Restraint

  • 2017 Downtown LA Film Festival Awards – A THOUSAND JUNKIES Wins Best Film

    [caption id="attachment_24667" align="aligncenter" width="1200"]A Thousand Junkies A Thousand Junkies[/caption] A Thousand Junkies, Tommy Swerdlow’s bittersweet dark comedy about a day in the life of three Los Angeles addicts — won this year’s top prize, Best Picture at the 2017 DTLA Film Festival. Best Director for documentary feature was awarded to Miranda Bailey for The Pathological Optimist about the controversial vaccine researcher Dr. Andrew Wakefield. Adam Cushman was awarded Best Director for Restraint, his narrative feature about the dark side of suburbia. The Best Documentary feature award was given to The Work, a powerful and poignant look at a new therapy changing the lives of convicts at Folsom Prison. The film, directed by Jairus Mcleary, will be released theatrically by The Orchard. Top acting awards went to Sophia Mitria Schloss for Lane 1974 and Charlie Tahan for Super Dark Times. Other top prizes announced this evening were Best Screenplay for Zach’s Brown contemporary drama Hard Surfaces, Best Short Film for Reed Van Dyk’s Dekalb Elementary, Best Editing to Carl Ambrose and Francisco Bello for their work on the psychological thriller Most Beautiful Island, and Best Cinematography to Luis Montalvo and Carlos Rossini for the atmospheric documentary The Cloud Forest. The following special prizes were also announced: Jury Prize for Creative Vision to Art Jones for his drama Forbidden Cuba; Female Pioneer Award to Iranian director Shiva Sanjari for her documentary biopic Here The Seats Are Vacant, and actor Leo Ramsey for his Breakthrough Performance in the contemporary coming-of-age story Blue Line Station. The festival’s Audience Favorite Award was a tie, given to both Dare To Be Different, director Ellen Goldfarb’s nostalgic look back at influential Eighties radio station WLIR, and The Dating Project, Jonathan Cipiti’s exploration of courtship in the digital age.

    2017 DTLA Film Festival Awards

    FEATURES

    Best Picture: A Thousand Junkies, directed by Tommy Swerdlow Best Actress in a Leading Role: Sophia Mitri Schloss | Lane 1974 Best Actor in a Leading Role: Charlie Tahan | Super Dark Times Best Screenplay: Zach Brown | Hard Surfaces Best Ensemble Cast: Dog Park, directed by Jade Jenise Dixon Best Documentary: The Work, directed by Jairus McLeary Best Director – Documentary Feature:  Miranda Bailey | The Pathological Optimist Best Director – Narrative Feature: Adam Cushman | Restraint Best Cinematography: Luis Montalvo and Carlos Rossini | The Cloud Forest Best Foreign Film (TIE): Zoe Panoramas, directed by Rodrigo Guardiola and Gabriel Cruz Rivas Female Pioneer Award  Here the Seats Are Vacant, directed by Shiva Sanjari Breakthrough Performance: Leo Ramsey | Blue Line Station Jury Prize for Creative Vision – Feature: Forbidden Cuba directed by Art Jones Audience Favorite Award (TIE): Dare To Be Different, directed by Ellen Goldfarb The Dating Project, directed by Jonathan Cipiti Best Film Editing: Carl Ambrose and Francisco Bello | Most Beautiful Island Best Score: Ben Frost | Super Dark Times Best Actors in Supporting Role: Blake Heron | A Thousand Junkies Matthew Brumlow | Blur Circle Michael Ferrell | Laura Gets A Cat Betty Gilpin | Future ’38

    SHORTS

    Best Short Film: Dekalb Elementary, directed by Reed Van Dyk Jury Prize for Creative Vision – Shorts: The Point System, directed by Conner Bell Best Performance by an Ensemble Cast: Lost Dogs | Chris Lee, Edward Hong, Linda Him, Jen Yim, William Crespo, Joshua Han Best Webisode: Fakers, directed by Ryan Mitchel Best Short Film – Series: Sing For Me, directed by Sama Waham Best Film – Student Shorts: Geeta, directed Sohil Vaidya Best Director – Student Shorts: Noble Creatures, directed by Daniel Lafrentz Jury Prize for Creative Vision – Student Shorts: Light Sight, directed by Seyed M. Tabatabaei

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  • Tommy Swerdlow’s A THOUSAND JUNKIES To Open DTLA Film Festival + Feature Films Lineup

    [caption id="attachment_24667" align="aligncenter" width="1200"]A Thousand Junkies A Thousand Junkies[/caption] The 9th annual DTLA Film Festival will kick off on Thursday, September 21st with the Los Angeles premiere of A Thousand Junkies, the feature film directorial debut from multi-hyphenate Tommy Swerdlow (Cool Runnings, Little Giants, and Snow Dogs), who directed and co-wrote the film and co-stars with Blake Heron and TJ Bowen, who shares a writing credit. In A Thousand Junkies features three junkies named for the actors playing them, crisscross Los Angeles in search of relief, considering increasingly reckless options in the pursuit of a score, and coming across all sorts of odd characters along the way. The film will be released theatrically by The Orchard later this year. The Festival, taking place September 21 to 30 at L.A. LIVE, announced its feature films including all documentary and narrative feature-length films in competition. In keeping with this year’s theme – “Movies. Not walls” – the festival will host the first Enemy Nations Film Series. This series will present films from the countries labeled by immigration initiatives and Presidential tweets as homes to enemies of the state. From The Orchard is The Work by directors Jairus Mcleary and Gethin Aldous, a powerful documentary set inside a single room in Folsom State Prison (California), which follows three level-four convicts as they participate in a four-day, innovative group therapy retreat. Rounding out the trio from The Orchard is Super Dark Times, Kevin Phillips’ harrowing, meticulously observed look at teenage age lives. Continuing with the dark side, Most Beautiful Island explores the unforgettable and decidedly sinister day in the life of a young woman immigrant struggling to leave behind a mysterious past as she copies with life New York City. Ana Asensio directs and stars in this psychological thriller, which nabbed this year’s SXSW Film Festival’s Grand Jury Prize and will be released later this year by Samuel Goldwyn Films. In Kasra Farahani’s Tilt, Joe is a filmmaker making a definitive documentary about the dark side of America’s post WW2 “golden age.” However, he soon finds himself falling down the rabbit hole of self-doubt and paranoia. In a similar vein Erik Nelson with A Gray State has created a chilling portrait of real-life alt right personality David Crowley as he struggles to complete his opus film project. Adults struggling with children in their lives is at the heart of several of this year’s narrative features. In Adam Cushman’s Restraint a young married woman’s mental health begins to deteriorate as she attempts to adapt to life in suburbia with her controlling husband and his 9-year-old daughter. In Zach Brown’s Hard Surfaces (formerly Moleskin Diary) life in the fast lane for an artist-photographer suddenly grinds to a halt when he unexpectedly is left in sole custory of his 9-year-old niece. In Jorge Xolalpa, Jr.’s Blue Line Station a high school couple have a child of their own on its way as they struggle with the best solution for an unwanted pregnancy. In Christopher J. Hansen’s Blur Circle, to be released later this year by Indie Rights, a mother desperately wants to find her missing child, even it means accepting help from a man with a shrouded past. On the lighter side of relationships, in Jade Jenise Dixon’s Dog Park, also an Indie Rights upcoming release, it’s a canine to the rescue as a group of twenty-somethings struggle with the dating game. In Michael Ferrell’s Laura Gets A Cat, an unemployed writer considers what to do with her unexciting boyfriend while jumping into an affair with a performance artist, all fuel for your vivid imaginary life. Striking a similar tone but in the context of a documentary, The Dating Project by Jonathan Cipiti confronts the eye-opening statistics that today in America fully half of all adults are single – a far higher percentage than with past generations. Five college-age single Millennials confront their own lack of success in finding a mate in this eye-opening look at dating in the age of social media. The havoc wreaked by social media is reflected in two of the festival’s rom coms. In director David Tyson Lam’s Viral Beauty our protagonist simply wanted a date. She got a million subscribers, instead. Sloan Copeland’s Life Hack is a humorous but cautionary about privacy and cyber threats in the digital age. The take away? Cover your webcam. On the other hand Gigi Gorgeous is one girl who ain’t complainin’ about the power of the world wide web. In This Is Everything: Gigi Gorgeous the life and history of the eponymous Internet superstar is explored in a poignant and inspiring documentary by Oscar-winning filmmaker Barbara Kopple (Harlan County, USA). Could video games be a contributing factor to Millennials’ singleness? Who cares! In Jeremy Snead’s multi-episodic documentary Unlocked: The World Of Games Revealed everybody involved in all levels of video gaming from creators to players certainly seems to be having a helluva good time. Ditto, all those involved in that other counter culture revolving around music audio cassette tapes. In Zachary Taylor, Georg Petzold and Seth Smoot’s Cassette: A Documentary Mix Tape rabid mix tapes fans, including the likes of Henry Rollins, share what makes this once forgotten and now beloved blast-from-the-past so very au courant. Yes, nostalgia for the music of the Eighties is part of the appeal of mix tapes. This same nostalgia is captured in Ellen Goldfarb’s Dare To Be Different, a look back at WLIR, the pioneering Long Island, N.Y. radio station that helped to pave the way for new wave and punk, and launch the careers of everyone from Blondie to Joan Jett. (Oh, did we mention Prince, U2 and Madonna were also heard first in the U.S. on the WLIR airwaves?) The past meets the future in the “lost” 1938 screwball comedy set in the future of 2018 in Jamie Greenberg’s Future ’38. Confused? All will be revealed in this highly original satire that wowed the crowds at Slamdance earlier this year. Gabriel Cruz Rivas and Rodrigo Guardiola’s gaze is firmly fixed in the present in his documentary Zoe: Panoramas, an introspective look inside one of Latin America’s biggest rock bands. The festival’s signature curated film series this year is entitled Enemy Nations, which refers to how whole nations of people suddenly became identified by the highest levels of the U.S. government as anti-American. The series presents a selection from each of these seven countries in an opportunity for you, the audience, to decide for yourself if the enemy is from beyond the borders, or within. The series includes Shiva Sanjari’s Here The Seats Are Vacant, a stunning portrayal of Iran’s first female director, who herself became an enemy of her nation with the rise of the Islamic Revolution. Also part of the series is Avo Kaprealian’s Houses Without Doors, a documentary shot surreptitiously by director with a small camera from the balcony of his home on the Syrian front line. The camera records the dramatic changes in his neighborhood and his own family. Five short films, which will be announced later, are part of the series as well. Forbidden Cuba is the first American feature film shot after the thawing of diplomatic relations between the island nation and the U.S. Art Jones’ picture is a cautionary tale about an American businessman who travels to Cuba to retrieve an executive gone rogue, only to have his own eyes opened to the beauty and vibrant culture of the country. In Sea Gypsies: The Far Side Of The World filmmaker Nico Edwards sets off for his own adventure as part of a motley crew of amateurs and seasoned sailors attempting the nearly impossible and certainly risky goal of traversing the ocean between New Zealand and Patagonia by way of Antarctica in a sailboat – in the dead of winter. Yes, in the Digital Age real-life adventure is yours for the taking IF you’re willing to pursue it. Water is also the subject of two more documentary films screening at the festival. In John Hopkins’ Bluefin, fresh from its U.S. premiere at Santa Barbara Film Festival earlier this year, the plight of a magnificent oceanic creature, which unfortunately is best known as a mainstay of sushi, is explored from different perspectives. It’s fresh water and the plight of humans in developing countries who lack it that is explored in Brian Wood’s A World Without Water. This special screening and event will be co-hosted by Los Angeles-based PH8, a NGO with international outreach. Rounding out the festival’s feature film line-up are two documentaries about the impact of encroaching civilization on precious forest land and its wildlife. Mónica Alvarez Franco’s Cloud Forest – which boasts stunning cinematography – documents the people of a small community in Mexico who are the guardians of one of the ecosystems most at risk in country. Tony Lee’s The Cat That Changed America is about a bona fide Hollywood star. P22 is the most famous lion in America, a cougar who lives in Griffith Park, and this is his amazing story. A final note about a late entry to the festival. VAXXED: From Cover-up to Controversy was a feature-length documentary invited to make its world premiere at last year’s Tribeca Film Festival when the screening was abruptly cancelled — the only film ever pulled from the festival’s line-up. Soon after, Robert DeNiro in his guise as Tribeca’s co-founder went on national television to proclaim he regretted his festival’s decision and urged the viewing public to go see the film, which by then had entered theatrical release. The man at the center of that film, medical researcher and author Andrew Wakefield, is also the focus of The Pathological Optimist, a biopic about the former medical doctor whose discovery of a link between the MMR vaccine and autism profoundly changed his life and challenged medical orthodoxy that all vaccines were safe for all children. In her film, which is making its Los Angeles theatrical premiere during DTLA Film Festival, director Miranda Bailey weaves a delicate portrait of a man who is both revered and vilified by millions, a full-access look at the man at the center of one of the biggest medical and media controversies of our times. “One of the missions of our nonprofit film festival is to reflect the rich ethnic-cultural diversity and creative free spirit of DTLA and its surrounding environs. We believe our audiences will agree that this year’s line-up wholeheartedly embraces that mandate,” said Greg Ptacek, festival director. The complete list of announced feature film presentations at the 9th DTLA Film Festival follows

    2017 DTLA Film Festival | Feature Films

    BLUE LINE STATION Director: Jorge Xolalpa Jr. Country: USA, Running Time: 80″ A high school couple embarks on an unusual journey to planned parenthood, in order to find the best solution to an unwanted pregnancy. BLUEFIN Director: John Hopkins Country: USA, Running Time: 53″ In the stunning documentary Bluefin, director John Hopkins crafts a tale of epic stakes set in the “tuna capital of the world.” Filmed in North Lake, Prince Edward Island, Canada, the film explores the baffling mystery of why the normally wary bluefin tuna no longer fear humans. BLUR CIRCLE Director: Christopher J. Hansen Country: USA, Running Time: 92″ Jill Temple is a single mother still grieving the loss of her young son after he disappeared two years ago. Unable to face the possibility that she has lost him forever, she pursues every lead and meets Burton Rose, a man with a shrouded past. CASSETTE A DOCUMENTARY MIX TAPE Director: Zachary Taylor, Georg Petzold and Seth Smoot Country: USA, Running Time: 92″ Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won’t die. Rock veterans like Henry Rollins, Thurston Moore, and Ian MacKaye join a legion of young bands releasing music on tape to push Lou along on his journey to remember. THE CAT THAT CHANGED AMERICA Director: Tony Lee Country: USA, Running Time: 75″ P22 is the most famous cat in America, a mountain lion who lives in Griffith Park in the middle of LA. This is his amazing story. CLOUD FOREST Director: Mónica Alvarez Franco Country: MEXICO, Running Time: 90″ The people of a small community in Veracruz are the guardians of one of the ecosystems facing the most risk in the country: the cloud forest. They are trying to redesign their own culture: needs, food, education and relationship with other people and with nature, searching for a simpler and sustainable life. DARE TO BE DIFFERENT Director: Ellen Goldfarb Country: USA, Running Time: 93″ A wonderfully nostalgic look back at WLIR 92.7, the Long Island-based radio station on the cutting edge of music throughout the 1980s. Going rogue, the station defied the record industry and played global imports before their release by literally picking up the singles at the airport,rushing back to the studio and spinning them live. THE DATING PROJECT Director: Jonathan Cipiti Country: USA, Running Time: 70″ 50% of America is single. The way people seek and find love has radically changed. The trends of hanging out, hooking up, texting and social media have created a dating deficit. Dating is now…outdated. Follow 5 single people, ages 18 to 40, as they navigate this new landscape. DOG PARK Director: Jade Jenise Dixon Country: USA, Running Time: 91″ The romantic tribulations of a group of Toronto twenty-somethings whose relationships with their dogs are more stable and long-lasting than their romances with people. FORBIDDEN CUBA Director: Art Jones Country: USA, Running Time: 81″ The first American feature made in Cuba since the revolution of 1959. Part ‘Local Hero’ and ‘Hearts of Darkness,’ it’s a cautionary tale about capitalism and the state of the American soul. STORY: An American businessman travels to Cuba to retrieve an executive gone rogue, and finds his eyes opened to the beauty and vibrant culture of Cuba, challenging his corporate directives, his identity and everything he has known. FUTURE ’38 Director: Jamie Greenberg Country: USA, Running Time: 75″ A 1938 screwball comedy set in the far future year of 2018. A GRAY STATE Director: Erik Nelson Country: USA, Running Time: 93″ In 2010, David Crowley worked on a film about a future in which the government crushes civil liberties. When Crowley and his wife and child are found dead in 2014, conspiracy theorists speculate that they have been assassinated by the government. HARD SURFACES Director: Zach Brown Country: USA, Running Time: 89″ Adrian is a self-made man, despite the tragedy of his parents dying when he was a child. He is a famous photographer who has earned a following for his provocative style. Life appears to perfect until his sister Samantha suddenly dies, leaving him as the sole guardian of her 9-year-old daughter Maddy, whom he has never even met. Even while he clings to his life in the fast lane, he realizes everything must change if Maddy is to avoid the same pain he suffered as a child. HERE THE SEATS ARE VACANT Director: Shiva Sanjari Country: IRAN, Running Time: 81″ This is the story of a relentless spirit that refuses to be broken. The Iranian filmmaker known simply as Shahrzad in 1977 became the first female director in Iran after a successful career as a singer-dancer-actress. Two years later the Iran Revolution roared across the nation, and it has no room for a self-made woman like Shahrzad. The government never let her work again. Worse, she was imprisoned where she became mentally unraveled, eventually ending up in a mental institution. Today, she is 72 years old and dealing with a life in a small village in Iran. Oh, but her memories are wholly intact. This poignant documentary includes fantastic archival film footage of Shahrzad at the height other career. HOUSES WITHOUT DOORS Director: Avo Kaprealian Country: SYRIA, Running Time: 90″ The film portrays the changes in the life of an Armenian family on Aleppo’s frontline in Al Midan, an area that brought shelter to the persecuted Armenians 100 years ago and today to many displaced Syrians. From the balcony of his home, the director films with a small camera the changes in his neighbourhood and his own family, interweaving his images with extracts from classical films to illustrate the parallels between the Armenian genocide and Syrians’ reality today. LAURA GETS A CAT Director: Michael Ferrell Country: USA, Running Time: 83″ An unemployed writer in New York City, tries to juggle an unexciting boyfriend, an affair with a performance artist, and a vivid imaginary life. LIFE HACK Director: Sloan Copeland Country: USA, Running Time: 90″ A humorous, cautionary tale about cyber threats in the digital age. Cover your webcam. MOST BEAUTIFUL ISLAND Director: Ana Asensio Country: USA, Running Time: 80″ Luciana is a young immigrant woman is struggling to make ends meet in New York while striving to escape her past. As her day unfolds, she is whisked, physically and emotionally, through a series of troublesome, unforeseeable extremes. Before her day is done, she inadvertently finds herself a central participant in a cruel game. Lives are placed at risk, while psyches are twisted and broken for the perverse entertainment of a privileged few. THE PATHOLOGICAL OPTIMIST Director: Miranda Bailey Country: USA, Running Time: 106″ In the center of the recent Tribeca Film Festival scandal surrounding his film, VAXXED: From Cover-up to Controversy stands Andrew Wakefield, discredited and stripped of his medical license for his infamous study suggesting a link between the MMR vaccine, bowel disease, and autism. The Pathological Optimist takes us into the inner sanctum of Wakefield and his family from 2011- 2016 as he fights for his day in court in a little-known defamation case against the British Medical Journal. Wakefield attempts to clear his name as the media-appointed Father of the Anti-vaccine movement. Director Miranda Bailey weaves a delicate portrait of a man who is THE PATHOLOGICAL OPTIMIST utilizing a never-before-seen, full access look at the man at the center of one of the biggest medical and media controversies of our times. RESTRAINT Director: Adam Cushman Country: USA, Running Time: 95″ Angela Burroughs has been submerging her violent impulses for years. After moving to the suburbs with her controlling new husband and his 9-year-old daughter, Angela starts to unravel. She becomes obsessed with a short story called The Yellow Wallpaper and begins to see parallels between her own life and the life within the story. As her husband Jeff remains oblivious to her emerging demons, Angela plunges deeper and deeper into her own dark reality. SEA GYPSIES: THE FAR SIDE OF THE WORLD Director: Nico Edwards Country: USA, Running Time: 77″ The story of a small group of modern seafaring gypsies, following them as they strike out across the largest expanse of uninhabited geography on earth, in search of adventure, awe and whatever else lies at the far side of the world. SUPER DARK TIMES Director: Kevin Phillips Country: USA, Running Time: 100″ A harrowing but meticulously observed look at teenage lives in the era prior to the Columbine High School massacre. THIS IS EVERYTHIG: GIGI GORGEOUS Director: Barbara Kopple Country: USA, Running Time: 91″ Are there limits to your love for your family? One family’s acceptance is tested when a champion diver, destined for the Olympics, announces they’re transitioning from male to female and invites their YouTube followers along for every moment. It’s a story about unconditional love and finding the courage to be yourself. A THOUSAND JUNKIES Director: Tommy Swerdlow Country: USA, Running Time: 75″ Things grow more and more desperate, and ridiculous, as three heroin addicts drive all over Los Angeles in search of what they need. TILT Director: Kasra Farahani Country: USA, Running Time: 99″ Joe is working on a political documentary about America’s “Golden Age,” with the support of his wife Joanne. However, he begins to descend into paranoia and roams the streets at night in this haunting psychological thriller. UNLOCKED: THE WORLD OF GAMES REVEALED Director: Jeremy Snead Country: USA, Running Time: 90″ Video games have gone from an obscure science experiment in the early 1960’s to the biggest entertainment medium on the planet. Unlocked is a groundbreaking documentary from director Jeremy Snead that provides firsthand stories by industry icons, celebrities, consumers, and field experts on the culture, technology, history and future of the video game industry. VIRAL BEAUTY Director: David Tyson Lam Country: USA, Running Time: 90″ She wanted a date. She got a million subscribers instead. THE WORK Directors: Jairus Mcleary and Gethin Aldous Country: USA, Running Time: 89″ Set inside a single room in Folsom Prison, three men from the outside participate in a four-day group-therapy retreat with a group of incarcerated men for a real look at the challenges of rehabilitation. A WORLD WITHOUT WATER Director: Brian Woods Country: USA, Running Time: 80″ Every day 3900 children die as a result of insufficient or unclean water supplies. ‘A World Without Water’ tells of the personal tragedies behind the mounting privatization of water supplies. ZOE: PANORAMAS Director: Gabriel Cruz Rivas and Rodrigo Guardiola Country: MEXICO, Running Time: 89″ A unique and introspective look inside one of Latin America’s biggest rock bands: Zoé. The film takes you on a contemplative and audiovisual journey through one of the bands decisive years.

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  • ‘The Silent Child’ ‘Restraint’ ‘Circle Up’ Among Winners of Rhode Island International Film Festival Awards

    [caption id="attachment_23833" align="aligncenter" width="1200"]The Silent Child, directed by Chris Overton won the the award for Best Live Action Short at 2017 Flickers’ Rhode Island International Film Festival The Silent Child, directed by Chris Overton won the the award for Best Live Action Short at 2017 Flickers’ Rhode Island International Film Festival[/caption] Flickers’ Rhode Island International Film Festival (RIIFF) announced the Award Winners for its 35th Anniversary Celebration of Flickers, on Sunday, August 13th. The winners of RIIFF’s Live Action, Animation and Documentary Short Grand Prizes hold a special honor: they become the Festival’s nominees for Academy Award consideration. “The Silent Child,” directed by Chris Overton from the United Kingdom (2017) won the the award for Best Live Action Short. “The Silent Child” follows the story of a profoundly deaf child, and the deaf-specialized social worker who struggles to help the family try to understand their child’s deafness. “Coin Operated,” directed by Nicholas Arioli from the United States (2016) won the award for Best Animated Short. “Coin Operated” is an animation that spans 70 years in the life of one naive explorer, as he works to earn enough money to take a coin operated space ship to outer space. And  “Marian,” directed by Rick Rogers, a Rhode Island native and Rhode Island School of Design Graduate, won the award for Best Documentary Short.   Filmed over eight years, “Marian” documents the final years of renowned actress Marian Seldes’ life and touches on the themes of identity, the worship of others and the deterioration of family. In other awards, Douglas Trumbull, renowned visual effects artist for such films as “Close Encounters of the Third Kind,” (which is celebrating its 40th Anniversary in November), “2001: A Space Odyssey,” and “Blade Runner” received this year’s Inaugural Gilbert Stuart Artistic Vision (Lifetime Achievement) Award.  Johnny Wilson, visual effects artist for such films as “Ant Man,” “Doctor Strange,” and “Captain America: The First Avenger” was presented by Steven Feinberg with this year’s RI Film & Television Office Dream Maker Award. The Flickers’ Rhode Island International Film Festival returns August 7 to 12, 2018

    2017 Rhode Island International Film Festival Awards

    BEST LIVE ACTION SHORT

    GRAND Prize: (RIIFF’s Official Academy Nomination) “The Silent Child” | Directed by: Chris Overton | UK, 2017 FIRST Prize: “Emma” | Directed by: Martin Edralin | Canada, 2016 Tied With: “Half A Man” | Directed by: Kristina Kumric| Croatia, 2016 BEST SHORT ANIMATION GRAND Prize: (RIIFF’s Official Academy Nomination) “Coin Operated” | Directed by: Nicholas Arioli | USA, 2017 FIRST Prize: “Poles Apart” | Directed by: Paloma Baeza | UK, 2017 Tied With: “The Full Story” Directed by: Daisy Jacobs | UK, 2017

    BEST SHORT DOCUMENTARY

    GRAND Prize: (RIIFF’s Official Academy Nomination) “MARIAN” | Directed by: Rick Rodgers | USA, 2016 FIRST Prize: “Hale” | Directed by: Bradford Bailey | USA, 2017 Tied With: “AJ” | Directed by: Philippine Merolle | USA, 2017

    BEST FEATURE

    GRAND Prize: “Restraint” | Directed by: Adam Cushman | USA, 2017 FIRST Prize: “1:54” | Directed by: Yan England | Canada, 2016 Tied With: “La Soledad” | Directed by: Jorge Thielen Armand| Venezuela, Canada, Italy, 2016

    BEST FEATURE DOCUMENTARY

    GRAND Prize: “Circle Up” | Directed by: Julie Mallozzi | USA, 2017 FIRST Prize: “A Whale of a Tale” | Directed by: Megumi Sasaki | Japan, USA 2016 Tied With: “Anatomy of a Male Ballet Dancer” | Directed by: James Pellerito and David Barba| USA, 2017 FILMMAKER OF THE FUTURE AWARD Presented to a filmmaker whose vision excites audiences and judges alike about the potential to produce compelling and successful films in the future. Ian Bibby, “Mainland” USA, 2017 BEST ACTOR: Mohamed Seddiki, “The Geneva Convention” | France, 2016 JUDGE’S COMMENT: “Mohamed elegantly showcased that making the right decision is easier than it seems.” BEST ACTRESS: Maisie Sly, “The Silent Child” | UK, 2017 JUDGE’S COMMENT: “Maisie Sly is a defining example of how being different makes you special and that true talent and passion comes in all shapes and sizes.”

    BEST COMEDY SHORT

    GRAND Prize: “The Eleven O’Clock” | Directed By: Derin Seale, Written by: Josh Lawson | Australia 2016 FIRST Prize: “All Exchanges Final” | Written & Directed by: Annabel Oakes | USA, 2016 Tied With: “Perfect Roast Potatoes” | Written and Directed by: Nick Frew | USA, 2017

    BEST EXPERIMENTAL

    GRAND Prize: “The Avant-Gardener” | Directed by: Lindsay Katt and Heather Matarazzo | USA 2017 FIRST Prize: “The Ogre” | Directed by: Laurene Braibant | France 2017

    BEST DIRECTOR

    GRAND Prize: John Sheedy, “Mrs McCutcheon” | Australia 2017 FIRST Prize: Genevieve Clay-Smith, “Kill Off” | Australia 2017 DR. J. GERALD LAMOUREUX AWARD FOR EXCELLENCE Presented to a filmmaker and artist who represents the spirit of cultural exchange between the United States and Canada. Sandrine Brodeur-Desrosiers, “Cast Off” | Canada 2016 DIRECTORIAL DISCOVERY AWARD GRAND Prize: “Finding Fronsdal” | Directed by: Kevin Morra | USA, 2017

    BEST CINEMATOGRAPHY

    GRAND Prize: “Our Wildest Dreams” | Directed by: Marie Elisa Scheidt, Cinematography by: Julian Krubasik | Germany 2017 FIRST Prize “Faith” | Directed by: Tatiana Fedorovskaya, Cinematography by: Vladimir Egorov | Russia 2017

    RIIFF NEW ENGLAND DIRECTOR’S AWARD

    GRAND Prize: Karen Allen, “A Tree. A Rock. A Cloud.” | USA 2016 RIIFF DIRECTOR’S CHOICE AWARD “The Gamble House” | Directed by: Don Hahn | USA, 2017

    HEARTS, MINDS, SOULS AWARD

    Celebrating Films that Reflect the Jewish Experience. GRAND Prize: “Memory Songs” | Directed by: Lucy Kaye | UK 2016 FIRST Prize: “The Twinning Reaction” | Directed by: Lori Shinseki | USA 2017 Tied with: “Mustard Seed” | Directed by: Lina Roessler | Canada, Germany 2016

    BEST EDITING

    GRAND Prize: “Revolving Doors” | Directed by: James Burns; Edited by: Stacy Kim & Jeb Banegas | USA 2017 FIRST Prize: “The Sugaring Off” | Directed by: Alexandre Isabelle; Edited by: Élisabeth Olga Tremblay | Canada 2016 Tied With: “The Catch” | Directed by: Holly Brace-Lavoie; Edited by: Sophie Benoit Sylvestre | Canada 2017

    BEST SCREENPLAY

    GRAND Prize: “The Secret Market” | Directed by: Garret Daly; Written by: Conor Ryan | Ireland 2017 FIRST Prize: “Ostoja Will Move Your Piano” | Written and Directed by Sandra Mitrovic | Serbia/ Montenegro, 2017 FLICKERS’ AMBASSADOR AWARD Presented to an individual who inspires and empowers communication and cultural understanding. Patricia Chica, “Morning After” | Canada, 2017

    FLICKERS’ INTERNATIONAL HUMANITARIAN AWARD

    Given annually to films or filmmakers who inspire social change and community outreach and strive to better the world in which we live. GRAND Prize: “Man in Red Bandana” | Directed by: Matthew Weiss | USA 2017 FIRST Prize: “Refugee” | Directed by: Joyce Chen and Emilie Moore | USA 2016 PROVIDENCE FILM FESTIVAL AWARD Presented annually to a New England director whose work brings cinematic excellence to an international audience. GRAND Prize: Laura Colella | “The Flying Electric” | USA 2017

    ALTERNATIVE SPIRIT AWARD (LGBTQ) SHORT

    GRAND Prize: “Cocoon” | Directed by: Liying Mei | China, 2016 FIRST Prize: “Iris” | Directed by: Gabrielle Demers | Canada, 2017 Tied with: “Something New” | Directed by: TJ Marchbank | USA 2017

    ALTERNATIVE SPIRIT AWARD (FEATURE)

    GRAND Prize: “Prom King, 2010” | Directed by: Christopher Schaap | USA, 2017 FIRST Prize: “Something Like Summer” | Directed by: David Berry | USA, 2017 Tied with: “High Low Forty” | Directed by: Paddy Quinn | USA, 2017

    ALTERNATIVE SPIRIT AWARD (DOCUMENTARY)

    GRAND Prize: “Take a Walk on the Wild Side” | Directed by: Lisa Rideout | Canada, 2017 FIRST Prize: “John Hemmer & the Show Girls” | Directed by: Kirsten Larvick | USA, 2017

    KIDSEYE INTERNATIONAL FILM FESTIVAL AWARDS

    Presented to a film that resonates with the filmmaker within both children and adults alike.

    BEST CHILDREN’S ANIMATION

    GRAND Prize: Rouff | Directed by: Markus Eschrich, Benjamin Brand, Johannes Lumer, Julius Rosen, Markus Eschrich | Germany, 2017 FIRST Prize: “Way of Giants” | Directed by: Alois Di Leo | Brazil, 2016 Tied with: “We’re Going on Bear Hunt” | Directed by: Joanna Harrison, Robin Shaw | UK, 2016

    LIVE ACTION

    GRAND Prize: “TRiGGA” | Directed by: Meloni Poole | UK, 2017 FIRST Prize: “Einstein-Rosen” | Directed by: Olga Osorio | Spain, 2016

    GREEN PLANET AWARD

    Celebrating the vision of man’s shared humanity and achieving sustainability on our planet. GRAND Prize: “Run While You Can” | Directed by: Marion Mauran | USA, 2017

    VORTEX SCI-FI & FANTASY AWARD

    GRAND Prize: “Girl of My Dreams” | Directed by: Johnny Wilson | USA, 2016 FIRST Prize: “Belle à croquer” | Directed by: Axel Courtière | France, 2017

    BEST STUDENT FILM AWARD

    COLLEGE

    GRAND Prize: “SHARK” | Directed by: J. Sivert Lendorph Christensen | UK, 2017 FIRST Prize: “THE GREEN” | Directed by: Sophia Loffreda | USA, Canada, 2017

    HIGH SCHOOL

    GRAND Prize: “N.O.VI.S” | Directed by: Arthur Rodger “Harley” Maranan | Philippines, 2017 First Prize: “Buoyancy” | Directed by: Tori Taylor | USA, 2017 BEST INTERACTIVE MEDIA “-KLAUS-” | Created by: Victor Velasco | USA, 2017 BEST INTERNET SERIES “Gunner Jackson” | Directed by: Christian Strevy | USA, 2016

    FLICKERS’ YOUTH FILM JURY AWARDS

    BEST NARRATIVE SHORT GRAND Prize: “Oh What a Wonderful Feeling” | Directed by: Francois Jaros | Canada, 2016 FIRST Prize: “New Neighbors” | Directed by: E.G. Bailey | USA, 2016 Tied With: “Life Boat” | Directed by: Lorraine Nicholson | USA, 2016 BEST ANIMATION “Totem” | Directed by: Alex Cannon | USA, 2017 BEST FEATURE FILM DOC “Stumped” | Directed by: Robin Berghaus | USA, 2017 BEST FEATURE FILM NARRATIVE “American Folk” | Directed by: David Heinz | USA, 2017 BEST DOCUMENTARY: “Edith+Eddie” | Directed by Laura Checkoway | USA 2017 BEST LGBTQ FILM: “Cocoon” | Directed by: Liying Mei | China, 2017

    THE 2017 FLICKERS’ SPECIAL AWARDS:

    GILBERT STUART ARTISTIC VISION (LIFETIME ACHIEVEMENT) AWARD Douglas Trumbull, Visual Effects/Director RI FILM & TELEVISION OFFICE DREAMMAKER AWARD Johnny Wilson, Visual Effects/Director RIIFF SCREENPLAY COMPETITION AWARD Tannaz Hazemi, “Dean the Drummer” | New York THE 2017 FLICKERS’ PRODUCER’S CIRCLE AWARD Presented to members of the community who have actively worked to support and promote the mission of Flickers. This year’s winners include: Anthony Ambrosino, Director The Champlin Foundation Deborah Newhall, Costume Designer Angela Ryding, Actress Andy Smith, Arts Writer Andre Stark, Producer WSBE, RI PBS  

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