The winners of the 44th Annual HUMANITAS Prize were announced on Friday with prizes going to ON THE BASIS OF SEX for Drama Feature Film, LOVE, SIMON for Comedy Feature Film, STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM for Documentary, and BRIAN BANKS for Independent Feature Film.
EIGHTH GRADE[/caption]
The HUMANITAS Prize which honors film and television writers whose work inspires compassion, hope, and understanding in the human family, has named fifty-eight film and television writers as finalists for the 44th Annual HUMANITAS Prize. All Prize winners will be announced at The 44th Annual HUMANITAS Prize event on Friday, February 8, 2019 at The Beverly Hills Hotel in Beverly Hills, CA.
Six college students have also been named as finalists for The David and Lynn Angell College Comedy Fellowship and The Carol Mendelsohn College Drama Fellowship. The winning writers in each category will be awarded $20,000 in prize money.
HUMANITAS will also honor Marta Kauffman with The Kieser Award and Kenya Barris with the VOICE FOR CHANGE Award.
Marta Kauffman is a critically acclaimed writer/director/producer. She won a Primetime Emmy Award for Outstanding Comedy Series for Friends, a series she co-created. She also co-created HBO’s Dream On, was the co-producer for NBC’s Veronica’s Closet, and is the co-creator of Netflix’s Grace and Frankie.
Kenya Barris is also a critically acclaimed writer/producer and the creator of ABC’s Black-ish and Grown-ish. He won The HUMANITAS Prize for Black-Ish: “Hope” in 2017. He won the NAACP Image Award for Outstanding Writing in a Comedy Series in 2016/17. He has received three nominations for Outstanding Comedy Series at the Primetime Emmy Awards.
Since its inception in 1974, The HUMANITAS Prize has awarded over $3.5 million to more than 360 deserving television and motion picture writers whose work examines what it means to be a fully realized human being in a world struggling with racism, terrorism, sexism, ageism, anti-Semitism, political polarization, religious fanaticism, extreme poverty, violence, and unemployment. By deeply exploring the cultures, lifestyles, sexual orientations, political views, and religious beliefs of people who are very different from ourselves, we can dissolve the walls of ignorance and fear that separate us from one another.
All winners, except for those in the Independent Feature Film and College Fellowship categories, designate a non-profit focused on nurturing the next generation of writers to receive their earnings. Past recipients have included Young Storytellers, Film2Future, P.S. Arts, The Heidelberg Project, Rosie’s Theatre Kids, International Documentary Association, and Inside Out Writers.
“HUMANITAS enjoyed an embarrassment of riches this year,” said HUMANITAS President Ali LeRoi, “There were so many incredible submissions from such gifted writers.”
Watergate[/caption]
Double Exposure Investigative Film Festival & Symposium, a project of 100Reporters, launches its fourth edition with world, U.S. and Washington premieres of fifteen new, investigative films that speak to our times in a newly urgent language, bridging investigative reporting and visual storytelling. This year’s themes: Demystifying. Exposing. Equalizing. Verifying.
Double Exposure opens with WATERGATE, in which celebrated director Charles Ferguson (INSIDE JOB) recreates the epochal White House scandal for a new generation, using interviews with key players, previously-classified documents and Richard Nixon’s own secret recordings as the spine for Oval Office dialogues with chilling resonance today.
The festival’s closing film, DIVIDE AND CONQUER, tracks the rise and fall of kingmaker Roger Ailes, the driving force behind Fox News, who lost it all following accusations of sexual harassment at the top.
GHOST FLEET investigates the hidden population of modern-day slaves who underpin industrial fishing, held captive at sea for years at a time.
THE PANAMA PAPERS details the unprecedented coordination of over 300 journalists who reveal the biggest global corruption scandal in history.
Our 2018 films explore the psychic cost of community-wide surveillance, uncovered through journalistic sleuthing and the Freedom of Information Act; wrongful criminal confessions; sexual assault and social media; the underside of savior complexes and much more. The films deliver illuminating stories from war-torn Afghanistan to middle America, from a middle-class apartment in Budapest to the Oval Office. Check the full lineup at dxfest.com.
“This year’s slate demonstrates the increasing relevance of film to the most pressing stories of our day,” said Double Exposure founder and co-director, Diana Jean Schemo. “Our Opening Night film revisits a scandal with searing relevance in 2018. And our Closing Night film on Roger Ailes and Fox News brings the story of an era that began with Watergate to our present time of social media, sexual reckoning and rampant truth-bending.”
“This is an extraordinary moment for investigative filmmaking. We are finding more and more filmmakers integrating journalistic practice into their storytelling, and more journalists moving into the visual realm,” said Double Exposure co-creator and co-director, Sky Sitney. “Each film on our slate not only tells an urgent story in itself, but shapes that story through a riveting, new visual language that stands at a crossroads between these two distinct practices.”
HISTORY’s definitive original documentary, WATERGATE, chronicles one of the biggest criminal conspiracies in modern American politics and features a roster of some of the most important media, legal and political figures from the scandal, including Bob Woodward, Carl Bernstein, John Dean, Jill Wine-Banks, Richard Ben-Veniste, and many others. Wednesday, Oct. 10, 7pm, Smithsonian’s National Portrait Gallery. Post screening discussion with director Charles Ferguson and special guests to be announced.
Following Opening Night, all screenings take place at the Naval Heritage Center, and are followed by conversations with the director, film subjects, and others.
STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM revisits a shocking story that made global headlines. In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capital of Abuja, the film explores how the young women might adapt back to life after having experienced such trauma, and how the Nigerian government is navigating, and at times commandeering, their reentry into society. Thursday, Oct. 11, 6pm. Naval Heritage Center.
ROLL RED ROLL goes behind the headlines of a notorious high school sexual assault case to witness the social media-fueled “boys will be boys” culture that let it happen, and defended them when it did. Thursday, Oct. 11, 8:30pm, Naval Heritage Center. Post-screening discussion with director Nancy Schwartzman, film subjects Alexandria Goddard and Rachel Dissell, and others to be announced.
In UNPROTECTED, an acclaimed American charity said it was saving some of the world’s most vulnerable girls from sexual exploitation. Then the girls were raped, and that was only the beginning. Friday, Oct. 12, 4pm, Naval Heritage Center. Post-screening discussion with director Nadia Sussman, and others to be announced.
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The Feeling of Being Watched[/caption]
For THE FEELING OF BEING WATCHED, filmmaker Assia Boundaoui follows the trail of her neighbors’ suspicion that their community just outside Chicago has been under surveillance for over a decade. While investigating their experiences, Boundaoui uncovers tens of thousands of pages of FBI documents that prove her Muslim community was indeed the subject of one of the largest counter-terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.” Friday, Oct. 12, 6pm, Naval Heritage Center. Post-screening discussion with director Assia Boundaoui, and others to be announced.
GHOST FLEET follows a small group of activists who risk their lives on remote Indonesian islands to find justice and freedom for the enslaved fishermen who feed the world’s insatiable appetite for seafood. Bangkok-based Patima Tungpuchayakul, a Thai abolitionist, has committed her life to helping these “lost” men return home. Facing illness, death threats, corruption, and complacency, Patima’s fearless determination for justice inspires her nation and the world. Friday, Oct. 12, 8:30pm Naval Heritage Center. Post-screening discussion with director Shannon Service, producer Jon Bowermaster, and others to be announced.
THE TRUTH ABOUT KILLER ROBOTS is an eerie, eye-opening work of science-nonfiction, that charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists, and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Saturday, Oct. 13, 10am, Naval Heritage Center. Post-screening discussion with director Maxim Pozdorovkin.
THE UNAFRAID (dirs. Anayansi Prado & Heather Courtney) follows the personal lives of three DACA students in Georgia, a state that has banned them from attending their top state universities and disqualifies them from receiving in-state tuition at any other public college. Shot in an observational style over a period of four years, this film takes an intimate look at the lives of Alejandro, Silvia and Aldo as they navigate activism, pursuing their right to education, and fighting for the rights of their families and communities. Saturday, Oct. 13, 12:30pm, Naval Heritage Center. Post-screening discussion with director Heather Courtney, film subjects and others to be announced.
FALSE CONFESSIONS. Each year innumerable American suspects confess to crimes they did not commit, and experts say that trained interrogators can get anybody to confess to anything.
The film follows indefatigable defense attorney Jane Fisher-Byrialsen, who is determined to put an end to interrogation techniques that all too often pressure innocent people into false confessions. As we weave through four of Fisher-Byrialsen’s cases, all involving false confessions, the film examines the psychological aspect of how people end up confessing to crimes they have not committed and the consequences of these confessions – for those accused, for their families and for society at large. Saturday, Oct. 13, 3pm, Naval Heritage Center. Post-screening discussion with director Katrine Philp, subject Jane Fisher-Byrialsen, and others to be announced.
In making OF FATHERS AND SONS, Syrian-born filmmaker Talal Derki travels to his homeland in Syria, where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses primarily on the children, providing an extremely rare insight into what it means to grow up with a father whose only dream is to establish an Islamic caliphate. Osama (13) and his brother Ayman (12) both love and admire their father and obey his words, but while Osama seems content to follow the path of jihad, Ayman wants to go back to school. Winner of the Grand Jury Prize for World Documentary at the Sundance Film Festival, OF FATHERS AND SONS is a work of unparalleled access that captures the chilling moment when childhood dies and jihadism is born. Saturday, Oct. 13, 5:30pm, Naval Heritage Center.
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Divide and Conquer: The Story of Roger Ailes[/caption]
In DIVIDE AND CONQUER Alexis Bloom sheds light on the current moment in American political life by following the arc of Roger Ailes: long-time Republican Svengali and controversial founder of Fox News. By coaching an unrivaled stable of politicians over the course of fifty years, Ailes heavily influenced Republican politics, steering the conservative movement from Nixon to the Tea Party to Trump. Under his tutelage, anger and fear became the coin of the realm, both on the ballot and on national television. This is a story of serial cruelty, both on the public stage and in private life. Like a true Shakespearean figure, ambition and desire were Ailes’ undoing. He was finally toppled when victims of his sexual harassment stepped forward. The accounts of these women—raw and infuriating—are the axis around which Ailes’ story inexorably turns. Saturday, Oct. 13, 8:30pm, Naval Heritage Center. Post-screening discussion with director Alexis Bloom, and others to be announced.
For A WOMAN CAPTURED, director Bernadett Tuza-Ritter follows the life of a European woman who has been held by a Budapest family as a domestic slave for 10 years. She is one of over 45 million victims of modern day slavery today. Drawing courage from the filmmaker’s presence and the camera as witness, the woman captured attempts to escape the unbearable oppression and become a free person. Sunday, Oct. 14, 11am, Naval Heritage Center. Post-screening discussion with director Bernadett Tuza-Ritter.
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People’s Republic of Desire[/caption]
THE PEOPLE’S REPUBLIC OF DESIRE dives deep into world of young stars of live streaming in China, where the shift to a virtual life in place of flesh-and-blood relationships has gone far. The stars build followings among the rich and poor, with the rich lavishing online personalities with gifts worth millions of dollars, and the poor cheering the wealthy patrons on and rooting for their idols. The scene culminates with a once-a-year competition, a cross between the Hunger Games and Black Mirror, in which the winner is the one whose patrons buy the most votes. Sunday, Oct. 14, 1:45pm, Naval Heritage Center. Post-screening discussion with filmmaker Hao Wu.
Filmed over three years, ANGELS ARE MADE OF LIGHT follows students and teachers at a school in an old neighborhood of Kabul that is slowly rebuilding from past conflicts. Interweaving the modern history of Afghanistan with present-day portraits, director James Longley offers an intimate and nuanced vision of a society living in the shadow of war. Sunday, Oct. 14, 4:30pm, Naval Heritage Center. Post-screening discussion with filmmaker James Longley.
In THE PANAMA PAPERS, Alex Winter delivers a powerful, illuminating film that paints a complete picture of the biggest global corruption scandal in history. The “Panama Papers” leak involved the unprecedented coordination of hundreds of journalists from 107 media organizations in more than 80 countries, who broke the story in 2015. The papers included over 11.5 million documents that detail financial and attorney-client information for nearly 214,500 offshore accounts. Winter includes interviews with whistleblowers and key journalists on the investigation, to tell the story of the massive data breach which uncovered murky political and financial corruption, bribes, election rigging and even murder. Sunday, Oct. 14, 7:30pm, Naval Heritage Center. Post-screening discussion with filmmaker Alex Winter, and others to be announced.
Sandra Bland in SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND.[/caption]
HBO has confirmed a fresh array of thought-provoking documentaries for the second half of 2018, including: Susan Lacy’s JANE FONDA IN FIVE ACTS, the intimate story of an icon; Nathaniel Kahn’s THE PRICE OF EVERYTHING, an insider’s look at today’s money-driven art world; Kate Davis and David Heilbroner’s SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND about the tragic death of a young woman who was stopped for a routine traffic violation; and Rudy Valdez’s Sundance award winner THE SENTENCE, a portrait of a family in crisis.
Upcoming HBO documentaries include (in chronological order):
SWIPED: HOOKING UP IN THE DIGITAL AGE (debuts Sept. 10). With more than 40 million Americans currently engaging in online and app dating, this $2.5-billion industry is rapidly changing the rules of dating, while expanding access to potential mates for everything from “hookups” to long-term relationships. This eye-opening look at the evolving nature of sex and dating in the digital age offers candid insights from twentysomethings and experts in the field. Directed by Nancy Jo Sales.
THE OSLO DIARIES (Sept. 13). In 1992, with Israeli-Palestinian relations at an all-time low and any communication between the two sides punishable by jail time, a small group of Israelis and Palestinians gathered secretly in Oslo for a series of meetings that came to be known as The Oslo Accords and dramatically changed the political landscape of the Middle East. Articulated through readings of the participants’ diaries from the time and airing on the 25th anniversary of the Accords, this geopolitical story features never-before-seen archival footage and exclusive interviews with key players, including the last on-camera conversation with former Israeli president Shimon Peres. A riveting account of talks that spanned a period of 1,100 days, the film offers a resonant portrait of diplomacy and the delicate nature of peace. Directed by Mor Loushy and Daniel Sivan.
JANE FONDA IN FIVE ACTS (Sept. 24). Girl next door, sex icon, activist, fitness tycoon, Oscar(R)-winning actress Jane Fonda has lived a life marked by controversy, tragedy and transformation – and she’s done it all in the public eye. From award-winning documentarian Susan Lacy, this is an intimate look at one woman’s singular journey.
RX EARLY DETECTION: A CANCER JOURNEY WITH SANDRA LEE (Oct. 8). This deeply personal short documentary follows Sandra Lee, along with those closest to her – including her sister, Kimber, and her longtime partner, NY Gov. Andrew Cuomo – as she faces a cancer diagnosis following a routine annual exam. Directed by Cathy Chermol Schrijver.
THE SENTENCE (Oct. 15). Drawing on hundreds of hours of footage, Rudy Valdez shows the aftermath of his sister Cindy’s 15-year incarceration for conspiracy charges related to crimes committed by her now-deceased ex-boyfriend, known in legal terms as “the girlfriend problem.” Valdez’s method of coping with this tragedy was to film his sister’s family for her, both the everyday details and the milestones, which Cindy can no longer share in. But in the midst of this nightmare, Valdez and his family begin to fight for Cindy’s release during the last months of the Obama administration’s clemency initiative. A 2018 Sundance Film Festival Audience Award winner. Directed by Rudy Valdez.
STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM (Oct. 22). In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capitol of Abuja, the film reveals how the young women are adapting to life after their traumatic imprisonment and how the Nigerian government is handling their reentry into society. Directed by Karen Edwards and Gemma Atwal.
WE ARE NOT DONE YET (Nov.). This documentary follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital. Sharing fears, vulnerabilities and victories via poetry becomes a process for bonding, empowerment and healing that culminates in a live performance of a collaborative poem at Washington, D.C.’s Lansburgh Theater. Under the direction of poet Seema Reza and actor Jeffrey Wright, the warrior-poets take to the stage to tell often hidden truths about the consequences of intimacy with war and death. Directed by Sareen Hairabedian.
THE PRICE OF EVERYTHING (Nov.). Exploring the labyrinth of the contemporary art world, this film spotlights the role of art and artistic passion in today’s money-driven, consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, it exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless and ultimately asks, “Who does art belong to?” Directed by Nathaniel Kahn.
THE TRUTH ABOUT KILLER ROBOTS (Nov.). An eerie, eye-opening work of science nonfiction, this film charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Directed by Maxim Pozdorovkin.
SAY HER NAME: THE LIFE AND DEATH OF SANDRA BLAND (Dec.). In 2015, Sandra Bland, a 28-year-old black woman from Chicago, was arrested for a traffic violation in a small Texas town. Three days later, she was found hanging from a noose in her jail cell. Though ruled a suicide, her death sparked allegations of racially-motivated police murder and made Bland’s case a rallying point for activists across the country. Featuring Bland’s passionate video blogs, the timely documentary follows her family and their legal team as they try to make sense of what happened, presenting a compelling look at her life as well as her death. Directed and produced by Kate Davis; produced by David Heilbroner.
BRESLIN AND HAMILL: DEADLINE ARTISTS (Dec.). Brilliant writers, tribunes of the working class and icons of the lost world of newspapering, Jimmy Breslin and his friend, Pete Hamill, personified New York City. This documentary spotlights their unique take on many of the historic events of the second half of the 20th century. Directed by John Block, Jonathan Alter and Stephen McCarthy.
BLEED OUT (Dec.). After a routine partial hip replacement operation leaves his mother in a coma with permanent brain damage, what starts as a son’s video diary becomes a citizen’s investigation into the future of American health care. Using undercover footage, court testimony, verité scenes shot over several years and interviews with people on all sides of the story, the film goes deep inside a flawed healthcare system. Part medical mystery and legal thriller, part investigative journey and meditation on family, this personal story is a cautionary tale. Directed by Steve Burrows.
Today marks the one-year anniversary of the release of 82 of the 276 Nigerian school girls who were kidnapped in 2014 from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years, by Boko Haram, a violent Islamic insurgent movement.
This fall, HBO Documentary Films will present the revealing film Stolen Daughters: Kidnapped by Boko Haram, telling the story of the girls’ time in captivity and following their lives over the past year.
Granted exclusive access to the freed girls, who upon their release last year were taken to a secret government safe house in the capitol of Abuja, the film shows how the young women are adapting to life after their traumatic imprisonment and how the Nigerian government is handling their re-entry into society.
Following a global social media campaign with the hashtag #BringBackOurGirls, featuring global celebrities such as Michelle Obama, huge pressure was brought to bear on the Nigerian Government to get the girls back. Four years later, more than 100 of the girls have been freed. Stolen Daughters: Kidnapped by Boko Haram chronicles reunions with family members they have not seen since they were kidnapped, as well as their process of coming to terms with what has happened to them.
The kidnapped girls, known as “The Chibok Girls,” are required to live in a protected environment, where contact with the outside world is severely limited, although they are provided with education and counselling. As the film documents, they eventually progress to a residential, government-funded program at the American University of Nigeria.
Their fate could not be more different than that of thousands of other Nigerian women and girls who have fallen prey to Boko Haram and are known as the “Forgotten Girls”. In the northeastern city of Maiduguri, which has been the site of numerous attacks by Boko Haram and remains extremely volatile, some of the “Forgotten Girls” share deeply disturbing stories of their abduction and treatment at the hands of the terrorist group? – ?and eventual escape from captivity.
Their troubles haven’t ended with their escape from the Sambisa forest, however. With female suicide bombers having killed scores of people in the city, they are often treated with suspicion because of their connection to Boko Haram. “Forgotten Girls” enjoy none of the privileges afforded “The Chibok Girls.” Many live hand-to-mouth in the slums and refugee camps, abandoned by the Nigerian state, but are determined to tell their stories and move forward with their lives, despite the obstacles.