The Cage Fighter (2017)

  • Film Independent Awards Winners of 2018 Spirit Awards Filmmaker Grants

    [caption id="attachment_26288" align="aligncenter" width="1200"]Justin Chon, director of Gook Justin Chon, Gook[/caption] The winners of the five Film Independent Spirit Awards filmmaker grants were awarded the prizes at the annual Spirit Awards Nominee Brunch held on Saturday in West Hollywood.  John Cho (Star Trek, Columbus, Search) and Alia Shawkat (Search Party, Blaze, Duck Butter) co-hosted the event and handed out the honors. “This year we are giving out $150,000 in cash grants to a group of remarkably talented writers, directors, and producers,” said Film Independent President Josh Welsh. “The Spirit Awards grants are designed to provide critical support to these filmmakers, recognizing them for past accomplishments and helping them to develop new work.” Chloé Zhao received the inaugural Bonnie Award. Bonnie Tiburzi Caputo joined American Airlines in 1973 at age 24, becoming the first female pilot to fly for a major U.S. airline. In her honor, the Bonnie Award recognizes a mid-career female director with a $50,000 unrestricted grant sponsored by American Airlines. Finalists for the award were So Yong Kim and Lynn Shelton. Jonathan Olshefski, director of Quest, received the Jeepâ Truer Than Fiction Award. The award is presented to an emerging director of non-fiction features who has not received significant recognition. The award is in its 23rd year and includes a $25,000 unrestricted grant funded by the Jeep brand for the first year. Finalists for the award were Shevaun Mizrahi, director of Distant Constellation and Jeff Unay, director of The Cage Fighter. Justin Chon, director of Gook, received the Kiehl’s Someone to Watch Award. The award recognizes talented filmmakers of singular vision who have not yet received appropriate recognition. The award is in its 24th year and includes a $25,000 unrestricted grant funded by Kiehl’s Since 1851 for the fourth consecutive year. Finalists for the award were Amman Abbasi, director of Dayveon and Kevin Phillips, director of Super Dark Times. Summer Shelton received the Piaget Producers Award. The award honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films. The annual award, in its 21st year, includes a $25,000 unrestricted grant funded by Piaget for the 11th year. Finalists for the award were Giulia Caruso & Ki Jin Kim and Ben Leclair. Matty Brown received the Seattle Story Award. The award is for a filmmaker who exhibits innovation, diversity and uniqueness of vision while having a history of transforming perspectives through rich stories. The award includes a $25,000 cash grant, sponsored by Visit Seattle, to create a short film inspired by Seattle’s independent spirit. This film will premiere during the Spirit Awards broadcast. This year marks the 33rd edition of the awards show that celebrates the best of independent film. Nick Kroll and John Mulaney return to co-host the show, and director Ava DuVernay is the Spirit Awards Honorary Chair. Winners for the remaining categories will be revealed at the 2018 Film Independent Spirit Awards on Saturday, March 3. The awards ceremony will be broadcast live exclusively on IFC at 2:00 pm PT / 5:00 pm ET.

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  • CALL ME BY YOUR NAME Leads Nominations for 2018 Film Independent Spirit Awards

    Call Me By Your Name
    Call Me By Your Name

    Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature. 

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  • 2017 Camden International Film Festival Announces Lineup, Opens with World Premiere of SHOT IN THE DARK

    [caption id="attachment_23992" align="aligncenter" width="1200"]Shot in the Dark by Dustin Nakao Haider Shot in the Dark by Dustin Nakao Haider[/caption] The 2017 Camden International Film Festival (CIFF) will take place September 14 to 17, 2017 throughout Camden, Rockport and Rockland, Maine, and present 37 features, 35 short films, and a dozen virtual reality experiences from 30 countries.  Keeping with CIFF’s mission to discover and support new talent in nonfiction filmmaking, over half of the lineup’s 37 features are made by first- or second-time filmmakers. CIFF will open with the world premiere of Dustin Nakao Haider’s Shot in the Dark.  Additional highlights include titles making their US debut following premieres at the 2017 Toronto International Film Festival (Love Means Zero, Eric Clapton: Life In 12 Bars, Cocaine Prison), the North American premieres of films coming from Locarno (Sand und Blut, Did You Wonder Who Fired The Gun?) and Venice (This Is Congo), award-winning films from Visions du Reel (Taste of Cement, All That Passes By Through a Window That Doesn’t Open) and Berlin (El Mar La Mar, House In The FieldsDevil’s Freedom) alongside some of the year’s top documentaries (Abacus: Small Enough to Jail, Whose Streets?, The Work). The 13th Camden International Film Festival is a program of the Points North Institute.  This year, eight projects that have participated in the Points North Institute’s Artist Programs will be screening at CIFF. These titles include All That Passes By Through A Window That Doesn’t Open, No Man’s Land, The Cage Fighter, The Family I Had, The Reagan Show, The Sensitives, Whose Streets? and Commodity City. These films have garnered awards and debuted at prestigious festivals including Sundance, Locarno, Tribeca, Rotterdam, and Visions du Reel. “Screening at CIFF this year feels like a homecoming,” says Sabaah Folayan, Director of Whose Streets?, distributed by Magnolia Pictures. “This community believed in our project when it was still just an idea and it means everything to be able to come back and share the finished film.” This year also features an expanded 2nd edition of Storyforms: Remixing Reality, CIFF’s exhibition of VR, immersive media, and installations. For the first time, Storyforms will present “room-scale” and “walk-around” VR experiences. Highlights include Tree by Milica Zec and Winslow Porter, which comes to CIFF after showing at Sundance, Tribeca and Cannes. Storyforms will also include a sneak preview of the latest groundbreaking walk-around VR experience produced in a new collaboration between FRONTLINE PBS and Nonny de la Peña’s Emblematic Group, which brings climate change to life as never before, allowing viewers to travel alongside NASA scientists to a place where the glaciers are melting faster and faster.

    2017 Camden International Film Festival Features

    SHOT IN THE DARK – Opening Night Film Dustin Nakao Haider | United States |  96 mins Orr Academy’s basketball court is a haven. Outside, it’s a neighborhood racked with gangs and violence. Though each player has his own struggle, they’ll need to fight together if they ever want to break out. World Premiere | Filmmaker in Attendance 69 Minutes of 86 Days Egil Håskjold Larsen | Norway | 71 mins A 3-year-old girl and her family’s long journey from a Greek refugee centre to Uppsala, in a film that gives the tragedy both a form and a face. US Premiere A River Below Mark Grieco | USA, Colombia | 86 mins A River Below captures the Amazon in all its complexity as it examines the actions of environmental activists using the media in an age where truth is a relative term. Filmmaker in Attendance Abacus: Small Enough to Jail Steve James | USA | 88 mins From acclaimed director Steve James, ABACUS tells the incredible family saga of the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. Filmmaker in Attendance All That Passes By Through a Window That Doesn’t Open Martin DiCicco | USA, Qatar | 70 mins A journey by rail where workers reflect upon opportunity and regret, floating through a Eurasian expanse striving to fill their days and dreams, as much as their pockets. North American Premiere / PNI Alumni | Filmmaker in Attendance Behold the Earth David Conover | USA | 63 mins A feature-length musical documentary film that inquires into America’s divorce from nature, built out of conversations with leading biologists and evangelical Christians. Filmmaker in Attendance Bobbi Jene Elvira Lind | Denmark. Sweden, Israel, USA | 96 mins A love story, and a film about a woman’s fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance. Filmmaker in Attendance Cocaine Prison Violeta Ayala | Australia, Bolivia, France & USA | 76 mins From inside one of Bolivia’s most infamous prisons, comes the story of the foot soldiers of the drug trade. US Premiere | Filmmakers in Attendance Common Carrier James N. Kienitz Wilkins | USA | 78 mins A mix of artists struggle to perform their roles, at once connected and alienated by the plague of modern life. Filmmaker in Attendance Devil’s Freedom Everardo González | Mexico | 74 mins A deeply compelling investigation into the phenomenon of Mexico’s “disappeared” from the perspectives of those bereaved by, and those responsible for, some truly barbaric acts. Did You Wonder Who Fired The Gun? Travis Wilkerson | USA | 90 mins This isn’t a White Savior story. It’s a White Nightmare story. North American Premiere | Filmmaker in Attendance Do Donkeys Act? Ashley Sabin, David Redmon | UK | 72 mins A film that subtly subverts the notion of the “dumb beast” as it captures donkeys communicating emotionally with each other in the midst of healing from human cruelty and neglect.  Filmmakers in Attendance El Mar La Mar Joshua Bonnetta, J.P. Sniadecki | USA | 94 mins A portrait of the Sonoran Desert along the United States border with Mexico. Filmmakers in Attendance Eric Clapton: Life In 12 Bars Lili Fini Zanuck | USA | 95 mins A look at the life and work of guitarist Eric Clapton told by those who have known him best, including BB King, Jimi Hendrix, and George Harrison. US Premiere House in the Fields Tala Hadid | Morocco, Qatar | 86 mins House in the Fields is the first part of a triptych set in Morocco, that starts in the Atlas Mountains, journeys through Casablanca and finishes beyond the borders. US Premiere | Filmmaker in Attendance In the Waves Jacquelyn Mills | Canada (Québec) | 60 mins An expressive documentary that depicts the life of 80 years old Joan Alma Mills in her aging coastal village as she finds herself confronted by the fragility of life. North American Premiere | Filmmaker in Attendance Let There Be Light Mila Aung-Thwin, Van Royko | Canada, France, Italy, Switzerland, USA | 90 mins Let There Be Light follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy. Filmmaker in Attendance Look & See: A Portrait of Wendell Berry Laura Dunn, Jef Sewell | USA | 80 mins A cinematic portrait of farmer and writer Wendell Berry. Through his eyes, we see both the changing landscapes of rural America in the era of industrial agriculture and the redemptive beauty in taking the unworn path. Lots of Kids, a Monkey and a Castle Gustavo Salmerón | Spain | 90 mins A bustling, loose-limbed portrait of actor-director Gustavo Salmerón’s large family, especially his unforgettable mom. US Premiere | Filmmaker in Attendance Love Means Zero Jason Kohn | USA | 89 mins Nick Bollettieri coached a generation of tennis champions, but his relentless desire to win cost him the relationship he valued most. US Premiere | Filmmaker in Attendance Maineland Miao Wang | China, USA | 89 mins Chinese students now account for over one-third to one-half of international secondary school students, including in a small liberal arts college in Maine. Filmmaker in Attendance No Man’s Land David Byars | USA | 83 mins Embedded with the militants of the 2016 occupation of the Malheur Wildlife Refuge, NO MAN’S LAND provides a vivid depiction of events that have become emblematic of the current political divide. PNI Alumni | Filmmaker in Attendance Purge This Land Lee Anne Schmitt | USA | 80 mins Contemplating the culpability of White America in the ongoing disenfranchisement of Black America, this film combines images of sites of white racial violence with anecdotal history of John Brown’s radical ethics.  Sneak Preview | Filmmaker in Attendance Quest Jonathan Olshefski | USA | 104 mins The moving portrait of a family in North Philadelphia who open the door to their home music studio, which serves as a creative sanctuary from the strife that grips their neighborhood.Filmmaker in Attendance Resurrecting Hassan Carlo Guillermo Proto | Canada, Chile | 100 mins A blind family is haunted by the tragic death of their son Hassan and seek to resurrect his spirit and transcend their suffering, while singing in the subways of Montreal. Filmmaker in Attendance Sand und Blut (Sand and Blood) Matthias Krepp, Angelika Spangel | Austria | 90 mins Private video footage narrated by refugees now living in Europe offers a new and intimate perspective on Syria and Iraq’s recent history: a montage of haunting images of devastation, fear, and hatred. North American Premiere | Filmmakers in Attendance Secret Screening Academy-Award Winning Director | USA A gripping investigation by one of the country’s most celebrated directors. Sneak Preview | Filmmaker in Attendance Shot in the Dark Dustin Nakao Haider | USA | 96 mins Orr Academy’s basketball court is a haven. Outside, it’s a neighborhood racked with gangs and violence. Though each player has his own struggle, they’ll need to fight together if they ever want to break out. Opening Night Film | World Premiere | Filmmaker in Attendance Stranger in Paradise Guido Hendrikx | Netherlands | 72 mins A blunt film essay on the power relations between Europe and refugees. Filmmaker in Attendance Taste of Cement Ziad Kalthoum  | Germany, Lebanon, Syria, United Arab Emirates, Qatar | 85 mins In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. North American Premiere | Filmmaker in Attendance The Cage Fighter Jeff Unay | USA | 83 mins Although a man promises his wife and daughters that he will not return to competitive mixed martial arts fighting, he secretly begins training for the dangerous sport that gives him a sense of purpose. PNI Alumni | Filmmaker in Attendance The Departure Lana Wilson | USA | 87 mins Ittetsu Nemoto, a former punk-turned-Buddhist-priest in Japan, has made a career out of helping suicidal people find reasons to live. Filmmaker in Attendance The Family I Had Katie Green, Carlye Rubin | USA | 77 mins How does the mother to a murdered child and the murderer himself move forward, and what kind of relationship can she forge with her now incarcerated son? PNI Alumni | Filmmakers in Attendance The Reagan Show Pacho Velez, Sierra Pettengill | USA  | 75 mins Made up entirely of archival news and White House footage, this documentary captures the pageantry, absurdity, and mastery of the made-for-TV politics of Ronald Reagan. PNI Alumni | Filmmakers in Attendance The Sensitives Drew Xanthopoulos | USA | 83 mins What if modern life made you sick? PNI Alumni | Filmmaker in Attendance The Work Jairus McLeary, Gethin Aldous | USA | 87 mins Set entirely inside Folsom State Prison, “The Work” follows 3 men during 4 days of intensive group therapy with convicts, revealing an intimate and powerful portrait of authentic human transformation that transcends what we think of as rehabilitation. Filmmakers in Attendance This is Congo Daniel McCabe | USA | 93 mins Following four compelling characters, the film offers a truly Congolese perspective and an immersive exploration into Africa’s longest continuing conflict. North American Premiere | Filmmaker in Attendance Whose Streets? Sabaah Folayan, Damon Davis | USA | 90 mins “Portrait of Ferguson May Be the Doc of the Year: Powerful you-are-there portrait of how a community raged in the aftermath of tragedy – and reacted with activism – could not be more vital” – Rolling Stone PNI Alumni | Filmmakers in Attendance

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  • Sundance Selects to Release Jeff Unay’s THE CAGE FIGHTER Documentary

    [caption id="attachment_22652" align="aligncenter" width="1200"]The Cage Fighter The Cage Fighter[/caption] Jeff Unay’s documentary and directorial feature debut The Cage Fighter that premiered earlier this year at the 2017 San Francisco International Film Festival has been acquired by Sundance Selects for release in the US.  It was written, directed and photographed by Jeff Unay. The Cage Fighter is the story of a man in the fight of his life. Joe Carman is a blue-collar Washington State boilermaker and master plumber, a loving father and husband. Unable to cope with stresses at home, reeling from his wife’s recent illness and an ongoing custody battle, Joe escapes back into the fighting cage — the one place he’d promised never to set foot again. By trading his inner pain for physical blows, Joe struggles to heal himself and come to terms with his past. In the fighting cage, life’s problems are as simple as they are acute; but there, unlike in the real world, an old fighter can at least go down swinging. “I am very excited that we are partnering with Sundance Selects to bring The Cage Fighter to the public,” said Jeff Unay, director. “Their prestigious label/brand of films coupled together with their penchant to distribute their films to the widest possible audience is extremely promising and very important to our film. We are proud to be part of the Sundance Selects family.” “Jeff Unay’s impressive and beautiful debut unfolds like a narrative film in which the story of Joe Carman and his journey is portrayed with empathy and universal accessibility. We can’t wait to share his story with audiences across the country,” said Arianna Bocco, EVP of Acquisitions and Productions.

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  • Rooftop Films Announces 2017 Summer Series Lineup, BAND AID, THE BAD BATCH and More

    [caption id="attachment_19867" align="aligncenter" width="1200"]Band Aid Adam Pally, Fred Armisen and Zoe Lister-Jones appear in Band Aid by Zoe Lister-Jones[/caption] The Rooftop Films 2017 Summer Series will take place May 19th to August 19th, featuring more than 45 outdoor screenings in more than 10 venues. The series will kick off on Friday, May 19th, with “This is What We Mean by Short Films,” a collection of some of the most innovative, new short films of the past year. The screening will take place on the roof of The Old American Can Factory, in Gowanus, Brooklyn. The following night, Saturday, May 20th Rooftop will present a sneak preview screening of Zoe Lister-Jones’ 2017 Sundance indie hit, Band Aid, free and outdoors at House of Vans in Greenpoint, Brooklyn. Starring Lister-Jones, Adam Pally (“The Mindy Project”), and Fred Armisen (“Portlandia”), Band Aid tells the story of a couple attempting to piece their marriage back together by turning their fights into indie rock lyrics.  Band Aid opens in theaters June 2nd, courtesy of IFC Films. Lister-Jones’ film is but one of many of this year’s best independent comedies playing at Rooftop this summer. In addition Rooftop films will present a sneak preview screening of Michael Showalter’s acclaimed new comedy, The Big Sick, starring and co-written by Kumail Nanjiani, prior to its June 23rd theatrical release by Lionsgate and Amazon Studios. Additional high-profile comedies include Rough Night, Lucia Aniello’s bachelorette-party-gone-wrong comedy starring Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz; Writer, director, and star Noël Wells’ Austin-based feature film debut Mr. Roosevelt; Jessica Williams’ big screen breakout role in Jim Strouse’s The Incredible Jessica James; and Dave McCary’s magical feature film, Brigsby Bear. The 2017 Summer Series also brings with it the triumphant return of Rooftop Films Alumni and Filmmakers’ Fund Grantees. The festival, in partnership with NEON, welcomes back Rooftop Films Piper-Heidsieck Feature Film Grant winner, Ana Lily Amirpour, for a night of complete dystopian debauchery with an exclusive screening of her new film, The Bad Batch, at the House of Vans in Greenpoint. Also returning is Joshua Z Weinstein with his Brooklyn-based, Rooftop/Brigade Festival Publicity Grant winning Menashe and Lauren Wolkstein and Christopher Radcliffe with The Strange Ones, an enigmatic and lush story, adapted into a feature film with the help of the Rooftop Films Eastern Effects Equipment Grant. Rooftop will also present special screenings of some of the most exciting documentaries of the year, including the US premiere of Vanessa Stockley’s fascinating Grey Gardens-in-Manhattan tale, The Genius and the Opera Singer; the NY premiere of Jeff Unay’s much-lauded MMA doc, The Cage Fighter; The US premiere of Maple J. Razsa and Milton Guillén’s The Maribor Uprising: A Live Participatory Film; Jairus McLeary and Gethin Aldous’ powerful SXSW-winning The Work; the gorgeous and sensitive Sundance-winning Dina; and the most entertaining found footage film of the year, Dmitry Kalashnikov’s Russian dash-cam doc, The Road Movie. It wouldn’t be Rooftop Films without cutting-edge evenings of short films. 2017 programming features the return of Summer Series staples, including the romantic short films of “Love is Short,” the innovative animation of “Dark Toons,” the uncanny short films of “Trapped,” the best of this year’s “New York Nonfiction,” and “The New American Paradise,” an evening of WTF short stories from outside the liberal bubble.

    ROOFTOP FILMS 2017 SUMMER SERIES OPENING WEEKEND

    Friday, May 19, 2017 This is What We Mean by Short Films On the roof of The Old American Can Factory. 232 Third St. Brooklyn Rooftop turns 21 this year. We’re legal, but not playing it safe. On opening night, we’re celebrating with our favorite stories from moral grey zones and uncharted territories: a mushroom of colorful balloons kills two before escaping to Canada, an unnatural presence enters tickle fight, a subversive dance number takes down the patriarchy, and a Russian circus meltdown is played in reverse. Saturday, May 20, 2017 Band Aid (Zoe Lister-Jones) Outdoors at House of Vans. 25 Franklin St. Brooklyn Band Aid, the refreshingly raw, real, and hilarious feature debut from Zoe Lister-Jones, is the story of a couple, Anna (Zoe Lister-Jones) and Ben (Adam Pally), who can’t stop fighting. Advised by their therapist to try and work through their grief unconventionally, they are reminded of their shared love of music. In a last-ditch effort to save their marriage, they decide to turn all their fights into song, and with the help of their neighbor Dave (Fred Armisen), they start a band. A story of love, loss, and rock and roll, Band Aid is a witty and perceptive view of modern love, with some seriously catchy pop hooks to boot. An IFC Films release.

    FEATURE FILMS

    The Bad Batch (Ana Lily Amirpour) The Bad Batch follows Arlen (Suki Waterhouse) after she’s left in a Texas wasteland fenced off from civilization. While trying to navigate the unforgiving landscape, Arlen is captured by a savage band of cannibals led by the mysterious Miami Man (Jason Momoa). With her life on the line, she makes her way to The Dream (Keanu Reeves). As she adjusts to life in ‘the bad batch’ Arlen discovers that being good or bad mostly depends on who’s standing next to you. Winner of the Rooftop Films Piper-Heidsieck Feature Film Grant. A NEON release. Beach Rats (Eliza Hittman) Frankie, an aimless teenager on the outer edges of Brooklyn, is having a miserable summer. With his father dying and his mother wanting him to find a girlfriend, Frankie escapes the bleakness of his home life by causing trouble with his delinquent friends and flirting with older men online. When his chatting and webcamming intensify, he finally starts hooking up with guys at a nearby cruising beach while simultaneously entering into a cautious relationship with a young woman. As Frankie struggles to reconcile his competing desires, his decisions leave him hurtling toward irreparable consequences. A NEON release. The Big Sick (Michael Showalter) Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, The Big Sick tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano) who he’s never met, while dealing with the emotional tug-of war between his family and his heart. The Big Sick is directed by Michael Showalter (Hello My Name Is Doris) and produced by Judd Apatow (Trainwreck, This Is 40) and Barry Mendel (Trainwreck, The Royal Tenenbaums). A Lionsgate and Amazon Studios release. Friday, June 30, 2017 Brigsby Bear (Dave McCary) On the roof of New Design High School. 350 Grand St. Manhattan After 25 years of secluded existence with his protective parents in their isolated, off-the-grid home, James (Kyle Mooney) is tossed out into a new life in relatively daunting Cedar Hills, Utah. As his world upends, the most shocking revelation to James is that he’s the only person who has ever watched his favorite television program, Brigsby Bear Adventures. Struggling to adjust to the show’s abrupt end, he begins to see Brigsby’s lessons as his only way to make sense of a big, scary new world, and James decides to make a movie to end Brigsby’s story—and re-begin his own. A Sony Pictures Classics release. Friday, June 23, 2017 The Cage Fighter (Jeff Unay) On the roof of The Old American Can Factory. 232 Third St. Brooklyn A blue-collar family man breaks the promise he’d made years ago to never fight again. Now 40 years old, with a wife and four children who need him, Joe Carman risks everything—his marriage, his family, his financial security— to go back into the fighting cage and come to terms with his past. After party presented by Visit Seattle. California Dreams (Mike Ott) From acclaimed director Mike Ott (Lake Los Angeles, Actor Martinez) comes the new comedy documentary feature California Dreams, presenting five unique individuals in pursuit of a big life change. Through auditions set up in small towns across Southern California, the film shows genuine characters with big Hollywood aspirations who, for various reasons, have never had the opportunity to pursue their dreams. With subjects including celebrity impersonators, aspiring writers, and a former nurse, this bitingly funny film reveals the strange and entrancing hypnotic grip that Hollywood has, in some way or form, on everyone. Wednesday, August 2, 2017 The Challenge (Yuri Ancarani) Outdoors at Socrates Sculpture Park. 32-01 Vernon Blvd. Queens. If you have it, spend it: Italian artist Yuri Ancarani’s visually striking documentary enters the surreal world of wealthy Qatari sheikhs who moonlight as amateur falconers, with no expenses spared along the way. The Challenge follows these men through the rituals that define their lives: perilously racing blacked-out SUVs up and down sand dunes; sharing communal meals; taking their Ferraris out for a spin with their pet cheetahs riding shotgun; and much more. Ancarani’s film is a sly meditation on the collective pursuit of idiosyncratic desires. A Kino Lorber Release. Dayveon (Amman Abbasi) In the wake of his older brother’s death, 13-year-old Dayveon spends the sweltering summer days roaming his rural Arkansas town. When he falls in with a local gang, he becomes drawn to the camaraderie and violence of their world. A FilmRise release. Dina (Dan Sickles, Antonio Santini) Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy. An Orchard release. Saturday, May 27, 2017 The Genius and the Opera Singer (Vanessa Stockley) On the roof of New Design High School. 350 Grand St. Manhattan A 92-year-old former opera singer and her volatile daughter have inhabited a rent-controlled Manhattan penthouse for the last fifty-five years – along with their obese chihuahua, Angelina Jolie. An unsettling portrait of a mother-daughter relationship, The Genius and the Opera Singer explores their intense emotional states and the knotted riddle of their past. US Premiere. Tuesday, July 25, 2017 The Incredible Jessica James (Jim Strouse) On the roof of The William Vale. 111 N 12th St. Brooklyn Jessica Williams (“The Daily Show”) stars as a young, aspiring playwright in New York City who is struggling to get over a recent breakup. She is forced to go on a date with the recently divorced Boone, played by Chris O’Dowd (Bridesmaids) and the unlikely duo discover how to make it through the tough times in a social media obsessed post-relationship universe. Lakeith Stanfield (FX’s “Atlanta”, Straight Outta Compton) and Noël Wells (Netflix’s “Master of None”) co-star. The film was written and directed by Jim Strouse and produced by Michael B. Clark and Alex Turtletaub of Beachside. Jessica Williams and Kerri Hundley serve as executive producers. A Netflix release. L.A. Times (Michelle Morgan) Annette (Michelle Morgan) and Elliot (Jorma Taccone) are a mostly-happy, moderately-neurotic LA couple. Maybe Annette doesn’t enjoy game nights or taco stands as much as Elliot does, but no relationship is perfect, right? Rather than embracing their differences, Annette can only compare their relationship to their happy couple friends. This cannot be endorsed by Annette’s beautiful but romantically troubled best friend, Baker (Dree Hemingway), who is very well-versed on the bleakness of the LA dating scene. Taking its cues from classic mid-20th Century comedies with a stylish and contemporary spin, L.A. Times is an irreverent tale of life and the search for elusive love in the 21st Century. Friday, June 16, 2017 The Maribor Uprisings: A Live Participatory Documentary (Maple J. Rasza, Milton Guillén) Outdoors at Metrotech Commons. 5 Metrotech Center. Brooklyn In the once prosperous industrial city of Maribor, Slovenia, anger over political corruption became unruly revolt. In The Maribor Uprisings–part film, part conversation and part interactive experiment–you are invited to participate in the protests. Drawing on the dramatic frontline footage from a video activist collective embedded within the uprisings, you begin in Maribor as crowds surround and ransack City Hall under a hailstorm of tear gas canisters. As a group, you must choose which cameras you will follow and therefore how the events will unfold. Like those who joined the actual uprisings, you will decide between joining non-violent protests or following rowdy crowds towards City Hall and greater conflict. These events stand as an example for any number of ideological stand-offs today. What sparks outrage? How are participants swept up in—and changed by—confrontations with police? Could something like this happen in your city? What would you do? US Premiere. Menashe (Joshua Z Weinstein) Set within the New York Hasidic community in Borough Park, Brooklyn, Menashe follows a kind but hapless grocery store clerk trying to maintain custody of his son Rieven after his wife, Lea, passes away. Since they live in a tradition-bound culture that requires a mother present in every home, Rieven is supposed to be adopted by the boy’s strict, married uncle, but Menashe’s Rabbi decides to grant him one week to spend with Rieven prior to Lea’s memorial. Their time together creates an emotional moment of father/son bonding as well as offers Menashe a final chance to prove to his skeptical community that he can be a capable parent. Winner of the Rooftop Films Brigade Festival Publicity Grant. An A24 release. Tuesday, August 8, 2017 Monkey Business: The Adventures of Curious George’s Creators (Ema Ryan Yamazaki) On the roof of the JCC in Manhattan. 334 Amsterdam Ave. Manhattan Featuring a narrow escape from the Nazis on makeshift bicycles, Monkey Business explores the extraordinary lives of Hans and Margret Rey, the authors of the beloved Curious George children’s books. New York Premiere. An Orchard release. Saturday, June 17, 2017 Mr. Roosevelt (Noël Wells) On the roof of New Design High School. 350 Grand St. Manhattan Emily Martin (Noël Wells) is a struggling 20-something who moved to Los Angeles to pursue a career in comedy after graduating college in Austin, Texas. When a loved one falls sick, she returns to Austin and runs into her ex-boyfriend, as well as his amazing and intimidating new girlfriend. Low on funds and stuck in Texas for the weekend, Emily stays with the two of them in her old, but miraculously remodeled house. She quickly finds her way into the circle of a local female badass who shows Emily a good time and tries to keep her from spinning out as she goes toe-to-toe with the new girlfriend, all the ways her ex has changed, and ultimately, her own choices and guilt about leaving the past behind. Quest (Jonathan Olshefski) Filmed with vérité intimacy for close to a decade, Quest is a portrait of a family in North Philadelphia. Christopher “Quest” Rainey, along with his wife Christine’a (aka “Ma Quest”), open the door to their home music studio, which serves as a creative sanctuary from the strife that grips their neighborhood. Over the years, the family evolves as everyday life brings a mix of joy and unexpected crisis. Set against the backdrop of a country now in turmoil, the film is a tender depiction of an American family whose journey is a profound testament to love, healing and hope. Friday, June 2, 2017 Rat Film (Theo Anthony) On the roof of The Old American Can Factory. 232 Third St. Brooklyn Across walls, fences, and alleys, rats not only expose our boundaries of separation but make homes in them. Rat Film is a feature-length documentary that uses the rat—as well as the humans that love them, live with them, and kill them–to explore the history of Baltimore. “There’s never been a rat problem in Baltimore, it’s always been a people problem.” A Cinema Guild release. The Road Movie (Dmitrii Kalashnikov) A fascinating mosaic of asphalt adventures, landscape photography, and some of the craziest shit you’ve ever seen, Kalashnikov’s THE ROAD MOVIE is a stunning compilation of video footage shot exclusively via dashboard cameras in Russian automobiles. The dash-cam phenomenon permeates Russian roads thoroughly, capturing a vivid range of spectacles through the windshield, including a comet crashing down to Earth, an epic forest fire, and no shortage of angry motorists taking road rage to wholly new and unexpected levels. All the while, accompanied by bemused commentary from unseen and often stoic drivers and passengers. An Oscilloscope Laboratories release. Wednesday, June 14, 2017 Rough Night (Lucia Aniello) On the roof of The William Vale. 111 N 12th St. Brooklyn In Rough Night, an edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most. A Columbia Pictures release. The Strange Ones (Lauren Wolkstein, Christopher Radcliff) Mysterious events surround two travelers, seemingly brothers, as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. Winner of the Rooftop Films Eastern Effects Equipment Grant. Friday, July 7, 2017 Whose Streets? (Sabaah Folayan, Damon Davis) On the roof of New Design High School. 350 Grand St. Manhattan Told by the activists and leaders who live and breathe this movement for justice, Whose Streets? is an unflinching look at the Ferguson uprising. When unarmed teenager Michael Brown is killed by police and left lying in the street for hours, it marks a breaking point for the residents of St. Louis, Missouri. Grief, long-standing racial tensions and renewed anger bring residents together to hold vigil and protest this latest tragedy. Empowered parents, artists, and teachers from around the country come together as freedom fighters. As the National Guard descends on Ferguson with military grade weaponry, these young community members become the torchbearers of a new resistance. A Magnolia Pictures release. The Work (Jairus McLeary, Gethin Aldous) Set inside a single room in Folsom Prison, The Work follows three men from outside as they participate in a four-day group therapy retreat with level-four convicts. Over the four days, each man in the room takes his turn at delving deep into his past. The raw and revealing process that the incarcerated men undertake exceeds the expectations of the free men, ripping them out of their comfort zones and forcing them to see themselves and the prisoners in unexpected ways. An Orchard release.

    SHORT FILM PROGRAMS

    Thursday, July 27, 2017 Animation Block Party In the courtyard of Industry City. 274 36 St. Brooklyn Experience the year’s best animated short films at the incomparable Animation Block Party! Saturday, June 3, 2017 Dark Toons: Animated Short Films On the roof of New Design High School. 350 Grand St. Manhattan These toons are chocked full of furry animals and imaginative creatures but they are not for Sunday morning. The twisted and perverse landscapes of our annual Dark Toons program provide a unique backdrop for stories of life askew. From a true story of forced labor at communist-era prison that kept megastores in the West fully-stocked to a beautifully-animated and probably-alcoholic badger which has a run-in with the law and a woman who can’t stop growing fingers, these tales remind us that animation is the ideal medium to glimpse the darker side of life. Tuesday, May 30, 2017 Love is Short: Romantic Short Films On the roofs of The William Vale. 111 N 12th St. Brooklyn “Love is so short, forgetting is so long.” Neruda wrote it, but these protagonists live it. In this program of short films, animated birds, sultry nights-in, and dismembered zombie heads are all members of love’s seductive cult. Come relish in these stories of the beautifully imagined and harshly-real consequences of love’s choices. Thursday, May 25, 2017 The New American Paradise: Short Films Outdoors at Metrotech Commons. 5 Metrotech Center. Brooklyn Pop your New York bubble on a journey to the more peculiar corners of the modern U.S of A. In the land of drive-in churches, carnival boardwalks, border walls, and get-rich-quick schemes, any one of us could end up on the downside of the American dream: another desperado with a mask melted onto our face, searching for a nugget at the bottom of a dirty tin can. Friday, June 9, 2017 New York Nonfiction On the roof of New Design High School. 350 Grand St. Manhattan You see them every day. They’re on the train with you. They’re in your bodega. They’re your neighbors. But after this program of short films, we guarantee you’ll see them in a new light. Ours is a city full of record-holding record holders, spousal adoptions, trash havens, civil rights pioneers, lapsed goth kids, sexting teens, rambles full of leathermen, and unending change; and we like it that way… for the most part. Saturday, August 20, 2017 Rooftop Shots In the courtyard of Industry City. 274 36 St. Brooklyn CLOSING NIGHT! It’s hard to say goodbye. These short films will ease the pain. After-party presented by Visit Seattle. Seattle Shorts Presented by Visit Seattle Sundance Short Films Highlights from Sundance 2017 include these wild, weird and wonderful short films. Saturday, July 10, 2017 Trapped: Uncanny Short Films In the courtyard of Industry City. 274 36 St. Brooklyn Join us for a program of stories most unusual: the meeting of a spaceman and a cave man; an encounter with an alien phenomenon via public access television; and the imagined experiences of the forgotten subject of a famous photograph. These amusing and disquieting short films offer mix-tape portraits, analytic tragicomedies of infinite human desire and potentially-killer workplace procedurals. Experience startling cinematic spectacles you won’t soon forget.

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  • 2017 Seattle International Film Festival Announces Lineup of 400 Films, Closes with THE YOUNG KARL MARX

    [caption id="attachment_18956" align="aligncenter" width="1200"]The Young Karl Marx (Le jeune Karl Marx) The Young Karl Marx (Le jeune Karl Marx)[/caption] The 43rd Seattle International Film Festival taking place May 18 to June 11, 2017, today unveiled a lineup of 400 films representing 80 countries. Opening night kicks off Friday, May 18 with The Big Sick, starring and written by Kumail Nanjiani (Silicon Valley) along with his wife Emily V. Gordon.  Closing this year’s Festival is the North American premiere of The Young Karl Marx, directed by Raoul Peck (I Am Not Your Negro). The story follows 26-year-old Karl Marx (August Diehl) and his wife Jenny in exile in Europe, where they meet a man who provides them with the final piece needed for the foundation of Marxist theory. At the annual Centerpiece Gala, SIFF will travel to 1990s Manhattan in the slice-of-life comedy, Landline. Director Gillian Robespierre brings back actress-comedienne Jenny Slate following their SIFF 2014 run of Obvious Child. The World premiere of Theresa Rebeck’s Trouble will screen at Seattle’s historic SIFF Cinema Egyptian as SIFF honors the film’s executive producer and star, Anjelica Huston, with the Career Achievement in Acting Award. In addition to the award presentation and screening, the acclaimed actress is also slated for an on-stage interview at the Wednesday, June 7 event. Also scheduled is An Afternoon with Sam Elliott, where the festival will pay tribute to the all-American actor. Along with his iconic voice, Elliott makes his way to SIFF on Saturday, May 27th for the Seattle premiere of his newest film The Hero following an onstage discussion that afternoon. Receiving raving reviews following its’ world premiere at SXSW is Seattle native S.J. Chiro’s first full-length feature, Lane 1974. Drawing off of Chiro’s own childhood experiences as well as those described in Clane Hayward’s memoir “The Hypocrisy of Disco”, SIFF is thrilled to present this 1970s coming-of-age narrative. One of several interactive events features Rumble: The Indians Who Rocked The World, a documentary by Catherine Bainbridge celebrating the achievements and contributions of Native Americans in modern American music. Along with the screening of the film, guests will also enjoy Indigenous Centered Perspectives, an exhibit showcasing works by four indigenous artists at the Paramount Theater. The Friday, May 26 event is hosted by SIFF in collaboration with Amazon Video Direct, STG, and Longhouse Media. “This year’s robust line-up includes a wide variety of programs ranging from heartfelt features from comedy favorites to thought-provoking documentaries, as well as once in a lifetime conversations with Hollywood legends,” says Interim Artistic Director Beth Barrett. “We are thrilled to jump into our 43rd edition and introduce spectacular programming from across the world to over 150,000 film enthusiasts in Seattle over the course of 25 days.”

    GALAS

    Opening Night Gala The Big Sick The hilarious, romantic, and moving true story of the cross-cultural courtship between Pakistan-born comedian Kumail Nanjiani (“Silicon Valley”) and his wife Emily (Zoe Kazan) comes to life in this utterly delightful comedy from director Michael Showalter and producer Judd Apatow. (d: Michael Showalter c: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher, USA 2017, 119 min) Centerpiece Gala Landline The director and star of Obvious Child reunite for this uproarious slice-of- life story about two sisters (Jenny Slate and breakout star Abby Quinn) in pre-cell-phone 1990s Manhattan who discover that their father is having an affair, and conspire to expose him. (d: Gillian Robespierre c: Jenny Slate, John Turturro, Edie Falco, Abby Quinn, Jay Duplass, Finn Wittrock, USA 2017, 93 min) Closing Night Gala The Young Karl Marx North American Premiere Director Raoul Peck (I Am Not Your Negro) presents a lush period drama that joins 26-year- old Karl Marx (August Diehl) and his wife Jenny in exile in Europe, where they meet Friedrich Engels, who provides the final piece needed for the foundation of Marxist theory. (d: Raoul Peck c: August Diehl, Stefan Konarske, Vicky Krieps, Hannah Steele, Olivier Gourmet, France/Germany/ Belgium 2016, 118 min)

    SPECIAL GUESTS

    OUTSTANDING ACHIEVEMENT IN ACTING AWARD Anjelica Huston Featuring Trouble Plus screenings of The Grifters and The Witches Anjelica Huston is a powerhouse of a woman whose career has spanned over 50 years: through modeling, film, television, and on the page. Born into the family of renowned film director John Huston and legendary grandfather Walter Huston, Anjelica was sure to make a splash in the industry with both her unique beauty and strong presence.  Her penchant for and exquisite skill in portraying tenacious, crafty, emotionally strong women has undoubtedly made her among the greatest actresses of our time. Past honorees of the SIFF Outstanding Achievement in Acting Award include Laura Dern, Chiwetel Ejiofor, Viggo Mortensen, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, and Anthony Hopkins amongst others. AN AFTERNOON WITH Sam Elliott Featuring The Hero He of the gruff baritone voice and the luxuriant mustache, Sam Elliott is the quintessential portrait of the American cowboy, a quality he’s drawn on since he first appeared onscreen in the 1969 Oscar® winner Butch Cassidy and the Sundance Kid. From Tombstone to Gettysburg, The Big Lebowski to Mask, Road House to Thank You for Smoking, ad campaigns for Coors and the American Beef Council, and TV work ranging from “Mission: Impossible” to “Justified,” his rugged, commanding presence is an unmistakable gift to American pop culture and any genre lucky enough to have him.

    COMPETITIONS

    Official Competition

    7 Minutes (d. Michele Placido, Italy/France/Switzerland 2016, North American Premiere) Bad Influence (d: Claudia Huaiqimilla, Chile 2016) Beach Rats (d: Eliza Hittman, USA 2016) Have A Nice Day (d: LIU Jian, China/Hong Kong 2017, North American Premiere) Hedi (d: Mohamed Ben Attia, Tunisia/Belgium/France/Qatar/Uae 2016) My Happy Family (d: Nana Ekvtimishvili, Simon Gross, Georgia/Germany/France 2017) Sami Blood (d: Amanda Kernell, Sweden/Norway/Denmark 2016) Zoology (d: Ivan I. Tverdovsky, Russia/France/Germany 2016)

    New Directors Competition

    Anishoara (d: Ana-Felicia Scutelnicu, Germany 2016) Boundaries (d: Chloé Robichaud, Canada (Québec) 2016) Diamond Island (d: Davy Chou, France 2016) The Inland Road (d: Jackie Van Beek, New Zealand 2017, North American Premiere) I Was A Dreamer (d: Michele Vannucci, Italy 2016, North American Premiere) Kati Kati (d: Mbithi Masya, Kenya 2016) The Man (d: Charlotte Sieling, Denmark 2017) Paris Prestige (d: Hamé Bourokba, Ekoué Labitey, France 2016) Quit Staring at My Plate (d: Hana Jušić, Croatia 2016) Struggle for Life (d: Antonin Peretjatko, Belgium 2016)

    Ibero-American Competition

    Chameleon (d: Jorge Riquelme Serrano, Chile 2016, North American Premiere) Devil’s Freedom (d: Everardo González, Mexico 2017, US Premiere) May God Save Us (d: Rodrigo Sorogoyen, Spain 2016) Pendular (d: Julia Murat, Brazil/Argentina/France 2017) Santa & Andres (d: Carlos Lechuga, Cuba/Colombia/France 2016) Two Irenes (d: Fabio Meira, Brazil 2017, North American Premiere) The Winter (d: Emiliano Torres, Argentina/France 2016) Woodpeckers (d: José María Cabral, Dominican Republic 2017)

    New American Cinema Competition

    American Folk (d: David Heinz, USA 2017) Columbus (d: Kogonada USA 2017) Dara Ju (d: Anthony Onah, USA/Nigeria 2017) The Feels (d: Jenée Lamarque, USA 2017, World Premiere) In The Radiant City (d: Rachel Lambert, USA 2016) The Landing (d: Mark Dodson and David Dodson, USA 2016) Lane 1974 (d: SJ Chiro, USA 2017) Say You Will (d: Nick Naveda, USA 2017, World Premiere)

    Documentary Competition

    Becoming Who I Was (d: Moon Chang-Yong, Jeon Jin, South Korea 2016, US Premiere) Close Relations (d: Vitaly Mansky, Germany/Latvia/Estonia/Ukraine 2016, US Premiere) The Farthest (d: Emer Reynolds, Ireland 2017) Ghost Hunting (d: Raed Andoni, Palestine/France/Switzerland 2016 US Premiere) The Reagan Show (d: Pacho Velez, Sierra Pattengill, USA 2017) Roberto Bolle – The Art Of Dance (d: Francesca Pedroni, Italy 2016, North American Premiere) Those Who Remain (d: Eliane Raheb, Lebanon/Uae 2016, North American Premiere) What Lies Upstream (d: Cullen Hoback, USA 2017) Winnie (d: Pascale Lamche, France/Netherlands/South Africa 2017)

    AFRICAN PICTURES

    Borders (d: Apolline Traoré c: Amelie Mbaye, Naky Sy Savane, Burkina Faso 2017, 90 min, North American Premiere) Hedi (d: Mohamed Ben Attia c: Majd Mastoura, Rym Ben Messaoud, Sabah Bouzouita, Hakim Boumessoudi, Ombia Ben Ghali, Tunisia 2016, 89 min) Investigating Paradise (d: Merzak Allouache c: Salima Abada, Younès Sabeur Chérif, France 2017, 135 min, North American Premiere) Kalushi (d: Mandla Dube c: Thabo Rametsi, Thabo Malema, Welile Nzuza, Jafta Mamabolo, Pearl Thusi, Gcina Mhlophe, South Africa 2016, 107 min) The Nile Hilton Incident (d: Tarik Saleh c: Fares Fares, Mari Malek, Mohamed Yousry, Yasser Ali Maher, Ahmed Selim, Hania Amar, Sweden 2017, 106 min) The Wedding Party (d: Kemi Adetiba c: Adesua Etomi, Richard Mofe-Damijo, Banky Wellington, Nigeria 2016, 110 min) Winnie (d: Pascale Lamche, France 2017, 98 min) Wùlu (d: Daouda Coulibaly c: Ibrahim Koma, Inna Modja, Ismael Ndiaye, Jean-Marie Traore, Dembele Habib, Mariame Ndiaye, Quim Gutierrez, Oliver Rabourdin, France 2016, 95 min)

    CHINA STARS

    The Beautiful Kokonor Lake (d. XING-HAO Shen c: Qin Yi, Jiang Ping, Jennifer Shu Chang. Huang Hong, Tony Rui-Xin, China 2017, 98 min) The Door (d. XING-HAO Shen c: JIANG Wu, JIANG Qingin, ZHU Xu, FU Ying, LI Naiwen, China 2017, 98 min, North American Premiere) Free and Easy (d. JUN Geng c: ZU Gang, ZHANG Zhiyong, XUE Baohe, WANG Xuxu, GU Benbin, ZHANG Xun, YUAN Liguo China 2016, 99 min) God of War (d. Gordon Chan c: Sammo Hung, Vincent Zhao, Regina Wan, Yasuaki Kurata, Keisuke Koide, China 2017, 130 min) Have a Nice Day (d. LIU Jian c: Yang Siming, Cao Kou, Ma Xiaofeng, Zhu Changlong, China 2017, 77 min) Knife in the Clear Water (d. WANG Xuebo c: YANG Shengcang, ZHOU Jinhua, YANG Fan, YANG Xue, China 2016, 93 min, US Premiere) Love and Duty (d. WANCANG Bu c: RUAN Lingyu, JIN Yan, China 1931, 153 min) The Song of Cotton (d. ZHU Yuancheng c: YAN Bingyan, WANG Deshun, China 2016, 90 min) Soul on a String (d. ZHANG Yang c: Kimba, Quni Ciren, Siano Dudiom Zahi, Solange Nima, China 2016, 142 min) Tea Pets (d. Gary Wang v: SHI Lei, YUAN Zeyu, JI Guanlin, China 2017, 93 min) Short films from the Beijing Film Academy: Bloom (d. SUN Yiran and XU Jiyao c: Yiran SUN, Jiyao XU, China 2017, 8 min) Elephant King (d. FU Yan and FU Chao c: Wang Naizhen, Fan Meng, Fu Yan, Fu Yongcha, China 2017, 11 min) Free Throw Line (d. ZHANG Yixin China 2017, 7 min) I Come From Prairie (d. Nuhan Arisbek, China 2017, 8 min) The Sea (d. LI Yifan, China 2017 c: Jinshan Wang Feiyu Chen, Yihao Qian, 7 min)

    CULINARY CINEMA

    Cook Up a Storm (d: Raymond Yip Wai Man c: Alberto Calvet Gonzalez, You Ge, Yong-hwa Jung, Barbora Mottlová, Yan Tang, USA 2017, 97 min) Fermented (d: Jonathan Cianfrani c: Edward Lee, USA 2017, 67 min, World Premiere) Food Evolution (d: Scott Hamilton Kennedy c: Neil deGrasse Tyson, Bill Nye, Michael Pollan, Charles Benbrook, USA 2016, 92 min) Kakehashi: A Portrait of Chef Nobuo Fukuda (d: Andrew Gooi c: Nobuo Fukuda, Sarah Fukuda, Kazuko Fukuda, Japan 2017, 46 min, World Premiere) Lives with Flavor (d: Pablo Gasca Gollas c: Ricardo Muñoz Zurita, Marco Beteta,Martha Ortiz,Israel Ronzon, Alberto Albarran, Patricia Muñoz Zurita, Salomé Freixas, Gonzalo Serrano, Mexico 2017, 52 min, World Premiere) New Chefs on the Block (d: Dustin Harrison-Atlas c: Frank Linn, Aaron Silverman, Kate Diamond, Michel Richard, Danny Meyer, Mike Isabella, Tim Carman, Emily Sprissler, USA 2016, 96 min) The Turkish Way (d: Luis Gonzalez c: Joan Roca, Josep Roca, Jordi Roca, Sabiha Apaydin, Maksut Askar, Mehmet Gurs, Sina Sucuka, Spain 2016, 120 min)

    FACE THE MUSIC

    Behind the Curtain: Todrick Hall (d: Katherine Fairfax Wright f: Todrick Hall, Teresa Stanley, Wayne Brady, Chester Lockhart, Jesse Pattison, Brenda Cornish, Vonzell Solomon, Jenni Thomasson, Jazlyn Nicole Miller, USA 2017, 105 min) Bill Frisell, A Portrait (d: Emma Franz f: Bill Frisell, Paul Motian, Jim Hall, Mike Gibbs, Jason Moran, Jim Woodring, Joey Baron, Tony Scherr, Kenny Wollesen, John Zorn, Australia 2017, 114 min) Chavela (d: Catherine Gund f: Chavela Vargas, Pedro Almodóvar, USA 2017, 90 min) Dr. Jekyll and Mr. Hyde with live soundtrack by The Invincible Czars (d: John S. Robertson c: John Barrymore, Brandon Hurst, Martha Mansfield, Charles Lane, Cecil Clovelly, USA 1920, 79 min) Give Me Future (d: Austin Peters, USA 2017, 85 min) A Life in Waves (d: Brett Whitcomb f: Suzanne Ciani, Robert Aiki Aubrey Lowe, Kitaro, Peter Baumann, Dorit Chrysler, Sarah Davachi, Don Buchla, USA 2016, 75 min) On the Road (d: Michael Winterbottom f: Wolf Alice, James McArdle, Leah Harvey, Swim Deep, Bloody Knees, United Kingdom 2016, 112 min) The Paris Opera (d: Jean-Stéphane Bron f: Stéphane Lissner, Benjamin Millepied, France 2016, 110 min)

    NORTHWEST CONNECTIONS

    The Cage Fighter (d: Jeff Unay f: Callie Carman, Joe Carman, Delanee Carman, Vernon Beach, USA 2017, 83 min) Crazywise (d: Phil Borges, Kevin Tomlinson f: Adam Gentry, Ekhaya Esima, Angeles Arrien, Phil Borges, Carroll Dunham, USA 2017, 82 min, World Premiere) Dirtbag: The Legend of Fred Beckey (d: Dave O’Leske, USA 2017, 96 min) Lane 1974 (d: SJ Chiro c: Sophia Mitri Schloss, Katherine Moennig, Annette Toutonghi, Sara Coates, USA 2017, 80 min) Pow Wow (d: Robinson Devor, USA 2016, 75 min) Rocketmen (d: Webster Crowell c: Alycia Delmore, Basil Harris, Christopher Dietz, Ian Fraser, Ben Laurance, USA 2017, 67 min, World Premiere) Wallflower (d: Jagger Gravning c: David Call, Atsuko Okatsuka, Conner Marx, USA 2017, 84 min, World Premiere)

    360˚/VR STORYTELLING POWERED BY WONDERTEK

    360˚/VR STORYTELLING POP-UP, POWERED BY WONDERTEK LABS Weekends from Friday, May 19 – Saturday, June 10 Passholder Happy Hours and Festival Forums times SIFF Lounge, presented by Vulcan Productions While the emerging tech behind-the-scenes of virtual reality and 360˚ have been evolving over the past few years, 360˚ filmmakers and VR content creators have been organically evolving a new language and tools for storytelling in this space. WonderTek Labs has curated a selection of some of the best in 360˚ storytelling from creators from the Seattle region and around the globe, showcased on Google Daydream headsets, that highlight a spectrum of where 360˚ storytelling is today. Selections will include a work-in-progress cut of Seattle-based Mechanical Dreams’ Potato Dreams, the VR companion to SIFF’s short-film selection Little Potato; a reprise presentation of “The Stranger” Genius Award winner Tracy Rector’s Eagle Bone; Madrid-based Future Lighthouse’s groundbreaking branded storytelling piece Beefeater XO (a top-10 finalist for the Tribeca X Prize); an interactive VR episode for Spanish hit television series “El Ministerio Del Tiempo”; a selection of the best work to come out of the four SIXR Cinematic VR Hackathons; and other content TBD. 360˚/VR STORYTELLING PLAYTANK Saturday, June 10 8:30 AM – 1:00 PM SIFF Film Center Are you a filmmaker who wants to learn more about transitioning to 360˚/VR, or a VR dev who wants to connect with filmmakers? Do you have a 360˚ or VR project in mind and want to connect with other folks interested in working on projects? Do you have expertise to share, or things you want to learn? The 360˚/VR Storytelling PlayTank is a hand-on, interactive event intended to bring together the Seattle 360˚/VR and filmmaking communities for a morning of topical small-group breakout conversations, hands-on demos and workshops, and informal opportunities to connect like-minded creatives, show personal projects and demos, and learn about emerging technologies. The PlayTank will kick off with a Geekout Breakout Session Breakfast, where participants will join small, mentor-facilitated, small-group breakout sessions on topics including Spatial Audio, 360˚ Production and Post Production, Branching Narrative in 360˚ Storytelling, 360˚ Documentary Storytelling, and Ethics in Developing 360˚/VR Content. Mettle CEO Chris Bobotis will be on hand to present a hands-on workshop for Mettle’s 360˚ editing plug-ins for Adobe Premiere. Bring your laptop to participate (you must have Adobe Premiere; you can download a free 30-day trial version if you don’t own Premiere). Participants will receive a free temporary license to use Mettle’s products as a part of this workshop. Upstairs in the PlayTank, participants will explore hands-on demos and workshops, and grab another coffee and connect organically with others in the community. The PlayTank is an open and collaborative space. Participants are encouraged to bring their own laptops and demos to share.

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  • 20 Feature Films to Compete for Golden Gate Awards at 2017 San Francisco International Film Festival

    [caption id="attachment_19940" align="aligncenter" width="1200"]In Loco Parentis A film still from In Loco Parentis by Neasa Ní Chianáin and David Rane[/caption] 10 narrative feature films and 10 documentary feature films will compete for the Golden Gate Awards (GGAs), and nearly $40,000 in total prizes at this year’s 2017 San Francisco International Film Festival taking place April 5 to 19. “The SF Film Society has been a champion of emerging and international filmmakers since its first edition 60 years ago,“ said Rachel Rosen, SF Film Society Director of Programming. “We continue to believe that festivals are in a unique position to advocate for films from a variety of cultures and viewpoints, often in languages other than our own. The Golden Gate Awards provide an opportunity to bring additional exposure and awareness to these artists and their work.” The GGA New Directors Prize winner will receive a cash prize of $10,000, the GGA McBaine Documentary Feature winner will receive $10,000 and the GGA McBaine Bay Area Documentary Feature winner will receive $5,000.

    2017 GGA NEW DIRECTORS (NARRATIVE FEATURE) COMPETITION

    Duet, Navid Danesh, Iran (North American Premiere) After a Tehran musician instigates an encounter with his college girlfriend in an attempt to address the poor end their relationship suffered, their lives and the equilibrium of their spouses are thrown into existential crisis. Navid Danesh’s resonant and moving depiction of the impact the past has on the present lives of its protagonists is both culturally specific and universal in its reach. Everything Else, Natalia Almada, Mexico/USA/France Academy Award-nominee Adriana Barraza (Babel) gives a masterfully controlled performance as Doña Flor, a solitary bureaucrat whose lifelong service in a government office has left her markedly unsympathetic towards her clients. Shot with an attentive and deeply empathetic lens, documentarian Natalia Almada’s narrative debut is a starkly intimate portrait of a woman at odds with her life who may still have a chance to escape her isolation. God’s Own Country, Francis Lee, UK Filmed on the Yorkshire hillside where he grew up, Francis Lee’s debut feature tells the rich and sexy story of John Saxby, a hard-drinking lad who keeps his emotions in check until an irrepressible Romanian immigrant comes to help out on the family farm and upends the young man’s life. Full of gloriously captured details about the care and breeding of animals, God’s Own Country is one of the year’s most moving romantic dramas. Godless, Ralitza Petrova, Bulgaria/Denmark/France In post-Communist era Bulgaria, where the shadow of oppression drives selfish behavior and hidden economies, outwardly impassive Gana works as a home care nurse—a job which provides ample opportunity to supplement her income with stolen ID cards to maintain the morphine habit she shares with her boyfriend. When Gana’s actions threaten the one glimmer of hope in her fatalistic world, will she break the cycle of corruption or spiral deeper? Godless is a bold first feature from Ralitza Petrova. Heaven Sent, Wissam Charaf, France/Lebanon Absurdly funny sequences punctuate this stylized comedy drama from Lebanon. Omar is a heavyset bodyguard who gets the assignment of his dreams, protecting a gorgeous TV personality, though matters are complicated when his brother Omar, a former militiaman presumed dead, magically reappears. Charaf’s surprising and inventive debut reflects on a country rife with absurdities and still reeling from its fraught history. The House of Tomorrow, Peter Livolsi, USA (World Premiere) When a sheltered teen named Sebastian meets an aspiring punk rocker and falls for the boy’s older sister, the stage is set for a cheerful and energetic comedy that tackles matters of friendship, young love, and musical dreams with equal aplomb. Ellen Burstyn is once again wondrous as Sebastian’s grandmother who is devoted to the life and scientific work of Buckminster Fuller. The Human Surge, Eduardo Williams, Argentina/Brazil/Portugal Eduardo Williams has steadily made a name for himself with a series of indelible shorts featuring young protagonists adrift in strange environments. In his debut feature, a prizewinner at Locarno, he takes the premise further, crafting a dreamlike three-part drama where youths from Argentina, Mozambique, and the Philippines are connected by invisible, electronic, or even subterranean means. Consistently inventive, The Human Surge burrows into three continents and finds surprising associations. Life After Life, Zhang Hanyi, China As the inexorable progress of industrialization in China makes its way into the lives of village residents Mingchun and his son Leilei, a surprise haunting by Leilei’s dead mother, who has an impassioned plea for her husband, points to a time when more attention was paid to the earth and its bounty. Produced by Jia Zhang Ke, this evocative and poetic debut depicts a rapidly disappearing way of life with a gorgeous visual sensibility and a subtly wry humor. Park, Sofia Exarchou, Greece/Poland The formerly grand stadiums and swimming pools of the 2004 Athens Olympics have become modern-day Greek ruins, a place for disaffected kids who’ve come of age since the Games to run wild. First-time director Exarchou, working mostly with non-professional actors, develops a compellingly anarchic style where the threat of violence and socio-economic troubles are omnipresent and the young characters act out their frustrations through boisterous, sometimes dangerous, horseplay. The Wedding Ring, Rahmatou Keïta, Niger/Burkina Faso/France (US Premiere) The Wedding Ring is a rare achievement, a wondrously complex dramatic feature directed by an African woman that explores female desires and empowerment in a traditional Muslim society. Rahmatou Keïta tells the story of Tiyaa who returns to Niger with lingering romantic feelings for the handsome man she left behind in France while grappling with family members who wish to arrange her marriage.

    2017 GOLDEN GATE AWARDS MCBAINE DOCUMENTARY FEATURE COMPETITION

    Brimstone & Glory, Viktor Jakovleski, USA Burning Man has nothing on Tultepec’s charging toritos and exploding castillos. Mexico’s weeklong National Pyrotechnic Festival is sheer unbridled madness. Scars that tourists take away from fireworks-exploding bulls and towering infernos are earned with pleasure, apparently, as this dynamic documentary keeps explanation to a minimum while maximizing the experiential through GoPro camera POVs and gorgeous abstractions. Filmmaker Viktor Jakovleski has created a visually rapturous, immersive, sensory experience of this extraordinary event, capturing the danger and mayhem in all its glory. The Cage Fighter, Jeff Unay, USA (World Premiere) With the emotional force and power of a Bruce Springsteen song, Jeff Unay’s cinema vérité portrait of Joe Carman packs an emotional wallop. A family man who has promised not to return to competitive mixed martial arts fighting, the dangerous sport that gives him the most complete sense of purpose he’s been able to find, Joe risks everything for one more chance in the ring. The Challenge, Yuri Ancarani, France/Italy Italian artist Yuri Ancarani melds his luminous cinematic vision with the ancient sport of Arab falconry in The Challenge, an evocative and visually dazzling portrait of a celebrated hunting competition set in the coastal deserts of Qatar. Modern technology, such as GPS, augments a practice dating to antiquity as participants track their prized raptors across the austere plains, reconnecting with desert custom in the shadow of a falcon’s wing. The Cinema Travellers, Shirley Abraham, Amit Madheshiya, India A moving homage to the bygone era of celluloid, The Cinema Travellers exquisitely captures the splendor of the moving image through India’s traveling movie caravans. Shot over five years, this intimate documentary takes the viewer on a cinematic journey joining the undaunted technicians, the projectionists who create movie magic, and the boisterous, overflowing crowd that await at each stop. Donkeyote, Chico Pereira, Spain/Germany/UK A Spanish man’s quest to defy barriers and borders in search of the American West by planning a journey on the Trail of Tears with his donkey by his side is its own quixotic trail of laughter and tears. The understanding between man and animal has rarely been so intimately conveyed as it is in Chico Pereira’s winning tale, a stunningly photographed film that hovers between documentary and fiction, one inspired and performed by a real-life character with outsized dreams. The Force, Peter Nicks, USA For the powerful second film in his trilogy concerning the relationship between public institutions and the communities they serve, Peter Nicks (The Waiting Room) takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with astonishing access, Nicks captures a particularly turbulent time in Bay Area law enforcement history. Intended as a catalyst for conversation and change, Nicks’ empathetic and observational style avoids easy generalizations and upends expectations, resulting in a rich, thought provoking real-time conversation about social justice and the mutual responsibilities of police officers and those they serve and protect. Half-Life in Fukushima, Mark Olexa, Francesca Scalisi, Switzerland/France Five years after the devastating 2011 Fukushima nuclear disaster, elderly farmer Naoto Matsumura struggles to restore his life in the radioactive red zone, wandering through an empty dystopian nightmare of concrete ruins; abandoned, weed-filled facilities; contamination cleanup crews; and the haunting fragments of a city swept away by tsunami.  With minimal commentary and a graceful and sympathetic eye, Half-Life in Fukushima underlines the danger inherent in nuclear power in its depiction of Fukushima’s sinister remnants and Matsumura’s lonely last stand. In Loco Parentis, Neasa Ní Chianáin, David Rane, Ireland/Spain Irish filmmaker Neasa Nî Chianáin and David Rane present a charming and deeply intimate portrait of a year at Headfort boarding school in picturesque Kells, Ireland. Following devoted and wryly funny educators John and Amanda Leyden as they battle through another season of Latin, Shakespeare, and kids playing “Wild Thing,” In Loco Parentis shows how the level of attention and concern the teachers have for their students lead to remarkable transformations in everyone’s lives. Muhi – Generally Temporary, Rina Castelnuovo-Hollander, Tamir Elterman, Israel/Germany (World Premiere) Muhi, a cherubic Palestinian toddler with a life-threatening immune disorder, was transported to an Israeli hospital as a baby for emergency treatment. He and his devoted grandfather have lived there ever since, stuck in a bizarre no man’s land, with their extended family living on the other side of a fiercely guarded checkpoint. Their unique and moving story takes place within the crucible of the relentless Israeli-Palestinian conflict that impacts everyone in its orbit. Serenade for Haiti, Owlsley Brown, USA “Music is our refuge,” says a student at the Sainte Trinité Music School in Port-au-Prince, Haiti. Shot over a seven-year period both before and after Haiti’s devastating 2010 earthquake, this vibrant tribute to the students and teachers of Sainte Trinité testifies to the role that art can play in creating community and sustaining hope under the most difficult of circumstances.

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