MOTHERLAND OR DEATH, Vitaly Mansky[/caption]
The 2017 Open City Documentary Festival today announced the program for the 7th edition of the festival, taking place in London from September 5 to 10, 2017.
The festival opens on Tuesday September 5 with the UK Premiere of Ziad Kalthoum’s TASTE OF CEMENT an inventively cinematic portrait of exiled Syrian workers trapped in a skyscraper that they are building in Beirut and unable to shake off memories of the shelling of their own homes.
The UK Premiere of Lee Ann Schmitt’s PURGE THIS LAND will close the Festival on Sunday September 10. The film retells the history of racism and slavery in modern America through the prism of John Brown – a white, militant abolitionist – who was sentenced to death in 1859 for a failed attempt to start an armed revolution. Poignant and thought-provoking, the film spans one hundred and seventy years of American history and will screen at Regent Street Cinema.
The Lure (Córki dancingu) (Daughters of Dancing) (2015)
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2017 Open City Documentary Festival Unveils Lineup
[caption id="attachment_23329" align="aligncenter" width="1200"] MOTHERLAND OR DEATH, Vitaly Mansky[/caption]
The 2017 Open City Documentary Festival today announced the program for the 7th edition of the festival, taking place in London from September 5 to 10, 2017.
The festival opens on Tuesday September 5 with the UK Premiere of Ziad Kalthoum’s TASTE OF CEMENT an inventively cinematic portrait of exiled Syrian workers trapped in a skyscraper that they are building in Beirut and unable to shake off memories of the shelling of their own homes.
The UK Premiere of Lee Ann Schmitt’s PURGE THIS LAND will close the Festival on Sunday September 10. The film retells the history of racism and slavery in modern America through the prism of John Brown – a white, militant abolitionist – who was sentenced to death in 1859 for a failed attempt to start an armed revolution. Poignant and thought-provoking, the film spans one hundred and seventy years of American history and will screen at Regent Street Cinema.
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EXCLUSIVE: Spotlighting THE LURE With Exclusive Clip and Interview with Tomas Leach
[caption id="attachment_18212" align="aligncenter" width="691"]
The Lure[/caption]
Though stories of treasure hunts are often reserved for the fiction genre, director Tomas Leach is captivating audiences by documenting the hunt for eccentric millionaire Forrest Fenn’s buried treasure in The Lure. Fenn was an art dealer who in 2010 decided to bury his fortune in the Rocky Mountains, leaving only a cryptic poem as a treasure map. The Lure follows dedicated treasure seekers on their expedition to find the fortune as well as documenting the history of the hunt and interviewing Forrest himself about his motivations and the effects the hunt has had on his life. In addition to the sense of adventure so rarely found in real life, the doc’s scenery throughout the tranquil and transcendent Rocky’s make the audience feel that the true reward can be found in your surroundings. The Lure will be making it’s world premiere at DOC NYC. VIMOOZ was fortunate enough to get an exclusive first clip as well as interview Tomas Leach himself.
When did you first become aware of Forrest Fenn and the treasure hunt?
I read a small article about Forrest and his treasure and it sparked something inside me that got me excited to find out more. There’s something mysterious and magical about a hidden treasure that sets the mind racing.
Once I started to research more and spent time with the searchers, I realized the story had a depth and cinematic beauty to it that I really wanted to make a film about.
[caption id="attachment_18216" align="aligncenter" width="1000"]
Tomas Leach Shooting THE LURE[/caption]
Now that you’ve done the documentary. Do you know where the treasure is?
As soon as I flew out there, I knew that even starting to think of where the treasure is would lead to me lost in the Rockies, with a massive beard and a gleam in my eye.
How long did it take to shoot and what was the hardest part about making it?
We made several trips to film over 2 years and then took another year to edit and finish the film. Every film has challenges and this was no different. From a practical viewpoint, the Rockies are vast and untamed. And in terms of the story, I wanted to weave together multiple narratives and make it a richer film than just a wacky treasure chase.
Can you tell our readers why they should see The Lure and what you want the audience to take away from the film?
I think the film taps into something universal and magical about people searching. Whether it’s for gold, happiness, great stories or whatever it may be, we are all on the search for something to make us feel more complete. The Lure is an entertaining and I hope touching tale about that and more, all set in a visually powerful and mysterious part of the world.
The feeling of magic definitely looms throughout the film! Can you give tips to any prospective Documentary film makers? What did you learn while making In No Great Hurry?
The most important thing for me is always to fall completely into the story. Don’t make something you don’t want to live and breathe for years. Get people around you that you trust and get feedback even on the early idea. And don’t forget that film is a visual medium. If you can’t communicate through images, it’s failing.
What’s next step for both you and the doc?
I have a few feature doc ideas that I developing at the moment, but I’ve also written a narrative feature that I’d like to make next year. As for The Lure, I’m excited to get it in front of audiences at the world premiere this weekend and stay tuned for next steps!
The Lure will World Premiere at DOC NYC on Sunday, November 13, 2016, at 7:45 PM at Cinepolis Chelsea and screens again on Tuesday November 15, 2016, 3:00 PM at the IFC Center. Click here for tickets and additional information!
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Fantastic Fest to Close with COLOSSAL Starring Anne Hathaway and Jason Sudeikis
[caption id="attachment_16738" align="alignnone" width="1000"]
COLOSSAL, starring Anne Hathaway and Jason Sudeikis[/caption]
Closing out Alamo Drafthouse’s Fantastic Fest festival is the triumphant return of Fantastic Fest’s Karaoke King Nacho Vigalondo with his kaiju monster mash-up COLOSSAL, starring Anne Hathaway and Jason Sudeikis.
In more final wave of film programming announcements, Fantastic Fest welcomes fellow festival alumni and Wu-Tang Clan founder RZA for his first ever live re-score. Eighteen months in the making, RZA: LIVE FROM THE 36th CHAMBER OF SHAOLIN is a mammoth live re-scoring of the Shaw Brothers classic. Featuring over 40+ tracks culled from RZA’s monumental catalog, instrumentals, beats, samples and vocals amplify Lau Kar-leung’s narrative and Gordon Liu’s iconic performance.
“I am thrilled to be welcoming so many first-time directors to our weird festival family this year,” said Fantastic Fest founder Tim League. “But as counterpoint, I am equally excited to be closing it down with veterans Nacho and RZA. In 2016, we’re going out with an epic bang.”
Fantastic Fest embraces its more physical side with a series of violent smashers that are guaranteed to leave heads spinning and jaws rattled. All 6’ 5” of our favorite chemical engineer will be in attendance as Dolph Lundgren promises to pummel Austin and demons alike with DON’T KILL IT. Paul Schrader will be making a very special appearance in the second half of the festival to share and discuss his wild exploration of the criminal underground, DOG EAT DOG. Indonesia is gloriously represented with HEADSHOT, the latest from the Mo Brothers and THE RAID / THE RAID 2’s Iko Uwais in what is guaranteed to be the most violent film of the year, and Hong Kong comes correct with the legendary Sammo Hung choreographing the action in Benny Chan’s wuxia western, CALL OF HEROES.
“There was so much that we loved this year, it’s wonderful to finally be able to share the full slate. We watched over 800 films and getting it down to 80 proved nearly impossible,” said Fantastic Fest Head of Programming, Evrim Ersoy, “But we’re here and we can’t wait to see people watch these brilliant delights with shock and awe in equal measure.”
TV takes center stage with two of the season’s most hotly anticipated shows gracing the big screen. The man, the myth, The Bruce Campbell will be in attendance battling the Necronomicon once more and bringing new episodes of ASH VS EVIL DEAD with him. Campbell will also be sitting with critic/film historian Leonard Maltin for an exclusive dialog spanning his entire career. HBO joins the Fantastic Fest fray with an exclusive screening of the first episode of its highly anticipated new drama series, WESTWORLD. Inspired by Michael Crichton’s ‘73 sci fi classic, this supremely contemporary rendering is a dark odyssey about the dawn of artificial consciousness and the evolution of sin. WESTWORLD will be accompanied by a complimentary, classic western meal for all guests courtesy of HBO. Artfully prepared by the Alamo Drafthouse culinary team, the meal will draw its influence and ingredients from the frontier era and its expansive environment.
Western meals aren’t the only munchies inspiring programming as three of the festival’s most high profile gross-outs are first timers. Morgan Spurlock marks his Fantastic Fest debut with his uber-disgusting dissection of the most loathsome rodent in his doc RATS. Spurlock will be in attendance to talk about the vicious vermin and their endless conquest to take over the world. Another stomach-churning debut is Puke and Explode, a gala event of competitive eating dedicated to both gastro excess and grotesque edibles as contestants devour the most mortifying morsels imaginable. And in the grand tradition of festival favorite 100 BEST KILLS, Fantastic Fest vets Zack Carlson and Laird Jimenez deliver 100 BEST KILLS: 100 WORST BIRTHS, a dazzling array of the most nauseating, disturbing, inhuman and downright vomitous births in cinematic history. From sci-fi cesareans to martial arts miscarriages to horror hysterectomies, they will permanently sterilize viewers with 80 minutes of no-holes-barred babyrage.
Mondo will be driving movie fans crazy with a creative cornucopia of limited-edition collectibles at Fantastic Fest for the first time. The roll call of film tie-ins include super-exclusives for RZA: LIVE FROM THE 36th CHAMBER OF SHAOLIN, and product signing sessions with Don Coscarelli and the cast of PHANTASM: REMASTERED and André Øvredal with THE AUTOPSY OF JANE DOE.
During Fantastic Fest, Mondo is also hosting Italian composer extraordinaire Fabio Frizzi as he performs THE BEYOND: COMPOSER’S CUT, his all-new live re-score of Lucio Fulci’s shocker in a supremely gothic church with jaw-dropping acoustics.
The full lineup of newly announced film titles for Fantastic Fest 2016.
A MONSTER CALLS
United States, 2016
Texas Premiere, 108 min
Director – J. A. Bayona
Twelve year old Conor, dealing with his mother’s illness, unexpectedly summons a most unlikely ally – a 40-foot-high Monster.
AGE OF SHADOWS
South Korea, 2016
US Premiere, 140 min
Director – KIM Jee-woon
Korea, during the Japanese occupation. Police Chief Lee Jung-Chool is hunting members of the resistance under strict orders from the Japanese overlords. However, a chance encounter with Jung Chae-San will have him questioning his loyalties…
ANOTHER WOLFCOP
Canada, 2016
World Premiere, 82 min
Director – Lowell Dean
Alcoholic werewolf cop Lou Garou springs into action when an eccentric businessman with evil intentions seduces Woodhaven’s residents with a new brewery and hockey team in this outrageous horror-comedy sequel.
ASH VS EVIL DEAD
United States, 2016
Special Screening, 60 min
Director – Rick Jacobson, episode 1
Director – Tony Tilse, episode 2
“Ash vs Evil Dead,” a 10-episode half-hour series, is the long-awaited follow-up to the classic horror film The Evil Dead.
ASURA
US Premiere, 136 min
South Korea, 2016
Director – Sung-soo KIM
Corrupt police detective Han protects Mayor Park’s interests while he saves up to pay for his wife’s terminal cancer treatment. When intimidation of a witness goes wrong, they’re all thrown into a violent storm.
[caption id="attachment_16127" align="alignnone" width="1000"]
THE AUTOPSY OF JANE DOE[/caption]
THE AUTOPSY OF JANE DOE
United Kingdom, 2016
U.S. Premiere, 99 min
Director – André Øvredal
When a mysterious body turns up at a crime scene, the local sheriff turns to the coroner and his son to find the cause of death.
BAD BLACK
Uganda, 2016
World Premiere, 65 min
Director – Nabwana IGG
A mild-mannered doctor is trained in the art of ass-kicking commando vengeance by a no-nonsense ghetto kid named Wesley Snipes (!). This is only one of the many delirious action-packed stories that converge in this exuberant DIY extravaganza from the home of “da best of da best movies”: WAKALIWOOD, UGANDA!!!
BOYKA:UNDISPUTED
United States, 2016
World Premiere, 90 min
Director – Todor Chapkanov
Escaped from prison and longing for a legitimate life, Yuri Boyka must choose between a shot at the glory he has trained for and the demands of his conscience after tragedy strikes in the ring.
BUGS
Denmark, 2016
Regional Premiere, 74 min
Director – Andreas Johnsen
Two researchers search the globe for the best flavors the insect world has to offer in an attempt to make this inevitable future food source more palatable to wimpy Westerners.
CALL OF HEROES
Hong Kong, 2016
North American Premiere, 120 min
Director – Benny Chan
During China’s Warlord era, in the village of Pucheng, a sheriff and his ragtag band of men must make sure the cruel general Cal’s son Shaolin faces justice in this brilliant blend of wuxia and westerns!
CHINYUKI
Japan, 2016
North American Premiere, 100 min
Director – Yudai Yamaguchi
Yudai Yamaguchi’s Chinyuki is one of those rare films where its own subtitle tells you everything you need to know about the movie: A journey to the West with farts.
COLOSSAL
Canada, 2016
US Premiere, 110 min
Director – Nacho Vigalondo
Fantastic Fest favorite Nacho Vigalondo (TIMECRIMES) wrings an extraordinarily potent allegory for personal responsibility and emotional toxicity in this witty and absorbing drama about an alcoholic (Anne Hathaway) who discovers an improbable connection between herself and a giant monster ravaging South Korea.
DON’T KILL IT
United States, 2016
North American Premiere , 93 min
Director – Mike Mendez
An ancient demon is unleashed in a Mississippi town and the only people who can stop it are FBI agent Evelyn Pierce and grizzled, cynical demon hunter Jebediah Woodley.
FASHIONISTA
United States, 2016
World Premiere, 108 min
Director – Simon Rumley
April and Eric own a clothing store together and are happily in love. April will have to rely on her fashion obsession for survival when everything unexpectedly crumbles after Eric makes a single destructive mistake.
HEADSHOT
Indonesia, 2016
US Premiere, 117 min
Director – Kimo Stamboel, Timo Tjahjanto
The bone-crunching, soul-crushing, face-breaking story of an amnesiac young man named Ishmael, the doctor named Rika who cares for him and the bad men who all need to die in a maelstrom of sweet violence.
HENTAI KAMEN 2: The Abnormal Crisis
Japan, 2016
Texas Premiere, 118 min
Director – Yuichi Fukuda
At the request of his girlfriend Aiko, Kyosuke Shikijo agrees to retire Hentai Kamen. But when a new threat starts stealing panties, who will the people of Tokyo call on?
THE INVISIBLE GUEST
Spain, 2017
US Premiere, 106 min
Director – Oriol Paulo
A wealthy businessman wakes up in a locked hotel room with the body of his dead lover next to him in Orio Paulo’ latest.
THE LURE
Poland, 2015
Texas Premiere, 93 min
Director – Agnieszka Smocynska
Two young mermaids get caught up in the world of a Warsaw nightclub as they navigate human life and love in this Polish musical.
[caption id="attachment_16739" align="alignnone" width="1000"]
MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA[/caption]
MY ENTIRE HIGH SCHOOL SINKING INTO THE SEA
United States, 2016
U.S. Premiere, 74 min
Director – Dash Shaw
Jason Schwartzman voices a young, hopeful writer who jumps into action during a disaster in this dazzling and hilarious animated adventure from famed graphic novelist Dash Shaw.
RATS
United States, 2016
Austin Premiere, 84 min
Director – Morgan Spurlock
Morgan Spurlock’s latest documentary shows us the world of the rat, from the garbage of NYC to the dining plates of Vietnam to a Karni Mata Temple of worship in India.
RE: BORN
Japan, 2016
North American Premiere, 115 min
Director – Yûji Shimomura
Tak Sakaguchi is a seemingly untouchable super soldier who must return to the life he left behind when a former colleague threatens his fragile world.
RZA: LIVE FROM THE 36th CHAMBER OF SHAOLIN
Hong Kong, 1978
Special Screening, 115 min
Director – Chia-Liang Liu
What happens when one of the most influential hip hop artists descends on one of the most influential martial arts movies? There’s only one way to find out.
SCIENCE FICTION VOLUME ONE : THE OSIRIS CHILD
Australia, 2017
World Premiere, 95 min
Director – Shane Abbess
A far-future military contractor – and moderately shitty father – must race to save his daughter when his employer’s negligence puts her in the path of a rampaging alien race.
THE TRUTH BENEATH
South Korea, 2016
International Premiere, 108 min
Director – LEE Kyoung-mi
When a politician’s teenage daughter goes missing, a desperate mother takes it upon herself to uncover the truth in this startling Korean thriller.
WESTWORLD
United States, 2016
Special Screening, 60 min
Director – Jonathan Nolan
A dark odyssey about the dawn of artificial consciousness and the evolution of sin. Set at the intersection of the near future and the reimagined past, it explores a world in which every human appetite, no matter how noble or depraved, can be indulged.
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Complete Lineup for 2016 Seattle International Film Festival
[caption id="attachment_13531" align="aligncenter" width="1280"]
Captain Fantastic[/caption]
The 2016 Seattle International Film Festival announced the complete lineup of films, guests, and events for the 42nd annual 25-day Festival taking place May 19 to June 12, 2016.
This year, SIFF will screen 421 films representing 85 countries: 181 features (plus 4 secret films), 75 documentaries, 8 archival films, and 153 shorts. The films include 54 World premieres (29 features, 25 shorts), 56 North American premieres (42 features, 14 shorts), and 27 US premieres (15 features, 12 shorts).
Both Opening and Closing Nights include period comedies: hearkening to the golden 1930s heyday of Hollywood, Opening Night film Café Society from master filmmaker Woody Allen stars Jesse Eisenberg, Kristen Stewart, Steve Carell, and Blake Lively; the 1950s-set Australian revenge comedy-drama The Dressmaker closes SIFF 2016 on Sunday, June 12 with an acclaimed cast including Kate Winslet, Liam Hemsworth, and Hugo Weaving. The emotionally wrenching documentary Gleason, follows Spokane-born NFL star Steve Gleason’s battle with ALS using intimate footage masterfully assembled by director Clay Tweel, and will screen at the Festival’s Centerpiece Gala on Saturday, June 4.
The Northwest premiere of Matt Ross’s Captain Fantastic, filmed in Washington, will screen as part of a tribute presentation to Viggo Mortensen on Saturday, June 11, where the acclaimed actor will be presented with the Festival’s Outstanding Achievement in Acting Award and interviewed on stage at the flagship SIFF Cinema Egyptian. Selections from Mortensen’s rich and diverse career are slated during SIFF 2016 in celebration of his work, including A Walk on the Moon, Eastern Promises, and The Lord of the Rings: Return of the King.
Among this year’s 53 World premieres is Seattle native Megan Griffiths’s The Night Stalker, a penetrating psychological thriller centered on the spine-chilling character of Richard Ramirez, California’s most notorious serial killer. Griffiths and star Lou Diamond Phillips will be in attendance at the June 4 screening.
GALAS
Opening Night Gala
Café Society
Kristen Stewart and Jesse Eisenberg star in a sparkling new romantic comedy from Woody Allen about a movie-industry hopeful who arrives in 1930s Hollywood, falls in love, and finds himself swept up in the vibrant café society that defined the age. North American Premiere (d: Woody Allen c: Kristen Stewart, Jesse Eisenberg, Blake Lively, Steve Carell, Parker Posey, Judy Davis, USA 2016, 96 min)
Centerpiece Gala
Gleason
Director Clay Tweel delivers a bold and moving portrait of beloved Spokane born, former WSU and New Orleans Saints football player Steve Gleason, who at age 34 was diagnosed with a neurodegenerative disease and courageously filmed his journey for the public eye. (d: Clay Tweel f: Steve Gleason, Michel Gleason, Rivers Gleason, USA 2016, 110 min)
Closing Night Gala
The Dressmaker
Kate Winslet, Liam Hemsworth, and Judy Davis star in this hysterically madcap adaptation of the beloved novel about a chic 1950s dressmaker who returns from Paris to her small Australian town to right the wrongs of the past and revolutionize the local couture. (d: Jocelyn Moorhouse c: Kate Winslet, Liam Hemsworth, Judy Davis, Hugo Weaving, Australia 2015, 118 min)
SPECIAL GUESTS
OUTSTANDING ACHIEVEMENT IN ACTING AWARD
Viggo Mortensen
Featuring Captain Fantastic
Plus screenings of A Walk on the Moon, Eastern Promises, and The Lord of the Rings: Return of the King
An actor, painter, poet, photographer, and jazz musician, Viggo Mortensen’s combination of rugged exterior and reflective interior have infused his wide range of film roles with equal parts gravitas and compassion—from criminals to cowboys, lovers to lieutenants, post-apocalyptic survivors to sagacious psychoanalysts, and the rightful king of Gondor.
Past honorees of the SIFF Outstanding Achievement in Acting Award include Laura Dern, Chiwetel Ejiofor, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, and Anthony Hopkins amongst others.
AN AFTERNOON WITH
Molly Shannon
Featuring Other People
Plus World Premiere of Miles
Molly Shannon’s penchant for theatrical comedy inspired some of “Saturday Night Live”’s most famous characters from 1995-2001, including Mary Catherine Gallagher and Sally O’Malley. Shannon went on to appear in several films such as Superstar, Wet Hot American Summer, Marie Antoinette, last year’s SIFF favorite Me and Earl and the Dying Girl, and the TV series “Glee” and “Enlightened.” Her ability to shift seamlessly from comic characters to more nuanced dramatic roles is something not many can match. Tonight, SIFF will welcome her to the stage for an interview featuring film clips from her career, followed by a screening of one of Shannon’s latest films, Other People, directed by Chris Kelly. There will also be an opportunity for audience questions following the screening.
COMPETITIONS
Official Competition
Battle of Sevastopol (d: Sergey Mokritskiy, Ukraine/Russia 2015, North American Premiere)
[caption id="attachment_13537" align="aligncenter" width="1200"]
Burn Burn Burn[/caption]
Burn Burn Burn (d: Chanya Button, United Kingdom 2015, North American Premiere)
Creepy (d: Kiyoshi Kurosawa, Japan 2016, North American Premiere)
Eternal Summer (d: Andreas Öhman, Sweden 2015, North American Premiere)
Girl Asleep (d: Rosemary Myers, Australia 2016, North American Premiere)
Holding the Man (d: Neil Armfield, Australia 2015, North American Premiere)
Moon in the 12th House (d: Dorit Hakim, Israel 2016, World Premiere)
News From Planet Mars (d: Dominik Moll, France/Belgium 2016, US Premiere)
Radio Dreams (d: Babak Jalali, Iran/USA 2016)
The Scent of Mandarin (d: Gilles Legrand, France 2015, North American Premiere)
The Sound of Trees (d: François Péloquin, Canada (Québec) 2015, US Premiere)
Welcome To Norway! (d: Rune Denstad Langlo, Norway 2016, North American Premiere)
New Directors Competition
Antonia (d: Ferdinando Cito Filomarino, Italy/Greece 2015, North American Premiere)
Before the Streets (d: Chloé Leriche, Canada (Québec) 2016, US Premiere)
Coconut Hero (d: Florian Cossen, Germany/Canada 2015, North American Premiere)
Family Film (d: Olmo Omerzu, Czech Republic/Germany/Slovenia/France/Slovakia 2015, North American Premiere)
The Lure (d: Agnieszka Smoczynska, Poland 2015)
Nakom (d: Kelly Daniela Norris, TW Pittman, Ghana/USA 2016)
The Paradise Suite (d: Joost van Ginkel, Netherlands/Sweden/Bulgaria 2015)
Rara (d: Pepa San Martín, Chile/Argentina 2016, North American Premiere)
Sand Storm (d: Elite Zexer, Israel 2016)
[caption id="attachment_10404" align="aligncenter" width="1200"]
Sparrows[/caption]
Sparrows (d: Rúnar Rúnarsson, Iceland/Denmark/Croatia 2015)
The Violators (d: Helen Walsh, United Kingdom 2015)
Where Have All the Good Men Gone (d: René Frelle Petersen, Denmark 2016, World Premiere)
Ibero-American Competition
Awaiting (d: Daniela Fejerman, Spain/Lithuania 2015, North American Premiere)
Deconstructing Dani García (d: Iñigo Ruiz, Alfonso Cortés-Cavanillas, Spain 2015, North American Premiere)
How Most Things Work (d: Fernando Salem, Argentina 2015, US Premiere)
Nueva Venecia (d: Emiliano Mazza de Luca, Colombia/Mexico/Uruguay 2016, US Premiere)
The Pretty Ones (d: Melisa Liebenthal, Argentina 2016, North American Premiere)
Red Gringo (d: Miguel Ángel Vidaurre, Chile 2016, North American Premiere)
Warehoused (d: Jack Zagha, Mexico 2015, US Premiere)
You’ll Never Be Alone (d: Alex Anwandter, Chile 2016, US Premiere)
New American Cinema Competition
11:55 (d: Ari Issler, Ben Snyder, USA 2016)
All the Birds Have Flown South (d: Joshua H. Miller, Miles B. Miller, USA 2016, World Premiere)
Americana (d: Zachary Shedd, USA 2016, World Premiere)
The Architect (d: Jonathan Parker, USA 2016, World Premiere)
As You Are (d: Miles Joris-Peyrafitte, USA 2016)
Claire in Motion (d: Lisa Robinson, Annie J. Howell, USA 2016)
Free In Deed (d: Jake Mahaffy, USA/New Zealand 2015)
Middle Man (d: Ned Crowley, USA 2016, World Premiere)
The Night Stalker (d: Megan Griffiths, USA 2016, World Premiere)
Transpecos (d: Greg Kwedar, USA 2016)
Documentary Competition
[caption id="attachment_13536" align="alignnone" width="1000"]
The 1,000 Eyes of Dr. Maddin[/caption]
The 1,000 Eyes of Dr. Maddin (d: Yves Montmayeur, France 2015, US Premiere)
Action Comandante (d: Nadine Angel Cloete, South Africa/Lesotho 2016, World Premiere)
Death By a Thousand Cuts (d: Juan Mejia Botero, Jake Kheel, USA 2016, US Premiere)
Death by Design (d: Sue Williams, China/Ireland 2016, World Premiere)
Finding Babel (d: David Novack, USA/Ukraine/Russia/France 2015, North American Premiere)
The IF Project (d: Kathlyn Horan, USA 2016, World Premiere)
Mr. Gaga (d: Tomer Heymann, Israel/Sweden/Germany/Netherlands 2015)
Naledi: A Baby Elephant’s Tale (d: Ben Bowie, Geoff Luck, USA/Botswana 2016, World Premiere)
The Queen of Ireland (d: Conor Horgan, Ireland 2015, North American Premiere)
The Revolution Won’t Be Televised (d: Rama Thiaw, Senegal 2016, US Premiere)
Tsukiji Wonderland (d: Naotaro Endo, Japan 2016, World Premiere)
We the People 2.0 (d: Leila Conners, USA 2016, World Premiere)
Shorts Competition
All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award. Jurors will choose winners in the Narrative, Animation, and Documentary categories. Each jury winner will receive $2,500 and winners in any of the three categories may also qualify to enter the respective Short Film category of the Academy Awards® for the concurrent season without the theatrical run.
Golden Space Needle Awards
For the past 30 years, SIFF has celebrated its most popular films and filmmakers with the Golden Space Needle Audience Award. Awards by Festival audiences are given in five categories: Best Film, Best Documentary, Best Director, Best Actor, and Best Short Film.
AFRICAN PICTURES
African Pictures showcases the best filmmaking happening in and about Africa today. This program, made possible through the generous support of the Academy of Motion Pictures Arts and Sciences, will bring shorts and features, documentaries and fiction films to American audiences who might never have the chance to see them otherwise. This is a not-to-be-missed opportunity to experience innovative and inspiring filmmaking from across the continent.
[caption id="attachment_13534" align="alignnone" width="1000"]
Action Comandante[/caption]
Action Comandante (d: Nadine Angel Cloete, South Africa/Lesotho 2016, 90 min)
Aisha (d: Chande Omar c: Godliver Gordian, Adarusi Walii, Flora Nicholas, Juma Madenge, Tanzania 2015, 112 min)
As I Open My Eyes (d: Leyla Bouzid c: Baya Medhaffer, Ghalia Benali, Montassar Ayari, Aymen Omrani, Lassaad Jamoussi, Tunisia/France/ Belgium/ United Arab Emirates 2015, 102 min)
Atlantic Heart (d: Robbie McCallum c: Elton Medina, Aurizania Monteiro, Julio Brito, Christian Neves, José ‘Bana’ Delgado, Cape Verde/United Kingdom 2016, 87 min)
Checks and Balances (d: Malek Bensmaïl f: Omar Belhouchet, Hacène Ouali, Hassene Moali, Mustapha Benfodil, Ali Benyahia, Algeria/France 2015, 97 min)
Eye of the Storm (d: Sékou Traoré c: Maïmouna N’Diaye, Fargass Assandé, Abidine Dioari, Issaka Sawadogo, Burkina Faso/France 2015, 101 min)
Lamb (d: Yared Zeleke c: Redial Amare, Kidist Siyum, Welela Assefa, Rahel Teshome, Surafel Teka, Ethiopia/France/Germany/Norway/Qatar 2015, 94 min)
Much Loved (d: Nabil Ayouch c: Loubna Abidar, Asma Lazrak, Halima Karaouane, Sara Elmhamdi Elalaoui, Abdellah Didane, Morocco/France 2015, 103 min)
Nakom (d: Kelly Daniela Norris, TW Pittman c: Jacob Ayanaba, Grace Ayariga, Justina Kulidu, James Azudago, Felicia Atampuri, Ghana/USA 2016, 90 min
Naledi: A Baby Elephant’s Tale (d: Ben Bowie, Geoff Luck, USA/Botswana 2016, 90 min)
The Revolution Won’t Be Televised (d: Rama Thiaw, Senegal 2016, 110 min)
CHINA STARS
SIFF is proud to launch the China Stars Showcase series in Seattle during the 42nd annual Seattle International Film Festival, with support from WASA North America Group and Hainan Airlines. With the purpose of fostering cross-cultural exchange and artistic vision, SIFF has collaborated with WASA North America Group to select five wonderful feature films from mainland China to screen as part of the 2016 showcase series. These films will screen before audiences in Seattle, Renton, Shoreline, and on the Eastside at Bellevue’s Lincoln Square.
The Big Road (d: Sun Yu c: Chen Yanyan, Zheng Junli, Li Lili, Liu Qiong, Jin Yan, China 1935, 104 min)
Death by Design (d: Sue Williams f: Ted Smith, Ma Jun, Kyle Wiens, Luke Soules, Paul Maher, China/Ireland 2016, 73 min)
The Final Master (d: Xu Haofeng c: Liao Fan, Song Jia, Jiang Wenli, Jin Shijie, Song Yang, China 2015, 109 min)
Mountains May Depart (d: Jia Zhangke c: Zhao Tao, Zhang Yi, Liang Jin Dong, Dong Zijian, Sylvia Chang, China/Japan/France 2015, 131 min)
Paths of the Soul (d: Zhang Yang c: Yang Pei, Nyima Zadui, Tsewang Dolkar, Tsring Chodron, Seba Jiangcuo, China 2015, 115 min)
CULINARY CINEMA
Popcorn is no longer king as the phenomenon of food culture has exploded into cinema. We’ve selected 9 extraordinary films that explore different aspects of taste and the senses for the cinematically inclined.
Ants on a Shrimp (d: Maurice Dekkers f: René Redzepi, Lars Williams, Rosio Sanchez, Thomas Frebel, Dan Giusti, Netherlands 2016, 88 min)
Bugs (d: Andreas Johnsen f: Ben Reade, Josh Evans, Roberto Flore, Denmark 2016, 76 min)
Ceviche’s DNA (d: Orlando Arriagada f: José Antonio del Castillo, Victor Pimentel, Ulla Holmquist, Valentín Paso Purisaca, Santiago Uceda Castillo, Canada/Peru 2015, 85 min)
Deconstructing Dani García (d: Iñigo Ruiz, Alfonso Cortés-Cavanillas, Spain 2015, 72 min)
Hummus (d: Oren Rosenfeld f: Eliyahu Shmueli, Suheila Al Hindi, Jalil Dabit, Israel 2016, 70 min)
Insatiable: The Homaro Cantu Story (d: Brett A. Schwartz f: Homaro Cantu, Richie Farina, Angela Cantu-Reeder, Trevor Rose-Hamblin, Mark Caro, Scott Trotter, USA 2016, 98 min)
Sam Choy’s Poké to the Max screens with Harlem on My Plate (28 minutes) (d: Terrence Jeffrey Santos f: Sam Choy, Geo Quibuyen, Yuji Okumoto, Max Heigh, USA 2016, 40 min)
Sustainable (d: Matt Wechsler f: Marty Travis, Greg Wade, Rick Bayless, Mark Bittman, John Ikerd, USA 2016, 96 min)
Tsukiji Wonderland (d: Naotaro Endo f: Jiro Ono, Rene Redzepi, Theodore C. Bestor, Japan 2016, 110 min)
FACE THE MUSIC
Four out of five SIFF programmers agree that regular exposure to music and film are essential to your overall well-being. With that in mind, this year’s Face the Music program has been specifically designed to provide a holistic regimen for your audio-visual health. Taken together, these remedies are guaranteed to expand your visual and sonic parameters, as well as set you on the righteous path to living a more audio-visually conscious lifestyle, with optimal aural performance.
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BANG! The Bert Berns Story[/caption]
BANG! The Bert Berns Story (d: Brett Berns, Bob Sarles f: Paul McCartney, Van Morrison, Ronald Isley, Solomon Burke, Ben E. King, USA 2016, 94 min)
Concerto – A Beethoven Journey (d: Phil Grabsky f: Leif Ove Andsnes, Gustavo Dudamel, United Kingdom 2015, 92 min)
Contemporary Color (d: Bill Ross IV, Turner Ross f: David Byrne, Lucius, Nico Muhly, Ira Glass, Nelly Furtado, St.Vincent, Devonte Hynes, How To Dress Well, Zola Jesus, AD-
Rock, Money Mark, tUnE-yArDs, USA 2016, 96 min)
The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble (d: Morgan Neville f: Yo-Yo Ma, Wu Man, Kinan Azmeh, Kayhan Kalhor, Cristina Pato, USA 2015, 96 min)
Presenting Princess Shaw (d: Ido Haar f: Kutiman, Samantha Montgomery, Israel 2015, 80 min)
The Prince Sing Along
Red Gringo (d: Miguel Ángel Vidaurre f: Dean Reed, José Roman, Gonzalo Planet, Chile 2016, 67 min)
A Song For You: The Austin City Limits Story (d: Keith Maitland f: Willie Nelson, Townes Van Zandt, Steve Ray Vaughan, Matthew McConaughey, Johnny Cash, Bonnie Raitt, Beck, Ray Charles, Emmylou Harris, Buddy Guy, USA 2016, 91 min)
We Are X (d: Stephen Kijak f: Yoshiki, Toshi, Pata, Hiroshi, USA/Japan/United Kingdom 2016, 89 min)
NORTHWEST CONNECTIONS
Seattleites see more films per capita than the residents of any other American city, and a growing number of these selections have their roots in the fertile Pacific Northwest film community. Each year, SIFF honors the many ways in which the Puget Sound region contributes to the world of cinema, whether as an evocative location for outside filmmakers or as inspiration for local filmmakers ready to strut their stuff.
The Architect (d: Jonathan Parker c: Parker Posey, Eric McCormack, James Frain, John Carroll Lynch, USA 2016, 95 min)
Big Sonia (d: Leah Warshawski, Todd Soliday f: Sonia Warshawski, USA 2016, 90 min)
Finding Kim (d: Aaron Bear f: Kim B, Dan Savage, Buck Angel, Carmen Carrera, Calpernia Addams, Jamison Green, Dr. Tony Mangubat, USA 2016, 82 min)
Finding October (d: Nick Terry c: Michael Ward, Karin Terry, Nick Terry, Delaney Berreth, Ryan Woodyard, USA 2016, 77 min)
Full Court: The Spencer Haywood Story (d: Martin Spirit f: Spencer Haywood, Charles Barkley, Pat Riley, Lenny Wilkens, Chuck D, USA 2016, 90 min)
Gold Balls (d: Kate Dandel f: John Powless, Ron Tonidandel, Bob Sherman, George McCabe, Marcus Freeman, Steve Tignor, USA 2016, 85 min)
The IF Project (d: Kathlyn Horan f: Kim Bogucki, Renata Abramson, Tiffany Doll, Angela Vargas, LaKeisha “”KeWee”” Hamilton, USA 2016, 88 min)
If There’s a Hell Below (d: Nathan Williams c: Carol Roscoe, Conner Marx, Mark Carr, Paul Budraitis, USA 2016, 94 min)
The Memory of Fish (d: Jennifer Galvin, Sachi Cunningham Narrated by Lili Taylor, USA 2016, 54 min)
A New High (d: Samuel Miron, Stephen Scott Scarpulla USA 2015, 100 min)
Paralytic (d: Joey Johnson c: David S. Hogan, Darlene Sellers, Angela DiMarco, D’Angelo Midili, Richard Carmen, USA 2016, 87 min)
Tiny: The Life of Erin Blackwell (d: Martin Bell f: Erin Blackwell, Mary Ellen Mark, USA 2016, 86 min)
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‘The Birth of a Nation’ ‘Sonita’ Win Top Sundance Film Festival Awards
The 2016 Sundance Film Festival announced the winners of the feature filmmaking awards , with top honors going to Between Sea and Land, The Birth of a Nation (pictured above), First Girl I Loved, Jim: The James Foley Story, Sand Storm, Sonita and Weiner. The Birth of a Nation and Sonita won both the Grand Jury Prize and Audience Award for their respective sections, marking the third time in Festival history two films have done this in the same year, and continuing a four-year streak of at least one film winning both awards for its section.
2016 SUNDANCE FILM FESTIVAL AWARDS
The U.S. Grand Jury Prize: Documentary was presented by Louis Psihoyos to: Weiner / U.S.A. (Directors: Josh Kriegman, Elyse Steinberg) — With unrestricted access to Anthony Weiner’s New York City mayoral campaign, this film reveals the human story behind the scenes of a high-profile political scandal as it unfolds, and offers an unfiltered look at how much today’s politics is driven by an appetite for spectacle.
The U.S. Grand Jury Prize: Dramatic was presented by Franklin Leonard to: The Birth of a Nation / U.S.A. (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. Cast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.
The World Cinema Grand Jury Prize: Documentary was presented by Asif Kapadia to: Sonita / Germany, Iran, Switzerland (Director: Rokhsareh Ghaem Maghami) — If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she’d be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.
The World Cinema Grand Jury Prize: Dramatic was presented by Apichatpong Weerasethakul to: Sand Storm / Israel (Director and screenwriter: Elite Zexer) — When their entire lives are shattered, two Bedouin women struggle to change the unchangeable rules, each in her own individual way. Cast: Lamis Ammar, Ruba Blal-Asfour, Hitham Omari, Khadija Alakel, Jalal Masrwa.
The Audience Award: U.S. Documentary, Presented by Acura was presented by Matt Ross to: Jim: The James Foley Story / U.S.A. (Director: Brian Oakes) — The public execution of American conflict journalist James Foley captured the world’s attention, but he was more than just a man in an orange jumpsuit. Seen through the lens of his close childhood friend, Jim: The James Foley Story moves from adrenaline-fueled front lines and devastated neighborhoods of Syria into the hands of ISIS.
The Audience Award: U.S. Dramatic, Presented by Acura was presented by Matt Ross to: The Birth of a Nation / U.S.A. (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. Cast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.
The Audience Award: World Cinema Documentary was presented by Rose McGowan to:Sonita / Germany, Iran, Switzerland (Director: Rokhsareh Ghaem Maghami) — If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she’d be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.
The Audience Award: World Cinema Dramatic was presented by Rose McGowan to: Between Sea and Land / Colombia (Director: Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. Cast: Manolo Cruz, Vicky Hernandéz, Viviana Serna, Jorge Cao, Mile Vergara, Javier Sáenz.
The Audience Award: NEXT, Presented by Adobe was presented by Taika Waititi to: First Girl I Loved / U.S.A. (Director and screenwriter: Kerem Sanga) — Seventeen-year-old Anne just fell in love with Sasha, the most popular girl at her L.A. public high school. But when Anne tells her best friend, Clifton—who has always harbored a secret crush on her—he does his best to get in the way. Cast: Dylan Gelula, Brianna Hildebrand, Mateo Arias, Jennifer Prediger, Tim Heidecker, Pamela Adlon.
The Directing Award: U.S. Documentary was presented by Amy Ziering to: Roger Ross Williams for his film Life, Animated/ U.S.A. (Director: Roger Ross Williams) — Owen Suskind, an autistic boy who could not speak for years, slowly emerged from his isolation by immersing himself in Disney animated movies. Using these films as a roadmap, he reconnects with his loving family and the wider world in this emotional coming-of-age story.
The Directing Award: U.S. Dramatic was presented by Mark Adams to: Daniel Scheinert and Daniel Kwan for their film Swiss Army Man / U.S.A. (Directors and screenwriters: Daniel Scheinert, Daniel Kwan) — Hank, a hopeless man stranded in the wild, discovers a mysterious dead body. Together the two embark on an epic journey to get home. As Hank realizes the body is the key to his survival, this once-suicidal man is forced to convince a dead body that life is worth living. Cast: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead.
The Directing Award: World Cinema Documentary was presented by Mila Aung Thwain to: Michal Marczak for his film All These Sleepless Nights / Poland (Director: Michal Marczak) — What does it mean to be awake in a world that seems satisfied to be asleep? Kris and Michal push their experiences of life and love to a breaking point as they restlessly roam the city streets in search of answers, adrift in the euphoria and uncertainty of youth.
The Directing Award: World Cinema Dramatic was presented by Randall Poster to: Belgica / Belgium, France, Netherlands (Director: Felix van Groeningen, Screenwriters: Felix van Groeningen, Arne Sierens) — In the midst of Belgium’s nightlife scene, two brothers start a bar and get swept up in its success. Cast: Stef Aerts, Tom Vermeir, Charlotte Vandermeersch, Hélène De Vos.
The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Lena Dunham to: Chad Hartigan for Morris from America / U.S.A., Germany (Director and screenwriter: Chad Hartigan) — Thirteen-year-old Morris, a hip-hop loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor-turned-confidant, and attempts to navigate the unique trials and tribulations of adolescence. Cast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszał, Levin Henning.
A U.S. Documentary Special Jury Award for Editing was presented by Jill Lepore to: Penny Lane and Thom Stylinski for NUTS! / U.S.A. (Director: Penny Lane) — The mostly true story of Dr. John Romulus Brinkley, an eccentric genius who built an empire with his goat-testicle impotence cure and a million-watt radio station. Animated reenactments, interviews, archival footage, and one seriously unreliable narrator trace his rise from poverty to celebrity and influence in 1920s America.
A U.S. Documentary Special Jury Award for For Social Impact Filmmaking was presented by Simon Kilmurry to:
Trapped/U.S.A. (Director: Dawn Porter) — American abortion clinics are in a fight for survival. Targeted Regulation of Abortion Providers (TRAP) laws are increasingly being passed by states that maintain they ensure women’s safety and health, but as clinics continue to shut their doors, opponents believe the real purpose of these laws is to outlaw abortion.
A U.S. Documentary Special Jury Award for Writing was presented by Shola Lynch to: Kate Plays Christine / U.S.A. (Director: Robert Greene) — This psychological thriller follows actor Kate Lyn Sheil as she prepares to play the role of Christine Chubbuck, a Florida television host who committed suicide on air in 1974. Christine’s tragic death was the inspiration for Network, and the mysteries surrounding her final act haunt Kate and the production.
A U.S. Documentary Special Jury Award for Vérité Filmmaking was presented by Shola Lynch to: The Bad Kids / U.S.A. (Directors: Keith Fulton, Lou Pepe) — At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age story watches education combat the crippling effects of poverty in the lives of these so-called “bad kids.”
A U.S. Dramatic Special Jury Award was presented by Lena Dunham to: As You Are / U.S.A. (Director: Miles Joris-Peyrafitte, Screenwriters: Miles Joris-Peyrafitte, Madison Harrison) — As You Are is the telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation. Cast: Owen Campbell, Charlie Heaton, Amandla Stenberg, John Scurti, Scott Cohen, Mary Stuart Masterson.
A U.S. Dramatic Special Jury Award for Breakthrough Performance was presented by Avy Kaufman to: Joe Seo for Spa Night/U.S.A. (Director and screenwriter: Andrew Ahn) — Los Angeles’s Korean spas serve not only as meeting places but also as a bridge between past and future for generations of immigrant families. Spa Night explores one Korean American family’s dreams and realities as each member struggles with the overlap of personal desire, disillusionment, and sense of tradition. Cast: Joe Seo, Haerry Kim, Youn Ho Cho, Tae Song, Ho Young Chung, Linda Han.
A U.S. Dramatic Special Jury Award for Individual Performance was presented by Jon Hamm to: Melanie Lynskey in The Intervention / U.S.A. (Director and screenwriter: Clea DuVall) — A weekend getaway for four couples takes a sharp turn when one of the couples discovers the entire trip was orchestrated to host an intervention on their marriage. Cast: Melanie Lynskey, Cobie Smulders, Alia Shawkat, Clea DuVall, Natasha Lyonne, Ben Schwartz.
A U.S. Dramatic Special Jury Award for Individual Performance was presented by Jon Hamm to: Craig Robinson in Morris from America / U.S.A., Germany (Director and screenwriter: Chad Hartigan) — Thirteen-year-old Morris, a hip-hop loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor-turned-confidant, and attempts to navigate the unique trials and tribulations of adolescence. Cast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszał, Levin Henning.
A World Cinema Documentary Special Jury Award for Debut Feature was presented by Asif Kapadia to: Heidi Brandenburg and Mathew Orzel for their film When Two Worlds Collide / Peru (Directors: Heidi Brandenburg, Mathew Orzel) — An indigenous leader resists the environmental ruin of Amazonian lands by big business. As he is forced into exile and faces 20 years in prison, his quest reveals conflicting visions that shape the fate of the Amazon and the climate future of our world.
A World Cinema Documentary Special Jury Award for Cinematography was presented by Mila Aung Thwain to: Director and cinematographer Pieter-Jan De Pue for his film The Land of the Enlightened / Belgium (Director: Pieter-Jan De Pue) — A group of Kuchi children in Afghanistan dig out old Soviet mines and sell the explosives to child workers in a lapis lazuli mine. When not dreaming of an Afghanistan after the American withdrawal, Gholam Nasir and his gang control the mountains where caravans are smuggling the blue gemstones.
A World Cinema Documentary Special Jury Award for Editing was presented by Asif Kapadia to: Mako Kamitsuna and John Maringouin for We Are X / United Kingdom, U.S.A., Japan (Director: Stephen Kijak) — As glam rock’s most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late ’80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.
A World Cinema Dramatic Special Jury Award for Acting was presented by Fernanda Solórzano to: Vicky Hernandéz and Manolo Cruz in Between Sea and Land / Colombia (Director: Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. Cast: Manolo Cruz, Vicky Hernandéz, Viviana Serna, Jorge Cao, Mile Vergara, Javier Sáenz.
A World Cinema Dramatic Special Jury Award for Screenwriting was presented by Randall Poster to: Ana Katz and Inés Bortagaray in Mi Amiga del Parque / Argentina, Uruguay (Director: Ana Katz, Screenwriters: Ana Katz, Inés Bortagaray) — Running away from a bar without paying the bill is just the first adventure for Liz (mother to newborn Nicanor) and Rosa (supposed mother to newborn Clarisa). This budding friendship between nursing mothers starts with the promise of liberation but soon ends up being a dangerous business. Cast: Julieta Zylberberg, Ana Katz, Maricel Álvarez, Mirella Pascual, Malena Figó, Daniel Hendler.
A World Cinema Dramatic Special Jury Award for Unique Vision and Design was presented by Fernanda Solórzano to: Agnieszka Smoczyńska for The Lure / Poland (Director: Agnieszka Smoczynska, Screenwriter: Robert Bolesto) — Two mermaid sisters, who end up performing at a nightclub, face cruel and bloody choices when one of them falls in love with a beautiful young man. Cast: Marta Mazurek, Michalina Olszanska, Jakub Gierszal, Kinga Preis, Andrzej Konopka, Zygmunt Malanowicz.
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Competition and NEXT Film Lineup Revealed for 2016 Sundance Film Festival
Sundance Institute announced the 65 films selected for the U.S. Competition, World Competition and out-of-competition NEXT category set to premiere at the 2016 Sundance Film Festival, taking place January 21-31 in Park City, Salt Lake City, Ogden and Sundance, Utah.