TAKE ME TO THE RIVER

  • 2015 Tallgrass Film Festival Awards, TAKE ME TO THE RIVER, ARMOR OF LIGHT Win Best Film Honors

    TAKE ME TO THE RIVER, Matt Sobel The 2015 Tallgrass Film Festival announced their filmmaker awards during a rousing ceremony preceding their Closing Night Gala screening of Ian and Eshom Nelms’ WAFFLE STREET on Sunday, October 18 at the Orpheum Theater in Wichita, Kansas. Matt Sobel’s TAKE ME TO THE RIVER, (pictured above) was named “Best Narrative Feature,” and Abigail Disney & Kathleen Hughes’ ARMOR OF LIGHT, chosen as “Best Documentary Feature.” DOUBLE DIGITS: THE STORY OF A NEIGHBORHOOD MOVIE STAR Justin Johnson’s DOUBLE DIGITS: THE STORY OF A NEIGHBORHOOD MOVIE STAR (pictured above) got the nod for both “Best First Feature,” as well as the Golden Strands Vanguard Award for “Dedication to the Craft of Filmmaking” for the film’s subject, R.G. Miller. The Vimeo Audience Awards were led by Emily Ting, who added to her big night by receiving the $1000 Narrative prize for ALREADY TOMORROW IN HONG KONG. Producer Dennie Aig was on hand to accept the $1000 Documentary prize for Philllip Barbeau’s UNBRANDED. Benjamin Wolff’s BIS GLIECH took home the Audience Award and $500 prize for the short film category. The awards for Emily Ting provided a happy exclamation point to the filmmaker’s return to Tallgrass following her films MAN FROM RENO (2014), THE KITCHEN (2012), and BIG BAD SWIM (2005) (all of which she served as either a producer, associate producer or executive producer). 2015 Tallgrass Film Festival Filmmaker Awards Vimeo Audience Awards Audience Award Winning Narrative Film: ($1,000) IT’S ALREADY TOMORROW IN HONG KONG, Directed by Emily Ting Vimeo Audience Award Winning Documentary Film: ($1,000) UNBRANDED, Directed by Phillip Barbeau Vimeo Audience Award winning Short Film: ($500) BIS GLIECH (Germany), directed Benjamin Wolff Golden Strands Programming Awards Best Emerging Student Award: THE GIRL, WHO’S SHADOW REFLECTS THE MOON, Directed by Walaa Al Alawi (Syria) Best Kansas Short Film Award: EPIC OF HERSHEY, Douglas McGinness, New York/Wichita, KS Golden Strands Award, Outstanding Female Filmmaker: Emily Ting, IT’S ALREADY TOMORROW IN HONG KONG (Award is the Venus Award which is designed by Glass Artist Claire Anderson and is a representation of a Paleolithic Era Venus de Lespugue) Golden Strands Award for Courage in Filmmaking: PERVERT PARK, Directed by Frida & Lasse Barkfors of Sweden Golden Strands Award, Outstanding Cinematography: OMO CHILD: THE RIVER AND THE BUSH, Sebastian Humphreys Golden Strands Award, Outstanding Ensemble Cast: TANGERINE Golden Strands Vanguard Award for Dedication to the Craft Of Filmmaking: R.G. Miller, DOUBLE DIGITS (Award designed by Fisch Haus) Golden Strands Award, Best First Feature: DOUBLE DIGITS: THE STORY OF A NEIGHBORHOOD MOVIE STAR, Directed by Justin Johnson Golden Strands Award, Outstanding Documentary Short Film: LAST DAY OF FREEDOM, Directors Dee Hibbert-Jones/Nomi Talisman Golden Strands Award, Outstanding Narrative Short Film: GUEST ROOM, Directed by Joshua Tate Golden Strands Award, Outstanding Documentary Feature: ARMOR OF LIGHT, Abigail Disney & Kathleen Hughes Golden Strands Award, Outstanding Narrative Feature: TAKE ME TO THE RIVER, Directed by Matt Sobel

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  • 13th Tallgrass Film Festival Announces Film Lineup; Opens with BAND OF ROBBERS, Closes with WAFFLE STREET

    BAND OF ROBBERS

    The 13th Tallgrass Film Festival taking place October 14 to 18, 2015, announced the full schedule of 203 films (54 features, 149 short films). Gala selections include the Opening Night film, Adam and Aaron Nees’ comedy BAND OF ROBBERS and the Closing Night selection of Ian and Eshom Nelms’ comedy WAFFLE STREET, bookending Valerie Weiss’ A LIGHT BENEATH THEIR FEET which will screen as the Stubbornly Independent competition winner.

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  • 27th NewFest Unveils Lineup, Opens with EISENSTEIN IN GUANAJUATO

    EISENSTEIN IN GUANAJUATO The 27th NewFest will run October 22 to 27 at the newly renovated Bow Tie Chelsea Cinemas, and today announced the lineup of nearly 100 LGBT films around the world. Opening night is the New York premiere of legendary filmmaker Peter Greenaway’s EISENSTEIN IN GUANAJUATO (pictured above), a visually stunning, sexually explicit celebration of pioneering Russian filmmaker Sergei Eisenstein’s gay coming of age during a trip to Mexico in the 1930s. The cinematic masterpiece, which had its world premiere to wide acclaim at the Berlinale this year, has been hailed as one of the finest films of Greenaway’s long, illustrious career. https://www.youtube.com/watch?v=fb364B6u1XE Closing out the NewFest festival on the 27th is Alexandra-Therese Keining’s GIRLS LOST, a thrilling story about three bullied girls who are drawn into a wild and chaotic journey when they find a magical plant whose nectar temporarily transforms them into boys. Fresh off its world premiere at the Toronto International Film Festival, where it received critical acclaim, Kreining’s bold and stylish coming-of-age tale is a fascinating exploration of sexuality, identity and desire across the LGBT spectrum. https://www.youtube.com/watch?v=3-eU4B-fnc4 This year also features Centerpiece film CAROL, Todd Haynes’ highly-anticipated and award-winning lesbian romance starring Cate Blanchett and Rooney Mara which won the 2015 Cannes Best Actress award for Blanchett, as well as the Queer Palm. https://www.youtube.com/watch?v=H4z7Px68ywk Other narrative highlights this year include the New York premiere of Matt Sobel’s chilling and suspenseful thriller TAKE ME TO THE RIVER, starring Logan Miller, Robin Weigert, Richard Schiff and Josh Hamilton; the New York premiere of Mika Kaurismäki’s sumptuous period piece THE GIRL KING, about the rise and fall of Sweden’s lesbian Queen Christina; the 2015 Sundance World-Cinema Directing Award-winner THE SUMMER OF SANGAILE; and FOURTH MAN OUT, a hilarious and heartwarming twist on the coming-out genre starring Evan Todd, Chord Overstreet (GLEE) and Kate Flannery (THE OFFICE) that won the Audience Award for Dramatic Feature Film at this year’s Outfest Los Angeles. Another major highlight of this year’s event is the world premiere of Executive Producer Eve Ensler and Katherine Fishers’ upcoming HER STORY, a web series written by transgender activist Jen Richards (I AM CAIT) and writer/actor Laura Zak (#HASHTAG) and directed by Sydney Freeland (DRUNKTOWN’S FINEST), focusing on the dating lives of Trans women in Los Angeles, followed by a panel about the series. Also featured is a SAG-AFTRA panel discussion on the evolution of transgender representation in film and television, to be moderated by trans activist Tiq Milan. While the mainstream media seemingly embraced trans identities and lives this year, NewFest has set out to dig deeper, looking for fresh stories and unique characters. Highlights include LA VISITA (THE GUEST), a beautiful Chilean drama featuring a breakout lead performance by trans actress Daniela Vega; the documentary PEACE OF MIND about well-known transmale artist and activist Flo McGarrell’s untimely death during the 2010 Haiti Earthquake; and a TRANS SHORTS program featuring the acclaimed shorts A PLACE IN THE MIDDLE and Cheryl Dunye’s BLACK IS BLUE. https://www.youtube.com/watch?v=0d4RmIL1uMs Two additional trans documentary programs, TREASURE: FROM TRAGEDY TO TRANS JUSTICE, MAPPING A DETROIT STORY, and the 25th anniversary screening of the rarely-seen documentaries THE SALT MINES and THE TRANSFORMATION offer a chance for audiences to reflect on how much work still needs to be done to protect and empower trans people of color. https://www.youtube.com/watch?v=XYdx6SH-mSc Other special events include a can’t-miss Master Class with acclaimed filmmaker Ira Sachs (LOVE IS STRANGE, KEEP THE LIGHTS ON) who will sit for an illuminating discussion about the joys and challenges of being a queer filmmaker, as well as a panel on “The Renaissance of Women In Entertainment,” moderated by New York Women In Film & Television’s Executive Director Terry Lawler. And because NewFest lands one week before Halloween this year, the festival will present its first ever Queer Horror Night aimed at LGBT horror fanatics, featuring three terrifying tales: Jorge Torres-Torres’ SISTERS OF THE PLAGUE, Jim Hansen’s YOU’RE KILLING ME, and Marçal Forés’ EVERLASTING LOVE, which won the Jury Award for Outstanding International Dramatic Feature at Outfest LA this year. Olympic champion Greg Louganis will be on hand for a special screening and discussion of HBO’s BACK ON BOARD: GREG LOUGANIS, while other notable faces and names in this year’s festival films include: Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler, Bette Davis, Mae West, Chord Overstreet, Kate Flannery, John Waters, Rose Troche, Stacie Passon, Harmony Santana, Robin Weigert, Josh Hamilton, Clea Duvall, Josephine Decker, Drew Droege, Jack Plotnick, Chi Chi La Rue, Jeff Stryker, Amanda Lepore, Michael Musto, Zachary Quinto, Mike McCreedy, Carrie Brownstein, Patty Schemel, Macklemore, Shirley Manson, Janet Mock, Irm Hermann, Harry Baer, Lea DeLaria, Felicia “Snoop” Pearson, Casey Legler, Jen Richards and many more!

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  • Narrative and Documentary Competition Films at 2015 Hamptons International Film Festival Incl. FRENCH BLOOD, RAMS, TIKKUN

    FRENCH BLOOD Director: Diastème The 23rd Annual Hamptons International Film Festival revealed the films in the Narrative and Documentary Competition. The jury will select winners in each category; awards will be announced in a ceremony in East Hampton on Monday, October 12. The feature films in this year’s Narrative Competition include Matt Sobel’s Take Me to the River, Ciro Guerra’s Embrace of the Serpent, Avishai Sivan’s Tikkun, Grímur Hákonarson’s Rams, and Diastème’s French Blood. This year’s Documentary Competition feature films include the World Premiere of Jon Fox’s Newman, David Shapiro’s Missing People, Jean-Gabriel Périot’s A German Youth, Michael Madsen’s The Visit, and Ilinca Calugareanu’s Chuck Norris Vs. Communism. The jury deciding the winners of the 2015 Hamptons International Film Festival Narrative and Documentary Competition includes Michael H. Weber, screenwriter of 500 Days of Summer and The Fault in Our Stars; Dan Guando, head of U.S. Production and Acquisitions at The Weinstein Company; Josh Charles, star of television’s The Good Wife and Masters of Sex; Marshall Fine, renowned author, journalist and film critic; and Sarah Lash, acquisitions consultant at Conde Nast Entertainment. EMBRACE OF THE SERPENT (Colombia) East Coast Premiere Director: Ciro Guerra Ciro Guerra's "Embrace of the Serpent." Inspired by the real experiences of explorers in the Amazon, Embrace of the Serpent centers on the relationship between Karamakate, a shaman of an extinct tribe carrying secrets and traditions, and two scientists in search of a sacred plant, capable of immense healing. Opting for powerful black and white cinematography, director Ciro Guerra tracks their parallel stories over 40 years with trips deep into the jungle. Winner of the top prize at the Cannes Directors Fortnight, the film intimately captures the thirst for knowledge and the ravages of colonialism that have destroyed the harmony and balance at the heart of the indigenous way of life. RAMS (Iceland) East Coast Premiere Director: Grímur Hákonarson RAMS, Director: Grímur Hákonarson Brothers Gummi (Sigurdur Sigurjonsson) and Kiddi (Theodor Juliusson) live side-by-side but have not spoken in forty years. Stubborn and competitive, they only communicate via handwritten notes delivered by their loyal sheepdog Somi. When a deadly virus threatens their prize-winning sheep and livelihood, they are forced to come together to save their unique family breed, and themselves, from extinction. Winner of the Un Certain Regard Award in Cannes, Rams details the hardships of daily farm work in remote Iceland with humanism and humor. Stunningly combining otherworldly landscapes and powerful performances, director Grímur Hákonarson expertly builds this gentle comedy to reveal a deeper and emotionally moving tale. TAKE ME TO THE RIVER (USA) East Coast Premiere Director: Matt Sobel TAKE ME TO THE RIVER Director: Matt Sobel Accompanying his parents to a Nebraskan family reunion couldn’t be more uncomfortable for Ryder (Logan Miller), a gay Californian teenager. For his mother’s sake he agrees to act “normal,” but nonetheless attracts some unwanted attention from his conservative relatives. The only one who seems to like him is 9-year-old Molly (Ursula Parker), but a strange encounter between the two of them raises many questions and places Ryder at the center of a long-buried family secret. A superbly acted drama from first-time filmmaker Matt Sobel, Take Me to the River reveals itself through Ryder’s perplexed point of view, unfolding in an atmosphere of mystery and trepidation. TIKKUN (Israel) East Coast Premiere Director: Avishai Sivan TIKKUN, directed by Avishai Sivan Haim-Aron (Aharon Traitel) is considered an illui (a prodigy) at his Yeshiva. He is absorbed in his studies to such a degree that he completely isolates himself from the outside world, going days without eating or sleeping. When a near death experience changes his perspective on life, he starts to slowly explore life outside of his secluded ultra-orthodox community and begins to doubt his faith. Seeing Haim-Aron’s transformation torments his father (Khalifa Natour) with nightmares in which he is instructed to perform Tikkun (rectification). With its riveting performances and the arrestingly beautiful black and white cinematography, Avishai Sivan’s haunting film is sure to linger long in your imagination. FRENCH BLOOD (France) (pictured in main image above) US Premiere Director: Diastème Marco (Alban Lenoir) is a young Neo-Nazi and skinhead who, along with his friends, terrorizes the lower-class suburbs of Paris hoping to clear out the “scum” that is polluting the pure, white landscape of their beloved country. Spanning almost 3 decades in Marco’s life as he struggles to understand his own anger and brutal actions, this evocative and moving portrait—the sophomore effort from writer-director Diastème—offers a rare and unsettling look into the rise of xenophobia in France. With a brilliant performance by Lenoir, this poignant drama distinguishes itself as a unique and powerful work by an emerging talent.

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