The Zurich Film Festival will spotlight Hungary’s cinema, featuring 18 films made by a thriving new generation of Hungarian filmmakers.
Hungarian cinema has a long history of creating great masters. During the 1970s, a period of cultural thaw in the then socialist state, Hungary was regarded as one of the most important film producing countries in the world. Miklós Jancsó, Márta Mészáros and István Szabó astonished both Soviet and western audiences alike with their extraordinary political candour and their spectacular, cutting-edge film language.
Despite the efforts of some of its leading exponents, namely Bela Tarr and János Szász, the collapse of the Soviet Union signalled a downturn in the popularity of auteur film, and the country’s homegrown productions, which looked to the American model for inspiration, fell on blind eyes.
During a time in an ever more authoritarian country when democratic institutions, such as schools and universities, are closing and press freedom is becoming increasingly less free, a pleasing image is developing: filmmakers are clearly defying the situation – Hungarian cinema is back – and it’s thematically diverse, artistically radical, bursting with international esprit and enjoying remarkable success at the domestic box-office.
One of this cinema’s most striking thematic interests is the outsider, characters who are forced to assert themselves in a world where they feel alone. They do this in a whole variety of contexts, but always with resolute commitment and often with a huge pinch of humour, which can quite easily drift into the dark and absurd.
Hungary’s filmmakers are already at the highest international level when it comes to practising their craft. The renowned Budapest University of Drama and Film, and the countless international large-scale productions made in the capital, form two of Hungary’s most important talent forges. Here, they not only shape great directors, but also form their befitting cinematographers and technicians.
After celebrating success on the film world’s greatest stages, three filmmakers have become synonymous with the latest upturn in Hungarian cinema: director Kornél Mundruczó, an equally well-known force in the theatre world, astounded at Cannes in 2014 with his spectacularly directed, highly metaphoric film WHITE GOD (Un Certain Regard Award).
László Nemes’ debut-of-the-century, the Holocaust drama SON OF SAUL (2015), not only won the Jury Prize at Cannes and the Academy Award for Best Foreign Language Film, but also proved an astronomical success with Hungarian audiences after clocking up an almost unheard of 270’000 cinema entries in a country where 50’000 entries is already considered a hit. And finally, Ildikó Enyedi, whose breakthrough came in the 1990s, returned after an 18-year respite with her sensual and insidious romantic drama ON BODY AND SOUL (2017) to win a Golden Bear at the Berlinale and captivate the hearts of the Hungarian public.
These three great names of Hungarian cinema are far from standing alone: Hungary has been the recipient of many awards in recent years at the Karlovy Vary Film Festival, Central and Eastern Europe’s most important platform, including for Lili Horváth’s coming-of ager THE WEDNESDAY CHILD (2015) and Szabolcs Hajdu’s dark-humored family drama IT’S NOT THE TIME OF MY LIFE (2016), who, in a true Budapest spirit, shot the film in his own apartment with his own family members.
International multi award winning debuts such as Virág Zomborácz’s tragicomedy AFTERLIFE (2014), Gábor Reisz’s pioneering underground comedy FOR SOME INEXPLICABLE REASON (2014) and Attila Till’s black comedy KILLS ON WHEELS (2016) complete this new and remarkable image of a thriving filmmaking country.
This year’s most riveting Hungarian films further enhance the section’s program: Roland Vranik’s naturalization drama THE CITIZEN, György Kristof’s Cannes premiered debut OUT and the Berlin Panorama section’s audience favorite 1945 by Ferenc Török will screen alongside the award-winning documentary films JUDGMENT IN HUNGARY by Eszter Hajdú and DRIFTER by Gábor Hörcher. For the tenth time this year, the International Short Film Festival Winterthur has put together a comprehensive short film block comprising five films to round off the New World View section.
Son of Saul
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Zurich Film Festival to Spotlight New Hungarian Cinema
The Zurich Film Festival will spotlight Hungary’s cinema, featuring 18 films made by a thriving new generation of Hungarian filmmakers.
Hungarian cinema has a long history of creating great masters. During the 1970s, a period of cultural thaw in the then socialist state, Hungary was regarded as one of the most important film producing countries in the world. Miklós Jancsó, Márta Mészáros and István Szabó astonished both Soviet and western audiences alike with their extraordinary political candour and their spectacular, cutting-edge film language.
Despite the efforts of some of its leading exponents, namely Bela Tarr and János Szász, the collapse of the Soviet Union signalled a downturn in the popularity of auteur film, and the country’s homegrown productions, which looked to the American model for inspiration, fell on blind eyes.
During a time in an ever more authoritarian country when democratic institutions, such as schools and universities, are closing and press freedom is becoming increasingly less free, a pleasing image is developing: filmmakers are clearly defying the situation – Hungarian cinema is back – and it’s thematically diverse, artistically radical, bursting with international esprit and enjoying remarkable success at the domestic box-office.
One of this cinema’s most striking thematic interests is the outsider, characters who are forced to assert themselves in a world where they feel alone. They do this in a whole variety of contexts, but always with resolute commitment and often with a huge pinch of humour, which can quite easily drift into the dark and absurd.
Hungary’s filmmakers are already at the highest international level when it comes to practising their craft. The renowned Budapest University of Drama and Film, and the countless international large-scale productions made in the capital, form two of Hungary’s most important talent forges. Here, they not only shape great directors, but also form their befitting cinematographers and technicians.
After celebrating success on the film world’s greatest stages, three filmmakers have become synonymous with the latest upturn in Hungarian cinema: director Kornél Mundruczó, an equally well-known force in the theatre world, astounded at Cannes in 2014 with his spectacularly directed, highly metaphoric film WHITE GOD (Un Certain Regard Award).
László Nemes’ debut-of-the-century, the Holocaust drama SON OF SAUL (2015), not only won the Jury Prize at Cannes and the Academy Award for Best Foreign Language Film, but also proved an astronomical success with Hungarian audiences after clocking up an almost unheard of 270’000 cinema entries in a country where 50’000 entries is already considered a hit. And finally, Ildikó Enyedi, whose breakthrough came in the 1990s, returned after an 18-year respite with her sensual and insidious romantic drama ON BODY AND SOUL (2017) to win a Golden Bear at the Berlinale and captivate the hearts of the Hungarian public.
These three great names of Hungarian cinema are far from standing alone: Hungary has been the recipient of many awards in recent years at the Karlovy Vary Film Festival, Central and Eastern Europe’s most important platform, including for Lili Horváth’s coming-of ager THE WEDNESDAY CHILD (2015) and Szabolcs Hajdu’s dark-humored family drama IT’S NOT THE TIME OF MY LIFE (2016), who, in a true Budapest spirit, shot the film in his own apartment with his own family members.
International multi award winning debuts such as Virág Zomborácz’s tragicomedy AFTERLIFE (2014), Gábor Reisz’s pioneering underground comedy FOR SOME INEXPLICABLE REASON (2014) and Attila Till’s black comedy KILLS ON WHEELS (2016) complete this new and remarkable image of a thriving filmmaking country.
This year’s most riveting Hungarian films further enhance the section’s program: Roland Vranik’s naturalization drama THE CITIZEN, György Kristof’s Cannes premiered debut OUT and the Berlin Panorama section’s audience favorite 1945 by Ferenc Török will screen alongside the award-winning documentary films JUDGMENT IN HUNGARY by Eszter Hajdú and DRIFTER by Gábor Hörcher. For the tenth time this year, the International Short Film Festival Winterthur has put together a comprehensive short film block comprising five films to round off the New World View section.
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2017 BAFTA Awards: LA LA Land Wins Best Film, 13TH Wins Best Documentary
La La Land was named Best Film at the EE British Academy Film Awards aka 2017 BAFTA Awards, with Damien Chazelle winning Director and Emma Stone receiving the award for Leading Actress. Linus Sandgren won for Cinematography and Justin Hurwitz won Original Music.
Ava DuVernay’s film, exploring race in the US criminal justice system, 13th, won the award for Documentary. Kubo and the Two Strings took the award for Animated Film, and Film Not in the English Language was won by Hungarian holocaust drama, Son of Saul.
Outstanding British Film was won by I, Daniel Blake, directed by Ken Loach.
Writer/director Babak Anvari and producers Emily Leo, Oliver Roskill and Lucan Toh received the award for Outstanding Debut by a British Writer, Director or Producer for Under the Shadow.
Home won the British Short Film award, while the BAFTA for British Short Animation was won by A Love Story.
The EE Rising Star Award, voted for by the public, went to Tom Holland.
The Special Award for Outstanding British Contribution to Cinema was presented to film distributor and exhibitor Curzon for its work in bringing art house and foreign language cinema to British audiences.
Nathan Lane, Simon Pegg and HRH The Duke of Cambridge, President of BAFTA, presented the Academy’s highest honour, the Fellowship, to writer, director, actor and producer Mel Brooks.
The winners of the EE British Academy Film Awards in 2017
2016 NOMINATIONS AND WINNERS
(presented in 2017)
FELLOWSHIP
MEL BROOKS
OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
CURZON
BEST FILM
ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder
I, DANIEL BLAKE Rebecca O’Brien
LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt
MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh
MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski
OUTSTANDING BRITISH FILM
AMERICAN HONEY Andrea Arnold, Lars Knudsen, Pouya Shahbazian, Jay Van Hoy
DENIAL Mick Jackson, Gary Foster, Russ Krasnoff, David Hare
FANTASTIC BEASTS AND WHERE TO FIND THEM David Yates, David Heyman, Steve Kloves, J.K. Rowling, Lionel Wigram
I, DANIEL BLAKE Ken Loach, Rebecca O’Brien, Paul Laverty
NOTES ON BLINDNESS Peter Middleton, James Spinney, Mike Brett, Jo-Jo Ellison, Steve Jamison
UNDER THE SHADOW Babak Anvari, Emily Leo, Oliver Roskill, Lucan Toh
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
The Girl With All the Gifts: MIKE CAREY (Writer), CAMILLE GATIN (Producer)
The Hard Stop: GEORGE AMPONSAH (Writer/Director/Producer), DIONNE WALKER (Writer/Producer)
Notes on Blindness: PETER MIDDLETON (Writer/Director/Producer), JAMES SPINNEY (Writer/Director/Producer), JO-JO ELLISON (Producer)
The Pass: JOHN DONNELLY (Writer), BEN A. WILLIAMS (Director)
Under the Shadow: BABAK ANVARI (Writer/Director), EMILY LEO, OLIVER ROSKILL, LUCAN TOH (Producers)
FILM NOT IN THE ENGLISH LANGUAGE
DHEEPAN Jacques Audiard, Pascal Caucheteux
JULIETA Pedro Almodóvar, Agustín Almodóvar
MUSTANG Deniz Gamze Ergüven, Charles Gillibert
SON OF SAUL László Nemes, Gábor Sipos
TONI ERDMANN Maren Ade, Janine Jackowski
DOCUMENTARY
13th Ava DuVernay, Spencer Averick, Howard Barish
THE BEATLES: EIGHT DAYS A WEEK- THE TOURING YEARS Ron Howard, Brian Grazer, Scott Pascucci, Nigel Sinclair
THE EAGLE HUNTRESS Otto Bell, Stacey Reiss
NOTES ON BLINDNESS Peter Middleton, James Spinney
WEINER Josh Kriegman, Elyse Steinberg
ANIMATED FILM
FINDING DORY Andrew Stanton
KUBO AND THE TWO STRINGS Travis Knight
MOANA Ron Clements, John Musker
ZOOTROPOLIS Byron Howard, Rich Moore
DIRECTOR
ARRIVAL Denis Villeneuve
I, DANIEL BLAKE Ken Loach
LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
NOCTURNAL ANIMALS Tom Ford
ORIGINAL SCREENPLAY
HELL OR HIGH WATER Taylor Sheridan
I, DANIEL BLAKE Paul Laverty
LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
MOONLIGHT Barry Jenkins
ADAPTED SCREENPLAY
ARRIVAL Eric Heisserer
HACKSAW RIDGE Andrew Knight, Robert Schenkkan
HIDDEN FIGURES Theodore Melfi, Allison Schroeder
LION Luke Davies
NOCTURNAL ANIMALS Tom Ford
LEADING ACTOR
ANDREW GARFIELD Hacksaw Ridge
CASEY AFFLECK Manchester by the Sea
JAKE GYLLENHAAL Nocturnal Animals
RYAN GOSLING La La Land
VIGGO MORTENSEN Captain Fantastic
LEADING ACTRESS
AMY ADAMS Arrival
EMILY BLUNT The Girl on the Train
EMMA STONE La La Land
MERYL STREEP Florence Foster Jenkins
NATALIE PORTMAN Jackie
SUPPORTING ACTOR
AARON TAYLOR-JOHNSON Nocturnal Animals
DEV PATEL Lion
HUGH GRANT Florence Foster Jenkins
JEFF BRIDGES Hell or High Water
MAHERSHALA ALI Moonlight
SUPPORTING ACTRESS
HAYLEY SQUIRES I, Daniel Blake
MICHELLE WILLIAMS Manchester by the Sea
NAOMIE HARRIS Moonlight
NICOLE KIDMAN Lion
VIOLA DAVIS Fences
ORIGINAL MUSIC
ARRIVAL Jóhann Jóhannsson
JACKIE Mica Levi
LA LA LAND Justin Hurwitz
LION Dustin O’Halloran, Hauschka
NOCTURNAL ANIMALS Abel Korzeniowski
CINEMATOGRAPHY
ARRIVAL Bradford Young
HELL OR HIGH WATER Giles Nuttgens
LA LA LAND Linus Sandgren
LION Greig Fraser
NOCTURNAL ANIMALS Seamus McGarvey
EDITING
ARRIVAL Joe Walker
HACKSAW RIDGE John Gilbert
LA LA LAND Tom Cross
MANCHESTER BY THE SEA Jennifer Lame
NOCTURNAL ANIMALS Joan Sobel
PRODUCTION DESIGN
DOCTOR STRANGE Charles Wood, John Bush
FANTASTIC BEASTS AND WHERE TO FIND THEM Stuart Craig, Anna Pinnock
HAIL, CAESAR! Jess Gonchor, Nancy Haigh
LA LA LAND David Wasco, Sandy Reynolds-Wasco
NOCTURNAL ANIMALS Shane Valentino, Meg Everist
COSTUME DESIGN
ALLIED Joanna Johnston
FANTASTIC BEASTS AND WHERE TO FIND THEM Colleen Atwood
FLORENCE FOSTER JENKINS Consolata Boyle
JACKIE Madeline Fontaine
LA LA LAND Mary Zophres
MAKE UP & HAIR
DOCTOR STRANGE Jeremy Woodhead
FLORENCE FOSTER JENKINS J. Roy Helland, Daniel Phillips
HACKSAW RIDGE Shane Thomas
NOCTURNAL ANIMALS Donald Mowat, Yolanda Toussieng
ROGUE ONE: A STAR WARS STORY Amanda Knight, Neal Scanlan, Lisa Tomblin
SOUND
ARRIVAL Sylvain Bellemare, Claude La Haye, Bernard Gariépy Strobl
DEEPWATER HORIZON Dror Mohar, Mike Prestwood Smith, Wylie Stateman, Renee Tondelli, David Wyman
FANTASTIC BEASTS AND WHERE TO FIND THEM Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, Ian Tapp
HACKSAW RIDGE Peter Grace, Robert Mackenzie, Kevin O’Connell, Andy Wright
LA LA LAND Mildred Iatrou Morgan, Ai-Ling Lee, Steve A. Morrow, Andy Nelson
SPECIAL VISUAL EFFECTS
ARRIVAL Louis Morin
DOCTOR STRANGE Richard Bluff, Stephane Ceretti, Paul Corbould, Jonathan Fawkner
FANTASTIC BEASTS AND WHERE TO FIND THEM Tim Burke, Pablo Grillo, Christian Manz, David Watkins
THE JUNGLE BOOK Robert Legato, Dan Lemmon, Andrew R. Jones, Adam Valdez
ROGUE ONE: A STAR WARS STORY Neil Corbould, Hal Hickel, Mohen Leo, John Knoll, Nigel Sumner
BRITISH SHORT ANIMATION
THE ALAN DIMENSION Jac Clinch, Jonathan Harbottle, Millie Marsh
A LOVE STORY Khaled Gad, Anushka Kishani Naanayakkara, Elena Ruscombe-King
TOUGH Jennifer Zheng
BRITISH SHORT FILM
CONSUMED Richard John Seymour
HOME Shpat Deda, Afolabi Kuti, Daniel Mulloy, Scott O’Donnell
MOUTH OF HELL Bart Gavigan, Samir Mehanovic, Ailie Smith, Michael Wilson
THE PARTY Farah Abushwesha, Emmet Fleming, Andrea Harkin, Conor MacNeill
STANDBY Jack Hannon, Charlotte Regan
EE RISING STAR AWARD (voted for by the public)
ANYA TAYLOR-JOY
LAIA COSTA
LUCAS HEDGES
RUTH NEGGA
TOM HOLLAND
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MOONLIGHT and LOVE & FRIENDSHIP Lead Nominations for London’s Critics’ Circle Film Awards
[caption id="attachment_12014" align="aligncenter" width="1200"]
Love & Friendship[/caption]
Barry Jenkins’ drama Moonlight and Whit Stillman’s comedy Love & Friendship lead the nominations for the 37th London Critics’ Circle Film Awards, garnering seven nominations each. Both are up for Film of the Year, as well as multiple acting honors. The gala ceremony will be held on Sunday January 22nd, 2017, in London, at The May Fair Hotel.
Following close behind is Maren Ade’s German comedy Toni Erdmann with six nominations, while La La Land, Manchester by the Sea and American Honey have five citations each. The winners will be voted on by 140 members of The Critics’ Circle Film Section.
The nominations were announced at The May Fair today by actress Chloe Pirrie and actor-filmmaker Craig Roberts. The 22nd January ceremony will again be hosted by actor-filmmakers Alice Lowe and Steve Oram, who won the critics’ Breakthrough Filmmakers prize in 2012 for their screenplay for Sightseers and have gone on to write and direct Prevenge and Aaaaaaaah!, respectively.
“Our critics nominated more than 160 titles for Film of the Year alone, representing the range of wide opinions and the sheer number of movies critics watch each year,” says Rich Cline, chair of the Critics’ Circle Film Awards. “There was love for everything from Aferim to Zootropolis, including Captains America and Fantastic, plus acclaimed women from Jackie, Julieta, Moana, Christine, Krisha and Victoria to Miss Sloane and Florence Foster Jenkins. Making it onto that final list of nominees is never easy.”
British actors Naomie Harris, Andrew Garfield, Kate Beckinsale and Tom Bennett each received nominations both for specific performances and for their body of work in 2016. Unusually, the writer-directors of four Film of the Year contenders are also nominated for both Screenwriter and Director: Moonlight’s Jenkins, Toni Erdmann’s Ade, La La Land’s Damien Chazelle and Manchester by the Sea’s Kenneth Lonergan.
In addition to Film of the Year, Gianfranco Rosi’s immigration-themed film Fire at Sea is also nominated for both Foreign-Language Film and Documentary. Also contending for Film of the Year are Andrea Arnold’s American Honey, Tom Ford’s Nocturnal Animals, László Nemes’ Son of Saul and Ken Loach’s I, Daniel Blake.
Last year’s ceremony saw George Miller winning both Film and Director for Mad Max: Fury Road, with three awards going to Andrew Haigh’s 45 Years and the Dilys Powell Award presented to Kenneth Branagh.
The full list of nominees for the 37th London Critics’ Circle Film Awards:
FILM OF THE YEAR
American Honey
Fire at Sea
I, Daniel Blake
La La Land
Love & Friendship
Manchester by the Sea
Moonlight
Nocturnal Animals
Son of Saul
Toni Erdmann
FOREIGN-LANGUAGE FILM OF THE YEAR
Fire at Sea
Son of Saul
Things to Come
Toni Erdmann
Victoria
DOCUMENTARY OF THE YEAR
The Beatles: Eight Days a Week – The Touring Years
Cameraperson
The Eagle Huntress
Fire at Sea
Life, Animated
BRITISH/IRISH FILM OF THE YEAR
American Honey
High-Rise
I, Daniel Blake
Love & Friendship
Sing Street
ACTOR OF THE YEAR
Casey Affleck – Manchester by the Sea
Adam Driver – Paterson
Andrew Garfield – Hacksaw Ridge
Jake Gyllenhaal – Nocturnal Animals
Peter Simonischek – Toni Erdmann
ACTRESS OF THE YEAR
Amy Adams – Arrival
Kate Beckinsale – Love & Friendship
Sandra Hüller – Toni Erdmann
Isabelle Huppert – Things to Come
Emma Stone – La La Land
SUPPORTING ACTOR OF THE YEAR
Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Shia LaBeouf – American Honey
Michael Shannon – Nocturnal Animals
SUPPORTING ACTRESS OF THE YEAR
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Riley Keough – American Honey
Michelle Williams – Manchester by the Sea
DIRECTOR OF THE YEAR
Maren Ade – Toni Erdmann
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
László Nemes – Son of Saul
SCREENWRITER OF THE YEAR
Maren Ade – Toni Erdmann
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
Whit Stillman – Love & Friendship
BRITISH/IRISH ACTOR
Tom Bennett – Love & Friendship, Life on the Road
Andrew Garfield – Hacksaw Ridge, Silence
Hugh Grant – Florence Foster Jenkins
Dave Johns – I, Daniel Blake
David Oyelowo – A United Kingdom, Queen of Katwe
BRITISH/IRISH ACTRESS
Kate Beckinsale – Love & Friendship
Rebecca Hall – Christine
Naomie Harris – Moonlight, Our Kind of Traitor, Collateral Beauty
Ruth Negga – Loving, Iona
Hayley Squires – I, Daniel Blake
YOUNG BRITISH/IRISH PERFORMER
Ruby Barnhill – The BFG
Lewis MacDougall – A Monster Calls
Sennia Nanua – The Girl With All the Gifts
Anya Taylor-Joy – The Witch, Morgan
Ferdia Walsh-Peelo – Sing Street
BREAKTHROUGH BRITISH/IRISH FILMMAKER
Babak Anvari – Under the Shadow
Mike Carey – The Girl With All the Gifts
Guy Hibbert – Eye in the Sky, A United Kingdom
Peter Middleton & James Spinney – Notes on Blindness
Rachel Tunnard – Adult Life Skills
BRITISH/IRISH SHORT FILM
Isabella – Duncan Cowles & Ross Hogg
Jacked – Rene Pannevis
Sweet Maddie Stone – Brady Hood
Tamara – Sofia Safonova
Terminal – Natasha Waugh
TECHNICAL ACHIEVEMENT
American Honey – Robbie Ryan, cinematography
Arrival – Sylvain Bellemare, sound design
High-Rise – Mark Tildesley, production design
Jackie – Mica Levi, music
Jason Bourne – Gary Powell, stunts
La La Land – Justin Hurwitz, music
Moonlight – Nat Sanders & Joi McMillon, editing
Sing Street – Gary Clark & John Carney, music
Rogue One – Neal Scanlan, visual effects
Victoria – Sturla Brandth Grovlen, cinematography
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‘Son of Saul’ Wins Golden Globe for Best Foreign Film
Son of Saul continues its streak as the best foreign film of 2015, winning the Golden Globe for Best Foreign Film at the 73rd Golden Globe Awards. Son Of Saul, the winner of Grand Prix at the Cannes, Film Festival is the directorial debut of Lászlo Nemes. October 1944, Auschwitz-Birkenau. Saul Ausländer is a Hungarian member of Sonderkommando – the Jewish prisoners’ unit isolated from the rest of the camp. They are in charge of taking other prisoners to gas chambers and burning corpses. While working in one of the crematoriums, Saul finds the body of a boy and is convinced it is his son. Shaking off his lethargy, he decides to secretly arrange a real Jewish funeral for the boy. While other members of Sonderkommando are planning to rebel and escape, Saul takes upon himself the impossible mission of saving the boy’s body from the flames. To this end, he makes his way through the concentration camp in search of a rabi who would perform the ritual.
https://www.youtube.com/watch?v=wwC9DsWyxQc
The winners at the 73rd Golden Globe Awards
Best motion picture, drama
“The Revenant”
Best motion picture, musical or comedy
“The Martian”
Best performance by an actress in a motion picture, drama
Brie Larson, “Room”
After winning the category of BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA for her role in “Room,” actress Brie Larson poses backstage in the press room with her Golden Globe Award at the 73rd Annual Golden Globe Awards at the Beverly Hilton in Beverly Hills, CA on Sunday, January 10, 2016.
Best performance by an actress in a motion picture, musical or comedy
Jennifer Lawrence, “Joy”
Best performance by an actor in a motion picture, drama
Leonardo DiCaprio, “The Revenant”
Best performance by an actor in a supporting role in a motion picture
Sylvester Stallone, “Creed”
Best performance by actress in a supporting role in a motion picture
Kate Winslet, “Steve Jobs”
Best director, motion picture
Alejandro González Iñárritu, “The Revenant”
Best performance by an actor in a motion picture, musical or comedy
Matt Damon, “The Martian”
Best screenplay, motion picture
Aaron Sorkin, “Steve Jobs”
Best original score, motion picture
Ennio Morricone, “The Hateful Eight”
Best motion picture, animated
“Inside Out”
Best original song, motion picture
“Writing’s on the Wall,” “Spectre”
Best motion picture, foreign language
“Son of Saul”
Best television series, drama
“Mr. Robot,” USA
Best television series, musical or comedy
“Mozart in the Jungle,” Amazon Video
Best television limited series or motion picture made for television
“Wolf Hall,” PBS
Best performance by an actor in a television series, drama
Jon Hamm, “Mad Men”
Best performance by an actor in a television series, musical or comedy
Gael García Bernal, “Mozart in the Jungle”
Best performance by an actor in a leading role in a series, limited series or motion picture made for television
Oscar Isaac, “Show Me a Hero”
Best performance by an actor in a supporting role in a series, limited series or motion picture made for television
Christian Slater, “Mr. Robot”
Best performance by an actress in a TV series, drama
Taraji P. Henson, “Empire”
Best performance by an actress in a supporting role in a series, limited series or motion picture made for television
Maura Tierney, “The Affair”
Best performance by an actress in a leading role in a series, limited series or motion picture made for television
Lady Gaga, “American Horror Story: Hotel”
Best performance by an actress in a television series, musical or comedy
Rachel Bloom, “Crazy Ex-Girlfriend”
image: For BEST FOREIGN LANGUAGE FILM, the Golden Globe is awarded to “Son of Saul” (Hungary), directed by László Nemes. (L-R) Actors Levente Molnar and Geza Rohrig, director Laszlo Nemes, producers Gabor Sipos and Gabor Rajna pose with the award backstage in the press room at the 73rd Annual Golden Globe Awards at the Beverly Hilton in Beverly Hills, CA on Sunday, January 10, 2016.
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Complete List with TRAILERS of 9 Foreign Films Still in Race for Oscar
Nine features will advance to the next round of voting in the Foreign Language Film category for the 88th Academy Awards®. Eighty films had originally been considered in the category.
The films, listed in alphabetical order by country, are:
Belgium, “The Brand New Testament,” (pictured above) Jaco Van Dormael, director;
https://www.youtube.com/watch?v=M_FFNL_jPHE
Colombia, “Embrace of the Serpent,” Ciro Guerra, director;
https://www.youtube.com/watch?v=vS73P3hZvPA
Denmark, “A War,” Tobias Lindholm, director;
https://www.youtube.com/watch?v=qil14JEoPzU
Finland, “The Fencer,” Klaus Härö, director;
https://www.youtube.com/watch?v=ShMAkhyC6bY
France, “Mustang,” Deniz Gamze Ergüven, director;
https://www.youtube.com/watch?v=E5nyY8E6CPg
Germany, “Labyrinth of Lies,” Giulio Ricciarelli, director;
https://www.youtube.com/watch?v=1xU0Ywoww70
Hungary, “Son of Saul,” László Nemes, director;
https://www.youtube.com/watch?v=W7YvgRU15M8
Ireland, “Viva,” Paddy Breathnach, director;
Jordan, “Theeb,” Naji Abu Nowar, director.
https://www.youtube.com/watch?v=pnEd_WSGtWQ
Foreign Language Film nominations for 2015 are being determined in two phases.
The Phase I committee, consisting of several hundred Los Angeles-based Academy members, screened the original submissions in the category between mid-October and December 14. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist.
The shortlist will be winnowed down to the category’s five nominees by specially invited committees in New York, Los Angeles and London. They will spend Friday, January 8, through Sunday, January 10, viewing three films each day and then casting their ballots.
The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills.
The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar® presentation also will be televised live in more than 225 countries and territories worldwide.
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Indiana Film Journalists Association Pick ‘Spotlight’ As Best Film of 2015
“Spotlight,” a drama exploring the Boston Globe’s investigation of widespread sexual abuse by Catholic priests, was named Best Film of 2015 by the Indiana Film Journalists Association (IFJA). In addition to Best Film, “Spotlight” won for Best Original Screenplay and Best Supporting Actor, Mark Ruffalo.
“Room,” an adaption of the best-selling novel about a woman raising her young son inside a solitary room, won runner-up in the best film race. “Room” also earned the Best Adapted Screenplay Prize, and was recognized for the top two performances of the year: Brie Larson for Best Actress and Jacob Tremblay for Best Actor.
“Son of Saul” won Best Foreign Language Film and “Amy” earned Best Documentary.
The Hoosier Award, which recognizes a significant cinematic contribution by a person or persons with roots in Indiana, or a film that depicts Hoosier State locales and stories, went to filmmaker Angelo Pizzo.
The following is a complete list of honored films:
Best Film
Winner: “Spotlight”
Runner-up: “Room”
Other Finalists (listed alphabetically):
“Anomalisa”
“The Big Short”
“Carol”
“The End of the Tour”
“Mad Max: Fury Road”
“The Martian”
“Steve Jobs”
“Straight Outta Compton”
Best Animated Feature
Winner: “Anomalisa”
Runner-Up: “Inside Out ”
Best Foreign Language Film
Winner: “Son of Saul”
Runner-Up: “Goodnight Mommy”
Best Documentary
Winner: “Amy”
Runner-Up: “Meru”
Best Original Screenplay
Winner: Tom McCarthy and Josh Singer, “Spotlight”
Runner-up: Matt Charman, Joel & Ethan Coen, “Bridge of Spies”
Best Adapted Screenplay
Winner: Emma Donoghue, “Room”
Runner-up: Adam McKay and Charles Randolph, “The Big Short”
Best Director
Winner: George Miller, “Mad Max: Fury Road”
Runner-up: Tom McCarthy, “Spotlight”
Best Actress
Winner: Brie Larson, “Room”
Runner-up: Charlotte Rampling, “45 Years”
Best Supporting Actress
Winner: Greta Gerwig, “Mistress America”
Runner-up: Elizabeth Banks, “Love & Mercy”
Best Actor
Winner: Jacob Tremblay, “Room”
Runner-up: Jason Segel, “The End of the Tour”
Best Supporting Actor
Winner: Mark Ruffalo, “Spotlight”
Runner-up: Idris Elba, “Beasts of No Nation”
Best Vocal/Motion Capture Performance
Winner: Phyllis Smith, “Inside Out”
Runner-up: Tom Noonan, “Anomalisa”
Best Musical Score
Winner: Junkie XL, “Mad Max: Fury Road”
Runner-up: Disasterpeace, “It Follows”
Original Vision Award
Winner: “Anomalisa”
Runner-up: “Chi-Raq”
The Hoosier Award
Winner: Angelo Pizzo, writer/director/producer
(As a special award, no runner-up is declared in this category.)
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Vancouver Film Critics Circle Reveals 2016 Nominations, ‘Room’ Leads Canadian Nominations
Alejandro González Iñárritu’s The Revenant leads all films in the 2016 Vancouver Film Critics Circle International section with three nominations.
The nominees for Best Documentary are Amy, Cartel Land and Going Clear: Scientology and the Prison of Belief, while The Assassin, Goodnight Mommy and Son of Saul are up for Best Foreign Language Film.
A riveting and uplifting tale of a mother and son escaping confinement, the Canadian-Irish co-production Room has earned six VFCC nominations in the Canadian categories, including one for Best Canadian Film, and director Lenny Abrahamson is nominated for Best Director of a Canadian Film,
Room (pictured above) will face off against Guy Maddin and co-director Evan Johnson’s The Forbidden Room and Andrew Cividino’s Sleeping Giant for Best Canadian Film.
Haida Gwaii: On the Edge of the World will also compete with Jerry Rothwell’s How to Change the World, Alan Zweig’s Hurt and Damien Gillis & Fiona Rayher’s Fractured Land for Best Canadian Documentary.
The full list of 2016 Vancouver Film Critics Circle International nominees.
BEST FILM
Mad Max: Fury Road
The Revenant
Spotlight
BEST ACTOR
Leonardo DiCaprio, The Revenant
Michal Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
BEST ACTRESS
Cate Blanchett, Carol
Brie Larson, Room
Saoirse Ronan, Brooklyn
BEST SUPPORTING ACTOR
Mark Rylance, Bridge of Spies
Michael Shannon, 99 Homes
Sylvester Stallone, Creed
BEST SUPPORTING ACTRESS
Jennifer Jason Leigh, The Hateful Eight
Alicia Vikander, The Danish Girl
Alicia Vikander, Ex Machina
BEST DIRECTOR
Todd Haynes, Carol
Alejandro González Iñárritu, The Revenant
George Miller, Mad Max: Fury Road
BEST SCREENPLAY
Emma Donoghue, Room
Charlie Kaufman, Anomalisa
Josh Singer & Tom McCarthy, Spotlight
BEST FOREIGN LANGUAGE FILM
The Assassin
Goodnight Mommy
Son of Saul
BEST DOCUMENTARY
Amy
Cartel Land
Going Clear: Scientology and the Prison of Belief
The full list of nominees in the 2016 Vancouver Film Critics Circle Canadian categories.
BEST CANADIAN FILM
The Forbidden Room
Room
Sleeping Giant
BEST ACTOR IN A CANADIAN FILM
Michael Eklund, Eadweard
Christopher Plummer, Remember
Jacob Tremblay, Room
BEST ACTRESS IN A CANADIAN FILM
Marie Brassard, Sabali
Brie Larson, Room
Julia Sarah Stone, Wet Bum
BEST SUPPORTING ACTOR IN A CANADIAN FILM
Patrick Huard, My Internship in Canada
Reece Moffett, Sleeping Giant
Nick Serino, Sleeping Giant
BEST SUPPORTING ACTRESS IN A CANADIAN FILM
Joan Allen, Room
Suzanne Clement, My Internship in Canada
Tara Pratt, No Men Beyond This Point
BEST SCREENPLAY FOR A CANADIAN FILM
Benjamin August, Remember
Andrew Cividino, Blain Watters & Aaron Yeger, Sleeping Giant
Emma Donoghue, Room
BEST DIRECTOR OF A CANADIAN FILM
Lenny Abrahamson, Room
Andrew Cividino, Sleeping Giant
Atom Egoyan, Remember
BEST CANADIAN DOCUMENTARY
Haida Gwaii: On the Edge of the World
Fractured Land
How to Change the World
Hurt
BEST FIRST FILM BY A CANADIAN DIRECTOR
Hit 2 Pass, Kurt Walker
Sleeping Giant, Andrew Cividino
Wet Bum, Lindsay Mackay
BEST BRITISH COLUMBIA FILM
Eadweard
Haida Gwaii: On the Edge of the World
No Men Beyond This Point
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Dallas-Fort Worth Film Critics Association Picks SPOTLIGHT as 2015 Best Film; TANGERINE Wins Best Indie Film
The Dallas-Fort Worth Film Critics Association voted the newsroom drama SPOTLIGHT as the best film of 2015, according to the results of its 22nd annual critics’ poll. This year’s awards are presented in memory of Philip Wuntch, the longtime Dallas Morning News film critic who passed away in October.
Rounding out the composite list of the top 10 films of the year were THE REVENANT (2), CAROL (3), SICARIO (4), MAD MAX: FURY ROAD (5), THE BIG SHORT (6), THE MARTIAN (7), ROOM (8), THE DANISH GIRL (9) and BROOKLYN (10).
The association voted SON OF SAUL as the best foreign language film of the year. Runners-up included THE ASSASSIN (2), THE SECOND MOTHER (3), MUSTANG (4) and GOODNIGHT MOMMY (5).
AMY won for Best Documentary over THE LOOK OF SILENCE (2), THE WOLFPACK (3), GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (4) and THE HUNTING GROUND (5).
The association voted TANGERINE as the winner of the Russell Smith Award, named for the late Dallas Morning News film critic. The honor is given annually to the best low-budget or cutting-edge independent film.
The 2015 Dallas-Fort Worth Film Critics Association award winners.
Best Picture:
Spotlight (director — Tom McCarthy)
Best Animated Feature:
Inside Out (director — Pete Docter)
Best Foreign Language Film:
Son of Saul (Hungary)
Best Documentary:
Amy
Best Director:
Alejandro Gonzalez Inarritu (The Revenant)
Best Actor:
Leonardo DiCaprio (The Revenant)
Best Actress:
Brie Larson (Room)
Best Supporting Actor:
Paul Dano (Love and Mercy)
Best Supporting Actress:
Rooney Mara (Carol)
Best Screenplay:
Spotlight (Josh Singer, TomMcCarthy)
Best Cinematography:
Emmanuel Lubezki (The Revenant)
Best Musical Score:
The Revenant (Bryce Dessner, Carsten Nicolai and Ryûichi Sakamoto)
Russell Smith Award (named for the late Dallas Morning News film critic. The honor is given annually to the best low-budget or cutting-edge independent film.)
Tangerine (director — Sean Baker)


Todd Haynes’ 1950s melodrama ‘Carol’, the swooning tale of a life-changing love affair, won two top prizes at the 2015 awards of the Toronto Film Critics Association, including Best Picture, and Haynes named Best Director. The film’s stars, Cate Blanchett and Rooney Mara, were runners-up for this year’s Best Actress and Best Supporting Actress prizes, respectively.
Joshua Oppenheimer, who won the Allan King Documentary Award in 2013 for The Act of Killing, won the 2015 prize for its companion piece, The Look of Silence, which revisits the Indonesian genocide from the perspective of an optometrist confronting his brother’s murderers.
The
The San Francisco Film Critics Circle picked SPOTLIGHT as the Best Picture of 2015, and gave three awards to MAD MAX: FURY ROAD, two to BROOKLYN and two to LOVE & MERCY.
Paul Dano and Saoirse Ronan collected Best Actor and Best Actress, the former for his portrayal of Brian Wilson’s youthful but troubled musical genius in LOVE & MERCY and the latter for essaying delicate, nuanced emotional detail as a young immigrant woman coming of age and facing the choice of her life in BROOKLYN. The same films were also recognized for their screenwriters: Oren Moverman and Michael Alan Lerner for the thoughtfully structured biopic LOVE & MERCY and Nick Hornby for locating the emotion and internal struggle of an immigrant experience in his screen adaptation of the novel BROOKLYN.
Best Supporting Actor and Best Supporting Actress honors went, respectively, to Michael Shannon for his utterly credible work as a fiery real-estate exploiter in 99 HOMES and Mya Taylor for powerfully grounding, with heart and humor, TANGERINE, a tale of transgender sex workers navigating a nighttime odyssey on the streets of L.A.
The
“Mad Max: Fury Road” leads the nominations for the 21st Critics’ Choice Awards with 13 nominations including Best Picture. “Carol,” impressed with nine nominations including Best Picture, and Best Director. “Spotlight” earned eight nominations, “Brooklyn,” “The Danish Girl,” each garnered five nominations and “Room” earned four.