON SORKIN Molly’s Game (STX Entertainment) Mr. Sorkin’s Directorial Team: Unit Production Managers: Lyn Lucibello-Brancatella, Stuart M. Besser, Michael Beugg (Los Angeles Unit) Assistant Unit Production Manager: Bart Lipton (Los Angeles Unit) First Assistant Director: Walter Gasparovic Second Assistant Directors: Penny Charter, Travis Rehwaldt (New York Unit), Paula Case (Los Angeles Unit) Second Second Assistant Directors: Conor Griff (New York Unit), Drew Ritson (New York Unit), Bryan Snodgrass (Los Angeles Unit) Location Manager: Dena Ghieth (New York Unit) This is Mr. Sorkin’s first DGA Award nomination.

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  • 141 Scores in Contention for Nominations for the 90th Academy Awards

    [caption id="attachment_23776" align="aligncenter" width="1000"]Battle Of The Sexes BATTLE OF THE SEXES[/caption] 141 scores from eligible feature-length films released in 2017 have qualified to be nominated in the Original Score category for the 90th Academy Awards. To be eligible, the original score must be a substantial body of music that serves as original dramatic underscoring, and must be written specifically for the motion picture by the submitting composer. Scores diluted by the use of preexisting music, diminished in impact by the predominant use of songs or any music not composed specifically for the film by the submitting composer, or assembled from the music of more than one composer shall not be eligible. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The eligible scores along with their composers are listed below, in alphabetical order by film title: “Alien: Covenant,” Jed Kurzel, composer “All I See Is You,” Marc Streitenfeld, composer “All the Money in the World,” Daniel Pemberton, composer “Annabelle: Creation,” Benjamin Wallfisch, composer “Band Aid,” Lucius, composer “Battle of the Sexes,” Nicholas Britell, composer “Baywatch,” Christopher Lennertz, composer “Beauty and the Beast,” Alan Menken, composer “The Big Sick,” Michael Andrews, composer “Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers “The Book of Henry,” Michael Giacchino, composer “Born in China,” Barnaby Taylor, composer “The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers “Boston,” Jeff Beal, composer “Brad’s Status,” Mark Mothersbaugh, composer “Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers “The Breadwinner,” Mychael Danna and Jeff Danna, composers “Breathe,” Nitin Sawhney, composer “Brigsby Bear,” David Wingo, composer “Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers “Captain Underpants The First Epic Movie,” Theodore Shapiro, composer “Cars 3,” Randy Newman, composer “The Circle,” Danny Elfman, composer “Coco,” Michael Giacchino, composer “Cries from Syria,” Martin Tillman, composer “A Cure for Wellness,” Benjamin Wallfisch, composer “Darkest Hour,” Dario Marianelli, composer “Despicable Me 3,” Heitor Pereira, composer “The Disaster Artist,” Dave Porter, composer “A Dog’s Purpose,” Rachel Portman, composer “Downsizing,” Rolfe Kent, composer “Drawing Home,” Ben Holiday, composer “Dunkirk,” Hans Zimmer, composer “Earth: One Amazing Day,” Alex Heffes, composer “A Fantastic Woman,” Matthew Herbert, composer “The Fate of the Furious,” Brian Tyler, composer “Father Figures,” Rob Simonsen, composer “Ferdinand,” John Powell, composer “Fifty Shades Darker,” Danny Elfman, composer “Film Stars Don’t Die in Liverpool,” J. Ralph, composer “First They Killed My Father,” Marco Beltrami and Buck Sanders, composers “Get Out,” Michael Abels, composer “A Ghost Story,” Daniel Hart, composer “Gifted,” Rob Simonsen, composer “The Glass Castle,” Joel P. West, composer “Going in Style,” Rob Simonsen, composer “Good Time,” Daniel Lopatin, composer “Goodbye Christopher Robin,” Carter Burwell, composer “Gook,” Roger Suen, composer “Guardians of the Galaxy Vol. 2,” Tyler Bates, composer “The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer “Hostiles,” Max Richter, composer “Human Flow,” Karsten Fundal, composer “An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer “It,” Benjamin Wallfisch, composer “Jane,” Philip Glass, composer “Jumanji: Welcome to the Jungle,” Henry Jackman, composer “Justice League,” Danny Elfman, composer “Kepler’s Dream,” Patrick Neil Doyle, composer “King Arthur: Legend of the Sword,” Daniel Pemberton, composer “Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers “Kong: Skull Island,” Henry Jackman, composer “LA 92,” Danny Bensi and Saunder Jurriaans, composers “LBJ,” Marc Shaiman, composer “Lady Bird,” Jon Brion, composer “Lake of Fire,” Qutub-E-Kripa, composer “Last Flag Flying,” Graham Reynolds, composer “The Lego Batman Movie,” Lorne Balfe, composer “The Lego Ninjago Movie,” Mark Mothersbaugh, composer “The Leisure Seeker,” Carlo Virzì, composer “Let It Fall,” Mark Isham, composer “Life,” Jon Ekstrand, composer “Logan,” Marco Beltrami, composer “The Lost City of Z,” Christopher Spelman, composer “Loveless,” Evgueni Galperine and Sacha Galperine, composers “Loving Vincent,” Clint Mansell, composer “The Man Who Invented Christmas,” Mychael Danna, composer “Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer “Marshall,” Marcus Miller, composer “Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer “Maudie,” Michael Timmins, composer “Molly’s Game,” Daniel Pemberton, composer “Moomins and the Winter Wonderland,” Łukasz Targosz, composer “The Mountain between Us,” Ramin Djawadi, composer “Mudbound,” Tamar-kali, composer “The Mummy,” Brian Tyler, composer “Murder on the Orient Express,” Patrick Doyle, composer “My Cousin Rachel,” Rael Jones, composer “Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer “Okja,” Jaeil Jung, composer “Oklahoma City,” David Cieri, composer “The Only Living Boy in New York,” Rob Simonsen, composer “Only the Brave,” Joseph Trapanese, composer “Our Souls at Night,” Elliot Goldenthal, composer “Paris Can Wait,” Laura Karpman, composer “Patti Cake$,” Geremy Jasper and Jason Binnick, composers “Phantom Thread,” Jonny Greenwood, composer “The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers “Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer “The Post,” John Williams, composer “Professor Marston and the Wonder Women,” Tom Howe, composer “The Promise,” Gabriel Yared, composer “Pulimurugan,” Gopi Sundar, composer “Raw,” Jim Williams, composer “Roman J. Israel, Esq.,” James Newton Howard, composer “Saban’s Power Rangers,” Brian Tyler, composer “Same Kind of Different as Me,” John Paesano, composer “The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers “Served Like a Girl,” Michael A. Levine, composer “The Shack,” Aaron Zigman, composer “The Shape of Water,” Alexandre Desplat, composer “Slipaway,” Tao Liu, composer “Smurfs: The Lost Village,” Christopher Lennertz, composer “Spider-Man: Homecoming,” Michael Giacchino, composer “Split,” West Dylan Thordson, composer “The Star,” John Paesano, composer “Star Wars: The Last Jedi,” John Williams, composer “Step,” Laura Karpman and Raphael Saadiq, composers “Stronger,” Michael Brook, composer “Suburbicon,” Alexandre Desplat, composer “Swing Away,” Tao Zervas, composer “Thank You for Your Service,” Thomas Newman, composer “Their Finest,” Rachel Portman, composer “Thelma,” Ola Fløttum, composer “Thor: Ragnarok,” Mark Mothersbaugh, composer “Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer “Tickling Giants,” Paul Tyan, composer “Tommy’s Honour,” Christian Henson, composer “Trafficked,” David Das, composer “Transformers: The Last Knight,” Steve Jablonsky, composer “XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers “Victoria & Abdul,” Thomas Newman, composer “Voice from the Stone,” Michael Wandmacher, composer “Wakefield,” Aaron Zigman, composer “War for the Planet of the Apes,” Michael Giacchino, composer “Wilson,” Jon Brion, composer “Wind River,” Nick Cave and Warren Ellis, composers “Wonder,” Marcelo Zarvos, composer “Wonder Woman,” Rupert Gregson-Williams, composer “Wonderstruck,” Carter Burwell, composer “Year by the Sea,” Alexander Janko, composer

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  • 70 Original Songs Qualify to Compete in 90th Academy Awards

    [caption id="attachment_19920" align="aligncenter" width="1200"]Patti Cake$ Patti Cake$[/caption] 70 songs from eligible feature-length motion pictures released in 2017 qualify for nomination in the Original Song category for the 90th Academy Awards. To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title: “U.N.I (You And I)” from “And the Winner Isn’t” “Love And Lies” from “Band Aid” “If I Dare” from “Battle of the Sexes” “Evermore” from “Beauty and the Beast” “How Does A Moment Last Forever” from “Beauty and the Beast” “Now Or Never” from “Bloodline: Now or Never” “She” from “Bombshell: The Hedy Lamarr Story” “Your Hand I Will Never Let It Go” from “The Book of Henry” “Buddy’s Business” from “Brawl in Cell Block 99” “The Crown Sleeps” from “The Breadwinner” “World Gone Mad” from “Bright” “Mystery Of Love” from “Call Me by Your Name” “Visions Of Gideon” from “Call Me by Your Name” “Captain Underpants Theme Song” from “Captain Underpants The First Epic Movie” “Ride” from “Cars 3” “Run That Race” from “Cars 3” “Tell Me How Long” from “Chasing Coral” “Broken Wings” from “City of Ghosts” “Remember Me” from “Coco” “Prayers For This World” from “Cries from Syria” “There’s Something Special” from “Despicable Me 3” “It Ain’t Fair” from “Detroit” “A Little Change In The Weather” from “Downsizing” “Stars In My Eyes (Theme From Drawing Home)” from “Drawing Home” “All In My Head” from “Elizabeth Blue” “Dying For Ya” from “Elizabeth Blue” “Green” from “Elizabeth Blue” “Can’t Hold Out On Love” from “Father Figures” “Home” from “Ferdinand” “I Don’t Wanna Live Forever” from “Fifty Shades Darker” “You Shouldn’t Look At Me That Way” from “Film Stars Don’t Die in Liverpool” “This Is How You Walk On” from “Gifted” “Summer Storm” from “The Glass Castle” “The Pure And The Damned” from “Good Time” “This Is Me” from “The Greatest Showman” “The Hero” from “The Hero” “How Shall A Sparrow Fly” from “Hostiles” “Just Getting Started” from “If You’re Not in the Obit, Eat Breakfast” “Truth To Power” from “An Inconvenient Sequel: Truth to Power” “Next Stop, The Stars” from “Kepler’s Dream” “The Devil & The Huntsman” from “King Arthur: Legend of the Sword” “Have You Ever Wondered” from “Lake of Fire” “I’ll Be Gone” from “Lake of Fire” “We’ll Party All Night” from “Lake of Fire” “Friends Are Family” from “The Lego Batman Movie” “Found My Place” from “The Lego Ninjago Movie” “Stand Up For Something” from “Marshall” “Rain” from “Mary and the Witch’s Flower” “Myron/Byron” from “The Meyerowitz Stories (New and Selected)” “Longing For Summer” from “Moomins and the Winter Wonderland” “Mighty River” from “Mudbound” “Never Forget” from “Murder on the Orient Express” “Hold The Light” from “Only the Brave” “PBNJ” from “Patti Cake$” “Tuff Love (Finale)” from “Patti Cake$” “Lost Souls” from “The Pirates of Somalia” “How A Heart Unbreaks” from “Pitch Perfect 3” “The Promise” from “The Promise” “Kaadanayum Kaalchilambe” from “Pulimurugan” “Maanathe Maarikurumbe” from “Pulimurugan” “Stubborn Angel” from “Same Kind of Different as Me” “Dancing Through The Wreckage” from “Served Like a Girl” “Keep Your Eyes On Me” from “The Shack” “On The Music Goes” from “Slipaway” “The Star” from “The Star” “Jump” from “Step” “Tickling Giants” from “Tickling Giants” “Fly Away” from “Trafficked” “Speak To Me” from “Voice from the Stone” “Walk On Faith” from “Year by the Sea”

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  • National Board of Review Announces 2017 Award Winners – THE POST, LADY BIRD, JANE and More…

    [caption id="attachment_24371" align="aligncenter" width="1200"]Lady Bird by Greta Gerwig Lady Bird[/caption] The National Board of Review today named THE POST as Best Film of the Year, Greta Gerwig as Best Director of the Year for LADY BIRDFOXTROT for Best Foreign Language Film, and JANE for Best Documentary. NBR President Annie Schulhof said, “THE POST is a beautifully crafted film that deeply resonates at this moment in time. We are so thrilled to award it our best film as well as to honor the wonderfully talented Greta Gerwig as our Best Director.” The National Board of Review’s awards celebrate excellence in filmmaking with categories that include Best Picture, Best Director, Best Actor and Actress, Best Original and Adapted Screenplay, Breakthrough Performance, and Directorial Debut, as well as signature honors such as the Freedom of Expression and the NBR Spotlight Award. The honorees will be feted at the National Board of Review Awards Gala, hosted by Willie Geist, on Tuesday, January 9, 2018 at Cipriani 42nd Street. Below is a full list of the 2017 award recipients, announced by the National Board of Review: Best Film: THE POST Best Director: Greta Gerwig, LADY BIRD Best Actor: Tom Hanks, THE POST Best Actress: Meryl Streep, THE POST Best Supporting Actor: Willem Dafoe, THE FLORIDA PROJECT Best Supporting Actress: Laurie Metcalf, LADY BIRD Best Original Screenplay: Paul Thomas Anderson, PHANTOM THREAD Best Adapted Screenplay: Scott Neustadter & Michael H. Weber, THE DISASTER ARTIST Best Animated Feature: COCO Breakthrough Performance: Timothée Chalamet, CALL ME BY YOUR NAME Best Directorial Debut: Jordan Peele, GET OUT Best Foreign Language Film: FOXTROT Best Documentary: JANE Best Ensemble: GET OUT Spotlight Award: WONDER WOMAN, Patty Jenkins and Gal Gadot NBR Freedom of Expression Award: FIRST THEY KILLED MY FATHER NBR Freedom of Expression Award: LET IT FALL: LOS ANGELES 1982-1992

    Top Films

    BABY DRIVER CALL ME BY YOUR NAME THE DISASTER ARTIST DOWNSIZING DUNKIRK THE FLORIDA PROJECT GET OUT LADY BIRD LOGAN PHANTOM THREAD

    Top 5 Foreign Language Films

    A FANTASTIC WOMAN FRANTZ LOVELESS SUMMER 1993 THE SQUARE

    Top 5 Documentaries

    ABACUS: SMALL ENOUGH TO JAIL BRIMSTONE & GLORY ERIC CLAPTON: LIFE IN 12 BARS FACES PLACES HELL ON EARTH: THE FALL OF SYRIA AND THE RISE OF ISIS

    Top 10 Independent Films

    BEATRIZ AT DINNER BRIGSBY BEAR A GHOST STORY LADY MACBETH LOGAN LUCKY LOVING VINCENT MENASHE NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER PATTI CAKE$ WIND RIVER

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  • CALL ME BY YOUR NAME Leads Nominations for 2018 Film Independent Spirit Awards

    Call Me By Your Name
    Call Me By Your Name

    Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature. 

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  • Melbourne International Film Festival Unveils 2017 Lineup, Closes with Paul Williams’ GURRUMUL ELCHO DREAMING

    [caption id="attachment_23090" align="aligncenter" width="1200"]GURRUMUL ELCHO DREAMING GURRUMUL ELCHO DREAMING[/caption] The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017. “What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.” The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master. Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome. Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction. Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland. The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017. In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder. The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze. MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture. Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour. A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival. Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence. Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye. Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance. PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events. MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008). For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon. The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence. ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed. MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall. Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal. The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists. Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead. The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.  

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  • Fantasia Film Festival Announces Final Lineup, Closes with Jang Hoon’s A TAXI DRIVER

    [caption id="attachment_22990" align="aligncenter" width="1200"]A TAXI DRIVER A TAXI DRIVER[/caption] Fantasia will close its 2017 edition with the International Premiere of A TAXI DRIVER, by director Jang Hoon. On May 18th, 1980, one of the darkest chapters in South Korea’s recent history began. Protesting against Chun Doo-hwan’s dictatorship, hundreds of citizens of Gwangju, particularly students, were beaten, arrested or killed by the army who was hiding behind a well-orchestrated propaganda campaign blinding the entire nation. So when struggling single-father Man-seob decides to take a German journalist from Seoul to Gwangju in his taxi to clear off his debts, he has no idea how dangerous their journey will be. Director Jang Hoon has established himself as one of the most talented and versatile Korean filmmakers with award winning films like ROUGH CUT and THE FRONT LINE. Reteaming with Hoon after the action thriller THE SECRET REUNION, legendary actor Song Kang-ho (THE HOST, SNOWPIERCER) delivers one of the strongest performances of his career in this unforgettable historical drama. The Fantasia Film Festival announced the remainder of its mammoth 2017 film lineup, in addition to its juries and special events. A tense, nocturnal odyssey of poor decision-making that escalates to a nearly unbearable pitch, the Safdie brothers’ Cannes Competition sensation GOOD TIME is a high-wire exercise in intensity, starring Robert Pattinson in a career-best performance. Tipping their hats to ’70s thrillers, the Safdies’ new film also builds beautifully on their previous effort, HEAVEN KNOWS WHAT – here’s another maddeningly bleak vision of New York City’s underbelly, nonetheless beaming with humanity and authenticity. North American Premiere. Directors in Attendance. Directed by David Leitch (JOHN WICK, the upcoming DEADPOOL 2), ATOMIC BLONDE, screening in the Action! section, is a blistering blend of sleek action, gritty sexuality, and dazzling neon-drenched style with a cast that includes Charlize Theron, John Goodman, Til Schweiger, and Sofia Boutella. The film boasts one thrilling fight sequence in particular – set in a stairwell and with no cuts – that has already entered the annals of action film history. Official Selection: SXSW 2017. Special Screening. Fantasia’s Camera Lucida section is back! Dedicated to the most original and singular visions, at the outer edges of genre cinema, it will close this year’s selection with the World Premiere of Robert Morin’s LE PROBLÈME D’INFILTRATION (INFILTRATION), also screening during the festival’s closing night on August 2, 2017. An experimental film and formal experiment only Morin could have made, LE PROBLÈME D’INFILTRATION (INFILTRATION) is a unique, angst-ridden portrait composed of a series of distinctive, surrealistic long takes, that brilliantly convey the existential crisis and downward spiral of Dr. Louis Richard (Christian Bégin), a plastic surgeon specializing in burn victims. A bold film that simultaneously evokes German Expressionist art and avant-garde video. See below for the rest of the Camera Lucida line-up. Director, Cast, and Crew in Attendance. The big-screen return of one of Polish Cinema’s national treasures, Agnieszka Holland (EUROPA EUROPA, THE SECRET GARDEN), still such a vibrant filmmaker at nearly 70 years of age, SPOOR took home a richly deserved award at the Berlinale earlier this year. Unconventional, poetic and beguiling, it is a genuinely radical film – some have even called it dangerous – that is one part fantastical murder mystery, one part eco-thriller. A retired teacher who speaks truth to power to protect the region’s wildlife finds herself at the center of a surreal series of happenings, with hunters and authority figures found murdered, various animal tracks near the bodies. Could the animals be having their revenge? One of the most subversive genre works we’ve seen in years. North American Premiere. Following the 2015 International Premiere of Sion Sono’s Red Light District-set yakuza/talent agency action-drama film SHINJUKU SWAN, Fantasia will unveil the International Premiere of its sequel, SHINJUKU SWAN II! Reuniting maverick filmmaker Sion Sono (TAG, LOVE EXPOSURE, the upcoming Amazon series TOKYO VAMPIRE HOTEL) with superstar Go Ayano (RAGE, LUPIN THE THIRD), this sequel adapts the arc “Yokohama Kingdom” from Ken Wakui’s popular seinen manga series of the same name, and finds the titular, energetic talent scout going head-to-head with a rival Yokohama agency, led by boss Taki (the one and only Tadanobu Asano of SURVIVE STYLE 5+, JOURNEY TO THE SHORE, and ICHI THE KILLER)! International Premiere. Fantasia audiences may best remember him from THE MAN WHO SAVED THE WORLD (aka TURKISH STAR WARS), but to international audiences, Cüneyt Arkın is a legendary icon whose career spanned 50 glorious years and nearly 300 films. He’s done every conceivable genre from grand historical epics and martial arts to romantic comedies, westerns, and hard-boiled crime flicks. He’s played an Ottoman warrior, cop, heartbreaker, pirate, and even a Turkish Davy Crockett. Over his five decades in cinema, the incredible Arkın was his country’s Jackie Chan – acting, writing, directing, and performing his own stunts! Fantasia will present a Lifetime Achievement Award to Mr Arkın, and will celebrate his extraordinary career with special repertory screenings of THE MAN WHO SAVED THE WORLD, Çetin İnanç’s WILD BLOOD (aka the Turkish FIRST BLOOD!), and the ninjasploitation head-exploder DEATH WARRIOR. These events, in addition to the World Premiere screening of Emir Mavitan’s NOMAD and a free outdoor projection of Ceyda Torun’s documentary sensation KEDI are presented with the support of the Republic of Turkey Ministry of Culture and Tourism. Luchador films hold a special place in Fantasia-goers hearts. In the early editions of the festival, screenings of numerous luchador films were held in front of sold out crowds at the 900-seat Imperial Theater. This year marks a very special occasion, as the fest will be graced by one of lucha libre’s most famous heroes, the legendary Mil Máscaras. With Blue Demon and El Santo, this legendary masked wrestler was part of a trio of athletes who, in the 60’s and early 70’s, turned this unique brand of Mexican superhero film into a worldwide phenomenon. Mil Máscaras will be awarded a Fantasia Lifetime Achievement Award for his extraordinary career as a Mexican film icon and one of the greatest professional wrestlers of all time. The award will be presented before the presentation of a double bill of two features starring Mil Máscaras: 1972’s LAS MOMIAS DE GUANAJUATO, arguably the most famous luchador film of all time (co-starring El Santo and Blue Demon), and AZTEC REVENGE, Aaron Crozier’s recently-produced American feature from writer Jeffrey Uhlmann, who will be in attendance. A sensation on the 2017 festival circuit – first unveiled at Sundance, then swerving by SXSW, and recently closing the prestigious Director’s Fortnight (Quinzaine des Réalisateurs) section of the Cannes Film Festival – PATTI CAKE$ now stops at Fantasia for its Canadian Premiere! Starring the amazing newcomer Danielle Macdonald in the lead role of Patricia Dumbrowski, a.k.a. Killa P, a.k.a. Patti Cake$, this is a first feature film from acclaimed music video director Geremy Jasper. Reminiscent of films like LITTLE MISS SUNSHINE, 8 MILE, and 2016 Fantasia discovery SOME FREAKS, PATTI CAKE$ is a brilliant cult classic in the making; an empowering outsider story told with unparalleled heart and conviction. Canadian Premiere. Following a mysterious car crash, a man with no memory of his past becomes inexplicably lethal to anyone in his path. His bizarre death force only appears to be neutralized when in the very close vicinity of Jane, a woman who suffers a similarly clouded memory. Together, they’ll try to recall their past and understand the tie that that seems to bind them. But they can’t ever be more than 50 feet apart or people will die. Directed by SANS DESSEIN filmmakers Caroline Labrèche and Steeve Léonard, RADIUS is the latest project seeing the light because of Frontières, Fantasia’s international co-production market. It’s our pleasure to present the World Premiere of this unique Quebec-made genre work. Directors in Attendance. Beloved director Takashi Miike (AUDITION, ICHI THE KILLER) may have received a Lifetime Achievement Award at last year’s edition of Fantasia, but he won’t stop delivering over the top crowd pleasers! Reteaming with screenwriter Kankuro Kudo, who also directed last year’s Audience Award winner TOO YOUNG TO DIE!, Miike delivers a crazier and funnier sequel to THE MOLE SONG: SECRET AGENT REIJI loaded with unambiguous sex jokes, strange action scenes, crotch injuries and gorgeous set pieces. Actor Toma Ikuta (THE TOP SECRET: MURDER IN MIND) delivers an incredible physical performance in the role of the libidinous mole Reiji who is now tracked down by the police, the yakuza boss he work for, and a lethal Chinese gang. Miike is back in all his mischievous glory with the Canadian Premiere of THE MOLE SONG: HONG KONG CAPRICCIO! During one of his many Asian adventures, Patrick (François Arnaud), a visual artist who specializes in Chinese art, encounters a mysterious man who makes him discover his latent gift for time travel. Stunningly directed and compellingly intimate, ORIGAMI is a UFO on the landscape of Quebec cinema that succeeds in applying sci-fi genre markers to a primarily human story. World Premiere. Directors in Attendance. Fantasia will be presenting the World Premieres of Jenna Cavelle’s BLOOD HEIST – about DIY filmmakers who simultaneously commit a star-crossed armed robbery and shoot a vérité film of it – and Melanie Aitkenhead’s BLOOD RIDE – which depicts the violence and avenging of a ferocious female biker gang lead by Pollyanna McIntosh – as a special rip-roaring indie double bill. Both femme-made, revivalist – nay, revisionist – exploitation films were spearheaded by producer/co-star James Franco and producers Vince Jolivette (SPRING BREAKERS) and Jay Davis. Get ready for blood… and more blood! World Premieres. After slaying Sundance at its debut and knocking out Cannes (where it had its European Premiere in Director’s Fortnight), BUSHWICK will be making its first Canadian stand at Fantasia 2017! The couldn’t-be-more-timely sophomore feature from directors Cary Murnion and Jonathan Milott (Fantasia 2015’s COOTIES) sees Bushwick, New York erupt into a war zone as Southern nationalist militia forces attack the city. Starring Dave Bautista and Brittany Snow, BUSHWICK almost never stops moving, as Murnion and Milott employ long, fluid takes (shot on real Brooklyn locations) that follow its characters from one hoped-for sanctuary to the next, punctuated by bursts of startling, caught-on-the-fly violence. Canadian Premiere. To reward himself for his new teaching gig in Sapporo, 29-year-old Manabu decides to celebrate New Year’s Eve with a little treat at a local sex club. On the verge of… climaxing, he’s struck by a brain hemorrhage and ends up buck naked at the hospital surrounded by his worried family who want to know how this happened. Based on the autobiographical manga from Manabu Nakagawa, ALMOST COMING, ALMOST DYING is a funny and endearing independent film from first time filmmaker Toshimasa Kobayashi. With its witty dialogues delivering family interactions worthy of WHAT A WONDERFUL FAMILY! and its creepy bat-wielding giant teddy bear (?!?), Kobayashi perfectly transposes the blend of everyday life situations and weird creativity that made Nakagawa’s manga so popular. International Premiere. As part of the closing night events, Fantasia will be showcasing the first public screening of Synapse Films’ long anticipated 4K restoration of Dario Argento’s SUSPIRIA, just in time for its 40th anniversary. A Grand Guignol fairy tale from the darkest recesses of creative brilliance, SUSPIRIA remains one of the most visually and sonically breathtaking genre works in the history of film, its complex aesthetics all but impossible to reproduce with accuracy on any non-Technicolor – let alone non-photochemical – medium to date. For the past three years, Synapse Films have been working on the definitive restoration of Argento’s masterpiece, with the full cooperation, supervision and approval of its celebrated cinematographer Luciano Tovoli, who spared no effort to accurately reproduce the film’s original IB Technicolor visuals. With all the love and obsession that this extraordinary film commands, SUSPIRIA has been restored from the fully uncut, original 35mm Italian camera negative and will be presented with the legendary 4.0 discrete sound mix not heard since its 1977 theatrical release.

    ACTION!

    Also, for the first time in its long-running history, the films in the Action! section will be competitive, with an esteemed debut jury comprised of Quebec director Érik Canuel, Midnight Madness programmer Peter Kuplowsky, and producer Hugues Barbier! BOYKA: UNDISPUTED Bulgaria – Dir. Todor Chapkanov Martial arts fans have waited a long time for the return of their champion, and with BOYKA: UNDISPUTED, Scott Adkins takes his beloved character to new heights, pushing the limits of action cinema. Boyka is back – and his punches connect! Canadian Premiere. Actor Scott Adkins in Attendance. BROKEN SWORD HERO Thailand – Dir. Bin Bunluerit Like Tony Jaa before him, Bua Khaw Bunchamek makes an unmissable, intense impact with his first appearance on the big screen. This jaw-dropping historical epic showcases all of the four-time Muy Thai champion’s talents in an action-packed and highly entertaining adventure set in1700s Thailand. North American Premiere. CONFIDENTIAL ASSIGNMENT South Korea – Dir. Kim Sung-hoon For years, Fantasia has presented the latest in exciting Korean action, and each time they raise the bar another notch. This wild Cold War thriller is no exception, featuring spectacular fights, tight urban chases, puzzling intrigue, and a stunning action turn from k-drama star Hyun Bin! Quebec Premiere. DARKLAND Denmark – Dir. Fenar Ahmad Dar Salim (EXODUS, GAME OF THRONES) plays a prosperous Copenhagen surgeon who, when pushed too far, decides to avenge his murdered brother and take down the gangs that have overrun his city. A blockbuster in its native Denmark, Fenar Ahmad’s DARKLAND is both a brilliant action thriller and a thoughtful commentary on the challenges of immigration. North American Premiere. DOUBLE BARREL India – Dir. Jose Pellissery Featuring the brothers Prithviraj and Indrajith Sukumaran, two noted Indian stars, Lijo Jose Pellissery’s DOUBLE BARREL is an action-comedy that veers wildly off the beaten track, with an ultra-inspired screenplay and visual presentation bursting with panache. One of the most delectable Indian films of recent vintage. Canadian Premiere. OVERDRIVE France – Dir. Antonio Negret From the writers of WANTED and 2 FAST 2 FURIOUS comes an utterly bombastic actioner that runs on blood, sweat, and rocket fuel! Scott Eastwood and Ana de Armas (of the upcoming BLADE RUNNER 2049) star in this stunt-filled, explosive thriller set under the scorching sun of southern France. Director Antonio Negret has crafted a smart, sexy tale of car thieves on the run – and stuck its throttle at 4000 rpm! North American Premiere. PLAN B Germany – Dir. Ufuk Genc and Micheal Popescu A trio of aspiring martial artists are blackmailed into criminal activity for the Berlin mob in this near-perfect actioner featuring spectacular fights, loads of laughs, and great chemistry from its hilarious stars. With PLAN B, Germany’s Ufuk Genc and Micheal Popescu prove they have the cinematic chops to stand alongside the world’s finest action directors. North American Premiere. Directors in Attendance. SAVAGE DOG USA – Dir. Jesse V. Johnson In this whirlwind of fists and feet that piles one relentless action sequence after another, an ass-kicking ex-con is forced back into the ring to save his new friends’ bar – and possibly their lives! Action legends Scott Adkins, Marko Zaror, and Cung Le each give 110%, and deliver 90 minutes of pure, face-smashing thrills. Canadian Premiere. Writer/Director Jesse V. Johnson and Actor Scott Adkins in Attendance. TERMINATOR 2: JUDGMENT DAY 3D USA – Dir. James Cameron He said he’d be back, and he kept his word. Twenty-six years after revolutionizing action cinema, James Cameron presents a newly-restored 3D version of his classic, era-defining science fiction masterpiece about a mother, son, and cyborg attempting to stop a visage-changing robot from bringing on a nuclear apocalypse. Not in Competition. North American Premiere. Previously announced Action! titles: ATOMIC BLONDE, JAILBREAK, and YOU ONLY LIVE ONCE.

    CAMERA LUCIDA

    Probabilistic Gothic horror; a metaphysical ghost story; a Beckettian Chinese crime farce; an experimental film-poem set in Tokyo; a surrealistic, horror-infused coming-of-age; a chilling Estonian folktale; a cosmic subversion of the crime thriller, and more… Fantasia’s Camera Lucida section brings you to the outer limits of genre cinema. ANIMALS Switzerland-Poland-Austria – Dir. Greg Sglinski A hybrid of black comedy, marital melodrama and surrealist horror, chronicling a couple’s disintegration and potential reunion during a retreat in the Swiss Alps. Official Selection: Berlinale 2017, Istanbul International Film Festival 2017, BAFICI 2017. Canadian Premiere. THE HONOR FARM USA – Dir. Karen Skloss At the vanguard of young adult cinema, Karen Skloss’ fiction film debut is a dreamlike trip that masterfully subverts and manipulates the tropes of coming-of-age cinema, horror and psychedelic thrillers. Official Selection: SXSW 2017 (Midnighters). International Premiere. Director in Attendance. MOST BEAUTIFUL ISLAND USA – Dir. Ana Asensio An unbearably gripping drama that slowly transforms into a thriller depicting a dangerous, and unbearably tense 24-hour span in the life of an undocumented immigrant woman struggling in New York City. Winner: Grand Jury Prize for Best Narrative Feature, SXSW 2017. Official Selection: BAMCinemaFest 2017, Sydney Film Festival 2017. Canadian Premiere. Director in Attendance. NOVEMBER Estonia – Dir. Rainer Sarnet A deep dive into Estonian folklore, and a harsh, fascinating look at 19th-century pagan life, where spirits roam free, werewolves lurk, and souls are a valuable currency. Winner: Best Cinematography in an International Narrative Feature Film, Tribeca Film Festival 2017. Canadian Premiere. TOWN IN A LAKE Philippines – Dir. Jet Leyco Two 16-year-old girls vanish, shocking the quiet seaside town of Matangtubig in the Philippines. In this third feature, Jet Leyco unveils a magical realist subversion of the crime thriller. Official Selection: New York Asian Film Festival 2017, International Film Festival Rotterdam 2017, Taipei Film Festival 2017. Canadian Premiere. Previously announced Camera Lucida titles: LE PROBLÈME D’INFILTRATION (above), THE LAPLACE’S DEMON, A GHOST STORY, FREE AND EASY, and THE TOKYO NIGHT SKY IS ALWAYS THE DENSEST SHADE OF BLUE.

    AXIS 2017

    The accent is on Asia this year in the Axis section, assembling some truly exceptional animated films – from high-standard anime to highly unexpected twists on stop-motion. JAPAN’S JUNK HEAD (INTERNATIONAL PREMIERE) IS A SINGULAR WORK OF STOP-MOTION CYBER-HORROR Artist, designer, sculptor and stop-motion animator Takahide Hori expands his 2103 cyber-horror short film into a full, independent feature, a biomechanical nightmare tempered with unexpected twists and deft wit – imagine Fraggle Rock through the eyes of H.R. Giger and Hieronymus Bosch. The Axis section’s strangest discovery of 2017! EXPERIENCE CLAYMATION HORROR BY BRITAIN’S LEE HARDCASTLE Independent UK clay animator Lee Hardcastle has made over a hundred shorts, music videos, and commercials – and won a place in the feature film omnibus THE ABCS OF DEATH through their hugely-competitive public contest. CLAYMATION HORROR BY LEE HARDCASTLE is a showcase of some of his coolest creations which will also screen a segment of his long-awaited feature debut, SPOOK TRAIN (A HORROR ANTHOLOGY), an epic stop-motion animation that is scheduled to be completed by 2020. Director in Attendance. A TRIPLE BILL OF RISING ANIMATION TALENT FROM A TRIO OF ASIAN COUNTRIES Axis presents a trio of thematically harmonious short films from Japan, South Korea, and China – compelling visions of life in the aftermath, from indie animators to keep an eye on. • COCOLORS (Japan, 45 min, Dir. Toshihisa Yokoshima) International Premiere. Director in Attendance. • SCARECROW ISLAND (South Korea, 18 min, Dir. Park Hyemi) World Premiere. Director in Attendance. • VALLEY OF WHITE BIRDS (China, 14 min, Dir. Cloud Yang) North American Premiere. THE SENIOR CLASS South Korea – Dir. Hong Deok-pyo Raw in its emotional honesty, explicit in its exploration of sexuality among South Korean college kids, an animated drama written and produced by Yeon Sang-ho (SEOUL STATION, TRAIN TO BUSAN). International Premiere. Director in Attendance. GENOCIDAL ORGAN Japan – Dir. Shukou Murase An elite intelligence agent pursues a mysterious figure who may be at the heart of the genocidal fury engulfing the world. The third techno-thriller in the Project Itoh anime trilogy. Canadian Premiere. Previously announced Axis titles: HAVE A NICE DAY, LU OVER THE WALL, NAPPING PRINCESS, and NIGHT IS SHORT, WALK ON GIRL.

    DOCUMENTARIES FROM THE EDGE 2017!

    Fantasia’s annual doc section returns, with nine features ranging the gamut of subjects from rock band Laibach’s stranger-than-fiction gigging experience in North Korea to exorcism practices in modern Italy and nuclear fusion as a renewable energy source! 78/52 USA – Dir. Alexandre Philippe An unprecedented look at the iconic shower scene in Alfred Hitchcock’s PSYCHO (1960) and the screen murder that profoundly changed the course of world cinema. Featuring Guillermo del Toro, Jamie Lee Curtis, Karyn Kusama, Richard Stanley, and Peter Bogdanovich, among many others. 78/52 was born out of Fantasia’s Frontières Co-Production Market and World Premiered to major acclaim at Sundance earlier this year. Quebec Premiere. ABU Canada – Dir. Arshad Khan As a gay man, Montreal Filmmaker Arshad Khan examines his troubled relationship with his devout, Muslim father. Using family archives, pictures and Bollywood movies, Khan presents his struggle with his identity and compares it to his parent’s attempts to fit into Canada. Official Selection: L.A. Film Festival 2017. Canadian Premiere. Director in Attendance. DELIVER US Italy – Dir. Federica Di Giacomo Every year, in Italy, in Europe and in the world, a higher and higher number of people affirm to feel possessed by Satan. The Catholic Church responds to this emergency training more and more exorcist priests. The contrasts between ancient traditions and modern habits, between the sacred and profane, meet in this astonishing and rather disturbing documentary. Winner: Award for Best Film (Horizons section), Venice International Film Festival 2016. Quebec Premiere. DRIB Norway – Dir. Kristoffer Borgli Between fact and fiction, a no-holds-barred satire of L.A. advertising culture: the story of an energy drink campaign gone wrong, told by Amir Asgharnejad, the performance artist and comedian who lived it all. An outlandishly fun film with a sharp head on its shoulders. Official Selection: SXSW 2017, CPH:DOX 2017, Sheffield Doc/Fest 2017. Canadian Premiere. GEEK GIRLS Canada – Dir. Gina Hara Women inhabit a relatively hidden half of nerd culture; a world of cute dresses, professional gamers, fake names and death threats. Filmmaker Gina Hara struggles through unexpected resistance to discover and show their experiences. Official Selection: Sheffield Doc/Fest 2017. North America Premiere. Director in Attendance. LET THERE BE LIGHT Canada – Dir. Mila Aung-Thwin and Van Royko What if we told you there is a way to build an artificial star on Earth? LET THERE BE LIGHT takes you to the outer limits of renewable energy, and the future of mankind: nuclear fusion. A must-see for the “sci-” and the “sci-fi” minded alike. Official Selection: SXSW 2017, Hot Docs 2017. Quebec Premiere. Directors in Attendance. LIBERATION DAY Latvia-Norway-Slovenia – Dir. Ugis Olte and Morten Traavik A chronicle of a surreal, subversive prank on a geopolitical scale as Slovenian industrial provocateurs Laibach become the first Western rock band to gig in the fortress state of North Korea. LIBERATION DAY captures many perfect moments of dark mirth and discomforting tension. But it also challenges our media-fed misconceptions with rare insights into North Korea. Official Slection: Trieste Film Festival 2017, Göteborg Film Festival 2017. Canadian Premiere. TOKYO IDOLS UK-Canada– Dir. Kyoko Miyake Idols and their pop music permeate every moment of Japanese life. Following an aspiring pop singer and her fans, TOKYO IDOLS explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies. Official Selection: Sundance 2017, DOXA 2017. Quebec Premiere. Director in Attendance. Previously announced Documentaries from the Edge title: KING COHEN

    FANTASIA UNDERGROUND 2017

    A heartbreaking supernatural drama from the American Midwest, the latest hand grenade of inspiration from Wakaliwood, a gross-out indie comedy built on interpersonal pain, and a female serial killer’s unconventional approach to relationships. Welcome to the 2017 lineup of Fantasia Underground, dedicated to super independent outsider works that possess a purity of vision and are wholly unafraid to take risks. ASSHOLES USA – Dir. Peter Vack Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City. Described by one reviewer as “Salò and The Squid and the Whale”, ASSHOLES literally explodes with bodily fluids and extreme behaviour as the couple explore and magnify each other’s impulses. The feature directorial debut of actor Peter Vack (M.F.A., CBGB, LACE CRATOR), ASSHOLES stars the filmmaker’s own sister, their parents, even his therapist, and it takes absolutely no prisoners. Winner: Adam Yauch Hörnblowér Award, SXSW 2017. Director in Attendance. BAD BLACK Uganda – Dir. IGG Nabwana Fantasia’s 2015 screening of I.G.G. Nabwana’s WHO KILLED CAPTAIN ALEX? marked the first time a Wakaliwood film had ever been shown at a film festival. Nabwana’s follow-up, BAD BLACK, a whiplashing ride between social realism and pure DIY brain-melting entertainment, has been tearing up the fest circuit over the past 10 months, and we’re extremely excited to be bringing it to Canada. Wakaliwood filmmaking is an experience like no other. A return to the origin of cinema, like watching a film for the very first time. Winner: Audience Award (Best Film) + Jury Award (Best Action Director), Fantastic Fest 2016. Canadian Premiere. INDIANA USA – Dir. Toni Comas The feature debut of BAG BOY, LOVER BOY co-writer Toni Comas, this superb supernatural drama about spirit doctors in the American Midwest haunts with a seemingly simple story that unwinds with skilful complexity and compelling characters. Harkening back to a time when independent cinema meant regional cinema, the film makes Indiana itself its focus – the people who live there, the quiet lives they inhabit and the beliefs that drive them. Canadian Premiere. Director in Attendance. POOR AGNES Canada – Dir. Navin Ramaswaran Ambitious, cunning, and narcissistic, Agnes (Lora Burke) is a serial killer, hiding in plain sight within a rural town while defining her own systems of sport and romance. A uniquely peculiar suspense film with slow, thoughtful dialogue that moves between victimization and control as it delves into the subjective experience of a probable sociopath. POOR AGNES is a driven and endearing effort that doesn’t pander to audiences, and both Agnes and plot alike are utterly unpredictable. World Premiere. Director in Attendance.

    FREE FANTASIA EVENTS!

    GRADY HENDRIX: PAPERBACKS FROM HELL (Live multimedia event) In the early Seventies, three books changed horror forever: Rosemary’s Baby, The Exorcist, and The Other. The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to flood supermarket and drug store shelves throughout the Seventies and Eighties before The Silence of the Lambs slit the genre’s throat in the early Nineties. Fresh off last year’s one-man show, SUMMERLAND LOST, Grady Hendrix delivers a mind-melting oral history of this wild and woolly world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, and killer fetuses, featuring hair-raising readings, a William W. Johnstone quote-off, and more tales of terrifying tots, tricycles, clowns, puppets, and heavy metal bands than should be strictly legal. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of… The Paperbacks from Hell!!! LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN (Book launch event) Fantasia is proud to host the World Premiere launch of the new book from Spectacular Optical, Lost Girls: The Phantasmagorical Cinema of Jean Rollin, edited by Samm Deighan and penned by all women critics, scholars and film historians. This collection of essays covers the wide range of Rollin’s career from 1968’s LE VIOL DU VAMPIRE through his 2010 swansong, LE MASQUE DE LA MÉDUSE, touching upon his horror, fantasy, crime, and sex films – including many lesser-seen titles. The book closely examines Rollin’s core themes: his focus on overwhelmingly female protagonists, his use of horror genre and exploitation tropes, his reinterpretations of the fairy tale and fantastique, the influence of crime serials, Gothic literature, the occult and more. The launch will feature an illustrated talk on July 19th with the book’s editor Samm Deighan, contributor Virginie Selavy and publisher Kier-La Janisse, and will be complemented by a rare 35mm screening at the Cinematheque quebecoise on July 27 of Rollin’s LE VIOL DU VAMPIRE, playing in its original two-part form. SPECTRUMFEST: FILMS FROM THE AUTISM SPECTRUM Montreal’s Spectrum Productions sets out to empower young people on the autism spectrum through film, and the result is a truly unique experience that’s both endearing and inspiring. This collection of shorts produced through the organization gives viewers a glimpse into the creativity, talent, and originality of these incredible filmmaking youths – who are especially interested in genre storytelling! UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL (Live multimedia event) Remakes of WITCHFINDER GENERAL and THE ORPHANAGE. The MANIAC COP sequel you were supposed to see. A Tarantino collaboration that almost was. A stillborn post-apocalyptic rock opera centered around a “Breeding Festival.” Hear these and other jaw-dropping tales from the cinematic trenches in UNTOLD HORROR LIVE: GENRE REBELS IN DEVELOPMENT HELL. Presented by Untold Horror – an in-development series born at Fantasia’s Frontières market dedicated to exploring the greatest genre movies never made – and hosted by co-creator Dave Alexander (former Editor-in-Chief of Rue Morgue magazine), this round-table discussion – with accompanying A/V presentation – will delve into unrealized projects by our favorite genre filmmakers. William Lustig (MANIAC, MANIAC COP), Richard Stanley (HARDWARE, DUST DEVIL), Gary Sherman (DEATHLINE, DEAD & BURIED), Larry Fessenden (WENDIGO, THE LAST WINTER), and Buddy Giovinazzo (COMBAT SHOCK, LIFE IS HOT IN CRACKTOWN) will reveal their fascinating projects that failed to launch, the reasons why, and what it taught them about the often-volatile film business. Plus, a sneak peek at Untold Horror!

    ADDITIONAL NEWLY-ANNOUNCED TITLES:

    ANOTHER WOLFCOP Canada – Dir. Lowell Dean The question of ANOTHER WOLFCOP making its way to Fantasia 2017 was never in doubt, and we’re proud to be hosting the Canadian Premiere of this most Canadian of movies. ANOTHER WOLFCOP takes everything that was fun about the first movie and amps it up big time, making this a rare sequel that outdoes the original. The laughs are bigger, the violence is bloodier, and the tone is more outrageous. Official Selection: Absurde Seance Film Festival 2017. Canadian Premiere. Director and Cast in Attendance. BETTER WATCH OUT Australia – Dir. Chris Peckover Dreaming of a red Christmas? Like the idea of a homicidal HOME ALONE? Enjoy both plots and knives that twist? Of course, you do, which is why you’re gonna love BETTER WATCH OUT (aka SAFE NEIGHBORHOOD), the latest from Chris Peckover (writer-director of UNDOCUMENTED). Official Selection: Fantastic Fest 2016. Quebec Premiere. Director in Attendance. DEATH LINE (New 2K Restoration of the Original Director’s Cut) UK – Dir. Gary Sherman A clear precursor to Tobe Hooper’s TEXAS CHAIN SAW MASSACRE, DEATH LINE sports a solid performance by the great Donald Pleasence and a cameo by Christopher Lee. Celebrating its 45th anniversary this year, Sherman’s masterpiece hasn’t lost an ounce of its power. It’s a strange, gory, socially aware and often blackly funny tale of the fringe-dwelling “have-nots” rising up to feast on the “haves” and it’s ready for a new generation of thoughtful fright fans to discover. Our screening will be hosted by Director Gary Sherman and legendary exploitation filmmaker/Blue Underground CEO William Lustig, who shepherded the film’s restoration. DEATH NOTE: LIGHT UP THE NEW WORLD Japan – Dir. Shinsuke Sato The pen is mightier than the sword. At least, when you have a Death Note at hand. The wry and philosophical Japanese horror-thriller series returns under the masterful direction of Shinsuke Sato (GANTZ, I AM A HERO)! Ten years after Light Yagami’s death, the book is back in an edition of six copies this time, courtesy of the Shinigami King himself. Bodies will pile up! Official Selection, Brussels International Fantastic Film Festival. Canadian Premiere. EXTRAORDINARY MISSION Hong Kong-China – Dir. Alan Mak and Anthony Pun Undercover agents and gangsters collide in a roaring rush of intense twists and turns deep in the drug world of the Golden Triangle. From the creative team of the INFERNAL AFFAIRS trilogy. Official Selection: Udine Far East Film Festival 2017, East Wind Film Festival 2017. Quebec Premiere. FABRICATED CITY South Korea – Dir. Park Kwang-hyun In the virtual world, Kwon Yu is a fearless leader, but IRL he’s an unemployed loser. When framed for a crime he didn’t commit, the gamer must rise to the task and prove his innocence. A high-budget, action-packed techno-thriller. Official Selection: Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Québec Premiere. FASHIONISTA USA-UK – Dir. Simon Rumley At long last it’s the return of one of Fantasia’s favourite sons, British provocateur Simon Rumley (THE LIVING AND THE DEAD, RED WHITE & BLUE), and it’s been worth the wait. Taking his inspiration from the work of another British master, Nicholas Roeg, Rumley spins a psychologically thrilling exercise in the loss of the mind and the soul in favour of the latest thing. He’s aided in no small part by star Amanda Fuller, re-uniting with Rumley and delivering one of the best performances you’ll see this year. A vivid and mind-altering experience in bravura filmmaking. Official Selection: Fantastic Fest 2016, Sydney International Film Festival 2017. Canadian Premiere. Director in Attendance. THE FINAL MASTER China – Dir. Xu Haofeng Director Xu Haofeng astonished Fantasia audiences with THE SWORD IDENTITY and last year’s JUDGE ARCHER. Xu is a truly unique martial arts auteur who returns to freshly shake up the kung fu genre again about kung fu masters in the tragicomedy THE FINAL MASTER. Winner of Best Action Choreography-Golden Horse Awards. FRITZ LANG Germany – Dir. Gordian Maugg Far from the conventional biopic, FRITZ LANG is part fan-fiction, speculation, and biography: what if Lang was the hero of one of his own films? This is a whirlwind of images where past and present collide, exploring the myth, rather than the man – a composite image of an elusive director, in the days leading to the creation of the masterpiece, M. Winner: Best Feature Film, Hessen Film and Cinema Awards 2016. Canadian Premiere. GOD OF WAR Hong Kong-China – Dir. Gordon Chan A brilliant young general confronts an army of wily Japanese pirates in Ming-Dynasty China – an extra-large-scale battlefield epic with a cast of martial arts titans including the legendary Sammo Hung. From Gordon Chan, the director of many Hong Kong cinema classics including FIST OF LEGEND and BEAST COP! Quebec Premiere. GOING TO BRAZIL France-Brazil – Dir. Patrick Mille Four childhood friends are reunited at a wedding in Rio. But when they accidentally kill a young man during a party that gets out of hand, they are forced to flee the city in a crazy adventure. GOING TO BRAZIL is a corrosively energetic film that stands out from your typical French comedies. Official Selection: SXSW 2017. Canadian Premiere. GURGAON India – Dir. Shanker Raman An ominous noir crime thriller, Shankar Raman’s debut film GURGAON explores corruption, jealousy, and toxic sibling rivalry within a wealthy family living in the titular city in Northern India. Through clashes between blood relations and bloodshed, the film is a story of having it all and wanting none of it. Quebec Premiere. THE H-MAN Japan – Dir. Ishiro Honda Jellylike atomic goblins haunt the rainy Tokyo streets involving gangsters and cops! Director Ishiro Honda (GODZILLA) steps out of his comfort zone to yield a unique genre blending gem. Presented in glorious 35mm and preceded by a special career overview of the extraordinary cinematic master Ishiro Honda by Ed Godziszewski (co-author of Ishiro Honda – A Life in Film, from Godzilla to Kurosawa). HOUSE OF THE DISAPPEARED South Korea – Dir. Lim Dae-woong On loud stormy night, Mi-hee wakes up to find her dying husband in the basement and see her son disappear before her eyes. Many years later, she returns to this house to solve the mystery. International star Kim Yujin (the LOST series) shines in this creepy atmospheric remake of THE HOUSE AT THE END OF TIME (which Fantasia helped launch in 2015). Official Selection: Udine Far East Film Festival. North American Premiere. INNOCENT CURSE Japan – Dir. Takashi Shimizu A child’s scream pierces the quietude of a Japanese suburb – and the nightmare begins. A funhouse too atmospheric and scary to resist, from Japan’s living legend of horror, Takashi Shimizu (JU-ON, MAREBITO)! Official Selection: Brussels International Fantastic Film Festival 2017, Shanghai International Film Festival 2017. North American Premiere. JAPANESE GIRLS NEVER DIE Japan – Dir. Daigo Matsui One day, Haruko Azumi (Yu Aoi) disappears and becomes a legend. A proudly experimental, kaleidoscopic and pop-art portrait of the female condition in Japan. Official Selection: Tokyo International Film Festival 2017, Rotterdam 2017, TIFF Next Wave Festival 2017. Quebec Premiere. KILLS ON WHEELS Hungary – Dir. Attila Till A wheelchair-bound hitman is assisted by a pair of disabled teenage aspiring comic artists. One part crime genre piece, one part absorbing character study, and one part total original. It’s movies like this that Fantasia was created for. Winner: Roger Ebert Award, Chicago International Film Festival 2016; Best Feature and Best Actors, Thessaloniki International Film Festival 2016. Canadian Premiere. LOVE AND OTHER CULTS Japan – Dir. Eiji Uchida An unexpected love story, and exploration of the seedy, unexplored corners of Japanese society and youthful regional reality – from cults to gangs to idols! Official Selection: Udine Far East Film Festival 2017, New York Asian Film Festival 2017. Canadian Premiere. MADE IN HONG KONG (4K Restoration) Hong Kong – Dir. Fruit Chan A gorgeous and essential 4K restoration of Fruit Chan’s youthful gangster classic, commissioned by the Udine Far East Film Festival to commemorate the 20 years of the Hong Kong handover. Winner: Best Picture Award, Hong Kong Film Awards 1998. Official Selection: Locarno International Film Festival 1997. Quebec Premiere. LE MANOIR France – Dir. Tony T. Datis A bunch of friends, live wires and web addicts, decide to celebrate the New Year in an isolated manor house with no coverage: a big first for them! But as soon as they arrive, strange occurrences disturb the festive atmosphere, and the party turns into a murderous nightmare. The feature debut from celebrated music video director Datis (Skrillex’s “Bangarang” and Katy Perry’s “Wide Awake”), LE MANOIR is a well-crafted horror/comedy that isn’t afraid of opening up incendiary floodgates, and is sure to leave no viewer indifferent. Plus, in a risky feat that completely works, Datis cast his film with YouTube stars. Come discover the immense talents of its web-based stars, who are fast on their way to conquering the big screen. International Premiere. MUMON: THE LAND OF STEALTH Japan – Dir. Yoshihiro Nakamura Despite his playful attitude, Mumon is the most dangerous ninja of his ruthless clan of assassins, but when his actions triggers an all out war with the samurais of Ise, he might finally meet his match. With an incredible cast led by J-pop band Arashi’s frontman Satoshi Ohno and the masterful direction of Fantasia favorite Yoshihiro Nakamura (FISH STORY), this breathtaking over the top action comedy will make you stealthily sneak back for more! Official Selection: Shanghai International Film Festival. Quebec Premiere. THE NIGHT WATCHMEN USA – Dir. Mitchell Altieri Three inept night watchmen, aided by a young rookie and a fearless tabloid journalist, fight an epic battle to save their lives. A mistaken warehouse delivery unleashes a horde of hungry vampires, and these unlikely heroes must not only save themselves but also stop the scourge that threatens to take over the city of Baltimore. Winner: Best Horror Film, Garden State Film Festival 2017, Best Feature, New Jersey HorrorCon 2017. Canadian Premiere. Director and Cast in Attendance. PREY Netherlands – Dir. Dick Maas From the legendary Dutch horror iconoclast who brought you THE LIFT, AMSTERDAMNED, DOWN, and SAINT comes this jaw-dropping horror thriller about a bloodthirsty lion stalking the streets (and metro trains!) of Amsterdam. Official Selection: Brussels International Fantastic Film Festival 2017, Overlook Film Festival 2017. Canadian Premiere. Director in Attendance. RAGE Japan – Dir. Lee Sang-il A double homicide shakes the nation, and its perpetrator has eluded capture. Meanwhile, three strangers make an appearance. A phenomenal crime thriller about isolation and how we perceive others. Official Selection: Toronto International Film Festival 2016, San Sebastian Film Festival 2016, Tallinn Black Nights Film Festival 2016. Quebec Premiere. THE SHERIFF IN TOWN South Korea – Dir. Kim Hyung-joo When former hardboiled big-city cop Dae-ho (BIG MATCH’s Lee Sung-min) appoint himself the “sheriff” of the coastal village where he owns a humble restaurant, he has no idea how deep in troubles this is going to get him. Laughs, suspense and excitement are on the menu of this entertaining crime comedy where civic pride becomes wildly uncivil! North American Premiere. SHOCK WAVE Hong Kong – Dir. Herman Yau One of HK’s most prolific yet controversial filmmakers Herman Yau (THE UNTOLD STORY, EBOLA SYNDROME, IP MAN:THE FINAL FIGHT) reunites with the award winning Andy Lau playing a bomb specialist in this high-octane thriller wired with enough explosive twists ready to detonate at every turn. Official Selection: Udine Far East Film Festival 2017. Quebec Premiere. S.U.M.1 Germany – Dir. Christian Pasquariello A solitary soldier (Iwan Rheon of GAME OF THRONES) mans a watchtower, guarding against mysterious aliens in this eerie exercise in high-tech tension and primeval paranoia. Produced by Christian Alvart (PANDORUM, ANTIBODIES). Official Selection: Shanghai International Film Festival 2017 (Panorama). North American Premiere. A THOUSAND JUNKIES USA – Dir. Tommy Swerdlow A “drug” movie with no drugs, and a “road” movie that goes nowhere, A THOUSAND JUNKIES is a dark, visceral comedy about the 9 to 5 job of being a junkie, and the strange bonds that are formed between addicts. Screenwriter of COOL RUNNINGS, SNOW DOGS, and LITTLE GIANTS, Tommy Swerdlow makes his directorial debut with a personal story, something miles away from his family-oriented comedies past, based on the three leads’ own experiences with addiction. Official Selection: Tribeca Film Festival 2016. Canadian Premiere. TIGER GIRL Germany – Dir. Jakob Lass Escalating criminal mischief convinces wild girl Tiger that she’s made the wrong friend in seemingly straight-laced Vanilla, but will she survive long enough to learn her lesson? An unpredictable ride through modern-day Berlin, TIGER GIRL showcases brilliant rising talents in leads Maria Dragus (GRADUATION) and Ella Rumpf (cementing her place as a major new star after her acclaimed work in RAW), who deliver a pair of unforgettable performances that make TIGER GIRL incredibly fresh and exciting. Official Selection: Berlinale 2017. North American Premiere. TILT USA – Dir. Kasra Farahani A filmmaker becomes unhinged and erratic, and begins to give in to madness. A spellbinding psychological horror film made for a time when love, sadly, does not trump fear or hate. TILT explores how quickly the most familiar person in your life can become the most terrifying. How quickly we can become terrifying to ourselves. Official Selection: Tribeca Film Festival 2017. Canadian Premiere. TOKYO GHOUL Japan – Dir. Kentaro Hagiwara Ghouls live among us, look like us, talk like us… and eat us. TOKYO GHOUL is the live-action adaptation of the immensely popular urban-horror manga by Sui Ishida, a gruesome yet pensive dark fantasy in the same sinister zone as DEATH NOTE and PARASYTE. Official Selection: Bucheon International Fantastic Film Festival. Canadian Premiere.

    JURIES AND COMPETITIONS

    Fantasia is proud to announce the following competitions and their jurors. CHEVAL NOIR Fantasia’s flagship juried competition, a global selection of varied genre works from new and established, groundbreaking, and unconventional auteurs. Bad Genius (Thailand) Dir. Nattawut Poonpiriya Bitch (USA) Dir. Marianna Palka Cold Hell (Germany) Dir. Stefan Ruzowitzky Dan Dream (Denmark) Dir. Jesper Rofelt A Day (South Korea) Dir. Cho Sun-ho Friendly Beast (Brazil) Dir. Gabriela Amaral Almeida Jojo’s Bizarre Adventure: Diamond is Unbreakable (Japan) Dir. Takashi Miike Lowlife (USA) Dir. Ryan Prows mon mon mon MONSTERS! (Taiwan) Dir. Giddens Ko Money’s Money (France) Dir. Gela Babluani Origami (Canada-Quebec) Dir. Patrick Demers Spoor (Poland-Czech Republic) Dir. Agnieszka Holland A Taxi Driver (South Korea) Dir. Jang Hoon Teiichi: Battle of the Supreme High (Japan) Dir. Akira Nagai The Villainess (South Korea) Dir. Jung Byung-gil What A Wonderful Family! 2 (Japan) Dir. Yôji Yamada CHEVAL NOIR JURY President of the Jury: Richard Stanley, Filmmaker, Anthropologist, Journalist Chris Bumbray, Critic Eli Castiel, Critic, editor-in-Chief of Séquences magazine, Paul Kazee, Critic, Co-Founder of New York Asian Film Festival Shelagh Rowan-Legg, Filmmaker, Critic, Academic, Programmer at FrightFest UK NEW FLESH COMPETITION FOR BEST FIRST FEATURE JURY President of the Jury: William Lustig, Filmmaker, CEO of Blue Underground Katarina Gligorijevic, Writer, Producer Jason Gorber, Journalist, Critic Joshua Sobel, Producer Antoine Zeind, Distributor, Founder of A-Z Films INTERNATIONAL SHORT FILM COMPETITION JURY President of the Jury: Gary Sherman, Filmmaker Aisling Chin-Yee , Filmmaker Ina Pira, Vimeo Curator ACTION! JURY Hughes Barbier, Producer, Co-Founder of the Ithaca Fantastic Film Festival Érik Canuel, Filmmaker, Co-Founder of Kino Films Peter Kuplowsky, Writer, Producer, TIFF Programmer (Midnight Madness) AXIS ANIMATION JURY (Satoshi Kon Award for Excellence in Animation) Greg Bailey, Director Dave Cooper, Graphic Novelist, Painter, Animator Nadja Cozic, Director, Animator, Teacher Jean Lacombe, Cartoonist, Animator, Author BARRY CONVEX AWARD FOR BEST CANADIAN FEATURE JURY Kier-la Janisse, Critic, Founder of Spectacular Optical Publications Douglas Buck, Filmmaker, Editor George Mihalka, Filmmaker AQCC-CAMERA LUCIDA JURY The Association québécoise des critiques de cinema (AQCC) President of the Jury: Donato Totaro, editor-in-chief of Offscreen, Journalist, Professor of Film Studies at Concordia University Paul Landriau, founder of the film blog Point de vues and program director of the film festival Plein(s) Écran(s) Jean-Marie Lanlo, vice-president of AQCC, editor-in-chief of Cinéfilic.com JURY FANTASTIQUES WEEK-ENDS Jason Béliveau, Programming Director of Antitube, Critic Pierre-Marc Drouin, Filmmaker, Writer Isabelle Giroux, Filmmaker, Actor, Singer PRIX SEQUENCES JURY President of the Jury: Pascal Grenier, Critic Mathieu Houle-Beausoleil, Critic, Filmmaker Maxime Labrecque, Critic, lecturer in the Department of Cinematographic Studies at the Université de Montréal

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  • Melbourne International Film Festival to Feature 35 Films From Cannes

    [caption id="attachment_22898" align="aligncenter" width="1200"]The Square Ruben Ostlunds The Square[/caption] The Melbourne International Film Festival (MIFF) will present big award winners from this year’s Cannes Film Festival, including the 2017 Palme d’Or winning The Square, a deliriously strange detonation of art and imagination from Swedish director Ruben Öslund (Force Majeure, MIFF 14), featuring a riveting performance from Danish actor Claes Bang and scene stealing performances from Elizabeth Moss (also appearing in Top of the Lake: China Girl, MIFF 17) and Dominic West. Other films include Loveless, the must-see winner of the Jury Prize at this year’s Cannes – a razor-sharp portrayal of a marriage in the state of collapse from one of the greatest Russian filmmakers working today, Andrey Zvyagintsev (Leviathan, Elena, MIFF 11); and BPM, from French director Robin Campillo, (Eastern Boys, MIFF 14; They Came Back, MIFF 05) winner of this year’s Cannes Grand Jury Prize and Queer Palm winner, which dives headfirst into the passions, protests and politics of ‘90s AIDS activism. International purveyor of the bizarre and MIFF favourite Yorgos Lanthimos is back with regular co-writer Efthymis Filippou (The Lobster, MIFF 15; Alps MIFF 12) for The Killing of a Sacred Deer – bringing Colin Farrell and Nicole Kidman together in a darkly comic modern rendering of an ancient Greek morality play; and Julianne Moore reunites with Todd Haynes for the enchanting Wonderstruck, an intoxicating, visually ravishing adaptation of Brian Selznick’s (writer of Hugo) illustrated tale of two deaf runaways and the glimmering, redemptive magic of cinema. Thrillers that packed a punch include Good Time, where Robert Pattinson electrifies in the pulse-quickening heist thriller from American indie stars Josh and Benny Safdie who were subjects of a MIFF focus in 2015, with an electronic score by Oneohtrix Point End; and In the Fade, from Germany’s Faith Akin where Diane Kruger delivers her Best Actress-winning performance as a mother dealing with the aftermath of her Kurdish husband and young son’s death in a neo-Nazi hate crime. Films from European directors that set Cannes ablaze include master auteur Michael Haneke’s (Amour, MIFF 12, The White Ribbon, MIFF 09) Happy End, which sees the director reunite with the great Isabelle Huppert and Jean-Louis Trintignant in a cutting portrait of bourgeois European Life; Let the Sunshine In, the Directors’ Fortnight award-winning new film from iconic French director Claire Denis (Bastards, MIFF 13), with Juliette Binoche delivering a shining performance in the starring role; and veteran French director Philippe Garrel’s (In the Shadow of Women, MIFF 15) Lover for a Day, shot in lyrical monochrome and starring his daughter Esther in her first major role, which once again brings a poetic touch to his perennial themes of fidelity and sexual freedom. Also from France, the grande dame of the French New Wave Agnès Varda revives the spirit of The Gleaners and I (MIFF 01) with Faces Places, a picaresque romp through rural France, where she is joined in her travel by the artist JR; and The Venerable W, which sees Barbet Schroeder complete his “trilogy of evil” with a stunning portrayal of xenophobic demagogy in an unexpected quarter: Buddhist monks in the Republic of Myanmar. Films exploring corruption and injustice include the winner of the prestigious Un Certain Regard prize A Man of Integrity, from acclaimed Iranian writer/director Mohammed Rasoulof (Manuscripts Don’t Burn, MIFF 13; Iron Island, MIFF 05), which is a potent thriller that captures one man’s desperate battle to stand up to a corrupt system; and Tehran Taboo, the boundary-pushing new animation from Iranian-born first-time feature director Ali Soozandeh, which tackles the sexual taboos of Islamic society and reveals a world of hypocrisy and political corruption. Works of distinct individuality from exciting new voices in the cinematic landscape include the satirical and witty I Am Not a Witch, inspired by real-life rural witch camps in Africa and directed by first-time feature director Ryngano Nyoni, with cinematography by David Gallego (Embrace of the Serpent); Marlina the Murderer in Four Acts, a “feminist Indonesian Spaghetti Western” (The Irish Times) directed by a shining star of the blossoming Indonesian film industry, Mouly Surya; and Michael Franco’s (Chronic, MIFF 15) Un Certain Regard Jury Prize winner April’s Daughter, a gripping depiction of maternal devotion gone wrong, with Emma Suárez (Pedro Almodóvar’s Julieta, MIFF 16) mesmerising as the ruthlessly calculating mother. Continuing to uncover and capture the bizarre and bold, the festival is proud to present Nothingwood, first-time documentarian Sonia Krunlund’s rousing portrait of Afghani writer/actor/director Salim Shaheen that captures the auteur using the resources available to him to make cheap, fast, out-of-nothing films starring himself, his friends and his family, which bring hope to his adoring fans in Afghanistan’s climate of violence; co-produced by Toni’s Erdmann’s Maren Ade, Western is the acclaimed Cannes hit from German writer/director Valeska Grisebach (Longing, MIFF 05) that uses non-actors in a European standoff to evoke the spirit of the titular American genre; starring and co-written by Saturday Night Live’s Kyle Mooney, helmed by frequent collaborator Dave McCary and produced by Andy Samberg, Brigsby Bear is the latest thigh-slapping comedic effort to double as an SNL “Where Are They Now?” reunion special; and hope springs from Josh Hartnett, a blonde wig and a Tokyo-to-California jaunt in Oh Lucy!, Atsuko Hirayangi’s affectionate expansion of her MIFF 2014 short of the same name. [caption id="attachment_19920" align="aligncenter" width="1200"]Patti Cake$ Patti Cake$[/caption] The festival will feature the Australian premiere of the entire second season of Top of the Lake: China Girl, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman, and offering a unique opportunity to see the series before its television premiere on BBC First on Foxtel; and Patti Cake$, music video director Jeremy Gasper’s feature debut about an aspiring rapper, starring Australian actress Danielle McDonald in her sensational breakout performance. Slower, more meditative works centered around image, exploration and self-reflexivity include Claire’s Camera, in which Isabelle Huppert reunites with director Hong Sang-soo to present an uncomplicated and refreshing meditation on the joy of chance encounters and the power of art; 24 Frames, a minimalist hymn to the capturing of images and the final work by the late Iranian master Abbas Kiarostami; and Naomi Kawase’s (Still the Water, MIFF 14) Radiance, which explores the complexity of cinematic images through description alone, as protagonist Misako writes voiceovers for vision impaired film viewers. Scoring an award at the Cannes Directors’ Fortnight, Jonas Carpignano’s (Mediterranea, MIFF 15) latest, A Ciambra, explores the European refugee crisis in a heart-wrenching, ultra-realist tour of the outcast and refugee communities of Italy’s south; and in Hungarian phenomenon Kornél Mundruczó’s (White God, MIFF 14) Jupiter’s Moon, the superhero genre collides with the rolling tragedy of that same crisis in an action-packed assault on tribalism, human indecency of the basic laws of gravity. Set to screen at MIFF as part of Night Shift, A Prayer Before Dawn is a claustrophobic, face-pulping mash of growling sound, kinetic editing and so-real-you-have-to-flinch fight scenes from French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 08); and Blade of the Immortal is samurai, swords and Takashi Miike – celebrating his 100th feature with the tale of an immortal swordsman looking to reclaim his soul. Hot from the Un Certain Regard section, Closeness explores family relations intermingled with ethnic tensions in a stunning, disturbing debut from young Russian filmmaker Kantemir Balagov; shot in nine parts, each in sweeping unbroken takes, Beauty and the Dogs is based on a real incident of a young Tunisian student plunged into an infuriating and intimidating bureaucratic nightmare; and Until the Birds Return, a film of three stunningly rendered dispatches from the still-scarred people and landscapes of modern Algeria, by young gun of North African cinema Karim Moussaoui. And finally, Chilean filmmaker Marcela Said’s sophomore feature Los Perros explodes class privilege when a wealthy woman – the dynamite Antonia Zeger – falls for her older riding instructor, a man accused of war crimes; and A Gentle Creature, the latest film by Sergei Loznitsa (The Event MIFF 16; In the Fog, MIFF 12) that shifts from rusted realism to dreamy fantasy as it follows a woman (Vasilina Makovtseva) on a voyage through multiple layers of violence, indignity and human cruelty.

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  • THE BIG SICK and MONKEY BUSINESS Win Top Awards at Nantucket Film Festival

    [caption id="attachment_20114" align="aligncenter" width="1200"]The Big Sick The Big Sick[/caption] The Big Sick, written by Emily V. Gordon and Kumail Nanjiani and based on their real-life, cross-cultural relationship, and directed by Michael Showalter, was awarded Audience Award for Best Narrative Feature at the 22nd annual Nantucket Film Festival. The atmospheric Native American reservation-set mystery Wind River, written and directed by Taylor Sheridan, is runner up. Monkey Business: The Curious Adventures of George’s Creators, directed by Ema Ryan Yamazaki is the winner of theAudience Award for Best Documentary Feature, and Joe Kean’s Holocaust-focused After Auschwitz: The Stories of Six Women is the runner up. Maximilien Van Aertryck and Axel Danielson’s study of human vulnerability, Ten Meter Tower, is the winner of the Audience Award for Best Short film, and Tom Scott and Dan Honan’s inspirational portrait, The Illumination, is the runner-up. NFF also announced the winner of the Adrienne Shelly Foundation Excellence in Filmmaking Award, a $5,000 grant to an emerging female filmmaker in honor of writer, director, and actor Adrienne Shelly and her contributions to film. This year’s recipient is Alexandra Dean, director of Bombshell: The Hedy Lamarr Story, which focuses on the Hollywood star’s groundbreaking but under-acknowledged work as an inventor. In the Showtime Tony Cox Screenplay Competition, which recognizes the best-unproduced screenplays and television pilots by emerging writers, Moon Molson’s Johnny Ace received the top prize as the winner of the Feature Screenplay Competition. The Episodic Screenplay nods went to Tesia Walker’s for The Line and to Kaitlin Fontana for Casey Can’t. The Short Screenplay Competition was won by Rajiv Shah, with Jesse Wang and Robert Berg for The Yao Of Tao. Moon Molson’s Johnny Ace follows two Houston homicide detectives as they investigate the seemingly accidental death of a popular R&B singer in 1954. Molson received a $5000 cash prize, VIP access to this year’s Festival, a bound copy of his script, and an exclusive spot in the Screenwriters Colony writers retreat on Nantucket for the entire month of October. The Showtime Tony Cox Award for Episodic 60 Minute Pilot, The Line by Tesia Walker, is set in a small South Carolina historically black university, in the early 1960s. Walker received a $1000 cash prize, as well as a consultation with a Showtime executive. The Half-Hour Episodic Screenplay winner, Casey Can’t by Kaitlin Fontana, is a dark comedy that tells the story of a flawed writer being blackmailed into managing a hipster music blog by its man-child owner. Fontana receives a $1000 cash prize, a consultation with a Showtime executive, and one of only four slots in the Screenwriters Colony: Episodic Comedy, a two-week immersive writing and mentorship program on Nantucket earlier this month. The Short Screenplay Competition winner, The Yao Of Tao by Rajiv Shah, with Jesse Wang and Robert Berg, follows a Chinese caregiver for a Isaac, a dying cancer patient as he finds himself at odds with Isaac’s estranged daughter. Shah receives a $500 cash prize. The Festival’s Teen View Jury Award, selected by a group of Nantucket junior high school students, went to Game, written and directed by Jeannie Donohoe. “We were thrilled to present Nantucket audiences with a diverse offering of films and special events celebrating the craft of screenwriting and storytelling,” said Mystelle Brabbee, Executive Director of the Nantucket Film Festival and Basil Tsiokos, Film Program Director of the Nantucket Film Festival. “We are thankful to our audiences and to all of the screenwriters and filmmakers who shared their work with us this year.” Actor, writer, director, producer and NFF Board Member Ben Stiller hosted the Screenwriters Tribute Awards from the Siaconset Casino on Friday, June 23rd. Director and Academy Award®-winning screenwriter Tom McCarthy accepted the Screenwriting Tribute Award, given to him by Emmy Award®-winning actor Bobby Cannavale. Ground-breaking television creators and Emmy®-nominated writing team Jeffrey Klarik and David Crane (“Friends,” “Mad About You,” “Episodes”) received the Creative Impact in Television Writing Award, presented to them by “Episodes” actress Kathleen Rose Perkins. Acclaimed documentary filmmaker Nick Broomfield (NFF Centerpiece Film (Whitney. “can I be me”) accepted the A&E Special Achievement in Documentary Storytelling Award, presented to him by journalist Regina Weinreich, while the New Voices in Screenwriting Award was presented to Geremy Jasper (NFF Spotlight Film Patti Cake$) by comedian, actress, and performer Bridget Everett.

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