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We Could Be Heroes[/caption]
The 2018
Hot Docs film festival wraps today and last night at the Hot Docs Awards Presentation, 13 awards and $85,000 in cash and prizes were presented to Canadian and international filmmakers. The Best Canadian Feature Documentary Award went Friday to “A Little Wisdom,” and the Best International Feature Documentary was awarded to “We Could Be Heroes.”
2018 Hot Docs Awards
Best Canadian Feature Documentary Award
A Little Wisdom (D: Yuqi Kang; P: Yuqi Kang, Maro Chermayeff; Canada)
Jury statement: “Best Canadian Feature goes to Yuqi Kang’s A Little Wisdom for her outstandingly crafted experience of young orphan monk, Hopakuli. This absorbing cinematic film captures the distinct and moving inner rhythms of a Tibetan monastery, welcoming us into a world that we never thought a mischievous child could reveal.”
DGC Special Jury Prize – Canadian Feature Documentary
What Walaa Wants (D: Christy Garland; P: Anne Köhncke, Matt Code, Christy Garland, Justine Pimlott; Canada, Denmark)
Jury statement: “We award the DGC Special Jury Prize – Canadian Feature Documentary to What Walaa Wants for displaying an extraordinary bond between filmmaker and subject which then carries over to the audience. Christy Garland creates an exceptional emotional arc by focusing on Walaa’s growth and transformation.”
Emerging Canadian Filmmaker Award
Michael Del Monte for
Transformer (Canada)
Given to a first or second-time Canadian filmmaker with a feature film in the Canadian Spectrum program, the award includes a $3,000 cash prize courtesy of Hot Docs.
Jury statement: “The Jury awards Michael Del Monte with the Emerging Canadian Filmmaker Award for Transformer, a film that formally and emotionally rises to the multidimensional nature of its subject, Janae Marie Kroczaleski, with great clarity of mind and with inner and outer beauty.”
Best International Feature Documentary Award
We Could Be Heroes (D: Hind Bensari; P: Bullitt Film/Vibeke Vogel and Cinetelefilms/Habib Attia; Denmark, Tunisia, Morocco, Qatar)
Jury statement: “We award We Could Be Heroes with the Best International Feature Documentary Award for how it uses an intimate friendship to turn the sports film inside out, countering assumptions about masculinity, faith, and disability with warmth and affection.”
TIE! Special Jury Prize – International Feature Documentary
Whispering Truth to Power (D: Shameela Seedat; P: Francois Verster, Shameela Seedat, Neil Brandt, Brechtje Smidt, Millan Collin; South Africa)
Screening Saturday, May 5, at 6:45 p.m. at the TIFF Bell Lightbox.
Jury statement: “For its timely portrait of a bad-ass public servant who uses her office for good at a pivotal moment in South African politics, we co-award the Special Jury Prize – International Feature Documentary to Whispering Truth to Power.”
Wind of Swabia (D: Corrado Punzi; P: Davide Barletti; Italy)
Jury statement: “With its epic sweep and personal details, this subtle exposé of environmental degradation wins viewers over with the unexpected power of elegant compositions and biting wit.”
Emerging International Filmmaker Award
Elan Bogarín and Jonathan Bogarín for
306 Hollywood (USA)
Given to a first or second-time international filmmaker with a feature film in the International Spectrum program.
Jury statement: “For its creative approach to issues of memory and legacy, exploring the universality of grief through the seemingly mundane relics left behind, we award the Emerging International Filmmaker Award to 306 Hollywood.”
In the
Emerging International Filmmaker category, the jury acknowledged Jill Magid, director of
The Proposal with an
honorable mention.
Best Mid-Length Documentary Award
The Call (D: Enrico Maisto; P: Riccardo Annoni; Italy)
Jury statement: “This deceptively simple portrait of the Italian criminal justice system at work demonstrated a formal rigor and quiet intimacy that opened up broad questions about civic duty, justice, democracy and human nature.”
Best International Short Documentary Award
Haunted (D&P: Christian Einshøj; Denmark)
Jury statement: “With its stylized tableaux and dry, quirky sensibility, Haunted uniquely explores deeper universal truths about family, home, time and loss.”
In the Best International Short Documentary category, the jury acknowledged Zion (D: Floyd Russ; P: Carter Collins; USA) with an honourable mention.
Best Canadian Short Documentary Award
Prince’s Tale (D&P: Jamie Miller; Canada)
Jury statement: “Prince’s Tale is the kind of documentary we don’t see enough of—an honest portrait in which the subject has agency to choose where his story begins and where it doesn’t end.”
In the
Best Canadian Short Documentary category, the jury acknowledged
Vika (D&P: Christian Borys, Marta Iwanek; Canada) with an
honorable mention.
Hot Docs is an Academy Award qualifying festival for short documentaries and, as winners of the Best International Short Documentary Award and the Best Canadian Short Documentary Award respectively, Haunted and Prince’s Tale will qualify for consideration in the Documentary Short Subject category of the annual Academy Awards without the standard theatrical run, provided they complies with Academy rules.
Lindalee Tracey Award
Fazila Amiri and Tim Tracey
The award honours an emerging Canadian filmmaker with a passionate point of view, a strong sense of social justice and a sense of humour. Each recipient will receive a $5,000 cash prize courtesy of the Lindalee Tracey Fund, $5,000 in post-production services from Technicolor, and a beautiful hand-blown glass sculpture by Andrew Kuntz, specially commissioned to honour Lindalee.
Hot Docs Outstanding Achievement Award
Presented by the Hot Docs Board of Directors to Barbara Kopple
Hot Docs Focus On retrospective
Canadian filmmaker John Walker was honoured during the presentation as the recipient of this year’s Focus On retrospective.
Don Haig Award
Montreal-based producer Ina Fichman of Intuitive Pictures
Don Haig Award Pay It Forward Prize
Montreal-based producers Fanny Drew and Sarah Mannering from Colonelle Films
As part of the award, the recipient can name an emerging female documentary filmmaker to receive a $5,000 cash prize, courtesy of Telefilm Canada, and professional development opportunities at the Hot Docs Festival to further her career path.
Doc Mogul Award
On April 30, 2018, Cara Mertes, director of Ford Foundation’s JustFilms, received the 2018 Doc Mogul Award at a special luncheon.
AUDIENCE AWARDS
Scotiabank Docs For Schools Student Choice Award
On Her Shoulders (D: Alexandria Bombach; P: Hayley Pappas, Brock Williams; USA)
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The 41st Seattle International Film Festival to be held May 14 to June 7, 2015, unveiled the 14 feature films of its third annual African Pictures program. Since 2013, African Pictures has presented documentaries, narrative features, and short films from 25 African countries. With something for everyone — from ethereal and experimental to gritty and provocative — African Pictures showcases a microcosm of world cinema available only at SIFF.
Topping the 2015 program is The Boda Boda Thieves (pictured above), an absorbing urban narrative from SIFF sophomore Donald Mugisha (The Kampala Story, 2012), who will be in attendance for the North American premiere of his new film. Fans of U-Carmen eKhayelitsha (2005) will be glad to see the North American premiere of director Mark Dornford-May’s striking modern South African opera,Breathe Umphefumlo, adapted with deftness and compassion from Puccini’s “La Bohème.”
Also traveling to Seattle, up-and-coming director Cheick Fantamady Camara will appear at screenings of his expansive drama Morbayassa in its North American premiere, representing Guinean film in African Pictures at SIFF for the first time. This story of inter-generational and inter-continental culture clash is anchored by a masterful performance from Fatoumata Diawara (Timbuktu, 2014). SIFF 2015 will also feature the North American premiere of Sugarcane Shadows, the first film from the island nation of Mauritius ever to play in a US festival.
Making its North American premiere among four short films in African Pictures 2015 is I’m Not Hereby 15-year-old South African Jack Markovitz, presented as part of SIFF’s youth-centered FutureWave program.
The African Pictures Film & Party will feature Excuse My French, a coming-of-age comedy from Egyptian director Amr Salama (Asma’a, 2011; Tahrir, 2011: The Good, the Bad, and the Politician, 2011). A lively celebration will follow at the Northwest African American Museum in Seattle.
The following African Pictures titles are the first films to be announced among official selections of the 2015 Seattle International Film Festival.
Alyam, Alyam
d: Ahmed El Maanouni, Morocco 1978, 80 min
Following his father’s death, Abdelwahad is expected to provide for his mother and his seven brothers. But faced with the cycle of poverty that rural farmers seem doomed to repeat, he dares to hope for something better. Restored by The Film Foundation’s World Cinema Project at Cineteca di Bologna/L’Immagine Ritrovata laboratory.
Beats of the Antonov
d: Hajooj Kuka, Sudan/South Africa 2014, 65 min
Set in the Blue Nile and Nuba Mountain regions of Sudan, Beats of the Antonov celebrates South Sudan’s vibrant musical culture surviving by any means necessary in the face of their prolonged civil war.
Beti and Amare
d: Andy Siege, Ethiopia/Germany 2014, 94 min
In this dreamy sci-fi fantasy, teenage Beti is forced to hide away in her uncle’s isolated hut to avoid Mussolini’s troops. Her strange dreams lead her to fall in love with a man who emerges from a glowing egg and may be a vampire.
Black Girl (La Noire de…)
d: Ousmane Sembène, Senegal/France 1966, 65 min
This 1966 film explores the complex dynamics and larger post-colonial implications that arise between a young Senegalese maid and the French family that employs her. This quiet, observational drama was esteemed African filmmaker Ousmane Sembène’s first feature film. Restored by The Film Foundation’s World Cinema Project in collaboration with the Sembène Estate, Institut National de l’Audiovisuel, INA and Centre National de Cinématographie, CNC.Restoration carried out at Cineteca di Bologna/L’Immagine Ritrovata Laboratory; 4k scan performed at Eclair laboratories.
The Boda Boda Thieves (Abaabi ba boda boda)
NORTH AMERICAN PREMIERE
d: Donald Mugisha, Uganda/Kenya 2015, 85 min
On teenage boy Abel’s first day of work as a boda boda (moto-taxi) driver to support his poor family, his bike is stolen, leaving him in pursuit of the ruthless thief who stole their livelihood. A Bicycle Thieves for urban Africa.
Breathe Umphefumlo
NORTH AMERICAN PREMIERE
d: Mark Dornford-May, South Africa/United Kingdom 2015, 89 min
Combining “La Boheme” with the tuberculosis epidemic in South Africa, Breathe Umphefumloprovides a dynamic twist on the classic opera through a uniquely African context and emotional urgency that’s not to be missed.
Challat of Tunis (Le Challat de Tunis)
d: Kaouther Ben Hania, Tunisia/France 2014, 90 min
A masked assailant rides through the Tunisian capital on a motor scooter slashing the backsides of women in jeans and short skirts in Kaouther Ben Hania’s genre-bending mockumentary about sexist attitudes in Arab culture.
Décor
d: Ahmad Abdalla, Egypt 2014, 116 min
An overworked film production designer begins to lose her grip on reality, slipping into the life she is creating on her latest movie set. This meta-movie playfully comments on the conventions of the classic “women’s picture.”
Excuse My French (Lamoakhzaa)
AFRICAN PICTURES FILM & PARTY
d: Amr Salama, Egypt 2014, 99 min
In this family comedy and Egyptian box office smash, 12-year-old Hany, a precocious kid from a privileged Coptic Christian family, must adjust when a change in circumstances sends him to the local majority-Muslim public school.
I Am the People (Je Suis le Peuple)
d: Anna Roussillon, France 2014, 111 min
I Am the People chronicles the 2011 revolution in Egypt and subsequent events from the perspective of a poor farming family in the country’s south, a depiction of world events refreshing in its warmth, wit, and humanity.
The Malagasy Way (Ady Gasy)
d: Lova Nantenaina, Madagascar/France 2014, 84 min
Filmed with a fascinated lens, this documentary explores the way of the Malagasy people and a third-world community portrait that is anything but bleak, as it celebrates a culture where wealth isn’t needed to find happiness and joy in the things you do.
Morbayassa
NORTH AMERICAN PREMIERE
d: Cheick Fantamady Camara, Guinea 2015, 122 min
Bella befriends a UN worker who promises to help her escape her domineering pimp and find the daughter she gave up for adoption 15 year ago in this tense, female-centered drama.
Run
d: Philippe Lacôte, Ivory Coast/France 2014, 97 min
After assassinating the Prime Minister, Run looks back on the varied mentors in his life, from a village rainmaker to a professional eater to the imperious revolutionary who’s living the gangster life, in this striking feature debut which reflects Ivory Coast’s recent, tumultuous history.
Sugarcane Shadows (Lonbraz Kann)
NORTH AMERICAN PREMIERE
d: David Constantin, Mauritius/France 2014, 88 min
Residents of Mauritius fight to maintain their culture despite a pervasive tourism economy and increased globalization. Gorgeous cinematography and non-actor authenticity ground David Constantin’s first feature.
The following short films will screen during SIFF 2015 as part of African Pictures.
The Call
NORTH AMERICAN PREMIERE
d: Zamo Mkhwanazi, South Africa 2014, 11 min
An emotionally disconnected taxi driver realizes that he does not want his prostitute girlfriend to abort the child that could be his.
I’m Not Here
NORTH AMERICAN PREMIERE
d: Jack Markovitz, South Africa 2014, 9 min
After his calls are repeatedly ignored, a young man turns to Facebook to tell a girl what he thinks
A Quiet Memory (Uma Memória Quieta)
US PREMIERE
d: Inadelso Cossa, Mozambique 2014, 14 min
Langa dramatically details his history as a political prisoner in 1970s Mozambique.
Treat (Zawadi)
d: Richard Card, Kenya 2014, 12 min
In the Kenyan slums of Kibera, a ten-year-old boy hustles to provide for his family, taking him away from his crush on her birthday.