The Dark Horse

  • 124 Documentary Features Submitted For 2015 Oscar Race

    Winter on Fire: Ukraine's Fight for Freedom, directed by Evgeny Afineevsky One hundred twenty-four features have been submitted for consideration in the Documentary Feature category for the 88th Academy Awards®. The submitted features, listed in alphabetical order, are: “Above and Beyond” “All Things Must Pass” “Amy” “The Armor of Light” “Ballet 422” “Batkid Begins” “Becoming Bulletproof” “Being Evel” “Beltracchi – The Art of Forgery” “Best of Enemies” “The Black Panthers: Vanguard of the Revolution” “Bolshoi Babylon” “Brand: A Second Coming” “A Brave Heart: The Lizzie Velasquez Story” “Call Me Lucky” “Cartel Land” “Censored Voices” “Champs” “CodeGirl” “Coming Home” “Dark Horse” “Deli Man” “Dior and I” “The Diplomat” “(Dis)Honesty – The Truth about Lies” “Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll” “Dreamcatcher” “dream/killer” “Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon” “Eating Happiness” “Every Last Child” “Evidence of Harm” “Farewell to Hollywood” “Finders Keepers” “The Forecaster” “Frame by Frame” “Gardeners of Eden” “A Gay Girl in Damascus: The Amina Profile” “Godspeed: The Story of Page Jones” “Going Clear: Scientology and the Prison of Belief” “He Named Me Malala” “Heart of a Dog” “Hitchcock/Truffaut” “How to Change the World” “Human” “The Hunting Ground” “I Am Chris Farley” “In Jackson Heights” “In My Father’s House” “India’s Daughter” “Ingrid Bergman – In Her Own Words” “Iraqi Odyssey” “Iris” “Janis: Little Girl Blue” “Karski & the Lords of Humanity” “Killing Them Safely” “Kurt Cobain: Montage of Heck” “Lambert & Stamp” “A Lego Brickumentary” “Listen to Me Marlon” “Live from New York!” “The Look of Silence” “Meet the Patels” “Meru” “The Mind of Mark DeFriest” “Misery Loves Comedy” “Monkey Kingdom” “A Murder in the Park” “My Italian Secret” “My Voice, My Life” “1971” “Of Men and War” “One Cut, One Life” “Only the Dead See the End of War” “The Outrageous Sophie Tucker” “Peace Officer” “The Pearl Button” “Pink & Blue: Colors of Hereditary Cancer” “Poached” “Polyfaces” “The Prime Ministers: Soldiers and Peacemakers” “Prophet’s Prey” “Racing Extinction” “The Resurrection of Jake the Snake” “Ride the Thunder – A Vietnam War Story of Victory & Betrayal” “Rosenwald” “The Russian Woodpecker” “Searching for Home: Coming Back from War” “Seeds of Time” “Sembene!” “The Seven Five” “Seymour: An Introduction” “Sherpa” “A Sinner in Mecca” “Something Better to Come” “Song from the Forest” “Song of Lahore” “Steve Jobs: The Man in the Machine” “Steve McQueen: The Man & Le Mans” “Stray Dog” “Sunshine Superman” “Sweet Micky for President” “Tab Hunter Confidential” “The Tainted Veil” “Tap World” “(T)error” “Thao’s Library” “Those Who Feel the Fire Burning” “3 1/2 Minutes, Ten Bullets” “The Touch of an Angel” “TransFatty Lives” “The True Cost” “Twinsters” “Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists” “The Wanted 18” “We Are Many” “We Come as Friends” “We Were Not Just…Bicycle Thieves. Neorealism” “Welcome to Leith” “What Happened, Miss Simone?” “What Our Fathers Did: A Nazi Legacy” “Where to Invade Next” “Winter on Fire: Ukraine’s Fight for Freedom” (pictured above) “The Wolfpack” Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. The 88th Academy Awards nominations will be announced live on Thursday, January 14, 2016, at 5:30 a.m. PT at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The 88th Oscars® will be held on Sunday, February 28, 2016, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • Yo-Yo Ma, Janis Joplin and Ukraine Among Toronto International Film Festival 2015 Documentary Program

    Sharon Jones The Toronto International Film Festival 2015 documentary program presents a diverse mix of international works featuring a wide array of award-winning directors. The TIFF Docs line-up includes revelatory looks at celebrated performers like Yo-Yo Ma, Arcade Fire and Sharon Jones; fresh global perspectives on Ukraine, Haiti, China, and the Middle East; films about film; and loving attention to horses and dogs. “Emotions run high in this year’s documentaries from passionate performers to angry protestors,” said TIFF Docs programmer Thom Powers. “These films truly command the big screen with their artistry across many forms of documentary — observational, essayistic, historical and investigative.” Several films focus on music: Miss Sharon Jones! follows R&B queen Sharon Jones during her battle with cancer; The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble profiles the legendary cellist and his international musical collective; Amazing Grace captures the recording of Aretha Franklin’s best-selling album of the same name; The Reflektor Tapes provides insight into the making of the Arcade Fire international #1 album Reflektor and Janis: Little Girl Blue delves into the life of late rock legend Janis Joplin. The worlds of art, dance, and performance are explored in films such as Bolshoi Babylon which looks at upheavals in Russia’s world-famous company; Our Last Tango chronicles the stormy career of Argentine tango legends Juan Carlos Copes and María Nieves; Horizon is a portrait of influential Icelandic landscape painter Georg Gudni; and Thru You Princess documents the composer Kutiman creating a viral sensation on YouTube. The lineup includes a trio of films in which animals feature, including Heart of a Dog, a personal essay film by Laurie Anderson that explores themes of love, death, and language; Being AP, a portrait of legendary British horse-racing jockey AP McCoy; and Dark Horse, about a small town group of friends who take on the elite ‘sport of kings’ and breed themselves a racehorse. Global current events make hot topics in several films. In P.S. Jerusalem, filmmaker Danae Elon confronts the tensions of living in Jerusalem after the death of her father, the writer Amos Elon. A Journey of a Thousand Miles: Peacekeepers, focuses on three Muslim women who join a UN peacekeeping mission in Haiti. Winter on Fire: Ukraine’s Fight for Freedom takes a closer look at the Ukrainian Revolution and the ousting of President Viktor Yanukovych. Je Suis Charlie offers an account of the brutal attacks on the French satirical magazine Charlie Hebdo, while He Named Me Malala profiles Malala Yousafzai, the Pakistani teenager who survived a Taliban assassination attempt to become an outspoken, globally recognized advocate for girls’ rights. The program’s global outlook can also be seen in Sherpa, exploring the uneasy relationship on Mount Everest between foreign expeditions and their local guides; Nasser, providing an in-depth history of Egypt’s pivotal and controversial leader Gamal Abdel Nasser; A Young Patriot, examining modern China through the eyes of a nationalistic university student; In Jackson Heights, offering a closer look at the diverse immigrant neighborhood of Jackson Heights in Queens, New York; and Return of the Atom, taking a closer look at the remote ‘nuclear town’ in Finland. Four films intersect with the art and legacy of filmmaking. Hitchcock/Truffaut examines the importance of the epochal book that transcribed the 1962 interview between Alfred Hitchcock and François Truffaut. A Flickering Truth follows a group of dedicated Afghan cinephiles who are literally excavating their country’s cinematic past. Women He’s Undressed pays tribute to legendary Hollywood costume designer Orry-Kelly. It All Started At The End recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s. Films screening as part of the TIFF Docs programme include: Amazing Grace Sydney Pollack, USA International Premiere Sydney Pollack’s film of Aretha Franklin’s ‘Amazing Grace.’ Filmed during church services in Los Angeles on January 13 and 14, 1972, the footage was never seen until now. Featuring Reverend James Cleveland, the Southern California Community Choir and the Atlantic Records rhythm section. A Flickering Truth Pietra Brettkelly, New Zealand/Afghanistan North American Premiere As Afghanistan teeters on an unpredictable future, A Flickering Truth uncovers the world of three dreamers and cinephiles, the dust of 100 years of war and the restoration of 8,000 hours of film archive that they risked their lives to conceal. What surprises will emerge from the cloak of time? A Journey of a Thousand Miles: Peacekeepers Geeta Gandbhir and Sharmeen Obaid-Chinoy, USA/Pakistan World Premiere A unit of Bangladeshi female police officers leave their families to join a United Nations peacekeeping mission in Haiti and challenge stereotypes about the capabilities of Muslim women. The film focuses on three of the women as they grapple with the harsh realities of becoming foot soldiers in a UN Peacekeeping Mission, and the pressures on their families left behind. A Young Patriot (Shao Nian * Xiao Zhao) Du Haibin, China/USA/France Canadian Premiere This intimate documentary chronicles five years in the life of a young Chinese student, whose fervent idealism and dedication to Mao’s legacy stands in stark contrast to contemporary China’s turn towards state capitalism. Being AP Anthony Wonke, United Kingdom/Ireland World Premiere Being AP is an intimate documentary portrait of AP McCoy – the greatest jump jockey of all time. As he passes his 40th birthday, an age beyond which most jockeys are unable to continue, AP contemplates his obsession with winning, the years of sacrifice that he has endured to become a champion, the chase for a 20th successive title, and then a future without racing. Bolshoi Babylon Nick Read, United Kingdom World Premiere For the first time, Russia’s Bolshoi Theatre allows filmmakers full and uncensored access backstage. After a brutal acid attack on the ballet company’s director Sergei Filin in January 2013, Bolshoi Babylon follows the dancers and managers through a new season as they try to regain their status as the world’s leading dance company. Dark Horse Louise Osmond, United Kingdom Canadian Premiere Set in a former mining village in Wales, Dark Horse is the inspirational true story of Jan Vokes and her group of local friends who decide to take on the elite ‘sport of kings’ and breed themselves a racehorse. Raised on a slagheap allotment, their foal becomes a source of inspiration and hope. Dark Horse Davis Guggenheim, USA International Premiere Acclaimed documentary filmmaker Davis Guggenheim shows us how Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus, remains committed to fighting for education for all girls worldwide. Providing an inside glimpse into her extraordinary life — from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life at home. Heart of a Dog Laurie Anderson, USA Canadian Premiere Heart of a Dog is a personal essay film that explores themes of love, death, and language. The director’s voice is a constant presence as stories of her dog Lolabelle, her mother, childhood fantasies and political, and philosophical theories unfurl in a seamless song-like stream. Hitchcock/Truffaut Kent Jones, USA/France Canadian Premiere In 1962, two of the greatest minds in cinema sat down for an intimate and expansive conversation. Based on the original recordings of this meeting — used to produce the influential book Hitchcock/Truffaut — this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. David Fincher, Richard Linklater, Martin Scorsese and other legendary filmmakers add to the discussion of Hitchcock’s enduring legacy and influence on cinema. Horizon Bergur Bernburg and Fridrik Thor Fridriksson, Iceland/Denmark World Premiere A documentary about the late Icelandic painter Georg Gudni Hauksson, whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting. In Jackson Heights Frederick Wiseman, USA North American Premiere Frederick Wiseman’s latest documentary is about the diverse neighborhood of Jackson Heights in Queens, New York where 167 languages are spoken among immigrants from every continent, and half the population is foreign-born. The community is an example of America as a ‘melting pot’ settled and made strong by people committed to making their neighborhood work despite cultural and religious differences. It All Started At The End (Todo comenzó por el fin) Luis Ospina, Colombia World Premiere Filmmaker Luis Ospina recounts the history of El Grupo de Cali, the prolific bohemian artistic collective that revolutionized Colombian film and literature in the 1970s and ’80s. Janis: Little Girl Blue Amy Berg, USA North American Premiere Academy Award-nominated director Amy Berg reveals the raw, sensitive and powerful woman behind the legend in Janis: Little Girl Blue; the quintessential story of the short, turbulent, epic existence that changed music forever. Chan Marshall (aka Cat Power) lends her raspy Southern voice to the film, reading Janis Joplin’s achingly intimate letters. Je Suis Charlie Emmanuel Leconte and Daniel Leconte, France World Premiere On January 7, 2015, French satirical weekly Charlie Hebdo was the victim of a terrorist attack that killed 12 people, including some of the greatest French cartoonists such as Cabu, Wolinski, Charb, Tignous and Honoré. The following day a policewoman was shot dead in the street. On January 9, another attack targeted the Jewish community. Four hostages were murdered. This film pays tribute to all these victims. Miss Sharon Jones! (pictured main image) Barbara Kopple, USA World Premiere Two-time Academy Award-winner Barbara Kopple follows R&B queen Sharon Jones over the course of an eventful year, as she battles a cancer diagnosis and struggles to hold her band the Dap-Kings together. Additionally, TIFF Cinematheque will showcase Kopple’s film Harlan County, USA which played at the first Festival in 1976. The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble Morgan Neville, USA World Premiere This film tells the extraordinary story of the Silk Road Ensemble, an international musical collective created by legendary cellist Yo-Yo Ma. The film follows this group of diverse instrumentalists, vocalists, composers, arrangers, visual artists, and storytellers as they explore the power of music to preserve tradition, shape cultural evolution, and inspire hope. Nasser Jihan El-Tahri, France/South Africa International Premiere Filmmaker Jihan El-Tahri explores the history of Gamal Abdel Nasser, the revolutionary army officer whose decade-long reign as president of Egypt saw him defy the West during the 1956 Suez Crisis, co-found the international Non-Aligned Movement, and suffer a dramatic defeat to Israel in the Six-Day War. Our Last Tango (Un tango más) German Kral, Germany/Argentina World Premiere Argentina’s María Nieves and Juan Carlos Copes are the best-known couple in tango’s history and shaped the dance like no others. They danced passionately, loved and hated each other for almost 50 years, until one day they separated, and left a gap in the tango scene. Now, almost at the end of their lives, they tell their story for the first time. Executive produced by Wim Wenders. P.S. Jerusalem Danae Elon, Canada/Israel World Premiere Danae Elon grew up in Jerusalem. After many years of living abroad, she moves back with her three young sons and French-Algerian husband Philip who are fresh to the city. Over three years, she documents their experiences, bearing witness to what makes Jerusalem so fiercely contested. A looming presence is the memory of her late father, the esteemed author Amos Elon, seen in home movies. Through the prism of one family’s life, the film exposes a complex portrait of Jerusalem today. The Reflektor Tapes Kahlil Joseph, United Kingdom World Premiere The Reflektor Tapes is a fascinating insight into the making of Arcade Fire’s international #1 album Reflektor. The film recontextualizes the album experience, transporting the viewer into a kaleidoscopic sonic and visual landscape. The Reflektor Tapes blends never-before-seen personal interviews and moments captured by the band to dazzling effect, and features 20 minutes of exclusive unseen footage, filmed only for cinema audiences. Return of the Atom (Atomin paluu) Mika Taanila and Jussi Eerola, Finland/Germany World Premiere Finland was the first country in the West to give permission to build a new nuclear power plant after the Chernobyl disaster. The film portrays the strange and stressful life in the small Finnish ‘nuclear town’ Eurajoki during an era of nuclear renaissance. Sherpa Jennifer Peedom, Australia/United Kingdom Canadian Premiere Director Jennifer Peedom set out to uncover tension in the 2014 Everest climbing season from the Sherpas’ point of view, and instead captured a tragedy when an avalanche struck, killing 16 Sherpas. Sherpa tells the story of how the Sherpas united after the tragedy in the face of fierce opposition to reclaim the mountain they call Chomolungma. Thru You Princess Ido Haar, Israel International Premiere In her late 30s, Samantha lives in New Orleans and works as a caregiver. She often uploads her songs and musings online and none of her clips get more than a few dozen hits. She doesn’t imagine that someone, on the other side of the world, is about to expand the number of listeners by millions. Kutiman, an Israeli musician, discovered Samantha’s songs on YouTube and weaves them with audiovisual symphonies composed of musical clips that people posted online. Winter on Fire: Ukraine’s Fight for Freedom Evgeny Afineevsky, Ukraine/USA/UnitedKingdom Canadian Premiere Chronicling events that unfolded over 93 days in 2013 and 2014, Winter on Fire: Ukraine’s Fight for Freedom witnesses the formation of a new civil rights movement in Ukraine. What started as peaceful student demonstrations supporting European integration morphed into a full-fledged violent revolution calling for the resignation of the nation’s president. The film captures the remarkable mobilization of nearly a million citizens from across the country protesting the corrupt political regime that utilized extreme force against its own people to suppress their demands and freedom of expression. Women He’s Undressed Gillian Armstrong, Australia International Premiere During Hollywood’s golden age, the Australian known as Orry-Kelly was a costume designer for an astonishing 282 films including classics like Some Like It Hot, Casablanca, and An American in Paris. As a gay male during a closeted era, he was also a keeper of secrets. Director Gillian Armstrong (Oscar and Lucinda; Little Women) employs inventive recreations, interviews and film clips to uncover his story. Documentaries previously announced for the Festival were Brian D. Johnson’s Al Purdy Was Here, Patrick Reed and Michelle Shephard’s Guantanamo’s Child: Omar Khadr, Mina Shum’s Ninth Floor, Avi Lewis’ This Changes Everything, and Geneviève Dulude-De Celles’ Welcome to F.L. playing in TIFF Docs; and Michael Moore’s Where to Invade Next for Special Presentations. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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  • THE DARK HORSE, ROMEO IS BLEEDING Win Top Awards at 2015 Seattle International Film Festival

    The Dark Horse, directed by James Napier Robertson The 2015 Seattle International Film Festival announced the winners of the 2015 Golden Space Needle Audience and Competition Awards. The Dark Horse, directed by James Napier Robertson is the big winner, taking the Golden Space Needle Audience Award for Best Film, and Best Actor for Cliff Curtis.  In The Dark Horse – winner of six New Zealand Film Awards including Best Picture, Director, and Actor – Cliff Curtis (Whale Rider) gives a stunning and inspirational performance as New Zealand legend Genesis Potini, a bipolar speed chess champion who helps turn around the lives of some 15,000 Maori children by teaching them the intricacies the game. Other winners include Alfonso Gomez-Rejon of “Me and Earl and the Dying Girl” wins Best Director,  “Romeo is Bleeding” wins Best Documentary; Nina Hoss (“Phoenix”) wins Best Actress, “Liza, The Fox-Fairy,” “The Great Alone,” and “Chatty Catties” Win Grand Jury Prize Awards for Best New Director, Documentary and New American Film Carl Spence, SIFF’s Artistic Director, says, “Our 41st Festival was another fantastic celebration of storytelling in all its forms. We presented everything from the storied cinematic past (archival screenings celebrating Martin Scorsese’s The Film Foundation and live read of the late Stewart Stern’s Rebel Without a Cause), to the iconic (Kevin Bacon!), to the independent (Jason Schwartzman and his new comedy 7 Chinese Brothers). With a record 92 countries represented this year and sold-out shows every night, this year’s Festival was bigger than ever, but it also fittingly included a proper send-off of an iconic movie house, the Harvard Exit. It also highlighted Seattle’s great continuing movie houses including our own SIFF Cinema Egyptian and SIFF Cinema Uptown. And I love that we bookended the Festival this year with two stellar comedies, kicking off with our Opening Night film Spy (the number one movie in America this weekend) and finishing with our hilarious Closing Night indie The Overnight. Starting and ending with laughter while traveling the world in between is a great way to mark another whirlwind 25-day celebration of cinema.” SIFF 2015 GOLDEN SPACE NEEDLE AUDIENCE AWARDS SIFF celebrates its films and filmmakers with the Golden Space Needle Audience Awards. Selected by Festival audiences, awards are given in five categories: Best Film, Best Documentary, Best Director, Best Actor, and Best Short Film. This year, nearly 90,000 ballots were submitted. GOLDEN SPACE NEEDLE AWARD – BEST FILM The Dark Horse, directed by James Napier Robertson (New Zealand 2014) First runner-up: Inside Out, directed by Pete Docter (USA 2015) Second runner-up: Me and Earl and the Dying Girl, directed by Alfonso Gomez-Rejon (USA 2015) Third runner-up: Shaun the Sheep, directed by Richard Starzak, Mark Burton (UK 2015) Fourth runner-up: Good Ol’ Boy, directed by Frank Lotito (USA 2015) GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY Romeo is Bleeding, directed by Jason Zeldes (USA 2015) First runner-up: Paper Tigers, directed by James Redford (USA 2015) Second runner-up: The Glamour & The Squalor, directed by Marq Evans (USA 2015) Third runner-up: The Great Alone, directed by Greg Kohs (USA 2015) Fourth runner-up: Frame by Frame, directed by Mo Scarpelli, Alexandria Bombach (Afghanistan 2014) GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR Alfonso Gomez-Rejon, Me and Earl and the Dying Girl (USA 2015) First runner-up: George Ovashvili, Corn Island (Georgia 2014) Second runner-up: Peter Greenaway, Eisenstein in Guanajuato (Netherlands 2015) Third runner-up: Susanne Bier, ASecond Chance (Denmark 2014) Fourth runner-up: Ross Partridge, Lamb (USA 2015) GOLDEN SPACE NEEDLE AWARD – BEST ACTOR Cliff Curtis, The Dark Horse (New Zealand 2014) First runner-up: Ian McKellen, Mr. Holmes (UK 2015) Second runner-up: Jason Segel, End of the Tour (USA 2014) Third runner-up: Victor Andrés Trelles Turgeon, Henri Henri (Canada (Québec) 2014) Fourth runner-up: Jacir Eid, Theeb (Jordan 2014) GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS Nina Hoss, Phoenix (Germany 2014) First runner-up: Kalki Koechlin, Margarita, with a Straw (India 2014) Second runner-up: Rebecka Josephson, My Skinny Sister (Sweden 2015) Third runner-up: Regina Case, The Second Mother (Brazil 2015) Fourth runner-up: Ghita Nørby, Key House Mirror (Denmark 2015) GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM Even the Walls, directed by Sarah Kuck, Saman Maydáni (USA 2015) First runner-up: Submarine Sandwich, directed by PES (USA 2014) Second runner-up: Stealth, directed by Bennett Lasseter (USA 2014) Third runner-up: Personal Development, directed by Tom Sullivan (Ireland 2015) Fourth runner-up: Bihttoš, directed by Elie-Máijá Tailfeathers (Canada 2014) LENA SHARPE AWARD FOR PERSISTENCE OF VISION Frame by Frame, directed by Mo Scarpelli, Alexandria Bombach (Afghanistan 2014) This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film Seattle to bestow it. SIFF 2015 COMPETITION AWARDS SIFF announced three Competition Awards for Best New Director, Best Documentary, and Best New American Film (FIPRESCI). Winners in each juried competition received $2,500 in cash, while the New American Cinema competition winner was also awarded the FIPRESCI prize. SIFF 2015 BEST NEW DIRECTOR GRAND JURY PRIZE Liza, the Fox-Fairy (Hungary 2015), directed by Károly Ujj-Mészáros JURY STATEMENT: For its lively, inventive visual wit and offbeat look at romantic delusion involving a haunted Hungarian nurse, a long-suffering police sergeant, and the ghost of a ’50s Japanese pop singer, we have given this year’s New Directors Prize to Károly Ujj-Mészáros. SPECIAL JURY MENTION Corrections Class (Russia/Germany 2014), directed by Ivan I. Tverdovsky JURY STATEMENT: For the director’s brave and unflinching handling of a young ensemble. Festival programmers select 12 films remarkable for their original concept, striking style, and overall excellence. To be eligible, films must be a director’s first or second feature and without U.S. distribution at the time of their selection. The New Directors Jury is comprised of Brandon Harris (Filmmaker Magazine), Amy Nicholson (L.A. Weekly), and Alison Willmore (Buzzfeed). 2015 Entries: A Blast (d: Syllas Tzoumerkas, Greece/Germany/Netherlands 2014, North American Premiere) Bonifacio (d: Enzo Williams, Philippines 2014, North American Premiere) Corrections Class (d: Ivan I. Tverdovsky, Russia/Germany 2014, North American Premiere) Liza, the Fox-Fairy (d: Károly Ujj-Mészáros, Hungary 2015, North American Premiere) Love, Theft and Other Entanglements (d: Muayad Alayan, Palestine 2015, North American Premiere) A Matter of Interpretation (d: Kwang-kuk Lee, South Korea 2014, North American Premiere) Morbayassa (d: Cheick Fantamady Camara, Guinea 2015, North American Premiere) My Skinny Sister (d: Sanna Lenken, Sweden/Germany 2015, North American Premiere) Short Skin (d: Duccio Chiarini, Italy 2014, North American Premiere) Under Construction (d: Rubaiyat Hossain, Bangladesh 2015, World Premiere) Vincent (d: Thomas Salvador, France 2014) Waterline (d: Michal Otlowski, Poland 2014, North American Premiere) SIFF 2015 BEST DOCUMENTARY GRAND JURY PRIZE The Great Alone (USA 2015), directed by Greg Kohs JURY STATEMENT: Our Grand Jury Prize goes to a film that stopped all of us in our tracks. One of the joys of the film festival experience is discovering a film that works so well on every level. This is an inspiring film about one man’s story that is both intimate and epic – we were knocked out by the filmmaker’s achievement in crafting a visually stunning, completely engrossing narrative about one extraordinary human being. SPECIAL JURY PRIZES Romeo is Bleeding (USA 2015), directed by Jason Zeldes JURY STATEMENT: For its strength in demonstrating the power of art to change lives. Sergio Herman: F**king Perfect (Netherlands 2015), directed by Willemiek Kluijfhout JURY STATEMENT: Which we found to be an exquisitely made film about a FUCKING PERFECT artist. Unscripted and uncut, the world is a resource of unexpected, informative, and altogether exciting storytelling. Documentary filmmakers have, for years, brought these untold stories to life and introduced us to a vast number of fascinating topics we may have never known existed-let alone known were so fascinating. The Documentary Jury is comprised of Jannat Gargi (Vulcan Productions), Janet Pierson (SXSW), and Anne Rosellini (producer, Stray Dog, Winter’s Bone). 2015 Entries: Cooking Up a Tribute (d: Luis González & Andrea Gómez, Spain 2015, North American Premiere) Dreams Rewired (d: Martin Reinhart, Thomas Tode, & Manu Luksch, Austria 2015, North American Premiere) The Glamour & The Squalor (d: Marq Evans, USA 2015, World Premiere) The Great Alone (d: Greg Kohs, USA 2015, World Premiere) In Utero (d: Kathleen Gyllenhaal, USA 2015, World Premiere) License to Operate (d: James Lipetzky, USA 2015, World Premiere) Mountain Spirits (d: Singing Chen & Kuo-Liang Chiang, Taiwan 2014, US Premiere) Paper Tigers (d: James Redford, USA 2015, World Premiere) Romeo Is Bleeding (d: Jason Zeldes, USA 2015) Sergio Herman, F**KING PERFECT (d: Willemiek Kluijfhout, Netherlands 2015, North American Premiere) War of Lies (d: Matthias Bittner, Germany 2014, US Premiere) SIFF 2015 BEST NEW AMERICAN CINEMA GRAND JURY PRIZE Chatty Catties (USA 2015), directed by Pablo Valencia JURY STATEMENT: The FIPRESCI jury at the 41st edition of the Seattle International Film Festival bestows its International Critics’ Prize to a film that – with an enormous amount of risk-taking – innovatively expands stylistic and narrative boundaries. With a fresh view on intimate relationships, director Pablo Valencia creates an unexpected and utterly original emotional landscape in Chatty Catties. Festival programmers select 9 films without U.S. distribution that are sure to delight audiences looking to explore the exciting vanguard of New American Cinema and compete for the FIPRESCI Award for Best New American Film. The New American Cinema Jury is comprised of members of the International Federation of Film Critics (FIPRESCI): Pamela Cohn, André Roy, and Dennis West. 2015 Entries: Chatty Catties (d: Pablo Valencia, USA 2015, World Premiere) Circle (d: Aaron Hann & Mario Miscione, USA 2015, World Premiere) Fourth Man Out (d: Andrew Nackman, USA 2015, World Premiere) Front Cover (d: Ray Yeung, USA 2015, World Premiere) Good Ol’ Boy (d: Frank Lotito, USA 2015, World Premiere) Happy 40th (d: Madoka Raine, USA 2015, World Premiere) Me Him Her (d: Max Landis, USA 2015, World Premiere) A Rising Tide (d: Ben Hickernell, USA 2015, World Premiere) Those People (d: Joey Kuhn, USA 2015, World Premiere) SIFF 2015 FUTUREWAVE AND YOUTH JURY AWARDS YOUTH JURY AWARD FOR BEST FUTUREWAVE FEATURE Seoul Searching (USA/South Korea 2015), directed by Benson Lee JURY STATEMENT: For its diverse and relatable characters, quality mix of emotion and comedy, and accurate and respectful representation of teens, the 2015 FutureWave Youth Jury Prize goes to Seoul Searching. YOUTH JURY AWARD FOR BEST FILMS4FAMILIES FEATURE When Marnie Was There (Japan 2014), directed by Hiromasa Yonebayashi JURY STATEMENT: For its beautiful and detailed animation, realistic sound design, and original, bittersweet tale of mystery the Films4Families Jury awards When Marnie Was There. WAVEMAKER AWARD (GRAND PRIZE) In recognition of superior artistic and technical achievement. Audio Input(USA), directed by Sho Schrock-Manabe JURY STATEMENT: For its insightful and engaging portrait of podcasting, an audio art form, through a collage of interviews and images. FUTUREWAVE AUDIENCE AWARD Minimum Max (USA), directed by Josh Ovalle PRODIGY CAMP SCHOLARSHIPS Each winner will be awarded a $1000 scholarship to the Prodigy Camp. I’m Not Here (South Africa), directed by Jack Markovitz Minimum Max (USA), directed by Josh Ovalle SIFF 2015 SHORT FILM JURY AWARDS All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award. Jurors will choose winners in the Narrative, Animation, and Documentary categories. Each jury winner will receive $1,000 and winners in any of the three categories may also qualify to enter their respective films in the Short Film category of the Academy Awards®. LIVE ACTION GRAND JURY PRIZE The Chicken (Croatia, Germany), directed by Una Gunjak JURY STATEMENT: An expertly crafted narrative that explores life and death through the eyes of a young girl. With a film full of authentic performances, Iman Alibalic is extraordinary as the six-year-old protagonist who receives a live chicken from her father for her birthday, and soon realizes it’s meant for dinner. This is an emotional film with a production quality that continues to move the story along and underscore the realities of life in a war zone. SPECIAL JURY PRIZE Hole (Canada), directed by Martin Edralin JURY STATEMENT: Hole is a brave exploration of human sexuality and yearning for intimacy through the eyes of a lonely, forgotten, disabled man in the heart of Toronto. Ken Harrower delivers a captivating performance that transcends any labels or limitations and speaks to the need for human connection. DOCUMENTARY GRAND JURY PRIZE Bihttos (Canada), directed by Elle-Máijá Tailfeathers JURY STATEMENT: For its ambitious approaches to visual storytelling and imaginative recounting of an exceptional family history. ANIMATION GRAND JURY PRIZE The Mill at Calder’s End (USA), directed by Kevin McTurk JURY STATEMENT: There exists a tendency to laud the new-new stories, new techniques, new talent. With the animation award, the jury is pleased to celebrate a film that is decidedly old-school, breathing life into a bygone style, iterating in a story tradition that is centuries old. For this fusion of the modern and classic, we are happy to award Kevin McTurk for The Mill at Calder’s End. Short Film Juries 2015: Live Action: Stefanie Malone (NFFTY), Bobby McHugh (World Famous), and Tracy Rector (Longhouse Media). Documentary and Animation: Courtney Sheehan (Northwest Film Forum), Jason Sondhi (Vimeo curator), Alex Stonehill (Seattle Globalist).

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