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With the 5th annual Chattanooga Film Festival just under one month away, the first wave of films are here. These films join opening night films ROCK STEADY ROW and SUMMER OF ’84, as well as the world premiere of LIFE AFTER FLASH.
Fresh off its world premiere at the Sundance Film Festival, LU OVER THE WALL is a gorgeously animated hallucinogenic-but-family-friendly take on the classic fairy tale of the little mermaid who falls in love with mankind, and then comes ashore to join a dysfunctional middle school rock band and propel them to fame.
Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT shows how New York City, its people, and the tectonically shifting arts culture of the late 1970s and ’80s shaped his vision.
In GHOST STORIES, Arch skeptic Professor Phillip Goodman embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’.
Every once in a while, you see a film you just know is a classic in the making. LOWLIFE is such a film. Director Ryan Prows has crafted a darkly comic sublimely cinematic and strangely heartwarming crime tale that explodes off the screen like a Molotov cocktail.
From filmmaker Josephine Decker comes MADELINE’S MADELINE, a drama that centers around a family in Queens, New York. In the film, Miranda July plays Regina, single mother to sixteen-year-old Madeline. Madeline finds herself as the youngest member of an experimental-theater company and begins to take her performance too seriously.
For fans of THE EXORCIST, director William Friedkin delivers a chilling documentary with THE DEVIL AND FATHER AMORTH. Having never seen an exorcism, Friedkin wondered how close he came to truly portraying one on screen. Thus, he decided to follow Father Gabriele Amorth, an Italian Roman Catholic Priest and an exorcist of the Diocese of Rome, as he performs his ninth exorcist on an Italian woman.
CFF is extremely proud to bring RBG to Chattanooga screens, a documentary about the life and work of legendary Supreme Court Justice Ruth Bader Ginsburg. Directors Julie Cohen and Betsy West interview friends, family, colleagues and the woman herself, RBG.
In keeping with the theme of strong, powerful women, but this time of the fictional kind, Coralie Fargeat’s REVENGE is the ultimate tale of payback and signals the arrival of a relentlessly bold new voice. From its eye-popping tracking sequences to a score that would make John Carpenter proud, Fargeat fills every inch of every frame with style, and anger.
THE LAST MOVIE STAR finds an aging, former movie star, portrayed by Burt Reynolds, being forced to face the reality that his glory days are behind him. On its surface THE LAST MOVIE STAR is a tale about faded fame, but at its core, it’s a universal story about growing old.
Crazy doesn’t scratch the surface of the things you’ll see and hear when you watch THE ROAD MOVIE. Painstakingly compiled entirely from Russian dashboard cams. This is one wildly entertaining car wreck you won’t want to look away from.
ICEPICK TO THE MOON, which will make its world premiere at the festival, centers on cult following of the obscure, strip-mine crooner Rev. Fred Lane. His obsessive fans, who have described him as “subversive,” “completely satirical,” “the Dada Duke Ellington,” and “Demon Frank Sinatra,” have spent years examining every detail of Lane’s albums, and yet whatever information they have found out about their hero has led them deeper into blissful confusion. ICEPICK TO THE MOON not only examines the cult of Fred Lane fans, but it also pulls the curtain back on the artist who is Fred Lane, from his early involvement in the Raudelunas arts collective of Alabama in the 1970s to his current occupation making whirligigs to sell on the craft show circuit. Following the screening will be a Q&A with director Skizz Cyzyk.
Also making its world premiere is WOLFMAN’S GOT NARDS. This heartfelt documentary explores the power of cult film told through the 1987 classic THE MONSTER SQUAD and the impact it has on fans, cast and crew, and the industry. Director Andre Gower, Ryan Lambert (both stars of The Monster Squad) and producer Henry McComas will be on hand for a post-film Q&A.
ONE SINGS, THE OTHER DOESN’T (L’une chante, l’autre pas) is a feminist musical about the bond of sisterhood felt by Pomme and Suzanne throughout years of changes and fraught relationships with men. At the time of release in 1977, director Agnès Varda said, “If I put myself on the screen—very natural and feminist—maybe I’d get ten people in the audience. Instead, I put two nice young females on the screen, and not too much of my own leftist conscience. By not being too radical but truly feminist, my film has been seen by 350,000 people in France.”
THE LAPLACE’S DEMON finds a team of seven researchers has developed a software capable of predicting the evolution of common physical events. The final test, the prediction of the exact number of fragments caused by the fall of a glass, was a success. Interested by these results, the mysterious Professor Cornelius invites the working team in his isolated mansion on a deserted island, hiding his true intentions. As time passes, the team will lead to paradoxical situations in a growing tension that will not only test their nerves but also one of their certainties: the free will.
WE ARE STILL HERE director Ted Geoghegan is back, but this time with a different kind of story. MOHAWK tracks the events of one very long day late in The War of 1812, during which a young Mohawk woman and her two lovers strike back at a squadron of American soldiers responsible for the death of her people. Although set in 1812, this film with resonate with audiences even more so now than ever.
It doesn’t get more wildly influential than the Shaw Brothers’ KING BOXER. Not only was it the first bonafide Kung Fu film to be a hit in the West (under the title FIVE FINGERS OF DEATH) it very literally helped kick off the Kung Fu craze of the 70’s, ushering in an era where Bruce Lee became a household name. There is simply no overstating the cultural importance or even the coolness of this Shaw Studios treasure.
When an awkward date on Christmas Eve leads a couple into a strange theater, they’re treated to a bizarre and frightening collection of Christmas stories. The terrifying feature film debut of writer/directors Rebekah and David Ian McKendry, ALL THE CREATURES WERE STIRRING is a frightening and fun journey through the perils of Christmas Eve with an incredible cast and a style all its own. Following the world premiere screening, directors Rebekah McKendry and David Ian McKendry, along with producers Morgan Peter Brown and Joe Wicker will stick around for a Q&A.
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