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  • NewFest 2018 Announces Full Lineup of 140 + LGBT Films For 30th Anniversary

    [caption id="attachment_31533" align="aligncenter" width="1200"]Boy Erased Boy Erased[/caption] Following the big announcement of Yen Tan’s award-winning AIDS drama 1985 as Opening Night Film, NewFest today announced the full lineup of more than 140 LGBT films from around the world for their 30th annual celebration. The festival runs from October 24 to 30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City. This year’s NewFest will feature several other galas and special screenings, including the New York Centerpiece screening of Ondi Timoner’s MAPPLETHORPE, starring Emmy®-nominee Matt Smith (“Doctor Who”, THE CROWN) about the iconic queer artist; and the U.S. Centerpiece screening of Joel Edgerton’s BOY ERASED, starring Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Troye Sivan, Cherry Jones, Flea and Xavier Dolan. Other gala presentations include the International Centerpiece and New York premiere of Wanuri Kahiu’s groundbreaking love story RAFIKI, which screened at Cannes and was originally banned in its home country of Kenya for depicting a relationship between two young women, and the New York City premiere of Documentary Centerpiece film DYKES, CAMERA, ACTION!, which will be followed by a conversation on female representation in the film industry and lesbian visibility in cinema. The festival will close on October 30th with the New York premiere of Robert Clift and Hillary Demmon’s documentary MAKING MONTGOMERY CLIFT, which is co-directed by the late Hollywood star’s nephew and features exclusive archival footage and audio interviews from the family’s archives. This year’s edition continued in the tradition of receiving submissions from around the world, with films and episodic programming coming from 32 countries. In addition, 60% of content is by and about underrepresented voices (Women, People of Color, Trans, Bi and Differently Abled). Overall, the festival will screen 46 feature length films (including over 80% of feature works from first-time feature filmmakers, such as, Caroline Berler Tchaiko Omawale and Jonah Greenstein), 89 shorts and 9 episodic series, including the French Canadian production FÉMININ/FÉMININ by Chloé Robichaud, for a total of 144 selections. The International Narrative Features section includes the New York premieres of Anne Fontaine’s Venice Film Festival Queer Lion winner REINVENTING MARVIN (featuring a turn by Isabelle Huppert as…Isabelle Huppert) and 2018 Berlinale Teddy Award for Best Feature winner HARD PAINT from Filipe Matzembacher and Marcio Reolon (NewFest alums for 2016’s “The Nest”), as well as 2018 Berlinale Teddy Award for Best First Feature winner RETABLO from Alvaro Delgado Aparicio. Other premieres include the New York premiere of two films submitted for next year’s Academy Awards®: Marcelo Martinessi’s THE HEIRESSES from Paraguay and Blerta Zeqiri’s Kosovoan entry THE MARRIAGE; as well as Jamie Patterson’s TUCKED, another New York premiere, which picked up multiple awards at this year’s Outfest, including the Best Narrative Audience Award and the International Feature Grand Jury Prize which it shared with HARD PAINT. This year’s Documentary Features section is particularly strong and features some of the best new trans and non-binary stories from the U.S. and around the world, including T Cooper’s MAN MADE, about trans fitness models, which picked up the Best Documentary Feature Audience Award at Outfest 2018, Kiko Goifman and Claudia Priscila’s BIXA TRAVESTY, about the political activism of black Brazilian transgender singer Linn da Quebrada (Teddy Award for Best Documentary/Essay Film, Berlinale 2018), and SIDNEY & FRIENDS, Tristan Aitchison’s look at an underground network of trans and intersex people fighting to survive on the edge of Kenyan society. Also featured are the North American premiere of Gustavo Sánchez’s I HATE NEW YORK (Spain, 2018), which features New York nightlife luminarie Amanda Lepore; the East Coast premiere of Matt Alber and Jon Garcia’s ROOM TO GROW about what it means to be an LGBT teen in today’s world, and Jeff Kaufman’s EVERY ACT OF LIFE, a profile of multi-Tony Award®-winning playwright Terrence McNally, featuring appearances by Meryl Streep, Audra McDonald, Christine Baranski, Bryan Cranston, Patrick Wilson, Angela Lansbury and Rita Moreno. A hallmark of every NewFest is the bringing of new work to New York audiences, highlighting the emerging voices of queer cinema and 80% of the films in this year’s U.S. Narrative Features section are either New York, East Coast, or World premieres, and 9 of 10 films are from first or second-time filmmakers. In addition, in keeping with this year’s emphasis on inclusion, diversity and representation, 4 of the 10 films have female directors and 6 feature female leads. NewFest’s commitment to bringing new films from around the world to New York audiences has never waivered and this year’s edition is no different. With the ever decreasing cost of technology and ever increasing reach of the Internet, previously underrepresented countries and communities are finding their voices like never before. As a result, more and more films like Wanuri Kahiu’s RAFIKI, a story (written with Jenna Cato Bass) about the first love between two women in Kenya are seeing the light, as well as films like Christiaan Olwagen’s South African Apartheid-set musical CANARY and Ruth Caudeli’s EVA + CANDELA (Colombia), to name but a few. Of course, no NewFest would be complete without a few frightfully scary queer offerings and this year’s HalloKween sidebar is no exception! Featuring the New York Premiere of Drew Bolton’s KILLER UNICORN, a satirical stab at the slasher flick featuring a bevy of Brooklyn drag queens; NewFest alum Yann Gonzalez’s Cannes competition entry KNIFE + HEART (starring Vanessa Paradis); and the New York premiere of CARMILLA: THE MOVIE, based on the lesbian vampire web series sensation. Continuing its long tradition of working with many New York City organizations, this year NewFest partnered with over 100 organizations across the city to bring audiences some of their most exciting programs, including HIP TO BE QUEER: Youth Shorts, presented by the NYC Department of Education and in partnership with the Mayor’s Office of Media & Entertainment; a Spotlight Screening & Conversation of Dir. Gabriel Silverman and Fiona Dawson’s multiple award-winning TRANSMILITARY presented in partnership with GLAAD, and a screening of CONVERSATIONS WITH GAY ELDERS: DANIEL, a new film from NewFest alum David Weissman (WE WERE HERE, THE COCKETTES), presented in partnership with The Generations Project.

    2018 NewFest Full Lineup

    OPENING NIGHT GALA

    1985 New York Premiere Dir. Yen Tan, USA, 2017, 85 mins Writer: Yen Tan Cast: Cory Michael Smith, Virginia Madsen, Michael Chiklis, Jamie Chung, Tina Parker, Bill Heck, Ryan Piers Williams Set during the early AIDS crisis, Adrian (Cory Michael Smith, GOTHAM, CAROL) returns to his Texas hometown for Christmas, keeping quiet about his sexuality and HIV status. Award-winning writer-director and NewFest alum Yen Tan (PIT STOP, CIAO) delivers a poignant period piece about a gay man tying up loose ends—whether it’s with his conservative parents (Academy Award-nominee Virginia Madsen and Emmy Award-winner Michael Chiklis), a high school ex-girlfriend (Jamie Chung), or his younger brother (Aidan Langford, BOSCH), who shows an interest in Madonna and may be following in Adrian’s footsteps. Shot on crisp black-and-white super 16mm film and featuring career-best performances from its cast, Tan’s powerfully textured 1985 is a new queer classic—addressing the AIDS crisis in a sensitive, reflective and, most importantly, modern light.

    INTERNATIONAL CENTERPIECE

    Rafiki New York Premiere Dir. Wanuri Kahiu, Kenya/South Africa/Germany/Netherlands/France/Norway/Lebanon, 2018, 83 mins Writers: Wanuri Kahiu, Jenna Cato Bass Cast: Sheila Munyiva, Samantha Mugatsia, Patricia Amira, Muthoni Gathecha, Jimmy Gathu, Nice Githinji, Charlie Karumi, Patricia Kihoro, Neville Misati Fresh from its triumphant Cannes premiere, RAFIKI is a must-see film that delivers a beautifully acted, nuanced portrayal of being queer in Nairobi. This vibrant romance follows the burgeoning relationship between Ziki (Sheila Munyiva), the playful Beyonce-wannabe who lives in the city’s affluent Skyview Towers, and Kena (Samantha Mugatsia), the shy, responsible tomboy who hangs out on the overcrowded Slopes estate with the local Boda Boda (motorcycle taxi) boys. The film’s delicious pink-hued color palette is part of the African film aesthetic known as the afrobubblegum movement, and sets the joyous tone for this rare look at first love between two women in Kenya. Banned in its home country of Kenya for its positive depiction of two young women in love, RAFIKI is a global call to action that proves a work of art does not have to be explicit in order to stir resist in the face of oppression.

    U.S. CENTERPIECE

    Boy Erased Dir. Joel Edgerton, USA, 2018, 114 mins Writers: Joel Edgerton, Garrard Conley (based on the memoir Boy Erased by) Cast: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Cherry Jones, Flea, Xavier Dolan, Troye Sivan, Joe Alwyn Set in the uber-conservative suburbs of Arkansas, this grippingly vital drama stars Academy Award-nominee Lucas Hedges (MANCHESTER BY THE SEA, LADYBIRD) as a young gay man sent to Refuge, a church-run conversion therapy program that aims to “cure” homosexuality, upon the insistence of his Baptist preacher father (Academy Award-winner Russell Crowe) and religious yet conflicted mother (Academy Award-winner Nicole Kidman). Based on the memoir by Garrard Conley and adapted for the screen by director and featured actor Joel Edgerton, this urgent drama stirs a challenging yet compassionate portrait of a family—and perhaps country—at odds with its differing ideas of empathy and identity. In addition to powerhouse performances by Hedges, Kidman, and Crowe, the ensemble includes stellar supporting turns from multitalented queer artists Troye Sivan, Xavier Dolan, and Cherry Jones. BOY ERASED is at once an evocative coming of age story about finding your voice, and a compelling tale of personal survival and family reconciliation in the face of ignorance.

    NEW YORK CENTERPIECE

    Mapplethorpe Dir. Ondi Timoner, USA, 2018, 102 mins Writer: Ondi Timoner, Mikko Alanne Cast: Matt Smith, Marianne Rendón, John Benjamin Hickey, Brandon Sklenar, McKinley Belcher III, Mark Moses Emmy-nominee Matt Smith (DOCTOR WHO, THE CROWN) plays renegade queer artist and photographer Robert Mapplethorpe. Set in the gay leather communities and highbrow galleries of New York City in the 70s and 80s, Ondi Timoner’s biopic is an unflinching look at the life and career of the icon made famous for his striking black-and-white images of phalluses and flowers. This film takes a chronological look at the influences and practices that captured male homo-erotic desire so poignantly in the face of the devastating toll of the AIDS crisis.

    CLOSING NIGHT GALA

    Making Montgomery Clift New York Premiere Dir. Robert Clift and Hillary Demmon, USA, 2018, 88 mins The iconic Hollywood actor Montgomery Clift—described in many accounts as “tragically self-destructive” and “tormented” by his sexuality—is brought to new light by his nephew Robert Clift, who uncovers never-before-seen footage and exclusive audio interviews collected by the filmmaker’s father. The viewer gains insight into a fresh portrait of the legendary actor who was unashamed of his sexuality, maintained a great sense of humor, and even defied the studio system. Robert’s access to interviews with family and close friends of Monty turn against the faulty narrative made popular by previous biographies and documentaries that considered him “the slowest suicide in Hollywood history.” Thoroughly well-researched and edited, Robert—along with co-director Hillary Demmon— brings to the surface a personal account of his uncle Monty and his father Brooks Clift that forces us to ask: Why was so much of Monty’s story left out? How were previous accounts so wrong? Who do we trust to write our history? MAKING MONTGOMERY CLIFT brings the star out of the archive, and further out of the closet.

    DOCUMENTARY CENTERPIECE

    Dykes, Camera, Action! New York City Premiere Dir. Caroline Berler, USA, 2018, 60 mins Cast: Barbara Hammer, Jenni Olson, B. Ruby Rich, Rose Troche, Desiree Akhavan, Cheryl Dunye, Su Friedrich, Vicky Du, Yoruba Richen, Lesli Klainberg One of the most glaring omissions in the film canon has been the work of queer women. Thankfully this once-hidden population picked up the camera and transformed the visibility of lesbians in cinema through classics such as GO FISH (1994), THE WATERMELON WOMAN (1996), HIGH ART (1998), all of which premiered in New York at NewFest. Pioneering filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Yoruba Richen, Desiree Akhavan, Vicky Du, Cheryl Dunye, critic B. Ruby Rich, Jenni Olson, and others discuss with humor and depth how they’ve expressed their queer identity through film, while also revealing personal stories from their own experiences of looking for themselves on screen. First-time director Caroline Berler expertly balances films clips with candid interviews, making DYKES, CAMERA, ACTION! a joyous response to the days of the celluloid closet, culminating in a groundbreaking celebration of empowerment and visibility for the ages. This screening will be followed by a conversation on female representation in the film industry and lesbian visibility in cinema with featured cast, moderated by Terry Lawler (Executive Director, New York Women in Film & Television).

    U.S. NARRATIVE

    Fish Bones New York City Premiere Dir. Joanne Mony Park, USA, 2017, 82 mins Writer: Joanne Mony Park Cast: Cristina Tamez, JooHyun Kim In her debut feature, director Joanne Mony Park delivers a sensitively-drawn portrait of Hana (Joony Kim) a young woman caught between two worlds; the expectations of her Korean family, and her own needs and desires as a university student and model discovering her queer identity. The film’s quiet attention to detail captures charming moments of self reflection and attraction, as Hana falls for Nico (CRIS GRIS), a charismatic Latina who lives without the self-consciousness that holds Hana back. The chemistry between these two leads captivates the viewer and heralds the discovery of a bold and exciting new directorial voice to watch. Lez Bomb New York City Premiere Winner of the 2018 Bentonville Film Festival Dir. Jenna Laurenzo, USA, 2018, 90 mins Writer: Jenna Laurenzo Cast: Elaine Hendrix, Cloris Leachman, Bruce Dern Lez Bomb is a multigenerational comedy of errors following Lauren, a young woman who comes home for the holidays with some life changing news. Little does Lauren know, the eccentric cast of characters that make up her family have their own string of surprises as well. As it turns out, there is no good time to drop the “lez bomb.” Produced by Bobby Farrelly (There’s Something About Mary) and featuring Cloris Leachman, Bruce Dern and Steve Guttenberg. Two in the Bush New York Premiere Dir. Laura Madalinski, USA, 2018, 97 mins Writer: Kelly Haas, Laura Madalinski Cast: Sarah Mitchell, Travis Delgado, Caitlin Aase After losing her job, Emily arrives home early from work to find her girlfriend in the throes of passion with someone else. In an instant, her entire life is turned upside down. Moving in with her best friend, Emily lands a new gig working for a dominatrix, and promptly falls for her new boss, and her boss’s boyfriend. In this wise and witty look at the world of bisexuality, polyamory and dungeons, filmmaker Laura Madalinski asks us to consider what risks are worth taking for love. Jules of Light and Dark New York Premiere Dir. Daniel Laabs, USA, 2018, 85 mins Writer: Daniel Laabs Cast: Betsy Holt, Tallie Medel, Robert Longstreet, Liz Cardenas In present-day Texas, teenage Maya and her on-again, off-again girlfriend Jules total their car after a night of backwoods raving and mischief. They are rescued from the wreckage by Freddy, a divorced oil worker whose stoic facade crumbles as he comes to see himself, and his repressed desires, in Maya. As Jules recovers, Maya and Freddy develop a rapport that eases their small-town lives. Together, they subtly encourage one another to chase after what they want the most (or at least figure out what that might be). JULES OF LIGHT AND DARK is an iridescent coming-of-age story boasting the rural isolation of Deb Shoval’s AWOL and the wanderlust of Andrea Arnold’s AMERICAN HONEY. Defined by earnest, full performances and composed in a blue palette, Daniel Laabs’ first feature solidly articulates the universality of queer loneliness and uncertainty across genders and generations. Bitter Melon Dir. H.P. Mendoza, USA, 2018, 95 mins Writer: H.P. Mendoza Cast: Jon Norman Schneider, Patrick Epino, Brian Rivera, Josephine de Jesus, L.A. Renigren, Theresa Navarro, Sohr Picart, Amelia Anima, Anne Ishida, Corey Jackson, Ryan Morales, Safiya Fredericks, Vint Carmona Who knew that the insensitive way some of his Filipino-American family members treat his sexuality would be the least of Declan’s worries when he returns home for the holidays? As he and his siblings tiptoe around his freeloading brother’s volatile personality, long-buried secrets are revealed to set in motion a hilarious plan of revenge. A black comedy with heart, the latest from H.P. Mendoza (FRUIT FLY) deftly explores toxic masculinity and abuse— emotional and physical—with absurdity and true empathy. Solace New York Premiere Dir. Tchaiko Omawale, USA, 2018, 88 min Writer: Tchaiko Omawale Cast: Hope Olaide Wilson, Lynn Whitfield, Glynn Turman, Chelsea Tavares, Luke Rampersad, Sydney Bennett A visually arresting debut from director Tchaiko Omawale, this dark and dangerous coming of age tale tackles themes of mental wellness while exploring the confusion of an adolescent crush. Recently orphaned teen Sole (Hope Olaide Wilson) is sent to live with her estranged relatives. Quickly becoming infatuated with the rebellious girl next door, Sole falls in with a crowd of queer misfits that light up her dark days. Emmy-winner Lynn Whitfield delivers a satisfying turn as deeply hypocritical Aunt Irene, and emerging artist Syd (of R&B group The Internet) will satisfy those with their finger on the pulse of music from the margins. For Izzy Grand Jury Prize, Los Angeles Asian Pacific Film Festival 2018 Dir. Alex Chu, USA, 2018, 84 mins Writer: Alex Chu Cast: Michelle Ang, Jennifer Soo, Elizabeth Sung, Jim Lau A warm, heartfelt film about blending families, featuring powerhouse performances from its all-Asian cast. Beloved late actress Elizabeth Sung plays Anna, a successful business-woman and single mother struggling with a strained relationship with her 20-something queer daughter Dede (Michelle Ang). Her widower neighbor Peter (Jim Lau) is the caretaker of his millennial daughter Laura (Jennifer Soo) who is on the Autism spectrum. When Laura and Dede form an unlikely friendship they each bond with the other’s parent, ultimately bringing Peter and Anna together to find an unexpected later-in-life romance. The Skin of the Teeth East Coast Premiere Dir. Matthew Wollin, USA, 2018, 80 min Writer: Matthew Wollin Cast: Pascal Arquimedes; Donal Brophy; Tom Rizzuto; Chuja Seo; Greg Barker; David Cruz; Chris Raffaele; Kathryn Shasha This sinister drama-thriller evokes the feel of a contemporary film noir, with a shades of GET OUT-meets-Grindr. When Josef arrives at John’s apartment for a date, their prickly energy slowly gives way to an unusual and genuine chemistry. But after Josef takes a pill with unclear effects, the night takes a shocking turn, and he is plunged into a surreal interrogation of just who and what he is. Pascal Arquimedes’ compelling lead performance keeps the viewer holding their breath from beginning to end. Daddy World Premiere Dir. Jonah Greenstein, USA, 2018 75 mins Writer: Jonah Greenstein Cast: Alexander Horner, Thomas Jay Ryan, Ashley Robicheaux A homeless man survives in New York by sleeping with men he meets on Grindr. Longing for a better life but also intimacy, he becomes a hustler and falls in love with one of his clients. Gorgeously shot and displaying intimate moments that are at once passionate and melancholic, DADDY explores themes of poverty, sex as currency, and what it is to be human. Filmmaker Jonah Greenstein’s feature debut paints a portrait of gay New York City through the lens of a young man and his encounters. Devil’s Path New York Premiere Dir. Matthew Montgomery, USA, 2018, 87 mins Writer: Matthew Montgomery, Stephen Twardokus Cast: Steve Callahan, Brandy Elliott, Jon Gale While searching for his missing brother in a remote gay cruising park, Noah (Stephen Twardokus) sets his sights on a handsome stranger (JD Scalzo). When Noah is viciously attacked, he and his new companion escape through the woods with two menacing thugs in hot pursuit. Lost and frightened, they begin to turn on each other and slowly unravel the truth of what’s really going on around them. This moody, picturesque psychological thriller from first-time director Matthew Montgomery features unexpected twists and turns, and seamlessly blends sharp, opposing perspectives about sex and love with suspenseful set pieces filled with existential dread.

    INTERNATIONAL NARRATIVE FEATURES

    Hard Paint New York State Premiere Berlinale 2018 – Teddy Award for Best Feature Film Dir. Filipe Matzembacher and Marcio Reolon, Brazil, 2017, 117 mins Writer: Filipe Matzembacher, Marcio Reolon Cast: Shico Menegat, Bruno Fernandes Online, Pedro smears neon paint across his body for pay-per-view voyeurs hungry for his webcam erotica. IRL, he rarely sees the sun or speaks to another soul in Porto Alegre. After catching word of a rival ripping off his rainbow-colored act, he ventures from the shadows to settle their score — but finds an unlikely new friend in the process. This Berlinale Teddy Award winner conjures a dark, sensual atmosphere of alienation and discovery. We’re proud to welcome this young filmmaking duo back to the festival for the third time after their previous feature Seaside and mini-series O Ninho (THE NEST). A Moment in the Reeds New York City Premiere Dir. Mikko Makela, Finland, United Kingdom, 2017, 107 mins Writer: Mikko Makela Cast: Janne Puustinen, Boodi Kabbani, Mika Melender, Virpi Rautsiala In the Finnish countryside, Leevi, who is home from studying abroad to help his father renovate their lakeside house, encounters Tareq, a Syrian asylum seeker they hire as a handyman. Leevi’s father returns to town on business as tension builds between the two young men, and they give in to their mutual attraction. One of the first LGBT-themed films made in Finland, Mikko Makela’s intimate drama places at its center the freedom and acceptance of sexual and ethnic minorities amid the backdrop of the breathtaking Finnish landscape. Retablo New York City Premiere Teddy Award for Best First Feature, Berlinale 2018 Grand Jury Prizes for Best First Feature, Frameline & Inside Out Dir. Alvaro Delgado Aparicio, Peru/Germany/Norway, 2018, 95 mins Writer: Alvaro Delgado Aparicio, Héctor Gálvez Cast: Amiel Cayo, Junior Béjar Roca, Magaly Solier As his name suggests, fourteen year-old Segundo Paucar (Junior Behar) is his father Noé’s (Amiel Cayo) most devoted apprentice. Together, they craft intricate storyboxes—consisting of a cabinet, hand-painted figurines, and a lot of heart—for Peruvian families. Upon discovering his father with another man, Segundo struggles to accept his father’s delicate touch and its beautiful byproducts. With this award-winning debut feature, Alvaro Delgado Aparicio emphasizes his devotion to the touching and fraught power structure that afflicts fathers and sons. In RETABLO, patience in art and relationships might be tragically condemned by society, yet they are fiercely rewarded by family. Mario New York City Premiere Dir. Marcel Gisler, Switzerland, 2018, 124 mins Writer: Marcel Gisler Cast: Max Hubacher, Aaron Altaras, Jessy Moravec, Jurg Pluss, Doro Muggler, Andreas Matti Mario, a German soccer player, faces a harrowing decision when he must choose between pursuing his career on the field or his forbidden love for Leon, his roommate and a new player on the team. As rumors unfold in the locker room and spread to higher ranks, Mario attempts to deny them, and asks his girlfriend Jenny to pretend they are together. The torment caused by this macho world is reflected in Mario’s mother, who, in one memorable scene, refuses to be photographed during a magazine photoshoot with Jenny and her son, her eyes consumed with anguish. Eva + Candela New York State Premiere Dir. Ruth Caudeli, Colombia, 2018, 90 mins Writer: Ruth Caudeli Cast: Silvia Varón, Alejandra Lara, Roberto Cano, Luna Baxter, Kristina Lilley, Cristina Warner, Carlos Carvajal, Ana María Cuellar, Andrés Estrada South America’s evocative answer to BLUE IS THE WARMEST COLOR, this stirring portrait captures the dynamic interplay between two strong, independent women: a female director and the star of her first film. The two are, drawn together by a powerful attraction and their shared desire to take on the movie world. The passion between them creates a seductive and fascinating intimacy. But over time, their relationship evolves, swinging from infatuation to sensuality, which turns to tenderness, and then routine. They never wanted to be a conventional couple, and yet that’s just what they’ve become. Can Eva and Candela withstand the inevitable effects of time to overcome the metamorphosis of their relationship? Tucked New York Premiere Dir. Jamie Patterson, United Kingdom, 2018, 80 mins Writer: Jamie Patterson Cast: Derren Nesbitt, Jordan Stephens, April Pearson, Steve Oram, Lucy-Jane Quinlan, Ruben Crow, Joss Porter When veteran drag queen Jackie Collins receives a diagnosis with six weeks left to live, all he wants to do is perform his long-running act, and behave as if all is normal. But between a surprising new friendship with a rising young queen and unfinished business with his estranged daughter, he may just have the most eventful month and a half of his life. A feel-good film with charm and humor as well as surprising insight into our evolving understanding of gender identity across generations, this crowd-pleaser marks the first queer film from prolific young British director Jamie Patterson. Canary (Kanarie) New York City Premiere Dir. Christiaan Olwagen, South Africa, 2018, 124 mins Writer: Christiaan Olwagen, Charl-Johan Lingenfelder Cast: Schalk Bezuidenhout, Hannes Otto, Germandt Geldenhuys, De Klerk Oelofse, David Viviers, Anna-Mart van der Merwe, Francois Jacobs, Andrico Goosen, Ludwig Binge, Jennifer Steyn, Tinarie van Wyk-Loots Drafted during apartheid by the South African Army, teenage Johan’s love for Boy George and Depeche Mode lands him a spot in the Kanaries — the military’s traveling choir. But soon, romance on the battlefield forces him to reckon with his long-repressed sexual identity. Examining the effects of nationalism on the soul, while also exploring the tender brotherhood among misfits, this musical comedy revels in the discovery of finding your voice and learning to fly. Reinventing Marvin New York Premiere Dir. A nne Fontaine, France, 2017, 116 mins Writer: Anne Fontaine, Pierre Trividic Cast: Finnegan Oldfield, Isabelle Huppert, Vincent Macaigne, Gregory Gadebois This sweeping drama captures a life in the theater, as we see timid young Marvin (Jules Porier) blossom into adult Martin (Finnegan Oldfield, NOCTURAMA) — with a little help along the way from Isabelle Huppert, playing herself, and an older mentor who encourages him to acknowledge his sexuality and exorcise his pain by putting it all on the stage. Director Anne Fontaine (THE INNOCENTS, COCO BEFORE CHANEL) masterfully spins a powerful tale that reminds us that no matter how far we get from our upbringing, a piece of it remains with us always. The Heiresses New York City Premiere Dir. Marcelo Martinessi, Paraguay, Germany, Brazil, Uruguay, Norway, France, 2018, 97 mins Writer: Marcelo Martinessi Cast: Ana Brun, Ana Ivanova, Regina Duarte, Margarita Irun Chela (Ana Brun) and Chiquita (Margarita Irun) are a middle aged lesbian couple living in present day Asunción, Paraguay. Descendants of Paraguayan aristocracy, the women have enjoyed a silver spoon lifestyle together for thirty years. When the couple is abruptly hit by financial hardship, they scramble to find work and auction off their respective heirlooms—silver spoons included—to stay afloat. When Chiquita is imprisoned for her fraudulent side hustle, Chela begins working as a taxi driver, gradually building new relationships and autonomy for the first time in her life. The Marriage New York City Premiere Dir. Blerta Zeqiri, Kosovo/Albania, 2018, 97 mins Writer: Blerta Zeqiri Cast: Alban Ukaj, Adriana Matoshi, Genc Salihu A decade after the bitter Kosovo war and unaware if her parents survived, Anita’s wedding plans with Bekim slowly come together—until his best friend comes back to town. Tensions grow, as a triangle of love, lust, and drunken nights spilling secrets form. Kosovo’s Oscar submission for Foreign Language category is a culturally infused drama about unforgettable partnerships an isolated society struggles to accept, giving a tiny glimpse of hope that embracing who you are should be the norm.

    DOCUMENTARY FEATURES

    Coby East Coast Premiere Dir. Christian Sonderegger, France, 2017, 78 mins Cast: Coby, Jacob Hunt, Sara Mound A paramedic in Chagrin Falls, Ohio, Coby shares a satisfying life with his supportive girlfriend Sarah, their pack of dogs, two brothers, and his parents. Nearly a decade after transitioning, the quotidian movements of his day-to-day—from receiving a shot of testosterone from his girlfriend to escorting a toddler to the ER—are quietly yet candidly documented by French director Christian Sonderegger. A contender in the ACID program at Cannes, COBY revolutionizes the use of the now-ubiquitous YouTube transition video as a conduit for telling the stories that rest in the silent white space between video updates. Man Made New York Premiere Dir. T Cooper, USA, 2018, 98 mins Writer: T Cooper, Allison Glock-Cooper From surgeries and T parties to the struggles and joys of transitioning, follow four men as they prepare for Trans FitCon, the only bodybuilding competition exclusively for trans men. Glimpse the intimate relationships between these men and their partners, family, and children as they train throughout the year. This powerful documentary from director T Cooper and executive producer Tea Leoni culminates in a triumphant gesture of acceptance and an understanding of the shared struggles among them as they take the stage and embody their true selves. Cherry Grove Stories East Coast Premiere Dir. Michael Fisher, USA, 2018, 72 mins Writer: Scott Lawrie This fascinating documentary captures the unique community of Cherry Grove, Fire Island – from its early days as a center for drag culture to the present day – featuring interviews with residents, old-timers, and captivating new and archival footage. Starting in the 1950s, Cherry Grove provided gays, including the likes of Tennessee Williams, with a safe space to express themselves at a time when interactions by people of the same sex were often the target of police raids. Michael Fisher’s oral history navigates the rich history and unknown stories of this vibrant beachfront community. I Hate New York North American Premiere Dir. Gustavo Sánchez, Spain, 2018, 75 mins Writer: Gustavo Sánchez Cast: Amanda Lepore, Chloe Dzubilo, Sophia Lamar, T De Long, Bibbe Hansen, Io Tillett-Wright, Katrina del Mar, Linda Simpson From 2007 to 2017, Gustavo Sánchez followed seasoned transfemme artists Chloe Dzibulo, Sophia Lamar, and Amanda Lepore around Manhattan’s rapidly-changing East Village, with a humble Sony Handycam, Sánchez captured hundreds of hours of footage. I HATE NEW YORK is the result of these intimate conversations between the debut filmmaker and his triptych of captivating and driven female artists. In yellow cabs, Tompkins Square Park, and impossibly small apartments, Dzibulo, Lamar, and Lepore offer their unfiltered thoughts on everything from success and rivalry to gentrification and the utter pointlessness of nostalgia. These interviews are supplemented by commentary from the women’s fellow Village characters and creatives, including Penny Arcade, Bibbe Hansen, T De Long, and iO Tillett Wright. Through patient and devoted direction, Sánchez has created a documentary that offers unprecedented access to three transwomen who not only made their mark on New York’s ephemeral underground, but lived to see middle age . Despite its name, I HATE NEW YORK is a hopeful love letter to a hostile city and the transwomen who’ve called—and continue to call—NYC home. Every Act of Life Dir. Jeff Kaufman, USA, 2018, 92 mins Writer: Jeff Kaufman Cast: Terrence McNally, Meryl Streep, Audra McDonald, Christine Baranski, Bryan Cranston, Patrick Wilson, Angela Lansbury, Rita Moreno Playwright Terrence McNally has redefined contemporary gay theater with an extraordinary body of work that includes The Ritz, Corpus Christi, Lips Together, Teeth Apart, and Love! Valour! Compassion!, to name just a few. But his life offstage has been just as fascinating, encompassing activism, addiction, romance, and the constant pursuit of artistic excellence. McNally shares his story onscreen with the help of friends and colleagues like Angela Lansbury, Rita Moreno, Nathan Lane, F. Murray Abraham, and many more, as captured by documentarian and NewFest alum Jeff Kaufman ( THE STATE OF MARRIAGE). Silvana New York City Premiere Dir. Mika Gustafson, Olivia Kastebring, and Christina Tsiobanelis, Sweden, 2017, 94 mins Writer: Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis Cast: Silvana Imam Years before Hayley Kiyoko and King Princess refused to apologize for being out in love and art, Silvana Imam climbs Sweden’s charts as an openly lesbian creator and one of her country’s only female rappers. Born to Lithuanian and Syrian immigrants, Imam is furiously political and playfully queer, taking her country to task for its racism while spitting verses about lesbianism. Silvana is many films in one: a travel log, a tour diary, an experimental film, and a public service announcement on one of the European Union’s flawed superpowers. Filmed from 2014 to 2016, Mika Gustafson, Olivia Kastebring, and Christina Tsiobanelis’ portrait of the artist is an intimate time capsule of the feminist artist’s meteoric rise to superstardom and the early days of her relationship with a fellow musician, the Swedish pop star Beatrice Eli. Room to Grow East Coast Premiere Dir. Matt Alber and Jon Garcia, USA, Canada, 2018, 87 mins For many queer people, some of our toughest years were when we were teenagers living at home. Homophobic parents and school environments often made life unbearable. Now meet the next generation of queer youth, as they forgeing a path of love, with the support of their families. In the face of one of the harshest political climates, with homophobia and racism on the rise, these fearless teenagers are claiming their identities and taking the world by storm. ROOM TO GROW is an intimate look into what it means to be an LGBTQ teen today. Love, Scott New York State Premiere Dir. Laura Marie Wayne, Canada, 2018, 75 mins Writer: Laura Marie Wayne Cast: Scott Jones After being violently attacked on the street, openly gay musician Scott Jones is left paralyzed from the waist down. Told through the eyes of Scott’s close friend, this heartbreaking and inspiring portrait of grief traces the journey from convalescence to recovery to finally forgiveness. As Scott revisits the location of the attack and rebuilds his life as a choir conductor and public speaker. This poignant documentary depicts the universal struggles of LGBTQ people and the people who love them through an incredibly intimate and personal story. Bixa Travesty Teddy Award for Best Documentary/Essay Film, Berlinale 2018 Dir. Kiko Goifman and Claudia Priscila, Brazil, 2018, 75 mins Writer: Linn da Quebrada, Claudia Priscilla, Kiko Goifman Cast: Linn da Quebrada, Jup do Bairro Black Brazilian transgender singer Linn da Quebrada weaponizes the trans body and music for political protest. Linn and childhood friend Jup do Bairro use extravagantly costumed music performances to dazzle audiences while opposing their country’s white heteronormative order. Figuring her embodied existence as resistance, Linn eschews the role of cis woman, choosing a fluid gender identity instead. Full of funny and intimate moments, the film advocates for personal choice against a society that imposes static gender identity. Sidney & Friends New York Premiere Dir. Tristan Aitchison, Scotland/Kenya, 2018, 75 mins Cast: Michael Daviot, Awuor Onyango, Charles Ouda Six people from Nairobi share their candid reality of what it’s like to live as a targeted gender minority, in a region known for the prejudice and discrimination against its LGBTI population. When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he befriends an underground community. Documentarian Tristan Aichitson discovered this network of trans and intersex people fighting to survive on the edge of Kenyan society, and spent three years capturing their voices in interviews. These are their stories.

    EPISODIC SIDEBAR

    Episodic Showcase

    Some of the most well-crafted LGBTQ characters these days can be found in episodic content. This sampler platter of seven new shows gives an authentic, unfiltered look at our community, without the censorship of the networks. Catch them here first, and decide which series to add to your must-binge list. Total run time: 87 mins Q&A with filmmakers and select cast to follow

    HALLOKWEEN sidebar

    Knife+Heart Official Selection, Cannes Film Festival 2018 Dir. Yann Gonzalez, France, 2018, 110 mins Writer: Yann Gonzalez, Cristiano Mangione Cast: Vanessa Paradis, Nicolas Maury, Kate Moran, Jonathan Genet, Khaled Alouach, Félix Maritaud, Noé Hernandez, Thibault Servière, Bastien Waultier, Bertrand Mandico, Jules Ritmanic, Pierre Pirol, Dourane Fall, Romane Bohringer, Elina Löwensohn, Yann Colette, Jacques Nolot, Florence Giorgetti A Cannes 2018 Official Selection, this steamy and seedy ode to cinema and postured pulp comes from visionary director and NewFest alum Yann Gonzalez (YOU AND THE NIGHT). Vanessa Paradis stars as a no-nonsense gay porn producer on films such as “HOMOCIDE” and “ANAL FURY” who’s befuddled by a crush on her editor (Kate Moran) and the fact that her cast and crew are being knocked off one-by-one by a leather-clad madman. Shot on lush 35mm and featuring a pulsating original score from M83, KNIFE + HEART is a gloriously and gorgeously gory take on the modern slasher flick set in the world of 70s Paris. Celluloid lovers unite–the giallo subgenre has finally gone full-blown queer. Killer Unicorn New York Premiere Dir. Drew Bolton, USA, 2018, 74 mins Writer: José D. Álvarez Cast: Alejandro La Rosa, Dennis Budesheim, Markus Kelle Flaunting lewks and flouting conventional taste, this deliriously campy romp dashes through slasher tropes with deadly Brooklyn attitude and a distinctively queer spirit. Following a traumatic experience at “Brooklyn’s Annual Enema Party,” party boy Danny is haunted by a hunky masked stranger who causes a massacre of Brooklyn nightlife. Featuring a bevvy of Brooklyn’s biggest drag divas, including Bushwig co-founder Horrorchata, this crass creation of cult fervor is John Waters meets John Carpenter. And watch out–these queens aren’t the only ones who came to slay. The Carmilla Movie New York Premiere Dir. Spencer Maybee, Canada, 2017, 94 mins Writer: Jordan Hall and Alejandro Alcoba Cast: Elise Bauman, Natasha Negovanlis, Dominique Provost-Chalkley, Cara Gee THE CARMILLA MOVIE picks up five years after the events of the award-winning global phenomenon digital series CARMILLA . Laura (Elise Bauman) and former vampire Carmilla’s (Natasha Negovanlis) domestic bliss is interrupted by an unknown supernatural threat when Carm shows signs of re-vamping and Laura starts having ghostly dreams. Catch up on seasons 0-3 on YouTube and then join us to celebrate the power of the audience, as our favorite lesbian vampires are reunited in this fan-demanded feature film.

    SHORTS PROGRAMS

    Boys Shorts From a fast-paced chase to a lazy summer day, this year’s Boys Shorts explore what it means to bring your full self to both the mundane and the extraordinary moments in life. In cities across the globe, these films capture the contemporary lives of a panoply of gay men from many different backgrounds in 2018. Total run time: 89 mins Q&A with filmmakers and select cast to follow Girls Shorts From friendship to dating to marriage, these shorts look at love and intimacy through many different lenses and paint a picture of strong, vulnerable, funny, and stubborn women who shine on the big screen. The heartbreak and joy of everyday life weave together in this collection of stories that span cultural and generational gaps too often overlooked in film. Total run time: 94 mins Q&A with filmmakers and select cast to follow Drawn This Way 2.0 Intimate and inspiring, this collection encapsulates the complexity of the queer experience in all of its brilliance. Both narrative and non-fiction stories utilize the illusion of movement to reveal personal truths, explore new boundaries, and create connections with one another. An inventive and eclectic array of perspectives and forms come together in moving ways. Total run time: 94 mins Q&A with filmmakers and select cast to follow Feminist Shorts “The F Word” When you think about feminism, do you think about subverting gender stereotypes assigned to female bodies, female athletes succeeding at the top of their game, or small town societal structures being reshaped? Do you think about women and young girls coming into their own? The beauty of the F word is that it means many different things to each of us, and in a post #MeToo world, we have the power to continue to explore feminism through art, reinterpreting and redefining it for ourselves. Total run time: 85 mins Q&A with filmmakers and select cast to follow HalloKween Shorts Real and mental demons plague our protagonists in this Halloween-focused line-up. From a hospital psych ward to high school hallways, and from online conversations to inner-monologues, we cover the scariest grounds on earth in this program of horror shorts. Total run time: 95 mins Q&A with filmmakers and select cast to follow Hip to be Queer: Youth Shorts Through an inclusive and vibrant collection of short films from around the world, the program provides access and empowerment for LGBTQ+ youth to see themselves on screen while promoting media literacy and encouraging self-expression. The collection of short films will range from comedies to dramas, and vary in topics that cut across the youth experience, including interpersonal relationships, bullying, family, gender, identity, self-care, and cultural divides. Open to all students and staff within The New York City Department of Education, this event will be a specially-curated film program of Youth Shorts at NewFest’s 30th Annual New York LGBTQ Film Festival. Presented by the New York City Department of Education and in Partnership with Partnership with the Mayor’s Office of Media & Entertainment Total run time: 91 mins Q&A with filmmakers and select cast to follow Trans and Non-Binary Shorts A blend of documentary and fiction films showing an inclusive array of protagonists facing personal obstacles and experiencing universal life lessons. These endearing films show us the humanity within our community and the various ways we can transcend gender. Total run time: 86 mins Q&A with filmmakers and select cast to follow Wigged Out: Drag Shorts In celebration of Emmy-winning show “RuPaul’s Drag Race” and its tenth year of taking the untucked revolution to TV, we exalt the art of drag and the fearless queens who inspire and wow us with their jaw-dropping talents and vital stories on and off the runway. By turns hysterical and moving — and starring beloved queens such as Bob the Drag Queen and Latrice Royale — these films add up to one enormous eleganza extravaganza that will leave you gagged. Total run time: 78 mins Q&A with filmmakers and select cast to follow Three’s Company Enjoy the experience of polyamory without all the drama in this queer collection of threesomes. As relationships evolve, so must our art. And this collection of powerful films about modern dating is an example of how to use art to push back on societal norms and redefine the lives we want to live. Total run time: 86 mins Q&A with filmmakers and select cast to follow Queer Jewish Shorts From the U.S. to Israel, this program brings together six short films that examine what it is to be queer and Jewish, and how religion can be a guide for some but an obstacle for others. Total run time: 98 mins Q&A with filmmakers and select cast to follow Our Queer History Histories are reconstructed then deconstructed in magnificent textures and styles to celebrate and reflect on the narratives of lives on the fringes: from Italian exiles on a remote island in the 1930s, to British farmers in the early 21st century, to families and spaces intimately shaped over years by HIV/AIDS. As we celebrate the 30th anniversary of NewFest, we look back on the past three decades and further not only to remember but also to discover. Total run time: 101 mins Q&A with filmmakers and select cast to follow

    SPOTLIGHT SCREENING & PANEL

    Transmilitary Audience Award, SXSW 2018 Dir. Gabriel Silverman and Fiona Dawson, USA, 2017, 93 mins Writer: Jamie Coughlin, Gabriel Silverman Cast: Laila Ireland At the risk of being discharged and losing their livelihoods, trans service members come out to top brass at the Pentagon to challenge the transgender military ban. From 2015 to the present day, we follow four trans service members—Senior Airman Logan Ireland, Corporal Laila Villanueva, Captain Jennifer Peace, and First Lieutenant El Cook—as they fight to defend their equal right to serve their country. This screening is co-presented in partnership with GLAAD (Gay & Lesbian Alliance Against Defamation) will be followed by an extended conversation with the filmmakers and subjects, and moderated by Zeke Stokes.

    SPECIAL EVENTS

    GIA (20th Anniversary Screening) Dir. Michael Cristofer, USA, 1998, 123 min. Writer: Michael Cristofer, Jay McInerney Cast: Angelina Jolie, Faye Dunaway, Mercedes Ruehl, Elizabeth Mitchell It’s been 20 years since Angelina Jolie chronicled the life of supermodel Gia Carrangi in Michael Cristofer’s now-classic HBO movie. Carrangi, who rose to meteoric fame in late 70s New York, was known for her trademark temper and bold, unapologetic fashion style, but died young from AIDS-related complications. While the film has long been considered essential LGBTQ viewing, it’s rarely enjoyed on the big screen. Revisit it with us, your NewFest family and soak up the sultry scenes between Jolie and costar Elizabeth Mitchell, as well as revelling in supporting roles from icons Mercedes Ruehl and Faye Dunaway as Gia’s mother and modeling agent respectively. An HBO Original Film. CONVERSATIONS WITH GAY ELDERS: Daniel Maloney (partner event with Generations Project) East Coast Premiere Dir. David Weissman, USA, 2017, 67 min Cast: Daniel Maloney, David Weissman “I’m ready for my close-up, Mr. Director,” says New Yorker and subject Daniel Maloney, 77; and so begins the start of a stimulating interview between Maloney and director David Weissman (WE WERE HERE, THE COCKETTES). A principal dancer with Martha Graham in the 1970s, Maloney recounts his experiences facing racism, serving in the army, moving to New York, and first sexual encounters–all the while carrying on the art so closely linked to culture, community, and civilization: oral tradition. This film is part of a documentary series in which Weissman collaborates with a young editor–in this case, Jake Stein, 24 and newly out–to capture illuminating stories from elders that represent a cross-section of the LGBTQ community. LOOKING FOR? Dir. Tung-Yen Chou, Taiwan, 2017, 61 mins Explore the mysteries of dating apps in this charming, infectious documentary that lays all the sexy details out on the table. Young Taiwanese filmmaker Tung-Yen Chou searches for a love of his own, as he questions gay men around the world about their intimate experiences on hookup apps. Can Grindr lead you to the love of your life? This refreshingly raw and far too relatable look into digital romance is a snapshot of the moment.

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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