The Reports on Sarah and Saleem (2018)

  • Palestinian-Israeli Drama THE REPORTS ON SARAH AND SALEEM Opens in US in June

    The Reports on Sarah and Saleem
    The Reports on Sarah and Saleem

    The Reports on Sarah and Saleem is a riveting, suspenseful drama of an extra marital affair between a Palestinian man and an Israeli woman.  It’s not long before security services are on to the affair and a simple extramarital affair becomes a spy sensation. Directed by Muayad Alaywan, the film starring Adeeb Safadi (Saleem), Sivane Kretchner (Sarah), Ishai Golan (David) and Mais Abd Elhadi (Bisan) will open on June 12 at Film Forum in New York and June 14 in Los Angeles.

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  • 2018 Durban International Film Festival Awards: THE REPORTS ON SARAH AND SALEEM Wins Best Film

    [caption id="attachment_31165" align="aligncenter" width="1200"]The Reports on Sarah and Saleem The Reports on Sarah and Saleem[/caption] The 39th Durban International Film Festival held its awards ceremony on Saturday and awarded the Best Feature Film prize to The Reports on Sarah and Saleem, directed by Muayad Alayan. Maisa Abd Elhadi was awarded Best Actress prize the for her role as Bisan in the film. A total of 17 awards were given out at the ceremony. DIFF has recently been included as a Documentary Feature Qualifying Festival by the Academy of Motion Picture, Arts and Sciences, which means that both the winners of the Best Documentary, New Moon and Best SA Documentary Sisters of the Wilderness, will now automatically qualify for consideration for an Oscar nomination.

    39th Durban International Film Festival Awards

    Best Feature Film: The Reports on Sarah and Saleem, directed by Muayad Alayan, and produced by Muayad Alayan, Rami Alayan, Hans de Wolf, Hanneke Niens, Rebekka Garrido, Rodrigo Iturralde, Georgina Gonzalez, and Alejandro Duran. Best South African Feature Film: High Fantasy, directed by Jenna Bass and produced by David Horler and Steven Markovitz. Best Documentary: New Moon, produced and directed by Philippa Ndisi-Hermann. Best South African Documentary: Sisters of the Wilderness, directed by Karin Slater and produced by Ronit Shapiro. Best Direction: Constantin Popescu for Pororoca Best Cinematography: Liviu Marghidan for Pororoca Best Screenplay: Jennifer Fox for The Tale Best Actor: Bogdan Dumitrache for his role as Tudor in Pororoca, directed by Constantin Popescu Best Actress: Maisa Abd Elhadi for her role as Bisan in The Reports on Sarah and Saleem Best Editing: Anne Fabini, Alex Hall and Gary Level for The Tale Artistic Bravery: was won jointly by High Fantasy, directed by Jenna Bass and Supa Modo directed by Likarion Wainaina. Best South African Short Film: Stillborn, directed by Jahmil X. T. Qubeka and produced by Huanxi Media Group, Xstream Pictures, and Yellowbone Entertainment. Best African Short Film: Aya, directed by Moufida Fedhila and produced by Appel d’Air Films. Best Short Film: The Patience of Water (La Paciencia Del Agua), directed by Guillem Almirall. Audience Choice Award: The State Against Mandela and the Others, directed by Nicolas Champeaux and Gilles Porte. Amnesty International Durban Human Rights Award: Silas, directed by Anjali Nayar and Hawa Essuman and produced by Appian Way, Big World Cinema and Ink & Pepper Productions. Best Wavescape Film: Heavy Water, directed by Michael Oblowitz  

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  • 2018 Durban International Film Festival Announces Films in Competition and Jury

    [caption id="attachment_30652" align="aligncenter" width="1200"]Spell Reel Spell Reel[/caption] The Durban International Film Festival today announced the films and jury members for competition at this year’s 39th edition of the festival, which takes place from July 19 to 29, 2018. Award categories are Best Feature Film, Best South African Feature Film, Best Documentary, Best SA Documentary, Best Short Film, Best African Short Film, Best South African Short Film, Best Actor Award, Best Actress, Best Direction, Best Cinematography, Best Screenplay, Best Editing, Artistic Bravery, Audience Choice Award, Wavescape Audience Choice Award and the Amnesty International Durban Human Rights Award. Feature films in competition are Clint (India) directed by Harikumar Ramakrishna Pilla, Farewell Ella Bella (SA) directed by Lwazi Mvusi, The Foolish Bird (Ben Niao) (China) directed by Ji Huang, Otsuka Ryuji, High Fantasy (SA) directed by Jenna Bass, Mayfair (SA), directed by Sara Blecher, The Movie Of My Life (O Filme Da Minha Vida) (Brazil) directed by Selton Mello, Pororoca (Romania, France) directed by Constantin Popescu, Rafiki (Kenya, South Africa) directed by Wanuri Kahiu, The Recce (SA) directed by Ferdinand Van Zyl, The Reports on Sarah and Saleem (Palestine, Netherlands, Germany, Mexico) directed by Muayad Muayad, Supa Modo (Germany, Kenya), directed by Likarion Wainaina, The Tale (USA) directed by Jennifer Fox, A Trip To The Moon (Un Viaje A La Luna) (Argentina) directed by Joaquín Cambre. [caption id="attachment_30651" align="aligncenter" width="1200"]Silas Silas[/caption] Documentary films in competition are We could be Heroes (Denmark, Morocco, Tunisa, Brazil) directed by Hind Bensari, Silas (Canada/South Africa/Kenya) directed by Anjali Nayar and Hawa Essuman, Whispering Truth To Power (South Africa/Netherlands) directed by Shameela Seedat, New Moon directed by Philippa Ndisi-Herrmann, Kinshasa Makambo (Democratic Republic Of The Congo/France/Switzerland/Germany/Norway) directed by Dieudo Hamadi, Amal (Egypt/Lebanon/Germany) directed by Mohamed Siam, Spell Reel, (Germany/Portugal/France/Guinea-Bissau) directed by Filipa César, Shakedown (Usa) directed by Leilah Weinraub, The Silk and the Flame (Fei’e Pu Huo) (United States) directed by Jordan Schiele, The State Against Nelson Mandela and the Others (France) directed by Nicolas Champeaux and Gilles Porte. All SA documentaries and features are also eligible for the SA Best Documentary and SA Best Feature awards. Fiction section jurors are Bongiwe Selane, the award-winning SA producer with a string of credits behind her including her debut SA block buster feature Happiness is a Four-Letter- Word; Hakeem Kae Kazim, the well-known British-Nigerian actor who has gained international acclaim for his performance in the Oscar nominated film Hotel Rwanda. He has countless credits in major international films such as The Triangle with Sam Neill, Pirates of the Caribbean III, X-Men Origins: Wolverine with Hugh Jackman and many more. Nse Ikpe-Etim Nigerian is a multiple award-winning actress who DIFF audiences will remember from her role in the celebrated Meg Rickards’ film Tess. The documentary film jury includes Uzanenkosi on of the SA’s busiest and most prolific producers, who created InterSEXions the award-winning first of its kind, world over drama series that won an unprecedented 11 SAFTA awards. Nakai Matema, a veteran Zimbabwean Producer who has produced several ground-breaking documentaries including Rehad, Desai’s My Land, My Life and Leo Phiri’s A Fighting Spirit from the STEPS for the Future series. Nigerian filmmaker Mahmood Ali-Balogun who has directed numerous films including multiple award-winning film Tango With Me, and has been on the juries of numerous festivals such as Cairo International Film Festival, Toronto International Film Festival, Abuja International Film Festival and African International Film Festival (AFRIFF). Dorothee Wenner is a Berlin-based freelance filmmaker, writer and curator who has been on the selection committee of Berlin’s International Forum since 1990 and serves as the Berlinale’s Delegate for India and sub- Saharan Africa. The Shorts Jury includes Alicia Price, Head of the Film Department at SAE Cape Town and Leon Van Der Merwe, a founding member, Chief Operating Officer, board member and director of the Cape Town International Film Market and Festival (CTIFMF). The Amnesty International Durban jury is convened by its chair Coral Vinsen with members Professor Margaret Daymond, Lazola Kati , Betty Rawheath and Nelvia Rawheath.

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  • ‘Eighth Grade’ ‘Won’t You Be My Neighbor?’ Among Winners at 2018 Seattle International Film Festival

    [caption id="attachment_27753" align="aligncenter" width="1200"]EIGHTH GRADE EIGHTH GRADE[/caption] The Seattle International Film Festival (SIFF) today announced the winners of the 2018 Golden Space Needle Audience and Competition Awards. Eighth Grade received the Golden Space Needle Audience Award for Best Film and a Best Actress Award for Elise Fisher. Won’t You Be My Neighbor won Best Documentary and Grand Jury prizes went to The Reports on Sarah and Saleem, Dead Pigs, Rust, Inventing Tomorrow, and Thunder Road. Artistic Director Beth Barrett said, “Executive Director Sarah Wilke and I were thrilled to present Ethan Hawke with the Festival’s Outstanding Achievement Award in Cinema before a screening of Blaze, his latest directing effort, as well as welcoming Melanie Lynskey back to the Festival for a special screening of Seattle based local film, Sadie. We also had an incredible lineup of local films, and our documentary film selection continues to be among the best in the country. Back for the second year was SIFF’s New Works-in-Progress Forum, where we screened two narrative and two documentary features in the midst of their creative process to the Seattle audience of industry and festival attendees, as well as continuing our exploration of the intersections between cinema and Virtual Reality at our first Pop-up event, SIFF VR Zone at Pacific Place.”

    2018 GOLDEN SPACE NEEDLE AWARD WINNERS

    The 2018 Golden Space Needle Awards are created by Seattle Artist, Piper O’Neill. GOLDEN SPACE NEEDLE AWARD – BEST FILM Eighth Grade, directed by Bo Burnham (USA 2018) First runner-up: The Last Suit, directed by Pablo Solarz (Argentina/Poland/Spain/France/Germany 2017) Second runner-up: Champions, directed by Javier Fesser (Spain 2018) Third runner-up: C’est la vie!, directed by Olivier Nakache, Eric Toledano (France/Canada/Belgium 2017) Fourth runner-up: Supa Modo, directed by Likarion Wainaina (Kenya/Germany 2018) GOLDEN SPACE NEEDLE AWARD – BEST DOCUMENTARY Won’t You Be My Neighbor?, directed by Morgan Neville (USA 2018) First runner-up: Pick of the Litter, directed by Don Hardy Jr., Dana Nachman (USA 2017) Second runner-up: Return to Mount Kennedy, directed by Eric Becker (USA 2018) Third runner-up: The Most Dangerous Year, directed by Vlada Knowlton (USA 2018) Fourth runner-up: The Russian Five, directed by Joshua Riehl (USA 2018) GOLDEN SPACE NEEDLE AWARD – BEST DIRECTOR Gustav Möller, The Guilty (Denmark 2018) First runner-up: Pablo Solarz, The Last Suit (Argentina/Poland/Spain/France/Germany 2017) Second runner-up: Megan Griffiths, Sadie (USA 2018) Third runner-up: Debra Granik, Leave No Trace (USA 2018) Fourth runner-up: Albert Dupontel, See You Up There (France 2017) GOLDEN SPACE NEEDLE AWARD – BEST ACTOR Miguel Ángel Solá, The Last Suit (Argentina/Poland/Spain/France/Germany 2017) First runner-up: Jakob Cedergren, The Guilty (Denmark 2018) Second runner-up: Ethan Hawke, First Reformed (USA 2017) Third runner-up: Jim Cummings, Thunder Road (USA 2018) Fourth runner-up: Ben Foster, Leave No Trace (USA 2018) GOLDEN SPACE NEEDLE AWARD – BEST ACTRESS Elsie Fisher, Eighth Grade (USA 2018) First runner-up: Rhaechyl Walker, My Name is Myeisha (USA 2018) Second runner-up: Sophia Mitri Schloss, Sadie (USA 2018) Third runner-up: Thomasin Harcourt McKenzie, Leave No Trace (USA 2018) Fourth runner-up: Ana Brun, The Heiresses (Paraguay/Uruguay/Germany/Brazil/Norway/France 2018) GOLDEN SPACE NEEDLE AWARD – BEST SHORT FILM Emergency, directed by Carey Williams (USA 2017) First runner-up: About the Birds and the Bees, directed by J.J. Vanhanen (Finland 2017) Second runner-up: Wishing Box, directed by Wenli Zhang, Nan Li (USA 2017) Third runner-up: Cats Cradle, directed by Jonathan Napolitano (USA 2018) Fourth runner-up: Wave, directed by Benjamin Cleary, TJ O’Grady Peyton (Ireland 2017) LENA SHARPE AWARD FOR PERSISTENCE OF VISION Presented by Women in Film – Seattle Dana Nachman, Pick of the Litter (USA 2017) This award is given to the female director’s film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle’s Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film – Seattle to bestow it.

    SIFF 2018 COMPETITION AWARDS

    SIFF 2018 OFFICIAL COMPETITION WINNER

    GRAND JURY PRIZE The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018) JURY STATEMENT: The Official Competition Jury Award goes to a work that through its complex and multi-dimensional characters tells a familiar story of infidelity in an original and wholly disarming way. We were struck by the unexpected journey taken by the two female leads towards empowerment, particularly given the political and social climate of a modern day divided Jerusalem. The Official Competition Jury Award goes to The Reports on Sarah and Seleem. SPECIAL JURY MENTION The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018) JURY STATEMENT: We would like acknowledge The Heiresses, a remarkable first feature from Paraguay by Marcelo Martinessi. 2018 Entries: The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Qaushiq Mukherjee, India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) Team Hurricane (d: Annika Berg, Denmark 2017) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere)

    SIFF 2018 IBERO-AMERICAN COMPETITION

    GRAND JURY PRIZE Rust (d: Aly Muritiba, Brazil 2018) JURY STATEMENT: For highlighting a very important social issue, through an inventive structure and phenomenal performances, we present the Ibero-American Competition Jury Award to Aly Muritiba’s Rust. SPECIAL JURY MENTION Rush Hour (d: Luciana Kaplan, Mexico 2017) JURY STATEMENT: The Jury wants to also recognize a wonderful discovery, told with a subtle, unique point of view. For her examination of suffering and humanity inside of an increasingly automotive environment, the Ibero-American Competition Jury awards a special mention to Luciana Kaplan’s Rush Hour. 2018 Entries: Champions (d: Javier Fesser, Spain 2018) Giant (d: John Garaño, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martin Rodriguez, Argentina/Chile 2018, North American Premiere) Retablo (d: Peru/Germany/Norway 2017, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Calcedo, Colombia/Ecuador 2017)

    SIFF 2018 NEW DIRECTORS COMPETITION

    GRAND JURY PRIZE Dead Pigs (d: Cathy Yan, China/USA 2018) JURY STATEMENT: For building an epic world, grounded in humanity, purposefully depicting the intricacies of the characters who exemplify the changes of a modernizing China, the New Directors Competition Jury award goes to Cathy Yan for Dead Pigs. SPECIAL JURY MENTION Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) JURY STATEMENT: Using striking and haunting visuals, this filmmaker confidently creates intimate and empathetic characters while depicting the struggle for artistic expression in a society that does not allow the full breadth of it. The jury would like to recognize Ana Urushadze with a special mention for her filmScary Mother. 2018 Entries: After the War (d: Annarita Zambrano, Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, Algeria/France/Belgium/Qatar 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Klat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018) Retablo (d: Alvaro L. Delgado-Aparicio, Peru/Germany/Norway 2017, North American Premiere)

    SIFF 2018 NEW AMERICAN CINEMA COMPETITION

    Thunder Road (d: Jim Cummings, USA 2018) JURY STATEMENT: For the bold and unpredictable lead performance and commitment to telling a hilarious and ultimately heartbreaking story of shifting family relations in the face of personal adversity and tragedy, the New American Cinema Competition Jury award goes to Thunder Road by Jim Cummings. 2018 Entries: Jinn (d: Nijla Mu’min, USA 2018) My Name is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights with Emily (d: Madeleine Olnek, USA 2018)

    SIFF 2018 DOCUMENTARY COMPETITION

    GRAND JURY PRIZE Inventing Tomorrow (d: Laura Nix, USA 2018) JURY STATEMENT: For it’s compelling cast of young visionaries from around the globe who are engaged and looking for solutions to the world’s environmental problems, Inventing Tomorrow offers us a sense of optimism and the certainty that science matters. SPECIAL JURY MENTION Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018) JURY STATEMENT: For portraying a side of Afghanistan that we don’t usually see and the self confidence and bravery of the young women, we would like to acknowledge Afghan Cycles with a Documentary Competition Special Jury Mention. 2018 Entries: Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018, US Premiere) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)

    SIFF 2018 YOUTH JURY FEATURES & FUTUREWAVE SHORTS AWARDS

    YOUTH JURY PRIZE FOR BEST FILMS4FAMILIES FEATURE Zoo (d: Colin McIvor, Ireland 2017) JURY STATEMENT: For its well-developed, heartwarming plot, spectacular scenery, and believable acting. YOUTH JURY PRIZE FOR BEST FUTUREWAVE FEATURE My Name is Myeisha (d: Gus Krieger, USA 2018) JURY STATEMENT: For its creative and non-linear storytelling that incorporates multiple art forms, including poetry, rap, beat-boxing, and dance, and its holistic portrayal of victims of police brutality. In addition, SIFF presents FutureWave Shorts during ShortsFest Weekend. These inspiring original short films represent some of the best short filmmaking from around the world. WAVEMAKER AWARD (GRAND PRIZE) iRony (d: Radheya Jegatheva, Australia 2017) JURY STATEMENT: We found that the animation was excellent, smart, and gorgeous. This film was paired with emotional and poignant prose about technology in this new world, sustaining our curiosity and interest throughout. PRODIGY CAMP SCHOLARSHIP The winner will be awarded a $1000 partial scholarship to the Prodigy Camp. Roommate (d: Jinho Rhee, USA 2017) FUTUREWAVE SHORTS AUDIENCE AWARD iRony (d: Radheya Jegatheva, Australia 2017)

    SIFF 2018 SHORT FILM JURY AWARDS

    LIVE ACTION GRAND JURY PRIZE Caroline (d: Celine Held, Logan George, USA 2017) JURY STATEMENT: “Perfect” and “flawless” were two words our team used multiple times to describe this intense drama. A searing portrait of motherhood, it sent our blood pressure through the roof and arrested our attention until the very last second with its clever and powerful ending. The winner of the 2018 Live Action Short Jury Award goes to Caroline by Celine Held and Logan George. SPECIAL JURY MENTION Creme de Menthe (d: Jean-Marc E. Roy & Philippe David Gagné, Canada 2017) JURY STATEMENT: Unlike the liqueur for which it is titled, this film is bittersweet and complex, a poignant reminder of every grown child’s desire for parental validation, even posthumously. What the captivating lead finds instead are small victories amidst her “rush” to judgement and the rubble of her father’s later life. Our special mention award goes to the understated and masterful Creme de Menthe by Jean-Marc E. Roy and Philippe David Gagné. SPECIAL JURY MENTION The Victory of Charity (d: Albert Meisl, Austria 2017) JURY STATEMENT: This Austrian farce manages to create comedic gold with a mismatched pair of music professors: turning an act of charity–however maliciously motivated–into a hilarious treasure hunt around Vienna. For its endlessly humorous crafting of two endearingly ridiculous characters, on an earnest and equally ridiculous quest, we award a Special Mention to the short that left us in stitches, The Victory of Charity by Albert Meisl. DOCUMENTARY GRAND JURY PRIZE Juck [Thrust] (d: Olivia Kastebring, Julia Gumpert, Ulrika Bandeira, Sweden 2018) JURY STATEMENT: An unapologetic, empowering, and affecting call to action that demands attention. SPECIAL JURY MENTION The Driver is Red (d: Randall Christopher, USA 2017) JURY STATEMENT: An invigorating revelation of an important, lesser known part of history, full of inventive visuals and tension-filled storytelling ANIMATION GRAND JURY PRIZE Between the Lines (d: Maria Koneva, Russia 2017) JURY STATEMENT: A delightful and whimsical story from a skilled, emerging new voice in animation. SPECIAL JURY MENTION The Driver is Red (d: Randall Christopher, USA 2017) JURY STATEMENT: An invigorating revelation of an important, lesser known part of history, full of inventive visuals and tension-filled storytelling.

    SIFF 2018 CHINA STARS AWARDS

    CHINA STARS BEST FILM AWARD The Taste of Betel Nut (d: Jia Hu, p: Wei Sun, China 2017) CHINA STARS BEST FIRST FILM Dead Pigs (d: Cathy Yan, China/USA 2018) CHINA STARS BEST NEW TALENT Girls Always Happy (d: Mingming Yang, China 2018)

    SIFF 2018 DOCUMENTARY FILM GRANT PROGRAM

    The 2018 Clark Family Legacy Film Grant in the amount of $50,000 was awarded to Jordan Schiele for his film The Silk and the Flame and the Áegis Living Film Grant in the amount of $25,000 was awarded to Sarah Menzies for her film Afghan Cycles. These grants are given to documentary filmmakers who are working with excellence and integrity to bring important human stories to life. Both films were screened at this year’s Festival.

    SIFF 2018 SCREENPLAY COMPETITION

    GRAND PRIZE WINNER Youth Decay by Brandon Hall FINALISTS Anh Sang by Barry Brennessel Kibou by Cassie Hayasaka and Keith Hayasaka Plan B by Paige Gresty SEMI-FINALISTS Amelia Was Here! by Millie West Kelley’s Coffin by Jon Hartz Pale Souls by Michael Lavine The Rodeo King of Brooklyn by Paul Longo Seattle ‘94 by Charles Freeman Strange Trails by Jordan Short

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  • Seattle International Film Festival Announces 2018 Lineup of Over 400 Films

    [caption id="attachment_28016" align="aligncenter" width="1200"]Don’t Worry, He Won’t Get Far on Foot Don’t Worry, He Won’t Get Far on Foot[/caption] This year’s 44th edition of the Seattle International Film Festival revealed today the complete lineup of 433 films, plus guests and events for the 25-day Festival that runs May 17 to June 10, 2018.   Opening night kicks off Thursday, May 17 with The Bookshop from acclaimed Spanish filmmaker Isabel Coixet (Learning to Drive, Elegy), distributed by Greenwich Entertainment. The film is set in a seaside village in England where a grieving widow (Emily Mortimer) pursues her lifelong dream of opening a bookshop. She introduces the townsfolk to the world’s best literature and stirs a cultural awakening, but her efforts are ruthlessly opposed by a powerful local (Patricia Clarkson) causing a reclusive resident (Bill Nighy) to join the fight to keep the bookshop open. The film is based on the bestselling novel by Penelope Fitzgerald. The annual Centerpiece Gala, Sorry to Bother You, pulls no punches in its portrayal of racial dynamics in the workplace. This new film ushers in an utterly original and wildly creative new voice on the film scene from debut director and musician Boots Riley. Director Boots Riley is scheduled to attend the Seattle premiere to take place Saturday, June 2, at 5:30 PM, at the SIFF Cinema Egyptian. The Seattle premiere of Ethan Hawke’s Blaze will also screen at the historic SIFF Cinema Egyptian as SIFF honors Mr. Hawke’s work with the Award for Outstanding Achievement in Cinema. In addition to the award presentation and screening, the acclaimed actor is slated for an on-stage interview at the Friday, June 8 event. Also scheduled is An Afternoon with Melanie Lynskey, where the Festival pays tribute to this celebrated actress. The iconic scene-stealing actress makes her way to SIFF on Sunday, May 27 for the Seattle premiere of Northwest Filmmaker Megan Griffiths’ film Sadie with an onstage discussion following the film. Seattle favorite, Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot, closes SIFF 2018 with a bang! Starring Joaquin Phoenix in a transformative performance as Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. “Sifting through over 4,000 film submissions each year, finding just 240 features is somewhat of a treasure hunt,” said SIFF Artistic Director Beth Barrett. “We’re looking for dynamic, diverse stories. This year, we’re overjoyed to share that over 43-percent of the feature films are female directed. We’re thrilled to jump into the 44th Festival and share these voices from around the globe with over 150,000 film enthusiasts in Seattle over the course of 25 days.”

    GALAS

    Opening Night Gala The Bookshop Spanish director Isabel Coixet heads to the English coast circa 1959, where a headstrong widow (Emily Mortimer) opens a bookstore in a sleepy village and encounters both pride and prejudice from the provincial locals. Winner of Best Film, Director, and Screenplay at Spain’s Goya Awards. (d: Isabel Coixet c: Emily Mortimer, Bill Nighy, Patricia Clarkson, Julie Christie, Hunter Tremayne, United Kingdom 2017, 110 min) Centerpiece Gala Sorry to Bother You Lakeith Stanfield, Tessa Thompson, and Armie Hammer star in the exhilarating directorial debut of musician Boots Riley, a biting and bonkers satire that follows a black telemarketer who discovers an unknown skill which gives him magical selling powers that shoot him up the corporate ladder. (d: Boots Riley c: Lakeith Stanfield, Tessa Thompson, Steven Yeun, Jermaine Fowler, Armie Hammer, Omari Hardwick, David Cross, Danny Glover, USA 2018, 112 min) Closing Night Gala Don’t Worry, He Won’t Get Far On Foot Joaquin Phoenix gives a transformative performance in Gus Van Sant’s sensitive and caustically funny portrait of Portland cartoonist John Callahan who, after a car accident leaves him disabled, uses his sardonic humor and brutal honesty to battle with a lifetime of addiction. The outstanding supporting cast includes Jonah Hill, Rooney Mara, Jack Black, and musician Beth Ditto in her impressive film debut. (d: Gus Van Sant c: Joaquin Phoenix, Jonah Hill, Rooney Mara, Jack Black, Beth Ditto, USA 2018, 113 min)

    SPECIAL GUESTS

    AN AFTERNOON WITH Melanie Lynskey FILM: Sadie Since making her debut at age 16 opposite a young Kate Winslet in Peter Jackson’s Heavenly Creatures, the New Zealand-born Melanie Lynskey has become one of American cinema’s most reliable character actors. From Ever After: A Cinderella Story to Shattered Glass, The Informant! to The Perks of Being a Wallflower, Hello I Must Be Going to I Don’t Feel at Home in This World Anymore, and TV work ranging from HBO’s “Togetherness” and “Animals” and Cartoon Network’s “Over the Garden Wall” to 12 years on CBS’ “Two and a Half Men,” her passionate dedication to her craft has created a class of charismatic characters defined by their grace, sensitivity, quirkiness, and kindness. This afternoon, SIFF will welcome her to the stage for an interview featuring film clips from her career, followed by a screening of one of Lynskey’s latest films, Sadie, directed by Seattle-based Megan Griffiths (The Night Stalker, Lucky Them, Eden), with music by Pearl Jam’s Mike McCready. There will also be an opportunity for audience questions following the screening.

    OUTSTANDING ACHIEVEMENT IN CINEMA

    A Tribute to Ethan Hawke FILM: Blaze A modern day renaissance artist, Ethan Hawke’s creative talent continues to flourish in several realms of expression. An actor, screenwriter, novelist, and filmmaker, his body of work is broad as it is deep in a career that now spans three decades. From portraying a rock-steady police sergeant and cowboy, to a sensitive teenage poet and young heartthrob, his versatility as an actor is renowned, cementing him as one of the great performers of this generation. SIFF will present Ethan Hawke with the Seattle International Film Festival Award for Outstanding Achievement in Cinema. A Q&A with Hawke will follow the screening of his new film, Blaze. Past honorees of the SIFF Outstanding Achievement Awards include Anjelica Huston, Laura Dern, Chiwetel Ejiofor, Viggo Mortensen, Kyle MacLachlan, Sir Ben Kingsley, Kevin Bacon, Edward Norton, Sissy Spacek, Joan Allen, Spike Lee, among others.

    FILMS WITH PARTIES

    Saturday Film and Party The Cake General, North American Premiere SATURDAY, MAY 19, 5:30 PM – Party to follow screening FILM: MAJESTIC BAY PARTY: NORDIC MUSEUM Based on a true story, the directorial debut of popular Swedish personalities Filip and Fredrik is an outrageous, unconventional comedy set in the 1980s about an eccentric resident of “the most boring town in Sweden” who decides to put his sleepy hamlet on the map by assembling the world’s longest layer cake. (d: Filip Hammar, Fredrik Wikingsson c: Mikael Perssbrandt, Helena Bergström, Agnes Lindström Bolmgren, Tomas von Brömssen, Sweden 2018, 101 min) Saturday Film and Party Won’t You Be My Neighbor? SATURDAY, MAY 26, 6:00 PM – Party to follow screening FILM: SIFF CINEMA UPTOWN PARTY: THE HOUSE STUDIOS Oscar®-winning director Morgan Neville (20 Feet From Stardom) presents the heartwarming life of Fred Rogers, whose cherished PBS series, “Mister Rogers’ Neighborhood,” used cardigans, puppets, and the Land of Make-Believe to imaginatively and compassionately inspire children, while not shying away from complicated issues. (d: Morgan Neville f: Fred Rogers, USA 2018, 93 min) Kirkland Opening Night The Drummer and the Keeper THURSDAY, MAY 31, 8:00 PM – Party to precede screening PARTY AND FILM: KIRKLAND PERFORMANCE CENTER When a drummer for an up-and-coming Dublin rock band is diagnosed with bipolar disorder, he is forced to join a weekend mixed-ability soccer team and makes fast friends with a 17-year-old with Asperger’s Syndrome in this poignant and charming bro-com between two odd and lonely souls. (d: Nick Kelly c: Dermot Murphy, Jacob McCarthy, Peter Coonan, Ireland/USA 2017, 93 min)

    SPECIAL PRESENTATION

    L’INFERNO WITH LIVE SCORE BY MY GOODNESS Thursday, May 31 | 7:00 PM | The Triple Door Seattle rock band My Goodness bring their expansive blues-inspired sound to The Triple Door for a live accompaniment to the 1911 Italian silent film, a macabre tour de force inspired by Dante’s “Divine Comedy,” featuring ground-breaking special effects and a cast of thousands.

    SPOTLIGHT PRESENTATIONS

    HIGHLANDER WITH LIVE SOUNDTRACK BY DJ NICFIT Wednesday, May 23 | 6:30 PM | SIFF Cinema Egyptian When originally released in 1986, this franchise-inspiring fantasy adventure about an immortal Scottish swordsman featured a handful of new songs from rock icons Queen. Now, Seattle’s own DJ NicFit reimagines the cult classic with a decades-spanning all-Queen playlist performed live on two turntables. FOUND FOOTAGE FESTIVAL: CHERISHED GEMS Wednesday, June 6 | 9:15 PM | SIFF Cinema Egyptian Ranging from industrial training videos to forsaken home movies, comedians Joe Pickett and Nick Prueher’s vast VHS library features the world’s largest collection of strange, outrageous, and profoundly stupid videos, the best (and worst) of which they have carefully curated and present along with live comedy commentary. EIGHTH GRADE Saturday June, 9, 6:30 PM | SIFF Cinema Egyptian Sunday, June 10, 12:30 PM | SIFF Cinema Uptown Newcomer Elsie Fisher, in a star-making performance, perfectly captures the everyday humiliations and triumphs of a modern-day thirteen-year-old making her way through the last week of her thus far disastrous eighth grade year in the auspicious filmmaking debut of comedian Bo Burnham.

    COMPETITIONS

    Official Competition

    The Devil’s Doorway (d: Aislinn Clarke, United Kingdom 2018, World Premiere) Garbage (d: Q (Qaushiq Mukherjee), India 2018, North American Premiere) The Heiresses (d: Marcelo Martinessi, Paraguay/Uruguay/Germany/Brazil/Norway/France 2018, US Premiere) Leave No Trace (d: Debra Granik, USA 2018) Luna (d: Elsa Diringer, France 2017) Pig (d: Mani Haghighi, Iran 2018, North American Premiere) The Reports on Sarah and Saleem (d: Muayad Alayan, Palestine/Netherlands/Germany/Mexico 2018, North American Premiere) Something Useful (d: Pelin Esmer, Turkey/France/Netherlands/Germany 2017, North American Premiere) Team Hurricane (d. Annika Berg, Denmark 2017)

    New Directors Competition

    After the War (d: Annarita Zambrano, France/Italy/Belgium/Switzerland 2017) Amateurs (d: Gabriela Pichler, Sweden 2018) The Blessed (d: Sofia Djama, France/Belgium 2017) The Charmer (d: Milad Alami, Denmark/Sweden 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Retablo (d: Alvaro Delgado-Aparicio L., Peru/Germany/Norway 2018, North American Premiere) Sashinka (d: Kristina Wagenbauer, Canada (Québec) 2017, US Premiere) Scary Mother (d: Ana Urushadze, Georgia/Estonia 2017) Shuttle Life (d: Tan Seng Kiat, Malaysia 2017, US Premiere) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)

    Ibero-American Competition

    Champions (d: Javier Fesser, Spain 2018, North American Premiere) Giant (d: Jon GaranÞo, Aitor Arregi, Spain 2017) Gold Seekers (d: Juan Carlos Maneglia, Tana Schémbori, Paraguay 2017) Killing Jesus (d: Laura Mora Ortega, Colombia/Argentina 2017) Lots of Kids, A Monkey and a Castle (d: Gustavo Salmerón, Spain 2017) Marilyn (d: Martiìn Rodriguez, Argentina/Chile 2018, North American Premiere) Rush Hour (d: Luciana Kaplan, Mexico 2017) Rust (d: Aly Muritiba, Brazil 2018) Virus Tropical (d: Santiago Caicedo, Colombia/Ecuador 2017)

    New American Cinema Competition

    Jinn (d: Nijla Mu’min, USA 2018) My Name Is Myeisha (d: Gus Krieger, USA 2018) Noble Earth (d: Ursula Grisham, USA 2017, US Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Sadie (d: Megan Griffiths, USA 2018) Thunder Road (d: Jim Cummings, USA 2018) Tyrel (d: Sebastián Silva, USA 2018) Wild Nights With Emily (d: Madeleine Olnek, USA 2018)

    Documentary Competition

    Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Inventing Tomorrow (d: Laura Nix, USA 2018) MATANGI / MAYA / M.I.A. (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) People’s Republic of Desire (d: Hao Wu, China 2018) Queerama (d: Daisy Asquith, United Kingdom 2017) The Return (d: Malene Choi, Denmark 2018) Unarmed Verses (d: Charles Officer, Canada 2017, US Premiere) Warrior Women (d: Elizabeth A. Castle, Christina D. King, USA 2018, US Premiere)

    AFRICAN PICTURES

    The African Storm (d: Sylvestre Amoussou, Benin/France 2017) The Blessed (d: Sofia Djama, France/Belgium 2017) Cook Off (d: Tomas L. Brickhill, Zimbabwe 2017, North American Premiere) Ellen (d: Daryne Joshua, South Africa 2017, North American Premiere) I Am Not a Witch (d: Rungano Nyoni, Zambia/France/United Kingdom 2017) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Maki’la (d: Machérie Ekwa Bahango, Democratic Republic of Congo/France 2018, North American Premiere) Razzia (d: Nabil Ayouch, France/Morocco/Belgium 2017) Silas (d: Hawa Essuman, Anjali Nayar, Canada/South Africa/Kenya 2017) Supa Modo (d: Likarion Wainaina, Kenya/Germany 2018)

    CHINA STARS

    Awards will be presented to: Best New Talent Award: Mingming Yang for Girls Always Happy Best First Film Award: Dead Pigs by Cathy Yan Best Film Award: The Taste of Betel NutAngels Wear White (d: Vivian Qu, China/France 2017) Dead Pigs (d: Cathy Yan, China/USA 2018) Girls Always Happy (d: Mingming Yang, China 2018, North American Premiere) Love Education (d: Sylvia Chang, Mainland China/Taiwan 2017) People’s Republic of Desire (d: Hao Wu, China 2018) The Silk and the Flame (d: Jordan Schiele, USA/China 2018, US Premiere) Susu (d: Yixi Sun, China/United Kingdom 2017, US Premiere) The Taste of Betel Nut (d: Jia Hu, Mainland China/Hong Kong 2017, North American Premiere) The Widowed Witch (d: Chenglie Cai, China 2018, North American Premiere) Wrath of Silence (d: Yukun Xin, China 2017, North American Premiere)

    CULINARY CINEMA

    Brewmaster (d: Douglas Tirola, USA/Czech Republic 2018) Constructing Albert (d: Laura Collado, Jim Loomis, Spain 2017) Cuban Food Stories (d: Asori Soto, Cuba/USA 2018) Michelin Stars: Tales from the Kitchen (d: Rasmus Dinesen, Denmark 2017) Schumann’s Bar Talks (d: Marieke Schroeder, Germany 2017) Scotch – A Golden Dream (d: Andrew Peat, Taiwan 2017) Soufra (d: Thomas Morgan, USA 2017)

    FACE THE MUSIC

    Being Frank: The Chris Sievey Story (d: Steve Sullivan, United Kingdom 2018) Blaze (d: Ethan Hawke, USA 2018) Industrial Accident – The Story of Wax Trax! Records (d: Julia Nash, USA/Belgium/Canada/Germany 2018) Looking for Oum Kulthum (d: Shirin Neshat, Germany/Austria/Italy/Lebanon/Qatar 2017) Making the Grade (d: Ken Wardrop, Ireland 2017) MATANGI / Maya / M.I.A (d: Stephen Loveridge, Sri Lanka/United Kingdom/USA 2018) Nico, 1988 (d: Susanna Nicchiarelli, Italy/USA 2017) Rubén Blades Is Not My Name ( d: Abner Benaim, Panama/Argentina/Colombia 2018) Ryuichi Sakamoto:Coda (d: Stephen Nomura, Japan/USA 2017)

    NORTHWEST CONNECTIONS

    Afghan Cycles (d: Sarah Menzies, USA/France/Afghanistan 2018, US Premiere) Automata (d: Van Alan, USA 2017) The Faces of Zandra Rhodes (d: David Wiesehan, USA 2018, World Premiere) The Most Dangerous Year (d: Vlada Knowlton, USA 2018, World Premiere) Prospect (d: Zeek Earl, Chris Caldwell, USA/Canada 2018) Return to Mount Kennedy (d: Eric Becker, USA 2018) Sadie (d: Megan Griffiths, USA 2018)

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  • International Film Festival Rotterdam Audience Award Winner THE GUILTY to Kick Off 7th Edition Curaçao IFFR

    [caption id="attachment_27745" align="aligncenter" width="1200"]The Guilty The Guilty[/caption] For the seventh time, Willemstad will host Curaçao International Film Festival Rotterdam (CIFFR), from Wednesday April 11 through Sunday April 15, 2018. CIFFR presents the highlights of the most recent edition of IFFR, gripping new titles from other film festivals, and promising new work by filmmakers from the region, most importantly in its Yellow Robin Award Competition and the Caribbean Shorts Competition. This year’s edition opens with Gustav Möller’s thrilling debut The Guilty, which won the Audience Award at IFFR 2018, and closes with Film Stars Don’t Die in Liverpool by Paul McGuigan (Lucky Number Slevin) with a wonderful role played by Annette Bening.

    Yellow Robin Award Competition

    For the sixth time, CIFFR presents the Yellow Robin Award Competition, in which five films by emerging filmmakers from the Caribbean and Latin America compete for the Yellow Robin Award. This year’s selections are Khalik Allah’s Black Mother (Jamaica, USA), Gustavo Ramos Perales’s El chata (Puerto Rico), Luis and Andrés Rodríguez’s Hijos de la sal (Venezuela), Vashti Anderson’s Moko Jumbie (Trinidad and Tobago, USA) and Álvaro Aponte-Centeno’s El silencio del viento (Puerto Rico, Dominican Republic, France). An international jury picks the winning film, which is guaranteed a spot in IFFR 2019’s Bright Future program and will also screen at Morelia International Film Festival in Mexico later in the year. The winning filmmaker receives a cash prize of $2,500 as well as $7,500 worth of training in the context of talent development in programs such as BoostNL or CineMart. The five nominees for the 6th Yellow Robin Award are: [caption id="attachment_27747" align="aligncenter" width="1200"]BLACK MOTHER BLACK MOTHER[/caption] BLACK MOTHER Khalik ALLAH | Jamaica, USA | 2018 | English | n.s. In his artistic documentary, filmmaker/photographer Khalik Allah (1985, US) gives Jamaicans the opportunity to share their dreams and wisdom, but also to talk about the harsh everyday reality. The self-taught photographer and filmmaker portrays contemporary Jamaicans in a particularly honest fashion. From young streetwalkers and streetwise rappers to Rastafarians, mothers, agricultural laborers and devout church girls. EL CHATA (The Sparring Partner) Gustavo RAMOS PERALES | Puerto Rico | 2018 | Spanish | e.s. Director Ramos Perales (1980, Puerto Rico) took the scintillating boxing scene of Puerto Rico as the point of departure for his debut drama The Sparring Partner about second chances and perseverance. Convincing acting and action-packed fight scenes reveal that boxing seems to promise a better life for many Puerto Ricans, but even with great ambition and talent, there’s a constant pull to abandon the straight and narrow. HIJOS DE LA SAL (Children of the Salt) Luis and Andrés RODRÍGUEZ | Venezuela | 2018 | Spanish | e.s. Hijos de la sal is the second feature film by brothers Luis and Andrés Rodríquez (1974, Venezuela). This luxuriant, absorbing family drama is set in the salt pans of Cumaragues, Venezuela where, after the death of their father, Evaristo, the lives of Enrique (13) and Maria (16) get a lot harder. Sound plays a major role in the film; the almost tangible presence of the wind, waves and music lend it a magic-realist edge. MOKO JUMBIE Vashti ANDERSON | 2017 | Trinidad & Tobago, USA | English | n.s. A romantic drama about roots and tolerance by Trinidadian-American filmmaker Vashti Anderson. While visiting her aunt in Trinidad, young Englishwoman Asha meets mysterious neighbour Roger. This starts a romantic, magical search for identity and love. Intense debut film that delicately navigates taboos, superstition and spirituality. EL SILENCIO DEL VIENTO (Silence of the Wind) Álvaro APONTE-CENTENO | Puerto Rico, Dom. Republic, France | 2017 | Spanish | e.s. In his debut film, Silence of the Wind, Álvaro Aponte-Centeno (1979, Puerto Rico) depicts a humane, yet no less dramatic side of the global immigration crisis. Together with his sister Carmen, Rafael is part of a human trafficking network that helps move fortune seekers to Puerto Rico. The country’s beautiful landscapes contrast markedly with the tragedies of human trafficking victims.

    CIFFR

    CIFFR launched in 2012 as a collaboration between the Curaçao-based Fundashon Bon Intenshon and International Film Festival Rotterdam (IFFR). Since then, the festival has served as a platform for young local film talent and has brought feature films, documentaries and short films from all over the world together in Curaçao. Festival Director Bero Beyer: “CIFFR offers a wonderful treat: five days of celebrating independent cinema on a beautiful island which has always been a meeting point for many different cultures. The voices represented at the festival range from those of internationally renowned filmmakers to those of emerging local artists, which results in a unique mix of different perspectives and tones. The selection for this seventh edition is as lively and diverse as ever and is sure to open up a world of daring and beautiful film to a wide audience.”

    Caribbean Shorts Competition

    Last year CIFFR introduced the Caribbean Shorts Competition, which returns for its second installment this year. The program is the result of a region-wide collaboration. Six film festivals – in Cuba, the Dominican Republic, Martinique, Mexico, Trinidad and Tobago and CIFFR itself – submitted a short film to enter the Caribbean Shorts Competition. The winning film will later screen at all these festivals.

    Program

    Besides the competitions, the seventh edition of CIFFR presents a special program entitled Scenes of Senses that investigates the way film stimulates not just the eye, but our other senses too. There is also an extensive educational program as well as the recurring Music Call program featuring music documentaries. Among the twenty or so highlights from IFFR 2018 shown in Curaçao are The Insult by Ziad Doueiri, The Florida Project by Sean Baker and three films that competed in the Hivos Tiger Competition, including the Special Jury Award and HBF Audience Award winner The Reports on Sarah and Saleem by Muayad Alayan.

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  • 47th International Film Festival Rotterdam Winners – “The Widowed Witch” Wins Hivos Tiger Award

    [caption id="attachment_26823" align="aligncenter" width="1200"]th International Film Festival Rotterdam Winners The Netherlands, Rotterdam, 02 February 2018. The 47th International Film Festival Rotterdam – IFFR 2018. IFFR 2018 Award Ceremony. All winners on stage after ceremony. Photo: 31pictures.nl / (c) 2018, www.31pictures.nl[/caption] The Widowed Witch by Cai Chengjie won the prestigious prize – the winner of the Hivos Tiger Competition 2018 at the International Film Festival Rotterdam (IFFR). Rami Alayan was awarded the Special Jury Award for exceptional artistic achievement for his screenplay of The Reports on Sarah and Saleem.  Gustav Möller’s The Guilty was the audience favorite, and therefore winner of the IFFR Audience Award. The Bright Future Award was picked up by Tiago Melo for his film Azougue Nazaré. This year’s VPRO Big Screen Award went to Nina by Olga Chajdas; the film therefore will be broadcast on Dutch TV and released in Dutch theaters. All Hubert Bals Fund-supported films screening at IFFR 2018 were eligible for the Hubert Bals Fund Audience Award. This year, the award was won by The Reports on Sarah and Saleem by Muayad Alayan. In congratulating all winners, Festival Director Bero Beyer said: “We’re very happy that the strong winners represent the bold spirit of the festival’s entire programming. They are filmmakers, both emerging and established, who use their talent to deliver a new view on our world. As diverse as they are, there seems to be a common thread: the beautiful and human thread of cinema!” Two new awards were presented in 2018. Newsreel 63 – The Train of Shadows by Nika Autor won the Found Footage Award and Joy in People by Oscar Hudson won the Voices Short Audience Award. Two awards from critics’ organisations were presented. The FIPRESCI Award went to Balekempa by Ere Gowda. The KNF Award, given by the Circle of Dutch Film Journalists, was won by Zama by Lucrecia Martel. Nervous Translation by Shireen Seno won the NETPAC Award for best Asian film and the winner of the IFFR Youth Jury Award is The Guilty by Gustav Möller. Complete list of award winners and jury reports

    Hivos Tiger Competition

    Winner Hivos Tiger Award: The Widowed Witch by Cai Chengjie Jury report: “This year’s Hivos Tiger Award winner is a film of epic dimensions with a narrative that is greater than one person or moment. It takes a feminist viewpoint with a strong central character, who refuses to be a victim. The struggle of her journey is framed in an emotional way that depicts her complexity, while never becoming sentimental, and the film even contains a laconic sense of humour. Its bold vision, created by a lyrical layering of cinematographic elements, makes this film stand out.” Winner Special Jury Award: the screenplay of The Reports on Sarah and Saleem written by Rami Alayan (dir. Muayad Alayan) Jury report: “This well-crafted screenplay shows us four humans, each with their own flaws and desires, who have to face the consequences of their actions in a complicated, divided world. The screenplay intertwines the personal and the political and manages to balance a complex plot with convincing characters. This proves to be the basis for a strong film by a talented director and an excellent cast.”

    Bright Future Award

    Filmmakers presenting the world or international premiere of their first feature-length film in the Bright Future Main Programme are eligible for the Bright Future Award worth €10,000. Winner: Azougue Nazaré by Tiago Melo Jury report: “For its singular vision, electrifying cinematic language, depiction of the explosive coexistence between good and evil, and for its ability to incorporate supernatural elements in an almost anthropological portrait of a small community, we proudly present the Bright Future Award to Tiago Melo for his film Azougue Nazaré.” Special mention: “What begins as a personal quest gradually transforms into a reflection on loneliness, belonging, and existential homecoming. For this reason, the jury felt compelled to give a special mention to Malene Choi Jensen’s The Return.”

    VPRO Big Screen Award

    Winner: Nina by Olga Chajdas Jury report: “It was a close call and we’d like to give a special mention to the runner-up, The Guilty by Gustav Möller. But another film ultimately connected with us in a more instinctive way. The winning film is a universal story about love, identity and hope. It’s about internalising society’s expectations and struggling to break free and be true to yourself. The story avoids easy solutions and gives us a somewhat idealised version of the world, thereby avoiding the stereotypical struggles and making it a more personal experience. It’s also visually beautiful with lingering and intimate shots and gives us wonderful performances by the main actors.”

    IFFR Audience Award

    Winner: The Guilty by Gustav Möller

    Hubert Bals Fund Audience Award

    Winner: The Reports on Sarah and Saleem by Muayad Alayan

    Voices Short Audience Award

    Winner: Joy in People by Oscar Hudson

    FIPRESCI Award

    Winner: Balekempa by Ere Gowda Jury report: “For its subtle and delightful portrayal of a universal theme against the background of a rich local culture.”

    KNF Award

    The KNF Award is given to the best Dutch, or Dutch co-produced, feature film that is selected for IFFR 2018, as awarded by a jury from the Circle of Dutch Film Journalists. Winner: Zama by Lucrecia Martel Jury report: “This bold project illustrates how co-producing can allow an immensely gifted filmmaker to enter different territory, just as the film itself transports the audience to an alien world. Without signposts or hand-holding, viewers are challenged to use all their senses in order to navigate this foreign land. The filmmaker’s sensory approach to cinema also poses a challenge to us critics; we’ve been struggling to find words that do justice to a film that ultimately can only be experienced.”

    NETPAC Award

    The NETPAC Award is presented to the best Asian feature film world premiering at IFFR by a jury from the Network for the Promotion of Asian Cinema. Winner: Nervous Translation by Shireen Seno Jury report: “For its singularly original representation of childhood that beautifully captures a unique view of the world – one that is full of contradictory interactions, introspection, social and political dissonance, and disquietude. With this film, the director has succeeded in creating an unforgettable cinematic universe.”

    IFFR Youth Jury Award

    The film that makes the biggest impression on this jury of young people is awarded the IFFR Youth Jury Award. Winner: The Guilty by Gustav Möller Jury report: “This film captivated us from beginning to end and was able to make the audience aware of its own preconceived notions of reality. The director deliberately withholds information from the audience, thereby creating uncertainty which leaves room for imagination. The film is a masterclass in suspense; it managed to keep our eyes glued to the screen throughout the entire film. Furthermore, we believe that this film will be attractive to a younger audience, as it is a good introduction into arthouse cinema.”

    Found Footage Award

    The new Found Footage Award is granted to a filmmaker who has made outstanding use of archive material. The award, worth €2,500, is supported by the Netherlands Institute for Sound and Vision. Winner: Newsreel 63 – The Train of Shadows by Nika Autor Jury report: “This film convincingly introduces a new critical paradigm in which every new image questions the entire history of film as a medium and its role within society. It does so through brilliant use of the train as a rich metaphor for human aspiration and technological advancement, connecting the first Lumière film all the way through to the current practice of shooting smartphone footage to document refugees on their quest for a better life.”

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  • Eight Films Selected for Hivos Tiger Competition at 2018 International Film Festival Rotterdam

    [caption id="attachment_26345" align="aligncenter" width="1200"]Possessed from Metahaven and Rob Schröder Possessed[/caption] Eight films have been selected for the Hivos Tiger Competition – seven world premieres and one international premiere, at the 2018 International Film Festival Rotterdam (IFFR).  Three of the films to world premiere in the Hivos Tiger Competition 2018 were supported by the Hubert Bals Fund. Nervous Translation by Philippine filmmaker Shireen Seno (which was also selected for CineMart in 2014) is a sparkling and at times surreal film which quietly shows the politically unstable climate of the Philippines in 1987 as seen through the dreamy eyes of an eight-year-old girl. The Reports on Sarah and Saleem by Muayad Alayan (also selected for BoostNL in 2016) is a story of the impossible affair between a Jewish woman and a Palestinian man which attracts the attention of security services, and was supported by the Hubert Bals Fund in 2017. And Sultry, Brazilian filmmaker Marina Meliande’s combination of social realist drama and body horror, recounts the struggle of a young lawyer in the oppressive heat of Rio de Janeiro against the all-encompassing influence of the Olympic Games on the city. This is the second time Meliande has been supported by the Hubert Bals Fund; in 2011 she co-directed Cannes entry The Joy (with Felipe Bragança). The world premiere of the fascinating cinematic essay Possessed reflects on the ways humans obsessively search for connections in a digital age. For this film, the filmmakers from the Amsterdam-based Metahaven collaborated with Dutch graphic designer and documentary filmmaker Rob Schröder, who also has a connection to IFFR – his short films screened at IFFR in 1998 and 2000. The Hivos Tiger Competition also includes Djon África, a first fiction by documentary filmmakers João Miller Guerra and Filipa Reis portraying the playful odyssey of a 25-year-old Portuguese Rastafarian in search of his father and his own identity; I Have a Date with Spring by South Korean director Baek Seungbin, a mysterious black comedy in which a filmmaker struggles with a script revolving around the hypothetical question of what to do on your last day on earth; andThe Widowed Witch by Chinese filmmaker Cai Chengjie, which is a complete re-edit of the  -winning Chinese film Shaman and wryly details the life of an unfortunate woman who suddenly seems to possess magical powers. Finally, the competition includes the international premiere of the US film Piercing by Nicolas Pesce, a playful psycho thriller in which a sadomasochistic game of cat-and-mouse unfolds between a man and the call girl he planned to murder. The prestigious Hivos Tiger Award includes a cash prize of €40,000, to be divided between filmmaker and producer. An international jury of five filmmakers and film professionals also chooses an exceptional artistic achievement within the Tiger selection to receive a Special Jury Award worth €10,000. Festival Director Bero Beyer: “This year’s Tiger line-up features daring filmmakers who boldly venture into new territories. All of them combine relevant stories and themes – like Israeli/Palestinian relations as seen through the eyes of two lovers, the consequences of the Olympic Games in downtown Rio, or the concept of the imminent end of the world – with outspoken cinematic form.” The jury for the Hivos Tiger Competition 2018 consists of British filmmaker Anthea Kennedy (The View from Our House), Mexican producer Paula Astorga(La caridad), Dutch editor Job ter Burg (Elle), German  filmmaker Valeska Grisebach (Western), and South Korean filmmaker Kim Kyungmook (Stateless Things). Both the Hivos Tiger Award and the Special Jury Award will be presented on Friday,  February 2, 2018 during the Awards Ceremony.

    Hivos Tiger Competition 2018

    Djon África, João Miller Guerra/Filipa Reis, 2018, Portugal/Brazil, world premiere I Have a Date with Spring, Baek Seungbin, 2018, South Korea, world premiere Nervous Translation, Shireen Seno, 2018, Philippines, world premiere Piercing, Nicolas Pesce, 2018, USA, international premiere Possessed, Metahaven/Rob Schröder, 2018, Netherlands/Croatia, world premiere The Reports on Sarah and Saleem, Muayad Alayan, 2018, Palestine/Netherlands/Germany/Mexico, world premiere Sultry, Marina Meliande, 2018, Brazil, world premiere The Widowed Witch, Cai Chengjie, 2018, China, world premiere

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