Sweet Micky For President

  • Complete List of 74 Original Songs Eligible for 2015 Oscar

    diary-of-a-teenage-girl The Academy of Motion Picture Arts and Sciences announced that 74 songs from eligible feature-length motion pictures released in 2015 are in contention for nominations in the Original Song category for the 88th Academy Awards®. The original songs, along with the motion picture in which each song is featured, are listed below in alphabetical order by film title and song title: “Happy” from “Altered Minds” “Home” from “Alvin and the Chipmunks: The Road Chip” “None Of Them Are You” from “Anomalisa” “Stem To The Rose” from “Becoming Bulletproof” “The Mystery Of Your Gift” from “Boychoir” “I Run” from “Chi-Raq” “Pray 4 My City” from “Chi-Raq” “Sit Down For This” from “Chi-Raq” “Strong” from “Cinderella” “So Long” from “Concussion” “Fighting Stronger” from “Creed” “Grip” from “Creed” “Waiting For My Moment” from “Creed” “Don’t Look Down” from “Danny Collins” “Hey Baby Doll” from “Danny Collins” “Dreamsong” from “The Diary of a Teenage Girl” (pictured above) “It’s My Turn Now” from “Dope” “Ya Rahem, Maula Maula” from “Dukhtar” “Earned It” from “Fifty Shades of Grey” “Love Me Like You Do” from “Fifty Shades of Grey” “Salted Wound” from “Fifty Shades of Grey” “Hands Of Love” from “Freeheld” “See You Again” from “Furious Seven” “Brother” from “Godspeed: The Story of Page Jones” “As Real As You And Me” from “Home” “Dancing In The Dark” from “Home” “Feel The Light” from “Home” “Red Balloon” from “Home” “Two Of A Crime” from “Hot Pursuit” “Til It Happens To You” from “The Hunting Ground” “I’ll See You In My Dreams” from “I’ll See You in My Dreams” “The Movie About Us” from “Ingrid Bergman – In Her Own Words” “Bhoomiyilenghanumundo” from “Jalam” “Koodu Vaykkan” from “Jalam” “Pakalppaathi Chaari” from “Jalam” “Yaathra Manoradhamerum” from “Jalam” “Lost In Love” from “Jenny’s Wedding” “True Love Avenue” from “Jenny’s Wedding” “Hypnosis” from “Kahlil Gibran’s The Prophet” “Juntos (Together)” from “McFarland, USA” “The Light That Never Fails” from “Meru” “The Crazy Ones” from “Miss You Already” “There’s A Place” from “Miss You Already” “Johanna” from “Mortdecai” “Little Soldier” from “Pan” “Something’s Not Right” from “Pan” “Paranoid Girl” from “Paranoid Girls” “Better When I’m Dancin'” from “The Peanuts Movie” “Pink & Blue” from “Pink & Blue: Colors of Hereditary Cancer” “Flashlight” from “Pitch Perfect 2” “Birds Of A Feather” from “Poached” “Still Breathing” from “Point Break” “Manta Ray” from “Racing Extinction” “Cold One” from “Ricki and the Flash” “Torch” from “Rock the Kasbah” “Someone Like You” from “The Rumperbutts” “Aankhon Me Samaye Dil” from “Salt Bridge” “Bachpana Thaa” from “Salt Bridge” “Kanpne Lage Tum” from “Salt Bridge” “Kyaa Bataaun Tujhe” from “Salt Bridge” “Le Jaaye Jo Door Tumse” from “Salt Bridge” “Na Jaane Kitni Door” from “Salt Bridge” “Sookha Hi Rang Daalo” from “Salt Bridge” “Feels Like Summer” from “Shaun the Sheep Movie” “Phenomenal” from “Southpaw” “Writing’s On The Wall” from “Spectre” “Squeeze Me” from “The SpongeBob Movie: Sponge out of Water” “Teamwork” from “The SpongeBob Movie: Sponge out of Water” “Who Can You Trust” from “Spy” “Came To Win” from “Sweet Micky for President” “Mean Ol’ Moon” from “Ted 2” “Love Was My Alibi” from “The Water Diviner” “Fine On The Outside” from “When Marnie Was There” “Simple Song #3” from “Youth” During the nominations process, all voting members of the Music Branch will receive a Reminder List of works submitted in the category and a DVD copy of the song clips. Members will be asked to watch the clips and then vote in the order of their preference for not more than five achievements in the category. The five achievements receiving the highest number of votes will become the nominations for final voting for the award. A maximum of two songs may be nominated from any one film. To be eligible, a song must consist of words and music, both of which are original and written specifically for the film. A clearly audible, intelligible, substantive rendition of both lyric and melody must be used in the body of the film or as the first music cue in the end credits. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • 124 Documentary Features Submitted For 2015 Oscar Race

    Winter on Fire: Ukraine's Fight for Freedom, directed by Evgeny Afineevsky One hundred twenty-four features have been submitted for consideration in the Documentary Feature category for the 88th Academy Awards®. The submitted features, listed in alphabetical order, are: “Above and Beyond” “All Things Must Pass” “Amy” “The Armor of Light” “Ballet 422” “Batkid Begins” “Becoming Bulletproof” “Being Evel” “Beltracchi – The Art of Forgery” “Best of Enemies” “The Black Panthers: Vanguard of the Revolution” “Bolshoi Babylon” “Brand: A Second Coming” “A Brave Heart: The Lizzie Velasquez Story” “Call Me Lucky” “Cartel Land” “Censored Voices” “Champs” “CodeGirl” “Coming Home” “Dark Horse” “Deli Man” “Dior and I” “The Diplomat” “(Dis)Honesty – The Truth about Lies” “Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll” “Dreamcatcher” “dream/killer” “Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon” “Eating Happiness” “Every Last Child” “Evidence of Harm” “Farewell to Hollywood” “Finders Keepers” “The Forecaster” “Frame by Frame” “Gardeners of Eden” “A Gay Girl in Damascus: The Amina Profile” “Godspeed: The Story of Page Jones” “Going Clear: Scientology and the Prison of Belief” “He Named Me Malala” “Heart of a Dog” “Hitchcock/Truffaut” “How to Change the World” “Human” “The Hunting Ground” “I Am Chris Farley” “In Jackson Heights” “In My Father’s House” “India’s Daughter” “Ingrid Bergman – In Her Own Words” “Iraqi Odyssey” “Iris” “Janis: Little Girl Blue” “Karski & the Lords of Humanity” “Killing Them Safely” “Kurt Cobain: Montage of Heck” “Lambert & Stamp” “A Lego Brickumentary” “Listen to Me Marlon” “Live from New York!” “The Look of Silence” “Meet the Patels” “Meru” “The Mind of Mark DeFriest” “Misery Loves Comedy” “Monkey Kingdom” “A Murder in the Park” “My Italian Secret” “My Voice, My Life” “1971” “Of Men and War” “One Cut, One Life” “Only the Dead See the End of War” “The Outrageous Sophie Tucker” “Peace Officer” “The Pearl Button” “Pink & Blue: Colors of Hereditary Cancer” “Poached” “Polyfaces” “The Prime Ministers: Soldiers and Peacemakers” “Prophet’s Prey” “Racing Extinction” “The Resurrection of Jake the Snake” “Ride the Thunder – A Vietnam War Story of Victory & Betrayal” “Rosenwald” “The Russian Woodpecker” “Searching for Home: Coming Back from War” “Seeds of Time” “Sembene!” “The Seven Five” “Seymour: An Introduction” “Sherpa” “A Sinner in Mecca” “Something Better to Come” “Song from the Forest” “Song of Lahore” “Steve Jobs: The Man in the Machine” “Steve McQueen: The Man & Le Mans” “Stray Dog” “Sunshine Superman” “Sweet Micky for President” “Tab Hunter Confidential” “The Tainted Veil” “Tap World” “(T)error” “Thao’s Library” “Those Who Feel the Fire Burning” “3 1/2 Minutes, Ten Bullets” “The Touch of an Angel” “TransFatty Lives” “The True Cost” “Twinsters” “Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists” “The Wanted 18” “We Are Many” “We Come as Friends” “We Were Not Just…Bicycle Thieves. Neorealism” “Welcome to Leith” “What Happened, Miss Simone?” “What Our Fathers Did: A Nazi Legacy” “Where to Invade Next” “Winter on Fire: Ukraine’s Fight for Freedom” (pictured above) “The Wolfpack” Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • Monument to Michael Jackson, Frame by Frame, Wins Grand Jury Prizes at 2015 Nashville Film Festival

    Monument to Michael Jackson The Nashville Film Festival (NaFF) 2015 announced the 46th Annual Competition Award winners, including Grand Jury Prizes to Monument to Michael Jackson (pictured above), Orion: The Man Who Would Be King and other notable films. Best Original Song went to Brian Wilson for “One Kind of Love” fromLove & Mercy. According to the jury, its palpable portrayal of a child torn between two worlds earned Daytimer the Live Action Short Grand Jury Prize. Bear Storyset itself a very high bar both stylistically and narratively and delivered across the board, which garnered it the Grand Jury Prize for Animated Short. La Vie en rose comme dans les films provided a humble glimpse into the complicated world of memory; the short received the Grand Jury Prize for Documentary Short. Each of these three shorts will be automatically qualified for Academy Award® consideration. Bridgestone Narrative Competition Grand Jury Prize – Monument to Michael Jackson, directed by Darko Lungolov Honorable Mention – WildLike, directed by Frank Hall Green
    The Bridgestone Narrative Competition Grand Jury Prize went to Monument to Michael Jackson. The film was, “at times a political farce, a relationship drama and an inspiring tale of tenacity in the face of adversity.”The jury also awarded Geraldine Chaplin from Sand Dollars the Best Actress award, while Boris Milivojevic from Monument to Michael Jackson received the Best Actor award. Best Screenplay went to Shonali Bose for Margarita, with a Straw, and the Film Musicians Secondary Market Fund Award for Best Music in a Feature Film went to Ramon Cordero, Benjamin De Menil and Edilio Paredes for Sand Dollars. The Special Jury Prize for Cinematography was awarded to Tony Mirza for Eadweard.
    Gibson Music Films/Music City Competition Grand Jury Prize – Orion: The Man Who Would Be King, directed by Jeanie Finlay Honorable Mention – Sweet Micky for President, directed by Ben Patterson
    The jury said Orion, “hits every note… and then some. It was a completely unpredictable yet always entertaining and moving documentary.”The jury awarded the Special Jury Prize for Best Import to Tomi Fujiyama in Made in Japan.
    Documentary Competition Grand Jury Prize – Frame by Frame, directed by Mo Scarpelli and Alexandra Bombach Honorable Mention – Welcome to Leith, directed by Michael Beach and Christopher K. Walker
    “Frame by Frame is a fascinating look into life in Afghanistan that celebrates its growing photography culture, with unprecedented access and interviews,” the jury said. “The film is beautifully crafted and we’re so honored to present these first time filmmakers with the Documentary Grand Jury Prize, and hope that they will continue to make inspiring films.”The Special Jury Prize for Direction went to Jimmy Chin and E. Chai Vasahelyi forMeru.
    New Directors Competition Grand Jury Prize – Songs She Wrote About People She Knows, directed by Kris Elgstrand Honorable Mention – Naz & Maalik, directed by Jay Dockendorf
    Songs She Wrote About People She Knows received the Grand Jury Prize, “for its quirky plot, high production values, and unique yet relatable characters, the New Directors Jury awarded its Grand Jury Prize to Songs She Wrote About People She Knows. Lead actress Arabella Bushnell delivers a particularly strong performance as an aspiring pop singer, complete with highly original and hilarious songs. Writer/director Kris Elgstrand is a strong new voice in independent cinema and we are excited to see what he comes up with next. “ The jury awarded Krisha Fairchild with Best Actress for Krisha and Daniel Cerqueira with Best Actor for Radiator. The Special Jury Prize for Direction went to Sarah Adina Smith for The Midnight Swim.
    Best Original Song Winner – “One Kind of Love,” from Love & Mercy, written and performed by Brian Wilson Honorable Mention – “Found You,” from In My Father’s House, written and performed by Rhymefest
    Graveyard Shift Competition
    Grand Jury Prize (tie) – Alléluia, directed by Fabrice du Welz Grand Jury Prize (tie) — They Look Like People, directed by Perry Blackshear
    “The jury found itself unable to determine a hierarchy between exquisite works of passion, madness, human bonds and inhuman horror.”The jury awarded for Best Actress to Amy Everson in Felt and Best Actor to MacLeod Andrews in They Look Like People. The Special Jury Prize for Outstanding Use of Music went to Rain the Color of Blue with a Little Red in It.
    Ground Zero Tennessee First Competition
    Grand Jury Prize – The Keepers, directed by Joann Self Selvidge and Sara Kaye Larson
    Southwest Airlines Audience Award Overall Winner In My Father’s House, Ricki Stern & Annie Sundberg, scored 4.99 out of 5 Southwest Airlines Audience Award Winners Narrative Competition – Eadweard, Kyle Rideout, director Documentary Competition – In My Father’s House, Ricki Stern and Annie Sundberg, directors Special Presentations  – Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director Spectrum – The Waiting Country Woman, Li Yangiu, director Music Films/Music City – Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin Tennessee First – Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director New Directors Competition – The Challenger, Kent Moran, director Graveyard Shift – They Look Like People, Perry Blackshear, director Southwest Airlines Audience Awards  – Documentaries – Top Five
    1. In My Father’s House, Ricki Stern and Annie Sundberg, directors
    2. Mind/Game: The Unquiet Journey of Chamique Holdsclaw, Rick Goldsmith, director
    3. The Barkley Marathons: The Race That Eats Its Young, Annika Iltis and Timothy Kane, directors
    4. Revival: The Sam Bush Story, Kris Wheeler and Wayne Franklin, directors
    5. Imba Means Sing, Danielle Bernstein, director
    Southwest Airlines Audience Awards –  Narratives – Top Five
    1. Me and Earl and the Dying Girl, Alfonso Gomez-Rejon, director
    2. The Challenger, Kent Moran, director
    3. Love & Mercy, Bill Pohlad, director
    4. Ain’t It Nowhere, Scott Murphy, director
    5. I’ll See You in My Dreams, Brett Haley, director
    Tennessee Horizon Audience Award for Best Shorts
    Presented by TN Film, Music & Entertainment Commission and Native Magazine Winner (tie) – Daddy’s Little Girl, directed by Chad McClarnon Winner (tie) – Usetocould, directed by Drew Maynard
    Sponsored Awards
    NPT Human Spirit Award – My Voice, My Life, directed by Ruby Yang Women in Film & Television Award – Yosemite, directed by Gabrielle Demeestere Outstanding LGBT Film – Naz & Maalik, directed by Jay Dockendorf Nashville Area Hispanic Chamber of Commerce Award – Alfonso Gomez-Rejon for Me and Earl and the Dying Girl Lipscomb University Prize of the Ecumenical Jury – Rosenwald, directed by Aviva Kempner.
      Complete List of Short Film Award Winners Live Action Short – Grand Jury Prize: Daytimer, directed by Riz Ahmed (United Kingdom) Live Action Short – Honorable Mention: Tzniut, directed by David Formentin (USA) Live Action Short – Honorable Mention: Saturday, directed by Mike Forshaw (United Kingdom) Special Jury Prize for Visual Storytelling: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Animated Short – Grand Jury Prize: Bear Story, directed by Gabriel Osorio (Chile) Animated Short – Honorable Mention: Man on the Chair, directed by Dahee Jeong (France) Special Jury Prize for Achievement in Animation: Pineapple Calamari, directed by Kasia Nalewajka (United Kingdom) Documentary Short – Grand Jury Prize: La Vie en rose comme dans les films, directed by Christophe M. Saber (Switzerland) Documentary Short – Honorable Mention: Autofocus, directed by Boris Poljak (Croatia) Special Jury Prize for Bridging the Gap Between Experimental and Documentary Filmmaking: Object, directed by Paulina Skibinska (Poland) Experimental Short – Grand Jury Prize: (null), directed by Michael Lange, David Gesslbauer (Germany) Experimental Short – Honorable Mention: Play Within a Play, directed by Yasmijn Karhof (Netherlands) Student Short – Grand Jury Prize: Wire Cutters, directed by Jack Anderson (USA) Student Short – Honorable Mention: The Aftermath of the Inauguration of the Public Toilet at Kilometer 375, directed by Omar El Zohairy (Egypt) Watkins Young Filmmaker Award: Poet Against Prejudice, directed by Faiza Almontaser (USA) Web Series Grand Jury Prize: 24 Hour Records, directed by Brad Cash (USA) Web Series Honorable Mention: HelLA, directed by Rory Uphold (USA) Graveyard Shift Grand Jury Prize for Short Film: Alone, directed by Didier Philippe (France) Graveyard Shift Honorable Mention for Short Film: Primrose Lane, directed by Nick Phillips (USA) Ground Zero Tennessee First Shorts Documentary Award: Muddy Pond, directed by Tyler Jones Ground Zero Tennessee First Short Narrative Award: Trying Not to Explode, directed by Dave Dorsey Tennessee Horizon Audience Award for Best Shorts presented by TN Film, Music & Entertainment Commission and Native Magazine (Nominees – winner announced Thursday, April 23) Contrary to Likeness, directed by Motke Dapp Daddy’s Little Girl, directed by Chad McClarnon Futureman, directed by Patrick Sheehan How I Got Made, directed by Tracy S. Facelli Nashville in Harmony: Ten Years of Using Music to Build Community, directed by Steven C. Knapp Usetocould, directed by Drew Maynard Steven Goldmann Visionary Award: World of Tomorrow, directed by Don Hertzfeldt (USA)

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  • Atlanta Film Festival Announces Competition Feature Lineup

    God Bless the Child God Bless the Child

    The 39th annual Atlanta Film Festival taking place March 20-29, 2015, announced the competitive lineups in the narrative and documentary feature categories.

    “This year’s feature competition includes a wide variety of innovative works that truly challenge our perception of traditional film forms,” said ATLFF Director of Programming Kristy Breneman.

    Three of these films, all of which are narratives, were announced in December: “Breathe (Respire)” directed by Mélanie Laurent, “Next Year (L’annee Prochaine)” directed by Vania Leturcq and “The Sisterhood of Night” directed by Caryn Waechter. Seven of the competition films are directed by women.

    ATLFF will host the world premieres of both “Rosehill” (directed by Brigitta Wagner) and “Somewhere in the Middle” (directed by Lanre Olabisi). “Rosehill” is Wagner’s feature debut and stars Josephine Decker and Kate Chamuris. “Somewhere in the Middle,” starring Cassandra Freeman, Charles Miller and Louisa Ward, marks a return to ATLFF for Olabisi. His last feature, “August the First,” played the 2007 Festival. Olabisi is among the winners of the 2009 ATLFF Screenplay Competition.

    Two films, Peter Blackburn’s “Eight” and Marcelo Galvão’s “Farewell (A Despedida),” will have their North American premieres at ATLFF. “Next Year (L’annee Prochaine)” played at the 2014 Toronto International Film Festival, but will make its American debut in Atlanta.

    Narrative Feature Competition:

    Breathe (Respire)

    directed by Mélanie Laurent
    France, 2014, French, 91 minutes

    Seventeen-year-old Charlie is bright and beautiful, but not without insecurity. When new girl Sarah arrives, Charlie is captured by her charisma and the two strike up a deep friendship. For a time, it seems as though each is what the other has been waiting for. When Sarah tires of Charlie and begins making new friends, their relationship takes a turn for the worse.

    Starring: Joséphine Japy, Lou de Laâge, Isabelle Carré, Claire Keim
    #Narrative #International

    Eight

    directed by Peter Blackburn
    Australia, 2014, English, 82 minutes

    Sarah Prentice had a life, once. She had a husband, and a daughter. She had holidays. Now she has a routine. She has eight. Bound in a repetitive cycle of OCD, trapped in her house by agoraphobia, the smallest of every day tasks are a monumental effort. As she battles to break her vices, will a knock on the door unhinge her progress?

    Starring: Libby Munro, Jane Elizabeth Barry
    #Narrative #International #NorthAmericanPremiere

    Farewell (A Despedida)

    directed by Marcelo Galvão
    Brazil, 2014, Portuguese, 90 minutes

    Based on true facts, “Farewell” tells the story of Admiral, a 92-year-old man, who decides that the time has come to say goodbye to all that is most important in his life and spends one last night with Fatima, his lover who is 55 years younger than him. His life has been showing clear signs that it is coming to an end, which makes the experience dense, deep and urgent.

    Starring: Nelson Xavier, Juliana Paes, Amélia Bittencourt, Tereza Piffer
    #Narrative #International #NorthAmericanPremiere

    Funny Bunny

    directed by Alison Bagnall
    USA, 2015, English, 86 minutes

    Gene spends his days canvassing about childhood obesity. One day he canvasses Titty, an emotionally-arrested 19-year-old who has successfully sued his own father to win back a large inheritance and gotten himself disowned in the process. Gene discovers that Titty has an ongoing online relationship with the beautiful but reclusive Ginger, who is an animal activist. Gene convinces Titty to make a pilgrimage to meet Ginger where the two men form a close bond despite both of them being drawn to the enigmatic Ginger, who is in need of rescue.

    Starring: Kentucker Audley, Olly Alexander, Joslyn Jensen, Josephine Decker
    #Narrative

    God Bless the Child

    directed by Robert Machoian, Rodrigo Ojeda-Beck
    USA, 2015, English, 92 minutes

    Five siblings, left on their own, spend a summer’s day full of fantasy and chaos.

    Starring: Harper Graham, Elias Graham, Arri Graham, Ezra Graham, Jonah Graham
    #Narrative

    Krisha

    directed by Trey Edward Shults
    USA, 2015, English, 82 minutes

    After years of absence, Krisha reunites with her family for a holiday gathering. She sees it as an opportunity to fix her past mistakes, cook the family turkey, and prove to her loved ones that she has changed for the better. Only, Krisha’s delirium takes her family on a dizzying holiday that no one will forget.

    Starring: Krisha Fairchild, Robyn Fairchild, Bill Wise, Trey Edward Shults, Chris Doubek, Olivia Grace Applegate, Alex Dobrenko, Bryan Casserly, Chase Joliet, Atheena Frizzell, Augustine Frizzell, Rose Nelson, Victoria Fairchild, Billie Fairchild
    #Narrative

    Montedoro

    directed by Antonello Faretta
    Italy, 2015, Italian/English, 88 minutes

    A rich middle aged American woman unexpectedly discovers her true origin after her parents have died. Deeply moved, in the midst of an identity crisis, she decides to travel, hoping to find the natural mother she has never known. She therefore goes to a small and remote place in the south of Italy, Montedoro. She finds an apocalyptic scene when she gets there: the village, resting on a majestic hill, is completely abandoned and nobody seems to live there anymore.

    Starring: Pia Marie Mann, Mario Duca, Luciana Paolicelli, Joe Capalbo, Anna Di Dio, Caterina Pontrandolfo, Domenico Brancale
    #Narrative #International #WorldPremiere

    Next Year (L’année Prochaine)

    directed by Vania Leturcq
    France/Belgium, 2014, French, 105 minutes

    Clotilde and Aude are eighteen and have always been best friends. Their relationship is strong and interdependent, as teenage friendships can be. They are finishing school and have to decide what to do the following year, after their baccalaureate. Clotilde decides to leave their small, provincial village and go to Paris, dragging Aude along with her. But the two friends will experience this departure differently, ultimately splitting up.

    Starring: Constance Rousseau, Jenna Thiam, Julien Boisselier, Kévin Azaïs
    #Narrative #International #USPremiere

    Rosehill

    directed by Brigitta Wagner
    USA, 2015, English, 78 minutes

    Old friends Alice and Katriona haven’t seen each other since Alice got a job as a sex researcher in rural Indiana. When New York actress Katriona pays a sudden visit, Alice thinks her small-town boredom has come to an end. Little does she know that Katriona is harboring something. The two women set out on a local journey that leads them, unexpectedly, back to themselves. Rocks, women, motion, metamorphosis, and erotica. Part road trip, part meditation, part improvised fiction, part documentary, “Rosehill” is a film about crisis and eternal change, the darkness and resilience of the human spirit.

    Starring: Josephine Decker, Kate Chamuris, Ken Farrell, John Machesky, Jacob Emery
    #Narrative #WorldPremiere

    The Sisterhood of Night

    directed by Caryn Waechter
    USA, 2014, English, 102 minutes

    The story begins when Emily Parris exposes a secret society of teenage girls who have slipped out of the world of social media, into a mysterious world deep in the woods. Emily’s allegations of sexually deviant activities throw the town of Kingston into hysteria and the national media spotlight. As the accused uphold a vow of silence, Emily’s blog takes an unexpected turn when girls across the country emerge with personal stories of sexual abuse. Why are the Sisterhood girls willing to risk so much for a ritualistic gathering in the woods? From the story by Pulitzer Prize-winner Steven Millhauser, “The Sisterhood of Night” chronicles a provocative alternative to adolescent loneliness, revealing the tragedy and humor of teenage years changed forever by the Internet age.

    Starring: Georgie Henley, Kara Hayward, Willa Cuthrell, Olivia De Jonge, Kal Penn, Laura Fraser
    #Narrative

    Somewhere in the Middle

    directed by Lanre Olabisi
    USA, 2015, English, 89 minutes

    Sofia’s life is a mess. Bad relationships. Dwindling job prospects. But a chance encounter at a bookstore convinces her that she’s met the love of her life in Kofi — a handsome, but immature office manager. Kofi, however, has other things on his mind. Namely, his crumbling marriage to his demanding wife, Billie, who is herself struggling with a newfound attraction for her female co-worker, Alex. In an instant, events that seem true suddenly turn upside down. As secrets and lies surface, each layer of the love quadrangle is slowly peeled away, leaving everyone to cope with the ripple effects of love, obsession, sexuality and ultimately self-discovery. “Somewhere in the Middle” was born out of a year long improvisational process wherein the actors and director mutually crafted a time-fragmented, ensemble drama. Structured like a jigsaw puzzle, no character fully grasps their current dilemma as three interwoven stories are retold from varying viewpoints.

    Starring: Cassandra Freeman, Charles Miller, Louisa Ward, Marisol Miranda, Aristotle Stamat, D. Rubin Green
    #Narrative #WorldPremiere

    Documentary Feature Competition

    Frame by Frame

    directed by Alexandria Bombach, Mo Scarpelli
    USA/Afghanistan, 2015, English/Dari, 85 minutes

    In 1996, the Taliban banned photography in Afghanistan. Taking a photo was considered a crime. When the US invaded after 9/11, Afghans saw the Taliban regime topple, the media blackout disappear, and a promising media industry emerge. Now, in a country facing abject uncertainty and ongoing war, Afghanistan’s young press struggles to be a free press. “Frame by Frame” is a feature-length documentary that follows four Afghan photojournalists navigating a young and dangerous media landscape. Through cinema verité, powerful photojournalism, and never-before-seen archival footage shot in secret during the Taliban, the film reveals a struggle in overcoming the odds to capture the truth.

    #Documentary #International

    Madina’s Dream

    directed by Andrew Berends
    USA/Sudan, 2015, Sudanese Arabic, 80 minutes

    An unflinching and poetic glimpse into a forgotten war, “Madina’s Dream” tells the story of rebels and refugees fighting to survive in Sudan’s Nuba Mountains. After decades of civil war, South Sudan achieved its independence from Sudan in 2011. But inside Sudan, the conflict continues. Sudan’s government employs aerial bombings and starvation warfare against the inhabitants of the Nuba Mountains. Hundreds of thousands of civilians have fled to refugee camps in South Sudan or remain trapped in the war zone. Eleven-year-old Madina and countless others dream of a brighter future for the Nuban people.

    #Documentary #International

    Masculinity/Femininity

    directed by Russell Sheaffer
    USA, 2014,English, 88 minutes

    “Masculinity/Femininity” is an experimental interrogation of normative notions of gender, sexuality and performance. Prominent filmmakers, film theorists, gender theorists, and artists are each asked to perform a piece that deals with issues surrounding gender identity and construction. Shot primarily on Super 8, the film merges academic and cinematic critique—aiming to be more of a document of gender de-construction rather than a documentary about gender construction.

    #Documentary #PinkPeach

    A Snake Gives Birth to a Snake

    directed by Michael Lessac
    South Africa, 2014, English, 99 minutes

    A diverse group of South African actors tours the war-torn regions of Northern Ireland, Rwanda, and the former Yugoslavia to share their country’s experiment with reconciliation. As they ignite a dialogue among people with raw memories of atrocity, the actors find they must once again confront their homeland’s violent past, and question their own capacity for healing and forgiveness. Featuring never-before-heard original music by jazz legend Hugh Masekela.

    #Documentary #International

    Stray Dog

    directed by Debra Granik
    USA, 2014, English, 98 minutes

    Harley-Davidson, leather, tattooed biceps: Ron “Stray Dog” Hall looks like an authentic tough guy. A Vietnam veteran, he runs a trailer park in rural Missouri with his wife, Alicia, who recently emigrated from Mexico. Gradually, a layered image comes into focus of a man struggling to come to terms with his combat experience. When Alicia’s teenage sons arrive, the film reveals a tender portrait of an America outside the mainstream. “Stray Dog” is a powerful look at the veteran experience, a surprising love story, and a fresh exploration of what it takes to survive in the hardscrabble heartland.

    #Documentary

    Sweet Micky for President

    directed by Ben Patterson
    Haiti/USA/Canada, 2015, English, 89 minutes

    Can one man change a country? Pras Michel believed he could. “Sweet Micky for President” tells the story of Pras, founder of the Grammy award winning hip-hop group The Fugees, as he sets out to change the destiny of his home country of Haiti. With no experience, no money and no support, Pras mobilizes a presidential campaign for Michel Martelly better known as the controversial diaper wearing pop-star Sweet Micky. As a first time political candidate, Martelly aims to use his skills as an artist to affect revolutionary change in a country whose people have been disenfranchised for over 200 years. Despite all odds, Martelly wins the presidency instilling a renewed sense of hope for Haiti’s future.

    #Documentary #International

    Tomorrow We Disappear

    directed by Jim Goldblum, Adam M. Weber
    India/USA, 2014, Hindi/English, 85 minutes

    When their home is sold to real-estate developers, the magicians, acrobats, and puppeteers of Delhi’s Kathputli Colony must find a way to unite—or splinter apart forever.

    #Documentary #International

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  • Winners and Awards of 2015 Slamdance Film Festival

     ACROSS THE SEAACROSS THE SEA

    The 21st Slamdance Film Festival announced the feature and short film recipients of this year’s awards in the Audience, Jury, and Sponsored Categories. 

    “Congratulations to the winners of Slamdance and indeed to all of the filmmakers this year. The 2015 festival has shown us once again that if you want to see the best of real independent film, Slamdance is the place to be,” stated Peter Baxter, Slamdance President and Co-founder. 

    AUDIENCE AWARDS

    Audience Award for Narrative Feature: ACROSS THE SEA, dir. by Nisan Dağ & Esra Saydam
    Damla is a Turkish immigrant estranged from her homeland; she lives in New York City with her husband, Kevin, and they’re expecting their first child. But Damla is still haunted by memories of her first love and when she returns to Turkey with Kevin she has to confront a troubling secret from her past.

    Audience Award for Documentary Feature: SWEET MICKY FOR PRESIDENT, dir. by Ben Patterson
    Music and politics collide when international music star Pras Michel of the Fugees returns to his homeland of Haiti, following the devastating earthquake of 2010, to mobilize a presidential campaign for Haiti’s most controversial musician: Michel Martelly aka Sweet Micky. The politically inexperienced pair set out against a corrupt government, civil unrest, and a fixed election.

    JURY AWARDS – NARRATIVE

    This year’s Slamdance Narrative Jury Prizes were selected by the esteemed panel of industry members Richard Lorber, Todd Looby and Emilie Upczak. 

    Jury Award for Narrative Feature: TIRED MOONLIGHT, dir. by Britni West
    “A masterful fusion of cinematic vision and poetic narrative, Tired Moonlight effortlessly transports you from the prosaic surroundings of its poignant characters’ lives into a realm of unexpected beauty and spiritual authenticity with an unforced craftsmanship.”
    The award winner was granted $3,500 in legal services from Pierce Law Group.

    Jury Honorable Mention for Narrative Feature: THEY LOOK LIKE PEOPLE, dir. by Perry Blackshear
    “With rare filmmaking skill, brains, precision and outstanding performances, Perry Blackshear and his cast and crew silence critics who claim very small and contained films like this can’t be riveting and brilliant.”

    Jury Honorable Mention for Narrative Feature: ACROSS THE SEA, dir. by Nisan Dağ & Esra Saydam
    “Through transcendent cinematography trained on the mystical Mediterranean setting and wonderful minute of uncertain love, directors Nisan Dağ and Esra Saydam provide a beautiful, intense and honest look at a relationship in peril.”

    JURY AWARDS – DOCUMENTARY

    This year’s Slamdance Documentary Jury Prizes were selected by the esteemed panel of industry members Paige Williams, Josh Leake and Bryan Storkel.

    Jury Award for Documentary Feature: SWEET MICKY FOR PRESIDENT, dir. by Ben Patterson
    “Sweet Micky For President takes the audience on an unbelievable, wild ride through difficult Haitian politics, in a story that is both entertaining and educational. The film is an enormous accomplishment for first-time director Ben Patterson and is a great example of why Slamdance exists – to celebrate new works by new directors whose films can help change our perspective on the world – one story at a time.”
    The award winner was granted $3,500 in legal services from Pierce Law Group.

    Jury Honorable Mention for Documentary Feature: 20 YEARS OF MADNESS, dir. by Jeremy Royce
    “Reminding us that it’s never too late to chase your dreams, 20 Years of Madness is brimming with stunning cinematography, eccentric characters and a heartfelt story about the desire to do something great while confronting the reality of failure.”

    Jury Award for Documentary Short: THE SOLITUDE OF MEMORY, dir. by Juan Pablo González
    “Juan Pablo González paints a vivid and eloquent portrait of a devoted father and the love for his son, drawing deep emotions from the viewer through his use of gorgeous cinematography, moving music and an incredibly honest, trusting main subject.”
    The award winner qualifies for the Annual Academy Awards®.

    Jury Honorable Mention for Documentary Short: DOLPHIN LOVER, dir. by Kareem Tabsch
    “Storytelling is an art form, and this film is a prime example of using this medium in a beautiful way to tell a seriously fucked-up, but very true and engaging story.”

    JURY AWARDS – SHORT FILMS

    The below Short Film Jury Prizes were selected by the esteemed panel of industry members Sarah Cornell, Rory Haines and Elle Schneider. 

    Jury Award for Narrative Short: STAY AWAKE, dir. by Jamie Sisley
    “Stay Awake exhibits a remarkable empathy for characters who find themselves trapped in an unenviable moral dilemma. The cast’s stand-out performances convey a depth of emotion few short films are able to achieve.”
    The award winner qualifies for the Annual Academy Awards®.

    Jury Honorable Mention for Narrative Short: 09:55 – 11:05, INGRID EKMAN, BERGSGATAN 4B, dir. by Christine Berglund & Sophie Vukovic
    “A complex, captivating and thoughtful slice of humanity. Delicately shot, with beautiful performances from both women, the film sears itself into your emotional core and remains there for days.”

    Jury Award for Animation Short: THE PRIDE OF STRATHMOOR, dir. by Einar Baldvin
    “The Pride of Strathmoor is akin to a short, unpleasant trip to the insane asylum. The Poe-esque rendering of madness is perfectly complemented by the inventively textured animation.”
    The award winner qualifies for the Annual Academy Awards®.

    Jury Honorable Mention for Animation Short: HIPOPOTAMY, dir. by Piotr Dumala
    “An outstanding display of technical craft, the authentic animation style of Hipopotamy accentuates the uncomfortable story.”

    The below Short Film Jury Prizes were selected by esteemed industry members Eve Cohen and Dan Brawley. 

    Jury Award for Experimental Short: RED LUCK dir. by Mike Olenick
    “If anything represents the experimental spirit of Slamdance, it’s this tin-foiled caper – an original and striking film full of layered and unexpected images. The film manages to offer a million different narrative paths – from dark and funny to weird and sparkly. A perfect example of a singular experimental work that is easy to watch again and again.”

    Jury Award for Anarchy Short: DEVIANCE, dir. by Aron Kantor
    “Deviance is the kind of raunchy nonsense that Slamdance embraces. A perverse pleasure diving in and out of reality that left us half-boned and just slightly numb from laughing. If anarchy at Slamdance is an anti-genre, then Deviance is the battle cry of ‘fuck the system.”

    Jury Honorable Mention for Anarchy Short: SEA DEVIL, dir. by Dean C. Marcial & Brett Potter
    “A mythological tale without true beginning or end, this cinematic anarchy short pushes the edges of traditional storytelling, weaving three stories into one, and leaves you hanging. A bold work full of questions, puzzles and refreshing choices – another blazing Borscht experiment.”

    SPECIAL AWARDS

    Spirit of Slamdance Award: THINK INK, dir. by Wally Chung
    The Spirit of Slamdance is awarded by the filmmakers of Slamdance 2015. It goes to the filmmaker who best embodies the spirit of the festival, creatively promoting their film, joyfully participating in screenings and events, and generally putting good energy into the festival. 

    The Digital Bolex Fearless Filmmaking awards were selected by the esteemed panel of industry members Amber Benson, Todd Berger, Kent Osborne, and Damon Russell. 

    Digital Bolex Fearless Filmmaking Grand Prize: COMING TO, dir. by Lindsey Haun, DP Spencer Rollins, starring Jacob Demonte-Finn
    “A film that includes a little bit of everything in a very short time. Mystery, laughs, an impressive performance, and some mighty fine camerawork and cinematography. And like any great short film, it has you desperately wanting to know what happens next.”
    The award winner was granted a 512gb Digital Bolex D16 Camera.

    Digital Bolex Fearless Filmmaking Honorable Mention: THE CHARACTER STUDY, dir.& DP Luke Pelizzari
    “Creating tension in any film is hard, but to do it so effectively and gracefully with a very simple premise is truly an achievement of storytelling.”

    Digital Bolex Fearless Filmmaking Honorable Mention: ISOBEL, dir. by Marie Jamora, DP Jason McLagan
    “Perfectly capturing the theme of filmmaking on your own terms, this short highlights the magic and wonder of childhood when anything is creatively possible.”

    Kodak Director’s Prize: DETRITUS, dir. by T.J. Misny
    Given on behalf of Kodak to a promising new filmmaker making bold, film-worthy directorial choices. The filmmaker was awarded a $10,000 credit for Kodak film stock to be used on their next proj

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