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Birds Are Singing in Kigali[/caption]
The 52nd
Karlovy Vary International Film Festival today announced the lineup for the competition sections: Official Selection – Competition, East of the West – Competition and Documentary Films – Competition.
The films in the festival’s main section will include Birds Are Singing in Kigali. The last film of the deceased Krzysztof Krauze is depicting painful consequences of the Rwandan genocide and was completed by his co-director and wife Joanna Kos-Krauze. Three years after receiving the KVIFF‘s Crystal Globe for Corn Island George Ovashvili is returning to Karlovy Vary with no less unmistakably directed Khibula, an archetypal story inspired by journey of the newly independent Georgia’s first president. Competition will also present Boris Khlebnikov’s new drama Arrhythmia, Václav Kadrnka’s medieval cinematic pilgrimage Little Crusader, Peter Bebjak’s criminal thriller The Line, American unconventional romantic comedy about (ab)normality in love Keep the Change, remarkable debuts Ralang Road from India and Israeli-German Cakemaker, and More, the first directorial attempt by Turkish actor Onur Saylak.
This year, the East of the West – Competition will open with remarkable Azerbaijani drama Pomegranate Orchard by Ilgar Najaf. Eight of the dozen of premieres are debut films, including two strong films by female directors – Marina Stepanska will bring to Karlovy Vary Falling, fragile love story and a strong statement of the current young Ukrainian generation, while Mariam Khatchvani in Dede will take the audience to the rough Svanetia, region from which she comes from. Juraj Lehotský will return to KV after successful fiction debut Miracle with Slovak-Czech intimate drama Nina.
Three World premieres – The White World According to Daliborek by Vít Klusák, Lots of Kids, a Monkey and a Castle by Gustavo Salmerón and Another News Story by Orban Wallace – will be presented to Karlovy Vary audience in the Documentary Films – Competition. Tarzan’s Testicles, a Romanian essay about a decrepit institute in Abchazia is also included among eleven selected films.
Official Selection – Competition
Arrhythmia / Arrhythmia / Arytmie
Director: Boris Khlebnikov
Russia, Finland, Germany, 2017, 90 min, International premiere
Oleg is heading for his thirties. He works as a paramedic and, after a hard shift, he likes to take a few swigs. His wife Katya is also a doctor, working in the hospital’s emergency department. But her patience with Oleg is running thin, so she announces one day that she wants a divorce… One of the most intriguing filmmakers on the Russian scene today, Boris Khlebnikov returns to the big screen with a meticulous piece of direction. Along with precise performances from the cast, the film examines a relationship experiencing an arrhythmia similar to that affecting the hearts of the patients Oleg treats in his job as a paramedic.
Breaking News / Breaking News / Breaking News
Director: Iulia Rugină
Romania, 2017, 81 min, International premiere
A difficult assignment awaits TV reporter Alex. He must film a memorial portrait for a coworker who died in a tragic accident they both experienced but that only he survived. His colleague’s daughter becomes his guide, although her relationship to her father was more than complicated. Alex becomes an involuntary witness to the girl’s handling of her father’s death, and he also comes to believe that chronicling a person’s life involves more than just a short news report…
The Cakemaker / The Cakemaker / Cukrář
Director: Ofir Raul Graizer
Israel, Germany, 2017, 104 min, World premiere
After the death of his lover, Thomas heads to Israel – the birthplace of the man he adored. Despite prejudice at his German origins he becomes the pastry chef at a local café owned by the widow of the deceased Oran. Yet she hardly suspects that the unnamed sorrow that connects her to the stranger is for one and the same man.
Čiara / The Line / Čára
Director: Peter Bebjak
Slovak Republic, Ukraine, 2017, 108 min, World premiere
Adam Krajňák is head of the family and also boss of a gang of criminals smuggling cigarettes across the Slovak-Ukrainian border. The failure of one of the transports triggers an avalanche of consequences that compels him to question his own boundaries, none of which he had planned on crossing until now.
Corporate / Corporate / Korporace
Director: Nicolas Silhol
France, 2016, 95 min, International premiere
The life of an uncompromising HR manager named Emilie changes the instant she witnesses the suicide of one of the staff. The investigation of the case becomes a moral test for a woman whose actions, although motivated by her unlimited devotion to work, have caused grief for many an employee.
Daha / More / Ještě víc
Director: Onur Saylak
Turkey, 2017, 115 min, World premiere
Fourteen-year-old Gaza lives with his father Ahad on the shores of the Aegean Sea. The intelligent kid would like to continue his studies, but Ahad sees his son’s future differently. He gets Gaza to help with his side business – smuggling refugees from the Mideast. A directing tour de force, this disturbing psychological study of an adolescent boy’s transformation under the influence of those around him bears dark tidings about the contemporary world.
Keep The Change / Keep The Change / Drobné si nechte
Director: Rachel Israel
USA, 2017, 94 min, International premiere
Stylish but apathetic, David meets bundle of energy Sarah at a support group. While he’s just fulfilling a court-ordered obligation, she is thrilled to be there. But as they move past their initial conflicts, they become participants in an uncommon romance that won’t yield to convention. Keep the Change is a different kind of romantic comedy about people who are not the same – like most of us.
Khibula / Khibula / Chibula
Director: George Ovashvili
Georgia, Germany, France, 2017, 98 min, World premiere
Shortly after the first democratically elected president of Georgia came to power he was ousted in a military coup. He sets out for the mountains with a group of loyalists to regroup with his supporters. Set against an imposing Caucasus backdrop, we witness a man fighting for power while waging an internal struggle as he heads to meet his fate. The winner of KVIFF 2014 returns with an archetypal story told with light melancholy and an unmistakable visual poetic.
Křižáček / Little Crusader / Křižáček
Director: Václav Kadrnka
Czech Republic, Slovak Republic, Italy, 2017, 90 min, World premiere
Little Jan, the only descendant of the knight Bořek (Karel Roden), has run away from home. His anxious father sets out to find him but his despair at the fruitless search gradually starts to overpower him. Václav Kadrnka has turned out a stylistically well-contoured adaptation of the poem by Jaroslav Vrchlický, where he employs a taciturn film form in order to encourage our imagination to engage in a poetic, cinematic pilgrimage.
Muškarci ne plaču / Men Don’t Cry / Chlapi nepláčou
Director: Alen Drljević
Bosnia and Herzegovina, Slovenia, Croatia, Germany, 2017, 98 min, World premiere
When a diverse group of veterans gathers at a remote mountain hotel to undergo days of therapy less than two decades since the war ended in Yugoslavia, it’s hard to expect absolute harmony. This brilliantly directed drama, about the ability to forgive others only after we have forgiven ourselves, presents the pinnacle of the Balkan male acting scene.
Ptaki śpiewają w Kigali / Birds Are Singing in Kigali / Ptáci zpívaji v Kigali
Director: Joanna Kos-Krauze, Krzysztof Krauze
Poland, 2017, 120 min, World premiere
We meet ornithologist Anne in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anne manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2004), but after his death in 2014 she eventually finished this challenging picture alone.
Ralang Road / Ralang Road / Cesta do Ralangu
Director: Karma Takapa
India, 2017, 112 min, World premiere
The stories of four individuals intertwine in a maze of Himalayan countryside, village buildings, and the local social microcosm. With a captivating internal rhythm and the stylistic elements taken firmly in hand, the film presents a narratively courageous look at the region’s social web and the influence of cultural immigration on local life.
East of the West – Competition
Absence blízkosti / Absence of Closeness / Absence blízkosti
Director: Josef Tuka
Czech Republic, 2017, 65 min, World premiere
After another failed relationship Hedvika takes her three-month-old daughter Adélka and her dog to stay with her mother and her mum’s boyfriend. Hedvika doesn’t get on all that well with her mother, nor are her feelings towards Adélka as maternal as they could be. One day she finds some diaries that her late father left behind… This small-scale psychological drama by debutant Josef Tuka is shored up by its realistic characters, an understated performance from Jana Plodková, and perceptive, discreet lensing.
Blue Silence / Blue Silence / Modré ticho
Director: Bülent Öztürk
Turkey, Belgium, 2017, 93 min, International premiere
After his release from the military hospital where he was receiving treatment for a past trauma, Hakan tries to resume a normal life and form a proper relationship with his daughter. Excelling for its mature performances and its stylisation of image and sound, the film foregrounds Hakan’s wounded soul and underlines his vehement efforts to break free from his own private prison.
Dede / Dede / Dede
Director: Mariam Khatchvani
Georgia, United Kingdom, 2017, 97 min, World premiere
It’s 1992. Young Dina lives in a remote mountain village where life is strictly governed by centuries of tradition. Is it possible to defy the firmly established order? And, if it is, what price must a person pay for doing so? Debut director Mariam Khatchvani set her first film in Svaneti, the stark mountainous region in northwestern Georgia where she herself was born, and she presents us with an authentic portrayal of a number of customs and traditions associated with this province.
Kak Vitka Chesnok vez Lecha Shtyrya v dom invalidov / How Viktor “the Garlic” took Alexey “the Stud” to the Nursing Home / Jak Víťa Česnek vezl Ljochu Vrtáka do důchoďáku
Director: Alexander Hant
Russia, 2017, 90 min, World premiere
This inventive road movie about a son and father finding their way to one another has none of the sentiment normally associated with this kind of subject matter. The film introduces an ensemble of wild characters from the lowest social strata, viewed through a lens that finds a balance between the work’s profoundly human dimension and its stylishly ironic commentary on contemporary society.
Keti lõpp / The End of The Chain / Konec řetězce
Director: Priit Pääsuke
Estonia, 2017, 81 min, World premiere
Have you ever had a bad day? Well, it would be difficult to top the catastrophe facing a waitress at a fast-food outlet, where people come not for a quick meal but simply to have a good cry. This high-spirited comedy, about the worst that can happen when you’re slaving from dawn to dusk, also examines existential dilemmas, unconcealed selfishness, and the essential desire for compassion.
Mariţa / Mariţa / Mariţa
Director: Cristi Iftime
Romania, 2017, 100 min, World premiere
Thirty-year-old Costi decides to spend a few days with his family. His parents have long since divorced, but Costi thinks it would be a great idea to arrange a surprise reunion, and he persuades his father to travel with him to meet up with his mother and siblings. Taking the old family car, affectionately known as Mariţa, they head out on a journey that will ultimately help to heal past wounds and allow Costi to finally understand not only his parents, but also himself.
Minu näoga onu / The Man Who Looks Like Me / Muž, který vypadá jako já
Director: Katrin Maimik, Andres Maimik
Estonia, 2017, 100 min, World premiere
Music critic Hugo is going through a post-divorce crisis and just wants some peace to finish writing his book. When his bohemian father suddenly appears on his doorstep, it becomes clear that the new life he has chosen for himself is about to go in quite a different direction. A tragicomic tale about parents and children and their shared mistakes and complexes.
Nar baği / Pomegranate Orchard / Sad granátovníků
Director: Ilgar Najaf
Azerbaijan, 2017, 90 min, World premiere
Gabil returns home to the humble family farmstead, surrounded by an orchard of venerable pomegranate trees; since his sudden departure twelve years ago he was never once in contact. However, the deep emotional scars he left behind cannot be erased from one day to the next. A private drama set in a picturesque landscape which tells of wrongdoings simmering below the surface of seeming innocence.
Nina / Nina / Nina
Director: Juraj Lehotský
Slovak Republic, Czech Republic, 2017, 86 min, World premiere
Nina is twelve years old and her world has just been shattered to smithereens: Her parents’ marriage has broken down and they are getting a divorce. After his internationally successful debut Miracle Juraj Lehotský now brings us an intimate drama in which the viewer looks upon the world and the selfish, visionless behaviour of adults through the eyes of a 12-year-old girl. A girl who is resilient and belligerent, but also vulnerable and just as fragile as the miniature world she creates for herself in the garden shed.
Strimholov / Falling / Střemhlav
Director: Marina Stepanska
Ukraine, 2017, 105 min, World premiere
Anton and Katia happen upon one another in night-time Kiev. Both are trying to find their bearings in life, and their encounter changes everything… This psychological drama by debuting Marina Stepanska offers up both a fragile love story and a strong statement on the current young generation as it searches for its place in post-revolutionary Ukraine.
T’padashtun / Unwanted / Nechtění
Director: Edon Rizvanolli
Kosovo, Netherlands, 2017, 85 min, World premiere
Teenager Alban lives in Amsterdam with his mother Zana, who left Kosovo during the war in the Balkans. When he starts going out with the sensitive Ana, neither of them has any idea that unresolved injustices and shadows from the past will make their way to the surface. This insightful, mature debut by a Kosovan director reminds us how difficult forgiveness and reconciliation can be.
Taş / The Stone / Kámen
Director: Orhan Eskiköy
Turkey, 2017, 96 min, International premiere
Emete would swear that the young man seeking refuge in her home is the son she lost long ago. But in her isolated, wasteland village it’s almost impossible to differentiate real hope from self-delusion. Especially since the only way to survive is to throw in with the collective myths and seek comfort in cold stone.
DOCUMENTARY FILMS – COMPETITION
Another News Story / Another News Story / Další čerstvá zpráva
Director: Orban Wallace
United Kingdom, 2017, 90 min, World premiere
In today’s chaotic era, what is the “who, how, and why” of news spewed forth on world conflicts and crises? A young British director turns his camera lens on the journalists sent by their employers to the Mediterranean to cover the unfolding humanitarian tragedy. When faced with immeasurable suffering, do they maintain a fundamental sensitivity or do they fall back on sensationalized treatments of human misfortune?
Atelier de conversation / Atelier de conversation / Lekce francouzské konverzace
Director: Bernhard Braunstein
Austria, France, Lichtenstein, 2017, 72 min, International premiere
One room, twelve red chairs, and a common language. Foreigners from all corners of the world meet each week for free lessons to hone their French. This formally minimalist documentary captures the fleeting moments in which grammatical fumblings or the painstaking search for the right word inadvertently open a window into the human soul.
Avant la fin de l’été / Before Summer Ends / Než skončí léto
Director: Maryam Goormaghtigh
Switzerland, France, 2017, 80 min, International premiere
Even after studying in France for five years, Arash hasn’t completely gotten used to the place, so he decides to return home to Iran. But friends Hossein and Ashkan are determined not to accept the loss of their closest pal. This documentary comedy, about a goodbye road trip across France, boasts beer chugging and French girls, but it’s also about cultural differences and the natural need to find and hold onto kindred spirits when living in a foreign land.
A Campaign of Their Own / A Campaign of Their Own / Kampaň
Director: Lionel Rupp
Switzerland, 2017, 74 min, International premiere
Partaking of the Direct Cinema documentary style, A Campaign of Their Own tells the story of the loyal supporters of democratic socialist Bernie Sanders, who lost to Clinton in the Democratic primaries. Subtly engagé and skillfully incorporated into a stylistic frame, the film lifts the lid on a newly-inflamed radical skepticism towards political representation in the United States and the general frustration at the breakdown of representative democracy itself.
Land of the Free / Land of the Free / Země svobodných
Director: Camilla Magid
Denmark, Finland, 2017, 95 min, International premiere
In the economically depressed neighborhoods of South Central Los Angeles it’s far too easy to get on the wrong side of the law. One fateful day 42-year-old Brian, who has just been released from serving a long prison sentence, experiences it firsthand. The vicious cycle of social determination, however, also begins to effect the lives of teenager Juan and seven-year-old Gianni. The debuting director immerses herself in the depths of human vulnerability in order to draw out fragments of hope.
A Memory in Khaki / A Memory in Khaki / Vzpomínky v barvě khaki
Director: Alfoz Tanjour
Qatar, 2016, 108 min, European premiere
A Syrian director dusts off memories of the past, when people were persecuted for their political beliefs. A poetic portrait of people whose homes have been turned to rubble, and a story that tells us that a free life can never be monochromatic, let alone khaki.
Moj život bez zraka / My Life without Air / Život bez vzduchu
Director: Bojana Burnać
Croatia, 2017, 72 min, European premiere
The most important moments in the life of Goran, a Croatian free diving record-holder, take place exclusively underwater. This portrait of an extreme athlete features intentional dramatic minimalism in order to guide the viewer toward a shared physical experience of performances that push the boundaries of what is humanly possible. Between each inhalation and exhalation we experience an endless emotional fall into the depths of the deep blue sea.
Muchos hijos, un mono y un castillo / Lots of Kids, a Monkey and a Castle / Spousta dětí, opice a zámek
Director: Gustavo Salmerón
Spain, 2017, 90 min, World premiere
Julita always wanted lots of kids, a monkey, and a castle. After finally realizing these wishes, however, her family loses their property in the economic crisis. But they have not lost the disarming ease and kindheartedness that mark their domestic squabbling. A film chronicle with elements of absurd humor that serves as a madcap allegory for the contemporary situation in Spain.
Ouăle lui Tarzan / Tarzan’s Testicles / Tarzanova varlata
Director: Alexandru Solomon
Romania, France, 2017, 105 min, International premiere
A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day.
Richard Müller: Nespoznaný / Richard Müller: Unknown / Richard Müller: Nepoznaný
Director: Miro Remo
Slovak Republic, Czech Republic, 2016, 90 min, International premiere
This uncompromising, sometimes painfully revealing but always deeply insightful portrait presents the life of Richard Müller from a fresh perspective. We get to know the famous Slovak singer as a still uncommonly charismatic man who has become exhausted by his struggles with addiction, mental illness, and the demands of show business.
Svět podle Daliborka / The White World According to Daliborek / Svět podle Daliborka
Director: Vít Klusák
Czech Republic, Poland, Slovak Republic, United Kingdom, 2017, 105 min, World premiere
A stylized portrait of an authentic Czech neo-Nazi, who hates his life but doesn’t know what to change. Corrosively absurd and starkly chilling in equal measure, this tragicomedy investigates the radical worldview of “decent, ordinary people.” And just when it seems that its message can’t get any more urgent, the film culminates in a totally uncompromising way.
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Requiem for Mrs. J[/caption]
The 19th Bratislava International Film Festival will take place from November 9 to 16, under the main theme – the art of film acting. The festival will open with Requiem for Mrs. J. (J. Rekvijem za gospođu, 2017) by the Serbian director and one of the members of the Fiction Competition jury Bojan Vuletić. This tragicomedy tells the story of an unemployed widow, meticulously preparing for her suicide. The film rests on the masterly acting performance of Mirjana Karanović.
The section Cinema Now, a selection of festival hits and highly anticipated new releases, will also feature the Indian film Sexy Durga (2017), which won the Hivos Tiger Award at this year’s festival in Rotterdam. This road movie about two lovers wandering the southern Indian province of Kerala is a great improvisation as well as a fascinating reflection on the contemporary India. The Chronicles of Melanie (Melānijas hronika, 2016) tells a story unravelling during the 1940’s Soviet occupation of Latvia, inspired by true life events of the journalist Melānija Vanaga. The film directed by Viesturs Kairišs is the Latvian candidate for an Oscar. Another film featured in the section is the Slovak premiere of a new release from the all-star French director François Ozon called Double lover (L’amant double, 2017). The titillating erotic thriller toys with a secret and a blurred line between expectations and reality. A Ciambra (2017) directed by Jonas Carpignano is the Italian candidate for an Oscar as well as one of the top ten nominees for this year’s LUX Prize. The story revolves around a teenage Romani boy Pio, who must quickly become a man in order to support his family.
One of the traditional festival sections Made in Slovakia presents the local and international audience with several attractive new local releases, many of them in their Slovak premiere. An anticipated documentary film, which will enter the current local film scene by its premiere at the Bratislava IFF, is a portrait of a recently late Slovak big beat icon Varga. The young director Sonya Maletzová met and started filming Marián Varga towards the end of his life. Through a sophisticated montage of archival records, the film condenses Varga’s life and career decades into musical numbers, where one track echoes in interpretations from different periods. His mortal frame visibly changes along with his musical style and temperament. However, somewhere beneath, Varga remains preciously unchanging and artistically as well as humanly consistent.
Another premiere to look forward to is the final part of Jan Hřebejk’s and Petr Jarchovský’s trilogy Garden store: Suitor (Zahradnictví: Nápadník, 2017) This time, it is a story of love, exposing the quiet war between parents and their children, affected by the war and the communist coup d’état.
Suitor is a bird’s-eye-view portrayal of the sharp dividing line between the pre- and post-war generations. They each have their own vision of happiness and therefore tread their own paths to reach it.
The section will also present a controversial portrait of a “velvet neo-Nazi”, The White World According to Daliborek (Svět podle Daliborka, 2017), by the Czech director Vít Klusák. The film was realized partially thanks to a co-production with Slovakia, especially through a significant creative input of the composer Vladimír Godár, whose music tinted the grotesque images of Dalibor’s everyday life a with a color of human tragedy.
The Made in Slovakia section will traditionally comprise a selection of films made by the students of the Film and Television Faculty of the Academy of Performing Arts in Bratislava and the Academy of Arts in Banská Bystrica. This year the audience should not miss the internationally successful student films noticed by some of the biggest world festivals. Atlantis, 2003 (Atlantída, 2003, 2017) directed by Michal Blaško appeared in the student competition of the Cinéfondation film festival in Cannes and Magic Moments (2017) by Martina Buchelová made it to the Short Cuts competition section at the Toronto International Film Festival.
The list of legendary Slovak actors currently featuring Ladislav Chudík, Mária Kráľovičová, Jozef Adamovič, Štefan Kvietik, Eva Krížiková, Ivan Palúch, Emília Vášaryová and Martin Huba, whose memorial tiles are already embedded in the Bratislava Film Walk of Fame, will include the name of yet another outstanding actress – Božidara Turzonovová. This year’s laureate of the award for lifetime artistic creation and holder of a Film Walk of Fame memorial tile will personally introduce the film Penelope (Penelopa, 1977) directed by Štefan Uher, in which she played the lead role.
This year’s Lexicon section will shed some light on the specifics, history and future of acting for film, starting with the perfect acting opposites of silent slapstick comedy – Chaplin and Keaton – and ending with virtual actors in the era of 3D cinema. The section will feature two films from the silent era, The Floorwalker (1916) and One Week (1920), followed by the breakthrough A Streetcar Named Desire (1951), whose legendary lead star Marlon Brando uses the so-called method acting. The history of the Slovak cinema will be represented by the remarkable film Our Daily Life (Deň náš každodenný, 1969), interesting by the way it works with non-actors. The section’s highlight is a study of a consuming physical and psychological transformation of an actress who gradually merges with her character Kate Plays Christine (2016). The film directed by the American filmmaker Robert Greene is the winner of last year’s Special Jury Prize for the best screenplay in the category of documentary films at the Sundance Film Festival.
The 19th edition of the Bratislava International Film Festival will welcome one of the most outstanding actors on the current European acting scene, Jean-Marc Barr, who has received world recognition thanks to his cooperation with the controversial Danish director Lars von Trier, especially as the star of Luc Besson’s cult film The Big Blue (Le grand bleu, 1988). In Bratislava, Jean-Marc Barr will receive the festival’s own Award for Artistic Excellence in World Cinema as well as personally introduce his latest film Grain (Bugday, 2017), directed by the renowned Turkish filmmaker Semih Kaplanoğlu and often likened to Tarkovsky’s Stalker.
Another big name to attend the festival is the star of the North American independent film, the Canadian Denis Côté. The works of the 43-year-old Canadian director and former film critic with images from Eisenstein’s Ten Days that Shook the World tattooed on his back, are characteristic by their blending of fiction and documentary methods, as well as things left unsaid and secrets. The highlight of the profile section will be represented by the Slovak premiere of Côté’s latest film A Skin so Soft (Ta peau si lisse, 2017) about professional strongmen and bodybuilders.
The events accompanying the main festival program will include a number of great musical evenings, thought-provoking discussions and masterclasses of this year’s main festival faces Jean-Marc Barr and Denis Côté. The theme of acting will also sound throughout the lecture of Ladislav Dedík, the founder of Studio 727 post-production company, who will talk about the issue of the digital actor, motion-capture technology and full-body scan, linked to the future of film acting in the era of computer generated and special effects films and video games.