Tell Them We Are Rising: The Story of Black Colleges and Universities

  • New Orleans Film Festival Debuts “Change Makers” Strand – Featuring Stories of Social Activism and Advocacy

    [caption id="attachment_24557" align="aligncenter" width="1200"]Small Town Rage by Raydra Hall and David Hylan; Small Town Rage[/caption] The 2017 New Orleans Film Festival will debut a new strand, titled “Change Makers” that brings to the forefront stories of social activism and advocacy. From farm workers’ union activists in the 60s, to the front lines of AIDS activism in the 80s and recent protests against Confederate monuments, Change Makers will feature nine feature-length documentary films and ten documentary short films. Additional strands in the festival include the return of Caribbean Cinema in its third incarnation. This strand of five feature films and ten short films recognizes the historical and cultural ties between the Caribbean and New Orleans—oftentimes called the northernmost Caribbean city—and showcases the vibrant and varied landscapes and cultures of the Caribbean and Caribbean Diaspora, featuring stories from Cuba, the Dominican Republic, Puerto Rico, Trinidad and Tobago, and Haiti. Longtime festival-goers will remember previous film strands OUTakes, which spotlighted LGBTQ content, and keeping{SCORE}, which focused on music-themed films. While these strands will not be formally part of this year’s festival, the content reflected in both strands will continue to be folded into the programming in important ways.

    Change-Makers Films

    ACORN and the Firestorm USA | 2017 | 84 mins DIR: Reuben Atlas & Sam Pollard; PRD: Reuben Atlas, Sam Pollard; DP: Natalie Kingston, Frank Larson, Spencer Chumbley, Naiti Gamez; ED: Francisco Bello, Paul Greenhouse Before it was associated with all things wrong with liberalism during the fateful 2008 election, the Association of Community Organizations for Reform Now wielded more power than just about any anti-poverty community rights group in American history. ACORN and the Firestorm chronicles the dramatic rise and ignominious fall of this agent of social change, as a video smear campaign from a proto-alt-right, Breitbart-backed activist takes down the group and its New Orleans-based founder Wade Rathke. Directors Reuben Atlas and NOFF alum Sam Pollard have created a work that feels like both a time capsule and a warning shot, a potent lesson in the power of media and a harrowing blueprint for our current era of alternative facts and fake news. -NS Small Town Rage USA | 2016 | 98 mins DIR: Raydra Hall & David Hylan; PRD: Raydra Hall, David Hylan; ED: Clint McCommon Narrated by Lance Bass, is an independent documentary examining the work and influence of ACT UP Shreveport in the conservative Deep South. During the early years of the AIDS pandemic, ACT UP Shreveport sought to change the way the government and the medical community handled the crisis through the same attention-grabbing protest tactics that were so successful in cities such as New York and San Francisco. As their individual stories will attest, their actions may not have made them popular, but their courage did lead to changes in the way local hospitals, government agencies, and even the public at large responded to the AIDS epidemic. The Organizer United States, Canada, Honduras, India, UK | 2017 | 101 mins DIR: Nick Taylor; PRD: Joey Carey; WRI: Nick Taylor; DP: Joey Carey; ED: Nick Taylor The Organizer charts the life, times, and philosophy of controversial community organizer Wade Rathke. As the founder and Chief Organizer of ACORN, the largest organization of low and moderate-income people in US history, Rathke grew the organization from a small group of welfare mothers in Little Rock, Arkansas in 1970 to a 500,000 member-strong political force some 30+ years later. With the sweep of an American epic, the film moves from the Vietnam War and Civil Rights movement up to the precarious present day for low-income communities. Sick to Death! USA, Belgium | 2016 | 86 mins DIR: Maggie Hadleigh-West; PRD: Elizabeth Dunnebacke, Catherine Reirson; WRI: Maggie Hadleigh-West; ED: Ilko Davidov, Kim Connell, David Bear One of the most commonly misdiagnosed afflictions for women in the US is thyroid disease. The thyroid has a hand in nearly every major function in the body, making symptoms difficult to pin down, as they are comprised of common issues such as fatigue, weight gain, dry skin, and depression. Through director Maggie Hadleigh-West’s own medical journey, Sick to Death investigates the political and medical reasons thyroid disease is so often looked over and the serious health complications that can occur when left untreated. Using personal video, interviews with medical professionals and women who grapple with thyroid problems every day, Maggie seeks answers that have the potential to better her own life and those of the women around her. -AL Tell Them We Are Rising USA | 2017 | 90 mins DIR: Stanley Nelson; PRD: Cyndee Readdean, Marco Williams, Stacey L. Holman; WRI: Marcia Smith; ED: Kim Miille A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for more than 150 years. For the first time ever, their story is told. Directed by award-winning documentary filmmaker Stanley Nelson, Tell Them We Are Rising: The Story of Black Colleges and Universities examines the impact Historically Black Colleges and Universities (HBCUs) have had on American history, culture, and national identity. On Our Watch USA | 2017 | 59 mins DIR: Jonathan Evans; PRD: Bruno Steiner; WRI: Jonathan Evans, Caroline Taylor; DP: Ryan Martin; ED: Jonathan Evans This documentary presents the problem of coastal land loss in Southern Louisiana with honesty, directness, and urgency. The film features interviews with activists, professors, and community leaders who demonstrate how we got here and where we are going. The effects of sea rise and erosion in the wetlands touch down on numerous industries and influence the lives of residents throughout the Delta, including New Orleans. Solutions have been placed on the table, but they are underfunded, and civic engagement on a small scale appears to be the only route to sustainability on a larger one. But even that might be wishful thinking. Nothing Without Us USA | 2016 | 70 mins DIR: Harriet Hirshorn; PRD: Harriet Hirshorn; WRI: Hilary Brougher; DP: Nadia Hallgren; ED: Mary Patierno Since the early 90s, AIDS has largely been painted as affecting mainly white, gay males. Rich with stories, facts, and moments of hope, Nothing Without Us brings light to those who this narrative passes over. Viewers are brought to locations as close as New Orleans, LA and Oakland, CA and as far as Nigeria, Burundi, and Spain to meet the women who stand on the front lines in the fight for equal rights and medical protection against AIDS. These women have banded together in organizations to bring medication, counseling, and—perhaps most importantly—attention to the women of color that are most afflicted by the ongoing crisis. The fight may not be over, but Nothing Without Us is threaded with the hope an end is possible. Quest USA | 2017 | 105 mins DIR: Jonathan Olshefski; PRD: Sabrina Schmidt Gordon; DP: Jonathan Olshefski; ED: Lindsay Utz Christopher and Christine’a Rainey (known as Quest and Ma to their friends and visitors to their recording studio) are an ordinary couple straining under the weight of economic hardship and a violent corner of North Philadelphia. But in the hands of director Jonathan Olshefski, they take on near-mythic status, pulling and loving their family through devastating illness, wrenching violence and the tumultuous Obama years. Intimate but never invasive, Quest is an empathetic look at coming of age, black love, poverty, race and family that takes its place among verité greats of any era. Richly illuminating a decade in the life of an extraordinary family, Quest emerges as a song of determined resilience in a time of deep uncertainty. Dolores USA | 2017 | 95 mins DIR: Peter Bratt; PRD: Brian Benson; WRI: Peter Bratt, Jessica Congdon; DP: Jesse Dana; ED: Jessica Congdon Dolores Huerta is among the most important, yet least known, activists in American history. An equal partner in co-founding the first farm workers unions with Cesar Chavez, her enormous contributions have gone largely unrecognized. Dolores tirelessly led the fight for racial and labor justice alongside Chavez, becoming one of the most defiant feminists of the twentieth century—and she continues the fight to this day, at 87. With intimate and unprecedented access to this intensely private mother to eleven, the film reveals the raw, personal stakes involved in committing one’s life to social change. Our 100 Days Created through a collaboration between Firelight Media and Field of Vision, this collection of seven documentary short films explores threats to U.S. democracy and the stories of its most vulnerable communities in the current highly polarized political climate, all made by filmmakers of color. The Magnifying Glass Funded through a grant from Artless Media, these three documentary short films from Louisiana-based filmmakers look at social injustices within the communities that the filmmakers are part of, with a focus on racial justice. More than Monuments This program of three short documentary films focuses on the removal of Confederate monuments in New Orleans. Films include: Divided City – World Premiere dir. Andrea B. Scott and Katie Mitchell | 2017 | 30 mins New Orleanians see history differently in this short documentary that examines the gap between those who see their city’s legacy of white supremacy and those who choose to ignore it. Interviews with members of the Monumental Task Committee and the Sons of Confederate Silent Parade or the Soul Rebels Vs. Robert E. Lee – North American Premiere dir. William Cordova | 2017 | 10 mins The Soul Rebels, one of New Orleans’ most revered brass bands, confronts the legacy of slavery in a powerful rooftop performance across from Robert E. Lee’s statue in this moving short film. Goodbye Old Glory – World Premiere dir. Jordan Haro | 2017 | 17 mins Mid-City’s statue of Jefferson Davis, former president of the Confederacy, serves as the battleground for the argument over the removal of the Confederate monuments. During the course of one night, those who seek to defend their ancestors’ effigies stand, scream, and salute with flags and rifles. Meeting them with emotional response, protesters denounce them as outsiders and racists whose perspective is outmoded. In this contentious stand-off, Louisianans camp out with hot trays of food and lawn chairs, and while they argue over history, passions intensify and violence looms large.

    Caribbean Films

    Samba’ Dominican Republic | 2017 | 90 mins DIR: Laura Amelia Guzman, Israel Cardenas; PRD: Ettore D’Alessandro, Carolina Encarnación; WIR: Ettore D’Alessandro; DP: Andrei Bowden Schwartz; ED: Andrea Kleinman After doing time in a United States prison, Cisco returns home to the Dominican Republic to find his alcoholic mother is in delicate health conditions. The only way for him to get some money is to fight on the streets. When Nichi, a former Italian boxing promise, sees Cisco during a fight, he decides he is a diamond in the rough to be polished to get out of the debt caused by Nichi’s gambling addiction. During the training process he discovers there is atonement for both of them in the game. They have to make it to the final match and make the dream inside the ring come true. Serenade for Haiti USA | 2016 | 110 mins DIR: Owsley Brown; PRD: Christy McGill; DP: Marcel Cabrera; ED: Gina Leibrecht For his third feature, director Owsley Brown spins a gorgeous and soulful symphony of a city, Port-au-Prince, sprung to life through the performances and words of the students and teachers at Sainte Trinité Music School. Beginning three years before the devastating earthquake of January 2010 that left 300,000 dead and 1.5 million homeless, music’s saving grace takes on new meaning in the aftermath of the horror that leaves the school in ruins. Serenade for Haiti never wallows in sorrow, though: it’s a visual feast and celebration of a musical and cultural heritage whose fingerprints can be found all over New Orleans. -NS Play the Devil Trinidad & Tobago, The Bahamas, USA | 2016 | 89 mins DIR: Maria Govan; PRD: Maria Govan, Abigail Hadeed, Jonathon Grey, Chris Mortimer; WIR: Maria Govan; DP: James Wall; ED: Thomas A. Kreuger Dancing deftly between the confusion and possibilities of youth, Play the Devil offers a story of Gregory, a teenager on the cusp of graduation in the town of Paramin, Trinidad. He is torn between meeting the expectations of his family by studying medicine abroad and his passion to study the world’s beauty through photography. Amid this choice and the return of his father—a recovering addict—his artistic spirit catches the attention of an affluent businessman who attempts to foster Greg’s talent until the relationship goes too far. Tender moments intertwine with the lush cliff sides and vistas of Trinidad and Tobago, toppling one into the next until a choice with dire consequences is made during the year’s Carnival festivities. Coming and Going Haiti and USA | 34 mins | DIR: Annie Huntington & Clay Thomas A young translator from a small Haitian city considers his future.  Should he stay in the community where he grew up, or join the exodus abroad in search of other opportunities? Adolescencia Puerto Rico and USA | 10 mins | DIR: José Fernando Rodriguez Comprised of Hi8 videos, Adolescencia presents a portrait of a teenage boy in 2002 Puerto Rico who films odd and unusual movie vignettes by himself – and tries to get a girl’s attention in the process. Days of Wholesome Joy Cuba | 18 mins | DIR: Claudia Muñiz Zayda has taken care of her grandma afflicted with dementia for a long time, but on the eve of her birthday Zayda tries to get back her previous life. Cuban Shorts Parade DIR: Kira Akerman Jazz students from New Orleans travel to Cuba on a cultural exchange and collaborate on a parade, celebrating open borders. Connection (Conectifai) DIR: Horizoe Garcia A portrait of a park in Havana where, thanks to public Wi-Fi, a new kind of meeting place has arisen. Charlie DIR: Kadri Koop Four decades after hijacking a plane to Cuba to avoid charges of killing a state trooper, a former black power militant reflects on his past in a letter to his nine-year-old Cuban son. Manuel DIR: Gabriela Cavanagh By the train tracks in Havana, Cuba, 87-year-old Manuel brews an aphrodisiac juice called pru. Forever, Comandante (Hasta Siempre, Comandante) DIR: Faisal Attrache Living in the shadow of the revolutionary generation’s unrelenting Cuban ideals, Ernesto, a 14 year old barber, wants to get a tattoo despite his father’s adamant objection to it. Fighting Cuba’s Boxing Ban DIR: Ora DeKornfeld In Cuba, where women are banned from competitive boxing, a thirteen-year-old girl steps into the ring. Prince of Smoke DIR: Matthew Gelb Cuban tobacco farmer and artisanal cigar maker, Hirochi Robaina, follows in his legendary grandfather’s footsteps as he fights to preserve a 171-year old family legacy.

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  • John Ridley’s ‘Let It Fall: Los Angeles 1982-1992’ Among 10 Films on 2017 Milwaukee Film Festival Black Lens Lineup

    [caption id="attachment_23765" align="aligncenter" width="1200"]Let It Fall: Los Angeles 1982-1992 Let It Fall: Los Angeles 1982-1992[/caption] The Black Lens program returns to the 2017 Milwaukee Film Festival featuring documentary and fiction films by African American filmmakers that explore a range of topics rooted in the black community and are relevant to all. The lineup includes Academy Award winner and Milwaukee Film Board Member John Ridley’s new documentary Let It Fall: Los Angeles 1982-1992, a 20th anniversary, 35mm screening of the classic film Love Jones, and two shorts programs titled Black Lens Shorts: Family Matters and Black Lens Shorts: Lost & Found. Geraud Blanks, Black Lens co-programmer states, “Adding additional films, including two shorts programs, means a greater diversity of voices and perspectives. We have more women and mixed-race directors, writers, and producers than ever before, in-large part because of our ability to expand our programming this year. The added room also made honoring Love Jones and bringing Let It Fall: Los Angeles 1982-1992 back to Milwaukee possible without eliminating deserving films from emerging filmmakers.” “The addition of a second shorts program is exciting, as it helps us to strengthen the mission of Black Lens,” states Donte McFadden, Black Lens co-programmer. “We want to make Black Lens a destination for African American filmmakers to screen their work. The shorts program allows for us to introduce many emerging filmmakers from across the country and allows Milwaukee residents the chance to see films that they wouldn’t see anywhere else.” The 2017 Milwaukee Film Festival will take place at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill, Times Cinema, and Avalon Theater from September 28th – October 12th.

    2017 Milwaukee Film Festival Black Lens Program

    72 Hours: A Brooklyn Love Story? (USA / 2017 / Director: Raafi Rivero) Three short days separate 18-year-old Caesar from leaving Brooklyn for a prestigious upstate university. But between his long-time girlfriend calling it quits and his crew already planning for his imminent exit, Caesar finds himself pulled between the comfort of a world he’s always known and the exciting promise of a bright future. A vibrant, textured work that powerfully captures the dizzying nuance of teen love and the thrum of a rapidly-changing borough, 72 Hours is an exacting portrait of what it means to be young, gifted and black. ACORN and the Firestorm (USA / 2017 / Directors: Reuben Atlas and Sam Pollard) It’s a story whose reverberations will be felt across the political landscape for many years to come: ACORN, America’s largest grass-roots community organization (teaching low- and medium-income families across the nation to advocate for themselves), shuttered by a pair of amateur journalists posing as a pimp and prostitute, igniting a media firestorm that helped spawn the Breitbart News empire. This real-life political thriller does much to explain our current divisive state, persuasively drawing a line from ACORN’s bankruptcy to our polarized present and its constant cries of “fake news.” Black Lens Shorts: Family Matters An evening of shorts that tackle the notion of family in all of its complicated glory – whether it’s protecting the ones you love, leaning on them for support, bringing each other together or tearing each other apart, these shorts (alternately funny, thrilling and sad – just like family itself!) have something for everyone! Amelia’s Closet (USA / 2016 / Director: Halima Lucas) Cul-De-Sac (USA / 2016 / Director: Damon Russell) Gema (USA / 2016 / Director: Kendrick Prince) The Homecoming (USA / 2016 / Director: Paulina Bugembe) Night Shift (USA / 2017 / Director: Marshall Tyler) New Neighbors (USA / 2017 / Director: E. G. Bailey) Black Lens Shorts: Lost & Found This second series of Black Lens shorts at this year’s MFF showcase the infinite possibilities in the world of contemporary black filmmaking – watch these characters undergo a journey of discovery (in search of acceptance, love, recognition, and more) while covering a wide array of topics ranging from gun violence and love to classic folklore and the radical art of self-acceptance. A fascinating night at the movies. 90 Days (USA / 2016 / Directors: Jennia Fredrique Aponte, Nathan Hale Williams) Dear Mr. Shakespeare (USA / 2016 / Director: Shola Amoo) The Forever Tree (UK / 2017 / Director: Alrick Brown) Hold On (USA / 2017 / Director: Christine Turner) See You Yesterday (USA / 2017 / Director: Stefon Bristol) #WhereIsBeauty (USA / 2016 / Director: Angela McCrae) You Can Go (USA / 2016 / Director: Christine Turner) Destined (USA / 2016 / Director: Qasim Basir) One unforgettable moment in a young man’s childhood in Detroit creates two startlingly alternate paths: in one, he’s Rasheed, an ambitious architect seeking to ascend the corporate ladder, while in the other he’s Sheed, a drug kingpin who has remained on the streets of his childhood, seeking to exert his will over them. A gripping urban crime thriller with a unique approach to cinematic storytelling, Destined weaves between these two stories, each echoing and diverging from one another in mysterious ways, with both Rasheed and Sheed moving inexorably towards their ultimate fate. Let It Fall: Los Angeles 1982-1992 (USA / 2017 / Director: John Ridley) 25 years later, the Rodney King verdict and the subsequent riots are still etched in our minds. Culminating a decade of struggle with a justice system unequipped to deal with issues of race and class, the riots seem both entirely preventable and utterly unavoidable. Director John Ridley (Jimi: All Is By My Side, MFF14; Milwaukee Film Board Member) avoids simple moralizing or tidy conclusions as he examines the lead-up to and events of that day, instead letting those who lived through the experience speak for themselves in this heartbreaking portrait whose power is only magnified on the big screen. https://www.youtube.com/watch?v=6JGY-GjzKp4 Like Cotton Twines (USA / 2016 / Director: Leila Djansi) American volunteer Micah sees his teaching job in Ghana as an opportunity to reconnect with his ancestral roots while also helping young Ghanaians reach their fullest potential. But when 14-year-old Tuigi, one of his brightest students, must abandon her studies in exchange for a life as a sex slave as recompense for her father’s transgressions, Micah finds himself stuck in the middle of a culture clash, desperate to extricate Tuigi from the cycles of history and tradition that threaten to swallow her whole. https://www.youtube.com/watch?v=9AKgApSQohI Love Jones (USA / 1997 / Director: Theodore Witcher) Nina (Nia Long) is not looking for love when she meets Darius (Larenz Tate) at a poetry slam. Despite the scorching chemistry that instantly ignites, both insist the relationship is purely physical and certainly not a case of the love jones. A witty, sexy portrait of young Black love and romance (set in a middle-class, bohemian milieu that Hollywood still struggles to showcase 20 years on) that is a generational classic, this film will receive a rare 35mm screening at the historic Oriental Theatre! https://www.youtube.com/watch?v=xNMoQ_Cqt4E Tell Them We Are Rising: The Story of Black Colleges and Universities (USA / 2017 / Director: Stanley Nelson) Over the course of 150 years, Historically Black Colleges and Universities (HBCUs) have paved the way for Black intellectuals, revolutionaries, and artists alike to pursue higher education and defy stereotypes among their peers in an unapologetically Black environment. Now the remarkable story of their role in African-American history is finally told. Fest alum Stanley Nelson (The Black Panthers: Vanguard of the Revolution, MFF15) returns with this captivating panorama of HBCUs from their conception to the modern day, a stirring portrait of perseverance in pursuit of knowledge. https://www.youtube.com/watch?v=u8hmqpAzjRo Unrest (USA / 2017 / Director: Jennifer Brea) 28-year-old Jennifer Brea is in the prime of her life as a PhD student and soon-to-be newlywed, when a sudden fever leaves her perpetually bedridden and desperate for answers. A host of unsatisfactory diagnoses lead her to discover an abandoned online community of those similarly afflicted (with what is commonly known as Chronic Fatigue Syndrome). A medical mystery nestled in an intensely personal portrait of a husband and wife’s healing journey, Unrest shines a light on a condition that confounds the medical community through its panoply of personal perspectives on suffering.

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  • Geena Davis’ 2017 Bentonville Film Festival Reveals Panels and Showcase Films Lineup

    [caption id="attachment_22153" align="aligncenter" width="1200"]Everything, Everything Everything, Everything[/caption] The 2017 Bentonville Film Festival kicks off today May 2nd, and will feature a panels lineup that builds upon the mission-oriented foundation set in the previous years, while boldly expanding into progressive conversations surrounding comedy, music, toys, tech, and STEAM. The festival is brining back favorites like the Samsung Create Student Short Film Competition and the star-studded “Geena and Friends” panel featuring Meg Ryan and Brooklyn 99’s Melissa Fumero and Stephanie Beatriz, which invites some of Hollywood’s most recognizable faces to participate in a live script-reading of iconic scenes from popular films with one catch: all major roles are gender-swapped to prove to the audience, in a fun way, that women characters can do anything male characters can do. The panel “In Control of Her Own Destiny” asks what would happen if we gave all young girls the ability to forge their own path, free from the weight of implicit bias? It will feature actress Judy Greer. Filmmaker and actor William H. Macy will be joining us on our “Stories Matter” panel. We’re excited to announce our partnership with Snapchatter CyreneQ, who will be presenting “Through Our Lenses,” a visual compilation of diverse perspectives created by Snapchatters around the world. We are also collaborating with the IW Group to screen the documentary “Relocation: Arkansas,” and host a panel to discuss the history of Japanese-American internment camps in Northwest Arkansas and the power of healing through art and acceptance. Director Stanley Nelson will share with attendees his film, “Tell Them We Are Rising: The Story of Black Colleges and Universities.” Outside of the Narrative, Documentary, Spotlight, Episodic, and Short Film Competitions, the festival has hand-selected this year’s Showcase films to provide a series of screenings that celebrate recent works from major studios that embody that changes we hope to see in the entertainment industry. These films include the heartwarming 2017 Sundance favorite, “Step” from Fox Searchlight (director and cast in attendance) and the intimate Latino family drama, “Lowriders” starring Gabriel Chavarria, Demian Bichir, Theo Rossi, and Eva Longoria from Universal. Lionsgate will be presenting Saban’s “Power Rangers;” panel with director Dean Israelite and actress Becky G to follow. The festival will also showcase short films, “The Forever Tree,” co-written and produced by Chrishaunda Lee Perez and starring Olivia Washington and “Writer’s Block,” starring Jane Lynch.

    SPECIAL SCREENING EVENTS

    Everything, Everything Directed by Stella Meghie and written by J. Mills Goodloe. (USA). A teenager, who’s lived a sheltered life because she’s allergic to everything, falls for the boy who moves in next door. Immediately after the screening, Warner Bros. and MGM invites you to a moderated discussion with director Stella Meghie and novelist Nicola Yoon. STEP Directed by Amanda Lipitz. (USA) The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest. Q&A with director and cast will follow. DC Super Hero Girls: Intergalactic Games Wonder Woman, Supergirl, Batgirl, Poison Ivy, Harley Quinn, Bumblebee and Katana square off against Korugar Academy in the Intergalactic Games, but trouble is in the air as Lena Luthor takes advantage of the gathering of the Supers to enact her villainous plan! In addition to product giveaways and toy samples on displays from toylines inspired by Warner Bros. Pictures’ upcoming action adventure feature film ‘Wonder Woman,’ Warner Bros. Consumer Products is also excited to bring out the real DC Super Hero Girls costume characters who will be available for photo opportunities Friday and Saturday! Tell Them We Are Rising: The Story of Historically Black Colleges and Universities Dir: Stanley Nelson (USA) A haven for Black intellectuals, artists and revolutionaries-and path of promise toward the American dream-Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told. Following the screening, a moderated discussion with film representatives will follow. Painted Woman Directed by James Cotton (USA). A young woman with a dark past finds wisdom in her identity in the romance of the old west. Following the screening, the filmmakers will be joined by panelists from Starz, the Screen Actors Guild, and Walmart to share solutions they’ve discovered in the quest to defend diversity and improve gender representations in film. Relocation, Arkansas: Aftermath of Incarceration Directed by Vivienne Schiffer and Johanna Demetrakas (USA). This film explores the effect of the Japanese American incarceration experience in Arkansas during WWII on the generation that was born after the camps closed, the unlikely tale of those Japanese Americans who remained behind, and the even more unlikely tale of how a small town Arkansas mayor became a legend in the Japanese American community. Themes surrounding the complexity and hypocrisy of race relations in America and the journey toward forgiveness and understanding across cultural boundaries are just two of the many reasons this compelling story must be told. Saban’s Power Rangers Directed by James Cotton (USA) 2017. The film follows five ordinary teens who must become something extraordinary when they learn that their small town of Angel Grove – and the world – is on the verge of being obliterated by an alien threat. Chosen by destiny, our heroes quickly discover they are the only ones who can save the planet. But to do so, they will have to overcome their real-life issues and before it’s too late, band together as the Power Rangers. Moderated panel discussion with director Dean Israelite and actress Becky G (Trini/yellow ranger) will follow. “Through Our Lenses” with Snapchatter CyreneQ Location/Time TBA Through Our Lenses is a Snapchat-made documentary told by 30 individuals inviting us to get a glimpse of their daily life. Each storyteller captured and edited their own documentary with only a smartphone and the app Snapchat. By allowing the storytellers to document themselves, it gives the most authentic representation of their lives, through their very own lenses. Come see the story of artists, musicians, nomads, thrill seekers and so much more, told and created by the amazing individuals themselves.

    BFF LEGACY SERIES

    Each year, the Bentonville Film Festival pays homage to early pioneers and icons of film. In 2017, this tradition will be continued through two efforts: first, with a video-based exhibition at Crystal Bridges Museum of American Art focused on pioneers of African-American cinema and second, with the following ground-breaking screenings at BFF, of early films that broke barriers for women and diverse voices: “The White Raven” Directed by George D. Baker. (USA) A young woman swears revenge on the man who left her father destitute in the Yukon gold fields. She tracks him to the opera houses of New York, where he is a director, but the man’s daughter and a mysterious stranger combine to disrupt her plans. In an effort to recreate the authentic audience experience of its time, this 1917 silent film will be accompanied by a live pianist. “Hamlet” Directed by Svend Gade, Heinz Schall. (Denmark) This revolutionary 1921 silent film sees Hamlet made into a female character – a princess forced to masquerade as a man by her scheming mother. This film will also be accompanied by a live pianist. “The Flute of Krishna” Early Color Film made in 1925 by Eastman Kodak. Martha Graham’s dance “The Flute of Krishna” is performed in front of the camera by students from the Eastman School of Music.

    PANELS

    From Script to Screen – with American Cinema Inspires and UP TV American Cinema Inspires will offer insight into the upcoming UP TV movie Runaway Romance as well as other upcoming and recent projects including the use of VR. The panel will include the CEO/President and Founder of UP TV, Charley Humbard, Veteran Producers George Shamieh and Chevonne O’Shaughnessy of American Cinema Inspires, Runaway Romance novel writer Miralee Ferrell and CEO of Observe Media, Travis Cloyd. Inclusion: Does That Include Me? What does it mean to be underrepresented? How do we champion inclusion without excluding anyone? Geena Davis leads a panel discussion dedicated to diversity, exposing our own implicit bias, encouraging connection, empathy, and more. A lively round of Inclusion-inspired 5-Second Rule by PlayMonster will serve as a conversation catalyst for panelists from Wonder Crew, Coca-Cola, Mars and Walmart, who will share their gamified insights. Lights! Camera! Inclusion! Actor Joey Travolta founded ‘Inclusion Films’ to support and empower individuals with developmental disabilities by creating custom-designed filmmaking workshops and camps. Actress and advocate Jane Seymour and his fellow panelists help us identify resources in our own lives to empower us to become agents for good, right where we are. Stories Matter Storytelling is the oldest form of entertainment and a good tale is timeless. But if great responsibility comes with great power, what did the power of narrative ask of us 100 years ago? What does it ask of us today? And what will it implore us to do tomorrow? To answer these questions, a handful of the industry’s best and brightest examine story as one of the most effective tools for social change. Storytelling through Music In a week dedicated to the visual mediums of film and television, we take a moment to recognize recording artists who use sound and the power of mission-driven music to advocate for the causes that matter most. Hollywood is Not Your Prince Charming Women filmmakers, producers, directors, actors are not freelancers but are becoming self-made. To become self-made is the new ticking clock for women, it’s not if but when. The times we live in demand that women become financially self-reliant. There is no Prince Charming that will come and save us, no mate, no boss, no studio so we must all learn the trick to find the hidden money in America and go get our own chips! We must create a life equally grounded in Mission and in Money. The State of Womanhood In this session A+E Networks’ Ad Sales executives, Marcela Tabares, SVP Strategic Insights, Joetta Gobell, VP, Primary Research Strategic Insights and Amy Baker, EVP, deconstruct what defines who “she” is and how “she” responds to advertising as well as diving deeper on how marketers can be thinking about catering to the female audiences that feel underrepresented in media. Girls Rule What do some of TV’s most strong, inspiring and provocative female characters have in common? A team of strong, inspiring and provocative women who are responsible for bringing them to the screen, and to life. Karen Bailey, Maril Davis, Emma Frost and Tanya Saracho, showrunners and executives behind television hits including “Outlander,” “The White Queen,” “The White Princess” and more, share their stories and advice on creating premium dramas and empowering female voices in all stages of development and production. In Control Of Her Own Destiny What would happen if we gave all young girls the ability to forge their own path, free from the weight of implicit bias? Is it even possible? Well, it is possible, especially when we work together. These women share the tools they use in their personal and professional lives to make that possibility a reality. Progress vs. Perfection Presented by Mattel Whether you’re an individual or a business, when striving for gender equality and cultural diversity, fear of failure and the paralyzing desire to “do it right” can keep you from ever reaching the finish line. If we wish to leave behind a legacy of lasting change, these panelists explain why the future is counting on us to seek progress, and not unattainable perfection, to measure our success. Gender Norms in Entertainment Presented by Common Sense Media In today’s media world, kids are flooded with messages about how they should look and act. As parents navigate entertainment for their children, how women, girls, men, and boys are portrayed on screen is critical — something that 80% of surveyed Common Sense members agree on and want more information about. In this panel, we’ll discuss why this topic is so important for kids, families, content creators, and more. Geena and Friends Presented by L’Oreal Each year, Geena Davis and a handful of celebrity friends come together to swap gender roles while reading scenes from some of Hollywood’s favorite scripts to expose implicit bias and have some fun! This year’s guests include Brooklyn 99’s Melissa Fumero and Stephanie Beatriz, Meg Ryan, and other special guests! If You Can Read it, See It, Play It, Be It… All forms of media have the power to inspire and change lives. That’s why our founder Geena likes to say, “If they can see it, they can be it.” Looking beyond film and television, this event showcases forward-looking companies, innovative artists, and cutting-edge creators on their mission to create BOOKS, GAMES, TOYS, and TECH that inspire everyone.

    STEM to STEAM

    Adding the “A” for Arts to STEM creates STEAM. Creativity is important to fueling the innovation that companies seek in order to stay competitive. The solution to narrowing the STEM pipeline gap and innovation may lay in the arts for engaging the underrepresented demographic of girls and kids of color. This panel is dedicated to demonstrating why the Arts are just as essential as the disciplines of Science, Technology, Engineering, and Math. Kids: Shaping Tomorrow’s Influencers Today Presented by Mattel If our destiny is diversity, then it’s never too early to begin these important conversations with our kids. Meet the children’s television programmers and product developers who have dedicated their life’s work to making those conversations a little bit easier. Game Changers Success in Sports hinges on teamwork and collaboration. We rise together or fall together… Winning does not discriminate. These game changers discuss what inspired them to accomplish the incredible! Sustainability: Going Further Recycle, reduce, reuse, right? Sustainability actually goes way beyond all that. From managing our natural resources to maintaining health, safety, and labor rights for workers, learn why this issue is becoming increasingly vital to all industries and discover what inspired our panelists to commit significant portions of their lives to fighting for this cause. #OurPurposeIsProgress Samsung Create Student Short Film Competition Student filmmakers were challenged to make a short film based on the mission of BFF by utilizing the incredibly powerful Samsung Galaxy phone and tablet. The top films will premier at BFF followed by a Q&A with the student filmmakers. A League Of Their Own 25h Anniversary Game Yes it has been 25 years! Join our BFF’s Geena Davis, select cast members from the film, and the Rockford Peaches for an afternoon at the ballpark with the family. The game will feature Celebrity and Professional athletes competing against our BFF partners. And remember, “THERE IS NO CRYING IN BASEBALL!”

    SHOWCASE FILMS

    3 Generations, directed by Gaby Dellal, written by Nikole Beckwith and Gaby Dellal. (USA) After Ray decides to transition from female to male, Ray’s mother, Maggie, must come to terms with the decision while tracking down Ray’s biological father to get his legal consent. 6 Below, directed by Scott Waugh, written by Madison Turner. (USA) An adrenaline seeking snowboarder gets lost in a massive winter storm in the back-country of the High Sierras where he is pushed to the limits of human endurance and forced to battle his own personal demons as he fights for survival. Animal Crackers, directed by Tony Bancroft, Scott Christian Sava and Jaime Maestro (USA) A family must use a magical box of Animal Crackers to save a run-down circus from being taken over by their evil uncle Horatio P. Huntington. Cries From Syria, directed by Evgeny Afineevsky. (USA). We follow child protesters, revolution icons, activists and their relatives, and high-ranking Army generals who defected to join the fight of the people. It tells the story of the Syrian people who have never lost hope. Despite the Falling Snow, directed and written by Shamim Sarif. (UK). In 1950s Moscow, communist Katya secretly spies for the Americans in the Cold War arms race. When she lands her biggest assignment, stealing secrets from rising government star Alexander, the last thing she expects is to fall in love with him. Guardians of the Galaxy 2, directed and written by James Gunn. (USA) In Marvel’s “Guardians of the Galaxy Vol. 2,” the Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill’s true parentage. Leap!, directed by Eric Summer and Eric Warin, written by Carol Noble, Laurent Zeitoun & Eric Summer. (USA) An orphan girl dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house. Lowriders, directed by Ricardo de Montreuil, written by Cheo Hodari Coker, Elgin James. (USA) A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression. Painted Woman, directed by James Cotton (USA) A young woman with a dark past finds wisdom in her identity in the romance of the old west. Paris Can Wait, directed and written by Eleanor Coppola. (USA) Long married to a successful, driven but inattentive movie producer, Anne unexpectedly finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance, reawakening Anne’s senses and giving her a new lust for life. Resident Evil: The Final Chapter, directed by Paul W. S. Anderson (USA) Alice returns to where the nightmare began: The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. Sonic The Hedgehog: Just A Guy, a CGI showcase episodic starring Sega’s iconic Sonic the Hedgehog, directed by Natalys Raut Sieuzac (USA/Japan/France). When Sonic insults his friend Mike the Ox by calling him “just a guy,” the village teaches Sonic the important lesson that it’s better not to judge or label anyone. We all are special. The Eagle Huntress, directed by Otto Bell (UK) Thirteen-year-old Aisholpan trains to become the first female in twelve generations of her Kazakh family to become an eagle huntress. The Red Turtle, directed by Michael Dudok de Wit (France/Belgium/Japan) The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds. The Forever Tree, a showcase short film directed by Alrick Brown. (USA) Tawny Bennett, an antiquarian’s apprentice, receives a visitor in the middle of the night with a mysterious clue to a legend which threatens to disrupt her quiet life. (paired with opening film, “3 Generations”) Underworld: Blood Wars, directed by Anna Foerster (USA) Vampire death dealer, Selene (Kate Beckinsale) fights to end the eternal war between the Lycan clan and the Vampire faction that betrayed her. Writer’s Block, a showcase short film directed by Troy Miller. (USA) Past her prime and afflicted with a severe case of writer’s block, a veteran songwriter finds new inspiration in a bird that takes up residence outside her home, starring Jane Lynch. (paired with showcase feature, “Paris Can Wait”)

    ADDITIONAL SPOTLIGHT FILMS

    Like Cotton Twines, directed and written by Leila Djansi. (USA) Micah Brown, an American volunteer takes a teaching job in a remote African village where he meets Tuigi, a 13-year old girl who is to become Trokosi, wife to the gods. A practice of religious sexual slavery. Accepting of her fate, Tuigi’s only desire it to be able to write her GED.

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  • Amanda Lipitz’s STEP to Open and Zoe Lister-Jones’ BAND AID to Close 2017 Montclair Film Festival

    [caption id="attachment_19944" align="alignnone" width="1200"]Step by Amanda Lipitz STEP[/caption] The 6th Montclair Film Festival, taking place April 28 to May 7, 2017, will open with Amanda Lipitz’s STEP on Friday, April 28 and close with Zoe Lister-Jones’ BAND AID on Saturday, May 6.  In addition, the fiction centerpiece film, Geremy Jasper’s PATTI CAKE$, will be presented on Friday, May 5 and the documentary centerpiece film, Stanley Nelson’s TELL THEM WE ARE RISING: AMERICA’S BLACK COLLEGES AND UNIVERSITIES will be presented on Saturday, May 6. Montclair Film is teaming up with the American Black Film Festival (ABFF) on a partnership that helps build meaningful opportunity for African American professionals in the film and television industry, and which celebrates the work of established artists in the field. This year’s partnership includes a new program, Emerging Black Voices, which will offer opportunity to filmmakers and producers at both the MFF and ABFF, as well as multiple panel discussions, screenings, and the House Party, a celebration of African American filmmakers held each year at the MFF. The festival will welcome Retro Report as the partner for a two-part series at this year’s festival that examines the state of news, reporting, and media consumption. The partnership features a program of films, curated by the Retro Report team and including the premiere of their latest film ZAPRUDER , that examines the way in which media stories can shape the public conversation, as well as a conversation entitled TRUE OR FALSE?: REPORTING IN THE AGE OF “FAKE NEWS” which will feature a panel of distinguished journalists and offer a look inside the job of reporting the facts when audiences are more inclined than ever to challenge them. Two special restorations – George Romero’s NIGHT OF THE LIVING DEAD and Andrei Tarkovsky’s STALKER will be presented at this year’s festival. First, George Romero’s NIGHT OF THE LIVING DEAD will screen in a stunning new 4K restoration and will be presented on April 29 at the Wellmont Theater. Featured special guests will include Producer Russ Streiner, who also played Johnny in the film and delivered the now-famous line “They’re coming to get you, Barbara,” actress Kyra Schon, who portrayed the 11 year-old Karen Cooper in the film and provided one of the film’s most unforgettable moments, and investor and the film’s sound recordist Gary Streiner, who oversaw the film’s restoration on behalf of Image Ten. Next, the Festival will present Mosfilm’s beautiful new 2K restoration of Andrei Tarkovsky’s STALKER, screening Saturday, April 29. This restoration will be the first film ever screened in Cinema505, Montclair Film’s own cinema located in their new home at the Investors Bank Film and Media Center at 505 Bloomfield Avenue in downtown Montclair.

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