THREE BILLBOARDS OUTSIDE EBBING, MISSOURI[/caption]
Fantastic Fest returns for its thirteenth year, kicking off with this year’s opening night film, the US premiere of Martin McDonagh’s THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, a beautifully comic and delightfully dark tale of loss and redemption.
S. Craig Zahler makes his triumphant return with the US premiere of 2018’s most hyper-violent slice of brute force, BRAWL IN CELL BLOCK 99. Not to be outmuscled, Zahler’s bringing backup in the form of the thunderous trifecta of Vince Vaughn, Don Johnson and Udo Kier. And Barry Keoghan marks his first Fantastic Fest, sharing Yorgos Lanthimos’ savage horror epic THE KILLING OF A SACRED DEER for the first time in the US.
Embracing cinema spanning from Egypt to Lebanon to Iraq to Afghanistan, the festival turns an eye to celebrate the best of the region. Highlights include Egypt’s rarely seen Rocky Horror Picture Show adaptation ANYAB and the International Premiere of the box office smash AL ASLEYEEN (aka THE ORIGINALS) directed by Marwan Hamed. “It’s truly a joy to be able to showcase a variety of Arabic genre films never before seen in the US to shatter preconceptions.” said Fantastic Fest Creative Director Evrim Ersoy. “Cinema from this region is as exciting, inventive and as wild as anything we’ve ever seen and we’re here to prove it. It’s going to be a wild ride! Yalla, Habibi!”
Fantastic Fest’s global reach isn’t relegated exclusively to Arabic nations, as it has once again scoured the corners of the globe to bring the best cinema to Austin, TX. Sweden is well represented with Ruben Ostlund’s brilliantly sardonic THE SQUARE; Japan’s master of malevolence, Takashi Miike, hits a bloody century with his 100th feature, BLADE OF THE IMMORTAL; Scotland flies its flesh-eating flag with John McPhail’s zombie musical, ANNA AND THE APOCALYPSE; and Austrian Oscar winner Stefan Ruzowitsky delivers a brutal and relentless ride with COLD HELL.
Maine’s finest son, Stephen King, is gorgeously represented with two standouts from Netflix’s burgeoning genre slate. GERALD’S GAME receives its US premiere along with the welcome return of Fantastic Fest alumni Mike Flanagan, who delivers a chilling adaptation of one of King’s most beloved bedside tales starring Carla Gugino and Bruce Greenwood. And Fantastic Fest first-timer Zak Hilditch will be in attendance to share his perfectly precise vision of King’s uber-creepy novella, 1922, for its world premiere.
Sticking with the theme of world premieres, this year’s program features a selective set of titles from first-time feature filmmakers whose wildly impressive debuts belie the depth of their filmographies. Spanish short master Yayo Herrero excels with his fantasy horror, MAUS; Bradley Buecker explores wasted youth and packs a visceral punch from the wrong side of the tracks with JUVENILE; and Lukas Feigelfeld shocks with his atmospheric exploration of a medieval hell in HAGAZUSSA – A HEATHEN’S CURSE.
Fantastic Fest alumni are well represented this year as DAN DREAM reunites KLOWN’s dynamic duo of Casper Christensen and Frank Hvam for an electric road trip back to the ‘80s; GENERATION B sees WASTE LAND director Pieter Van Hees return with a mad comedy; and RON GOOSSENS: LOW-BUDGET STUNTMAN delivers the warm embrace of directors Steffen Haars and Flip van der Kuil, whose previous NEW KIDS features and BROs BEFORE HOs crushed at previous editions of Fantastic Fest.
The Killing Of A Sacred Deer (2017)
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First Wave of Films Announced for 2017 Fantastic Fest , Opens with THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
[caption id="attachment_23572" align="aligncenter" width="1000"] THREE BILLBOARDS OUTSIDE EBBING, MISSOURI[/caption]
Fantastic Fest returns for its thirteenth year, kicking off with this year’s opening night film, the US premiere of Martin McDonagh’s THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, a beautifully comic and delightfully dark tale of loss and redemption.
S. Craig Zahler makes his triumphant return with the US premiere of 2018’s most hyper-violent slice of brute force, BRAWL IN CELL BLOCK 99. Not to be outmuscled, Zahler’s bringing backup in the form of the thunderous trifecta of Vince Vaughn, Don Johnson and Udo Kier. And Barry Keoghan marks his first Fantastic Fest, sharing Yorgos Lanthimos’ savage horror epic THE KILLING OF A SACRED DEER for the first time in the US.
Embracing cinema spanning from Egypt to Lebanon to Iraq to Afghanistan, the festival turns an eye to celebrate the best of the region. Highlights include Egypt’s rarely seen Rocky Horror Picture Show adaptation ANYAB and the International Premiere of the box office smash AL ASLEYEEN (aka THE ORIGINALS) directed by Marwan Hamed. “It’s truly a joy to be able to showcase a variety of Arabic genre films never before seen in the US to shatter preconceptions.” said Fantastic Fest Creative Director Evrim Ersoy. “Cinema from this region is as exciting, inventive and as wild as anything we’ve ever seen and we’re here to prove it. It’s going to be a wild ride! Yalla, Habibi!”
Fantastic Fest’s global reach isn’t relegated exclusively to Arabic nations, as it has once again scoured the corners of the globe to bring the best cinema to Austin, TX. Sweden is well represented with Ruben Ostlund’s brilliantly sardonic THE SQUARE; Japan’s master of malevolence, Takashi Miike, hits a bloody century with his 100th feature, BLADE OF THE IMMORTAL; Scotland flies its flesh-eating flag with John McPhail’s zombie musical, ANNA AND THE APOCALYPSE; and Austrian Oscar winner Stefan Ruzowitsky delivers a brutal and relentless ride with COLD HELL.
Maine’s finest son, Stephen King, is gorgeously represented with two standouts from Netflix’s burgeoning genre slate. GERALD’S GAME receives its US premiere along with the welcome return of Fantastic Fest alumni Mike Flanagan, who delivers a chilling adaptation of one of King’s most beloved bedside tales starring Carla Gugino and Bruce Greenwood. And Fantastic Fest first-timer Zak Hilditch will be in attendance to share his perfectly precise vision of King’s uber-creepy novella, 1922, for its world premiere.
Sticking with the theme of world premieres, this year’s program features a selective set of titles from first-time feature filmmakers whose wildly impressive debuts belie the depth of their filmographies. Spanish short master Yayo Herrero excels with his fantasy horror, MAUS; Bradley Buecker explores wasted youth and packs a visceral punch from the wrong side of the tracks with JUVENILE; and Lukas Feigelfeld shocks with his atmospheric exploration of a medieval hell in HAGAZUSSA – A HEATHEN’S CURSE.
Fantastic Fest alumni are well represented this year as DAN DREAM reunites KLOWN’s dynamic duo of Casper Christensen and Frank Hvam for an electric road trip back to the ‘80s; GENERATION B sees WASTE LAND director Pieter Van Hees return with a mad comedy; and RON GOOSSENS: LOW-BUDGET STUNTMAN delivers the warm embrace of directors Steffen Haars and Flip van der Kuil, whose previous NEW KIDS features and BROs BEFORE HOs crushed at previous editions of Fantastic Fest.
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Melbourne International Film Festival to Feature 35 Films From Cannes
[caption id="attachment_22898" align="aligncenter" width="1200"]
The Square[/caption]
The Melbourne International Film Festival (MIFF) will present big award winners from this year’s Cannes Film Festival, including the 2017 Palme d’Or winning The Square, a deliriously strange detonation of art and imagination from Swedish director Ruben Öslund (Force Majeure, MIFF 14), featuring a riveting performance from Danish actor Claes Bang and scene stealing performances from Elizabeth Moss (also appearing in Top of the Lake: China Girl, MIFF 17) and Dominic West. Other films include Loveless, the must-see winner of the Jury Prize at this year’s Cannes – a razor-sharp portrayal of a marriage in the state of collapse from one of the greatest Russian filmmakers working today, Andrey Zvyagintsev (Leviathan, Elena, MIFF 11); and BPM, from French director Robin Campillo, (Eastern Boys, MIFF 14; They Came Back, MIFF 05) winner of this year’s Cannes Grand Jury Prize and Queer Palm winner, which dives headfirst into the passions, protests and politics of ‘90s AIDS activism.
International purveyor of the bizarre and MIFF favourite Yorgos Lanthimos is back with regular co-writer Efthymis Filippou (The Lobster, MIFF 15; Alps MIFF 12) for The Killing of a Sacred Deer – bringing Colin Farrell and Nicole Kidman together in a darkly comic modern rendering of an ancient Greek morality play; and Julianne Moore reunites with Todd Haynes for the enchanting Wonderstruck, an intoxicating, visually ravishing adaptation of Brian Selznick’s (writer of Hugo) illustrated tale of two deaf runaways and the glimmering, redemptive magic of cinema.
Thrillers that packed a punch include Good Time, where Robert Pattinson electrifies in the pulse-quickening heist thriller from American indie stars Josh and Benny Safdie who were subjects of a MIFF focus in 2015, with an electronic score by Oneohtrix Point End; and In the Fade, from Germany’s Faith Akin where Diane Kruger delivers her Best Actress-winning performance as a mother dealing with the aftermath of her Kurdish husband and young son’s death in a neo-Nazi hate crime.
Films from European directors that set Cannes ablaze include master auteur Michael Haneke’s (Amour, MIFF 12, The White Ribbon, MIFF 09) Happy End, which sees the director reunite with the great Isabelle Huppert and Jean-Louis Trintignant in a cutting portrait of bourgeois European Life; Let the Sunshine In, the Directors’ Fortnight award-winning new film from iconic French director Claire Denis (Bastards, MIFF 13), with Juliette Binoche delivering a shining performance in the starring role; and veteran French director Philippe Garrel’s (In the Shadow of Women, MIFF 15) Lover for a Day, shot in lyrical monochrome and starring his daughter Esther in her first major role, which once again brings a poetic touch to his perennial themes of fidelity and sexual freedom.
Also from France, the grande dame of the French New Wave Agnès Varda revives the spirit of The Gleaners and I (MIFF 01) with Faces Places, a picaresque romp through rural France, where she is joined in her travel by the artist JR; and The Venerable W, which sees Barbet Schroeder complete his “trilogy of evil” with a stunning portrayal of xenophobic demagogy in an unexpected quarter: Buddhist monks in the Republic of Myanmar.
Films exploring corruption and injustice include the winner of the prestigious Un Certain Regard prize A Man of Integrity, from acclaimed Iranian writer/director Mohammed Rasoulof (Manuscripts Don’t Burn, MIFF 13; Iron Island, MIFF 05), which is a potent thriller that captures one man’s desperate battle to stand up to a corrupt system; and Tehran Taboo, the boundary-pushing new animation from Iranian-born first-time feature director Ali Soozandeh, which tackles the sexual taboos of Islamic society and reveals a world of hypocrisy and political corruption.
Works of distinct individuality from exciting new voices in the cinematic landscape include the satirical and witty I Am Not a Witch, inspired by real-life rural witch camps in Africa and directed by first-time feature director Ryngano Nyoni, with cinematography by David Gallego (Embrace of the Serpent); Marlina the Murderer in Four Acts, a “feminist Indonesian Spaghetti Western” (The Irish Times) directed by a shining star of the blossoming Indonesian film industry, Mouly Surya; and Michael Franco’s (Chronic, MIFF 15) Un Certain Regard Jury Prize winner April’s Daughter, a gripping depiction of maternal devotion gone wrong, with Emma Suárez (Pedro Almodóvar’s Julieta, MIFF 16) mesmerising as the ruthlessly calculating mother.
Continuing to uncover and capture the bizarre and bold, the festival is proud to present Nothingwood, first-time documentarian Sonia Krunlund’s rousing portrait of Afghani writer/actor/director Salim Shaheen that captures the auteur using the resources available to him to make cheap, fast, out-of-nothing films starring himself, his friends and his family, which bring hope to his adoring fans in Afghanistan’s climate of violence; co-produced by Toni’s Erdmann’s Maren Ade, Western is the acclaimed Cannes hit from German writer/director Valeska Grisebach (Longing, MIFF 05) that uses non-actors in a European standoff to evoke the spirit of the titular American genre; starring and co-written by Saturday Night Live’s Kyle Mooney, helmed by frequent collaborator Dave McCary and produced by Andy Samberg, Brigsby Bear is the latest thigh-slapping comedic effort to double as an SNL “Where Are They Now?” reunion special; and hope springs from Josh Hartnett, a blonde wig and a Tokyo-to-California jaunt in Oh Lucy!, Atsuko Hirayangi’s affectionate expansion of her MIFF 2014 short of the same name.
[caption id="attachment_19920" align="aligncenter" width="1200"]
Patti Cake$[/caption]
The festival will feature the Australian premiere of the entire second season of Top of the Lake: China Girl, directed by Jane Campion and MIFF Accelerator alumnus Ariel Kleiman, and offering a unique opportunity to see the series before its television premiere on BBC First on Foxtel; and Patti Cake$, music video director Jeremy Gasper’s feature debut about an aspiring rapper, starring Australian actress Danielle McDonald in her sensational breakout performance.
Slower, more meditative works centered around image, exploration and self-reflexivity include Claire’s Camera, in which Isabelle Huppert reunites with director Hong Sang-soo to present an uncomplicated and refreshing meditation on the joy of chance encounters and the power of art; 24 Frames, a minimalist hymn to the capturing of images and the final work by the late Iranian master Abbas Kiarostami; and Naomi Kawase’s (Still the Water, MIFF 14) Radiance, which explores the complexity of cinematic images through description alone, as protagonist Misako writes voiceovers for vision impaired film viewers.
Scoring an award at the Cannes Directors’ Fortnight, Jonas Carpignano’s (Mediterranea, MIFF 15) latest, A Ciambra, explores the European refugee crisis in a heart-wrenching, ultra-realist tour of the outcast and refugee communities of Italy’s south; and in Hungarian phenomenon Kornél Mundruczó’s (White God, MIFF 14) Jupiter’s Moon, the superhero genre collides with the rolling tragedy of that same crisis in an action-packed assault on tribalism, human indecency of the basic laws of gravity.
Set to screen at MIFF as part of Night Shift, A Prayer Before Dawn is a claustrophobic, face-pulping mash of growling sound, kinetic editing and so-real-you-have-to-flinch fight scenes from French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 08); and Blade of the Immortal is samurai, swords and Takashi Miike – celebrating his 100th feature with the tale of an immortal swordsman looking to reclaim his soul.
Hot from the Un Certain Regard section, Closeness explores family relations intermingled with ethnic tensions in a stunning, disturbing debut from young Russian filmmaker Kantemir Balagov; shot in nine parts, each in sweeping unbroken takes, Beauty and the Dogs is based on a real incident of a young Tunisian student plunged into an infuriating and intimidating bureaucratic nightmare; and Until the Birds Return, a film of three stunningly rendered dispatches from the still-scarred people and landscapes of modern Algeria, by young gun of North African cinema Karim Moussaoui.
And finally, Chilean filmmaker Marcela Said’s sophomore feature Los Perros explodes class privilege when a wealthy woman – the dynamite Antonia Zeger – falls for her older riding instructor, a man accused of war crimes; and A Gentle Creature, the latest film by Sergei Loznitsa (The Event MIFF 16; In the Fog, MIFF 12) that shifts from rusted realism to dreamy fantasy as it follows a woman (Vasilina Makovtseva) on a voyage through multiple layers of violence, indignity and human cruelty.
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THE SQUARE Wins Palme d’Or at 70th Cannes Film Festival, Sofia Coppola, Joaquin Phoenix, Diane Kruger Win Awards
The Square by Ruben Östlund The Square by Ruben Östlund is the winner of the Palme d’Or at the 70th edition of the Cannes Film Festival.
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A24 Sets Release Date for Yorgos Lanthimos’ THE KILLING OF A SACRED DEER Starrring Colin Farrell, Nicole Kidman
[caption id="attachment_21934" align="aligncenter" width="1200"]
The Killing Of A Second Deer[/caption]
A24 will release Yorgos Lanthimos’ latest film THE KILLING OF A SACRED DEER starring Colin Farrell, Nicole Kidman, and Alicia Silverstone, on November 3, 2017 in limited release.
This is writer/director Lanthimos’ second collaboration with Colin Farrell (THE LOBSTER). The Killing Of A Second Deer will have it’s world premiere in Competition at the 2017 Cannes Film Festival.
Farrell stars as Steven, a charismatic surgeon forced to make an unthinkable sacrifice after his life starts to fall apart when the behaviour of a teenage boy he has taken under his wing takes a sinister turn. Nicole Kidman also stars as the wife of Farrell’s character, along with young, Irish actor Barry Keoghan (’71 and DUNKIRK), Raffey Cassidy (TOMORROWLAND), Sunny Suljic (THE UNSPOKEN), Bill Camp (12 YEARS A SLAVE) and Alicia Silverstone (CLUELESS).