The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4, and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.
In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend.
Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend.
Robin Williams: Come Inside My Mind[/caption]
One hundred sixty-six features have been submitted for consideration in the Documentary Feature category for the 91st Academy Awards®. Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. This year, for the first time, films that have won a qualifying award at a competitive film festival or have been submitted in the Foreign Language Film category as their country’s official selection, are also eligible in the category. A shortlist of 15 films will be announced on December 17.
Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The submitted features, listed in alphabetical order, are:
“Above and Beyond: NASA’S Journey to Tomorrow”
“Active Measures”
“Amazing Grace”
“American Chaos”
“Andy Irons: Kissed by God”
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Antonio Lopez 1970: Sex Fashion & Disco[/caption]
“Antonio Lopez 1970: Sex Fashion & Disco”
“Avicii: True Stories”
“Bali: Beats of Paradise”
“Bathtubs over Broadway”
“Be Natural: The Untold Story of Alice Guy-Blaché”
“Believer”
“Better Angels”
“Bill Coors: The Will to Live”
“Bisbee ’17”
“The Bleeding Edge”
“Boom for Real: The Late Teenage Years of Jean-Michel Basquiat”
“Breaking Point: The War for Democracy in Ukraine”
“Call Her Ganda”
“Charm City”
“Chef Flynn”
“The China Hustle”
“Christian Audigier The Vif”
“The Cleaners”
“Communion”
“Crime + Punishment”
“Dark Money”
“Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders”
“The Dawn Wall”
“The Distant Barking of Dogs”
“Divide and Conquer: The Story of Roger Ailes”
“Drug$”
“Eating Animals”
“Eldorado”
“Fahrenheit 11/9”
“Fail State”
“Family in Transition”
“Far from the Tree”
“Filmworker”
“The First Patient”
“Foreign Land”
“40 Years in the Making: The Magic Music Movie”
“Free Solo”
“Garry Winogrand: All Things Are Photographable”
“Generation Wealth”
“Ghost Hunting”
“Ghosthunter”
“The Gilligan Manifesto”
“The Gospel According to André”
“Grace Jones: Bloodlight and Bami”
“Graves without a Name”
“The Great Buster: A Celebration”
“Hal”
“Hale County This Morning, This Evening”
“Half the Picture”
“The Heart of Nuba”
“Hillbilly”
“The Homeless Chorus Speaks”
“Hondros”
“Howard”
“In Search of Greatness”
“In the Land of Pomegranates”
“Inventing Tomorrow”
“Invisible Hands”
“Itzhak”
“Jane Fonda in Five Acts”
“John McEnroe: In the Realm of Perfection”
“The Judge”
“Kangaroo: A Love Hate Story”
“Killer Bees”
“The King”
“King in the Wilderness”
“Kusama – Infinity”
“The Last Race”
“Leaning into the Wind: Andy Goldsworthy”
“Letter from Masanjia”
“Licu, a Romanian Story”
“Living in the Future’s Past”
“Liyana”
“Lots of Kids, a Monkey and a Castle”
“Love & Bananas: An Elephant Story”
“Love, Cecil”
“Love, Gilda”
“Love Is Tolerance – Tolerance Is Love – Make Tolerance Great Again!”
“Making The Five Heartbeats”
“Maria by Callas”
“Matangi / Maya / M.I.A.”
“McQueen”
“Minding the Gap”
“Monrovia, Indiana”
“The Most Unknown”
“New Moon”
“93Queen”
“Nossa Chape”
“Of Fathers and Sons”
“Of Love & Law”
“On Her Shoulders”
“Opera about Poland”
“The Opera House”
“The Oslo Diaries”
“The Other Side of Everything”
“The Panama Papers”
“Path of Blood”
“People’s Republic of Desire”
“Philosopher King – Lee Teng-hui’s Dialogue”
“Pick of the Litter”
“Piripkura”
“Police Killing”
“Pope Francis – A Man of His Word”
“The Price of Everything”
“The Price of Free”
“Qiu (Inmates)”
“Quincy”
“RBG”
“The Rachel Divide”
“The Raft”
“Recovery Boys”
“Restoring Tomorrow”
“Reversing Roe”
“The Road Movie”
“Robin Williams: Come inside My Mind”
“Ruben Blades Is Not My Name”
“Samouni Road”
“Saving Brinton”
“Say Her Name: The Life and Death of Sandra Bland”
“Science Fair”
“Scotty and the Secret History of Hollywood”
“Searching for Ingmar Bergman”
“Seeing Allred”
“The Sentence”
“Shirkers”
“Shot in the Dark”
“The Silence of Others”
“Sisters of the Wilderness”
“A Son of Man”
“Songwriter”
“Stan”
“Studio 54”
“Summer in the Forest”
“Tea with the Dames”
“That Summer”
“That Way Madness Lies…”
“They Fight”
“They’ll Love Me When I’m Dead”
“This Is Congo”
“This Is Home: A Refugee Story”
“Three Identical Strangers”
“To Be Continued”
“Transformer”
“Travel Ban”
“The Trial”
“Triumph: The Untold Story of Perry Wallace”
“Trust Machine”
“Under the Wire”
“United Skates”
“Unknown Distance”
“Up Down and Sideways”
“The Waldheim Waltz”
“We Could Be Heroes”
“Weed the People”
“What Haunts Us”
“What Lies Upstream”
“Whitney”
“Wonderful Losers: A Different World”
“Won’t You Be My Neighbor?”
“Yellow Is Forbidden”
“Yellowing”
El Angel directed by Luis Ortega[/caption]
Eighty-seven countries have submitted films for consideration in the Foreign Language Film category for the 91st Academy Awards. Malawi and Niger are first-time entrants.
Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.
The 91st Oscars will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide.
The 2018 submissions are:
Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;
Algeria, “Until the End of Time,” Yasmine Chouikh, director;
Argentina, “El Ángel,” Luis Ortega, director;
Armenia, “Spitak,” Alexander Kott, director;
Australia, “Jirga,” Benjamin Gilmour, director;
Austria, “The Waldheim Waltz,” Ruth Beckermann, director;
Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;
Belarus, “Crystal Swan,” Darya Zhuk, director;
Belgium, “Girl,” Lukas Dhont, director;
Bolivia, “The Goalkeeper,” Rodrigo “Gory” Patiño, director;
Bosnia and Herzegovina, “Never Leave Me,” Aida Begić, director;
Brazil, “The Great Mystical Circus,” Carlos Diegues, director;
Bulgaria, “Omnipresent,” Ilian Djevelekov, director;
Cambodia, “Graves without a Name,” Rithy Panh, director;
Canada, “Family Ties,” Sophie Dupuis, director;
Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;
China, “Hidden Man,” Jiang Wen, director;
Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;
Costa Rica, “Medea,” Alexandra Latishev, director;
Croatia, “The Eighth Commissioner,” Ivan Salaj, director;
Czech Republic, “Winter Flies,” Olmo Omerzu, director;
Denmark, “The Guilty,” Gustav Möller, director;
Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;
Ecuador, “A Son of Man,” Jamaicanoproblem, director;
Egypt, “Yomeddine,” A.B. Shawky, director;
Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;
Finland, “Euthanizer,” Teemu Nikki, director;
France, “Memoir of War,” Emmanuel Finkiel, director;
Georgia, “Namme,” Zaza Khalvashi, director;
Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;
Greece, “Polyxeni,” Dora Masklavanou, director;
Hong Kong, “Operation Red Sea,” Dante Lam, director;
Hungary, “Sunset,” László Nemes, director;
Iceland, “Woman at War,” Benedikt Erlingsson, director;
India, “Village Rockstars,” Rima Das, director;
Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;
Iran, “No Date, No Signature,” Vahid Jalilvand, director;
Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;
Israel, “The Cakemaker,” Ofir Raul Graizer, director;
Italy, “Dogman,” Matteo Garrone, director;
Japan, “Shoplifters,” Hirokazu Kore-eda, director;
Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;
Kenya, “Supa Modo,” Likarion Wainaina, director;
Kosovo, “The Marriage,” Blerta Zeqiri, director;
Latvia, “To Be Continued,” Ivars Seleckis, director;
Lebanon, “Capernaum,” Nadine Labaki, director;
Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;
Luxembourg, “Gutland,” Govinda Van Maele, director;
Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;
Malawi, “The Road to Sunrise,” Shemu Joyah, director;
Mexico, “Roma,” Alfonso Cuarón, director;
Montenegro, “Iskra,” Gojko Berkuljan, director;
Morocco, “Burnout,” Nour-Eddine Lakhmari, director;
Nepal, “Panchayat,” Shivam Adhikari, director;
Netherlands, “The Resistance Banker,” Joram Lürsen, director;
New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;
Niger, “The Wedding Ring,” Rahmatou Keïta, director;
Norway, “What Will People Say,” Iram Haq, director;
Pakistan, “Cake,” Asim Abbasi, director;
Palestine, “Ghost Hunting,” Raed Andoni, director;
Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;
Paraguay, “The Heiresses,” Marcelo Martinessi, director;
Peru, “Eternity,” Oscar Catacora, director;
Philippines, “Signal Rock,” Chito S. Roño, director;
Poland, “Cold War,” Pawel Pawlikowski, director;
Portugal, “Pilgrimage,” João Botelho, director;
Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;
Russia, “Sobibor,” Konstantin Khabensky, director;
Serbia, “Offenders,” Dejan Zecevic, director;
Singapore, “Buffalo Boys,” Mike Wiluan, director;
Slovakia, “The Interpreter,” Martin Šulík, director;
Slovenia, “Ivan,” Janez Burger, director;
South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;
South Korea, “Burning,” Lee Chang-dong, director;
Spain, “Champions,” Javier Fesser, director;
Sweden, “Border,” Ali Abbasi, director;
Switzerland, “Eldorado,” Markus Imhoof, director;
Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director;
Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;
Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;
Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;
Ukraine, “Donbass,” Sergei Loznitsa, director;
United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;
Uruguay, “Twelve-Year Night,” Álvaro Brechner, director;
Venezuela, “The Family,” Gustavo Rondón Córdova, director;
Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;
Yemen, “10 Days before the Wedding,” Amr Gamal, director.
The New York Latino Film Festival (NYLFF) will kick off its 15th edition on Wednesday, August 22nd with the New York premiere of the film “
Don’t Worry, He Won’t Get Far on Foot[/caption]
This year’s 44th edition of the Seattle International Film Festival revealed today the complete lineup of 433 films, plus guests and events for the 25-day Festival that runs May 17 to June 10, 2018. Opening night kicks off Thursday, May 17 with 
The results are in … today the South by Southwest (SXSW) Film Festival announced the 2018 Audience Award winners. 