The Force (2017)

Human Rights Watch Film Festival, London Will Feature 14 Award Winning Films, Opens with “Naila and the Uprising” | Trailers

[caption id="attachment_25154" align="aligncenter" width="1024"] Naila and the Uprising[/caption] The Human Rights Watch Film Festival in London from March 8 to 16, 2018, will feature 14 award-winning international documentary and feature films, half of them directed by women. The films offer fresh perspectives and critical insights on human rights concerns impacting people around the world today. The festival will open at the Barbican on March 8, International Women’s Day, with Naila and the Uprising directed by Julia Bacha, which celebrates the courageous Palestinian women activists who played a pivotal role in the first Intifada, 30 years ago. “In a year in which women have collectively raised their voices against discrimination and abuse, the 22nd edition of the festival spotlights strong women who push back against formidable forces within their respective societies,” said John Biaggi, creative director of the Human Rights Watch Film festival. “We are thrilled to open with the powerful Naila and the Uprising, which showcases women change-makers, and we look forward to welcoming the director Julia Bacha and film subjects Naila Ayesh and Zahira Kamal”. When a nationwide uprising breaks out in 1987, Naila Ayesh must make a choice between love, family and freedom. Undaunted, she embraces all three, joining a clandestine network of women in a movement that forces the world to recognize the Palestinian right to self-determination for the first time. “I call on women all over the world, I call on Israeli mothers: double your efforts to lift the injustices from my people, so my son, and your son, and all children can live side by side,” said Ayesh, who will attend opening night. In the closing night film Silas, directed by Anjali Nayar and Hawa Essuman, the activist Silas Siakor and a network of dedicated citizen reporters respond with swift action when the rights to one-third of Liberia’s land are illegally signed away to multinational companies. “When they tear down the trees and strip the land, they tear down our people and strip away their lives,” Siakor said. “Silas compellingly demonstrates how dedicated individuals can lead and create change,” Biaggi said. “We look forward to welcoming Silas Siakor and the director Anjali Nayar to London.” The themes of female defiance, activists and resistance, environmental plunder and closed worlds are seen throughout the festival. In The Poetess, directors Stefanie Brockhaus and Andreas Wolff introduce Hissa Hilal, who through her poetry performances challenges the repressive patriarchy ruling Saudi Arabia. In Margarita Cadenas’ Women of the Venezuelan Chaos, five resilient women creatively defend their fellow citizens, their families, and their very survival amid the national crisis that has enveloped their country. Sadaf Foroughi’s timely coming-of-age drama, Ava, portrays a strong and complex teenager who is pushed to the limits as she fights to find her voice, despite the constraints of her conservative, patriarchal community in Tehran. The closing night theme of resistance and environmental plunder continues in Chris Kelly’s A Cambodian Spring, in which a fearless Buddhist monk and bold female leaders rally neighbors to oppose land-grabbing politicians and businesses, but at considerable cost to their personal lives and friendships. Directed by Sabaah Folayan and Damon Davis, Whose Streets? takes an unflinching look at the Ferguson uprising in the US, told by the activists and leaders who live and breathe this movement for justice. “We are raising activists, we have to create a generation of activists if there’s gonna be any change”, said Aurellia Davis-Whitt, activist and film subject. The festival will screen three films that expose viewers to worlds usually closed from the public eye: Mohammed Naqvi’s Insha’Allah Democracy shows a surprisingly intimate side of the former military dictator General Pervez Musharraf of Pakistan; Peter Nicks’ The Force brings us inside the Oakland Police Force in the USA, which is struggling to make change amidst serious corruption and misconduct, and Adam Sobel’s The Workers Cup presents an exposé on working conditions that migrant workers face in building the 2022 World Cup site in Qatar, following a group of young laborers hoping to become footballers themselves. Three compelling cinema-verité-style documentaries reveal how war and bureaucracy can force institutions of care and shelter to become places of imprisonment and containment. Set in France where each year 92,000 people are placed under psychiatric care without their consent, Raymond Depardon’s 12 Days captures the raw and vulnerable interactions at the border of justice and psychiatry, humanity and bureaucracy when a crucial decision must be made: will a patient be forced to stay in a hospital or granted freedom. In Rina Castelnuovo-Hollander and Tamir Elterman’s Muhi – Generally Temporary, a young boy from Gaza has been trapped in an Israeli hospital for over eight years. Rushed there in his infancy with a life-threatening immune disorder, Muhi, and his doting grandfather, Abu Naim, are caught in an immigration limbo and only permitted to reside within the constraints of the hospital walls. And in The Long Season, the award-winning filmmaker Leonard Retel Helmrich (Position Among the Stars) spent a year-and-a-half in the Majdal Anjar refugee camp in Lebanon capturing the intimate daily lives of Syrians whose futures are postponed by war. This year’s benefit gala on March 7 at RIBA features Daniel McCabe’s This Is Congo, an immersive and unfiltered look at this lush, mineral-rich country, from the rise of Rwandan and Ugandan-backed M23 rebels in the North Kivu region of the Democratic Republic of Congo in 2012 to the present day, via four profoundly resilient characters. Described by Timo Meuller, researcher in the Africa Division of Human Rights Watch as, “the best documentary I’ve seen on the Democratic Republic of Congo. McCabe cares deeply about the country and does a great job walking the audience through the complicated historical trajectory of the Congo.” This is Congo will also screen within the festival program. 12 Days Filmmaker(s):Raymond Depardon https://www.youtube.com/watch?v=Mn6CbSBi3ho A Cambodian Spring Filmmaker(s):Chris Kelly https://vimeo.com/209625471 Ava Filmmaker(s):Sadaf Foroughi https://www.youtube.com/watch?v=rF9pDPmF3is Insha’allah Democracy Filmmaker(s):Mohammed Naqvi https://vimeo.com/237785739 Muhi – Generally Temporary Filmmaker(s):Rina Castelnuovo-Hollander and Tamir Elterman https://www.youtube.com/watch?v=z1Ej_v-_IwQ Naila and the Uprising Filmmaker(s):Julia Bacha https://vimeo.com/242161763 Silas Filmmaker(s):Anjali Nayar and Hawa Essuman The Force Filmmaker(s):Peter Nicks https://www.youtube.com/watch?v=xrS5Okom6ow The Long Season Filmmaker(s):Leonard Retel Helmrich https://vimeo.com/248278067 The Poetess Filmmaker(s):Stefanie Brockhaus and Andreas Wolff https://vimeo.com/241193553 The Workers Cup Filmmaker(s):Adam Sobel https://vimeo.com/218488667 This Is Congo Filmmaker(s):Daniel McCabe https://www.youtube.com/watch?v=4WfWODjDYAk Whose Streets? Filmmaker(s):Sabaah Folayan and Damon Davis https://www.youtube.com/watch?v=upiJnjJSerw Women of the Venezuelan Chaos Filmmaker(s):Margarita Cadenas https://vimeo.com/227763820
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170 Documentary Feature Films Submitted for 90th Academy Awards

[caption id="attachment_25315" align="aligncenter" width="1200"] Gaga: Five Foot Two[/caption] One hundred seventy features have been submitted for consideration in the Documentary Feature category for the 90th Academy Awards. A shortlist of 15 films will be announced in December. Films submitted in the Documentary Feature category may also qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: Abacus: Small Enough to Jail Aida’s Secrets Al Di Qua All the Rage All These Sleepless Nights AlphaGo The American Media and the Second Assassination of President John F. Kennedy And the Winner Isn’t Angels Within Architects of Denial Arthur Miller: Writer Atomic Homefront The B-Side: Elsa Dorfman’s Portrait Photography Bang! The Bert Berns Story Bending the Arc Big Sonia Bill Nye: Science Guy Birthright: A War Story Bobbi Jene Bombshell: The Hedy Lamarr Story Born in China Born to Lead: The Sal Aunese Story Boston Brimstone & Glory Bronx Gothic Burden California Typewriter Can’t Stop, Won’t Stop: A Bad Boy Story Casting JonBenet Chasing Coral Chasing Trane Chavela Citizen Jane: Battle for the City City of Ghosts Clive Davis: The Soundtrack of Our Lives Cries from Syria Cruel & Unusual Cuba and the Cameraman Dawson City: Frozen Time Dealt The Death and Life of Marsha P. Johnson Destination Unknown Dina Dolores Dream Big: Engineering Our World A Dying King: The Shah of Iran Eagles of Death Metal: Nos Amis (Our Friends) Earth: One Amazing Day 11/8/16 Elian Embargo Eric Clapton: Life in 12 Bars Escapes Everybody Knows… Elizabeth Murray Ex Libris – The New York Public Library Extraordinary Ordinary People Faces Places The Farthest The Final Year Finding Oscar 500 Years Food Evolution For Ahkeem The Force The Freedom to Marry From the Ashes Gaga: Five Foot Two A German Life Get Me Roger Stone Gilbert God Knows Where I Am Good Fortune A Gray State Hare Krishna! The Mantra, the Movement and the Swami Who Started It All Harold and Lillian: A Hollywood Love Story Hearing Is Believing Hell on Earth: The Fall of Syria and the Rise of ISIS Human Flow I Am Another You I Am Evidence I Am Jane Doe I Called Him Morgan Icarus If You’re Not in the Obit, Eat Breakfast The Incomparable Rose Hartman An Inconvenient Sequel: Truth to Power Intent to Destroy Jane Jeremiah Tower The Last Magnificent Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton Joan Didion: The Center Will Not Hold Joshua: Teenager vs. Superpower Karl Marx City Kedi Keep Quiet Kiki LA 92 The Last Dalai Lama? The Last Laugh Last Men in Aleppo Legion of Brothers Let It Fall: Los Angeles 1982 – 1992 Let’s Play Two Letters from Baghdad Long Strange Trip Look & See Machines Man in Red Bandana Mr. Gaga: A True Story of Love and Dance Motherland Mully My Scientology Movie Naples ’44 Neary’s – The Dream at the End of the Rainbow Night School No Greater Love No Stone Unturned Nobody Speak: Trials of the Free Press Nowhere to Hide Obit Oklahoma City One of Us The Paris Opera The Pathological Optimist Prosperity The Pulitzer at 100 Quest Rancher, Farmer, Fisherman The Rape of Recy Taylor The Reagan Show Restless Creature: Wendy Whelan Risk A River Below Rocky Ros Muc Rumble: The Indians Who Rocked the World Santoalla School Life Score: A Film Music Documentary Served Like a Girl The Settlers 78/52 Shadowman Shot! The Psycho Spiritual Mantra of Rock Sidemen: Long Road to Glory The Skyjacker’s Tale Sled Dogs Soufra Spettacolo Step Stopping Traffic: The Movement to End Sex-Trafficking Strong Island Surviving Peace Swim Team Take Every Wave: The Life of Laird Hamilton Take My Nose… Please! They Call Us Monsters 32 Pills: My Sister’s Suicide This Is Everything: Gigi Gorgeous Tickling Giants Trophy Twenty Two Unrest Vince Giordano – There’s a Future in the Past Voyeur Wait for Your Laugh Wasted! The Story of Food Waste Water & Power: A California Heist Whitney. Can I Be Me Whose Streets? The Work
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28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More

[caption id="attachment_25167" align="aligncenter" width="1200"] Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption] 150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th. A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave. After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change. This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda. The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year. A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.
Stockholm International Film Festival – Program 2017

Stockholm XXVIII Competition
A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)
Stockholm XXVIII Documentary Competition
A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)
Stockholm Impact
Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)
Open Zone
A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)
American Independents
Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)
Icons
Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)
Discovery
Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)
Documania
Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)
Twilight Zone
A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)
Spotlight
An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)
Stockholm XXVIII Short Film Competition
A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)
Special Event
Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film
1 Km Film
Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved
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DOC NYC 2017 to Close with NY Premiere of ERIC CLAPTON: LIFE IN 12 BARS + Announces Lineup

[caption id="attachment_23415" align="aligncenter" width="1200"] Eric Clapton: Life in 12 Bars[/caption] DOC NYC announced the full lineup of over 250 films and events for its eighth edition, running November 9 to 16 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea. Special Events include Closing Night Film, the NYC premiere of Eric Clapton: Life in 12 Bars, directed by Lili Fini Zanuck, with the acclaimed musician in attendance; Centerpiece Film, the world premiere of Far From the Tree, director Rachel Dretzin’s adaptation of Andrew Solomon’s bestselling book; and the NYC premiere of Wormwood, an ambitious new project from Errol Morris exploring the 1953 death of a CIA agent. The NYC premiere Greg Barker’s The Final Year, accompanied by members of the Obama administration, will open the festival. World premieres at the festival include A Murder in Mansfield, by Barbara Kopple (Miss Sharon Jones!), which explores the impact of a 1989 murder on a family; Maynard, by Sam Pollard (Two Trains Runnin’), about Atlanta’s first black mayor, Maynard Jackson; Naila and the Uprising, by Julia Bacha (Budrus), about the hidden role women played in the First Intifada, a project that won last year’s DOC NYC Pitch Perfect competition; Father’s Kingdom, by Larry Feinberg, exploring the legacy of Father Divine, who attracted over a million followers and claimed to be God; The Iconoclast, by King Adz, about notorious art forger Michel van Rijn; and The Godfathers of Hardcore, by Ian McFarland, on the long-lived NYC hardcore punk band Agnostic Front. Among this year’s U.S. premieres are David Bowie: The Last Five Years, by Francis Whately, an intimate look at the creative final years of the music icon; Antonio Lopez 1970: Sex Fashion & Disco, by James Crump, a portrait of the most influential fashion illustrator of 1970s New York and Paris; Scotty and the Secret History of Hollywood, by Matt Tyrnauer, about the man who was the secret sexual procurer to the stars; The Stranger, by past DOC NYC award winner Nicole N. Horanyi, about a woman who discovers the man of her dreams has secrets; Armed with Faith, by Geeta Gandbhir and Asad Faruqi, which follows the heroic Pakistani Bomb Disposal Unit; Soufra, by Thomas Morgan, and executive produced by Susan Sarandon, about a woman who starts her own successful catering company in a Lebanese refugee camp; EuroTrump, by Stephen Robert Morse and Nicholas Hampson, on the Dutch Donald Trump, Geert Wilders; and The Beatles, Hippies and Hells Angels: Inside the Crazy World of Apple, by Ben Lewis, a look back at the wild early days of Apple Corps. “Documentary storytellers help us make sense of the tumultuous times we’re living in with artistry, humor and inspiring characters,” said Director of Programming Basil Tsiokos. “This year’s DOC NYC line-up gives audiences fresh insight into high profile figures and shines a light on lesser-known individuals who leave a big impression.” Tsiokos led the program selection in collaboration with Artistic Director Thom Powers and Executive Director Raphaela Neihausen. The festival is curated in 18 sections that include two new strands: New World Order, with 6 films about global issues in the news, including Sky & Ground, which follows an extended family of refugees as they escape Syria; and Spiral, about the alarming rise of anti-Semitism in Europe. Centerstage, an 8-title section focused on performing and performers, presents the world premieres of The Problem with Apu, in which a South Asian-American comedian explores the impact of the character from The Simpsons; and Repeat Attenders, about musical theater superfans. In the festival’s two feature competition sections, 8 films appear under the Viewfinders section for distinct directorial visions. They include the world premiere of Mole Man, about an autistic man who has built a 50-room structure in his backyard; and the U.S. premieres of The Judge, about the first female Shari’a judge in the Middle East, and Silas, about a Liberian environmental activist. In the Metropolis competition section, 7 films are dedicated to stories set in New York City. They include the world premieres of The Iron Triangle, about the resistance to the urban renewal of Queens’ Willets Point; Vigilante: The Incredible True Story of Curtis Sliwa and the Guardian Angels, an unfiltered look at the founder of the controversial group; and Miracle on 42nd Street, about an apartment complex providing housing to performing artists, including past residents Alicia Keys, Terrence Howard and Angela Lansbury. Other returning sections include high-profile Special Events; national and global takes inAmerican Perspectives and International Perspectives; and thematic sections Fight the Power (on activism), Sonic Cinema (on music), True Crime (on crime), Science Nonfiction (on science and technology), Modern Family (on unconventional families),Wild Life (on animals), Art & Design (on artists), and Behind the Scenes (on filmmaking). Short-form content (85 films in total) is represented by the festival’s Shorts Competition and DOC NYC U (showcasing student work). The following is a breakdown of programming by section:
OPENING NIGHT
THE FINAL YEAR Dir: Greg Barker (NYC PREMIERE) Greg Barker gives an unprecedented look at the shaping of US foreign policy by following key members of outgoing US President Barack Obama’s administration.
CLOSING NIGHT
ERIC CLAPTON: LIFE IN 12 BARS Dir: Lili Fini Zanuck (NYC PREMIERE) An intimate, revealing musical odyssey on the life and career of guitar virtuoso Eric Clapton, told by those who have known him best.
CENTERPIECE
FAR FROM THE TREE Dir: Rachel Dretzin (WORLD PREMIERE) An adaptation of Andrew Solomon’s bestselling book examining how parents face their children’s extreme differences, challenging ideas of “normalcy.”
SPECIAL EVENT
WORMWOOD Dir: Errol Morris (NYC PREMIERE) DOC NYC’s Visionaries Lifetime Achievement Award recipient Errol Morris (The Fog of War) investigates the 1953 death of a CIA agent in this innovative new project.
VIEWFINDERS COMPETITION
THE JUDGE Dir: Erika Cohn (US PREMIERE) A vérité legal drama about the first woman appointed to a Shari’a court in the Middle East, providing rare insights into both Islamic law and gendered justice. LOVE, CECIL Dir: Lisa Immordino Vreeland (NYC PREMIERE) An affectionate portrait of Cecil Beaton, a multi-talented photographer, writer and painter who also designed sets and costumes for films like My Fair Lady. LOVE MEANS ZERO Dir: Jason Kohn (NYC PREMIERE) Infamous and influential tennis coach Nick Bollettieri has trained champions that include Andre Agassi and Boris Becker, but greatness comes at a personal price. MOLE MAN Dir: Guy Fiorita (WORLD PREMIERE) An autistic man is faced with the possibility of losing the only home he has ever known—and the remarkable 50-room structure he’s built in the backyard. NAILA AND THE UPRISING Dir: Julia Bacha (WORLD PREMIERE) Filmmaker Julia Bacha (Budrus) reveals the hidden history of the key role women played in the Palestinian uprising known as the First Intifada. SILAS Dirs: Anjali Nayar, Hawa Essuman (US PREMIERE) A rousing profile of Liberian activist Silas Siakor, a tireless crusader against illegal logging and a symbol of resistance for a new generation. THE STRANGER Dir: Nicole N. Horanyi (INTERNATIONAL PREMIERE) Amanda, a 25-year-old single mother, meets the man of her dreams on Facebook… but she soon discovers that the charming, worldly Casper has secrets. THIS IS CONGO Dir: Daniel McCabe (NYC PREMIERE) Filmmaker Daniel McCabe examines multiple sides of the fractious war in the Democratic Republic of Congo in this stunningly shot film.
METROPOLIS COMPETITION
ANTONIO LOPEZ 1970: SEX FASHION & DISCO Dir: James Crump (NORTH AMERICAN PREMIERE) A portrait of the most influential fashion illustrator of 1970s New York and Paris, known for discovering talents such as Pat Cleveland and Grace Jones. CRADLE OF CHAMPIONS Dir: Bartle Bull (NYC PREMIERE) Three amateur boxers compete for glory and life-changing opportunities in New York City’s legendary Golden Gloves tournament. THE IRON TRIANGLE Dirs: Prudence Katze, William Lehman (WORLD PREMIERE) Workers and owners of auto repair shops in Queens’ Willets Point face off against gentrification and urban renewal for the future of their livelihoods and community. MIRACLE ON 42ND STREET Dir: Alice Elliott (WORLD PREMIERE) The surprising history of Manhattan Plaza and its embrace of the performing arts, featuring famed former residents including Alicia Keys, Terrence Howard and Angela Lansbury. Screening with Lucy Walker’s Oh, What A Beautiful City (A City Symphony). A celebration of summertime in NYC. OH, RICK! Dirs: Dustin Sussman, Aaron Rosenbloom (WORLD PREMIERE) A profile of comedian Rick Crom, long-running emcee at Greenwich Village’s Comedy Cellar, featuring Ray Romano, Colin Quinn, Sarah Silverman and Wanda Sykes. STILL WATERS Dir: Peter Gordon (WORLD PREMIERE) In Bushwick, where rapid gentrification is pushing out Latino families, a unique alternative after-school program serves as a haven for the community. VIGILANTE: THE INCREDIBLE TRUE STORY OF CURTIS SLIWA AND THE GUARDIAN ANGELS Dir: David Wexler (WORLD PREMIERE) An unfiltered look back at 1970s and ’80s NYC through the eyes of Curtis Sliwa, founder of the controversial crime prevention patrol the Guardian Angels.
AMERICAN PERSPECTIVES
12TH AND CLAIRMOUNT Dir: Brian Kaufman (NYC PREMIERE) Hundreds of hours of home movies, archival footage, illustrations and new oral histories offer multiple perspectives of the 1967 Detroit uprising. 32 PILLS: MY SISTER’S SUICIDE Dir: Hope Litoff (NYC PREMIERE) Years after the suicide of her sister Ruth, a talented but troubled artist, director Hope Litoff tries to make sense of her loss. FAIL STATE Dir: Alex Shebanow (NYC PREMIERE) Executive produced by Dan Rather, Fail State explores the dark side of higher education in America, focusing on the rise of for-profit colleges. FATHER’S KINGDOM Dir: Lenny Feinberg (WORLD PREMIERE ) In the first half of the 20th century, Father Divine, an African-American spiritual leader, gained over a million followers by claiming to be God. THE GROWING SEASON Dir: Evan Briggs (WORLD PREMIERE) An intimate, bittersweet portrait of growing up and growing old, set in a nursing home that also houses a preschool program. MAYNARD Dir: Sam Pollard (WORLD PREMIERE) Director Sam Pollard constructs a portrait of charismatic trailblazer Maynard Jackson, who became Atlanta’s first black mayor in 1973. METH STORM Dirs: Brent Renaud, Craig Renaud (NYC PREMIERE ) DEA agents face the Sisyphean task of curbing the influx of Mexican ice, a more potent form of meth, into poor, rural communities in Arkansas. SHOT IN THE DARK Dir: Dustin Nakao Haider (NYC PREMIERE) Orr Academy’s high school basketball team is a refuge from the brutal realities of the streets of Chicago’s West Side.
INTERNATIONAL PERSPECTIVES
ARMED WITH FAITH Dirs: Geeta Gandbhir, Asad Faruqi (NORTH AMERICAN PREMIERE) A suspenseful portrait of the men of the Pakistani Bomb Disposal Unit, who risk their own lives every day to combat homegrown and international terrorism. ASK THE SEXPERT Dir: Vaishali Sinha (NYC PREMIERE) A lighthearted look at India’s Dan Savage, Dr. Mahinder Watsa, a 93-year-old retired gynecologist. Is he a hero of progress or an enemy of traditional values? A BETTER MAN Dirs: Attiya Khan, Lawrence Jackman (US PREMIERE) Twenty years after their break-up, filmmaker Attiya Khan confronts her ex-boyfriend to take responsibility for their abusive relationship. CUBA AND THE CAMERAMAN Dir: Jon Alpert (NYC PREMIERE) For more than 40 years, acclaimed filmmaker Jon Alpert has enjoyed privileged access to Cuba, chronicling its changes from Havana to the countryside. ISLAND SOLDIER Dir: Nathan Fitch (NYC PREMIERE) Residents of the remote islands of Micronesia question whether the benefits of US protection are worth the human costs of fighting its wars. LOVESICK Dirs: Ann S. Kim, Priya Giri Desai (WORLD PREMIERE) In India, where marriage is a must but AIDS carries a stigma, Dr. Suniti Solomon serves as matchmaker for her HIV-positive patients. THE PINK HOUSE Dir: Sascha Ettinger Epstein (INTERNATIONAL PREMIERE) In a remote Australian gold-mining town, a genteel 70-year-old madam struggles to keep the oldest working brothel afloat in this entertaining portrait. Screening with Sam Ketay’s A Wonderful Place. Octogenarian Norma shares stories while giving a tour of her property atop her John Deere tractor. SOUFRA Dir: Thomas Morgan (NORTH AMERICAN PREMIERE) Working with a diverse group of Middle Eastern women, Mariam Shaar attempts to expand her catering company, based in a refugee camp near Beirut.
NEW WORLD ORDER
EUROTRUMP Dirs: Stephen Robert Morse, Nicholas Hampson (NORTH AMERICAN PREMIERE) An in-depth exploration of Geert Wilders, the “Dutch Donald Trump,” as the controversial politician seems poised to become the Prime Minister of the Netherlands. INSHA’ALLAH DEMOCRACY Dir: Mohammed Ali Naqvi (NORTH AMERICAN PREMIERE) Following Pakistan’s former dictator, General Pervez Musharraf, as he runs for president, the filmmaker questions if democracy is truly possible in Pakistan. PLAYING GOD Dir: Karin Jurschick (US PREMIERE) A candid, complex portrait of compensation assessor Ken Feinberg, a man tasked with putting a dollar value on human lives in the wake of tragedies like 9/11 and Sandy Hook. RECRUITING FOR JIHAD Dirs: Adil Khan Farooq, Ulrik Imtiaz Rolfsen (NYC PREMIERE) Over several years, a journalist follows a charismatic, outspoken Norwegian missionary as he recruits young converts to Islam, and to fight for ISIS in Syria. SKY & GROUND Dirs: Talya Tibbon, Joshua Bennett (WORLD PREMIERE) A compelling, ground-level immersion into the greatest humanitarian crisis of our time, accompanying a large, extended family by foot from Syria to asylum in Germany. SPIRAL Dir: Laura Fairrie (US PREMIERE) An urgent, alarming look at the rise of anti-Semitism, Holocaust denial and physical and verbal assaults against Jews throughout Europe, particularly in France.
CENTERSTAGE
BEHIND THE CURTAIN: TODRICK HALL Dir: Katherine Fairfax Wright (NYC PREMIERE) American Idol contestant and RuPaul’s Drag Race judge Todrick Hall races to complete an autobiographical musical and take the live show on the road to his devoted fans. GETTING NAKED: A BURLESQUE STORY Dir: James Lester (NORTH AMERICAN PREMIERE) Uncovering New York City’s neo-burlesque subculture, this entertaining film offers a lingering look at several sexy denizens of the nightlife scene. THE PROBLEM WITH APU Dir: Michael Melamedoff (WORLD PREMIERE) South Asian-American comedian Hari Kondabolu confronts his long-standing “nemesis,” Apu Nahasapeemapetilon, better known as the Kwik-E-Mart owner on The Simpsons. REBELS ON POINTE Dir: Bobbi Jo Hart (NYC PREMIERE) A globetrotting profile of NYC’s beloved Les Ballets Trockadero de Monte Carlo, an all-male dance troupe that fuses camp humor with classical ballet performed in drag. REPEAT ATTENDERS Dir: Mark Dooley (WORLD PREMIERE) An entertaining portrait of musical theatre superfans, for whom shows like Les Miz,Starlight Express and Cats are an obsession, a refuge and a place where they belong. Screening with Ben Kitnick’s Catskills. An 86-year-old dancer remembers the heyday of the upstate resort community. SAMMY DAVIS, JR.: I’VE GOTTA BE ME Dir: Sam Pollard (NYC PREMIERE) A star-studded roster of interviewees (including Jerry Lewis, Whoopi Goldberg and Billy Crystal) pay tribute to the legendary, multi-talented song-and-dance man. SIGHTED EYES/FEELING HEART Dir: Tracy Heather Strain (NYC PREMIERE) A moving account of the life of black playwright, communist, feminist, lesbian and outspoken trailblazer Lorraine Hansberry (A Raisin in the Sun). STANDING UP Dir: Jonathan Miller (WORLD PREMIERE) An Egyptian lawyer, a couch-surfing custodian and an Orthodox Jew walk into a comedy club… and end up starring in a film about three unlikely aspiring stand-up comics.
TRUE CRIME
COLD BLOODED: THE CLUTTER FAMILY KILLINGS Dir: Joe Berlinger (SNEAK PREVIEW) Oscar®-nominated filmmaker Joe Berlinger reexamines the infamous 1959 murder of a Kansas family that Truman Capote explored in his landmark nonfiction novel In Cold Blood. (USA, 86 min.) THE ICONOCLAST Dir: King Adz (WORLD PREMIERE) A portrait of a Dutch art connoisseur and descendant of Rembrandt – in truth, a con man who made millions trafficking in forged and stolen art and antiquities. A MURDER IN MANSFIELD Dir: Barbara Kopple (WORLD PREMIERE) Oscar®-winning filmmaker Barbara Kopple explores the legacy of the 1989 murder of Noreen Boyle in Mansfield, Ohio and its impact on her family. WHAT HAUNTS US Dir: Paige Goldberg Tolmach (NYC PREMIERE) An investigation into a rash of suicides among the men in the filmmaker’s high school graduating class reveals a disturbing cover-up centered around a popular coach. Screening with Elivia Shaw and Paloma Martinez’s The Shift. Spend an overnight shift with the emergency dispatchers for the city of San Francisco. WHITE BOY Dir: Shawn Rech (NYC PREMIERE) The story of “White Boy Rick,” a legend of Detroit’s drug world in the 1980s, still imprisoned for a juvenile offense for the past 30 years.
SCIENCE NONFICTION
THE EXPERIMENTAL CITY Dir: Chad Freidrichs (NYC PREMIERE) A fascinating chronicle of an almost successful attempt to build the city of the future by a visionary scientist and futurist comic strip writer in the 1960s. HAPPENING: A CLEAN ENERGY REVOLUTION Dir: James Redford (NYC PREMIERE) Seeking hope for a sustainable tomorrow, filmmaker James Redford crosses the country to chronicle the clean energy revolution already taking place. HOT GREASE Dirs: Sam Wainwright Douglas, Paul Lovelace, Jessica Wolfson (WORLD PREMIERE) A fascinating look at biodiesel, a growing industry with the potential to undercut the dominance of Big Oil—and it all starts with recycled cooking oil. THE NEW FIRE Dir: David Schumacher (NYC PREMIERE) Innovative young nuclear engineers attempt to develop next-generation reactors to provide clean and safe solutions to the world’s future energy needs.
WILD LIFE
DONKEYOTE Dir: Chico Pereira (NYC PREMIERE) A 73-year-old Spanish man dreams of walking the Trail of Tears with his donkey and his dog—but getting to America from Spain presents a challenge. EATING ANIMALS Dir: Christopher Quinn (NYC PREMIERE) Based on the book by Jonathan Safran Foer and produced and narrated by Natalie Portman, this unflinching exposé looks at the devastating costs of our dietary choices. RODENTS OF UNUSUAL SIZE Dirs: Quinn Costello, Chris Metzler, Jeff Springer (WORLD PREMIERE) This quirky film follows bounty hunters and other colorful Gulf residents as they try to defend Louisiana from the invasive giant swamp rat known as the nutria. Screening with Olivier Bernier’s A Garbage Story. Over 30 years in the garbage business, Nick has become a bonafide trash connoisseur. SAMANTHA’S AMAZING ACROCATS Dir: Jacob Feiring (NYC PREMIERE) A woman pins her dreams of stardom on a traveling cat circus, but how long can she hold on as debt mounts and success seems elusive? Screening with Jeff Reichert and Farihah Zaman’s Nobody Loves Me. High in the Andes, a frog with an unusual appearance is threatened with extinction.
ART & DESIGN
44 PAGES Dir: Tony Shaff (NYC PREMIERE) A heartwarming, behind-the-scenes look at the creation of the landmark 70th anniversary issue of beloved children’s magazine, Highlights. BIG TIME Dir: Kaspar Astrup Schröder (NYC PREMIERE) A portrait of superstar Danish architect Bjarke Ingels as he takes on his largest project yet, relocating to New York City to create the new 2 World Trade Center. FIVE SEASONS: THE GARDENS OF PIET OUDOLF Dir: Thomas Piper (NORTH AMERICAN PREMIERE) A portrait of visionary landscape designer Piet Oudolf, known for public works like the High Line that redefine our conception of gardens as works of art. LARGER THAN LIFE Dir: Tiffany Bartok (NYC PREMIERE) An intimate look at the life and death of Kevyn Aucoin, who moved from small town Louisiana to become a legendary makeup artist to supermodels and celebrities. MADDMAN: THE STEVE MADDEN STORY Dir: Ben Patterson (NYC PREMIERE) The rags-to-riches story of designer footwear mogul Steve Madden, who nearly lost everything because of his connections to notorious “Wolf of Wall Street,” Jordan Belfort. MORE ART UPSTAIRS Dir: Jody Hassett Sanchez (NYC PREMIERE) Who gets to decide what is good art? A competition touting the biggest cash prize in the art world finds cultural elitism butting up against Midwest populism. MR. FISH: CARTOONING FROM THE DEEP END Dir: Pablo Bryant (NYC PREMIERE) Finding it increasingly challenging to publish his subversive art, will controversial political cartoonist Mr. Fish be forced to sell out in order to sell his art?
MODERN FAMILY
6 WEEKS TO MOTHER’S DAY Dir: Marvin Blunte (WORLD PREMIERE) In a remote jungle in Thailand, a unique democratic school provides orphans with education and empowerment under the watchful eyes of the woman they call Mother Aew. AMAZONA Dir: Clare Weiskopf (NORTH AMERICAN PREMIERE) The director tries to make sense of the elder woman’s decision to leave her children behind to live in the jungle after a family tragedy. ELISH’S NOTEBOOKS Dir: Golan Rise (INTERNATIONAL PREMIERE) Discovering a secret cache of journals written for them by their late mother, Elisheva’s children confront their complex feelings for their emotionally distant parent. HARMONY Dir: Lidia Sheinin (NORTH AMERICAN PREMIERE) Battle lines are drawn when an elderly Russian woman finds her comfortable apartment invaded by her family. Screening with Laura Checkoway’s Edith+Eddie. The love story of America’s oldest interracial newlyweds is threatened by a family feud. LIFE TO COME Dir: Claudio Capanna (US PREMIERE) Surrounded by the sounds of machines and doctors in white coats, severely premature twins Eden and Léandro fight for their survival. LOTS OF KIDS, A MONKEY AND A CASTLE Dir: Gustavo Salmerón (NYC PREMIERE) Spanish actor-turned-director Gustavo Salmerón captures his eccentric, extraordinary mother, who had three dreams: having lots of kids, a monkey and a castle. PLOT 35 Dir: Eric Caravaca (NORTH AMERICAN PREMIERE) French actor-turned-director Eric Caravaca unearths personal family history in search of his sister Charlotte, who died as a toddler before he was born. Screening with Matt Sukkar’s Durango. Adolescent brothers cope with loss over a summer in bucolic Colorado. THANK YOU FOR COMING Dir: Sara Lamm (NYC PREMIERE) After learning she was conceived via a sperm donor, Sara becomes a genealogical detective, navigating ancestry databases and DNA tests for clues to his identity.
BEHIND THE SCENES
BLUE VELVET REVISITED Dir: Peter Braatz (NYC PREMIERE) Three decades after documenting the filming of David Lynch’s Blue Velvet, the director crafts an unconventional yet accessible meditation on the cult classic film. JIM & ANDY: THE GREAT BEYOND… Dir: Chris Smith (NYC PREMIERE) Offbeat documentarian Chris Smith (American Movie) reveals just how fully Jim Carrey took on the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon. KING COHEN Dir: Steve Mitchell (NYC PREMIERE) A look at the heyday of guerrilla filmmaking through a celebration of the work of maverick filmmaker Larry Cohen, known as “the John Cassavetes of exploitation.” SAVING BRINTON Dirs: Andrew Sherburne, Tommy Haines (NYC PREMIERE) An eccentric collector is on a mission to restore and preserve a cache of early films and cinema memorabilia, the legacy of a pioneering but forgotten Iowa showman. SCOTTY AND THE SECRET HISTORY OF HOLLYWOOD Dir: Matt Tyrnauer (US PREMIERE) A deliciously scandalous portrait of unsung Hollywood legend Scotty Bowers, whose bestselling memoir chronicled his decades spent as sexual procurer to the stars.
FIGHT THE POWER
ATOMIC HOMEFRONT Dir: Rebecca Cammisa (NYC PREMIERE) A citizens’ movement confronts government bureaucracy to uncover the atomic secrets of St. Louis, Missouri in order to keep their families safe. BALTIMORE RISING Dir: Sonja Sohn Actress Sonja Sohn (HBO’s The Wire) returns to Baltimore in her directorial debut to chronicle the city in the wake of Freddie Gray’s death. MANKILLER Dir: Valerie Red-Horse Mohl (NYC PREMIERE) Wilma Mankiller rose from poverty to become the first female chief of the Cherokee nation, battling rampant sexism, political rivals and health challenges. NOTHING WITHOUT US Dir: Harriet Hirshorn (NYC PREMIERE) Female activists, scientists and scholars in the US and Africa demonstrates the vital role that women have played—and continue to play—in the global fight against HIV/AIDS. THE OTHER SIDE OF EVERYTHING Dir: Mila Turajlic (NYC PREMIERE) A locked door in her family’s Belgrade home provides the gateway to understanding the filmmaker’s remarkable mother and Serbia’s tumultuous political inheritance. QUEERCORE: HOW TO PUNK A REVOLUTION Dir: Yony Leyser (NYC PREMIERE) Misfits in both the mainstream gay and homophobic punk scenes, Bruce LaBruce and GB Jones invented a radical underground subculture that spread around the world. UNFRACTURED Dir: Chanda Chevannes (INTERNATIONAL PREMIERE) Shot over the last year of the historic grassroots fight against fracking in New York state, a raw, intimate look at biologist and activist Sandra Steingraber. ZERO WEEKS Dir: Ky Dickens (NYC PREMIERE) In most countries, workers have paid leave and job security to care for a newborn or family emergency—but not in the US, costing us all a heavy price.
SONIC CINEMA
THE BEATLES, HIPPIES AND HELLS ANGELS: INSIDE THE CRAZY WORLD OF APPLE Dir: Ben Lewis (NORTH AMERICAN PREMIERE) An entertaining look behind the scenes at Apple Corps, which The Beatles hoped would allow them to spread their countercultural message throughout the world. BILL FRISELL: A PORTRAIT Dir: Emma Franz (NYC PREMIERE) A warm profile of Bill Frisell, a widely inventive guitarist who crosses musical boundaries, featuring Bonnie Raitt, Hal Willner, Paul Simon, Nels Cline, and more. DAVID BOWIE: THE LAST FIVE YEARS Dir: Francis Whately (US PREMIERE) An intimate look at the remarkably creative final years of David Bowie, through the production of his final two albums, and the stage musical, Lazarus. THE GODFATHERS OF HARDCORE Dir: Ian McFarland (WORLD PREMIERE) For over 35 years and still going strong, Agnostic Front’s Vinnie Stigma and Roger Miret have been synonymous with the New York punk scene. HELLO HELLO HELLO : LEE RANALDO : ELECTRIC TRIM Dir: Fred Riedel (NYC PREMIERE) Legendary Sonic Youth guitarist Lee Ranaldo embarks on the recording of a new experimental concept album with a little help from some friends. ITZHAK Dir: Alison Chernick (NYC PREMIERE) Widely considered the greatest living violinist, Itzhak Perlman takes us on a journey through his music and life. STREETLIGHT HARMONIES Dir: Brent Wilson (WORLD PREMIERE) A who’s who of musicians trace the evolution of doo wop in the 1950s, from street corners to radio stations all across America.
SHORTS
Shorts: Body Language On the limits and potential of the human body, exploring dance, tattoos, pro wrestling, meditation and light sensitivity. Shorts: City Lights The ups and downs of city living, featuring artists, improv, hard work, boxing and table tennis. Shorts: Dream Weavers About fulfilling dreams and reimagining the world, featuring Cuban cigar factory workers, men seeking wives, a mail-order bride and more. Shorts: The Future is Feminine Everyday women and girls who inspire, including a housekeeper turned real estate entrepreneur, children’s rights advocate, unlikely athletes and special birthday girl. Shorts: Justice For All True crime and the criminal justice system, exploring death row, surveillance, juvenile offenders, police corruption, war criminals and capital punishment. Shorts: Mother Earth Protecting the planet, from Standing Rock and anti-fracking activism, to saving orangutans and sea turtles. Shorts: The New Normal America, before and after 11/8/16, exploring the Trump campaign, a divided electorate, immigration anxiety, fake news and disturbing parallels to past regimes. Shorts: Recorded Memory The past looms large in these affecting stories about confronting family relationships, reckoning with career decisions, remembering trauma and more. Shorts: Strange But True Quirky real life stories exploring insomnia, dreams, fetishes, first love, conspiracy theories and psychic abilities. Shorts: Surviving the System Finding oneself in and out of the criminal justice system, in stories about a police traffic stop that escalates into violence and a restaurant offering former prisoners a second chance.
DOC NYC U
DOC NYC U: THE NEW SCHOOL SHOWCASE Selections from The New School’s Documentary Media Studies program, featuring a tap dancer, migratory birds, New York life, selfies and a yodeling punk singer destined for greatness. DOC NYC U: NEW YORK FILM ACADEMY SHOWCASE NYFA selections profile a Hiroshima orphan, a Central Park mainstay, a wolf rescuer, a persecuted journalist and a lost city. DOC NYC U: NEW YORK UNIVERSITY SHOWCASE NYU’s NewsDoc offerings explore a controversial Tibetan boarding school program in China and the growing popularity of taxi driving as a career for women in India. DOC NYC U: COLUMBIA UNIVERSITY SHOWCASE Work from Columbia Journalism School’s Documentary Project profiles deportation fears under Trump, a drug crisis in the Muslim community and adult illiteracy. DOC NYC U: SCHOOL OF VISUAL ARTS SHOWCASE SVA’s SocDoc program presents profiles of artists, musicians, designers, a vintage barbershop, broken hearts and Native American activism.
SHORT LIST
ABACUS: SMALL ENOUGH TO JAIL Dir: Steve James Steve James (Hoop Dreams) profiles a small, family-run Chinatown bank—the only financial institution indicted following the 2008 financial crisis. Courtesy of PBS Distribution. THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY Dir: Errol Morris DOC NYC’s Visionaries Lifetime Achievement Award recipient Errol Morris (The Fog of War) profiles legendary large-format photographer Elsa Dorfman. Courtesy of NEON/Netflix. CHASING CORAL Dir: Jeff Orlowski Following his acclaimed film Chasing Ice, director Jeff Orlowski sets out to chronicle the environmental devastation happening to the world’s coral reefs. Courtesy of Netflix. CITY OF GHOSTS Dir: Matthew Heineman Anonymous Syrian citizen journalists risk their lives to stand up against ISIS and report the truth about the Syrian conflict. Courtesy of Amazon Studios/A&E IndieFilms/IFC Films. DINA Dirs: Antonio Santini, Dan Sickles An unforgettable couple, both on the autism spectrum, navigate the complexities of sex and romance in this Sundance Grand Jury Prize winning film. Courtesy of The Orchard. FACES PLACES Dirs: Agnès Varda, JR French New Wave legend Agnès Varda and acclaimed photographer JR travel the French countryside, celebrating ordinary people through extraordinary photo murals. Courtesy of Cohen Media Group. THE FINAL YEAR Dir: Greg Barker (NYC PREMIERE) Greg Barker gives an unprecedented look at the shaping of US foreign policy by following key members of outgoing US President Barack Obama’s administration. Courtesy of Motto Pictures/Passion Pictures. THE FORCE Dir: Peter Nicks An immersion into the beleaguered Oakland Police Department as it attempts to reform its scandal-ridden image. Courtesy of Kino Lorber/PBS Independent Lens. ICARUS Dir: Bryan Fogel An unexpected exposé of a complex doping operation at the heart of Russia’s Olympics program. Courtesy of Netflix. JANE Dir: Brett Morgen Brett Morgen (On the Ropes) reconstitutes 50-year-old National Geographic footage into a poetic look at primatologist Jane Goodall. Courtesy of National Geographic Documentary Films. KEDI Dir: Ceyda Torun This infectious portrait captures Istanbul through the eyes of its colorful street cats.Courtesy of Oscilloscope Laboratories/YouTube Red. ONE OF US Dirs: Heidi Ewing, Rachel Grady This year’s Visionaries Tribute honorees Heidi Ewing and Rachel Grady (Jesus Camp) penetrate the insular world of New York’s Hasidic community. Courtesy of Netflix. RISK Dir: Laura Poitras Oscar-winning filmmaker Laura Poitras (Citizenfour) creates a complex portrait of Wikileaks founder Julian Assange and his team. Courtesy of NEON/Showtime Documentary Films. STEP Dir: Amanda Lipitz The inaugural class of the Baltimore Leadership School for Young Women strives for success both academically and through its fierce step dancing team. Courtesy of Fox Searchlight. STRONG ISLAND Dir: Yance Ford Yance Ford explores the long-lasting impact on his African-American family of his brother’s murder, killed by a white man who was never punished for his crime. Courtesy of Netflix.
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Melbourne International Film Festival Unveils 2017 Lineup, Closes with Paul Williams’ GURRUMUL ELCHO DREAMING

[caption id="attachment_23090" align="aligncenter" width="1200"] GURRUMUL ELCHO DREAMING[/caption] The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017. “What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.” The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master. Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome. Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction. Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland. The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017. In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder. The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze. MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture. Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour. A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival. Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence. Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye. Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance. PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events. MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008). For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon. The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence. ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed. MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall. Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal. The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists. Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead. The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.
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2017 Human Rights Watch Film Festival Announces Lineup of 21 Films, Opens with NOWHERE TO HIDE

[caption id="attachment_18528" align="aligncenter" width="1200"] Nowhere to Hide by Zaradasht Ahmed[/caption] The Human Rights Watch Film Festival returns to New York City June 9 to 18, 2017 with 21 topical and provocative feature documentaries and panel discussions that showcase courageous resilience in challenging times. Now in its 28th edition, the Human Rights Watch Film Festival is co-presented by the Film Society of Lincoln Center and IFC Center. Three films address the urgent and evolving issues of the refugee crisis and migration affecting millions of people around the world. The winner of the festival’s 2017 Nestor Almendros Award for courage in filmmaking and the Opening Night film, Zaradasht Ahmed’s Nowhere to Hide, follows an Iraqi nurse and his family whose lives are suddenly turned upside down as war once again tears apart their country. Lost in Lebanon, by British sisters Sophia and Georgia Scott, takes a close look at the reaction of a country of four million inhabitants to the arrival of a million refugees. Tonislav Hristov’s The Good Postman follows a postman’s mayoral run on a platform of welcoming Syrian families into his tiny Bulgarian town. The pressing need for systemic change in US police and justice institutions is another focus of this year’s selections. Erik Ljung’s The Blood Is at the Doorstep follows Dontre Hamilton’s family’s demand for justice following his fatal shooting by police in Milwaukee, Wisconsin. Peter Nicks’ The Force, based on unprecedented access to the Oakland Police Department, exposes layers of corruption and problems resulting from inadequate officer training. The grave mishandling of domestic violence cases, causing a grief-stricken mother to take up the fight for legal change, is profiled in April Hayes’ and Katia Maguire’s Home Truth. In Lindy Lou, Juror Number 2, by the French filmmaker Florent Vassault, a juror crosses political and religious divides in the Deep South to explore the personal impact on fellow jurors of sentencing a man to death. Holding governments and powerful forces to account is as important as ever, both at home and abroad. Matthew Heineman’s Sundance standout City of Ghosts follows a team of Syrian “citizen journalists” risking their lives to expose atrocities in the ISIS-occupied town of Raqqa. Global digital activists from North America to Brazil and Tibet covertly counter governments’ expanding invasions of privacy in Nicholas de Pencier’s Black Code. In the special event discussion panel, From Audience to Activist, filmmakers, journalists and activists will discuss the power of citizen-produced media and security challenges faced by those bringing truth to light. The festival’s Closing Night selection, Brian Knappenberger’s Nobody Speak: Trials of the Free Press, unpacks the Hulk Hogan vs. Gawker case and the sale of a Las Vegas newspaper to expose the threat to independent journalism from billionaires with a political agenda. The Resistance Saga, a film festival special event, is an epic trilogy of documentaries by Pamela Yates on the saga of the Mayan people of Guatemala, including When the Mountains Tremble (1984), Granito: How to Nail a Dictator (2001), and the latest installment, 500 Years: Life in Resistance (2017), which documents the first trial in the history of the Americas to prosecute the genocide of an indigenous people. This day-long gathering will include the screening of all three films followed by a discussion on long-term movement building with the Mayan women protagonists, and a reception and concert by a Mayan singer, Sara Curruchich. Ordinary citizens who take up causes of injustice are the subjects of two films from Asia. The Chinese-Canadian filmmaker Tiffany Hsiung’s The Apology profiles three elderly “comfort women”—from Korea, China and the Philippines—who continue to demand accountability for their sexual exploitation by the Japanese army during World War II. Heather White’s and Lynn Zhang’s Complicit follows factory workers harmed by exposure to chemicals in their work as they fight the Chinese electronics giant Foxconn, manufacturer for such brands as Apple and Samsung. Five more outstanding documentaries round out this year’s screening program. Rina Castelnuovo-Hollander’s and Tamir Elterman’s Muhi – Generally Temporary follows a Palestinian toddler suffering from a life-threatening illness and his doting grandfather, who have been stuck in limbo in an Israeli hospital for years. In The Grown-Ups, the Chilean filmmaker Maite Alberdi paints a warm portrait of a group of middle-aged adults with Down syndrome who have attended the same school for 40 years, and now long for a more independent future. Adam Sobel’s The Workers Cup takes viewers inside the controversial labor camps of Qatar, where migrant workers building the facilities for the 2022 World Cup compete in a soccer tournament of their own. Cristina Herrera Bórquez’s No Dress Code Required follows a same-sex couple, Víctor and Fernando, as they fight for the right to be married in their hometown of Mexicali, Mexico. In David Alvarado’s and Jason Sussberg’s Bill Nye: Science Guy, the famed television personality takes on climate change deniers and creationists as part of his mission to advocate for science.
Film Lineup
Opening Night Film Nowhere to Hide Zaradasht Ahmed, 2016, 86m, Arabic Nowhere to Hide is an immersive and uncompromising first-hand reflection of the resilience and fortitude of a male nurse working and raising his children in Jalawla, Iraq, an increasingly dangerous and inaccessible part of the world. After US troops left Iraq in 2011, director Zaradasht Ahmed gave Nori Sharif a camera and taught him how to use it, asking him to capture the reality of life in his community and the hospital where he worked. Over the next few years Sharif filmed his patients, but the population—including most of the hospital staff—flees when the Iraqi army pulls out in 2013. Sharif is one of the few who remain. When the Islamic State advances on Jalawla in 2014 and finally takes over the city, Sharif continues to film. However, he now faces a vital decision: stay and dedicate himself to treating those he vowed to help, or leave and protect his family—in the process becoming one of thousands of internally displaced people in Iraq. New York Premiere 2016 IDFA Winner for Best Feature-Length Documentary The Festival will present filmmaker Zaradasht Ahmed and Nori Sharif with its 2017 Nestor Almendros Award for courage in filmmaking. Closing Night Film Nobody Speak: Trials of the Free Press Brian Knappenberger, 2017, 95m When online tabloid Gawker posted a sex tape of former professional wrestler Hulk Hogan, a high-stakes legal battle pitting privacy rights against the First Amendment ensued. The staggering settlement Hogan ultimately received not only bankrupted Gawker, but also exposed a controversial, behind-the-scenes drama. Nobody Speak uses this case and others to illustrate a growing, sinister trend at odds with the concept of a free press: billionaires and politicians tipping the balance against the public’s access to information, posing threats to our relationship to the truth. New York Premiere Special Event – Discussion Panel From Audience to Activist Today, people have the tools to hold power structures to account. Cellphone videos and live distribution channels are being used as evidence for advocacy in cases of police and military accountability, protests, and hate crimes. But, in a troubling trend, those involved in capturing and distributing the footage face serious repercussions. Join us for a discussion exploring how publicly sourced media is being utilized for impact, and the issues that civilians encounter when recording and distributing information, as our panel of filmmakers, journalists and activists share best practices on how to hold powerful institutions accountable safely and effectively. (90 min. program) Special Event The Resistance Saga The Resistance Saga is a cinematic project designed to galvanize audiences to fight back when society is faced with authoritarianism and demagogues, and celebrate the role that the arts can play in creating, strengthening, and communicating narratives of nonviolent resistance. In so many ways, indigenous peoples throughout the Americas have set the example of long-term courageous and strategic resistance against daunting odds, with a powerful example being the saga of the Mayan people as depicted in director Pamela Yates’ films When the Mountains Tremble, Granito: How to Nail a Dictator and the latest installment, 500 Years: Life in Resistance. All three films of the Guatemalan trilogy have premiered at the Sundance Film Festival during the past 35 years. When the Mountains Tremble (1984) introduced indigenous rights leader Rigoberta Menchú as the storyteller in her role to expose repression during Guatemala’s brutal armed conflict. Winner of the Special Jury Award at Sundance, the film was seen worldwide and translated into 10 languages. It helped put Menchú on the world stage and 10 years later she was awarded the Nobel Peace Prize. Yates’ sequel, Granito: How to Nail a Dictator (2011) is a political thriller detailing international efforts to build a genocide case against Guatemalan General Efraín Ríos Montt. The case included outtakes from When the Mountains Tremble as forensic evidence in the prosecution of Montt. The third film, 500 Years: Life in Resistance (2017), picks up where Granito leaves off, providing inside access to the first trial in the history of the Americas to prosecute the genocide of indigenous people. Driven by universal themes of justice, power, and corruption, the film provides a platform for the majority indigenous Mayan population, which is now poised to reimagine their society. When the Mountains Tremble Pamela Yates and Thomas Newton Sigel, 1984, 83m, Spanish Granito: How to Nail a Dictator Pamela Yates, 2011, 104m, Spanish 500 Years: Life in Resistance Pamela Yates, 2017, 108m English, Spanish, Mayan languages. New York Premiere (Q&A with director Pamela Yates) The Resistance Saga is a day-long immersive gathering that includes the screening of all three films and will take place at the Walter Reade Theater, Film Society of Lincoln Center on Sunday, June 11 beginning at 1:30pm. There will be 15 min. intermissions after the first and second films, and a discussion after the third film on long-term movement building with the Mayan women protagonists. The Apology Tiffany Hsiung, 2016, 104m, Bisaya, Mandarin, English, Japanese, Korean Grandma Gil in South Korea, Grandma Cao in China, and Grandma Adela in the Philippines were amongst thousands of girls and young women who were sexually exploited by the Imperial Japanese Army during World War II, many through kidnapping, coercion and sexual slavery. Some 70 years after their imprisonment, and after decades living in silence and shame about their past, the wounds are still fresh for these three former, now elderly, “comfort women.” Despite multiple formal apologies from the Japanese government issued since the early 1990s, there has been little justice; the courageous resolve of these women moves them to fight and seize their last chance to share first-hand accounts of the truth with their families and the world to ensure this horrific chapter of history is neither repeated nor forgotten. US Premiere Bill Nye: Science Guy David Alvarado and Jason Sussberg, 2017, 101m A famous television personality struggles to restore science to its rightful place in a world hostile to evidence and reason. Bill Nye is retiring his kid show act in a bid to become more like his late professor, astronomer Carl Sagan. Sagan dreamed of launching a spacecraft that could change interplanetary exploration. Bill sets out to accomplish Sagan’s space mission, but he is pulled away when challenged by evolution and climate change deniers to defend scientific evidence. As climate change becomes a growing factor in global disasters of displacement, resource shortages and war, it is clear this debate is taking a major human toll. With the increased push to dismantle environmental protections in the United States, Bill Nye takes a stand to show the world why science matters in a political culture increasingly indifferent to evidence. New York Premiere Black Code Nicholas de Pencier, 2016, 88 min. Nicholas de Pencier’s gripping Black Code follows “internet sleuths”—or cyber stewards—from the Toronto-based group Citizen Lab, who travel the world to expose unprecedented levels of global digital espionage. Based on Ronald Deibert’s book of the same name, the film reveals exiled Tibetan monks attempting to circumvent China’s surveillance apparatus; Syrian citizens tortured for Facebook posts; Brazilian activists who use social media to livestream police abuses; and Pakistani opponents of online violence campaigns against women. As this battle for control of cyberspace is waged, our ideas of citizenship, privacy, and democracy are challenged to the very core. New York Premiere The Blood is At the Doorstep Erik Ljung, 2017, 90m On April 30, 2014, Dontre Hamilton, a 31-year-old unarmed black man diagnosed with schizophrenia, was shot 14 times and killed by a Milwaukee police officer in a popular downtown park. His death sparked months of unrest and galvanized his family to activism. Filmed over three years in the direct aftermath of Dontre’s death, this intimate verité documentary follows his family as they struggle to find answers and challenge a criminal justice system stacked against them. With Dontre’s mother, Maria, and brother, Nate, as our guides, we take a painful look inside a movement born of personal tragedy and injustice. This explosive documentary takes a behind the scenes look at one of America’s most pressing human rights struggles, and asks the audience: what would you do, if this violence found its way to your doorstep? New York Premiere City of Ghosts Matthew Heineman, 2017, 91m, Arabic, English With deeply personal access, this is the untold story of a brave group of citizen journalists forced to live undercover, on the run, and in exile—risking their lives to stand up against one of the most violent movements in the world today. City of Ghosts follows the efforts of anonymous activists in Syria who banded together to form a group named “Raqqa Is Being Slaughtered Silently” (RBSS) after their homeland was taken over by the Islamic State (ISIS) in 2014. Finding safety is no easy task either, as growing anti-refugee sentiment in Europe greets them with anger and rejection and ISIS pledges to target them wherever they go. Terror, trauma, and guilt similarly follow the men at the center of the film, having left loved ones behind to expose the horrors happening in their town. The strength and brotherhood that bonds the men is clear: the film is full of affecting intimacy and humanity in a situation where little else can be found. Complicit Heather White and Lynn Zhang, 2016, 90m, Mandarin Shot under-the-radar, Complicit follows the journey of Chinese Foxconn factory migrant worker-turned-activist Yi Yeting, who takes his fight against the global smartphone industry from his hospital bed to the international stage. While struggling to survive his own work-induced leukemia, Yi Yeting teaches himself labor law in order to prepare a legal challenge against his former employers. But the struggle to defend the lives of millions of Chinese people from becoming terminally ill due to working conditions necessitates confrontation with some of the world’s largest brands, including Apple and Samsung. Unfortunately, neither powerful businesses nor the government are willing to have such scandals exposed. US Premiere The Force Peter Nicks, 2017, 93m The Force presents a deep look inside the long-troubled Oakland Police Department in California as it struggles to confront federal demands for reform, civil unrest in the wake of the murder of Michael Brown in Ferguson, Missouri, and layers of inefficiency and corruption. A young police chief, hailed as a reformer, is brought in to complete the turnaround at the very moment the #BlackLivesMatter movement emerges to demand police accountability and racial justice in Oakland and across the nation. Despite growing public distrust, the Oakland Police Department is garnering national attention as a model of police reform. But just as the department is on the verge of a breakthrough, the man charged with turning the department around faces the greatest challenge of his career—one that could not only threaten progress already made, but the very authority of the institution itself. 2017 Sundance Winner of US Documentary Directing Award. The Good Postman Tonislav Hristov, 2016, 80m, Bulgarian A quiet Bulgarian community on the Turkish border finds itself in the middle of a European crisis. This otherwise unremarkable village has become an important loophole for asylum seekers making their way through Europe. But Ivan, the local postman, has a vision. He decides to run for mayor and campaigns to bring life to the aging and increasingly deserted village by welcoming the refugees and their families. While some of his neighbors support the idea, it meets with resistance from others, who want to make sure the border stays shut. With surprising warmth, humor, and humanity, The Good Postman provides valuable insight into the root of this timely and internationally relevant discussion. New York Premiere The Grown-Ups Maite Alberdi, 2016, 82m, Spanish For almost their entire lives a group of forty-something classmates have grown up together and are reaching the age of 50 with varying degrees of frustration. Anita, Rita, Ricardo and Andrés feel that the school they attend for people with Down syndrome is confining; they long for new challenges, greater independence, and more personal space. Director Maite Alberdi’s observational approach is warm and compassionate, allowing the characters to voice their innermost longings and aspirations. It also perfectly captures the tragic state of limbo in which they are stuck: mature enough to want the pressures and privileges of independent adulthood, yet emotionally and financially ill-equipped to pursue them alone—and ultimately failed by a system that treats them as homogeneously disabled rather than as individuals. Their engaging story is a mixture of heartache and humor, and hope for greater understanding of people with Down syndrome, or anyone whose perceptions and abilities are different from “the norm.” New York Premiere Home Truth April Hayes and Katia Maguire, 2017, 70m Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations. In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. World Premiere Lindy Lou, Juror Number 2 Florent Vassault, 2017, 85m For 20 years, Lindy has lived with an unbearable feeling of guilt. Committed to fulfilling her civic duty, Lindy sat on a jury with 11 other jurors that handed down the death penalty to a Mississippi man convicted in a double homicide. When Bobby Wilcher was executed in 2006, Lindy had been his only visitor in 15 years. Determined to understand the overwhelming regret that she has been grappling with for years, Lindy takes off on a road trip across Mississippi to track down and learn more about her fellow jurors tasked with deciding the fate of a man’s life all those years earlier. Lindy, a conservative, religious woman from the South manages to tackle this oft-politicized topic with humor, an open mind and sincere curiosity. New York Premiere Lost in Lebanon Sophia and Georgia Scott, 2016, 80m, Arabic, English As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves. US Premiere Muhi – Generally Temporary Rina Castelnuovo-Hollander and Tamir Elterman, 2017, 87m, Arabic, Hebrew For the past seven years Muhi, a young boy from Gaza, has been trapped in an Israeli hospital. Rushed there in his infancy with a life-threatening immune disorder, he and his doting grandfather, Abu Naim, wound up caught in an immigration limbo that made it impossible for them to leave. With Muhi’s citizenship unclear, and Abu Naim denied a work permit or visa, the pair resides solely within the constraints of the hospital walls. Caught between two states in perpetual war, Muhi is being cared for by the very same people whose government forbids his family to visit, and for him or his grandfather to travel back. Made by two filmmakers from Jerusalem, this documentary lays out the Israeli-Palestinian conflict in human terms, documenting the impact these paradoxical circumstances have on individual lives. New York Premiere No Dress Code Required Cristina Herrera Bórquez, 2016, 91m, Spanish Víctor and Fernando, a devoted, unassuming couple from Mexicali, Mexico, find themselves in the center of a legal firestorm over their desire to get married. Weighing all their options, the pair opts to stay in their hometown of Mexicali and fight for their legal rights. With the help of two committed attorneys, Víctor and Fernando withstand a seemingly interminable series of bizarre hurdles and bureaucratic nitpicking with grace and dignity. No Dress Code Required is a rallying cry for equality, a testament to the power of ordinary people to become agents of change, and above all, an unforgettable love story that touches the heart and stirs the conscience. New York Premiere The Workers Cup Adam Sobel, 2017, 89m, English, Hindi, Gha, Tui, Nepali, Malayalam, Arabic In 2022, Qatar will host the world’s biggest sporting event, the FIFA World Cup. This documentary gives voice to one group from the 1.6 million migrant workers laboring to build sport’s grandest stage as they compete in a football tournament of their own: The Workers Cup. With unprecedented access to the most controversial construction site, this film follows the men in their enthusiastic preparation for the games, while exposing their long work hours for scant salaries, limited freedom of movement, and harsh living conditions in isolated labor camps. The Workers Cup explores universal themes of ambition, aspiration, and masculinity, as we see our protagonists wrangle hope, meaning, and opportunity out of extremely difficult circumstances. New York Premiere
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San Francisco International Film Festival Announces 2017 Golden Gate Award Winners

[caption id="attachment_19896" align="aligncenter" width="1200"] Everything Else, Natalia Almada (Todo lo demás
Doña Flor (Adriana Barraza))[/caption] The San Francisco International Film Festival announced the winners of the juried 2017 Golden Gate Award (GGA) competitions, with the Golden Gate Awards New Directors going to Everything Else, directed by Natalia Almada; and the McBaine Documentary Feature Award going to Brimstone & Glory directed by Viktor Jakovleski. This year the Festival awarded nearly $40,000 in prizes to emerging and established filmmakers.
GOLDEN GATE NEW DIRECTORS (NARRATIVE FEATURE) PRIZE
GGA New Directors Prize winner: Everything Else, Natalia Almada (Mexico/USA/France) Receives $10,000 cash prize In a statement, the jury noted: “For its humanism, its consistency of vision, its formal rigor, and its remarkable blend of fiction and non-fiction, we give the New Directors award to Natalia Almada and her film Everything Else.”
MCBAINE DOCUMENTARY FEATURE AWARDS
McBaine Documentary Feature Award Winner: Brimstone & Glory, Viktor Jakovleski (USA) Receives $10,000 cash prize The jury noted in a statement: “Spectacular and visceral, dangerous and spiritual, this high-flying documentary transports us into the ecstatic rituals of a Mexican town.” McBaine Bay Area Documentary Feature Award: The Force, Peter Nicks (USA) Receives $5,000 cash prize The jury noted: “For it’s timely and in-depth examination of the relationship between the police and the community, unafraid to show the complex humanity of all sides of this fraught subject, we give this award to Peter Nicks’ gripping and finely crafted documentary.” Special Jury Prize: School Life (formerly In Loco Parentis), Neasa Ní Chianáin, David Rane (Ireland/Spain) The jury noted: “The jury would like to give a special jury prize to a movie that take us into an eccentric and idyllic world with intuitive grace and a richly empathetic vision.”
GOLDEN GATE AWARDS FOR SHORT FILMS
Best Narrative Short winner: Univitellin, Terence Nance (France) Receives $2,000 cash prize Special Jury Prize for Narrative Short: A Brief History of Princess X, Gabriel Abrantes (Portugal/France/UK) Best Documentary Short winner: The Rabbit Hunt, Patrick X Bresnan (USA) Receives $2,000 cash prize Best Animated Short winner: Hot Dog Hands, Matt Reynolds, (USA) Receives $2,000 cash prize Best New Visions Short winner: Turtles Are Always Home, Rawane Nassif (Qatar/Lebanon/Canada) Receives $1,500 cash prize Bay Area Short First Prize winner: In the Wake of Ghost Ship, Jason Blalock (USA) Receives $1,500 cash prize Bay Area Short Second Prize winner: American Paradise, Joe Talbot, USA. Receives $1,000 cash prize
GOLDEN GATE AWARD FOR FAMILY FILM
Best Family Film winner: Valley of a Thousand Hills, Jess Colquhoun (South Africa/UK) Receives $1,000 cash prize The jury noted: “This film is a moving, refreshing, and unexpected portrait of a section of the culture of South Africa, feeling so far away geographically but so easy to relate to emotionally. We were drawn into the ease and dynamics of the kids’ friendships. The authenticity of the storytelling from its young subjects helped create a deeper connection to the audience. It was hopeful, inspiring, reassuring, and visually stunning. We feel audience members of a wide range of ages can walk away with a lasting impression that captures the simplicity of childhood layered with life lessons on focus, respect, and friendship.” Special Jury Prize: Summer Camp Island, Julia Pott (USA) The jury noted: “We want to see more of this and wish it could be turned into a series. We love the quirky originality of the story, animation, and characters.”
GOLDEN GATE AWARD FOR YOUTH WORK
Best Youth Work winner: Cycle, Caleb Wild (USA) Receives $1,000 cash prize The jury noted: “Cycle presented an honest portrait of a young man coming-of-age that examined his character beyond the typical tropes of masculinity, offering viewers an engaging journey that felt personal and surprising with strong cinematography.”
GOOGLE BREAKTHROUGH IN TECHNOLOGY AWARD
Google presents the Breakthrough in Technology Award for the best use or display of technology and innovation. The award honors filmmakers who go the extra mile to highlight the use of computer science and technology to solve a problem and make the world a better place, and aspires to promote diversity in tech while disrupting negative stereotypes in STEM fields. Google Breakthrough in Technology Award winner: N.O.VI.S., Arthur Rodger ‘Harley’ Maranan (Phillipines) Receives $500 cash prize donated by Google Inc.
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Full Frame Documentary Film Festival Announces New Docs and Invited Program Lineups

[caption id="attachment_21639" align="aligncenter" width="1200"] 116 Cameras[/caption] The 2017 Full Frame Documentary Film Festival, revealed its NEW DOCS lineup of 48 films – 27 features and 21 shorts; and the Invited Program lineup featuring 23 films – 22 features and 1 short— screening out of competition. “We are proud to present 71 new titles at the festival this year,” said Full Frame artistic director Sadie Tillery. “These selections represent a wide breadth of current work, and illuminate the many forms that documentary film can take. Festival attendees are in for an extraordinary experience that is fitting of our 20th anniversary.” The 20th Annual Full Frame Documentary Film Festival will be held April 6 to 9, 2017, in Durham, North Carolina.
NEW DOCS
116 Cameras (Director: Davina Pardo) Surrounded by a twinkling constellation of cameras, Holocaust survivor Eva Schloss records her stories for an interactive hologram project, preserving her experience for future generations. World Premiere All Skate, Everybody Skate (Director: Nicole Triche) Tucked away in picturesque Topsail Island, N.C., Miss Doris’s roller skating rink pops with energy as she leads her customers in games and skates, as she’s done for over 50 years. Anatomy of a Male Ballet Dancer (Directors: David Barba, James Pellerito) Praised for the sublime way he partners ballerinas, Marcelo Gomes is the center of this intimate film that takes us inside his world to chart a luminous 20-year career with American Ballet Theater. Asiyeh (Director: Leila Merat) An intelligent, no-nonsense bonesetter in northern Iran has been healing the people in her community for as long as anyone can remember. US Premiere Balloonfest (Director: Nathan Truesdell) In 1986, the United Way of Cleveland sets out to break a world record, releasing over a million balloons in the air, but the event has unexpected consequences when the lift off doesn’t go as planned. The Botanist (ботаник) (Directors: Maude Plante-Husaruk, Maxime Lacoste-Lebuis) This breathtaking short follows Raimberdi as he ingeniously constructs a hydroelectric generator to better survive in the mountains of Tajikstan. City of Ghosts (Director: Matthew Heineman) Captivating in its immediacy, City of Ghosts follows the journey of “Raqqa is Being Slaughtered Silently,” a group of anonymous Syrian activists who band together to document the Islamic State’s crimes after the city is taken by ISIS. Depth Two (Dubina Dva) (Director: Ognjen Glavonić) This suspenseful illumination of long-buried war crimes, which began in 1999 with NATO bombings in Serbia, is told in a harrowing combination of narrated testimonies and present-day images of the sites in suburban Belgrade where the crimes took place. Donkeyote (Director: Chico Pereira) The grandest adventure of all is afoot for a Spanish septuagenarian and his mischievous dog and stalwart donkey, if only they can survive chronic arthritis, impertinent travel agents, and just one more bridge. Dysphoria: Inside the Mind of a Holocaust Survivor (Director: Joseph Edward) This poetic and visually arresting exploration of one man’s memories takes an inventive and sensory approach, immersing the viewer in his experiences. World Premiere The Earth Did Not Speak (La Tierra No Habló) (Director: Javier Briones) Survivors of the 1982 government-sponsored massacre in Rio Negro, Guatemala, share their stories as the camera quietly pans across seemingly tranquil places that once were home. Far Western (Director: James Payne) Fueled by music and personal charisma, Charlie Nagatani embodies Japan’s obsession with American country and western music. North American Premiere The Force (Director: Peter Nicks) A riveting, on-the-ground look at the Oakland Police Department during a period of intense scrutiny and reform, as a new sergeant aims to correct protocol in the wake of charges of misconduct and abuse. Funne – Sea Dreaming Girls (Le ragazze che sognavano il mare) (Director: Katia Bernardi) A whimsical tale of a group of elderly women in a small Italian village who get creative while trying to raise funds for a trip to the sea, which many of them have never seen. North American Premiere The Great Theater (Wielki Teatr) (Director: Sławomir Batyra) A meandering camera takes a graceful, evocative journey through the spaces and operations of Warsaw’s Grand Theatre as it presents the opera Madama Butterfly. Heaven Is a Traffic Jam on the 405 (Director: Frank Stiefel) Animated drawings and extraordinary shots of Mindy Alper’s sculptures create a lovely portrait of the artist as she unabashedly examines her experiences with a mental disorder (that prevented her from speaking) while discussing art, love, and life. I’M OKAY (Director: Pia Lenz) Adult themes unfold through the perspective of young protagonists in this beautifully photographed feature that captures the experiences of two refugee families struggling to rebuild their lives in Germany. North American Premiere Island Soldier (Director: Nathan Fitch) Through the intimate stories of two soldiers, this film explores the high cost of opportunity. In the Federated States of Micronesia—an “associated state” of the U.S.—a high proportion of residents serve in the American military, with few resources to support their lives after duty ends. World Premiere The Kodachrome Elegies (Director: Jay Rosenblatt) A short and lyrical ode to Kodachrome film stock that reflects on family, loss, and the end of an era. Last Men in Aleppo (Director: Feras Fayyad) Urgent and harrowing, this film follows the White Helmets’ unrelenting efforts to save fellow Syrians. When air strikes devastate homes, they descend on the wreckage to rescue buried men, women, and children, refusing to leave their people or their city behind. The Last Pig (Director: Allison Argo) This lyrical film follows an introspective farmer as his beliefs undergo a dramatic shift, from believing that there are more humane ways to slaughter animals to questioning the premise of his life’s work. US Premiere Life in Riva (Tra ponente e levante) (Director: Lorenzo Giordano) An aging resident imparts the history of his seaside Italian town. His recollections, and a trove of impeccably photographed artifacts, reveal the evolutions of one place over time. North American Premiere Luis & I (Directors: Roger Gómez, Dani Resines) The wife of a human cannonball describes their life in the circus and the ways their love has endured decades of this itinerant lifestyle. Mommy’s Land (Director: Garret Atlakson) As the Cambodian government demolishes homes, and arrest counts and brutal police violence increase, elder resident “Mommy” and other neighborhood women prove to be peaceful, and vivacious, resisters. World Premiere My Father’s Film (Director: Priscilla Gonzalez Sainz) A daughter crafts a portrait of her father through the spaces he occupied, a meditation shaped by the tools he left behind. World Premiere One October (Director: Rachel Shuman) Filmed in the final weeks of the 2008 presidential campaigns, this city symphony follows a radio reporter as he takes to the streets to invite fellow New Yorkers to share their thoughts and opinions in a time of great uncertainty. World Premiere The Original Richard McMahan (Director: Olympia Stone) A visionary artist painstakingly recreates the masterpieces of others, producing thousands of intricate miniature replicas of works made across centuries, from Van Gogh’s The Starry Night to King Tutankhamun’s tomb. Plastic China (Director: Jiu-liang Wang) At a recycling center in the Chinese countryside, two families survive between seas of plastic bottles and wrappers shipped from the U.S. and other countries; processing this waste has become their burden, and yet for their children, they dream of a better life. QUEST (Director: Jonathan Olshefski) This thoughtful and incisive observation of the Rainey family over the course of ten years seamlessly captures pivotal life experiences as well as issues of poverty, politics, and gun violence in a North Philadelphia neighborhood. The Rain Will Follow (Director: Eugene Richards) From his chair in a retirement home, 90-year-old Melvin Wisdahl shares poignant recollections of wartime and strife in this deeply personal account set aglow by beautiful images of North Dakotan farmland. Samuel in the Clouds (Director: Pieter Van Eecke) Samuel Mendoza continues the family tradition of operating the ski lift in a Bolivian Andes resort, while a melting glacier below threatens everyone’s way of life. Shivani (Director: Jamie Dobie) In this unique tale of grief and healing, three-year-old Dolly Shivani, believed by her parents to be the reincarnation of their dead son, trains as an Olympic archer. World Premiere Slowerblack (Director: Jessica Edwards) A hand-poke tattoo artist in Brooklyn reflects on her unique style and approach to inking. World Premiere Socotra, the Island of Djinns (Socotra, la Isla de lod Genios) (Director: Jordi Esteva) In this extraordinary black-and-white account, a group of camel herders travel inland on the island of Socotra to avoid the rainy season while sharing nighttime tales of supernatural djinns. US Premiere Still Tomorrow (摇摇晃晃的人间) (Director: Jian Fan) In rural China, a determined, courageous woman balances her fame as an eloquent and frank poet with societal expectations around disability, independence, and family obligation. Storyboard P, a stranger in Sweden (Director: Matthew D’Arcy) In this mesmerizing vignette, a dynamic Brooklyn street dancer travels to Sweden to teach and perform—a journey that tests his devotion to the art form. Strong Island (Director: Yance Ford) Director Yance Ford rigorously unpacks the events surrounding the death of his brother, who was shot in 1992. Profoundly cinematic and deeply personal, their family story is a powerful examination of race in America. The Submarine (Director: Wenceslao Scyzoryk) A 95-year-old cinematographer returns to his lab each day to perfect his invention—a machine that repairs celluloid damage. The Swirl (El Remolino) (Director: Laura Herrero Garvin) As the largely abandoned town of El Remolino in Chiapas, Mexico, struggles to yield viable crops and keep its school open, two siblings remain to battle the rainy season and their painful childhood. They Took Them Alive (Director: Emily K. Pederson) In 2014, 43 students disappeared from a bus traveling in Iguala, Mexico. Their families seek answers as the official investigation comes to a troubling and suspicious halt. World Premiere Through the Repellent Fence (Director: Sam Wainwright Douglas) The artist collective Postcommodity examines lines, origins, and the people to whom land really belongs with a two-mile-long installation of inflatable spheres high above the U.S.–Mexico border. Timberline (Director: Elaine McMillion Sheldon) This short documents a West Virginia town caught between transitional pressures: an abandoned naval base is up for auction, and the NSA occupies a station just down the road. What will become of the locals for whom this place is home? World Premiere Tribal Justice (Director: Anne Makepeace) Two dynamic Native American women—chief judges for the state’s largest tribes—draw on tradition and village wisdom to help defendants rebuild their lives, encouraging healing over jail time and punishment. Two Worlds (Dwa Swiaty) (Director: Maciej Adamek) In this expressive study of family relationships, a daughter helps her two deaf parents navigate the world—as she has since she was three—and balances life between school, home, and self. Waiting for Hassana (Director: Ifunanya Maduka) Jessica, an escapee, recollects a friendship shattered by the 2014 kidnapping of 276 Nigerian girls by the Boko Haram. Winter’s Watch (Director: Brian Bolster) The longtime winter caretaker of the Oceanic Hotel off the coast of New England welcomes months of solitude, relishing the opportunity for introspection and productivity. Zaatari Djinn (Director: Catherine van Campen) This incandescent portrait documents four children in a refugee camp who are transformed by the light of imagination and possibility despite numerous hardships. North American Premiere Zuzana: Music Is Life (Directors: Peter Getzels, Harriet Getzels) The life story of eminent Czech harpsichordist Zuzana Ruzickowva transcends the personal in a deeply affecting look at the redemptive power of art throughout the Czech Republic’s turbulent 20th century. World Premiere
INVITED PROGRAM
500 Years (Director: Pamela Yates) A sweeping examination of resistance movements in Guatemala, including the recent uprising, and a chronicle of the country’s first trial for war crimes committed against the Mayan people. Abacus: Small Enough to Jail (Director: Steve James) In the wake of the 2008 financial crisis, the only U.S. bank accused of mortgage fraud was the family-owned Abacus Federal Savings in Manhattan’s Chinatown. This stunning film chronicles the Sungs’ legal battle as they fight to defend their business and their family name. Austerlitz (Director: Sergei Loznitsa) In vivid black and white, tourists and guides visit concentration camps. In observing their interactions, Austerlitz provides a powerful meditation on the (often imperfect) ways human beings connect, remember, and reflect. Bronx Gothic (Director: Andrew Rossi) With a blend of performance footage and penetrating discussions about her purpose and process, this film follows Okwui Okpokwasili as she tours her powerful one-woman play around the country. World Premiere Buzz One Four (Director: Matt McCormick) In 1964, a B-52 long-range bomber crashed on a Maryland mountainside with two thermonuclear bombs on board. This suspenseful account, crafted by the pilot’s grandson, skillfully weaves archival footage with personal recollections. The Challenge (Director: Yuri Ancarani) Miles of barren desert provide the backdrop for this surreal compilation of images: private jets, race cars, exquisite birds, and even a pet cheetah descend on the Qatar dunes to take part in a remote falconry tournament. Dina (Directors: Dan Sickles, Antonio Santini) At once tender and triumphant, humorous and hard, Dina introduces a woman in love as she navigates complex expectations in the days leading up to her impending nuptials. EXPRMNTL (Director: Brecht Debackere) This lively overview of the legendary EXPRMNTL film festivals held in Belgium from 1949 to 1974 interweaves archival footage with the recollections of the makers who defined experimental cinema. US Premiere The Good Postman (Director: Tonislav Hristov) An inspired citizen decides to run for mayor on a daring platform: that embracing the arrival of refugees may be the key to revitalizing his Bulgarian village. The Grown Ups (Director: Maite Alberdi) Adult students with Down Syndrome question their unknown futures. After attending the same school for decades, is there anything left to be discovered in this place, and what opportunities exist in the outside world? In Loco Parentis (Directors: Neasa Ní Chianáin, David Rane) For more than 40 years, John and Amanda Leyden have taught elementary-age children at a remote Irish boarding school. Filmed over the course of a year, the teachers bring wonder to their classrooms and roll with the joys and challenges that the changing seasons bring their young pupils. An Insignificant Man (Directors: Khushboo Ranka, Vinay Shukla) With unimaginable access, this film follows the turbulent campaign of Arvind Kejriwal, a businessman turned politician who formed India’s Aam Aadmi Party (Common Man’s Party) in 2012, as he runs for his country’s top office. Life – Instruction Manual (Leben – Gebrauchsanelitung) (Directors: Joerg Adolph, Ralf Buecheler) Featuring short excerpts from a wide range of classes, from childbirth to end-of-life care, this film reflects on the myriad ways that we depend on learning, particularly from others. North American Premiere Long Strange Trip (Director: Amir Bar-Lev) Personal interviews, performances, and never-before-seen footage create a multifaceted portrait of the Grateful Dead. They were more than a band. They were a movement. May It Last: A Portrait of the Avett Brothers (Directors: Judd Apatow, Michael Bonfiglio) Personal, rich, and from the soul, this film follows the equally soulful Avett Brothers as they record a new album, reflect on the creative process, and navigate strong ties while managing lives spent on the road. Project X (Directors: Laura Poitras, Henrik Moltke) Rami Malek and Michelle Williams understatedly narrate guidelines from a top-secret NSA handbook, as the viewer travels from stark and isolated spots in the National Business Park to a windowless skyscraper in downtown Manhattan. Purple Dreams (Director: Joanne Hock) This film follows six students at the Northwest School of the Arts in Charlotte, N.C., who thrive as performers in the first-ever high school musical production of The Color Purple while grappling with difficult and stressful issues in their own lives. World Premiere STEP (Director: Amanda Lipitz) This inspiring film follows three members of the Lethal Ladies step-dance team at the Baltimore Leadership School for Young Women. With the support of their intrepid coach and an uncompromising counselor, they are determined to attend college. TAKE EVERY WAVE: The Life of Laird Hamilton (Director: Rory Kennedy) In sparkling cinematography and intimate interviews, this epic look at the surfing legend’s life in and out of the waves is also a no-holds-barred illustration of one man’s dedication to continually reigniting his passion. Tell Them We Are Rising: The Story of Black Colleges and Universities (Director: Stanley Nelson) A monumental, essential, and compelling survey of the history and cultural significance of HBCUs in America. This Is Everything: Gigi Gorgeous (Director: Barbara Kopple) Gregory Lazzarato to Gregory Gorgeous to Gigi Gorgeous—family members and millions of followers support the makeup and beauty YouTube star before, during, and after her transition. Trophy (Director: Shaul Schwarz, Co-Director: Christina Clusiau) This revelatory and exquisitely photographed investigation into conservation practices and big game hunting invites nuanced scrutiny and debate. Whose Streets? (Director: Sabaah Folayan, Co-Director: Damon Davis) This unflinching story of the Ferguson uprising is told by the activists who were there, chronicling the birth of a new generation of resisters in America.
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20 Feature Films to Compete for Golden Gate Awards at 2017 San Francisco International Film Festival

[caption id="attachment_19940" align="aligncenter" width="1200"] A film still from In Loco Parentis by Neasa Ní Chianáin and David Rane[/caption] 10 narrative feature films and 10 documentary feature films will compete for the Golden Gate Awards (GGAs), and nearly $40,000 in total prizes at this year’s 2017 San Francisco International Film Festival taking place April 5 to 19. “The SF Film Society has been a champion of emerging and international filmmakers since its first edition 60 years ago,“ said Rachel Rosen, SF Film Society Director of Programming. “We continue to believe that festivals are in a unique position to advocate for films from a variety of cultures and viewpoints, often in languages other than our own. The Golden Gate Awards provide an opportunity to bring additional exposure and awareness to these artists and their work.” The GGA New Directors Prize winner will receive a cash prize of $10,000, the GGA McBaine Documentary Feature winner will receive $10,000 and the GGA McBaine Bay Area Documentary Feature winner will receive $5,000.
2017 GGA NEW DIRECTORS (NARRATIVE FEATURE) COMPETITION
Duet, Navid Danesh, Iran (North American Premiere) After a Tehran musician instigates an encounter with his college girlfriend in an attempt to address the poor end their relationship suffered, their lives and the equilibrium of their spouses are thrown into existential crisis. Navid Danesh’s resonant and moving depiction of the impact the past has on the present lives of its protagonists is both culturally specific and universal in its reach. Everything Else, Natalia Almada, Mexico/USA/France Academy Award-nominee Adriana Barraza (Babel) gives a masterfully controlled performance as Doña Flor, a solitary bureaucrat whose lifelong service in a government office has left her markedly unsympathetic towards her clients. Shot with an attentive and deeply empathetic lens, documentarian Natalia Almada’s narrative debut is a starkly intimate portrait of a woman at odds with her life who may still have a chance to escape her isolation. God’s Own Country, Francis Lee, UK Filmed on the Yorkshire hillside where he grew up, Francis Lee’s debut feature tells the rich and sexy story of John Saxby, a hard-drinking lad who keeps his emotions in check until an irrepressible Romanian immigrant comes to help out on the family farm and upends the young man’s life. Full of gloriously captured details about the care and breeding of animals, God’s Own Country is one of the year’s most moving romantic dramas. Godless, Ralitza Petrova, Bulgaria/Denmark/France In post-Communist era Bulgaria, where the shadow of oppression drives selfish behavior and hidden economies, outwardly impassive Gana works as a home care nurse—a job which provides ample opportunity to supplement her income with stolen ID cards to maintain the morphine habit she shares with her boyfriend. When Gana’s actions threaten the one glimmer of hope in her fatalistic world, will she break the cycle of corruption or spiral deeper? Godless is a bold first feature from Ralitza Petrova. Heaven Sent, Wissam Charaf, France/Lebanon Absurdly funny sequences punctuate this stylized comedy drama from Lebanon. Omar is a heavyset bodyguard who gets the assignment of his dreams, protecting a gorgeous TV personality, though matters are complicated when his brother Omar, a former militiaman presumed dead, magically reappears. Charaf’s surprising and inventive debut reflects on a country rife with absurdities and still reeling from its fraught history. The House of Tomorrow, Peter Livolsi, USA (World Premiere) When a sheltered teen named Sebastian meets an aspiring punk rocker and falls for the boy’s older sister, the stage is set for a cheerful and energetic comedy that tackles matters of friendship, young love, and musical dreams with equal aplomb. Ellen Burstyn is once again wondrous as Sebastian’s grandmother who is devoted to the life and scientific work of Buckminster Fuller. The Human Surge, Eduardo Williams, Argentina/Brazil/Portugal Eduardo Williams has steadily made a name for himself with a series of indelible shorts featuring young protagonists adrift in strange environments. In his debut feature, a prizewinner at Locarno, he takes the premise further, crafting a dreamlike three-part drama where youths from Argentina, Mozambique, and the Philippines are connected by invisible, electronic, or even subterranean means. Consistently inventive, The Human Surge burrows into three continents and finds surprising associations. Life After Life, Zhang Hanyi, China As the inexorable progress of industrialization in China makes its way into the lives of village residents Mingchun and his son Leilei, a surprise haunting by Leilei’s dead mother, who has an impassioned plea for her husband, points to a time when more attention was paid to the earth and its bounty. Produced by Jia Zhang Ke, this evocative and poetic debut depicts a rapidly disappearing way of life with a gorgeous visual sensibility and a subtly wry humor. Park, Sofia Exarchou, Greece/Poland The formerly grand stadiums and swimming pools of the 2004 Athens Olympics have become modern-day Greek ruins, a place for disaffected kids who’ve come of age since the Games to run wild. First-time director Exarchou, working mostly with non-professional actors, develops a compellingly anarchic style where the threat of violence and socio-economic troubles are omnipresent and the young characters act out their frustrations through boisterous, sometimes dangerous, horseplay. The Wedding Ring, Rahmatou Keïta, Niger/Burkina Faso/France (US Premiere) The Wedding Ring is a rare achievement, a wondrously complex dramatic feature directed by an African woman that explores female desires and empowerment in a traditional Muslim society. Rahmatou Keïta tells the story of Tiyaa who returns to Niger with lingering romantic feelings for the handsome man she left behind in France while grappling with family members who wish to arrange her marriage.
2017 GOLDEN GATE AWARDS MCBAINE DOCUMENTARY FEATURE COMPETITION
Brimstone & Glory, Viktor Jakovleski, USA Burning Man has nothing on Tultepec’s charging toritos and exploding castillos. Mexico’s weeklong National Pyrotechnic Festival is sheer unbridled madness. Scars that tourists take away from fireworks-exploding bulls and towering infernos are earned with pleasure, apparently, as this dynamic documentary keeps explanation to a minimum while maximizing the experiential through GoPro camera POVs and gorgeous abstractions. Filmmaker Viktor Jakovleski has created a visually rapturous, immersive, sensory experience of this extraordinary event, capturing the danger and mayhem in all its glory. The Cage Fighter, Jeff Unay, USA (World Premiere) With the emotional force and power of a Bruce Springsteen song, Jeff Unay’s cinema vérité portrait of Joe Carman packs an emotional wallop. A family man who has promised not to return to competitive mixed martial arts fighting, the dangerous sport that gives him the most complete sense of purpose he’s been able to find, Joe risks everything for one more chance in the ring. The Challenge, Yuri Ancarani, France/Italy Italian artist Yuri Ancarani melds his luminous cinematic vision with the ancient sport of Arab falconry in The Challenge, an evocative and visually dazzling portrait of a celebrated hunting competition set in the coastal deserts of Qatar. Modern technology, such as GPS, augments a practice dating to antiquity as participants track their prized raptors across the austere plains, reconnecting with desert custom in the shadow of a falcon’s wing. The Cinema Travellers, Shirley Abraham, Amit Madheshiya, India A moving homage to the bygone era of celluloid, The Cinema Travellers exquisitely captures the splendor of the moving image through India’s traveling movie caravans. Shot over five years, this intimate documentary takes the viewer on a cinematic journey joining the undaunted technicians, the projectionists who create movie magic, and the boisterous, overflowing crowd that await at each stop. Donkeyote, Chico Pereira, Spain/Germany/UK A Spanish man’s quest to defy barriers and borders in search of the American West by planning a journey on the Trail of Tears with his donkey by his side is its own quixotic trail of laughter and tears. The understanding between man and animal has rarely been so intimately conveyed as it is in Chico Pereira’s winning tale, a stunningly photographed film that hovers between documentary and fiction, one inspired and performed by a real-life character with outsized dreams. The Force, Peter Nicks, USA For the powerful second film in his trilogy concerning the relationship between public institutions and the communities they serve, Peter Nicks (The Waiting Room) takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with astonishing access, Nicks captures a particularly turbulent time in Bay Area law enforcement history. Intended as a catalyst for conversation and change, Nicks’ empathetic and observational style avoids easy generalizations and upends expectations, resulting in a rich, thought provoking real-time conversation about social justice and the mutual responsibilities of police officers and those they serve and protect. Half-Life in Fukushima, Mark Olexa, Francesca Scalisi, Switzerland/France Five years after the devastating 2011 Fukushima nuclear disaster, elderly farmer Naoto Matsumura struggles to restore his life in the radioactive red zone, wandering through an empty dystopian nightmare of concrete ruins; abandoned, weed-filled facilities; contamination cleanup crews; and the haunting fragments of a city swept away by tsunami. With minimal commentary and a graceful and sympathetic eye, Half-Life in Fukushima underlines the danger inherent in nuclear power in its depiction of Fukushima’s sinister remnants and Matsumura’s lonely last stand. In Loco Parentis, Neasa Ní Chianáin, David Rane, Ireland/Spain Irish filmmaker Neasa Nî Chianáin and David Rane present a charming and deeply intimate portrait of a year at Headfort boarding school in picturesque Kells, Ireland. Following devoted and wryly funny educators John and Amanda Leyden as they battle through another season of Latin, Shakespeare, and kids playing “Wild Thing,” In Loco Parentis shows how the level of attention and concern the teachers have for their students lead to remarkable transformations in everyone’s lives. Muhi – Generally Temporary, Rina Castelnuovo-Hollander, Tamir Elterman, Israel/Germany (World Premiere) Muhi, a cherubic Palestinian toddler with a life-threatening immune disorder, was transported to an Israeli hospital as a baby for emergency treatment. He and his devoted grandfather have lived there ever since, stuck in a bizarre no man’s land, with their extended family living on the other side of a fiercely guarded checkpoint. Their unique and moving story takes place within the crucible of the relentless Israeli-Palestinian conflict that impacts everyone in its orbit. Serenade for Haiti, Owlsley Brown, USA “Music is our refuge,” says a student at the Sainte Trinité Music School in Port-au-Prince, Haiti. Shot over a seven-year period both before and after Haiti’s devastating 2010 earthquake, this vibrant tribute to the students and teachers of Sainte Trinité testifies to the role that art can play in creating community and sustaining hope under the most difficult of circumstances.
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Hip Hop Indie Film PATTI CAKE$ is Centerpiece of San Francisco International Film Festival Lineup

[caption id="attachment_19920" align="aligncenter" width="1200"] Patti Cake$[/caption] The 60th San Francisco International Film Festival‘s Centerpiece film will be Patti Cake$ (USA 2016), first-time feature director Geremy Jasper’s dynamic and inspiring film which tells the story of Patricia “Patti Cake$” Dombrowski, a big girl with a big mouth and big dreams of hip-hop superstardom. Patti Cake$ was a Spring 2014 SF Film Society / KRF Filmmaking Grant winner. The celebratory Centerpiece screening will take place on Wednesday, April 12, 7:30 pm at the historic Castro Theatre. In addition to Patti Cake$, three documentary features, one narrative feature, one narrative short and three documentary shorts-all of which received funding or creative support through various SF Film Society artist development programs-will be included in this year’s Festival lineup. San Francisco native Peter Bratt’s feature documentary Dolores and Oakland-based filmmaker Peter Nicks’ feature documentary The Force both received Documentary Film Fund Awards. Directing and screenwriting team Alex and Andrew Smith’s Walking Out was a SF Film Society / KRF Filmmaking Grant winner, and Andrew Smith is a current FilmHouse Resident. Joe Talbot, director of the narrative short American Paradise, is a current FilmHouse Resident and the feature film expansion of his short recently won a SF Film Society / KRF Filmmaking Grant. Mohammad Gorjestani, director of the documentary shorts Happy Birthday Mario Woods and The Boombox Collection: Zion I, and Mario Furloni and Kate McLean, co-directors of the documentary short Gut Hack, were all FilmHouse Residents during the development of their films. McLean’s FilmHouse residency also included the development of Festival documentary feature Bill Nye: Science Guy, on which she is a producer. SAN FRANCISCO FILM SOCIETY-SUPPORTED FILMS IN THE FESTIVAL PROGRAM Centerpiece: Patti Cake$ (Geremy Jasper, USA) The unqualified breakout hit of this year’s Sundance Festival, Geremy Jasper’s debut feature erupts with head-nodding beats from the opening scene and features the dynamic and stirring performance of Danielle Macdonald as the title character, a young woman who uses her lyrics to escape, daring to dream of something better outside of her New Jersey working class life. She gathers an emotionally damaged multi-racial motley crew around her to create funny and invigorating musical sequences. Spring 2014 SF Film Society / KRF Filmmaking Grant winner for packaging Bill Nye: Science Guy (David Alvarado, Jason Sussberg, USA) The effortlessly charming, bow-tie sporting scientist Bill Nye is beloved by all generations who grew up watching his show Bill Nye the Science Guy, but vilified by climate change deniers and religious fundamentalists. Skilled documentarians (and fans!) David Alvarado and Jason Sussberg travel along with Nye as he works tirelessly to make the world a better place through science advocacy and education and reflects on his life and career as one of America’s most famous science minds. Kate McLean, a producer on the film, was a SF Film Society FilmHouse Resident during its development. Dolores (Peter Bratt, USA) Lifelong community organizer Dolores Huerta founded the United Farm Workers with Cesar Chavez in 1962 and directed the decisive national boycott of Delano grapes. San Francisco native Peter Bratt’s vibrant historical documentary revisits those landmark accomplishments and Huerta’s tireless activism against poverty, pesticides, racism, and injustice. Huerta’s myriad battles and sacrifices as the lone woman on the UFW board and the mother of 11 children are integral to her story, and to the times. 2016 SF Film Society Documentary Film Fund winner for postproduction The Force (Peter Nicks, USA) For the powerful second chapter in his projected trilogy of films centered on the relationship between public institutions and community, Pete Nicks takes a powerful, immersive look at the Oakland Police Department. Filming from 2014-2016 with unprecedented access, Nicks captures a particularly turbulent time at the agency. Intended as a catalyst for conversation and change, Nick’s empathetic observational style avoids easy generalizations and upends expectations resulting in a rich, thought-provoking depiction of what policing looks like at a watershed moment. 2015 SF Film Society Documentary Film Fund winner for postproduction Walking Out (Alex Smith, Andrew Smith, USA) A moose hunting trip into Montana’s mountains, meant as a rite of passage and to bridge a growing divide between a divorced dad (Matt Bomer, A Normal Heart) and his young teenage son (Josh Wiggins, Hellion, Festival 2014), takes a dangerous turn under wintry conditions in Alex and Andrew Smith’s haunting adaptation of David Quammen’s short story, a thrilling, deceptively simple drama that packs an emotional wallop and features some of the year’s best performances. Andrew Smith is a current SF Film Society FilmHouse Resident Fall 2016 SF Film Society / KRF Filmmaking Grant winner for postproduction SHORT FILMS American Paradise (Joe Talbot, USA) A desperate man plans a bank heist and comes up against the stark realities of white privilege in this extraordinary story inspired by true events. Joe Talbot is a current SF Film Society FilmHouse Resident Fall 2016 SF Film Society / KRF Filmmaking Grant for packaging of the feature film expansion of American Paradise The Boombox Collection: Zion I (Mohammad Gorjestani, USA) In this intimate portrait and performance piece, Oakland resident Stephen Gaines, frontman of underground hip-hop duo Zion 1, reflects on his legacy and the question of artistic integrity vs. mainstream success. Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film. Gut Hack (Mario Furloni, Kate McLean, USA) To treat his chronic gastro-intestinal problems, Josiah devises a bold biological experiment that involves the exchange of bodily excretions. Mario Furloni and Kate McLean were SF Film Society FilmHouse Residents during the development of this film. Happy Birthday Mario Woods (Mohammad Gorjestani, USA) A bereaved mother in Oakland, CA, tends the grave of her son and remembers his life. Mohammad Gorjestani was a SF Film Society FilmHouse Resident during the development of this film.
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