Mary Goes Round[/caption]
The inclusive lineup for this year’s 2018 Bentonville Film Festival includes 42 Competition Films, 13 episodic content presentations, notable showcase screenings of top festival films, critical favorites, anniversary screenings of classics, a presentation of family focused and animated greats, and every film to date from the Marvel Cinema Universe in a special free-to-the-public presentation for BFF’s film fans.
“This year’s edition of the Bentonville Film Festival truly exemplifies our mission,” said BFF co-Founder Geena Davis. We are thrilled to honor industry pioneers, while at the same time recognizing current trendsetters and changemakers, and showcasing a new class of inclusive storytellers. To be able to bring them all together in one place to enact change – that is what BFF is all about.”
Films in the dramatic feature competition this year include: Marisol Gomez-Mouakad’s ANJELICA; Sanghoon Lee’s BANANA SEASON; Kevin Arbouet’s BENJI THE DOVE; Marinanna Palka’s EGG; Tom Huang’s FIND ME; Sean Olson’s F.R.E.D.I.; Anne-Marie Hess’s GOOD AFTER BAD; Jenna Laurenzo’s LEZ BOMB; Molly McGlynn’s MARY GOES ROUND; Autumn McAlpin’s MISS ARIZONA; Vashhti Anderson’s MOKO JUMBIE; Santiago Rizzo’s QUEST; Alex Ranarivelo’s RIDE; Jenn McGowan’s RUST CREEK; Megan Griffith’s SADIE; Anthony Nardolillo’s SHINE; Ramaa Mosley’s TATTERDEMALION; Mark Dennis and Ben Foster’s TIME TRAP; Teddy Smith’s URBAN COUNTRY; Nadine Truong’s I CAN I WILL I DID; Suzi Yoonessi’s UNLOVABLE; and Kendall Goldberg’s WHEN JEFF TRIED TO SAVE THE WORLD.
Documentary features in competition include: Marvin Blunte’s 6 WEEKS TO MOTHER’S DAY; Joanna James’s A FINE LINE; Skye Borgman’s ABDUCTED IN PLAIN SIGHT; Robin Hauser’s BIAS; Stacey Reiss’s DAUGHTERS OF THE SEXUAL REVOLUTION; Luis Prieto’s THE DISUNITED STATES OF AMERICA; Brian Ivie’s EMANUEL; Dan Habib’s INTELLIGENT LIVES; Susan Kucera’s LIVING IN FUTURE’S PAST; Trish Russo and Craig E. Shapiro’s LOVE ALWAYS, MOM; T Cooper’s MAN MADE; Sebastien Paquet’s MIND OVER MATTER; Rob Herring and Ryan Wirick’s THE NEED TO GROW; Kulap Vilaysack’s ORIGIN STORY; Kate Hickey’s ROLLER DREAMS; Mark Hayes’s SKID ROW MARATHON; Robin Berghaus’s STUMPED; Jillian Moul and Matthew Moul’s SURVIVING HOME; Maya Washington’s THROUGH THE BANKS OF THE RED CEDARS; P.J. Marcellino, and Hermon Farahi’s WHEN THEY AWAKE and Sally Colón-Petree’s WOMEN LIKE US.
The Episodic Projects vying for prizes are: Ben Strang’s Beast; Morgan Beck’s Brooke; Keith Miller’s Brooklynification; Jennifer Morrison’s Fabled; Raj Trivedi’s From Jappan; Corrie Chen and Tori Garrett’s Mustangs FC; Kholi Hicks’s Reaver Vs. Specter; Max Rissman’s Root for the Villain; Will Seefried’s Sink Sank Sunk; Andrew Olsen’s SusaneLand; Jeremy Redleaf’s Threads; Milena Govich’s Unspeakable; and Allison Vanore’s Whatta Lark (Ep 1).
BFF previously announced that Elissa Downs’s THE HONOR LIST would make its world premiere as the Opening Night selection, with Lea Thompson’s THE YEAR OF SPECTACULAR MEN screening as this year’s Centerpiece selection.
Special Spotlight selections include; Carlos Lopez Estrada’s drama BLINDSPOTTING, about the intersection of race and class, set against the backdrop of a rapidly gentrifying Oakland; Sara Driver’s documentary BOOM FOR REAL, about legendary New York City-centric artist Jean-Michel Basquiat; Brett Haley’s crowd-pleaser HEARTS BEAT LOUD, starring Nick Offerman and Kiersey Clemons as a father and daughter, who form an unlikely songwriting duo; Julie Cohen and Betsy West documentary RBG, about the inestimable Justice Ruth Bader Ginsburg; Andrew Bujalski’s latest, SUPPORT THE GIRLS, about a restaurant manager attempting to outmaneuver the owner as she tries to help one of her employees; and Jennifer Fox’s Sundance hit, THE TALE, which stars Laura Dern, Ellen Burstyn, and Common, in a devastating film which dramatizes Fox’s reconciling her memories of her first sexual relationship with the reality of what actually transpired.
The Sony/ConAgra Outdoor Theatre @ Lawrence Plaza will offer a number of family-friendly and animated hits including; the recent Academy Award winner, Lee Unkrich and Adrian Molina’s COCO, Ang Lee’s classic, CROUCHING TIGER, HIDDEN DRAGON (2000); Otto Bell’s adventure film, THE EAGLE HUNTRESS (2016); both Joe Johnston’s JUMANJI (1995) and Jake Kasdan’s recent blockbuster hit, JUMANJI: WELCOME TO THE JUNGLE, and Tony Bancroft and Barry Cook’s animated classic, MULAN (1998), celebrating its 20th Anniversary.
Additional highlights and events within the film festival are; the Easterseals Disability Film Challenge Finalists screening on Wednesday, May 3, followed by a Q&A with founder Nic Novicki; the special Project Zero screening and event on, Sunday, May 5, to raise awareness for the Arkansas-based organization’s mission to diligently and passionately promote adoption through the foster care system; the Helen R. Walton Children’s Enrichment Center, Ready Nation, Moms in Film and Arkansas Advocates for Children and Families presentation of Raising America on Friday, May 4, followed by a panel discussion with Kyle Peterson, Alysia Reiner and others; the Samsung Create Event, on Thursday, May 23, presenting student filmmakers challenged to make a short film based on the mission of BFF by utilizing a Samsung Galaxy phone and tablet; and Marvel Experience, Wednesday May 2 – Friday May 4, at Skylight Cinema which will offer the ultimate Marvel Experience for film fans, with free film screenings, themed concessions and galactic experiences.
For the 4th consecutive year, BFF will remain the only film festival in the world to offer guaranteed distribution to its narrative feature film winner. BFF’ s distribution partners include AMC Theatres, Lifetime, Starz, ACI-Inspires and others.
In 2018, BFF will add new prizes for its other juried categories. Through a partnership with MarVista Entertainment, the winner of the Short Film Competition will be awarded a directing role on one of MarVista’s future feature films, providing an opportunity for diverse ideas, opinions and stories to be heard.
The winner of the Documentary Film Competition will receive a mentorship prize package sponsored by ITVS, a San Francisco-based nonprofit organization that has, for over 25 years, funded and partnered with a diverse range of documentary filmmakers to produce and distribute untold stories. The Episodic Competition winner will receive a prize package sponsored by SeriesFest, an award winning festival dedicated to showcasing the best and boldest in episodic storytelling from around the world, that includes a screening at the SeriesFest Season 4 in Denver, a consultation with an industry professional, and a VIP Badge.Stumped
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Impressive Slate of 96 Feature Film Selections on Lineup for 4th Bentonville Film Festival
[caption id="attachment_27971" align="aligncenter" width="1200"] Mary Goes Round[/caption]
The inclusive lineup for this year’s 2018 Bentonville Film Festival includes 42 Competition Films, 13 episodic content presentations, notable showcase screenings of top festival films, critical favorites, anniversary screenings of classics, a presentation of family focused and animated greats, and every film to date from the Marvel Cinema Universe in a special free-to-the-public presentation for BFF’s film fans.
“This year’s edition of the Bentonville Film Festival truly exemplifies our mission,” said BFF co-Founder Geena Davis. We are thrilled to honor industry pioneers, while at the same time recognizing current trendsetters and changemakers, and showcasing a new class of inclusive storytellers. To be able to bring them all together in one place to enact change – that is what BFF is all about.”
Films in the dramatic feature competition this year include: Marisol Gomez-Mouakad’s ANJELICA; Sanghoon Lee’s BANANA SEASON; Kevin Arbouet’s BENJI THE DOVE; Marinanna Palka’s EGG; Tom Huang’s FIND ME; Sean Olson’s F.R.E.D.I.; Anne-Marie Hess’s GOOD AFTER BAD; Jenna Laurenzo’s LEZ BOMB; Molly McGlynn’s MARY GOES ROUND; Autumn McAlpin’s MISS ARIZONA; Vashhti Anderson’s MOKO JUMBIE; Santiago Rizzo’s QUEST; Alex Ranarivelo’s RIDE; Jenn McGowan’s RUST CREEK; Megan Griffith’s SADIE; Anthony Nardolillo’s SHINE; Ramaa Mosley’s TATTERDEMALION; Mark Dennis and Ben Foster’s TIME TRAP; Teddy Smith’s URBAN COUNTRY; Nadine Truong’s I CAN I WILL I DID; Suzi Yoonessi’s UNLOVABLE; and Kendall Goldberg’s WHEN JEFF TRIED TO SAVE THE WORLD.
Documentary features in competition include: Marvin Blunte’s 6 WEEKS TO MOTHER’S DAY; Joanna James’s A FINE LINE; Skye Borgman’s ABDUCTED IN PLAIN SIGHT; Robin Hauser’s BIAS; Stacey Reiss’s DAUGHTERS OF THE SEXUAL REVOLUTION; Luis Prieto’s THE DISUNITED STATES OF AMERICA; Brian Ivie’s EMANUEL; Dan Habib’s INTELLIGENT LIVES; Susan Kucera’s LIVING IN FUTURE’S PAST; Trish Russo and Craig E. Shapiro’s LOVE ALWAYS, MOM; T Cooper’s MAN MADE; Sebastien Paquet’s MIND OVER MATTER; Rob Herring and Ryan Wirick’s THE NEED TO GROW; Kulap Vilaysack’s ORIGIN STORY; Kate Hickey’s ROLLER DREAMS; Mark Hayes’s SKID ROW MARATHON; Robin Berghaus’s STUMPED; Jillian Moul and Matthew Moul’s SURVIVING HOME; Maya Washington’s THROUGH THE BANKS OF THE RED CEDARS; P.J. Marcellino, and Hermon Farahi’s WHEN THEY AWAKE and Sally Colón-Petree’s WOMEN LIKE US.
The Episodic Projects vying for prizes are: Ben Strang’s Beast; Morgan Beck’s Brooke; Keith Miller’s Brooklynification; Jennifer Morrison’s Fabled; Raj Trivedi’s From Jappan; Corrie Chen and Tori Garrett’s Mustangs FC; Kholi Hicks’s Reaver Vs. Specter; Max Rissman’s Root for the Villain; Will Seefried’s Sink Sank Sunk; Andrew Olsen’s SusaneLand; Jeremy Redleaf’s Threads; Milena Govich’s Unspeakable; and Allison Vanore’s Whatta Lark (Ep 1).
BFF previously announced that Elissa Downs’s THE HONOR LIST would make its world premiere as the Opening Night selection, with Lea Thompson’s THE YEAR OF SPECTACULAR MEN screening as this year’s Centerpiece selection.
Special Spotlight selections include; Carlos Lopez Estrada’s drama BLINDSPOTTING, about the intersection of race and class, set against the backdrop of a rapidly gentrifying Oakland; Sara Driver’s documentary BOOM FOR REAL, about legendary New York City-centric artist Jean-Michel Basquiat; Brett Haley’s crowd-pleaser HEARTS BEAT LOUD, starring Nick Offerman and Kiersey Clemons as a father and daughter, who form an unlikely songwriting duo; Julie Cohen and Betsy West documentary RBG, about the inestimable Justice Ruth Bader Ginsburg; Andrew Bujalski’s latest, SUPPORT THE GIRLS, about a restaurant manager attempting to outmaneuver the owner as she tries to help one of her employees; and Jennifer Fox’s Sundance hit, THE TALE, which stars Laura Dern, Ellen Burstyn, and Common, in a devastating film which dramatizes Fox’s reconciling her memories of her first sexual relationship with the reality of what actually transpired.
The Sony/ConAgra Outdoor Theatre @ Lawrence Plaza will offer a number of family-friendly and animated hits including; the recent Academy Award winner, Lee Unkrich and Adrian Molina’s COCO, Ang Lee’s classic, CROUCHING TIGER, HIDDEN DRAGON (2000); Otto Bell’s adventure film, THE EAGLE HUNTRESS (2016); both Joe Johnston’s JUMANJI (1995) and Jake Kasdan’s recent blockbuster hit, JUMANJI: WELCOME TO THE JUNGLE, and Tony Bancroft and Barry Cook’s animated classic, MULAN (1998), celebrating its 20th Anniversary.
Additional highlights and events within the film festival are; the Easterseals Disability Film Challenge Finalists screening on Wednesday, May 3, followed by a Q&A with founder Nic Novicki; the special Project Zero screening and event on, Sunday, May 5, to raise awareness for the Arkansas-based organization’s mission to diligently and passionately promote adoption through the foster care system; the Helen R. Walton Children’s Enrichment Center, Ready Nation, Moms in Film and Arkansas Advocates for Children and Families presentation of Raising America on Friday, May 4, followed by a panel discussion with Kyle Peterson, Alysia Reiner and others; the Samsung Create Event, on Thursday, May 23, presenting student filmmakers challenged to make a short film based on the mission of BFF by utilizing a Samsung Galaxy phone and tablet; and Marvel Experience, Wednesday May 2 – Friday May 4, at Skylight Cinema which will offer the ultimate Marvel Experience for film fans, with free film screenings, themed concessions and galactic experiences.
For the 4th consecutive year, BFF will remain the only film festival in the world to offer guaranteed distribution to its narrative feature film winner. BFF’ s distribution partners include AMC Theatres, Lifetime, Starz, ACI-Inspires and others.
In 2018, BFF will add new prizes for its other juried categories. Through a partnership with MarVista Entertainment, the winner of the Short Film Competition will be awarded a directing role on one of MarVista’s future feature films, providing an opportunity for diverse ideas, opinions and stories to be heard.
The winner of the Documentary Film Competition will receive a mentorship prize package sponsored by ITVS, a San Francisco-based nonprofit organization that has, for over 25 years, funded and partnered with a diverse range of documentary filmmakers to produce and distribute untold stories. The Episodic Competition winner will receive a prize package sponsored by SeriesFest, an award winning festival dedicated to showcasing the best and boldest in episodic storytelling from around the world, that includes a screening at the SeriesFest Season 4 in Denver, a consultation with an industry professional, and a VIP Badge.
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2018 Annapolis Film Festival to Screen Over 80 Films, “Beirut” “The Miracle Season” and More..
[caption id="attachment_27333" align="aligncenter" width="1200"]
Beirut[/caption]
The 2018 Annapolis Film Festival will screen more than 80 films from 28 countries during the festival taking place March 22 to 25, 2018, including a U.S. premiere and four films from Sundance making their East Coast premiere, The Festival’s new theme: Voices Strong. Minds Open, is threaded throughout the four-day program of films, panels, parties, showcases, coffee talks, and Q&As with filmmakers.
“The diversity in this year’s slate is more than we have ever had. Audiences will get to experience firsthand the depth of this slate because many great directors, producers and talent are accompanying their films,” said Patti White, Festival Director. Some films have been sourced locally right here in Maryland, others come from afar including, Armenia, Australia, Belgium, Burkina Faso, Canada, China, Czech Republic, Denmark, Israel, Italy, Iran, Ireland, France, Georgia, Germany, Norway, Pakistan, Spain, Sweden, Slovenia, Swaziland, Switzerland, Syria, Tunisia, Turkey, United Kingdom and Venezuela.
Narrative films include the Opening Night political thriller, Beirut, directed by Brad Anderson and starring Jon Hamm and Rosamund Pike, at Maryland Hall for the Creative Arts, which will be followed by a Q&A with producer Monica Levinson and industry professionals.
Other narrative films selected are: Beauty and the Dogs – Khaled Walid Barsaoui, Kaouther Ben Hania; Beauty Mark – Harris Doran; Bernard and Huey – Dan Mirvish; Butterfly Kisses – Erik Kristopher Myers; Cardinals – Grayson Moore, Aidan Shipley; Come Sunday – Joshua Marston; A Crooked Somebody– Trevor White; Disappearance – Ali Asgari; Flock of Four – Gregory Caruso; Hearts Beat Loud – Brett Haley; Humor Me – Sam Hoffman; Kiss Me! – Océane Michel, Cyprien Vial; Mary Goes Round – Molly McGlynn; The Miracle Season – Sean McNamara; The Rider – Chloé Zhao; Spinning Man – Simon Kaijser; Wallay – Berni Goldblat, and What Will People Say– Iram Haq.
Documentary features have also been chosen, including: Acorn and the Firestorm – Reuben Atlas, Samuel D. Pollard; Coyote: The Mike Plant Story – Thomas M. Simmons; Finding Home – AB Troen; Itzhak – Alison Chernick; Kim Swims – Kate Webber; Liyana – Aaron Kopp, Amanda Kopp; Lots of Kids, A Monkey, and a Castle – Gustavo Salmerón; Love Means Zero – Jason Kohn; New Wave: Dare To Be Different – Ellen Goldfarb; Resistance is Life – Apo W. Bazidi; Sammy Davis, Jr.: I’ve Gotta Be Me – Samuel D. Pollard; Stumped – Robin Berghaus; Three Identical Strangers – Tim Wardle; True Conviction – Jamie Meltzer; Waiting for the Sun – Kaspar Astrup Schröder; and What Lies Upstream – Cullen Hoback, and a special screening of the NBC Originals documentary Courageous: Ted Turner and the 1977 America’s Cup.
The film debuting for its U.S. premiere is The Miracle Season, directed by Sean McNamara and starring Helen Hunt as the coach of a volleyball team who must unite the team in hopes of winning the state championship in the wake of the tragic death of a star player. The four films making their East Coast premiere include Beirut; Come Sunday, directed by Joshua Marston and starring Martin Sheen and Chiwetel Ejiofor as real-life American evangelical preacher Carlton Pearson, who risks everything when he questions church doctrine and is branded a modern-day heretic; Hearts Beat Loud, directed by Brett Haley and starring Nick Offerman as a record store owner, who is forced to close his shop, and decides to form a band with his college-bound daughter; and documentary Three Identical Strangers, directed by Tim Wardle, which follows the incredible true story of triplets who learned of one another’s existence only at age 19, their initial joy giving way to increasingly unsettling discoveries.
In addition to award-winning features, AFF has made its mark now in its sixth year by continually bringing a lineup of compelling short films. Two shorts that screened at last year’s AFF landed on the Oscar’s Shortlist for Best Live Action Shorts, with DeKalb Elementary still contending for the Oscar at the upcoming 90th Academy Awards.
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Milwaukee Film Festival Reveals Spotlight Films, STUMPED to Open + LANDLINE to Close Fest
[caption id="attachment_24083" align="aligncenter" width="1200"]
Stumped[/caption]
The 2017 Milwaukee Film Festival announced the full lineup for Spotlight Presentations, including the multiple award-winning Opening Night film Stumped, directed by MFF alum Robin Berghaus, and Closing Night film Landline, directed by Gillian Robespierre (Obvious Child) and starring Jenny Slate and Jay Duplass.
Milwaukee was first introduced to STUMPED director Robin Berghaus when her short film of the same name screened at the 2014 Milwaukee Film Festival. Following the rehabilitation of quadrilateral amputee, Will Lautzenheiser, as he coped with his trauma through stand-up comedy, Berghaus expanded the film into a feature when Lautzenheiser took a chance on a risky double arm transplant surgery. A documentary both funny and deeply moving, STUMPED tells the story of a truly indomitable spirit. Both Berghaus and Lautzenheiser are scheduled to attend the screening.
Celebrating the art of cocktails and a U.S Premiere, the documentary Schumann’s Bar Talks has world-renowned bartender, Charles Schumann, taking audiences on a tour of some of the world’s finest bars.
The 2017 Milwaukee Film Festival will take place at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill, Times Cinema, and Avalon Theater from September 28th – October 12th.
FILMS
OPENING NIGHT
STUMPED
(USA / 2017 / Director: Robin Berghaus)
Will Lautzenheiser thought he was on the verge of realizing his dreams, teaching film classes at Montana State University, when what he thought was an extreme pulled muscle suddenly escalated into something far more severe—a bacterial infection that forced doctors to amputate all of his limbs in order to save his life. Instead of letting this unimaginable setback defeat him, Will took his trauma head-on, performing stand-up comedy to cope with his new normal. But as Will begins to adjust to his new life with the help of his loving partner, Angel, news breaks of a risky, experimental double-arm transplant that offers him the hope of reclaiming his independence. A medical mystery tucked in a comedy nestled in a deeply moving personal portrait, STUMPED is a funny, character-driven exploration into cutting-edge medicine that happens to coincide with the story of a truly indomitable spirit.
CENTERPIECE
The Blood Is at The Doorstep
(USA / 2017 / Director: Erik Ljung)
It’s a scene Milwaukee natives will not soon forget: Dontre Hamilton, an unarmed Black man resting in Red Arrow Park, shot 14 times by a police officer in broad daylight, leaving behind a devastated family to pick up the pieces and bringing a community already struggling to maintain positive police-community relations even closer to the brink. Filmed over a three-year period, The Blood Is at the Doorstep focuses intimately on the Hamilton family’s strength in the face of unspeakable tragedy, as we follow mother Maria and older brother Nate as they turn to community organizing as a means of honoring Dontre’s memory while still doggedly pursuing answers, with public outcry intensifying the longer none are given. A heart-rending portrait of justice deferred from director Erik Ljung, illuminating one family’s remarkable ability to channel their grief into fuel for activism and community building, and a sobering reminder of the chasm that so often divides us.
https://vimeo.com/205828363
CLOSING NIGHT
Landline
(USA / 2017 / Director: Gillian Robespierre)
It’s 1995 in Manhattan, and the Jacobs sisters are struggling to get along. Older sister Dana (the ever-effervescent Jenny Slate) is acting out in response to her recent engagement to the stable, straight-laced Ben (Jay Duplass) while younger sister Ali (fantastic newcomer Abby Quinn) is living a life of drugs, parties, and promiscuity despite still being in high school. But when the sisters discover evidence of their father’s (John Turturro) infidelities, it brings them closer as they attempt to expose him without alerting their tightly wound mother (Edie Falco) in this warmly ingratiating portrait of family dysfunction from the creative team behind Obvious Child. Cannily observed ’90s nostalgia intermingles with a wittily acerbic screenplay to bring back to life an era when families couldn’t hide their animus behind the glow of a cell phone screen, a celebration of life and family in all its imperfection, and the ways in which our endless mistakes only serve to bring us closer together.
https://www.youtube.com/watch?v=5aIu1zB4o9c
AlphaGo
(USA / 2017 / Director: Greg Kohs)
Think Kasparov vs. Deep Blue on steroids and you’ve got the story behind the engrossing documentary AlphaGo. The game: Go, an ancient board game played the world over, with nearly infinite complexity. The players: Lee Sedol, a South Korean Go player widely considered the world’s best, facing the titular AlphaGo, an artificial intelligence developed by Google’s DeepMind whose modus operandi is to play the game beyond human capacity. What follows is a gripping battle of man vs. machine, a cerebral competition unlike any in human history!
The B-Side: Elsa Dorfman’s Portrait Photography
(USA / 2016 / Director: Errol Morris)
Acclaimed documentarian Errol Morris (The Thin Blue Line) turns his camera on lifelong friend and photographer Elsa Dorfman in this entertaining and profound portrait of a portraitist. From her start in literary circles, where she photographed cultural titans of the day to her eventual discovery of her preferred format—large-scale 20-by-24-inch Polaroids of her subjects, always taking two, allowing them to choose so she could keep the titular B-sides—Morris warmly illuminates Dorfman’s analog process for our digital world.
https://www.youtube.com/watch?v=mZSTFnUaKsM
I, Daniel Blake
(UK, France, Belgium / 2016 / Director: Ken Loach)
Trailer: youtube.com/watch?v=ahWgxw9E_h4
I, Daniel Blake, the 2016 Palme d’Or winner from director Ken Loach (The Angels’ Share, MFF2013) is a work of startling empathy and relevancy about the working class coming together as a community. It’s the story of one man’s struggle for dignity as he navigates byzantine British bureaucracy in an attempt to maintain welfare benefits as he recovers from a heart attack. As this old dog attempts to learn new tricks to get by (using computers and smartphones), he befriends a single mother and her two children on this gripping journey toward compassion.
https://www.youtube.com/watch?v=ahWgxw9E_h4
The Lost World (feat. Alloy Orchestra)
(USA / 1925 / Director: Harry O. Hoyt)
Alloy Orchestra returns to the historic Oriental Theatre, and this time things are going to get prehistoric! This silent adaptation of Sir Arthur Conan Doyle’s classic tale of a ragtag crew in search of a dinosaur-filled land untouched by time is a rip-roaring adventure that’s fun for the whole family. Combine Willis O’Brien’s pioneering stop-motion effects (eight years before his work on King Kong!) with the vibrant electric accompaniment only Alloy Orchestra can provide and you have the recipe for an unforgettable night at the movies.
https://www.youtube.com/watch?v=w6aabhIo6Bk
Schumann’s Bar Talks
(Germany / 2017 / Director: Marieke Schroeder)
U.S. premiere! Charles Schumann is a bartender par excellence—known the world over for his iconic Munich-based Schumann’s Bar— and best-selling author of a cocktail guide the New York Times called “the drink-mixer’s bible.” Here Schumann is your tour guide through some of the finest bars the world has to offer, traveling from New York to Tokyo with numerous stops in between to explore the fascinating history and rich culture behind these monuments to social imbibing, a pursuit all Milwaukeeans agree is in need of extensive documentary study.
Stop Making Sense
(USA / 1984 / Director: Jonathan Demme)
The Milwaukee Film Festival’s annual screening/dance party/best concert film ever made/unforgettable filmgoing experience returns for yet another year! The late, great Jonathan Demme combined forces with David Byrne and the Talking Heads to make cinematic history, the rare concert picture that makes you feel like you’re in attendance, experiencing the performance for the first time. From the stripped down “Psycho Killer” opener all the way to its joyous “Crosseyed and Painless” finale, Stop Making Sense is certain to burn down THE house yet again.
https://vimeo.com/5804404
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2017 Rhode Island International Film Festival to Feature Over 300 Films, Kicks Off August 8th
The 2017 Rhode Island International Film Festival (RIIFF) kicks-off with the Official Opening Night Gala Screening and Soirée on Tuesday, August 8th, at the Providence Performing Arts Center.
The 21st edition of the festival will honor numerous individuals and organizations including: The RIIFF Screenplay Competition Award will be presented to Tannaz Hazemi from Brooklyn, NY for her screenplay entitled “Dean The Drummer.” The recipients of the 2017 Producer’s Circle Awards presented annually to members of the community who have actively worked to support and promote the mission of the Flickers’ Rhode Island International Film Festival include: The Champlin Foundation, for building the arts and film community; Angela Ryding, Rhode Island Actress and volunteer community leader; and, Anthony Ambrosino, Rhode Island Producer/Director and volunteer community leader.
The 2017 Rhode Island International Film Festival kicks off with nine short films:
Coin Operated | Nicholas Arioli, Director | 5 min. USA, 2017
Coin Operated is a 5 minute animated short that spans 70 years in the life of one naive explorer. This film was proudly made by independent artists.
The Eleven O’Clock | Derin Seale, Director | 14 min. Australia, 2016
The delusional patient of a psychiatrist believes he is actually the psychiatrist. As they each attempt to treat each other, the session gets out of control.
Girl of My Dreams | Johnny Wilson, Director | 19 min, USA, 2016
Edward Watson searches for the same thing that most people seek… answers. What he will find to be more important, though, are the questions he needs answers to. As an artist, Edward expresses himself with paintings that reflect his dreams. In those dreams, he sees a girl. She visits him every night, again and again. Awkward and full of insecurities, Edward has searched for the meaning of his dreams by reading books and visiting doctors, never looking in the right places until the day he finds a way to live in his dreams with full consciousness and an awareness that gives him the ability to search for meaning.
Tonight, Edward will explore his own mind to find not only answers, but the questions that he needed to ask that can change his life forever.
What the Eye Doesn’t See | Frédéric Mermoud, Director | 14 min. France, Switzerland, 2016
Alice, 15, has a date with Mathieu. Her friend Julie loans her a pretty red dress, which does not go with her old sneakers. They set out together in search of the perfect pair of shoes, but nothing turns out as expected. This little lesson in cinema looks into the function of match cut: in being shown what a person is looking at, one can understand what that person is feeling.
Seeing Him | Chris Jones, Director | 9 min. United Kingdom, 2017
North American Premiere
In the wake of an ultimatum a middle-aged woman is forced to confront personal boundaries and a disturbing truth, but risks losing her younger lover.
Seeing Him is a bittersweet observation of the complexity of the human heart, explored through a deeply unconventional love affair. If you’ve ever loved someone, then this film is for you.
Chris Jones premiered his award-winning short film, “Gone Fishing” at RIIFF in 2009.
Mrs McCutcheon | John Sheedy, Director | 17 min. Australia, 2017
North American Premiere
Mrs McCutcheon is a romantic comedy with a big heart. It’s a story about a little boy trying to get the world around him to accept who he is. The film’s central characters feel isolated and unsupported in environments that reflect the complete opposite, a schoolroom that is exploding in fairground colors of craft work, paintings, books and fish; a home that is saturated with fresh floral arrangements on a daily basis.
Mrs McCutcheon is written by Ben Young (Hounds of Love) and directed by multi-award-winning theatre director John Sheedy, in his first foray into the world of film. Despite its short format and streamlined production, it features a stellar creative team and cast including Nadine Garner and Virginia Gay. But more important than that, Mrs McCutcheon aims to give voice to the thousands of trans and gender diverse children.
Cast Off | Sandrine Brodeur-Desrosiers, Director | 20 min. Canada, 2016
Simon has to leave the island on which he lives to go to boarding school. One day, he plays with his sister and finds a beached little wooden boat. Through his attempts to repair it he will accept, or not, to cast off.
Ray & Jenn | Colby Blanchet, Director | 4 min. USA, 2016
This film celebrates the Rhode Island director’s parents and the history of their relationship, and how one instance can spark a lifetime of memories.
The Silent Child | Chris Overton, Director | 20 min. United Kingdom, 2017
World Premiere
Set in rural England, we follow the story of profoundly deaf child Libby. Her middle-class family, consisting of two elder siblings, a constantly overwhelmed mother and a workaholic husband, seek out a quick fix to make their ‘broken’ child more equipped to handle the real world. But when they employ the help of a deaf-specialized social worker it becomes apparent that Libby is not the one who needs to be fixed.
A number of events that RIIFF will hold during the week are targeted toward helping novice and professional filmmakers improve and refine their skills. One of the most popular events is the annual Rhode Island Film Forum, to be held on Thursday, August 10, at the Biltmore Hotel Ballroom in collaboration with the RI Film & Television Office, the University of Rhode Island’s Harrington School of Communication and Media, Johnson and Wales University, Providence College, and Roger Williams University.
This year’s special guests are special effects artist, Johnny Wilson (IMDB: ) and legendary film icon, Douglas Trumbull. Trumbull will receive the inaugural Gilbert Stuart Visionary Artist Lifetime Achievement Award.
The SCRIPTBIZ Screenplay Pitch Seminar returns on Friday, August 11 for its 18th edition, showcasing this year’s Grand Prize Screenplay Competition winner “Dean The Drummer,” by Tannaz Hazemi from Brooklyn, NY. The SCRIPTBIZ workshop is a great place for aspiring screenwriters looking to make an impact with their work by receiving constructive critique and advice from people with experience in the field. The director of the program, Andrew Lund, Esq. filmmaker and entertainment lawyer, is an Associate Professor and Director of the Integrated Media Arts MFA Program in the Film & Media Department at Hunter College of the City University of New York. The extensive list of panelists will include writer Chris Sparling, actor/director, John Inwood, Emmy nominated cinematographer and Director, and Tatiana Siegel from The Hollywood Reporter, among others.
The popular Providence Backlot Walking Tour takes place on August 9, with the Rhode Island Historical Society exposing attendees to the beauty and potential of the Ocean State’s capital city as a significant location for film production.
On Saturday, August 12th at 12:15, Metcalf Auditorium, RISD Museum, the Festival presents a powerful, thought-provoking and inspiring program entitled: The Power of Film: Can a Film Change the World? This special showcase centers on films that show how very brave people confront the challenges we all face in just living our lives. Discover how these challenges can push all boundaries. Learn how the power of our shared humanity – the daily struggles and fights we all have – can ultimately lead to a new and more empowering future.
The focal point of the event is a presentation of two documentary films: the feature “Stumped” and the World Premiere short, “Life & Atrophy.”
“Stumped” is the story of Will Lautzenheiser who was chasing the loves of his life. A year into a promising relationship, he landed a dream job teaching film. After his first two classes, he visited the hospital for a persistent pain that, unbeknownst to him, was being caused by a deadly infection. To save his life, doctors amputated his arms and legs. In an instant, Will’s life was derailed. Meanwhile, Brigham and Women’s Hospital was performing experimental full-face and arm transplants that restore bodies to unprecedented levels. Risking his life, Will signed up for the experimental transplant program in the hope of regaining his independence. Told as a deeply personal story, “Stumped” reveals how Will copes with the loss of his filmmaking career by pursuing stand-up comedy; navigates an evolving relationship with his partner Angel, who becomes Will’s lover and caregiver; and gradually transforms, physically and spiritually, with newly transplanted arms. Filmed over four years, “Stumped” explores the human spirit and our willingness to overcome challenges when daring to see what lies ahead.
“Life & Atrophy” follows the journey of a family to find an experimental treatment for their son after he is diagnosed with Spinal Muscular Atrophy (SMA). This disease impacts 1 in every 10,000 births and is the leading cause of genetic death in infants by causing progressive muscle weakness. Once children are diagnosed with the condition families are told to go home and love their children because there is no treatment and no cure. The McIntosh family fights to find an experimental treatment for their son Miles in an effort to save him from this debilitating condition. Long years of research have lead to promising clinical trials that might prove effective in combating SMA, giving families and patients hope. Families, scientists, and pharmaceutical companies work together to fix the genetic fate of SMA and provide life, hope, and strength to those affected by the condition. The families of SMA exemplify the fortitude of human strength and compassion, where together we can break out of our genetic shackles.