Rio de Janeiro in the 1940s, the life of Guida and Euridice Gusmão, raised to be invisible in the eyes of the Brazilian society of that time, like all the other women of that generation.
Directed by Karim Aïnouz
Starring Fernanda Montenegro, Carol Duarte, Gregório Duvivier
Genre(s) Drama Film
The 40th Anniversary Aspen Filmfest will showcase top filmmaking from across the globe at Aspen’s Wheeler Opera House and Metropolitan’s Isis Theatre from September 23 to 29, 2019, and documentaries at the Crystal Theatre in Carbondale from September 27 to 29, 2019.
For 12 days from October 2 to 13, the 63rd BFI London Film Festival (LFF) will showcase 229 feature films including 41 documentaries, 7 animations, 13 archive restorations and 7 artists’ moving image features. The program also includes 116 short films.
The 2019 Toronto International Film Festival unveiled the rich slate of films from 48 countries in the lineup for its 2019 Contemporary World Cinema (CWC) programs. The films include a wide range of thought-provoking stories that delve into cultural issues and social struggles in poetic and captivating ways. Introducing 21 works directed and co-directed by women, this year’s edition of CWC focuses on fractured families, self-exploration, female-driven narratives, and the consequences of social and political crises.
The 37th international Munich International Film Festival (Filmfest München) drew to a close with the presentation of awards, and “Bacurau” by Kleber Mendonça Filho and Juliano Dornelles was honored with the ARRI/Osram Award in the CineMasters competition, while Melina León’s “Song without a Name” received the CineVision Award for best international film by a new director. On Friday, the Brazilian-German co-production “The Invisible Life of Eurídice Gusmão” received the newly created CineCoPro Award.
The Invisible Life of Eurídice Gusmão, directed by Karim Aïnouz won the first-ever €100,000 CineCoPro Award at the Munich International Film Festival (Filmfest München).
The South Korean film Parasite directed by Bong Joon-Ho won the Palme d’Or at the 2019 Cannes Film Festival. The film is described as “A family tragicomedy depicting the inevitable collision that ensues when Ki-woo, the eldest son in a family of four unemployed adults, is introduced to the wealthy Park family for a well-paid tutoring job.” Bong Joon-Ho who is best known for his earlier films Okja and Snowpiercer is the first Korean director to win the top award at Cannes Film Festival.
The Official Selection of the 72nd Cannes Film Festival was unveiled this morning at the annual press conference. In addition to opening night film – Jim Jamusch’s The Dead Don’t Die, the competition lineup includes new releases from Pedro Almodóvar, Xavier Dolan, Ken Loach, and Terrence Malick. Films premiering out of competition include Nicolas Winding Refn’s Too Old to Die Young – North of Hollywood, West of Hell.