THE GRAND BIZARRE

  • ZAMA, BURNING, and FIRST REFORMED Top Film Comment 2018 Best Films

    First Reformed, directed by Paul Schrader
    First Reformed

    Lucrecia Martel’s Zama, Lee Chang-dong’s Burning, and Paul Schrader’s First Reformed took the top spots among films released in 2018 on Film Comment’s annual end-of-year survey. Of the films that screened at festivals worldwide but have not announced stateside distribution, Roberto Minervini’s What You Gonna Do When the World’s on Fire?, Mariano Llinás’s La Flor, and Khalik Allah’s Black Mother received the top rankings.

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  • AFI FEST Reveals 2018 New Auteurs and American Independents Lineups

    [caption id="attachment_31999" align="aligncenter" width="1200"]Elisabeth Moss in HER SMELL Elisabeth Moss in HER SMELL[/caption] Highlighting rising feature film directors and the best of independent filmmaking, the American Film Institute announced today the films that will be featured in the New Auteurs and American Independents sections at AFI FEST 2018 presented by Audi. New Auteurs is the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section is comprised of 18 films, with 12 helmed by female filmmakers. The American Independents section represents the best of independent filmmaking this year. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 10 films — half of which are directed by women — from both new voices and filmmakers returning to AFI FEST. “The New Auteurs and American Independents sections are where you will find some of the boldest and most experimental work in the festival,” said Lane Kneedler, Director of Programming, AFI Festivals. “We encourage audiences to explore these unique films, and become acquainted with the emerging and provocative voices of their directors.” AFI FEST takes place November 8–15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt. The Opening Night Gala will be the World Premiere of ON THE BASIS OF SEX (directed by AFI Conservatory alumna Mimi Leder) and the Closing Night Gala will be the World Premiere of MARY QUEEN OF SCOTS (directed by Josie Rourke).

    NEW AUTEURS

    ACID FOREST (RŪGŠTUS MIŠKAS)– A wispy stretch of land from Russia to Lithuania is home to an unlikely tourist attraction: a dying forest of leafless trees overtaken by thousands of ancient black birds ruining the area with their acid-fortified feces. With daredevil cinematography and immaculate sound design, Rugilė Barzdžiukaitė’s debut is a beguiling snapshot of the juncture between nature’s destruction and rebirth. DIR Rugilė Barzdžiukaitė. Lithuania AKASHA – Documentarian Hajooj Kuka makes his attention-grabbing, intelligent debut with AKASHA, a comedy set in a rebel-held area of Sudan, where fighting has stopped amid the rainy season — and a man, a woman and an AK-47 are entangled in a love triangle. DIR Hajooj Kuka. SCR Hajooj Kuka. CAST Ekram Marcus, Kamal Ramadan, Ganja Chakado. Sudan, South Africa, Qatar, Germany ALL IS GOOD (ALLES IST GUT) – An arresting portrayal of a woman who refuses to see herself victimized by rape. Intimately and claustrophobically photographed, this humanistic film illustrates a rape internalized — acknowledged though never reckoned with — where a rapist’s presumed authority over a woman’s body is endemic of an oppressive, patriarchal society. DIR Eva Trobisch. SCR Eva Trobisch. CAST Aenne Schwarz, Andreas Döhler, Hans Löw, Tilo Nest, Lisa Hagmeister, Lina Wendel. Germany AND BREATH NORMALLY (ANDIÐ EÐLILEGA) – Lára is a single mother whose job as an Icelandic border guard is all that’s keeping her afloat. While training, Lára notices that the passport of Adja, a woman from Guinea-Bissau, has been forged. From there, Adja and Lára’s stories diverge and weave together again in Ísold Uggadóttir’s elegantly constructed drama of lives affected by the ongoing refugee crisis. DIR Ísold Uggadóttir. SCR Ísold Uggadóttir. CAST Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson. Iceland BLACK MOTHER – From red light districts to lush rainforests, director Khalik Allah’s brilliant film weaves together the sacred and the profane in a loving and lyrical ode to Jamaica and its people, a visual poem that is at once deeply felt love letter and ecstatic street-corner prayer. DIR Khalik Allah. USA THE CHAMBERMAID (LA CAMARISTA) – Lila Avilés’ debut feature follows Eve, a young maid in a luxurious Mexico City hotel, as she struggles with long hours and monotonous work. THE CHAMBERMAID is the touching story of her ambitions to rise above her current role and find a better life, and of her journey of self-discovery along the way. DIR Lila Avilés. SCR Juan Carlos Marquéz, Lila Avilés. CAST Gabriela Cartol, Teresa Sánchez. Mexico DEAD HORSE NEBULA – Awarded the Locarno Film Festival prize for Best Emerging Director, Tarik Aktas’ feature debut is either a real or imagined childhood memory of adults attempting to remove the body of a dead horse from an open field. This existential fever dream is a transformative experience, a distillation of the extraordinary suspense of day-to-day existence. DIR Tarik Aktas. SCR Tarik Aktas. CAST Barış Mert Bilgi, Ali Yavuz Ilman, Ömer Bora, Serkan Aydın, Dilara Topuklular, Hasan Türker, Mümin Süren, Serkan Özsalgıncı. Turkey DEAD PIGS (海上浮城) – Five lives collide in Cathy Yan’s quirky and comic debut — a bumbling pig farmer, a salon owner battling gentrification, an American ex-pat looking for the Chinese dream, a romantic waiter and a spoiled rich girl. DEAD PIGS sharply examines a contrasting China, where modern culture clashes with the traditional. DIR Cathy Yan. SCR Catha Yan. CAST Vivian Wu, Yang Hao Yu, Mason Lee, Li Meng, David Rysdahl. China THE DIVE (HATZLILA) – Following the death of their father, three estranged brothers — two veterans and one heading off to war — return to their family’s kibbutz to fulfill the patriarch’s final wish, setting off a firestorm of unsettled conflicts and long-buried resentments. DIR Yona Rozenkier. SCR Yona Rozenkier. CAST Yoel Rozenkier, Micha Rozenkier, Yona Rozenkier, Claudia Dulitchi, Miki Marmor, Daniel Sabag, Shmuel Edelman. Israel L’ANIMALE – On the verge of graduation and an uncertain future, a mischievous teenager rails against the societal and familial pressures of her suburban surroundings to seek autonomy in director/writer Katharina Mückstein’s masterfully perceptive and effervescent second feature about finding oneself by embracing the caged beast within and feeding its most insatiable cravings. DIR Katharina Mückstein. SCR Katharina Mückstein. CAST Sophie Stockinger, Kathrin Resetarits, Dominik Warta, Julia Franz Richter, Jack Hofer, Stefan Pohl, Dominic Marcus Singer, Simon Morzé, Eva Herzig, David Oberkogler, Martina Spitzer, Lisa C. Nemec, Johanna Orsini-Rosenberg, Gisela Salcher, Alexandra Schmidt. Austria LEMONADE (LUNA DE MIERE) – Incredible performances and beautiful cinematography herald a bold new voice in Romanian cinema in this tale of a young mother immigrating to America. Mara struggles to navigate the system, in a fight to bring her son a better life that might cost her everything. DIR Ioana Uricaru. SCR Tatiana Ionascu, Ioana Uricaru. CAST Malina Manovici, Steve Bacic, Dylan Scott Smith, Milan Hurduc, Ruxandra Maniu. Romania, Canada, Germany ONE DAY (EGY NAP) – This astounding debut feature follows 24 hours in the life of a harried mother as she navigates family work and betrayal. Anna struggles with kids, work and everyday life — but it’s an unspoken menace that really threatens this family. DIR Zsófia Szilágyi. SCR Zsófia Szilágyi, Réka Mán-Várhegy. CAST Zsófia Szamosi, Leo Füredi, Ambrus Barcza, Zorka Varga-Blaskó, Márk Gárdos, Annamária Láng, Éva Vándor, Károly Hajduk. Hungary RAFIKI – Kena likes to kick around a soccer ball with her boys. Bubbly Ziki likes to dance with her girls. Yet when their paths cross, the two fall in love. Banned in Kenya, Wanuri Kahiu’s gay romance is delightful and full of life. DIR Wanuri Kahiu. SCR Jenna Cato Bass, Wanuri Kahiu. CAST Samantha Mugatsia, Sheila Munyiva, Jimmi Gathu, Nini Wacera, Dennis Musyoka, Patricia Amira. Kenya RAY & LIZ – In this immersive debut, director and photographer Richard Billingham returns to the squalid council flat outside of Birmingham where he and his brother were raised, in a confrontation and reconciliation with parents Ray and Liz. A complex and layered visual inquiry, Billingham’s probing gaze, rich saturated palette and meticulous compositions reveal a surrealistic beauty in memories of poverty. DIR Richard Billingham. SCR Richard Billingham. CAST Ella Smith, Justin Salinger, Patrick Romer, Deirdre Kelly, Tony Way, Sam Gittins, Joshua Millard-Lloyd. UK THE RETURN – In Malene Choi’s formally daring work of docufiction, the temporary residents of KoRoot — a Seoul-based guesthouse for transnational adoptees seeking information on their Korean birth parents — form a unique bond with one another while they each process the intense emotions inherent in their journey of self-discovery. DIR Malene Choi. SCR Sissel Dalsgaard Thomsen. CAST Philip Nicolai Flindt. Denmark, South Korea SIR – When an unexpected romance develops with her upper-class boss, a strong-willed maid in Mumbai finds herself treacherously close to breaking India’s rigid rules of class division. Director/writer Rohena Gera’s debut feature boasts a luminous lead performance by Tillotama Shome. DIR Rohena Gera. SCR Rohena Gera. CAST Vivek Gomber, Tillotama Shome. India, France STYX – Rike (Susanne Wolff) is sailing solo through open Atlantic waters. When she spots a vessel in the distance in a dire situation — a boat, brimming with migrants, is sinking — her voyage crystallizes into a sharp moral dilemma: What is an individual’s personal responsibility when faced with the refugee crisis? DIR Wolfgang Fischer. SCR Ika Kuenzel, Wolfgang Fischer. CAST Susanne Wolff, Gedion Wekesa Oduor. Germany, Austria TEMPORADA – Settling into a new job in an unfamiliar city, Juliana faces life as a single woman while navigating the financial and emotional tightrope walk that is life among Brazil’s working class in this beautiful and engrossing debut feature. DIR André Novais Oliveira. SCR André Novais Oliveira. CAST Grace Passô, Russo Apr, Rejane Faria, Hélio Ricardo. Brazil

    AMERICAN INDEPENDENTS

    THE BIGGEST LITTLE FARM – Filmmaker John Chester documents the eight-year effort of an ambitious, life-changing personal venture: moving out of Los Angeles with his wife and building a diverse, sustainable farm. As the farm’s ecosystem begins to awaken, the couple explores the complexity of coexisting with nature and all its intricacies in this poignant documentary. DIR John Chester. SCR Mark Monroe, John Chester. USA BLOWIN’ UP – BLOWIN’ UP is an intimate portrait of a New York criminal court and the rebel heroines working to change the way women arrested for prostitution are prosecuted. Stephanie Wang-Breal’s essential and fascinating documentary reveals the complex hurdles sex workers must face, and the steadfast efforts of those helping to change their lives. DIR Stephanie Wang-Breal. SCR Stephanie Wang-Breal. USA COMMUNION LOS ANGELES – A dystopian vision of the present, this experimental documentary uses poetic time-lapse photography. An indistinguishable swell of half-audible monologues, radio frequencies and voicemails maintains a decidedly unsettling distance, even as the rhythms of reoccurring highway vistas, flickering street signs and neon-lit strip malls beckon you to fall under its trance. DIR Peter Bo Rappmund, Adam R. Levine. SCR Peter Bo Rappmund, Adam R. Levine. USA FAMILY – When her estranged brother calls in an emergency, workaholic Kate Stone (Taylor Schilling) reluctantly agrees to babysit her tween niece Maddie. Kate’s life quickly spins into chaos as one night turns into a week. She doesn’t think things could get much worse, until she learns Maddie wants to run away from home to join the life of the Juggalos. DIR Laura Steinel. SCR Laura Steinel. CAST Taylor Schilling, Bryn Vale, Brian Tyree Henry, Jessie Ennis, Blair Beeken, Matt Walsh, Allison Tolman, Eric Edelstein, Kate McKinnon, Fabrizio Guido. USA THE GRAND BIZARRE – The debut feature of acclaimed experimental animator Jodie Mack is a playful, eye-popping trip around the world, through its fabrics and textiles and their place in a busy international market: bright swaths of fabric, scarves and rugs dance along shorelines, in airport carousels and clotheslines to the pulse of irresistible pop soundscapes. DIR Jodie Mack. USA THE GREAT PRETENDER – In Nathan Silver’s latest comedy, four New Yorkers intersect within the framework of Mona’s (Maëlle Poesy-Guichard) autobiographical play. Furthering the themes of self-delusion Silver explored in THIRST STREET (2017), the film’s artificial hues of violet, yellow and green visually serve to blur the characters’ real lives with the play they’re all unwittingly performing in. DIR Nathan Silver. SCR Jack Dunphy. CAST Esther Garrel, Keith Poulson, Linas Phillips, Maëlle Poésy. USA HER SMELL – In HER SMELL, Becky Something (Elisabeth Moss) battles addiction and personal demons while trying to maintain her celebrity and creativity as lead musician of a ’90s punk-rock band. Backstage, Becky comes unhinged, bantering maniacally to her bandmates, friends and family as mascara runs down her face. With an uneasy, bass-heavy score and lengthy tracking close-ups, this is a nightmarish, abrasive ride to rock bottom. DIR Alex Ross Perry. SCR Alex Ross Perry. CAST Elisabeth Moss, Cara Delevingne, Dan Stevens, Amber Heard. USA JINN – Being a teenager can already be dramatic. Now add religious conversion, first love, and having to change your favorite pizza topping. When her mother joins a local mosque, Summer is forced to explore whether she too wants to convert to Islam. Nijla Mu’min’s coming-of-age story grows into an exploration of spirituality seen through the eyes of a girl trying to find her place. DIR Nijla Mu’min. SCR Nijla Mu’min. CAST Zoe Renee, Simone Missick, Kelvin Harrison, Jr., Dorian Missick, Hisham Tawfiq and Kelly Jenrette. USA RELAXER – Indie film at its most raw is on display in this latest collaboration between director Joel Potrykus and his actor/muse Joshua Burge as Abbie, whose latest challenge forces him to stay on the couch while Y2K looms large. Lucky for him, there’s plenty of milk. DIR Joel Potrykus. SCR Joel Potrykus. CAST Joshua Burge, David Dastmalchian, Andre Hyland. USA THE WEEKEND – In Stella Meghie’s charming and witty romantic comedy, a comedian (Sasheer Zamata) hauls the baggage of her defunct relationship on a weekend getaway with friends, which happens to include her ex-boyfriend (Tone Bell) and his new girlfriend (DeWanda Wise). DIR Stella Meghie. SCR Stella Meghie. CAST Sasheer Zamata, Tone Bell, DeWanda Wise, Y’Lan Noel, Kym Whitley. USA

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  • 2018 New York Film Festival Announces Projections Lineup of Innovative and Experimental Films

    [caption id="attachment_31380" align="aligncenter" width="1200"]Diamantino Diamantino[/caption] The Film Society of Lincoln Center announced the complete lineup for the Projections section of the 56th New York Film Festival – comprised of seven features, seven shorts programs, and two short works. Drawing on a broad range of innovative modes and techniques, including experimental narratives, avant-garde poetics, crossovers into documentary realms, and contemporary art practices, Projections brings together a diverse offering of short, medium, and feature-length work by some of today’s most essential and groundbreaking filmmakers and artists. Among the highlights are Gabriel Abrantes and Daniel Schmidt’s Diamantino, Projections Opening Night film and winner of the top prize at Cannes Critics Week this year; the North American premiere of Roi Soleil by Albert Serra (The Death of Louis XIV, NYFF54); and the fifth NYFF appearance from Tsai Ming-liang, who returns for the first time since 2013 with Your Face. The lineup also features the NYFF debuts of several Film Society of Lincoln Center alumni: Laura Huertas Millán (The Labyrinth), whose work was previously shown in Art of the Real and Neighboring Scenes; Akosua Adoma Owusu (Mahogany Too), whose short films have played both the New York African Film Festival and New Directors/New Films; Mariana Caló & Francisco Queimadela (Luminous Shadow), who screened as part of Art of the Real in 2016; and Ted Fendt (Classical Period) and Helena Wittmann (Ada Kaleh), both alum of New Directors/New Films. Two films in Projections will be shown on 35mm, including James Benning’s 1977 debut feature 11×14, in a new restoration by the Austrian Film Museum, and eight will be exhibited on 16mm celluloid, including a rare screening of Ericka Beckman’s short films Cinderella and You The Better, restored by the Academy Film Archive. A number of contemporary artists are featured in Projections, including new work from Jeremy Shaw, whose Quantification Trilogy imagines a dystopian social order; Ben Thorp Brown, studying Walter Gropius’s shoe warehouse in Gropius Memory Palace; Lawrence Abu Hamdan, whose Walled, Unwalled is staged within two soundproof booths; Beatrice Gibson, intimately reframing the current political climate in I Hope I’m Loud When I’m Dead; Andrew Norman Wilson, whose Kodak imagines a dialogue between George Eastman and a blind former film technician; James Richards, collaborating for the second time with Steve Reinke for their mid-length film What Weakens the Flesh Is the Flesh Itself; and Dora Garcia, making her feature film debut with Second Time Around, which shared the grand prize at FIDMarseille with Roi Soleil. Projections also showcases returning filmmakers Laida Lertxundi (Words, Planets), Ben Rivers (Trees Down Here), Janie Geiser (Valeria Street), Sylvia Schedelbauer (Wishing Well), Sky Hopinka (Fainting Spells), Mary Helena Clark (The Glass Note), and Jodie Mack, making her fifth Projections appearance with her debut feature The Grand Bizarre.

    56th New York Film Festival Projections Lineup

    FEATURES

    Opening Night Diamantino by Daniel Schmidt and Gabriel Abrantes U.S. Premiere, Portugal/France/Brazil, 2018, 92m When he misses the big goal on the world’s largest stage, chiseled fútbol star Diamantino (Carloto Cotta) flees the public eye; no longer able to conjure the giant fluffy puppies that guided him to superstardom, he is rendered a vessel without a purpose. And thus begins an unexpected journey toward love and enlightenment that involves cloning, the CIA, a Syrian refugee, and Diamantino’s nefarious twin sisters. A perversely pleasurable sendup of Brexit, genetic science, and the ongoing refugee crises, this dazzlingly original feature from longtime collaborators Daniel Schmidt and Gabriel Abrantes skewers its subjects with loving cinematic gusto. Walter Reade Theater, 165 W. 65th St. 11 x 14 by James Benning USA, 1977, 35mm, 82m James Benning’s first feature-length film announced the arrival of a radical new voice in the evolution of moving image art, and remains a landmark of the American avant-garde. Composed of 65 beautifully framed shots of provincial life and suburban domesticity, this 16mm-shot travelogue of the Midwestern United States advanced notions of structuralist cinema while forming a visual tapestry of the American heartland in all its rugged glory. Restored by the Austrian Film Museum in collaboration with Arsenal – Institute for Film and Video Art. Classical Period by Ted Fendt North American Premiere, USA, 2018, 16mm, 62m A group of young intellectuals partake in playful rounds of academic sparring in Fendt’s second feature, an über-cinephilic treatise on language, literature, and theology. Between Dante discussion groups and solitary linguistic exercises, Cal (Calvin Engime) engages his friends in a series of discursive debates that, while reaching far and wide across history, eventually correlate to more interpersonal concerns. Shot on rough-hewn 16mm with a formal rigor to match its characters’ studied personas, Fendt’s encyclopedic take on cinema stimulates the mind as much as it does the senses. The Grand Bizarre by Jodie Mack U.S. Premiere, USA, 2018, 16mm, 61m A film of boundless energy and ingenuity, the first feature by American animator Jodie Mack is a color-coordinated, rhythmically tuned fantasia for the senses. Filmed over five years and in as many countries, this all-analog travelogue finds thousands of textiles and printed designs dancing across locations from Mexico to Morocco to India. With handmade charm and a topical touch, Mack traces the industrial cogs of fabric production and consumption that make our material world turn. A motion picture in the truest sense. Roi Soleil by Albert Serra North American Premiere, Spain/Portugal, 2018, 62m Catalan director Albert Serra’s follow-up to his magisterial The Death of Louis XIV (NYFF54) is another forensic documentation of the Sun King’s final breaths. Here, however, Versailles is replaced with the glow of the gallery. Featuring Lluís Serrat (Sancho from Serra’s Honor of the Knights) in a filmed performance of a 2017 installation, Roi Soleil boldly crossbreeds performance art and observational cinema. As we watch the King writhe and moan—sometimes painfully, sometimes humorously—in mortal agony, his prone body bathed in bloodred fluorescents, the spectator’s role is increasingly called into question, implicating the viewer in the public consumption of this very private experience. Second Time Around / Segunda Vez by Dora García North American Premiere, Belgium/Norway, 2018, 94m Spanish contemporary artist Dora García’s first feature explores the intersection of politics, psychoanalysis, and performance as developed through various texts and artistic stagings of the 1960s and ’70s. Through evocative reconstructions of Argentinian theorist Oscar Masotta’s storied “happenings,” and lightly dramatized vignettes based on contemporaneous writings by Macedonio Fernández and Julio Cortázar (whose story “Segunda Vez” lends the film its title), García nimbly interweaves narrative and nonfiction devices to arrive at something wholly distinct from either––cinema as historical intervention. Your Face by Tsai Ming-liang North American Premiere, Taiwan, 2018, 76m Radically rethinking the tired talking-heads template, Tsai Ming-liang’s latest digital experiment turns the human face into a subject of dramatic intrigue. Comprised of a series of portrait shots of mostly anonymous individuals (Tsai devotees will no doubt recognize his long-time muse, Lee Kang-sheng), the film shrewdly deemphasizes language while reducing context to a bare minimum. In their place, the beauty and imperfections of each face take center stage. Accompanied by Ryuichi Sakamoto’s soundtrack of dynamically modulating drone frequencies, Tsai’s subjects variously speak, stare, and, at one point, sleep as the camera quietly registers the weight of personal history and accumulated experience writ beautifully across every last pore and crevasse.

    SHORTS

    Ericka Beckman Program Cinderella, USA, 1986, 16mm, 27m You The Better, USA, 1983, 16mm, 31m TRT: 58m Incorporating elements of theater, dance, and performative fantasy, the films of Ericka Beckman are unique documents of the conjoined trajectory of Pop Art and the American avant-garde. Whimsically examining issues of self-image, gender, and female sexuality, Beckman’s surrealist odysseys employ universal narrative threads as allegorical building blocks for ambitiously staged productions that variously utilize optical printing, in-camera editing, and early 3D mapping technology. Following a number of Super 8 shorts made while studying at CalArts, Beckman moved to 16mm for the proto-interactive gameplay adventure You The Better (1983) and a musical reimagining of Cinderella (1986), pocket epics that speak to her infectious creativity. Restored by the Academy Film Archive and BB Optics. Quantification Trilogy by Jeremy Shaw Quickeners, Germany, 2014, 37m Liminals, Germany, 2017, 31m I Can See Forever, Germany, 2018, 43m U.S. Premiere, TRT: 111m Under the guise of nonfiction, Shaw’s vérité-style trilogy imagines a dystopian—and increasingly familiar—social order in which marginalized societies strive against extinction. Through transcendental experiments and cathartic rituals, these future humans seek feelings of desire and faith that have been expunged from the species’ capacities. The medium-length Quickeners (2014), Liminals (2017), and his latest, I Can See Forever (2018), redefine the bounds of archival cinema, conveying sci-fi narratives through various retro-analogue formats and clinical voiceover narration.

    Program 1: Place Revisited

    A Return by James Edmonds Germany, 2018, 16mm, 6m James Edmonds’s intricately constructed 16mm montage film brings two disparate settings—Berlin and a village in the South of England—into the same cinematic headspace. Locating likenesses between soft light and overcast coasts, the comfort of sun-dappled interiors and the warmth of a tree-lined field, Edmonds both summons natural juxtapositions and creates unexpected harmony through deft superimpositions. Valeria Street by Janie Geiser North American Premiere, USA, 2018, 11m Initiated by an unearthed photograph of her father and his colleagues around a conference table in a generic mid-century office, Geiser’s evocative collage film charts a personal-political path through the recesses of America’s industrial ecosystem. Using animation and re-photography effects, Geiser presents an array of images (geometric diagrams, blueprints, live-action landscape shots) in a prismatic reflection on power structures in the workplace. Mahogany Too by Akosua Adoma Owusu USA/Ghana, 2018, 3m This vibrant, Nollywood-inspired spin on the 1975 Motown-produced movie Mahogany, features actress Esosa E vogueing through the city streets under the sign of Diana Ross’s iconic fashionista Tracy Chambers. Shot on warm 16mm, Akosua Adoma Owusu’s contemporary gloss on a beloved character celebrates her ever-progressive sense of style and self-assurance. Between Relating and Use by Nazli Dinçel Argentina/USA, 2018, 16mm, 9m In this ethical examination of ethnographic art, Dinçel dissects the thin line separating unconscious fantasy from cultural appropriation. Pairing the words of scholars Laura Mark and D.W. Winnicott with sensual 16mm images of the human body in direct contact with the natural environment, the film slowly turns the notion of fetishization into a tool for reflexive thought. Trees Down Here by Ben Rivers U.S. Premiere, UK, 2018, 35mm, 14m Ben Rivers investigates the oak-paneled buildings and birch-lined grounds of Cowan’s Court at Churchill College in this serene architectural study. His rhythmic montage—comprising site plans and construction models, images of animals and architecture—sketches an expansive view of a solitary environment. Eye of a Needle by Katherin McInnis World Premiere, USA, 2018, 5m Archival stills of the Great Depression come shuddering to life in Katherin McInnis’s work of photographic montage. Rapidly alternating, minutely offset images of young farm laborers in the American South create the illusion of movement around a cut-out focal point, matched by a scratch beat built on chasms of negative space. Wishing Well by Sylvia Schedelbauer Germany, 2018, 13m Sylvia Schedelbauer’s previously monochrome world comes bursting forth in full color in this hypnotic trip through the landscape of memory and adolescence, which conjoins original HD imagery and 16mm found footage of an anonymous young boy in the throes of discovery. Through superimpositions and flicker effects, the film traces a simultaneously interior and exterior path across disparate temporalities that nonetheless retains a bracing immediacy.

    Program 2: Strategies for Renewal

    Key, washer, coin by Alan Segal World Premiere, Argentina, 2018, 14m The formal and semantic languages of advertisements are dissected in this investigative essay that breaks the marketing model down to its component parts, highlighting the complex capitalist infrastructure that fuels our economic reality. Words, Planets by Laida Lertxundi U.S. Premiere, USA/Spain, 2018, 10m An ode to motherhood and nature’s cosmic energies, Laida Lertxundi’s enchanting diary film presents disparate scenes gathered from rural locales ranging from Havana to Devil’s Punchbowl. Inspired by the compositional strategies of Chinese painter Shih-t’ao, Lertxundi links her warmly saturated imagery through the words of Lucy Lippard and R.D. Laing and the recurrent skip of an infectious pop song, and in the process offers a gentle reminder of (mother) Earth’s boundless gifts. Life After Love by Zachary Epcar North American Premiere, USA, 2018, 8m In this serene study of lost love and natural light, parked cars in public spaces become sanctuaries for emotional renewal. Paired with reflective voiceover and strangely comforting self-help recordings, Zachary Epcar’s casually inventive images, highlighting sun-baked glass and asphalt surfaces, imbue the mid-afternoon heat with the promise of a better tomorrow. I Hope I’m Loud When I’m Dead by Beatrice Gibson U.S. Premiere, UK, 2018, 20m Reframing our current political moment in intimate terms, Gibson’s urgent snapshot of worldwide social calamities doubles as a document of practical resistance. In Gibson’s hands, the music of Pauline Oliveros and the words of poets CA Conrad and Eileen Myles imbue images of street riots, the Grenfell Fire, and the mass refugee migration with complexity and grace. The Air of the Earth in Your Lungs by Ross Meckfessel U.S. Premiere, USA/Japan, 2018, 16mm, 11m The real and the virtual fold together and apart until space itself is rendered immaterial in this slipstream of digital-modulated environments that brings together landscape photography, video game interfaces, and drone-conducted land surveys in brisk montage.

    Program 3: Trips to the Interior

    Fainting Spells by Sky Hopinka World Premiere, USA, 2018, 11m Sky Hopinka looks to native lore to take up the legend of the Xąwįska, or Indian Pipe Plant, a root used by the Ho-Chunk tribe to revive people who have fainted. Framed as an epistolary correspondence between imagined subjects, the film braids apocalyptic imagery and elegantly scrolling text into a hypnotic consideration of myth and memory. Chooka by Parastoo Anoushahpour, Faraz Anoushahpour, and Ryan Ferko U.S. Premiere, Iran/Canada, 2018, 21m Shot in the Gilan Province of northern Iran, a region that saw the influx of hundreds of North American engineers commissioned to build a paper factory in 1973, Chooka meditates on the lingering effects of the era’s industrial expansion. Guided by the recollections of those whose roots stretch back to before the Revolution, the film creates illuminating connections between archival footage, new images of the factory ruins, and excerpts from a pair of contemporaneous films shot in the same area by Bahram Beyzaie. Ada Kaleh by Helena Wittmann U.S. Premiere, Germany, 2018, 14m This precisely calibrated domestic diorama alights upon the imagined futures of a group of anonymous young adults. In Helena Wittmann’s warmly rendered feat of formalist filmmaking, questions of time and the realities of space convene in languid interior pans, incremental shifts in light, and the private reflections of her subjects. The Labyrinth / El Laberinto by Laura Huertas Millán U.S. Premiere, Colombia/France, 2018, 21m A notorious drug lord leads the viewer on a tour of the bloodstained Colombian jungle and a most curious architectural landmark: an exact replica of the villa from ’80s soap opera Dynasty. Seamlessly intercutting enigmatic clips from the show with original 16mm landscape imagery, this revealing ethnographic study bridges an uncanny pop-historical divide.

    Program 4: Form and Function

    Mixed Signals by Courtney Stephens North American Premiere, USA, 2018, 16mm, 8m Stricken with an undisclosed illness, the narrator of this reflexive work draws evocative parallels between the darkened hulls of an industrial ocean liner and an increasingly disorienting mental state. Courtney Stephens was inspired by the nautical imagery and turbulent inner monologue of Hannah Weiner’s maritime code poems. Luminous Shadow / Sombra Luminosa by Mariana Caló and Francisco Queimadela North American Premiere, Portugal, 2018, 22m A meditation on the human form and its many representations over the centuries, this archaeological essay compiles images of statues, photos, sketches, and news clippings from Portugal’s Jose de Guimarães International Arts Centre. The filmmakers conjure a slipstream of interrelated origin stories via brief bits of narration and tableaux of various animal and mineral elements. The Glass Note by Mary Helena Clark U.S. Premiere, USA, 2018, 9m In this elliptical audiovisual diary, cinema’s extrasensory capacity is given surprising form. Here, what we see (the human throat, Gothic statuary, digitally generated furniture) often contradicts what we hear (birdsong, tightly wound rope, lithophonic stones), but the combined effect speaks to a utopian and universal ideal of filmic language. Walled, Unwalled by Lawrence Abu Hamdan U.S. Premiere, Germany, 2018, 21m Lawrence Abu Hamdan finds in a former GDR state radio station a perfect conduit for his ongoing cinematic interrogation of the political dimensions of sound. Centered on a series of court cases that used auditory or sensory evidence based on information gathered through walls, the film is staged within two soundproof booths, in which a live narrator recites witness testimonies while projected text and images create organic superimpositions. It’s an exploration of the fundamental abstractions of seeing and listening.

    Program 5: Persistent Analogues

    Kodak by Andrew Norman Wilson World Premiere, USA, 2018, 29m A semi-biographical fiction inspired by his father’s work at one of Kodak’s first processing labs, Wilson’s speculative gloss on the evolution of photochemical science entwines multiple perspectives and personas. Co-written by James N. Kienitz Wilkins, Kodak imagines a dialogue between a blind, mentally unstable former film technician and George Eastman himself, recordings of whom play out over a procession of photographs, home video footage, vintage Kodak ads, and animations. What Weakens the Flesh Is the Flesh Itself by Steve Reinke and James Richards U.S. Premiere, Wales/Germany/USA/Canada, 2017, 40m The second collaborative work by Steve Reinke and James Richards begins as an intimate look at the autoerotic photography of Albrecht Becker, an artist imprisoned by the Nazis for homosexual behavior. Soundtracked by a mix of free jazz percussion, acoustic balladry, and droning synth patches, the work blossoms into a meditation on masculinity and the relationship between the human form and its persistent analogues, forever preserved in archives.

    AMPHITHEATER

    From Its Mouth Came a River of High-End Residential Appliances by Jon Wang U.S. Premiere, USA, 2018, 13m Hundreds of feet in the air, a drone approaches a row of skyscrapers along Hong Kong’s affluent southern coast. The target: giant holes in the buildings’ facades kept clear for the passage of mythological dragons. Over three successive trips, an affectless voice offers thoughts on feng shui architecture, ideological resistance, and notions of queer identity. Gropius Memory Palace by Ben Thorp Brown North American Premiere, USA, 2017, 20m Part architectural film, part ASMR exercise, this observational study of Walter Gropius’s famed shoe warehouse, The Fagus Factory, is a meditation in every sense. Opening against soft white light and the soothing sounds of a hypnotherapist’s voice, Ben Thorp Brown’s film transports the audience inside Gropius’s landmark. Droning ambience and languid images of laborers at work foster a psychoanalytic space through which the viewer may deeply consider the nature of memory and its constant negotiation between context and content.

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  • 71st Locarno Festival Announces Complete Film Program Lineup, Jury + Tributes

    [caption id="attachment_30681" align="aligncenter" width="1023"]I FEEL GOOD by Benoît Delépine, Gustave Kervern I FEEL GOOD by Benoît Delépine, Gustave Kervern[/caption] The official program of the 71st edition of the Locarno Festival was announced at a press conference today, Wednesday July 11, 2018. The line-up for the official juries was also announced as were tributes to Wolf-Eckart Bühler, Pierre Rissient, Francis Reusser and Claude Lanzmann. The 71st Locarno Festival will take place from August 1 to 11, 2018. In the program introduction, Carlo Chatrian, Artistic director, notes “This year’s program also includes films that, instead of portraying the conflicts raging around the world, concentrate on private stories, while allowing the present to resonate like the echoes of a thunderstorm. Examples are Yara by Abbas Fahdel, who following his epic Homeland (Iraq Year Zero) has left the war zone to plunge into the Lebanese countryside; or the portrait which Ethan Hawke – Excellence Award 2018 – dedicates in the eponymous film to the musician BLAZE, conflicted but charming hero, a rebel against the system and a profoundly free spirit, fated for a tragic end. These are just two films that create a bond between the self and the world, between the details of an individual life and the universal truths revealed by their story. Another of their common traits is also found in many other titles: the courage shown by their protagonists when faced with an insurmountable obstacle. Perhaps that’s why these and so many other films this year simply take a name for their title (Diane, Alice T., M., Menocchio, Sibel, Ray & Liz, Siyabonga). It may well be a sign of renewed trust in film as an art form capable of telling the stories of men and women without filtering them through symbolism, proof that the human face may be back as the be-all and end-all of a film. If so, I should like to present this year’s program as a single, magnificent and very long portrait gallery of unique faces, disarming even when well aware of the artfulness of their fiction. From Stan Laurel to the young Israeli Menahem and his disturbing statements in M.; from Mae West’s opulence to the sublime beauty of Julio Bressane’s muse in Sedução da Carne; from the discreet charm of Ingrid Bergman to the appeal of Noée Abita in Genèse; from the madcap elegance of Irene Dunne to the disenchanted appeal of Mary Kay Place in Diane.”

    Official Juries

    The Jury of the Concorso internazionale

    President: Jia Zhang-ke, Filmmaker (China) Emmanuel Carrère, Writer (France) Sean Baker, Filmmaker (United States of America) Tizza Covi, Filmmaker (Italy/Austria) Isabella Ragonese, Actress (Italy)

    The Jury of the Concorso Cineasti del presente

    President: Andrei Ujică, Filmmaker (Romania) Ben Rivers, Filmmaker (United Kingdom) Lætitia Dosch, Actress (Switzerland/France)

    The Jury of the Pardi di domani

    President: Yann Gonzalez, Filmmaker (France) Deepak Rauniyar, Filmmaker (Nepal) Marta Mateus, Filmmaker (Portugal)

    The Jury of Signs of Life

    Emilie Bujès, Festival Director (Switzerland) Josh Siegel, Curator (United States of America) Tiziana Finzi, Curator (Italy)

    The Jury of the First Feature

    Funa Maduka, Creative and Acquisitions Executive (United States of America) Susan Vahabzadeh, Film Critic (Germany) Kieron Corless, Film Critic (United Kingdom)

    Piazza Grande

    BLACKKKLANSMAN by Spike Lee USA – 2018 – 135’ with John David Washington, Adam Driver, Topher Grace, Corey Hawkins, Laura Harrier, Ryan Eggold, Jaspar Pääkkönen, Ashlie Atkinson Production: Focus Features Swiss distributor: Universal Pictures International Switzerland BLAZE by Ethan Hawke USA – 2017 – 128’ with Ben Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton Production: Under the Influence Productions, Ansgar Media/Village Studios, Cinetic Media Swiss distributor: Look Now! Film Distribution International Premiere COINCOIN ET LES Z’INHUMAINS by Bruno Dumont France – 2018 – 4×52’ with Alane Delhaye, Bernard Pruvost, Philippe Jore, Julien Bodart, Christophe Verheeck, Alexia Depret, Lucy Caron, Marie-Josée Wlodarczack, Jason Cirot, Nicolas Leclaire, Priscilla Benoist Production: Taos Films Co-production: ARTE France Cinéma World Sales: Doc & Film International Swiss distributor: Praesens-Film World Premiere Closing Film I FEEL GOOD by Benoît Delépine, Gustave Kervern France – 2018 – 103’ with Jean Dujardin, Yolande Moreau Production: JD PROD, No Money Productions Co-production: ARTE France Cinéma, Hugar Prod World Sales: Wild Bunch Swiss distributor: Praesens-Film World Premiere LE VENT TOURNE by Bettina Oberli Switzerland/France – 2018 – 86’ with Mélanie Thierry, Pierre Deladonchamps, Nuno Lopes, Anastasia Shevtsova Production: Rita Productions Co-production: Silex Films World Sales: Be for Films Swiss distributor: Filmcoopi Zürich World Premiere Opening Film LES BEAUX ESPRITS by Vianney Lebasque France – 2017 – 93’ with Ahmed Sylla, Olivier Barthelemey, Jean-Pierre Darroussin, Camélia Jordana Production: Monkey Pack Films, M.E.S Productions World Sales: SND Distribution Swiss distributor: Impuls Pictures World Premiere LIBERTY by Leo McCarey USA – 1929 – 23’ – Intertitles English with Stan Laurel, Oliver Hardy, Tom Kennedy, Sam Lufkin, James Finlayson Production: Hal Roach Studios L’ORDRE DES MÉDECINS by David Roux France – 2018 – 93’ with Jérémie Renier, Marthe Keller, Zita Hanrot Production: ElianeAntoinette, Reboot Films World Sales: Pyramide International World Premiere, First Feature L’OSPITE by Duccio Chiarini Italy/Switzerland/France – 2018 – 94’ with Daniele Parisi, Silvia D’Amico, Anna Bellato, Thony ., Sergio Pierattini, Milvia Marigliano, Daniele Natali, Guglielmo Favilla Production: Mood Film Co-production: House on Fire, Cinédokké, Relief World Sales: Urban Distribution International Swiss distributor: First Hand Films World Premiere MAYNILA SA MGA KUKO NG LIWANAG (Manila in the Claws of Light) by Lino Brocka Philippines – 1975 – 126’ with Hilda Koronel, Bembol Roco, Lou Salvador Jr., Joonee Gamboa Production: Cinema Artists PÁJAROS DE VERANO (Birds of Passage) by Cristina Gallego, Ciro Guerra Colombia – 2018 – 125’ with Carmina Martinez, José Acosta, John Narváez, José Vicente Cotes, Juan Martinez, Natalia Reyes Production: Ciudad Lunar Bogota World Sales: Films Boutique Swiss distributor: trigon-film RUBEN BRANDT, COLLECTOR by Milorad Krstic Hungary – 2018 – 94’ with Gabriella Hámori Hámori, Iván Kamarás, Csaba “Kor” Márton Production: Ruben Brandt LLC. World Premiere, First Feature SE7EN by David Fincher USA – 1995 – 127’ with Morgan Freeman, Brad Pitt, Gwyneth Paltrow, John C. McGinley Production: Cecchi Gori Pictures, Juno Pix, New Line Cinema World Sales: Park Circus SEARCHING by Aneesh Chaganty USA – 2018 – 101’ with John Cho, Debra Messing, Joseph Lee, Michelle La, Sara Sohn Swiss distributor: Sony Pictures Releasing Switzerland First Feature THE EQUALIZER 2 by Antoine Fuqua USA – 2018 – 121’ Swiss distributor: Sony Pictures Releasing Switzerland with Denzel Washington, Pedro Pascal, Bill Pullman, Melissa Leo, Jonathan Scarfe UN NEMICO CHE TI VUOLE BENE by Denis Rabaglia Italy/Switzerland – 2018 – 97’ with Denis Rabaglia, Diego Abatantuono, Antonio Folletto, Mirko Trovato, Sandra Milo, Roberto Ciufoli, Annabella Calabrese, Gisella Donadoni Production: Falkor Production Co-production: Turnus Film Swiss distributor: Filmcoopi Zürich World Premiere WAS UNS NICHT UMBRINGT by Sandra Nettelbeck Germany – 2018 – 110’ with August Zirner, Johanna Ter Steege, Barbara Auer, Oliver Broumis, Jenny Schily, Christian Berkel Production: Sommerhaus filmproduktion Co-production: Zdf, Cine Plus Filmpoduktion, RuhrsoundStudios World Sales: Beta Cinema World Premiere

    Concorso internazionale

    A FAMILY TOUR by YING Liang Taiwan/Hong Kong/Singapore/Malaysia – 2018 – 107’ with An Nai, Zhe Gong, Pete Teo, Xin Yue Tham Production: Taiwan Public Television Service, 90 Minutes Film Studio, Potocol, Shine Pictures World Sales: Golden Scene World Premiere A LAND IMAGINED by YEO Siew Hua Singapore/France/Netherlands – 2018 – 95’ with Peter Yu, Xiaoyi Liu, Luna Kwok, Jack Tan, Ishtiaque Zico Production: Akanga Film Asia, mm2 Entertainment, Films de Force Majeure, Volya Films World Premiere ALICE T. by Radu Muntean Romania/France/Sweden – 2018 – 105’ with Andra Guti, Mihaela Sîrbu, Cristine Hămbăşanu, Ela Ionescu, Bogdan Dumitrache Production: Multi Media Est Co-production: Les Film de l’apres-Midi, Chimney, Film i Väst World Sales: Films Boutique World Premiere DIANE by Kent Jones USA – 2018 – 94’ with Mary Kay Place, Jake Lacy, Andrea Martin, Estelle Parsons, Deirdre O’Connell, Joyce van Patten, Phyllis Somerville, Glynnis O’Connor Production: AgX, Sight Unseen Pictures World Sales: Visit Films International Premiere GANGBYUN HOTEL (Hotel by the River) by HONG Sangsoo South Korea – 2018 – 96’ with KI Joobong, KIM Minhee, SONG Seonmi, KWON Haehyo, YU Junsang Production: Jeonwonsa Film World Sales: Finecut World Premiere GENÈSE by Philippe Lesage Canada – 2018 – 130’ with Noée Abita, Théodore Pellerin, Édouard Tremblay-Grenier, Pier-Luc Funk, Émilie Bierre, Maxime Dumontier, Paul Ahmarani, Jules Roy Sicotte, Antoine Marchand-Gagnon Production: Productions l’unité centrale World Sales: Be For Films World Premiere GLAUBENBERG by Thomas Imbach Switzerland – 2018 – 115’ with Zsofia Körös, Francis Meier, Milan Peschel, Bettina Stucky, Morgane Ferru, Nikola Šošić, Ilayda Akdoğan, Gonca De Haas, Erol Afşin Production: Okofilm Productions World Premiere LA FLOR by Mariano Llinás Argentina – 2018 – 815’ with Elisa Carricajo, Pilar Gamboa, Valeria Correa, Laura Paredes Production: El Pampero Cine International Premiere M by Yolande Zauberman France – 2018 – 106’ with Menahem Lang Production: CG Cinema, Phobics World Premiere MENOCCHIO by Alberto Fasulo Italy/Romania – 2018 – 103’ with Marcello Martini Production: Nefertiti Film Co-production: RAI Cinema, Hai Hui Entertainment World Premiere RAY & LIZ by Richard Billingham United Kingdom – 2018 – 108’ with Ella Smith, Justin Salinger, Patrick Romer, Deirdre Kelly, Sam Gittins, Joshua Millard-Lloyd Production: Primitive Film World Sales: Luxbox World Premiere, First Feature SIBEL by Çağla Zencirci, Guillaume Giovanetti Turkey/France/Germany/Luxembourg – 2018 – 95’ Production: Les Films du Tambour Co-production: Riva Filmproduktion, Bidibul Productions, Mars Production, Reborn Production World Sales: Pyramide International World Premiere TARDE PARA MORIR JOVEN by Dominga Sotomayor Chile/Brazil/Argentina/Netherlands/Qatar – 2018 – 110’ with Demian Hernández, Antar Machado, Magdalena Tótoro, Matías Oviedo, Antonia Zegers, Alejandro Goic, Mercedes Mujica, Eyal Meyer, Gabriel Cañas, Andrés Aliaga Production: Cinestación, RT Features Co-production: Ruda Cine, Circe Films World Premiere WINTERMÄRCHEN by Jan Bonny Germany – 2018 – 125’ with Thomas Schubert, Ricarda Seifried, Jean-Luc Bubert Production: Heimatfilm World Premiere YARA by Abbas Fahdel Lebanon/Iraq/France – 2018 – 101’ with Michelle Wehbe, Elias Freifer, Mary Alkady, Elias Alkady, Charbel Alkady Production: Stalker Production World Premier

    Concorso Cineasti del presente

    ALLES IST GUT by Eva Trobisch Germany – 2018 – 93’ with Aenne Schwarz, Andreas Döhler, Hans Löw, Tilo Nest, Lisa Hagmeister, Lina Wendel Production: TRIMAFILM Co-production: Starhaus FilmproduktionInternational International Premiere, First Feature CEUX QUI TRAVAILLENT by Antoine Russbach Switzerland/Belgium – 2018 – 102’ with Olivier Gourmet, Adèle Bochatay, Delphine Bibet, Michel Voïta, Pauline Schneider Production: Box Productions Co-production: Novak Prod World Sales: Be For Films Swiss distributor: Outside the Box World Premiere, First Feature CHAOS by Sara Fattahi Austria/Syria/Lebanon/Qatar – 2018 – 100’ Production: Little Magnet Films World Premiere CLOSING TIME by Nicole Vögele Switzerland/Germany – 2018 – 116’ with KUO Chung-Shu, LIN Li-Jiao Production: Beauvoir Films Co-production: Filmakademie Baden-Württemberg World Sales: Taskovski Films Swiss distributor: Xenix Filmdistribution World Premiere FAMILIA SUMERGIDA by María Alché Argentina/Brazil/Germany/Norway – 2018 – 91’ with Mercedes Morán, Marcelo Subiotto, Esteban Bigliardi, Diego Velazquez, Laila Maltz Production: Pasto Cine Co-production: Bubbles Project, Pandora Film Produktion, 4 1/2 World Premiere, First Feature FAUSTO by Andrea Bussmann Mexico/Canada – 2018 – 70’ with Victor Pueyo, Fernando Renjifo, Ziad Chakaroun, Alberto Núñez, Gabino Rodríguez World Premiere, First Feature HATZLILA (The Dive) by Yona Rozenkier Israel – 2018 – 90’ with Yoel Rozenkier, Micha Rozenkier, Yona Rozenkier, Claudia Dulitchi, Miki Marmor, Daniel Sabag, Shmuel Edelman Production: Gaudeamus Productions World Sales: Stray Dogs International Premiere, First Feature JIAO QU DE NIAO (Suburban Birds) by QIU Sheng China – 2018 – 118’ with LEE Mason, HUANG Lu Production: Chan Films Co-production: Flash Forward Entertainment World Sales: Luxbox, Flash Forward Entertainment International Premiere, First Feature L’ÉPOQUE by Matthieu Bareyre France – 2018 – 94’ Production: Artisans du Film Co-production: Alter Ego, ADF L’Atelier World Sales: BAC Films World Premiere, First Feature LIKEMEBACK by Leonardo Guerra Seràgnoli Italy/Croatia – 2018 – 80’ with Angela Fontana, Denise Tantucci, Blu Yoshimi, Goran Marković Production: Nightswim, Essentia, RAI Cinema, Indiana Production Co-production: Antitalent World Sales: Media Luna World Premiere NEBULA (DEAD HORSE NEBULA) by Tarık Aktaş Turkey – 2018 – 73’ with Barış Bilgi, Ali Beyazit, Ömer Bora, Serkan Aydın, Dilara Topuklular, Hasan Türker, Mümin Süren Production: Hay Film World Premiere, First Feature SIYABONGA (We are thankul) by Joshua Magor SouthAfrica/United Kingdom – 2018 – 93’ with Siyabonga Majola, Sabelo Khoza, Xolani Malinga, Percy Zulu, Amanda Ncube, Ntokozo Mkhize, Sibusiso Nzama, Luthando Ngcobo, Mancane Dlomo, Nkanyiso Ndumiso, Nonduh Zuma, Mondli Ndlovu, Joshua Magor Production: Other People World Sales: Other People World Premiere, First Feature SOPHIA ANTIPOLIS by Virgil Vernier France – 2018 – 98’ with Dewi Kunetz, Sandra Poitoux, Hugues Njiba-Mukuna, Bruck , Lilith Grasmug Production: Kazak Productions World Sales: mk2 Films World Premiere TEGNAP (Hier) by Bálint Kenyeres Hungary/Germany/France/Netherlands/Morocco/Sweden – 2018 – 119’ with Vlad Ivanov, Feodor Atkine, Jo Prestia, Rainer Kühn, Djemel Barek, Nadia Niazi, Amine Ennaji, Salah Bensalah, Gamil Ratib, Oussama Oussous, Mohamed Rabiaa, Abdelhamid Ait Abbou Ali, Milhoudia Nassih, Toulou Kiki, Johanna Ter Steege, Issaka Sawadogo, Jacques Weber Production: Mirage Film Co-production: One Two Films, Les Films de l’Après-Midi, Film i Väst, Chimney, La Prod, Saarländischer Rundfunk, Eye-Lite, Travissss Film, Rotterdam Films World Premiere, First Feature TEMPORADA (Long way Home) by André Novais Oliveira Brazil – 2018 – 112’ with Grace Passô, Russo APR, Rejane Faria, Renato Novaes, Juliana Abreu, Hélio Ricardo Production: Filmes de Plástico World Sales: FiGa Films World Premiere TROTE by Xacio Baño Spain/Lithuania – 2018 – 83’ with María Vázquez, Celso Bugallo, Diego Anido, Tamara Canosa Production: Frida Films Co-production: M-Films World Premiere, First Feature

    Pardi di domani

    Concorso internazionale

    3 ANOS DEPOIS by Marco Amaral – Portugal – 2018 – 13’ A COLD SUMMER NIGHT by Yash Sawant – India – 2018 – 21’ D’UN CHÂTEAU L’AUTRE by Emmanuel Marre – Belgium/France – 2018 – 40’ EL LABERINTO by Laura Huertas Millán – France/Colombia/USA – 2018 – 21’ FRASE D’ARME by Federico Di Corato – Italy/France – 2018 – 30’ FUCK YOU by Anette Sidor – Sweden – 2018 – 15’ GRBAVICA by Manel Raga Raga – Portugal/Bosnia and Herzegovina/Spain – 19’ HEART OF HUNGER by Bernardo Zanotta – Netherlands – 2018 – 29’ HI I NEED TO BE LOVED by Marnie Ellen Hertzler – USA – 2018 – 11’ JE SORS ACHETER DES CIGARETTES by Osman Cerfon – France – 2018 – 13’ KAUKAZAS (Caucasus) by Laurynas Bareisa – Lithuania – 2018 – 14’ LA CARTOGRAPHE by Nathan Douglas – Canada – 2018 – 34’ LA MÁXIMA LONGITUD DE UN PUENTE by Simón Vélez – Colombia/Argentina – 2018 – 13’ LAST YEAR WHEN THE TRAIN PASSED BY by HUANG Pang-Chuan – France – 2018 – 17’ LUNAR-ORBIT RENDEZVOUS by Mélanie Charbonneau – Canada – 2018 – 15’ MALO SE SJEĆAM TOG DANA (I Can Barely Remember the Day) by Leon Lučev – Croatia – 2018 – 21’ MY EXPANDED VIEW by Corey Hughes – USA – 2018 – 8’ OUT by Alon Sahar – Israel – 2018 – 27’ PATUL LUI PROCUST (Bed of Procustes) by Andrian Împărățel – Romania – 2018 – 17’ REKONSTRUKCE (Reconstruction) by Jiří Havlíček, Ondřej Novák – Czech Republic – 2017 – 16’ RENEEPOPTOSIS by Renee Zhan – USA/Japan – 2018 – 9’ SARAS INTIME BETROELSER (Sara’s Intimate Confessions) by Emilie Blichfeldt – Norway – 2018 – 22’ SASHLELI (Eraser) by Davit Pirtskhalava – Georgia – 2018 – 18’ SMERT MENYA (The Death of Father Men) by Mikhail Maksimov – Russia – 2018 – 12’ THE SILENCE OF THE DYING FISH by Vasilis Kekatos – Greece/France – 2018 – 19’ TOURNEUR by Yalda Afsah – Germany – 2018 – 14’ VIOLETA + GUILLERMO by Óscar Vincentelli – Spain/Venezuela – 2018 – 6’ WORDS, PLANETS by Laida Lertxundi – USA/Spain – 2018 – 11’ ZHI SHUO YI CI (Dream Speaking) by CHAN Paine – China – 2018 – 19’

    Concorso nazionale

    ABIGAÏL by Magdalena Froger – Switzerland – 2018 – 20’ CIRCUIT by Delia Hess – Switzerland – 2018 – 8’ EVA by Xheni Alushi – Switzerland – 2018 – 15’ FAIT DIVERS by Léon Yersin – Switzerland – 2018 – 17’ HIER by Loïc Kreyden – Switzerland – 2018 – 4’ ICI LE CHEMIN DES ÂNES by Lou Rambert Preiss – Switzerland – 2018 – 22’ IN LOVING MEMORY OF THE FUTURE by Laurence Favre – Switzerland/Germany – 2018 – 8’ LA SOURCE by Yatoni Roy Cantù – Switzerland – 2018 – 16’ LE SENS DE LA MARCHE by Jela Hasler – Switzerland – 2018 – 9’ LES ÎLES DE BRISSOGNE by Juliette Riccaboni – Switzerland – 2018 – 23’ LOS QUE DESEAN by Elena López Riera – Spain/Switzerland – 2018 – 24’ MONTE AMIATA by Tommaso Donati – Switzerland – 2018 – 22’ SELFIES by Claudius Gentinetta – Switzerland – 2018 – 4′

    Signs of Life

    Awards The Jury awards the following prizes: Signs of Life Award ELECTRONIC-ART FOUNDATION to the Best Film 5,ooo CHF to the director. Casa Wabi-Mantarraya Award Fundación Casa Wabi and Mantarraya Productions, in partnership with Festival Internacional de Cine de Morelia, will support the Fundación Casa Wabi – Mantarraya Award, consisting in a residence at Casa Wabi – Puerto Escondido (Mexico) lasting between 1 to 1.5 months. These prizes can not be awarded ex aequo. A ROOM WITH A COCONUT VIEW by Tulapop Saenjaroen Thailand – 2018 – 28’ Production: Electric Eel Films World Premiere COMMUNION LOS ANGELES by Adam R. Levine, Peter Bo Rappmund USA – 2018 – 68’ World Premiere COMO FERNANDO PESSOA SALVOU PORTUGAL by Eugène Green Portugal/France/Belgium – 2018 – 27’ with Eugène Green, Carloto Cotta, Manuel Mozos, Diogo Dória, Alexandre Pieroni Calado, Ricardo Gross, Mia Tomé Production: Les Films du Fleuve, Noodles Production, O Som E A Fúria World Sales: Agencia – Portuguese Short Film Agency International Premiere DULCINEA by Luca Ferri Italy – 2018 – 66’ with Vincenzo Turca, Naomi Morello, Dario Bacis Production: ENECE FILM World Premiere GULYABANI by Gürcan Keltek Netherlands/Turkey – 2018 – 32’ with Zeynep Kumral Production: 29P Films BV World Premiere HAI SHANG CHENG SHI (The Fragile House) by LIN Zi China – 2018 – 81’ with ZENG Xiaolian, WOO Hye Kyung, XIAO Jie, SANG Guosheng, REN Yue World Premiere, First Feature JING LI DE REN (Man in the Well) by Hu Bo China – 2017 – 16’ with ZHANG Xiaoqian, QU Yiyi, GAO Tieguang Production: FIRST International Film Festival World Sales: Rediance World Premiere LA CASA DE JULIO IGLESIAS by Natalia Marín Spain – 2018 – 12’ World Premiere LE DISCOURS D’ACCEPTATION GLORIEUX DE NICOLAS CHAUVIN by Benjamin Crotty France – 2018 – 26’ with Ragnar Arni Agustsson, Alexis Manenti, Pauline Jacquard, Caroline Deruas, Antoine Cholet, Rei Yazaki Production: Les Films du Bal World Premiere SEDUÇÃO DA CARNE by Júlio Bressane Brazil – 2018 – 70’ with Mariana Lima Production: TB Produções World Premiere SOBRE TUDO SOBRE NADA by Dídio Pestana Portugal – 2018 – 90’ Production: Kintop World Sales: Kintop World Premiere, First Feature THE GRAND BIZARRE by Jodie Mack USA – 2018 – 60’ World Premiere, First Feature TIRSS, RIHLAT ALSOO’OUD ILA ALMAR’I (Erased, Ascent of the Invisible) by Ghassan Halwani Lebanon – 2018 – 74’ World Sales: mec film World Premiere, First Feature VESLEMØY’S SONG by Sofia Bohdanowicz Canada – 2018 – 9’ with Deragh Campbell, Joan Benac, Steve Benac World Premiere

    Fuori concorso

    AMUR SENZA FIN by Christoph Schaub Switzerland – 2018 – 91’ with Rebecca Indermaur, Bruno Cathomas, Tonia Maria Zindel, Beat Marti, Murali Perumal, Marietta Jemmi, René Schnoz Production: Zodiac Pictures, SRG SSR World Premiere DE CHAQUE INSTANT by Nicolas Philibert France/Japan – 2018 – 105’ Production: France 3 Cinéma, Longride, Archipel 35 World Sales: Doc & Film International World Premiere INSULAIRE by Stéphane Goël Switzerland – 2018 – 92’ Production: Climage World Premiere MUDAR LA PIEL by Ana Schulz, Cristóbal Fernández Spain – 2018 – 89’ with Juan Gutierrez, Frauke Schulz Utermöhl, Ana Schulz, Mingo Rafols Production: Sr. y Sra. Co-production: Labyrinth Films World Premiere, First Feature MY HOME, IN LYBIA by Martina Melilli Italy – 2018 – 66’ with Mahmoud , Antonio Melilli, Narcisa Bertipaglia Production: Stefilm World Sales: Deckert Distribution World Premiere, First Feature NARCISSISTER ORGAN PLAYER by Narcissister USA – 2017 – 92’ with Narcissister , Sarah Lumpkin, Oscar Lumpkin, Bernard Lumpkin, Carmine Boccuzzi Production: Narcissister International Premiere, First Feature ORA E SEMPRE RIPRENDIAMOCI LA VITA by Silvano Agosti Italy – 2018 – 94’ with Bernardo Bertolucci, Dario Fo, Franca Rame, Nuto Revelli, Massimo Cacciari Production: Edizioni l’Immagine World Sales: Edizioni l’Immagine, Istituto Luce Cinecittà World Premiere RŪGŠTUS MIŠKAS (Acid Forest) by Rugilė Barzdžiukaitė Lithuania – 2018 – 63’ Production: neon realism World Sales: neon realism World Premiere, First Feature SEMBRA MIO FIGLIO by Costanza Quatriglio Italy/Croatia/Belgium – 2018 – 103’ with Basir Ahang, Tihana Lazovic, Dawood Yousefi Production: Ascent Film Co-production: Caviar Films, Antitalent World Sales: True Colours World Premiere THE SENTENCE by Rudy Valdez USA – 2018 – 87’ Production: Park Pictures World Sales: Cinetic Media International Premiere, First Feature WALKING ON WATER by Andrey Paounov USA/Italy – 2018 – 100’ with Christo, Vladimir Yavachev Production company: Kotva Films C-production company: Ring Film World Sales: CAA (Creative Artists Agency) World Premiere

    Shorts

    SHORT POLAR COLLECTION CANAL+ / SO FILM 4 “thriller” short films from the Canal+ / So Film genre À NOUS DEUX ! by Marie Loustalot – France – 2018 – 20’ DIVERSION by Mathieu Mégemont – France – 2018 – 23’ LA BELLE AFFAIRE by Constance Meyer – France – 2018 – 23’ TOMATIC by Christophe Saber – France/Switzerland – 2018 – 20

    Open Doors Screenings

    The Open Doors Screenings (1 – 11 August 2018) will present to the Locarno audience a selection of shorts and feature films that are particularly representative of the world of contemporary cinema in a particular area of the South and East world. This year, the section will end its three-year cycle on South Asia, bringing to Locarno films from the contemporary scene of Afghanistan, Bangladesh, Bhutan, Myanmar, Nepal, Pakistan and Sri Lanka.

    Full-length features

    DEMONS IN PARADISE by Jude Ratnam – Sri Lanka/France – 2017 – 93’ LAILA AT THE BRIDGE by Gulistan Mirzaei, Elizabeth Mirzaei – Canada/Afghanistan – 2018 – 97’ LIVE FROM DHAKA by Abdullah Mohammad Saad – Bangladesh – 2016 – 91’ MUNMO TASHI KHYIDRON (Honeygiver Among the Dogs) by Dechen Roder – Bhutan – 2016 – 132’ SETO SURYA (White Sun) by Deepak Rauniyar – Nepal/USA/Qatar/Netherlands – 2016 – 89’ THE ROAD TO MANDALAY by Midi Z – Taiwan/Myanmar/France/Germany – 2016 – 108’ THUNDENEK (Her. Him. The other) by Asoka Handagama, Vimukthi Jayasundara, Prasanna Vithanage – Sri Lanka – 2018 – 153’ ZINDA BHAAG (Run for your Life) by Meenu Gaur, Farjad Nabi – Pakistan/India – 2013 – 115’

    Short films

    298-C by Nida Mehboob – Pakistan – 2018 – 15’ – World Première A SONG OF SILENCE by Kelzang Dorjee – Bhutan – 2016 – 16’ DADYAA: THE WOODPECKERS OF ROTHA by Pooja Gurung, Bibhusan Basnet – Nepal/France – 2016 – 17’ DEATH OF A READER by Mahde Hasan – Bangladesh – 2017 – 9’ DIA by Hamza Bangash – Pakistan/United Kingdom – 2018 – 24’ – World Première SILVER BANGLES by Roshan Bikram Thakuri – Nepal – 2017 – 15’ SORKHE TIRAH (Dark Red) by Diana Saqeb – Afghanistan – 2017 – 19’ – World Première SUPERMONK by Shenang Gyamjo Tamang – Nepal/Taiwan – 2018 – 19’ – World Première THE LAST POST OFFICE by Aung Rakhine – Bangladesh – 2018 – 20’ – World Première THE OPEN DOOR by Jamyang Jamtsho Wangchuk – Bhutan/United Kingdom – 2018 – 15’ – World Première TRADITION by Lanka Bandaranayake – Sri Lanka – 2016 – 11’ WITT YONE (The Robe) by WeRa – Myanmar – 2016 – 19’ YAR-THI MOE (Seasonal Rain) by Aung Phyoe – Myanmar – 2016 – 30’

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