Alfonso Cuarón’s ROMA added another two Awards to its growing list of accolades, winning the top prizes for Best Film and Best Direction at the 8th AACTA International Awards. Cuarón, who won the same two awards in 2014 for GRAVITY, now holds the record for the most AACTA International Award wins by an individual (a record previously held by Alejandro G. Iñárritu with three).
Warwick Thornton’s Sweet Country draws on the conventions of the American Western to explore the genesis of contemporary Australian racism and the generational neglect of Aboriginal people. The film stars Bryan Brown (Australia), Hamilton Morris (“Gideon”), Thomas M. Wright (Everest), Ewen Leslie (The Daughter), Natassia Gorey-Furber, Gibson John, Matt Day (“Rake”), Anni Finsterer (Teenage Kicks), Treymayne Doolan, Trevon Doolan, and Sam Neill (Jurassic Park).
It’s 1929 on the vast, desert-like Eastern Arrernte Nation lands that are now known as the Central Australian outback. Sam Kelly (Hamilton Morris), a middle-aged Aboriginal man, works the land of a kind preacher, Fred Smith (Sam Neill). After an ill-tempered bully arrives in town and Kelly kills him in self-defense, he and his wife, Lizzie, go on the run as a posse gathers to hunt him down.
The film will open in theaters on April 6, 2018 in New York (IFC Center) and Los Angeles (The Landmark).
Directed by Warwick Thornton and written by Steven McGregor and David Tranter, Sweet Country had its world premiere at the 2017 Venice Film Festival where Warwick won a Special Jury Prize. The film then went on to win the coveted Platform prize at the 2017 Toronto International Film Festival as well as winning Best Film at the Adelaide Film Festival and the Asia Pacific Screen Awards. The film was previously screened at the 2018 Sundance Film Festival.
Sam, a middle-aged Aboriginal man, works for a preacher in the outback of Australia’s Northern Territory. When Harry, a bitter war veteran, moves into a neighbouring outpost, the preacher sends Sam and his family to help Harry renovate his cattle yards. But Sam’s relationship with the cruel and ill-tempered Harry quickly deteriorates, culminating in a violent shootout in which Sam kills Harry in self-defence. As a result, Sam becomes a wanted criminal for the murder of a white man, and is forced to flee with his wife across the deadly outback, through glorious but harsh desert country. A hunting party led by the local lawman Sergeant Fletcher is formed to track Sam down. But as the true details of the killing start to surface, the community begins to question whether justice is really being served.
https://www.youtube.com/watch?v=xfFYmtPegOI
CUSTODY (Jusqu’à la garde)[/caption]
The Audi Dublin International Film Festival 2018 announced the award winners, with Xavier Legrand’s Custody winning DFCC Best Film, and key Irish awards included DFCC Best Irish Film for Feargal Ward’s The Lonely Battle of Thomas Reid, DFCC Best Irish Director for Rebecca Daly (Good Favour) and The George Byrne Maverick Award for Stephen Rea (Black 47). The Fantastic Flix Children’s Jury awarded Best Feature to Room 213 and Best Short to Earthy Encounters.
The three joint winners of the ADIFF Discovery Award were announced as Mia Mullarkey (Mother & Baby), Rua Meegan & Trevor Whelan (Bordalo II: A Life of Waste), and TJ O’Grady Peyton (Wave). The winner of the Jury Prize for Best Irish Short Film was Mia Mullarkey for Mother & Baby. Best International Short Film was awarded to Iranian director Kaveh Mazaheri’s Retouch. The winner of the AUDIence Short Film Award was Steve Kenny’s Time Traveller.
Omotenashi[/caption]
The upcoming 42nd edition of the Hong Kong International Film Festival announced their lineup. The festival will run for 18 days from March 19th until April 5th, 2018. The opening night on March 19th will feature two gorgeous films from two promising Taiwanese directors – Omotenashi, directed by Jay Chern and Xiao Mei, directed by Maren Hwang. Closing film will be the World Premiere of What a Wonderful family! 3: My Wife, My Life, the latest work from the acclaimed comedy series by the Japanese master Yamada Yoji.
Omotenashi is a co-production of Japan and Taiwan with up-and-coming Taiwanese director Jay Chern, which offers a heartwarming portrayal of the younger generation learning to appreciate the cultural differences and traditional values through love and respect; whereas Maren Hwang’s Xiao Mei brilliantly juggles elements of film noir and suspense in exploring the riddle of identity and truth through the mystic tale of a vanished girl. Directors and casts of both opening films will join HKIFF42 Grand Opening on 19 March. Veteran director Yamada Yoji continues his success inWhat a Wonderful Family! 3: My Wife, My Life, the third installment of his amusing series that playfully exposes the changing values and behavior within contemporary Japanese society. The world premiere of this much anticipated film will bring a delightful conclusion to this year’s Festival.
The “Filmmaker in Focus” this year is Brigitte Lin Ching-Hsia, one of the most distinguished actresses in Chinese language cinema. To celebrate the 45th anniversary of her career since her screen debut, HKIFF42 will showcase 14 of her films including the new restoration of her first film Outside the Window. Lin will share her insights on film and life in the “Face to Face” seminar.
Werner Herzog, one of cinema’s most celebrated filmmakers, will attend HKIFF42 and conduct a Master Class. His first visit to the Festival will be honored by a retrospective of his films, giving local audiences a rare opportunity to watch his classics, including four of his greatest cinematic achievements and his latest documentary Into the Inferno, which reflect his frantic imagination and poetic stylization.
HKIFF will also present the Hong Kong premiere of HTC’s first virtual reality (VR) Chinese language film, The Deserted. This groundbreaking work is directed by Taiwanese master Tsai Ming-Liang, with the support of HTC VIVE, ZOTAC Computer, and the Hong Kong Baptist University’s Academy of Film. TSAI and Golden Horse Award winner Lee Kang-Sheng will lead the Hong Kong audience through an unparalleled eye-opening VR experience, and share their visions of this cinematic innovation in a Master Class.
In addition to the two masters, the Japanese documentarian Hara Kazuo, known for his highly original and controversial films, will bring his latest work Sennan Asbestos Disaster and meet the audience in a Master Class. Several world-renowned directors will also visit Hong Kong for screenings of their films. Acclaimed American independent filmmaker Sean Baker, with his celebrated new film The Florida Project, will share his filmmaking experience. Kagawa Kyoko, the legendary Japanese actress of the Mizoguchi Kenji masterpiece A Story from Chikamatsu, and Ozu Yasujiro’s classic Tokyo Story will share her collaborations with the giants of Japanese cinema following the screening of the newly restored classic. The late Filipino master, Ishmael Bernal, will be featured in the Restored Classics section, and his longtime screenwriter, Ricky Lee, will also meet the audience to share his insights.
Cinephiles can enjoy a number of internationally award-winning films firsthand at the HKIFF. These include In the Fade, winner of the Best Foreign Language Film at the Golden Globes and Cannes Best Actress Award for Diane Kruger’s powerhouse performance; Joaquin Phoenix took home the Cannes Best Actor Award with You Were Never Really Here, which won the Cannes Best Screenplay Award alongside The Killing of a Sacred Deer; as well as Cannes Jury Prize winner and Oscar-nominated Loveless. Award winners from the Venice Film Festival include Grand Jury Prize winner Foxtrot, Special Jury Prize winner Sweet Country, Best Director award winner Custody, Best Actress Award for Charlotte Rampling in Hannah, and Best Actor Award for Kamel El Basha in The Insult. The Berlinale award winners include Grand Jury Prize for Mug, Outstanding Artistic Contribution Award for Dovlatov, winners of FIPRESCI Jury Prizes for River’s Edge andAn Elephant Sitting Still, the latter also won Special Mention for Best First Feature Award.
Multifaceted Argentine and Danish films open up new frontiers in the international scene. HKIFF42 will celebrate the achievement of Lucrecia Martel, a major auteur and forceful leading light of New Argentine Cinema, by showcasing four of her acclaimed works, including Zama, her latest and multiple award-winning film. In the New Danish Cinema section, six outstanding films will be showcased, including Thelma, a chilling psychological thriller from director Joachim Trier, the topical Borg/McEnroe, and Winter Brothers, winner of four major awards at the Locarno International Film Festival.
The Awards Gala Night will feature the international premiere of Transit, directed by acclaimed German auteur Christian Petzold. The French Night will feature Custody, helmed by the Venice Best Director winner Xavier Legrand, who will come to Hong Kong to greet the audience. HKIFF will also present the Canadian film Ava, a feature debut about women’s fight for independence by Sadaf Foroyghi, who will meet the audience at the screenings.
To celebrate the 100th anniversary of Polish independence, HKIFF42 will present a prelude program “70 years of Polish Animation: Live Animation x Music”. The program will feature celebrated Polish filmmaker-animator Mariusz Wilczyński with live hand-drawn animation while the Hong Kong Philharmonic Orchestra will present fabulous music under the baton of Polish conductor Sebastian Periowski.
In response to what the festival describes as “overwhelming response” HKIFF has decided to continue with the “Audience Choice Award”, which was first launched last year.
The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin.
In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award.
Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France).
As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival.
Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.
Sweet Country by Warwick Thornton[/caption]
Samuel Goldwyn Films has released the new trailer for Warwick Thornton’s critically acclaimed festival hit Sweet Country which opens in theaters in early Spring 2018.
Sweet Country had its world premiere at the 2017 Venice Film Festival where Warwick won a Special Jury Prize. The film then went on to win the coveted Platform prize at the 2017 Toronto International Film Festival as well as winning Best Film at the Adelaide Film Festival and the Asia Pacific Screen Awards.
Sweet Country draws on the conventions of the American Western to explore the genesis of contemporary Australian racism and the generational neglect of Aboriginal people. It’s 1929 on the vast, desert-like Eastern Arrernte Nation lands that are now known as the Central Australian outback. Sam Kelly (Hamilton Morris), a middle-aged Aboriginal man, works the land of a kind preacher, Fred Smith (Sam Neill). After an ill-tempered bully arrives in town and Kelly kills him in self-defense, he and his wife, Lizzie, go on the run as a posse gathers to hunt him down.
https://www.youtube.com/watch?v=xfFYmtPegOI
Hearts Beat Loud[/caption]
Eight feature films, a VR experience, the NEXT Innovator’s Award juror and hosted retrospectives were added today to the lineup for 2018 Sundance Film Festival.
RuPaul will convene a retrospective of VH1’s Emmy-winning “RuPaul’s Drag Race” on the heels of its 10th season, and host a panel with executive producers and Sundance Film Festival veterans Randy Barbato and Fenton Bailey, along with Tom Campbell and Pamela Post, senior vice president of Original Programming for MTV, VH1 and Logo. RuPaul will also serve as the Festival’s inaugural and sole NEXT Innovator Award juror, and will present the NEXT Innovator Award to his favorite film in that category, which showcases pure, bold works distinguished by innovative, forward-thinking approaches to storytelling.
Other additions to the program include features Akicita: The Battle of Standing Rock, Hereditary, Lords of Chaos, The Long Dumb Road, Private Life, You Were Never Really Here and Sweet Country and New Frontier work Isle of Dogs Behind the Scenes (in Virtual Reality). Hearts Beat Loud, a feature announced earlier in the Premieres section, is now confirmed as a Closing Night Film.
These latest additions are joined by archive film Smoke Signals, which premiered at the Sundance Film Festival in 1998, and a selection of early work by filmmaker Todd Haynes, whose feature film directorial debut Poison won the Grand Jury Prize at the 1991 Sundance Film Festival. The archive films are selections from the Sundance Institute Collection at UCLA, a partnership between UCLA Film & Television Archive and Sundance Institute.
The latest additions to the 2018 Sundance Film Festival Program are:
I AM NOT A WITCH[/caption]
I Am Not A Witch and documentary Taste of Cement are the top prize winning films of the 2017 Adelaide Film Festival. The festival named Nothing Happens, the winner of the inaugural AFTRS International VR Award.
The 2017 ADL Film Fest International Feature Award winner, I Am Not A Witch, is the feature debut of Zambia-born Welsh director Rungano Nyoni, and tells the tale of Shaula, a young, Zambian orphan banished from her village to a ‘witch camp.’ The Jury hailed the film as “unique and bold … surprisingly funny … a bold debut from a bright new talent.”
The 2017 Flinders University International Best Documentary Award goes to Ziad Kalthoum’s Taste of Cement. The film details the tale of Syrian Construction workers who are virtually imprisoned on the site of the Beirut skyscrapers they build. It celebrated its Australian Premiere at ADL Film Fest, and was applauded by the Jury; “a poetic unfolding … we admire the filmmaker’s audacity, ambition and heart … Ziad is a director of talent.”
For the 2017 GU Film House Audience Awards, as voted by the audiences, Best Feature went to Warwick Thornton’s frontier western – Sweet Country, Jill Bilcock: Dancing the Invisible scooped up Best Documentary; and Oddlands took Best Short.
Inspired by real events, Sweet Country is a period western set in 1929 in the outback Northern Territory. When Aboriginal stockman Sam (Hamilton Morris) kills white station owner Harry March (Ewen Leslie) in self-defence, Sam and his wife Lizzie (Natassia Gorey-Furber) go on the run. They are pursued across the outback, through glorious but harsh desert country.
With credits including Strictly Ballroom, Muriel’s Wedding, The Dish, Moulin Rouge!, Romeo + Juliet and Road to Perdition Jill Bilcock is regarded as one the world’s great film editors. Axel Grigor’s hugely entertaining documentary Jill Bilcock: Dancing the Invisible, traces Bilcock’s journey from Melbourne film student in the 1960s to working as an extra in Bollywood movies and learning her craft when Australia had virtually no feature film industry.
APRIL’S DAUGHTER (LAS HIJAS DE ABRIL)[/caption]
The American Film Institute announced today the films that will be featured in the World Cinema, Midnight and Youth and Family sections at AFI FEST 2017 presented by Audi.
The World Cinema section showcases the most celebrated international films of the year and features 30 films from 39 countries. The section includes 13 official Best Foreign Language Film Oscar® entries: A CIAMBRA (DIR Jonas Carpignano), A FANTASTIC WOMAN (UNA MUJER FANTASTICA) (DIR Sebastián Lelio), FOXTROT (DIR Samuel Maoz), HAPPY END (DIR Michael Haneke), HOCHELAGA, LAND OF SOULS (DIR François Girard), IN THE FADE (AUS DEM NICHTS) (DIR Fatih Akin), THE INSULT (L’INSULTE) (DIR Ziad Doueiri), LOVELESS (NELYUBOV) (DIR Andrey Zvyagintsev), NEWTON (DIR Amit V Masurkar), ON BODY AND SOUL (TESTRŐL ÉS LÉLEKRŐL) (DIR Ildikó Enyedi), SPOOR (POKOT) (DIR Agnieszka Holland), THELMA (DIR Joachim Trier) and WAJIB (DIR Annemarie Jacir).
The festival’s Midnight section will enthrall and petrify audiences with three international, genre-bending films: GOOD MANNERS (DIR Juliana Rojas, Marco Dutra), LET THE CORPSES TAN (DIR Hélène Cattet, Bruno Forzani) and V.I.P. (DIR Park Hoon-Jung).
AFI FEST will offer Youth and Family Programming for the next generation of storytellers and moviegoers, with the films THE BREADWINNER (DIR Nora Twomey) and MARY AND THE WITCH’S FLOWER (DIR Hiromasa Yonebayashi). At these screenings, AFI FEST will host students from several public middle and high schools across Los Angeles County for educational experiences. MARY AND THE WITCH’S FLOWER will also screen for the festival’s public audience.
Sweet Country by Warwick Thornton[/caption]
Warwick Thornton’s Sweet Country, the story of an Aboriginal stockman in Australia’s fleeing the law after the murder of a white station owner, won the Best Dramatic Feature Award at the 17th imagineNATIVE Film + Media Arts Festival.
The Alanis Obomsawin Award for Best Documentary Work went to Indictment: The Crimes of Shelly Chartier directed by Shane Belcourt & Lisa Jackson. The documentary looks at the riveting true story about the crimes of Shelly Chartier, a reclusive young woman from a small Manitoba First Nation who engineered the high profile catfishing case involving an NBA superstar and an aspiring model.
The Toronto International Film Festival announced its award winners and the Grolsch People’s Choice Award went to Martin McDonagh for Three Billboards Outside Ebbing, Missouri. The second runner-up is Luca Guadagnino’s Call Me By Your Name. The first runner-up is Craig Gillespie’s I, Tonya.
The Grolsch People’s Choice Midnight Madness Award goes to Joseph Kahn’s Bodied. The second runner-up is Craig Zahler’s Brawl in Cell Block 99. The first runner-up is James Franco’s The Disaster Artist.
The Grolsch People’s Choice Documentary Award goes to Agnès Varda and JR’s Faces Places. The second runner-up is Morgan Spurlock’s Super Size Me 2: Holy Chicken! The first runner-up is Long Time Running directed by Jennifer Baichwal and Nicholas De Pencier.
