The Heiresses (Las herederas)(2018)

  • 31st GLAAD Media Awards Nominations Announced – RAFIKI, BOOKSMART, WIG

    Rafiki
    Rafiki

    GLAAD announced the 176 nominees in 30 categories for the 31st Annual GLAAD Media Awards honoring ‘media for fair, accurate, and inclusive representations of LGBTQ people and issues.’

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  • Documentary RETURN TO MT. KENNEDY and Mexican Short Films Headline Ashland Festival Varsity World Film Week 2019

    Return to Mt. Kennedy
    Return to Mt. Kennedy

    Ashland Independent Film Festival will showcase 13 independent feature films and one short film program from 11 countries, including Bulgaria, Siberia, France, Mexico, Paraguay, Denmark, Kenya, Iceland, Israel, Egypt, and the USA for the 30th annual Varsity World Film Week running Oct. 4 through Oct. 11 at the Varsity Theatre in downtown Ashland.

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  • 2019 Miami Film Festival to Showcase 160 + Films, Opens with Documentary THIS CHANGES EVERYTHING

    Meryl Streep appears in This Changes Everything
    Meryl Streep appears in This Changes Everything (Meryl Streep from “Florence Foster Jenkins” at Opening Ceremony of the 2016 Tokyo International Film Festival)

    This Changes Everything, a pivotal documentary examining historic and contemporary gender inequity in the American film and television industries, will open the 36th edition of Miami Dade College’s acclaimed Miami Film Festival, on Friday, March 1st at the historic Olympia Theater. Appearing on camera are leading Hollywood women Meryl Streep, Geena Davis, Sandra Oh, Rosario Dawson, Zoe Saldana, Jessica Chastain, Taraji P. Henson, Cate Blanchett, Amandla Stenberg, Natalie Portman, Reese Witherspoon, Shonda Rhimes, Jill Soloway and many more advocating for meaningful change.

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  • 2019 Palm Springs International Film Festival to Screen 223 Films, Opens with Kenneth Branagh’s ALL IS TRUE

    All is True 
    All is True 

    The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4,  and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.

    In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend. 

    Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend. 

    30th Palm Springs International Film Festival Film Lineup

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  • 87 Countries Submit Films in 2018 Oscar Foreign Language Competition

    [caption id="attachment_31248" align="aligncenter" width="1200"]El Angel directed by Luis Ortega El Angel directed by Luis Ortega[/caption] Eighty-seven countries have submitted films for consideration in the Foreign Language Film category for the 91st Academy Awards. Malawi and Niger are first-time entrants. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The 2018 submissions are: Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director; Algeria, “Until the End of Time,” Yasmine Chouikh, director; Argentina, “El Ángel,” Luis Ortega, director; Armenia, “Spitak,” Alexander Kott, director; Australia, “Jirga,” Benjamin Gilmour, director; Austria, “The Waldheim Waltz,” Ruth Beckermann, director; Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director; Belarus, “Crystal Swan,” Darya Zhuk, director; Belgium, “Girl,” Lukas Dhont, director; Bolivia, “The Goalkeeper,” Rodrigo “Gory” Patiño, director; Bosnia and Herzegovina, “Never Leave Me,” Aida Begić, director; Brazil, “The Great Mystical Circus,” Carlos Diegues, director; Bulgaria, “Omnipresent,” Ilian Djevelekov, director; Cambodia, “Graves without a Name,” Rithy Panh, director; Canada, “Family Ties,” Sophie Dupuis, director; Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director; China, “Hidden Man,” Jiang Wen, director; Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors; Costa Rica, “Medea,” Alexandra Latishev, director; Croatia, “The Eighth Commissioner,” Ivan Salaj, director; Czech Republic, “Winter Flies,” Olmo Omerzu, director; Denmark, “The Guilty,” Gustav Möller, director; Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director; Ecuador, “A Son of Man,” Jamaicanoproblem, director; Egypt, “Yomeddine,” A.B. Shawky, director; Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director; Finland, “Euthanizer,” Teemu Nikki, director; France, “Memoir of War,” Emmanuel Finkiel, director; Georgia, “Namme,” Zaza Khalvashi, director; Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director; Greece, “Polyxeni,” Dora Masklavanou, director; Hong Kong, “Operation Red Sea,” Dante Lam, director; Hungary, “Sunset,” László Nemes, director; Iceland, “Woman at War,” Benedikt Erlingsson, director; India, “Village Rockstars,” Rima Das, director; Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director; Iran, “No Date, No Signature,” Vahid Jalilvand, director; Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director; Israel, “The Cakemaker,” Ofir Raul Graizer, director; Italy, “Dogman,” Matteo Garrone, director; Japan, “Shoplifters,” Hirokazu Kore-eda, director; Kazakhstan, “Ayka,” Sergey Dvortsevoy, director; Kenya, “Supa Modo,” Likarion Wainaina, director; Kosovo, “The Marriage,” Blerta Zeqiri, director; Latvia, “To Be Continued,” Ivars Seleckis, director; Lebanon, “Capernaum,” Nadine Labaki, director; Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director; Luxembourg, “Gutland,” Govinda Van Maele, director; Macedonia, “Secret Ingredient,” Gjorce Stavreski, director; Malawi, “The Road to Sunrise,” Shemu Joyah, director; Mexico, “Roma,” Alfonso Cuarón, director; Montenegro, “Iskra,” Gojko Berkuljan, director; Morocco, “Burnout,” Nour-Eddine Lakhmari, director; Nepal, “Panchayat,” Shivam Adhikari, director; Netherlands, “The Resistance Banker,” Joram Lürsen, director; New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director; Niger, “The Wedding Ring,” Rahmatou Keïta, director; Norway, “What Will People Say,” Iram Haq, director; Pakistan, “Cake,” Asim Abbasi, director; Palestine, “Ghost Hunting,” Raed Andoni, director; Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director; Paraguay, “The Heiresses,” Marcelo Martinessi, director; Peru, “Eternity,” Oscar Catacora, director; Philippines, “Signal Rock,” Chito S. Roño, director; Poland, “Cold War,” Pawel Pawlikowski, director; Portugal, “Pilgrimage,” João Botelho, director; Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director; Russia, “Sobibor,” Konstantin Khabensky, director; Serbia, “Offenders,” Dejan Zecevic, director; Singapore, “Buffalo Boys,” Mike Wiluan, director; Slovakia, “The Interpreter,” Martin Šulík, director; Slovenia, “Ivan,” Janez Burger, director; South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director; South Korea, “Burning,” Lee Chang-dong, director; Spain, “Champions,” Javier Fesser, director; Sweden, “Border,” Ali Abbasi, director; Switzerland, “Eldorado,” Markus Imhoof, director; Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director; Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director; Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director; Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director; Ukraine, “Donbass,” Sergei Loznitsa, director; United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director; Uruguay, “Twelve-Year Night,” Álvaro Brechner, director; Venezuela, “The Family,” Gustavo Rondón Córdova, director; Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors; Yemen, “10 Days before the Wedding,” Amr Gamal, director.

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  • NewFest 2018 Announces Full Lineup of 140 + LGBT Films For 30th Anniversary

    [caption id="attachment_31533" align="aligncenter" width="1200"]Boy Erased Boy Erased[/caption] Following the big announcement of Yen Tan’s award-winning AIDS drama 1985 as Opening Night Film, NewFest today announced the full lineup of more than 140 LGBT films from around the world for their 30th annual celebration. The festival runs from October 24 to 30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City. This year’s NewFest will feature several other galas and special screenings, including the New York Centerpiece screening of Ondi Timoner’s MAPPLETHORPE, starring Emmy®-nominee Matt Smith (“Doctor Who”, THE CROWN) about the iconic queer artist; and the U.S. Centerpiece screening of Joel Edgerton’s BOY ERASED, starring Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Troye Sivan, Cherry Jones, Flea and Xavier Dolan. Other gala presentations include the International Centerpiece and New York premiere of Wanuri Kahiu’s groundbreaking love story RAFIKI, which screened at Cannes and was originally banned in its home country of Kenya for depicting a relationship between two young women, and the New York City premiere of Documentary Centerpiece film DYKES, CAMERA, ACTION!, which will be followed by a conversation on female representation in the film industry and lesbian visibility in cinema. The festival will close on October 30th with the New York premiere of Robert Clift and Hillary Demmon’s documentary MAKING MONTGOMERY CLIFT, which is co-directed by the late Hollywood star’s nephew and features exclusive archival footage and audio interviews from the family’s archives. This year’s edition continued in the tradition of receiving submissions from around the world, with films and episodic programming coming from 32 countries. In addition, 60% of content is by and about underrepresented voices (Women, People of Color, Trans, Bi and Differently Abled). Overall, the festival will screen 46 feature length films (including over 80% of feature works from first-time feature filmmakers, such as, Caroline Berler Tchaiko Omawale and Jonah Greenstein), 89 shorts and 9 episodic series, including the French Canadian production FÉMININ/FÉMININ by Chloé Robichaud, for a total of 144 selections. The International Narrative Features section includes the New York premieres of Anne Fontaine’s Venice Film Festival Queer Lion winner REINVENTING MARVIN (featuring a turn by Isabelle Huppert as…Isabelle Huppert) and 2018 Berlinale Teddy Award for Best Feature winner HARD PAINT from Filipe Matzembacher and Marcio Reolon (NewFest alums for 2016’s “The Nest”), as well as 2018 Berlinale Teddy Award for Best First Feature winner RETABLO from Alvaro Delgado Aparicio. Other premieres include the New York premiere of two films submitted for next year’s Academy Awards®: Marcelo Martinessi’s THE HEIRESSES from Paraguay and Blerta Zeqiri’s Kosovoan entry THE MARRIAGE; as well as Jamie Patterson’s TUCKED, another New York premiere, which picked up multiple awards at this year’s Outfest, including the Best Narrative Audience Award and the International Feature Grand Jury Prize which it shared with HARD PAINT. This year’s Documentary Features section is particularly strong and features some of the best new trans and non-binary stories from the U.S. and around the world, including T Cooper’s MAN MADE, about trans fitness models, which picked up the Best Documentary Feature Audience Award at Outfest 2018, Kiko Goifman and Claudia Priscila’s BIXA TRAVESTY, about the political activism of black Brazilian transgender singer Linn da Quebrada (Teddy Award for Best Documentary/Essay Film, Berlinale 2018), and SIDNEY & FRIENDS, Tristan Aitchison’s look at an underground network of trans and intersex people fighting to survive on the edge of Kenyan society. Also featured are the North American premiere of Gustavo Sánchez’s I HATE NEW YORK (Spain, 2018), which features New York nightlife luminarie Amanda Lepore; the East Coast premiere of Matt Alber and Jon Garcia’s ROOM TO GROW about what it means to be an LGBT teen in today’s world, and Jeff Kaufman’s EVERY ACT OF LIFE, a profile of multi-Tony Award®-winning playwright Terrence McNally, featuring appearances by Meryl Streep, Audra McDonald, Christine Baranski, Bryan Cranston, Patrick Wilson, Angela Lansbury and Rita Moreno. A hallmark of every NewFest is the bringing of new work to New York audiences, highlighting the emerging voices of queer cinema and 80% of the films in this year’s U.S. Narrative Features section are either New York, East Coast, or World premieres, and 9 of 10 films are from first or second-time filmmakers. In addition, in keeping with this year’s emphasis on inclusion, diversity and representation, 4 of the 10 films have female directors and 6 feature female leads. NewFest’s commitment to bringing new films from around the world to New York audiences has never waivered and this year’s edition is no different. With the ever decreasing cost of technology and ever increasing reach of the Internet, previously underrepresented countries and communities are finding their voices like never before. As a result, more and more films like Wanuri Kahiu’s RAFIKI, a story (written with Jenna Cato Bass) about the first love between two women in Kenya are seeing the light, as well as films like Christiaan Olwagen’s South African Apartheid-set musical CANARY and Ruth Caudeli’s EVA + CANDELA (Colombia), to name but a few. Of course, no NewFest would be complete without a few frightfully scary queer offerings and this year’s HalloKween sidebar is no exception! Featuring the New York Premiere of Drew Bolton’s KILLER UNICORN, a satirical stab at the slasher flick featuring a bevy of Brooklyn drag queens; NewFest alum Yann Gonzalez’s Cannes competition entry KNIFE + HEART (starring Vanessa Paradis); and the New York premiere of CARMILLA: THE MOVIE, based on the lesbian vampire web series sensation. Continuing its long tradition of working with many New York City organizations, this year NewFest partnered with over 100 organizations across the city to bring audiences some of their most exciting programs, including HIP TO BE QUEER: Youth Shorts, presented by the NYC Department of Education and in partnership with the Mayor’s Office of Media & Entertainment; a Spotlight Screening & Conversation of Dir. Gabriel Silverman and Fiona Dawson’s multiple award-winning TRANSMILITARY presented in partnership with GLAAD, and a screening of CONVERSATIONS WITH GAY ELDERS: DANIEL, a new film from NewFest alum David Weissman (WE WERE HERE, THE COCKETTES), presented in partnership with The Generations Project.

    2018 NewFest Full Lineup

    OPENING NIGHT GALA

    1985 New York Premiere Dir. Yen Tan, USA, 2017, 85 mins Writer: Yen Tan Cast: Cory Michael Smith, Virginia Madsen, Michael Chiklis, Jamie Chung, Tina Parker, Bill Heck, Ryan Piers Williams Set during the early AIDS crisis, Adrian (Cory Michael Smith, GOTHAM, CAROL) returns to his Texas hometown for Christmas, keeping quiet about his sexuality and HIV status. Award-winning writer-director and NewFest alum Yen Tan (PIT STOP, CIAO) delivers a poignant period piece about a gay man tying up loose ends—whether it’s with his conservative parents (Academy Award-nominee Virginia Madsen and Emmy Award-winner Michael Chiklis), a high school ex-girlfriend (Jamie Chung), or his younger brother (Aidan Langford, BOSCH), who shows an interest in Madonna and may be following in Adrian’s footsteps. Shot on crisp black-and-white super 16mm film and featuring career-best performances from its cast, Tan’s powerfully textured 1985 is a new queer classic—addressing the AIDS crisis in a sensitive, reflective and, most importantly, modern light.

    INTERNATIONAL CENTERPIECE

    Rafiki New York Premiere Dir. Wanuri Kahiu, Kenya/South Africa/Germany/Netherlands/France/Norway/Lebanon, 2018, 83 mins Writers: Wanuri Kahiu, Jenna Cato Bass Cast: Sheila Munyiva, Samantha Mugatsia, Patricia Amira, Muthoni Gathecha, Jimmy Gathu, Nice Githinji, Charlie Karumi, Patricia Kihoro, Neville Misati Fresh from its triumphant Cannes premiere, RAFIKI is a must-see film that delivers a beautifully acted, nuanced portrayal of being queer in Nairobi. This vibrant romance follows the burgeoning relationship between Ziki (Sheila Munyiva), the playful Beyonce-wannabe who lives in the city’s affluent Skyview Towers, and Kena (Samantha Mugatsia), the shy, responsible tomboy who hangs out on the overcrowded Slopes estate with the local Boda Boda (motorcycle taxi) boys. The film’s delicious pink-hued color palette is part of the African film aesthetic known as the afrobubblegum movement, and sets the joyous tone for this rare look at first love between two women in Kenya. Banned in its home country of Kenya for its positive depiction of two young women in love, RAFIKI is a global call to action that proves a work of art does not have to be explicit in order to stir resist in the face of oppression.

    U.S. CENTERPIECE

    Boy Erased Dir. Joel Edgerton, USA, 2018, 114 mins Writers: Joel Edgerton, Garrard Conley (based on the memoir Boy Erased by) Cast: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Cherry Jones, Flea, Xavier Dolan, Troye Sivan, Joe Alwyn Set in the uber-conservative suburbs of Arkansas, this grippingly vital drama stars Academy Award-nominee Lucas Hedges (MANCHESTER BY THE SEA, LADYBIRD) as a young gay man sent to Refuge, a church-run conversion therapy program that aims to “cure” homosexuality, upon the insistence of his Baptist preacher father (Academy Award-winner Russell Crowe) and religious yet conflicted mother (Academy Award-winner Nicole Kidman). Based on the memoir by Garrard Conley and adapted for the screen by director and featured actor Joel Edgerton, this urgent drama stirs a challenging yet compassionate portrait of a family—and perhaps country—at odds with its differing ideas of empathy and identity. In addition to powerhouse performances by Hedges, Kidman, and Crowe, the ensemble includes stellar supporting turns from multitalented queer artists Troye Sivan, Xavier Dolan, and Cherry Jones. BOY ERASED is at once an evocative coming of age story about finding your voice, and a compelling tale of personal survival and family reconciliation in the face of ignorance.

    NEW YORK CENTERPIECE

    Mapplethorpe Dir. Ondi Timoner, USA, 2018, 102 mins Writer: Ondi Timoner, Mikko Alanne Cast: Matt Smith, Marianne Rendón, John Benjamin Hickey, Brandon Sklenar, McKinley Belcher III, Mark Moses Emmy-nominee Matt Smith (DOCTOR WHO, THE CROWN) plays renegade queer artist and photographer Robert Mapplethorpe. Set in the gay leather communities and highbrow galleries of New York City in the 70s and 80s, Ondi Timoner’s biopic is an unflinching look at the life and career of the icon made famous for his striking black-and-white images of phalluses and flowers. This film takes a chronological look at the influences and practices that captured male homo-erotic desire so poignantly in the face of the devastating toll of the AIDS crisis.

    CLOSING NIGHT GALA

    Making Montgomery Clift New York Premiere Dir. Robert Clift and Hillary Demmon, USA, 2018, 88 mins The iconic Hollywood actor Montgomery Clift—described in many accounts as “tragically self-destructive” and “tormented” by his sexuality—is brought to new light by his nephew Robert Clift, who uncovers never-before-seen footage and exclusive audio interviews collected by the filmmaker’s father. The viewer gains insight into a fresh portrait of the legendary actor who was unashamed of his sexuality, maintained a great sense of humor, and even defied the studio system. Robert’s access to interviews with family and close friends of Monty turn against the faulty narrative made popular by previous biographies and documentaries that considered him “the slowest suicide in Hollywood history.” Thoroughly well-researched and edited, Robert—along with co-director Hillary Demmon— brings to the surface a personal account of his uncle Monty and his father Brooks Clift that forces us to ask: Why was so much of Monty’s story left out? How were previous accounts so wrong? Who do we trust to write our history? MAKING MONTGOMERY CLIFT brings the star out of the archive, and further out of the closet.

    DOCUMENTARY CENTERPIECE

    Dykes, Camera, Action! New York City Premiere Dir. Caroline Berler, USA, 2018, 60 mins Cast: Barbara Hammer, Jenni Olson, B. Ruby Rich, Rose Troche, Desiree Akhavan, Cheryl Dunye, Su Friedrich, Vicky Du, Yoruba Richen, Lesli Klainberg One of the most glaring omissions in the film canon has been the work of queer women. Thankfully this once-hidden population picked up the camera and transformed the visibility of lesbians in cinema through classics such as GO FISH (1994), THE WATERMELON WOMAN (1996), HIGH ART (1998), all of which premiered in New York at NewFest. Pioneering filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Yoruba Richen, Desiree Akhavan, Vicky Du, Cheryl Dunye, critic B. Ruby Rich, Jenni Olson, and others discuss with humor and depth how they’ve expressed their queer identity through film, while also revealing personal stories from their own experiences of looking for themselves on screen. First-time director Caroline Berler expertly balances films clips with candid interviews, making DYKES, CAMERA, ACTION! a joyous response to the days of the celluloid closet, culminating in a groundbreaking celebration of empowerment and visibility for the ages. This screening will be followed by a conversation on female representation in the film industry and lesbian visibility in cinema with featured cast, moderated by Terry Lawler (Executive Director, New York Women in Film & Television).

    U.S. NARRATIVE

    Fish Bones New York City Premiere Dir. Joanne Mony Park, USA, 2017, 82 mins Writer: Joanne Mony Park Cast: Cristina Tamez, JooHyun Kim In her debut feature, director Joanne Mony Park delivers a sensitively-drawn portrait of Hana (Joony Kim) a young woman caught between two worlds; the expectations of her Korean family, and her own needs and desires as a university student and model discovering her queer identity. The film’s quiet attention to detail captures charming moments of self reflection and attraction, as Hana falls for Nico (CRIS GRIS), a charismatic Latina who lives without the self-consciousness that holds Hana back. The chemistry between these two leads captivates the viewer and heralds the discovery of a bold and exciting new directorial voice to watch. Lez Bomb New York City Premiere Winner of the 2018 Bentonville Film Festival Dir. Jenna Laurenzo, USA, 2018, 90 mins Writer: Jenna Laurenzo Cast: Elaine Hendrix, Cloris Leachman, Bruce Dern Lez Bomb is a multigenerational comedy of errors following Lauren, a young woman who comes home for the holidays with some life changing news. Little does Lauren know, the eccentric cast of characters that make up her family have their own string of surprises as well. As it turns out, there is no good time to drop the “lez bomb.” Produced by Bobby Farrelly (There’s Something About Mary) and featuring Cloris Leachman, Bruce Dern and Steve Guttenberg. Two in the Bush New York Premiere Dir. Laura Madalinski, USA, 2018, 97 mins Writer: Kelly Haas, Laura Madalinski Cast: Sarah Mitchell, Travis Delgado, Caitlin Aase After losing her job, Emily arrives home early from work to find her girlfriend in the throes of passion with someone else. In an instant, her entire life is turned upside down. Moving in with her best friend, Emily lands a new gig working for a dominatrix, and promptly falls for her new boss, and her boss’s boyfriend. In this wise and witty look at the world of bisexuality, polyamory and dungeons, filmmaker Laura Madalinski asks us to consider what risks are worth taking for love. Jules of Light and Dark New York Premiere Dir. Daniel Laabs, USA, 2018, 85 mins Writer: Daniel Laabs Cast: Betsy Holt, Tallie Medel, Robert Longstreet, Liz Cardenas In present-day Texas, teenage Maya and her on-again, off-again girlfriend Jules total their car after a night of backwoods raving and mischief. They are rescued from the wreckage by Freddy, a divorced oil worker whose stoic facade crumbles as he comes to see himself, and his repressed desires, in Maya. As Jules recovers, Maya and Freddy develop a rapport that eases their small-town lives. Together, they subtly encourage one another to chase after what they want the most (or at least figure out what that might be). JULES OF LIGHT AND DARK is an iridescent coming-of-age story boasting the rural isolation of Deb Shoval’s AWOL and the wanderlust of Andrea Arnold’s AMERICAN HONEY. Defined by earnest, full performances and composed in a blue palette, Daniel Laabs’ first feature solidly articulates the universality of queer loneliness and uncertainty across genders and generations. Bitter Melon Dir. H.P. Mendoza, USA, 2018, 95 mins Writer: H.P. Mendoza Cast: Jon Norman Schneider, Patrick Epino, Brian Rivera, Josephine de Jesus, L.A. Renigren, Theresa Navarro, Sohr Picart, Amelia Anima, Anne Ishida, Corey Jackson, Ryan Morales, Safiya Fredericks, Vint Carmona Who knew that the insensitive way some of his Filipino-American family members treat his sexuality would be the least of Declan’s worries when he returns home for the holidays? As he and his siblings tiptoe around his freeloading brother’s volatile personality, long-buried secrets are revealed to set in motion a hilarious plan of revenge. A black comedy with heart, the latest from H.P. Mendoza (FRUIT FLY) deftly explores toxic masculinity and abuse— emotional and physical—with absurdity and true empathy. Solace New York Premiere Dir. Tchaiko Omawale, USA, 2018, 88 min Writer: Tchaiko Omawale Cast: Hope Olaide Wilson, Lynn Whitfield, Glynn Turman, Chelsea Tavares, Luke Rampersad, Sydney Bennett A visually arresting debut from director Tchaiko Omawale, this dark and dangerous coming of age tale tackles themes of mental wellness while exploring the confusion of an adolescent crush. Recently orphaned teen Sole (Hope Olaide Wilson) is sent to live with her estranged relatives. Quickly becoming infatuated with the rebellious girl next door, Sole falls in with a crowd of queer misfits that light up her dark days. Emmy-winner Lynn Whitfield delivers a satisfying turn as deeply hypocritical Aunt Irene, and emerging artist Syd (of R&B group The Internet) will satisfy those with their finger on the pulse of music from the margins. For Izzy Grand Jury Prize, Los Angeles Asian Pacific Film Festival 2018 Dir. Alex Chu, USA, 2018, 84 mins Writer: Alex Chu Cast: Michelle Ang, Jennifer Soo, Elizabeth Sung, Jim Lau A warm, heartfelt film about blending families, featuring powerhouse performances from its all-Asian cast. Beloved late actress Elizabeth Sung plays Anna, a successful business-woman and single mother struggling with a strained relationship with her 20-something queer daughter Dede (Michelle Ang). Her widower neighbor Peter (Jim Lau) is the caretaker of his millennial daughter Laura (Jennifer Soo) who is on the Autism spectrum. When Laura and Dede form an unlikely friendship they each bond with the other’s parent, ultimately bringing Peter and Anna together to find an unexpected later-in-life romance. The Skin of the Teeth East Coast Premiere Dir. Matthew Wollin, USA, 2018, 80 min Writer: Matthew Wollin Cast: Pascal Arquimedes; Donal Brophy; Tom Rizzuto; Chuja Seo; Greg Barker; David Cruz; Chris Raffaele; Kathryn Shasha This sinister drama-thriller evokes the feel of a contemporary film noir, with a shades of GET OUT-meets-Grindr. When Josef arrives at John’s apartment for a date, their prickly energy slowly gives way to an unusual and genuine chemistry. But after Josef takes a pill with unclear effects, the night takes a shocking turn, and he is plunged into a surreal interrogation of just who and what he is. Pascal Arquimedes’ compelling lead performance keeps the viewer holding their breath from beginning to end. Daddy World Premiere Dir. Jonah Greenstein, USA, 2018 75 mins Writer: Jonah Greenstein Cast: Alexander Horner, Thomas Jay Ryan, Ashley Robicheaux A homeless man survives in New York by sleeping with men he meets on Grindr. Longing for a better life but also intimacy, he becomes a hustler and falls in love with one of his clients. Gorgeously shot and displaying intimate moments that are at once passionate and melancholic, DADDY explores themes of poverty, sex as currency, and what it is to be human. Filmmaker Jonah Greenstein’s feature debut paints a portrait of gay New York City through the lens of a young man and his encounters. Devil’s Path New York Premiere Dir. Matthew Montgomery, USA, 2018, 87 mins Writer: Matthew Montgomery, Stephen Twardokus Cast: Steve Callahan, Brandy Elliott, Jon Gale While searching for his missing brother in a remote gay cruising park, Noah (Stephen Twardokus) sets his sights on a handsome stranger (JD Scalzo). When Noah is viciously attacked, he and his new companion escape through the woods with two menacing thugs in hot pursuit. Lost and frightened, they begin to turn on each other and slowly unravel the truth of what’s really going on around them. This moody, picturesque psychological thriller from first-time director Matthew Montgomery features unexpected twists and turns, and seamlessly blends sharp, opposing perspectives about sex and love with suspenseful set pieces filled with existential dread.

    INTERNATIONAL NARRATIVE FEATURES

    Hard Paint New York State Premiere Berlinale 2018 – Teddy Award for Best Feature Film Dir. Filipe Matzembacher and Marcio Reolon, Brazil, 2017, 117 mins Writer: Filipe Matzembacher, Marcio Reolon Cast: Shico Menegat, Bruno Fernandes Online, Pedro smears neon paint across his body for pay-per-view voyeurs hungry for his webcam erotica. IRL, he rarely sees the sun or speaks to another soul in Porto Alegre. After catching word of a rival ripping off his rainbow-colored act, he ventures from the shadows to settle their score — but finds an unlikely new friend in the process. This Berlinale Teddy Award winner conjures a dark, sensual atmosphere of alienation and discovery. We’re proud to welcome this young filmmaking duo back to the festival for the third time after their previous feature Seaside and mini-series O Ninho (THE NEST). A Moment in the Reeds New York City Premiere Dir. Mikko Makela, Finland, United Kingdom, 2017, 107 mins Writer: Mikko Makela Cast: Janne Puustinen, Boodi Kabbani, Mika Melender, Virpi Rautsiala In the Finnish countryside, Leevi, who is home from studying abroad to help his father renovate their lakeside house, encounters Tareq, a Syrian asylum seeker they hire as a handyman. Leevi’s father returns to town on business as tension builds between the two young men, and they give in to their mutual attraction. One of the first LGBT-themed films made in Finland, Mikko Makela’s intimate drama places at its center the freedom and acceptance of sexual and ethnic minorities amid the backdrop of the breathtaking Finnish landscape. Retablo New York City Premiere Teddy Award for Best First Feature, Berlinale 2018 Grand Jury Prizes for Best First Feature, Frameline & Inside Out Dir. Alvaro Delgado Aparicio, Peru/Germany/Norway, 2018, 95 mins Writer: Alvaro Delgado Aparicio, Héctor Gálvez Cast: Amiel Cayo, Junior Béjar Roca, Magaly Solier As his name suggests, fourteen year-old Segundo Paucar (Junior Behar) is his father Noé’s (Amiel Cayo) most devoted apprentice. Together, they craft intricate storyboxes—consisting of a cabinet, hand-painted figurines, and a lot of heart—for Peruvian families. Upon discovering his father with another man, Segundo struggles to accept his father’s delicate touch and its beautiful byproducts. With this award-winning debut feature, Alvaro Delgado Aparicio emphasizes his devotion to the touching and fraught power structure that afflicts fathers and sons. In RETABLO, patience in art and relationships might be tragically condemned by society, yet they are fiercely rewarded by family. Mario New York City Premiere Dir. Marcel Gisler, Switzerland, 2018, 124 mins Writer: Marcel Gisler Cast: Max Hubacher, Aaron Altaras, Jessy Moravec, Jurg Pluss, Doro Muggler, Andreas Matti Mario, a German soccer player, faces a harrowing decision when he must choose between pursuing his career on the field or his forbidden love for Leon, his roommate and a new player on the team. As rumors unfold in the locker room and spread to higher ranks, Mario attempts to deny them, and asks his girlfriend Jenny to pretend they are together. The torment caused by this macho world is reflected in Mario’s mother, who, in one memorable scene, refuses to be photographed during a magazine photoshoot with Jenny and her son, her eyes consumed with anguish. Eva + Candela New York State Premiere Dir. Ruth Caudeli, Colombia, 2018, 90 mins Writer: Ruth Caudeli Cast: Silvia Varón, Alejandra Lara, Roberto Cano, Luna Baxter, Kristina Lilley, Cristina Warner, Carlos Carvajal, Ana María Cuellar, Andrés Estrada South America’s evocative answer to BLUE IS THE WARMEST COLOR, this stirring portrait captures the dynamic interplay between two strong, independent women: a female director and the star of her first film. The two are, drawn together by a powerful attraction and their shared desire to take on the movie world. The passion between them creates a seductive and fascinating intimacy. But over time, their relationship evolves, swinging from infatuation to sensuality, which turns to tenderness, and then routine. They never wanted to be a conventional couple, and yet that’s just what they’ve become. Can Eva and Candela withstand the inevitable effects of time to overcome the metamorphosis of their relationship? Tucked New York Premiere Dir. Jamie Patterson, United Kingdom, 2018, 80 mins Writer: Jamie Patterson Cast: Derren Nesbitt, Jordan Stephens, April Pearson, Steve Oram, Lucy-Jane Quinlan, Ruben Crow, Joss Porter When veteran drag queen Jackie Collins receives a diagnosis with six weeks left to live, all he wants to do is perform his long-running act, and behave as if all is normal. But between a surprising new friendship with a rising young queen and unfinished business with his estranged daughter, he may just have the most eventful month and a half of his life. A feel-good film with charm and humor as well as surprising insight into our evolving understanding of gender identity across generations, this crowd-pleaser marks the first queer film from prolific young British director Jamie Patterson. Canary (Kanarie) New York City Premiere Dir. Christiaan Olwagen, South Africa, 2018, 124 mins Writer: Christiaan Olwagen, Charl-Johan Lingenfelder Cast: Schalk Bezuidenhout, Hannes Otto, Germandt Geldenhuys, De Klerk Oelofse, David Viviers, Anna-Mart van der Merwe, Francois Jacobs, Andrico Goosen, Ludwig Binge, Jennifer Steyn, Tinarie van Wyk-Loots Drafted during apartheid by the South African Army, teenage Johan’s love for Boy George and Depeche Mode lands him a spot in the Kanaries — the military’s traveling choir. But soon, romance on the battlefield forces him to reckon with his long-repressed sexual identity. Examining the effects of nationalism on the soul, while also exploring the tender brotherhood among misfits, this musical comedy revels in the discovery of finding your voice and learning to fly. Reinventing Marvin New York Premiere Dir. A nne Fontaine, France, 2017, 116 mins Writer: Anne Fontaine, Pierre Trividic Cast: Finnegan Oldfield, Isabelle Huppert, Vincent Macaigne, Gregory Gadebois This sweeping drama captures a life in the theater, as we see timid young Marvin (Jules Porier) blossom into adult Martin (Finnegan Oldfield, NOCTURAMA) — with a little help along the way from Isabelle Huppert, playing herself, and an older mentor who encourages him to acknowledge his sexuality and exorcise his pain by putting it all on the stage. Director Anne Fontaine (THE INNOCENTS, COCO BEFORE CHANEL) masterfully spins a powerful tale that reminds us that no matter how far we get from our upbringing, a piece of it remains with us always. The Heiresses New York City Premiere Dir. Marcelo Martinessi, Paraguay, Germany, Brazil, Uruguay, Norway, France, 2018, 97 mins Writer: Marcelo Martinessi Cast: Ana Brun, Ana Ivanova, Regina Duarte, Margarita Irun Chela (Ana Brun) and Chiquita (Margarita Irun) are a middle aged lesbian couple living in present day Asunción, Paraguay. Descendants of Paraguayan aristocracy, the women have enjoyed a silver spoon lifestyle together for thirty years. When the couple is abruptly hit by financial hardship, they scramble to find work and auction off their respective heirlooms—silver spoons included—to stay afloat. When Chiquita is imprisoned for her fraudulent side hustle, Chela begins working as a taxi driver, gradually building new relationships and autonomy for the first time in her life. The Marriage New York City Premiere Dir. Blerta Zeqiri, Kosovo/Albania, 2018, 97 mins Writer: Blerta Zeqiri Cast: Alban Ukaj, Adriana Matoshi, Genc Salihu A decade after the bitter Kosovo war and unaware if her parents survived, Anita’s wedding plans with Bekim slowly come together—until his best friend comes back to town. Tensions grow, as a triangle of love, lust, and drunken nights spilling secrets form. Kosovo’s Oscar submission for Foreign Language category is a culturally infused drama about unforgettable partnerships an isolated society struggles to accept, giving a tiny glimpse of hope that embracing who you are should be the norm.

    DOCUMENTARY FEATURES

    Coby East Coast Premiere Dir. Christian Sonderegger, France, 2017, 78 mins Cast: Coby, Jacob Hunt, Sara Mound A paramedic in Chagrin Falls, Ohio, Coby shares a satisfying life with his supportive girlfriend Sarah, their pack of dogs, two brothers, and his parents. Nearly a decade after transitioning, the quotidian movements of his day-to-day—from receiving a shot of testosterone from his girlfriend to escorting a toddler to the ER—are quietly yet candidly documented by French director Christian Sonderegger. A contender in the ACID program at Cannes, COBY revolutionizes the use of the now-ubiquitous YouTube transition video as a conduit for telling the stories that rest in the silent white space between video updates. Man Made New York Premiere Dir. T Cooper, USA, 2018, 98 mins Writer: T Cooper, Allison Glock-Cooper From surgeries and T parties to the struggles and joys of transitioning, follow four men as they prepare for Trans FitCon, the only bodybuilding competition exclusively for trans men. Glimpse the intimate relationships between these men and their partners, family, and children as they train throughout the year. This powerful documentary from director T Cooper and executive producer Tea Leoni culminates in a triumphant gesture of acceptance and an understanding of the shared struggles among them as they take the stage and embody their true selves. Cherry Grove Stories East Coast Premiere Dir. Michael Fisher, USA, 2018, 72 mins Writer: Scott Lawrie This fascinating documentary captures the unique community of Cherry Grove, Fire Island – from its early days as a center for drag culture to the present day – featuring interviews with residents, old-timers, and captivating new and archival footage. Starting in the 1950s, Cherry Grove provided gays, including the likes of Tennessee Williams, with a safe space to express themselves at a time when interactions by people of the same sex were often the target of police raids. Michael Fisher’s oral history navigates the rich history and unknown stories of this vibrant beachfront community. I Hate New York North American Premiere Dir. Gustavo Sánchez, Spain, 2018, 75 mins Writer: Gustavo Sánchez Cast: Amanda Lepore, Chloe Dzubilo, Sophia Lamar, T De Long, Bibbe Hansen, Io Tillett-Wright, Katrina del Mar, Linda Simpson From 2007 to 2017, Gustavo Sánchez followed seasoned transfemme artists Chloe Dzibulo, Sophia Lamar, and Amanda Lepore around Manhattan’s rapidly-changing East Village, with a humble Sony Handycam, Sánchez captured hundreds of hours of footage. I HATE NEW YORK is the result of these intimate conversations between the debut filmmaker and his triptych of captivating and driven female artists. In yellow cabs, Tompkins Square Park, and impossibly small apartments, Dzibulo, Lamar, and Lepore offer their unfiltered thoughts on everything from success and rivalry to gentrification and the utter pointlessness of nostalgia. These interviews are supplemented by commentary from the women’s fellow Village characters and creatives, including Penny Arcade, Bibbe Hansen, T De Long, and iO Tillett Wright. Through patient and devoted direction, Sánchez has created a documentary that offers unprecedented access to three transwomen who not only made their mark on New York’s ephemeral underground, but lived to see middle age . Despite its name, I HATE NEW YORK is a hopeful love letter to a hostile city and the transwomen who’ve called—and continue to call—NYC home. Every Act of Life Dir. Jeff Kaufman, USA, 2018, 92 mins Writer: Jeff Kaufman Cast: Terrence McNally, Meryl Streep, Audra McDonald, Christine Baranski, Bryan Cranston, Patrick Wilson, Angela Lansbury, Rita Moreno Playwright Terrence McNally has redefined contemporary gay theater with an extraordinary body of work that includes The Ritz, Corpus Christi, Lips Together, Teeth Apart, and Love! Valour! Compassion!, to name just a few. But his life offstage has been just as fascinating, encompassing activism, addiction, romance, and the constant pursuit of artistic excellence. McNally shares his story onscreen with the help of friends and colleagues like Angela Lansbury, Rita Moreno, Nathan Lane, F. Murray Abraham, and many more, as captured by documentarian and NewFest alum Jeff Kaufman ( THE STATE OF MARRIAGE). Silvana New York City Premiere Dir. Mika Gustafson, Olivia Kastebring, and Christina Tsiobanelis, Sweden, 2017, 94 mins Writer: Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis Cast: Silvana Imam Years before Hayley Kiyoko and King Princess refused to apologize for being out in love and art, Silvana Imam climbs Sweden’s charts as an openly lesbian creator and one of her country’s only female rappers. Born to Lithuanian and Syrian immigrants, Imam is furiously political and playfully queer, taking her country to task for its racism while spitting verses about lesbianism. Silvana is many films in one: a travel log, a tour diary, an experimental film, and a public service announcement on one of the European Union’s flawed superpowers. Filmed from 2014 to 2016, Mika Gustafson, Olivia Kastebring, and Christina Tsiobanelis’ portrait of the artist is an intimate time capsule of the feminist artist’s meteoric rise to superstardom and the early days of her relationship with a fellow musician, the Swedish pop star Beatrice Eli. Room to Grow East Coast Premiere Dir. Matt Alber and Jon Garcia, USA, Canada, 2018, 87 mins For many queer people, some of our toughest years were when we were teenagers living at home. Homophobic parents and school environments often made life unbearable. Now meet the next generation of queer youth, as they forgeing a path of love, with the support of their families. In the face of one of the harshest political climates, with homophobia and racism on the rise, these fearless teenagers are claiming their identities and taking the world by storm. ROOM TO GROW is an intimate look into what it means to be an LGBTQ teen today. Love, Scott New York State Premiere Dir. Laura Marie Wayne, Canada, 2018, 75 mins Writer: Laura Marie Wayne Cast: Scott Jones After being violently attacked on the street, openly gay musician Scott Jones is left paralyzed from the waist down. Told through the eyes of Scott’s close friend, this heartbreaking and inspiring portrait of grief traces the journey from convalescence to recovery to finally forgiveness. As Scott revisits the location of the attack and rebuilds his life as a choir conductor and public speaker. This poignant documentary depicts the universal struggles of LGBTQ people and the people who love them through an incredibly intimate and personal story. Bixa Travesty Teddy Award for Best Documentary/Essay Film, Berlinale 2018 Dir. Kiko Goifman and Claudia Priscila, Brazil, 2018, 75 mins Writer: Linn da Quebrada, Claudia Priscilla, Kiko Goifman Cast: Linn da Quebrada, Jup do Bairro Black Brazilian transgender singer Linn da Quebrada weaponizes the trans body and music for political protest. Linn and childhood friend Jup do Bairro use extravagantly costumed music performances to dazzle audiences while opposing their country’s white heteronormative order. Figuring her embodied existence as resistance, Linn eschews the role of cis woman, choosing a fluid gender identity instead. Full of funny and intimate moments, the film advocates for personal choice against a society that imposes static gender identity. Sidney & Friends New York Premiere Dir. Tristan Aitchison, Scotland/Kenya, 2018, 75 mins Cast: Michael Daviot, Awuor Onyango, Charles Ouda Six people from Nairobi share their candid reality of what it’s like to live as a targeted gender minority, in a region known for the prejudice and discrimination against its LGBTI population. When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he befriends an underground community. Documentarian Tristan Aichitson discovered this network of trans and intersex people fighting to survive on the edge of Kenyan society, and spent three years capturing their voices in interviews. These are their stories.

    EPISODIC SIDEBAR

    Episodic Showcase

    Some of the most well-crafted LGBTQ characters these days can be found in episodic content. This sampler platter of seven new shows gives an authentic, unfiltered look at our community, without the censorship of the networks. Catch them here first, and decide which series to add to your must-binge list. Total run time: 87 mins Q&A with filmmakers and select cast to follow

    HALLOKWEEN sidebar

    Knife+Heart Official Selection, Cannes Film Festival 2018 Dir. Yann Gonzalez, France, 2018, 110 mins Writer: Yann Gonzalez, Cristiano Mangione Cast: Vanessa Paradis, Nicolas Maury, Kate Moran, Jonathan Genet, Khaled Alouach, Félix Maritaud, Noé Hernandez, Thibault Servière, Bastien Waultier, Bertrand Mandico, Jules Ritmanic, Pierre Pirol, Dourane Fall, Romane Bohringer, Elina Löwensohn, Yann Colette, Jacques Nolot, Florence Giorgetti A Cannes 2018 Official Selection, this steamy and seedy ode to cinema and postured pulp comes from visionary director and NewFest alum Yann Gonzalez (YOU AND THE NIGHT). Vanessa Paradis stars as a no-nonsense gay porn producer on films such as “HOMOCIDE” and “ANAL FURY” who’s befuddled by a crush on her editor (Kate Moran) and the fact that her cast and crew are being knocked off one-by-one by a leather-clad madman. Shot on lush 35mm and featuring a pulsating original score from M83, KNIFE + HEART is a gloriously and gorgeously gory take on the modern slasher flick set in the world of 70s Paris. Celluloid lovers unite–the giallo subgenre has finally gone full-blown queer. Killer Unicorn New York Premiere Dir. Drew Bolton, USA, 2018, 74 mins Writer: José D. Álvarez Cast: Alejandro La Rosa, Dennis Budesheim, Markus Kelle Flaunting lewks and flouting conventional taste, this deliriously campy romp dashes through slasher tropes with deadly Brooklyn attitude and a distinctively queer spirit. Following a traumatic experience at “Brooklyn’s Annual Enema Party,” party boy Danny is haunted by a hunky masked stranger who causes a massacre of Brooklyn nightlife. Featuring a bevvy of Brooklyn’s biggest drag divas, including Bushwig co-founder Horrorchata, this crass creation of cult fervor is John Waters meets John Carpenter. And watch out–these queens aren’t the only ones who came to slay. The Carmilla Movie New York Premiere Dir. Spencer Maybee, Canada, 2017, 94 mins Writer: Jordan Hall and Alejandro Alcoba Cast: Elise Bauman, Natasha Negovanlis, Dominique Provost-Chalkley, Cara Gee THE CARMILLA MOVIE picks up five years after the events of the award-winning global phenomenon digital series CARMILLA . Laura (Elise Bauman) and former vampire Carmilla’s (Natasha Negovanlis) domestic bliss is interrupted by an unknown supernatural threat when Carm shows signs of re-vamping and Laura starts having ghostly dreams. Catch up on seasons 0-3 on YouTube and then join us to celebrate the power of the audience, as our favorite lesbian vampires are reunited in this fan-demanded feature film.

    SHORTS PROGRAMS

    Boys Shorts From a fast-paced chase to a lazy summer day, this year’s Boys Shorts explore what it means to bring your full self to both the mundane and the extraordinary moments in life. In cities across the globe, these films capture the contemporary lives of a panoply of gay men from many different backgrounds in 2018. Total run time: 89 mins Q&A with filmmakers and select cast to follow Girls Shorts From friendship to dating to marriage, these shorts look at love and intimacy through many different lenses and paint a picture of strong, vulnerable, funny, and stubborn women who shine on the big screen. The heartbreak and joy of everyday life weave together in this collection of stories that span cultural and generational gaps too often overlooked in film. Total run time: 94 mins Q&A with filmmakers and select cast to follow Drawn This Way 2.0 Intimate and inspiring, this collection encapsulates the complexity of the queer experience in all of its brilliance. Both narrative and non-fiction stories utilize the illusion of movement to reveal personal truths, explore new boundaries, and create connections with one another. An inventive and eclectic array of perspectives and forms come together in moving ways. Total run time: 94 mins Q&A with filmmakers and select cast to follow Feminist Shorts “The F Word” When you think about feminism, do you think about subverting gender stereotypes assigned to female bodies, female athletes succeeding at the top of their game, or small town societal structures being reshaped? Do you think about women and young girls coming into their own? The beauty of the F word is that it means many different things to each of us, and in a post #MeToo world, we have the power to continue to explore feminism through art, reinterpreting and redefining it for ourselves. Total run time: 85 mins Q&A with filmmakers and select cast to follow HalloKween Shorts Real and mental demons plague our protagonists in this Halloween-focused line-up. From a hospital psych ward to high school hallways, and from online conversations to inner-monologues, we cover the scariest grounds on earth in this program of horror shorts. Total run time: 95 mins Q&A with filmmakers and select cast to follow Hip to be Queer: Youth Shorts Through an inclusive and vibrant collection of short films from around the world, the program provides access and empowerment for LGBTQ+ youth to see themselves on screen while promoting media literacy and encouraging self-expression. The collection of short films will range from comedies to dramas, and vary in topics that cut across the youth experience, including interpersonal relationships, bullying, family, gender, identity, self-care, and cultural divides. Open to all students and staff within The New York City Department of Education, this event will be a specially-curated film program of Youth Shorts at NewFest’s 30th Annual New York LGBTQ Film Festival. Presented by the New York City Department of Education and in Partnership with Partnership with the Mayor’s Office of Media & Entertainment Total run time: 91 mins Q&A with filmmakers and select cast to follow Trans and Non-Binary Shorts A blend of documentary and fiction films showing an inclusive array of protagonists facing personal obstacles and experiencing universal life lessons. These endearing films show us the humanity within our community and the various ways we can transcend gender. Total run time: 86 mins Q&A with filmmakers and select cast to follow Wigged Out: Drag Shorts In celebration of Emmy-winning show “RuPaul’s Drag Race” and its tenth year of taking the untucked revolution to TV, we exalt the art of drag and the fearless queens who inspire and wow us with their jaw-dropping talents and vital stories on and off the runway. By turns hysterical and moving — and starring beloved queens such as Bob the Drag Queen and Latrice Royale — these films add up to one enormous eleganza extravaganza that will leave you gagged. Total run time: 78 mins Q&A with filmmakers and select cast to follow Three’s Company Enjoy the experience of polyamory without all the drama in this queer collection of threesomes. As relationships evolve, so must our art. And this collection of powerful films about modern dating is an example of how to use art to push back on societal norms and redefine the lives we want to live. Total run time: 86 mins Q&A with filmmakers and select cast to follow Queer Jewish Shorts From the U.S. to Israel, this program brings together six short films that examine what it is to be queer and Jewish, and how religion can be a guide for some but an obstacle for others. Total run time: 98 mins Q&A with filmmakers and select cast to follow Our Queer History Histories are reconstructed then deconstructed in magnificent textures and styles to celebrate and reflect on the narratives of lives on the fringes: from Italian exiles on a remote island in the 1930s, to British farmers in the early 21st century, to families and spaces intimately shaped over years by HIV/AIDS. As we celebrate the 30th anniversary of NewFest, we look back on the past three decades and further not only to remember but also to discover. Total run time: 101 mins Q&A with filmmakers and select cast to follow

    SPOTLIGHT SCREENING & PANEL

    Transmilitary Audience Award, SXSW 2018 Dir. Gabriel Silverman and Fiona Dawson, USA, 2017, 93 mins Writer: Jamie Coughlin, Gabriel Silverman Cast: Laila Ireland At the risk of being discharged and losing their livelihoods, trans service members come out to top brass at the Pentagon to challenge the transgender military ban. From 2015 to the present day, we follow four trans service members—Senior Airman Logan Ireland, Corporal Laila Villanueva, Captain Jennifer Peace, and First Lieutenant El Cook—as they fight to defend their equal right to serve their country. This screening is co-presented in partnership with GLAAD (Gay & Lesbian Alliance Against Defamation) will be followed by an extended conversation with the filmmakers and subjects, and moderated by Zeke Stokes.

    SPECIAL EVENTS

    GIA (20th Anniversary Screening) Dir. Michael Cristofer, USA, 1998, 123 min. Writer: Michael Cristofer, Jay McInerney Cast: Angelina Jolie, Faye Dunaway, Mercedes Ruehl, Elizabeth Mitchell It’s been 20 years since Angelina Jolie chronicled the life of supermodel Gia Carrangi in Michael Cristofer’s now-classic HBO movie. Carrangi, who rose to meteoric fame in late 70s New York, was known for her trademark temper and bold, unapologetic fashion style, but died young from AIDS-related complications. While the film has long been considered essential LGBTQ viewing, it’s rarely enjoyed on the big screen. Revisit it with us, your NewFest family and soak up the sultry scenes between Jolie and costar Elizabeth Mitchell, as well as revelling in supporting roles from icons Mercedes Ruehl and Faye Dunaway as Gia’s mother and modeling agent respectively. An HBO Original Film. CONVERSATIONS WITH GAY ELDERS: Daniel Maloney (partner event with Generations Project) East Coast Premiere Dir. David Weissman, USA, 2017, 67 min Cast: Daniel Maloney, David Weissman “I’m ready for my close-up, Mr. Director,” says New Yorker and subject Daniel Maloney, 77; and so begins the start of a stimulating interview between Maloney and director David Weissman (WE WERE HERE, THE COCKETTES). A principal dancer with Martha Graham in the 1970s, Maloney recounts his experiences facing racism, serving in the army, moving to New York, and first sexual encounters–all the while carrying on the art so closely linked to culture, community, and civilization: oral tradition. This film is part of a documentary series in which Weissman collaborates with a young editor–in this case, Jake Stein, 24 and newly out–to capture illuminating stories from elders that represent a cross-section of the LGBTQ community. LOOKING FOR? Dir. Tung-Yen Chou, Taiwan, 2017, 61 mins Explore the mysteries of dating apps in this charming, infectious documentary that lays all the sexy details out on the table. Young Taiwanese filmmaker Tung-Yen Chou searches for a love of his own, as he questions gay men around the world about their intimate experiences on hookup apps. Can Grindr lead you to the love of your life? This refreshingly raw and far too relatable look into digital romance is a snapshot of the moment.

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  • Miami Film Festival Unveils GEM 2018 Lineup, Opens with BIRDS OF PASSAGE

    [caption id="attachment_31771" align="aligncenter" width="1200"]Birds of Passage (Pájaros de verano) Birds of Passage (Pájaros de verano)[/caption] Miami Film Festival unveiled the full line-up of the GEMS 2018, the Fall edition of the annual festival, opening with Colombia’s Oscar submission Birds of Passage (Pájaros de Verano) and closing with Spain’s Oscar submission Champions (Campeones). Miami Film Festival GEMS takes place October 11 to 14, at MDC’s Tower Theater Miami. Bárbara Lennie, the acclaimed and much in-demand Goya-winning Spanish actress, will accept the Festival’s Precious Gem Award prior to the presentation of her newest film, Petra, directed by Jaime Rosales. Lennie also joins Penélope Cruz, Javier Bardem and Ricardo Darín in Oscar-winner Asghar Farhadi’s Everybody Knows (Todos lo saben), which will also play at GEMS. Lennie’s other recent roles are well-known to Miami Film Festival audiences – her 2018 film A Sort of Family won the Festival’s Knight Competition Grand Prize, and her 2017 film Maria (And Everybody Else) won the Festival’s HBO Ibero-American Feature Film Award. Cinematographer Diego García, touted as a strong contender for his first Oscar nomination for shooting Paul Dano’s directorial debut, Wildlife, starring Cary Mulligan and Jake Gyllenhaal, will receive the Festival’s Art of Light Award and participate in a conversation about his craft prior to the Florida premiere of Wildlife. Garcia’s previous credits include his Fenix Award-winning work on Gabriel Mascaro’s Neon Bull, and previous Miami Film Festival selections Cemetery of Splendor (2015) and The Darkness (2017). García will additionally lead a Master Class on Cinematography for attending local industry members and film students. Returning for a second consecutive year to Miami Film Festival GEMS is the virtual reality (VR) sidebar Virtual Escape, in partnership with MDC’s Miami Animation & Gaming International Complex (MAGIC). Festivalgoers will experience five projects of 360°, VR and Alternative Gaming available through the entire GEMS weekend. This year’s edition of GEMS will feature two distinct sections. The Spotlight Stage will feature high-profile, major-interest films from internationally renowned directors, many of which are in strong contention for Academy Award nominations. The Discovery Stage will feature new filmmakers creating some of the year’s most interesting debut work, breaking out into international prominence.

    The Spotlight Stage

    EL ÁNGEL – Argentina/Spain. The second collaboration of Almodóvar’s El Deseo and Argentina’s K&S Films production companies after their first, the international hit and Oscar-nominated Wild Tales (Relatos salvajes), which opened Miami Film Festival in 2016. Directed by Luis Ortega, El Ángel recently broke the record for the highest grossing debut weekend of an Argentine film in Argentina box office history. The film stars rising new talents Lorenzo Ferro and Chino Darín. MFF MARIMBAS AWARD NOMINEE. ANIMAL – Argentina/Spain. Filmmaker Armando Bo won an Academy Award for Best Screenplay for his previous feature film – Birdman or (The Unexpected Virtue of Ignorance), which also won Best Picture and Best Director for Alejandro Iñárritu. Animal stars Argentina’s box office superstar Guillermo Francella (The Clan, The Secret in Their Eyes, Corazón de león) and Carla Peterson, and was a summer box office hit in Argentina. MFF MARIMBAS AWARD NOMINEE. BEN IS BACK – U.S.A. Filmmaker Peter Hedges was nominated for an Oscar as writer of About A Boy, and his first feature as a director, Pieces of April, was also Oscar-nominated. Ben is Back recently world premiered in TIFF to acclaim and Oscar buzz for stars Julia Roberts and Lucas Hedges (Peter’s son), who was previously Oscar nominated for Manchester by the Sea. MFF MARIMBAS AWARD NOMINEE. BIRDS OF PASSAGE (PÁJAROS DE VERANO) – Colombia/Denmark/Mexico/France. Co-director Cristina Gallego will attend the Opening Night presentation and participate in a conversation with the audience. Gallego and her filmmaking partner Ciro Guerra previously collaborated on Embrace of the Serpent, which received Colombia’s first-ever Oscar nomination for Best Foreign Language Film in 2015. MFF MARIMBAS AWARD NOMINEE. OPENING NIGHT FILM. BORDER – Sweden/Denmark. Winner of 2018 Cannes Film Festival’s Un Certain Regard BEST FILM Award and Sweden’s 2019 Oscar submission, Border will be Miami Film Festival GEMS’ first MIDNIGHT/LATE-NIGHT SPECIAL PRESENTATION. Directed by Ali Abbasi, Border is a follow-up to Swedish author Jon Ajvide Lindqvist’s 2008 international hit multi-award-winning film adaption, Let The Right One In. MFF MARIMBAS AWARD NOMINEE. BURNING – South Korea. The highest-rated film in the history of the international critics’ poll at Cannes Film Festival and South Korea’s 2019 Oscar submission, Burning stars Steven Yeung (Sorry To Bother You and TV’s The Walking Dead). Director Chang-dong Lee has won multiple international awards for previous films such as Secret Sunshine (2007) and Poetry (2010). The screening of Burning will be followed by a panel moderated by programmer Lauren Cohen featuring local film critics discussing the film and the state of art house cinema in 2018. MFF MARIMBAS AWARD NOMINEE. CAPERNAUM – Lebanon. Directed by the acclaimed Nadine Labaki and winner of the Jury Prize at 2018 Cannes Film Festival, Capernaum is a candidate for Lebanon’s 2019 Oscar submission. CHAMPIONS (CAMPEONES) – Spain. An unprecedented box office sensation at Spain’s domestic box office and Spain’s 2019 Oscar submission, Champions is directed by Goya winning director Javier Fesser (expected to attend the screening) and starring two-time Goya winning Best Actor Javier Gutierrez. MFF MARIMBAS AWARD & ZENO MOUNTAIN AWARD NOMINEE. CLOSING NIGHT FILM. COLD WAR – Poland/France. Pawel Pawlikowski won Best Director at 2018 Cannes Film Festival for his follow-up to Ida, which won the Academy Award for Best Foreign-Language Film of 2014. Cold War is a candidate for Poland’s 2019 Oscar submission. MFF MARIMBAS AWARD NOMINEE. EVERYBODY KNOWS (TODOS LO SABEN) – Spain/France/Italy. Only the second Spanish-language Opening Night Film of Cannes Film Festival in history. Directed by two-time Oscar-winning filmmaker Asghar Farhadi (A Separation, The Salesman) and starring Penélope Cruz, Javier Bardem, Ricardo Darín, Inma Cuesta, Eduard Fernandez, and 2018 Miami Film Festival GEMS Precious Gem Awardee, Bárbara Lennie. PETRA – Spain. Directed by acclaimed filmmaker Jaime Rosales, the exquisite Petra is a modern-day Spanish version of a classic Greek tragedy, featuring a towering performance by 2018 Miami Film Festival GEMS Precious Gem Awardee, Bárbara Lennie. MFF MARIMBAS AWARD NOMINEE. The Discovery Stage BOYS CRY – Italy. Winner of the Silver Ribbon for Best First Feature Film, Italy’s prestigious critical honor, and a world premiere at 2018 Berlin Film Festival. Written and directed by brothers Damiano and Fabio D’Innocenzo, Boys Cry is a candidate for Italy’s 2019 Oscar submission. JORDAN RESSLER FIRST FILM AWARD NOMINEE. DIAMANTINO – Portugal/France/Brazil. Gabriel Abrantes and Daniel Schmidt’s deliriously offbeat Diamantino won the 2018 Critic’s Week Best Film Award in Cannes. JORDAN RESSLER FIRST FILM AWARD NOMINEE. DRY MARTINA – Chile/Argentina. Director Che Sandoval will attend the screening and participate in a conversation with the audience. Dry Martina is one of the most important releases from Chile in 2018 and features a hilarious lead performance by actress Antonella Costa. IBERO-AMERICAN FEATURE AWARD NOMINEE; THE HEIRESSES (LAS HEREDERAS) – Paraguay/Uruguay/Germany/Brazil/Norway/France. Winner of numerous international prizes, including the Alfred Bauer Prize and Best Actress for Ana Brun at the 2018 Berlin Film Festival, Marcelo Martinessi’s film is Paraguay’s 2019 Oscar submission. JORDAN RESSLER FIRST FILM AWARD NOMINEE. HOPELESSLY DEVOUT (MI QUERIDA COFRADÍA) – Spain. Winner of the Audience Award at 2018 Malaga Film Festival, this uproarious comedy in the spirit of early Almodovar films is directed by Marta Díaz de Lope Díaz. JORDAN RESSLER FIRST FILM AWARD NOMINEE. SOUFRA – U.S.A. Documentary directed by Thomas Morgan about the world’s most unlikely entrepreneur, Miriam Shaar, a third-generation refugee living in an encampment outside of Beirut looking to fulfill her dream of opening a catering company despite facing severe political and social barriers. Before the screening, a lunch with a local Miami “chefugee.” WILDLIFE – U.S.A. Acclaimed actor Paul Dano’s directorial debut, co-written with his partner Zoe Kazan, starring Carey Mulligan and Jake Gyllenhaal. Cinematography by Diego García, recipient of Miami Film Festival GEMS’ Art of Light Award. WOMAN AT WAR – Iceland/France/Ukraine. A feminist epic comedy about an environmentalist crusader, directed by Benedikt Erlingsson and winner of the Best Screenplay Prize at 2018 Critics Week in Cannes. A candidate for Iceland’s 2019 Oscar submission.

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  • Miami Film Festival Unveils 2019 Poster + First GEMS 2018 Titles

    Miami Film Festival 2019 Poster Miami Film Festival unveiled the official poster for the 36th edition of the Festival taking place March 1 to 10, 2019, designed by renowned Spanish artist, illustrator and painter Ana Juan. “Ana Juan’s delightful creation to represent Miami Film Festival’s 36th season evokes the color and playfulness of Miami, with a beautiful femininity that captures our moment,” said Miami Film Festival’s executive director Jaie Laplante. Juan, a frequent contributor of cover art to The New Yorker magazine, has had numerous solo exhibitions of her work over the past 30 years and received a multitude of international awards and prizes, including the National Illustration Award from Spain’s Ministry of Culture in 2010. Of her creation for this year’s Miami Film Festival poster, Juan stated: “A flower is color, color is life, life is passion and passion makes a dream become true: The dream of cinema.” The Festival also announced the first four titles for its fall season festival extension, MIAMI FILM FESTIVAL GEMS 2018, scheduled for Oct. 11 – 14. The four films are further distinguished as the first nominees announced for the Festival’s Jordan Ressler First Feature Award competition, which presents a jury-selected $10,000 cash prize to the best film by a filmmaker making their feature narrative debut. The Award is courtesy of the South Florida family of the late Jordan Ressler, an aspiring screenwriter whose life was tragically cut short before he could realize his dream. The Ressler family recently renewed their commitment to the Award through 2023. The four announced nominees are: DIAMANTINO (Portugal, directed by Gabriel Abrantes & Daniel Schmidt). A delirious off-beat comedy about the world’s premiere soccer star and underwear model who tumbles from grace due to an evildoer’s plot. Winner of the 2018 Grand Prix NESPRESSO at La Semaine de la Critique, Cannes. THE HEIRESSES (LAS HEREDERAS) (Paraguay, directed by Marcelo Martinessi). Two upper-class women who have discreetly been a couple for more than 30 years go through a crisis when their worsening financial situation forces them to begin selling off their family heirlooms, and one partner goes to jail for fraud. Winner of numerous international prizes, including the Alfred Bauer Prize and Best Actress for Ana Brun at the 2018 Berlin Film Festival. HOPELESSLY DEVOUT (MI QUERIDA COFRADÍA) (Spain, directed by Marta Díaz de Lope Díaz). Winner of Audience Award at 2018 Malaga Film Festival, an uproarious screwball comedy in the spirit of early Almodóvar films. When the devout Carmen is passed over for leadership of her local religious guild in southern Spain in favor of a man, her initial despair turns into determination to turn the tables on this sexist situation. [caption id="attachment_31636" align="aligncenter" width="1200"]BOYS CRY directed by Damiano D’Innocenzo BOYS CRY directed by Damiano D’Innocenzo[/caption] BOYS CRY (Italy, directed by Damiano D’Innocenzo & Fabio D’Innocenzo). Two teenage boys living in the suburbs of Rome fall into service of the local mafia, but their loss of innocence takes them to unexpected places. Winner of the prestigious Nastro d’Argento (Silver Ribbon), Italy’s National Syndicate of Film Journalists Award, for Best First Feature Film of the Year.

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  • 12 Latin American Films to Compete for Horizontes Award at 2018 San Sebastian International Film Festival

    [caption id="attachment_31363" align="aligncenter" width="1000"]Florianópolis Dream (Sueño Florianópolis) Florianópolis Dream (Sueño Florianópolis)[/caption] Twelve films produced, directed or set in Latin America will compete for the Horizontes Award at the 2018 San Sebastian International Film Festival. Las herederas (Marcelo Martinessi), opening film of the section, Familia sumergida (Immersed Family, María Alché), La noche de 12 años (A Twelve-Year-Night, Álvaro Brechner), Figuras (Figures, Eugenio Canevari), Cómprame un revólver (Buy Me a Gun, Julio Hernández Cordón), Enigma (Ignacio Juricic Merillán), Sueño Florianópolis (Ana Katz), Ferrugem / Rust (Aly Muritiba), Nuestro tiempo (Our Time, Carlos Reygadas), Marilyn (Martín Rodríguez Redondo), Los silencios (Beatriz Seigner) and El motoarrebatador (The Snatch Thief, Agustín Toscano) make up the Horizontes Latinos selection at the 66th edition of the San Sebastian Festival.

    Films in Horizontes Latinos at 66th San Sebastian Festival

    LAS HEREDERAS MARCELO MARTINESSI (PARAGUAY – GERMANY – BRAZIL – URUGUAY – NORWAY – FRANCE ) Cast: Ana Brun, Margarita Irún, Ana Ivanova, Nilda Gonzalez, María Martins, Alicia Guerra, Yverá Zayas OPENING NIGHT FILM For more than 30 years, Chela and Martina have lived together, like the daughters of families in a well-placed social position: they had inherited enough money to live comfortably with no need to work. But now, when both are over 60, the money has run out. When Martina is sent to prison for being unable to pay her debts, Chela starts providing older women from well-off families with a taxi service which helps her to get by. That’s how she meets Josefina, a glamorous woman 20 years younger than herself, with whom she immediately hits it off. The connection changes the relationship Chela has with herself and with those around her, triggering an internal revolution. CÓMPRAME UN REVÓLVER (BUY ME A GUN ) JULIO HERNÁNDEZ CORDÓN (MEXICO) Cast: Matilde Hernández Guinea, Rogelio Sosa Mexico, sometime in a near future… Women are disappearing and a girl called Huck wears a mask to hide her gender. She helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play. The father tries to protect her as he can. With the help of her friends, a group of lost boys who have the power of camouflaging themselves in the windy desert, Huck has to fight to overcome her reality and to defeat the local capo. EL MOTOARREBATADOR (THE SNATCH THIEF) AGUSTÍN TOSCANO (ARGENTINA – URUGUAY – FRANCE) Cast: Sergio Prina, Liliana Juárez, León Zelarrayán, Daniel Elías, Camila Plaate, Pilar Benítez Vibart, Mirella Pascual IV Europe-Latin America Co-production Forum In the Argentinian city of Tucumán, Miguel is making a living as a “motochorro”, a thief who snatches people’s belongings from his motorbike. When he steals the purse of Elena, an old woman, he ends up hurting her badly. After the brutal incident, Miguel is plagued by guilt and unable to forget about his victim. In an attempt to make things right, he conceals his true identity from the old woman and starts to take care of the injured and unsuspecting Elena. The closer he gets to her the more he becomes entangled in his own lies. Afraid of telling Elena the truth, Miguel continues to be haunted by his past and is unable to find true redemption. ENIGMA IGNACIO JURICIC MERILLÁN (CHILE) Cast: Roxana Campos, Rodrigo Pérez, Paula Zúñiga, Claudia Cabezas Films in Progress 33 Nancy receives the offer from a TV programme on unsolved mysteries to participate in the episode telling the story of her daughter, a young lesbian beaten to death, a crime for which no-one has been declared guilty eight years after it was committed. Nancy confronts her family and each one’s version of the events, as she decides whether or not to participate in the space and learn more about the person her daughter was. FAMILIA SUMERGIDA (IMMERSED FAMILY) MARIA ALCHÉ (ARGENTINA – BRAZIL – GERMANY – NORWAY) Cast: Mercedes Morán, Esteban Bigliardi, Marcelo Subiotto, Ia Arteta, Laila Maltz, Federico Sack Films in Progress 32 It’s summertime in an empty and heated Buenos Aires. Marcela’s world is shaken as her sister passes away, and it becomes estranged and unfamiliar. While still grieving, she will have to deal with clearing out her sister’s apartment. Willing to help out, Nacho, a young friend of her daughter’s, bursts in. His presence gives way to shared road trips and adventures. During these confusing days, people and conversations from another time will get intertwined, leading her to some self-questioning, as the imminence of everyday life pushes in. FERRUGEM / RUST ALY MURITIBA (BRAZIL) Cast: Tifanny Dopke, Giovanni Di Lorenzi, Pedro Inoue, Enrique Diaz, Clarissa Kiste, Dudah Azevedo Films in Progress 32 Tati is a 16-year-old girl, joyful and lively, who likes to share her happiest moments on social networks. She eagerly looks forward to a weekend trip with her school friends. She knows this may be a good opportunity to get to know Renet better, her mysterious classmate. Renet belongs to a family where things are not openly spoken, merely suggested, and most often in silence. The current unspoken matter between father and son is the departure of Renet’s mother, who left David, her ex-husband, caring alone for the boy. David is a teacher at the same school where Tati and Renet study. The hot topic at school is a video shared among the students in which the girl appears in a compromising situation. FIGURAS (FIGURES) EUGENIO CANEVARI (SPAIN – ARGENTINA) Cast: Stella Maris Santo, Francisco Dominguez, Valeria Ballerini Stella, an argentinian immigrant living in Spain, suffers from Amyotrophic lateral sclerosis (ALS) and needs constant attention. Paco, her longtime partner, helps her to move, eat, and communicate. Valeria, Stella’s daughter, visits them sporadically and, anguished by the visible deterioration of her mother, finds a manner of escape by going out to parties. While they wait for an answer about an opportunity for subsidized housing, they attempt to cope with the situation through humor and love. A real family performing in a real story. LA NOCHE DE 12 AÑOS (A TWELVE-YEAR-NIGHT) ÁLVARO BRECHNER (SPAIN – ARGENTINA – FRANCE – URUGUAY) Cast: Antonio de la Torre, Chino Darín, Alfonso Tort IV Europe-Latin America Co-production Forum September 1973. Uruguay is under the control of military dictatorship. The Tupamaros guerrilla movement has been crushed and out of action for a year. Its members imprisoned and tortured. One autumn night, three Tupamaros prisoners are taken from their prison cells in a secret military operation that will last for twelve years. From then on they will be hauled around different camps all over the country, subject to a macabre experiment; a new kind of torture aiming to break the limits of their mental resistance. The military order is clear: “since we couldn’t kill them, we’re going to drive them insane”. For more than a decade, the prisoners will be kept in isolation in tiny cells where they spend most of their time with hoods on, tied up, deprived of their basic needs, with hardly any food, and seeing how their senses are reduced to a minimum. With their bodies and minds pushed beyond the limits, La noche de 12 años (A Twelve-year Night) tells us how they managed to survive. LOS SILENCIOS BEATRIZ SEIGNER (BRAZIL – FRANCE – COLOMBIA) Cast: Marleyda Soto, Enrique Diaz, Maria Paula Tabares Peña, Adolfo Savilvino Films in Progress 33 Nuria, Fabio and their mother Amparo arrive in a small island in the middle of Amazonia, at the border of Brazil, Colombia and Peru. They ran away from the Colombian armed conflict in which their father disappeared. One day, he reappears in their new house. The family is haunted by this strange secret and discovers the island is peopled with ghosts. MARILYN MARTÍN RODRÍGUEZ REDONDO (ARGENTINA – CHILE) Cast: Walter Rodríguez, Catalina Saavedra, Germán de Silva, Ignacio Giménez, Germán Baudino, Andrew Bargsted, Rodolfo García Werner, Josefina Paredes III Europe-Latin America Co-production Forum Films in Progress 31 Marcos, a 17 year-old farmhand, discovers his sexuality in a hostile atmosphere. Nicknamed “Marilyn” by the other village teenagers, he becomes an object of desire and discrimination. Marcos feels increasingly more penned in. NUESTRO TIEMPO (OUR TIME) CARLOS REYGADAS (MEXICO – FRANCE – ALEMANIA – DENMARK – SWEDEN) Cast: Carlos Reygadas, Natalia López, Eleazar Reygadas, Rut Reygadas, Phil Burgers A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. When Esther becomes infatuated with a horse trainer, named Phil, the couple struggles to stride through the emotional crisis. SUEÑO FLORIANÓPOLIS (FLORIANÓPOLIS DREAM) ANA KATZ (ARGENTINA – BRAZIL – FRANCE) Cast: Mercedes Morán, Gustavo Garzón, Marco Ricca, Andréa Beltrão Couple Pedro and Lucrecia travel to Brazil with their teenage children. They have recently decided to separate, but to spend the holidays together as planned all the same. Marco, the Brazilian renting their summer house to the family, and Larissa, his ex-girlfriend, befriend Pedro and Lucrecia. On the beaches, among the waves, karaoke and water excursions, overlapping romances emerge together with an attraction that will rub off on the children on all sides. Parents and siblings have fun as they test the “Brazilian happiness”. While endless samba awakens the tourists from their lethargy, they separate to indulge in the passion and exploration, in the mirror, of more liberal and unexpected versions of themselves.

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  • Paraguayan Film THE HEIRESSES by Marcelo Martinessi Wins Top Prize at 65th Sydney Film Festival

    [caption id="attachment_30258" align="aligncenter" width="1200"]THE HEIRESSES by Marcelo Martinessi Wins Top Prize at 65th Sydney Film Festival THE HEIRESSES by Marcelo Martinessi Wins Top Prize at 65th Sydney Film Festival[/caption] The Heiresses, the debut feature of Paraguayan filmmaker Marcelo Martinessi, won the prestigious Sydney Film Prize, out of a selection of 12 Official Competition films, at the 65th Sydney Film Festival.  Winner of the Berlinale Silver Bear Alfred Bauer Prize for opening new perspectives and the Silver Bear for Best Actress for Ana Brun, this complex relationship drama takes an unusual look at the lives of wealthy Paraguayan families through the tribulations of a lesbian couple. https://www.youtube.com/watch?v=dD_LxrE9vVA

    Lexus Australia Short Film Fellowship, Presented By Sydney Film Festival

    Melissa Anastasi (Arncliffe, NSW) is a filmmaker committed to telling intimate character-driven stories that challenge and provoke audiences. Melissa’s short films have screened worldwide at over 40 international film festivals. As a writer, Melissa’s feature film screenplays have been shortlisted for the Sundance Lab, and previously selected for the Binger FilmLab in Amsterdam. She is currently developing the feature screenplay Bluebirds with support from Screen Australia and Screen NSW. Sunday Emerson Gullifer (Waterloo, NSW) is an award-winning filmmaker based in Sydney. A graduate of the Victorian College of the Arts, her short film, Tomorrow, and tomorrow, and tomorrow, had its world premiere at Sydney Film Festival in 2017, where it was Highly Commended in the Dendy Awards, and went on to premiere internationally at Telluride Film Festival. Her work is internationally acclaimed, having won a slew of awards and two Australian Directors’ Guild Award nominations. Originally hailing from a background in theatre, she is drawn to bold stories told with heart. Jamieson Pearce (Brunswick, VIC) is a freelance director and editor. His award-winning short films have screened at festivals around the world. Most notably, his most recent film Adult, adapted from a story by Christos Tsiolkas, screened at South by Southwest 2017. He likes stories about the stranger manifestations of human desire. Nathan Mewett (Paddington, NSW) is a writer/director from Western Australia who has produced numerous short films, documentaries and music videos. As a young child he grew up in a remote gold mine Telfer, which resides in the Great Western Desert and has helped build his creative partnership with Martu Director Curtis Taylor with whom he co-directed Yulubidyi – Until The End, screening at Sydney Film Festival 2018. Nathan’s previous short film Sol Bunker has won over 9 awards across Australia and is a ‘proof of concept’ for a feature film of the same name. He is also currently in development of the feature film Baby which focuses on extending Nathan’s interest in working with characters and actors with disability. Curtis Taylor (Subiaco, WA) is a filmmaker, screen artist, actor and a young Martu leader. Growing up in remote Martu desert communities and in the city, Curtis has both traditional Martu knowledge and a non-Aboriginal education. After finishing school in 2008, Curtis worked as Community Coordinator and Youth Development Officer at Martu Media (a division of Kanyirninpa Jukurrpa), where he also spent 18 months working on the major Yiwarra Kuju: The Canning Stock Route project as a filmmaker and youth ambassador. Curtis was the recipient of the 2011 Western Australian Youth Art Award and Wesfarmers Youth Scholarship. His screen work, including the acclaimed short film Mamu, has been shown in international film festivals from Brazil to Nepal. Curtis was the Director’s Attachment and is the Narrator of Emmy Award winning VR documentary Collisions.

    Documentary Australia Foundation Award for Australian Documentary

    Ghosthunter is the winner of the 2018 Documentary Australia Foundation Award. Sydney filmmaker Ben Lawrence was awarded the Documentary Australia Foundation Award for Australian Documentary’s $10,000 cash prize for Ghosthunter, about a Western Sydney security guard and part time ghost hunter searching for his absent father.

    The Sydney-UNESCO City of Film Award

    Warwick Thornton was awarded the Sydney-UNESCO City Award from Create NSW. He received a $10,000 cash prize for a trailblazing NSW-based screen practitioner whose work stands for innovation, imagination and high impact.

    Dendy Awards for Australian Short Films

    In 2018, The Dendy Awards for Australian Short Films saw the $7000 cash prize for the Dendy Live Action Short Award going to Second Best, directed by Alyssa McClelland. Tom Noakes’ Nursery Rhymes took out the $7000 Rouben Mamoulian Award for Best Director, with Special Mention going to Alison James’ Judas Collar. The $5000 Yoram Gross Animation Award went to Andrew Goldsmith and Bradley Slabe’s Lost and Found , with Larissa Behrendt’s Barbara receiving a Special Mention.

    Event Cinemas Australian Short Screenplay Award

    The Event Cinemas Australian Short Screenplay Award, a $5,000 prize for the best short screenwriting, was awarded to Indigenous screenwriter Tyson Mowarin of Undiscovered Country.

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  • ‘Eighth Grade’ ‘Won’t You Be My Neighbor?’ Among Winners at 2018 Seattle International Film Festival

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The Seattle International Film Festival (SIFF) today announced the winners of the 2018 Golden Space Needle Audience and Competition Awards. Eighth Grade received the Golden Space Needle Audience Award for Best Film and a Best Actress Award for Elise Fisher. Won’t You Be My Neighbor won Best Documentary and Grand Jury prizes went to The Reports on Sarah and Saleem, Dead Pigs, Rust, Inventing Tomorrow, and Thunder Road. Artistic Director Beth Barrett said, “Executive Director Sarah Wilke and I were thrilled to present Ethan Hawke with the Festival’s Outstanding Achievement Award in Cinema before a screening of Blaze, his latest directing effort, as well as welcoming Melanie Lynskey back to the Festival for a special screening of Seattle based local film, Sadie. We also had an incredible lineup of local films, and our documentary film selection continues to be among the best in the country. Back for the second year was SIFF’s New Works-in-Progress Forum, where we screened two narrative and two documentary features in the midst of their creative process to the Seattle audience of industry and festival attendees, as well as continuing our exploration of the intersections between cinema and Virtual Reality at our first Pop-up event, SIFF VR Zone at Pacific Place.”

    2018 GOLDEN SPACE NEEDLE AWARD WINNERS

    The 2018 Golden Space Needle Awards are created by Seattle Artist, Piper O’Neill. GOLDEN SPACE NEEDLE AWARD – BEST FILM Eighth Grade, directed by Bo Burnham (USA 2018) First runner-up: The Last Suit, directed by Pablo Solarz (Argentina/Poland/Spain/France/Germany 2017) Second runner-up: Champions, directed by Javier Fesser (Spain 2018) Third runner-up: C’est la vie!, directed by Olivier Nakache, Eric Toledano (France/Canada/Belgium 2017) Fourth runner-up: Supa Modo, directed by Likarion Wainaina (Kenya/Germany 2018) GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY Won’t You Be My Neighbor?, directed by Morgan Neville (USA 2018) First runner-up: Pick of the Litter, directed by Don Hardy Jr., Dana Nachman (USA 2017) Second runner-up: Return to Mount Kennedy, directed by Eric Becker (USA 2018) Third runner-up: The Most Dangerous Year, directed by Vlada Knowlton (USA 2018) Fourth runner-up: The Russian Five, directed by Joshua Riehl (USA 2018) GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR Gustav Möller, The Guilty (Denmark 2018) First runner-up: Pablo Solarz, The Last Suit (Argentina/Poland/Spain/France/Germany 2017) Second runner-up: Megan Griffiths, Sadie (USA 2018) Third runner-up: Debra Granik, Leave No Trace (USA 2018) Fourth runner-up: Albert Dupontel, See You Up There (France 2017) GOLDEN SPACE NEEDLE AWARD – BEST ACTOR Miguel Ángel Solá, The Last Suit (Argentina/Poland/Spain/France/Germany 2017) First runner-up: Jakob Cedergren, The Guilty (Denmark 2018) Second runner-up: Ethan Hawke, First Reformed (USA 2017) Third runner-up: Jim Cummings, Thunder Road (USA 2018) Fourth runner-up: Ben Foster, Leave No Trace (USA 2018) GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS Elsie Fisher, Eighth Grade (USA 2018) First runner-up: Rhaechyl Walker, My Name is Myeisha (USA 2018) Second runner-up: Sophia Mitri Schloss, Sadie (USA 2018) Third runner-up: Thomasin Harcourt McKenzie, Leave No Trace (USA 2018) Fourth runner-up: Ana Brun, The Heiresses (Paraguay/Uruguay/Germany/Brazil/Norway/France 2018) GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM Emergency, directed by Carey Williams (USA 2017) First runner-up: About the Birds and the Bees, directed by J.J. Vanhanen (Finland 2017) Second runner-up: Wishing Box, directed by Wenli Zhang, Nan Li (USA 2017) Third runner-up: Cats Cradle, directed by Jonathan Napolitano (USA 2018) Fourth runner-up: Wave, directed by Benjamin Cleary, TJ O’Grady Peyton (Ireland 2017) LENA SHARPE AWARD FOR PERSISTENCE OF VISION Presented by Women in Film – Seattle Dana Nachman, Pick of the Litter (USA 2017) This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film – Seattle to bestow it.

    SIFF 2018 COMPETITION AWARDS

    SIFF 2018 OFFICIAL COMPETITION WINNER

    GRAND JURY PRIZE The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018) JURY STATEMENT: The Official Competition Jury Award goes to a work that through its complex and multi-dimensional characters tells a familiar story of infidelity in an original and wholly disarming way. We were struck by the unexpected journey taken by the two female leads towards empowerment, particularly given the political and social climate of a modern day divided Jerusalem. The Official Competition Jury Award goes to The Reports on Sarah and Seleem. SPECIAL JURY MENTION The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018) JURY STATEMENT: We would like acknowledge The Heiresses, a remarkable first feature from Paraguay by Marcelo Martinessi. 2018 Entries: The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Qaushiq Mukherjee, India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) Team Hurricane (d: Annika Berg, Denmark 2017) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere)

    SIFF 2018 IBERO-AMERICAN COMPETITION

    GRAND JURY PRIZE Rust (d: Aly Muritiba, Brazil 2018) JURY STATEMENT: For highlighting a very important social issue, through an inventive structure and phenomenal performances, we present the Ibero-American Competition Jury Award to Aly Muritiba’s Rust. SPECIAL JURY MENTION Rush Hour (d: Luciana Kaplan, Mexico 2017) JURY STATEMENT: The Jury wants to also recognize a wonderful discovery, told with a subtle, unique point of view. For her examination of suffering and humanity inside of an increasingly automotive environment, the Ibero-American Competition Jury awards a special mention to Luciana Kaplan’s Rush Hour. 2018 Entries: Champions (d: Javier Fesser, Spain 2018) Giant (d: John Garaño, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martin Rodriguez, Argentina/Chile 2018, North American Premiere) Retablo (d: Peru/Germany/Norway 2017, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Calcedo, Colombia/Ecuador 2017)

    SIFF 2018 NEW DIRECTORS COMPETITION

    GRAND JURY PRIZE Dead Pigs (d: Cathy Yan, China/USA 2018) JURY STATEMENT: For building an epic world, grounded in humanity, purposefully depicting the intricacies of the characters who exemplify the changes of a modernizing China, the New Directors Competition Jury award goes to Cathy Yan for Dead Pigs. SPECIAL JURY MENTION Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) JURY STATEMENT: Using striking and haunting visuals, this filmmaker confidently creates intimate and empathetic characters while depicting the struggle for artistic expression in a society that does not allow the full breadth of it. The jury would like to recognize Ana Urushadze with a special mention for her filmScary Mother. 2018 Entries: After the War (d: Annarita Zambrano, Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, Algeria/France/Belgium/Qatar 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Klat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018) Retablo (d: Alvaro L. Delgado-Aparicio, Peru/Germany/Norway 2017, North American Premiere)

    SIFF 2018 NEW AMERICAN CINEMA COMPETITION

    Thunder Road (d: Jim Cummings, USA 2018) JURY STATEMENT: For the bold and unpredictable lead performance and commitment to telling a hilarious and ultimately heartbreaking story of shifting family relations in the face of personal adversity and tragedy, the New American Cinema Competition Jury award goes to Thunder Road by Jim Cummings. 2018 Entries: Jinn (d: Nijla Mu’min, USA 2018) My Name is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights with Emily (d: Madeleine Olnek, USA 2018)

    SIFF 2018 DOCUMENTARY COMPETITION

    GRAND JURY PRIZE Inventing Tomorrow (d: Laura Nix, USA 2018) JURY STATEMENT: For it’s compelling cast of young visionaries from around the globe who are engaged and looking for solutions to the world’s environmental problems, Inventing Tomorrow offers us a sense of optimism and the certainty that science matters. SPECIAL JURY MENTION Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018) JURY STATEMENT: For portraying a side of Afghanistan that we don’t usually see and the self confidence and bravery of the young women, we would like to acknowledge Afghan Cycles with a Documentary Competition Special Jury Mention. 2018 Entries: Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018, US Premiere) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)

    SIFF 2018 YOUTH JURY FEATURES & FUTUREWAVE SHORTS AWARDS

    YOUTH JURY PRIZE FOR BEST FILMS4FAMILIES FEATURE Zoo (d: Colin McIvor, Ireland 2017) JURY STATEMENT: For its well-developed, heartwarming plot, spectacular scenery, and believable acting. YOUTH JURY PRIZE FOR BEST FUTUREWAVE FEATURE My Name is Myeisha (d: Gus Krieger, USA 2018) JURY STATEMENT: For its creative and non-linear storytelling that incorporates multiple art forms, including poetry, rap, beat-boxing, and dance, and its holistic portrayal of victims of police brutality. In addition, SIFF presents FutureWave Shorts during ShortsFest Weekend. These inspiring original short films represent some of the best short filmmaking from around the world. WAVEMAKER AWARD (GRAND PRIZE) iRony (d: Radheya Jegatheva, Australia 2017) JURY STATEMENT: We found that the animation was excellent, smart, and gorgeous. This film was paired with emotional and poignant prose about technology in this new world, sustaining our curiosity and interest throughout. PRODIGY CAMP SCHOLARSHIP The winner will be awarded a $1000 partial scholarship to the Prodigy Camp. Roommate (d: Jinho Rhee, USA 2017) FUTUREWAVE SHORTS AUDIENCE AWARD iRony (d: Radheya Jegatheva, Australia 2017)

    SIFF 2018 SHORT FILM JURY AWARDS

    LIVE ACTION GRAND JURY PRIZE Caroline (d: Celine Held, Logan George, USA 2017) JURY STATEMENT: “Perfect” and “flawless” were two words our team used multiple times to describe this intense drama. A searing portrait of motherhood, it sent our blood pressure through the roof and arrested our attention until the very last second with its clever and powerful ending. The winner of the 2018 Live Action Short Jury Award goes to Caroline by Celine Held and Logan George. SPECIAL JURY MENTION Creme de Menthe (d: Jean-Marc E. Roy & Philippe David Gagné, Canada 2017) JURY STATEMENT: Unlike the liqueur for which it is titled, this film is bittersweet and complex, a poignant reminder of every grown child’s desire for parental validation, even posthumously. What the captivating lead finds instead are small victories amidst her “rush” to judgement and the rubble of her father’s later life. Our special mention award goes to the understated and masterful Creme de Menthe by Jean-Marc E. Roy and Philippe David Gagné. SPECIAL JURY MENTION The Victory of Charity (d: Albert Meisl, Austria 2017) JURY STATEMENT: This Austrian farce manages to create comedic gold with a mismatched pair of music professors: turning an act of charity–however maliciously motivated–into a hilarious treasure hunt around Vienna. For its endlessly humorous crafting of two endearingly ridiculous characters, on an earnest and equally ridiculous quest, we award a Special Mention to the short that left us in stitches, The Victory of Charity by Albert Meisl. DOCUMENTARY GRAND JURY PRIZE Juck [Thrust] (d: Olivia Kastebring, Julia Gumpert, Ulrika Bandeira, Sweden 2018) JURY STATEMENT: An unapologetic, empowering, and affecting call to action that demands attention. SPECIAL JURY MENTION The Driver is Red (d: Randall Christopher, USA 2017) JURY STATEMENT: An invigorating revelation of an important, lesser known part of history, full of inventive visuals and tension-filled storytelling ANIMATION GRAND JURY PRIZE Between the Lines (d: Maria Koneva, Russia 2017) JURY STATEMENT: A delightful and whimsical story from a skilled, emerging new voice in animation. SPECIAL JURY MENTION The Driver is Red (d: Randall Christopher, USA 2017) JURY STATEMENT: An invigorating revelation of an important, lesser known part of history, full of inventive visuals and tension-filled storytelling.

    SIFF 2018 CHINA STARS AWARDS

    CHINA STARS BEST FILM AWARD The Taste of Betel Nut (d: Jia Hu, p: Wei Sun, China 2017) CHINA STARS BEST FIRST FILM Dead Pigs (d: Cathy Yan, China/USA 2018) CHINA STARS BEST NEW TALENT Girls Always Happy (d: Mingming Yang, China 2018)

    SIFF 2018 DOCUMENTARY FILM GRANT PROGRAM

    The 2018 Clark Family Legacy Film Grant in the amount of $50,000 was awarded to Jordan Schiele for his film The Silk and the Flame and the Áegis Living Film Grant in the amount of $25,000 was awarded to Sarah Menzies for her film Afghan Cycles. These grants are given to documentary filmmakers who are working with excellence and integrity to bring important human stories to life. Both films were screened at this year’s Festival.

    SIFF 2018 SCREENPLAY COMPETITION

    GRAND PRIZE WINNER Youth Decay by Brandon Hall FINALISTS Anh Sang by Barry Brennessel Kibou by Cassie Hayasaka and Keith Hayasaka Plan B by Paige Gresty SEMI-FINALISTS Amelia Was Here! by Millie West Kelley’s Coffin by Jon Hartz Pale Souls by Michael Lavine The Rodeo King of Brooklyn by Paul Longo Seattle ‘94 by Charles Freeman Strange Trails by Jordan Short

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  • 47th Molodist Kyiv International Film Festival Awards: THE SAINT Wins Grand-Prix

    47TH MOLODIST KYIV INTERNATIONAL FILM FESTIVAL WINNERS! The Festival Jury of the 47th Molodist Kyiv International Film Festival in Kyiv, Ukraine awarded the winners in 6 categories, along with the festival‘s Shoot&Play competition.  The Grand-Prix of the festival for the best first full-length film, the Scythian Deer was awarded to Andrius Blaževičius for his film The Saint (Lithuania, Poland, 2016). Prize for best full-length film is awarded to Hlynur Pálmason for his film Winter Brothers (Denmark, Iceland, 2017). Special Jury Diploma of Full-Length Competition is awarded to The Load by Ognjen Glavonić (Serbia, France, Croatia, Iran, Qatar, 2018). Prize for Best Short Film is awarded to The Blissful Accidental Death by Sergiu Negulici (Romania, 2017). Prize for Best Student Film is awarded to Close Ties by Zofia Kowalewska (Poland, 2016). Special Jury Diploma of Student Films Competition is awarded to Ocean Swells by Sverre Matias Glenne (Norway, 2016). Teen Screen Competition Jury has awarded its prize to Half Ticket by Samit Kakkad (India, 2016). Special Jury Diplomas of Teen Screen Competition are awarded to Supa Modo by Likarion Wainaina (Kenya, Germany, 2018) and Behind the Blue Door by Mariusz Palej (Poland, 2016). Prize for Best Film in National Competition is awarded to Weightlifter by Dmytro Sukholytkyy-Sobchuk (Ukraine, Poland, 2018) – for virtuosic directing and impressive imagery. Special Jury Diplomas of National Competition are awarded to Unavailable by Nikon Romanchenko (Ukraine, 2017) – for delicate view and particular tone. And to The Wonderful Years by Svitlana Shymko and Galina Yarmanova (Ukraine, 2018) – for subtle display of an unknown world. Audience Award of the 47th Molodist KIFF went to the film Silent Night by Piotr Domalewski (Poland, 2016). The best film of Shoot&Play competition is Your Choice Will Benefit You by Anastasiia Khomenko. Prize for Best LGBTQ Film of Sunny Bunny competition program is awarded to The Heiresses by Marcelo Martinessi. Special Jury Diplomas of Sunny Bunny Competition Jury are awarded to The Cakemaker by Ofir Raul Graizer and Hard Paint by Filipe Matzembacher and Marcio Reolon. The Scythian Deer for the contribution to world cinematography was awarded to the German actor Jürgen Prochnow.

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