Tower. A Bright Day

  • 2018 Brooklyn Horror Film Festival Announces First Films – Opens with KNIFE + HEART

    [caption id="attachment_31470" align="aligncenter" width="1200"]KNIFE + HEART KNIFE + HEART[/caption] The Brooklyn Horror Film Festival  returns October 11th to 18th in venues across Brooklyn, New York, and announced the first wave of horror films along with the brand new HEAD TRIP block spotlighting films that push the boundaries and expectations of the horror genre. Yann Gonzalez’s ravishing, Cannes selected slasher KNIFE + HEART opens and Perry Blackshear’s latest concludes the festival week with his haunting and intimate sophomore feature THE RUSALKA as part of the new Head Trip program. Knife + Heart (NY Premiere) France, Mexico, Switzerland | 2018 | 100 Min | Dir. Yann Gonzalez Known for productions like ANAL FURY and HOMOCIDAL, successful gay porn producer Anne (Renowned French actress and model Vanessa Paradis) takes her skin flicks as seriously as the most greatness-minded auteur would his or her own prestige dramas. But Anne isn’t the only one who’s infatuated with her company’s films—one by one, and in an exceedingly brutal fashion, someone is butchering Anne’s actors. As she tracks down the killer, Anne begins recreating the murders as part of an elaborate new project, all while losing track of what’s real, who’s dead, and who’s next on the chopping block. Shot on 35mm and featuring a killer retro score from M83, Yann Gonzalez’s KNIFE + HEART is an ultra-stylish and blood-soaked ode to ’70s-era De Palma, Argento, and Friedkin. The kills are impeccably staged and gruesome, the performances are campy and spot-on, and the whodunit twists are relentless. Take note, slasher and giallo fans: This will be your new obsession. The Rusalka (North American Premiere) USA | 2018 | 80 Min | Dir. Perry Blackshear Looking for some peace and quiet, Tom rents out a small and isolated lakehouse, one marked by a local legend of a woman who, after drowning, haunts the surrounding woods and drowns anyone she encounters. That myth particularly intrigues Tom’s new neighbor, Al, who’s mourning the recent death of his boyfriend. Starting off rather friendly, Tom and Al’s rapport slowly changes as the former befriends a mysterious woman named Nina, for whom Al can’t shake his negative suspicions. Back in 2015, Perry Blackshear turned heads with his creepy lo-fi breakout THEY LOOK LIKE PEOPLE; for his follow-up, the NY-based filmmaker reunites the same cast and tells a story that’s different in scope and tone yet just as subtly powerful. Equal parts supernatural romance and intimate tragedy, THE RUSALKA flips the conventions of star-crossed soul-mates fiction into a lyrical and genre-infused look at the darker side of love. Writer/Director Perry Blackshear and Lead Actress Margaret Ying Drake in attendance. 2018 Brooklyn Horror Film Festival Poster This years decadent and deadly poster is designed by New York-based creative duo Kelsey and Rémy Bennett (aka The Bennett Sisters). About the design, the sisters say, “The photo stories we created for the poster design are an ode to the 1970s golden age of horror, inspired particularly by the 1973 Brian De Palma New York set psycho sexually voyerurist exploitation film Sisters, which starred the recently deceased actress Margot Kidder, an icon of 70s slasher genre.”

    2018 Brooklyn Horror Film Festival First wave of Films, Events, and Frights

    ANTRUM: The Deadliest Film Ever Made (World Premiere) USA | 2018 | 95 Min | Dir. Michael Laicini & David Amito There’s a reason why you haven’t seen ANTRUM: because you’d be dead. This occult-heavy horror film shot back in the ’70s focuses on a pair of young siblings who head into the woods to grieve over a dead pet and unwittingly discover a literal Hell on Earth. The film has achieved notoriety due to it’s troubled lifespan: A theater in Budapest screened it in 1988 and burned to the ground; several film festival programmers attempted to play it before mysteriously dying; and a violent and blood-drenched San Francisco riot followed a mid-’90s revival effort. Believed to be cursed, ANTRUM has since been untouched—until now. Bookending the original 35mm ANTRUM print with an all-new documentary about the film’s legend, filmmakers Michael Laicini and David Amito have packaged a truly singular viewing experience, one part catnip for film historians and a much bigger part experientially demonic cinema. Directors Michael Laicini & David Amito in attendance. BOO! (World Premiere) USA | 2018 | 91 Min | Dir. Luke Jaden Married with two kids, James and Elyse are struggling to keep it together. Along with the couple’s own rifts, their daughter, Morgan, is hiding her own suicidal thoughts, while younger son Caleb channels his suppressed emotions through troublingly macabre artwork. One night, their true test arrives: a strange Halloween game left on their doorstep that, legend has it, leaves a curse on those who choose not to play. Unfortunately, that’s the choice this family makes—and evil spirits of all kinds are ready to make them pay. Back in 2015, Detroit-raised teenage filmmaker Luke Jaden made waves with the proficiently made and brutal short KING RIPPLE, starring a then-unknown Lakeith Stanfield. Three years later, with BOO!, the now-22-year-old filmmaker has delivered on that potential, crafting a supernatural chiller that’s big in scope yet intimate in character. Leading up to a whopper of a spook-show climax, Jaden’s debut feature is the real deal. Director Luke Jaden in attendance. THE CANNIBAL CLUB (North American Premiere) Brazil | 2018 | 81 Minutes | Dir. Guto Parente Life is a dream for Octavio and Gilda. Residing on Brazil scenic waterfront coast, the rich-as-all-hell couple spends their non-work hours sipping fancy drinks, basking in the sun, and eating the finest of meats. The only problem? That’s human meat, pulled from the bodies of young, financially strapped victims that Gilda lures into their home. They’re part of a secret society of wealthy flesh-eaters, all of whom answer to a charismatic yet dangerous leader. And when Gilda starts getting cold feet about eating, well, cooked limbs, she and Octavio’s marriage, as well as their lives, are put in jeopardy. The goriest satire of 2018 so far, Brazilian up-and-comer Guto Parente’s THE CANNIBAL CLUB is the best kind of, pun intended, food for thought, a razor-sharp indictment of classism that’s also raucous and viscera-laden. Politically charged and gruesomely shocking, it’s proof that horror remains the best channel through which to bomb the hierarchical system. Field Guide To Evil (NY Premiere) Various Countries | 2018 | 117 Min | Dir. Veronika Franz and Severin Fiala, Peter Strickland, Agnieszka Smoczynska, Katrin Gebbe, Can Evrenol, Calvin Reeder, Ashim Ahluwalia, Yannis Veslemes No matter where you’re from, two things are universal: fear and death. To exemplify that in the most horror-minded way possible, the minds behind the ABCS OF DEATH films have assembled THE FIELD GUIDE TO EVIL, an anthology of eight shorts that explore nightmare-geared legends specific to the filmmaker’s own native country. The sights include an Austrian ghoul known as the Trud (via GOODNIGHT MOMMY directors Veronika Franz and Severin Fiala), a Polish heart-eating ritual (THE LURE’s Agnieszka Smoczynska), a Turkish djinn (BASKIN helmer Can Evrenol), and backwoods American mongoloids (THE RAMBLER’s Calvin Reeder). Keeping its culture-fueled mission at the forefront, THE FIELD GUIDE TO EVIL separates itself from the recent wave of horror omnibuses through its uniquely measured vibe. There are scares, for sure, but its segments thrive more on Gothic unease and patient folk-tale creepiness than any supercharged shocks. The result is one of the most ambitious, diverse, and altogether fascinating horror anthologies you’ll ever see. House of Sweat and Tears (East Coast Premiere) Spain | 2018 | 104 Min. | Dir. Sonia Escolano An older woman known only as “She” leads a religious cult using violent methods of control and forcing painful punishments unto her followers in order to prove their devotion. When a mysterious man arrives claiming to be the messiah, the followers are offered another way of life beyond the path of pain. A deadly struggle for power ensues as all hell breaks loose. Claustrophobic dread drips through the narrow halls and dim candlelit rooms of the HOUSE OF SWEAT AND TEARS while moments of brutal intensity are captured by cinematographer Pepe de la Rosa’s unforgiving close up frames. Director Sonia Escolano’s atmospheric horror show sneaks up on you and leaves you gripping your chest by its shocking conclusion. Luz (NY Premiere) Germany | 2018 | 70 Min. | Dir. Tilman Singer On an otherwise nondescript night, taxi driver Luz walks into a police station, claiming that she’s been assaulted. Nearby in a bar, a mysterious woman named Nora is working her magic on Dr. Rossini, recounting how her lover recently jumped out of a taxi. As both situations transpire, the connections between Luz and Nora set the stage for a demonic night from hell for those unfortunate souls who’ve encountered the two women on this particular evening. Mind-blowingly enough, Tilman Singer’s LUZ was made as a student thesis film and is the most audacious and flat-out impressive horror debut in years, a disorienting descent into madness that’s shot on 16mm and genuinely feels like an unearthed ‘70s movie somehow rediscovered and unleashed onto the genre scene. Think Lucio Fulci if he’d moved to Germany and totally lost his already deranged mind and you’ll just be scratching the surface of Singer’s incredibly assured breakthrough gem. Piercing (NY Premiere) USA | 2018 | 80 Min | Dir. Nicolas Pesce The stress of parenthood is seemingly too much for Reed (Christopher Abbott), who, as a soul-cleansing ritual, meticulously plans the perfect murder. But as his plan unfolds, he realizes that meticulous planning has nothing to do with execution as Reed’s cat-and-mouse game quickly becomes a visually arresting, strange, S&M-infused battle between he and a mysterious call girl named Jackie (Mia Wasikowska). Based on Ryū Murakami’s novel, Nicolas Pesce’s sophomore film (the follow-up to his 2016 black-and-white shocker THE EYES OF MY MOTHER) is a remarkably unusual experience, infused with colorful visuals and an intoxicating score. An Argento/De Palma homage hidden behind the facade of a dark comedy about stabbing, PIERCING cements Pesce as one of the boldest and brightest new directors in the genre. Tower. A Bright Day. (East Coast Premiere) Poland | 2018 | 106 Min. | Dir. Jagoda Szelc To celebrate her daughter’s Holy Communion, Mula invites her estranged and mentally unstable pagan sister Kaja to stay with her family. She condemns Kaja from being alone with the child and insists she must never find out the truth that Kaja is her actual birth mother. Tensions instantly flare among the family while an ominous sense of danger surrounds the home leaving Mula to wonder if her paranoia is unfounded or has she invited a terrible evil into her home. In her feature debut, Polish writer-director Jagoda Szelc crafts a spell-binding mystery with two commanding central performances by Anna Krotosca and Malgorzata Szczerbowska (Mula and Kaja, respectively). Their back and forth battle over the daughter crackles with urgency and dire desperation. Completely unpredictable and powerfully transfixing, TOWER. A BRIGHT DAY. is one of the more exciting genre discoveries in recent memory. WOLFMAN’S GOT NARDS (NY Premiere) USA | 2018 | 91 Min | Dir. Andre Gower For a whole generation of genre fans, Fred Dekker’s 1987 horror-comedy THE MONSTER SQUAD is their very own THE GOONIES, a formative and beloved masterpiece of adolescence and Universal-Monster-inspired mayhem. THE MONSTER SQUAD’s 30-plus-year relevance isn’t just the benefactor of tireless nostalgia—it’s a genuinely great movie, treating its scares with an effective seriousness and treating its pre-teen hero characters without figurative kid gloves. Because of that, Dekker’s classic remains a fixture at repertory theaters and continues to both influence today’s filmmakers and be discovered by modern-day youngsters. Directed by MONSTER SQUAD star Andre Gower, WOLFMAN’S GOT NARDS is the ultimate love letter to that late-’80s horror staple, collecting testimonials from lovers both famous and not and Gower’s old SQUAD collaborators. But it’s more than just fan service. As the best documentaries always do, WOLFMAN’S GOT NARDS peels beneath its subject’s top layers and mines profound insights into something deeper: why horror is such a universal passion, especially for those who are young at heart.

    Head Trip Program

    Cam USA | 2018 | 94 Min | Dir. Daniel Goldhaber After introducing shocking acts of self-mutilation to her performances, webcam girl Alice flies up the charts of FreeGirlsLive.com just like she’s always wanted. Before she can enjoy her newfound success, her account is stolen by someone who looks exactly like her and performs in an identical room yet is nowhere to be found. Inspired by writer Isa Mazzei’s experiences as a cam girl, CAM pulls back the veil on an industry that’s mystery is predicated on the separation between fantasy and reality, proving ripe cinematic ground for exploring obsession and paranoia. A modern erotic thriller with a fire lead performance from Madeline Brewer, Daniel Goldhaber’s feature debut details in disturbing fashion just how obsessed we may be with our online lives. Family (North American Premiere) Israel | 2017 | 100 Min | Dir. Veronica Kedar In their dilapidated living room, Lily positions herself between her motionless family members on the sofa as her camera snaps a picture. Arriving at her therapist’s home at night, she is disappointed to find that the only person home is her cold and insensitive daughter yet has no choice but to confide in her, instead. Lily is desperate to explain why she killed her family. Israeli triple threat talent Veronica Kedar writes, directs and stars in this intimate look into a scarily dysfunctional family. Using non-linear structure and even some musical genre elements, Lily’s traumatic past is parsed through creating a framework mimicking that of a truly screwed up therapy session, adding layer upon layer to an intricate and tragic character study of a murderess. Holiday (NY Premiere) Denmark | 2018 | 93 Min | Dir. Isabella Eklöf HOLIDAY explores the relationship between Sascha, a beautiful young woman and Michael, a successful drug lord as they’re on holiday with their friends in Turkey’s gorgeous Turquoise Coast. Upon first glance, the group appears to be having a fun and glamorous time in an idyllic seaside setting, until the true horrific nature of Michael is revealed. Swedish writer-director Isabella Eklöf’s unnerving debut was considered one of the darkest films at Sundance, as it examines the difficult topic of how some women stay with and protect their abusers.

    80’s Slash-A-Thon & New York Book Launch for Ad Nauseam, by celebrated horror journalist Michael Gingold

    Featuring a 35th anniversary screening of cult-classic SLEEPAWAY CAMP Presented by Maker’s Mark The Burning USA | 1981 | 91 Minutes | Dir. Tony Maylam The rare slasher movie that features a “final boy,” this exceedingly mean-spirited and nihilistic knockout has everything you need from a stalk-and-kill body count movie. There’s an overnight kids’ camp in the woods, a young Holly Hunter and an even younger Jason Alexander, and what’s arguably the gnarliest sequence in slasher history: a ferocious and brutal multi-victim slaughter set on a raft and powered by bloody sheers. The Funhouse USA | 1981 | 96 Min | Dir. Tobe Hooper In between THE TEXAS CHAINSAW MASSACRE and POLTERGEIST, the iconic Tobe Hooper made this sorely underrated gem. Set largely within a seedy carnival, Hooper’s addition to the ’80s slasher canon has inventive circus-influenced murder scenes, sure, but its coolest contribution to the slice-and-dice sub-genre is its killer, a deformed madman who sports a Frankenstein’s monster mask and, when that mask is off, is basically a human tarantula with luscious blonde locks. My Bloody Valentine Canada | 1981 | 90 Min | Dir. George Mihalka In terms of slashers taking place around holidays, MY BLOODY VALENTINE comes second to only HALLOWEEN. The best Canadian slasher of all time, it’s a masterful blend of small-town whodunit paranoia and cavernous underground terror, with a crazed miner and his trusty pickaxe shredding through numerous victims after a local Valentine’s Day dance gets reinstated. Tough love, indeed. Sleepaway Camp (35th Anniversary Screening) USA | 1983 | 84 Min | Dir. Robert Hiltzik If you’ve never seen SLEEPAWAY CAMP before, you’re in for something special. To be more specific, we mean one of the most shocking endings in not only horror movie history, but cinema in general. Up until this classic slasher’s humdinger finale, it also happens to be an excellent and delightfully twisted murder mystery about a summer camp where kids are meeting the bad ends of knives, beehives, and hot curling irons. Michael Gingold’s Ad Nauseam NY Book Launch Ad Nauseam: Newsprint Nightmares from the 1980s, a 1984 Publishing title presented by Toronto-based horror periodical Rue Morgue and edited by former Rue Morgue editor-in-chief Dave Alexander, will highlight a golden age of horror movie ads. The 248-page, full-color, hardbound book features more than 450 rare, vintage ads culled from Gingold’s personal archive. Growing up in the ’80s, the future Fangoria writer and editor would carefully cut out ads he saw in local newspapers, leaving him with a collection tracing horror movie history via both blockbusters and obscurities. Tying into our ‘80s Slash-A-Thon, our programmer-at-large, Michael Gingold will introduce each of the four marathon films with a special slideshow presentation of the upcoming book. The Miskatonic Institute of Horror Studies teams up with BHFF once again to bring you an event you’ll be dying to tune in for – Big Scares on the Small Screen: A Brief History of the Made for TV Horror Film! The Miskatonic Institute of Horror Studies presents Big Scares on the Small Screen: A Brief History of the Made for TV Horror Film With instructor Amanda Reyes Although rarely held in high regard by critics, the made for television horror film remains an intriguing artifact of network programming. Any subgenre was up for grabs, and the output was disparate, vast, and surprisingly subversive, often producing a collective memory (or trauma, depending) shared by millions of viewers. Join us for a retrospective on the golden age of the telefilm and beyond. This event will be hosted by Amanda Reyes, editor and co-author of Are You in the House Alone? A TV Movie Compendium: 1964-1999. The Miskatonic Institute of Horror Studies is an international educational community that offers classes in horror film history and theory in London, New York and Los Angeles, as well as hosting special events worldwide.

    Jury

    2018 FEATURES JURY

    David Ninh (Director of Publicity, Kino Lorber) Elinor Lewy (Co-Director, Final Girls Berlin Film Festival) Jason Zinoman (Journalist, NY Times, Author, SHOCK VALUE)

    2018 HEAD TRIP FEATURES JURY

    Caryn Coleman (Director of Programming/Special Projects, Nitehawk Cinema) Rebecca Pahle (Journalist, Film Journal International) Jasper Basch (President, Cartilage Films)

    2018 SHORTS JURY

    Jenn Wexler (Director, Producer, Glass Eye Pix) Kyle Greenberg (Theatrical Marketing Manager, Gunpowder & Sky) Loren Hammonds (Senior Programmer, Tribeca Film Festival)

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  • 2018 LA Film Festival Unveils Diverse Competition Lineup

    [caption id="attachment_31196" align="aligncenter" width="1200"] Banana Split[/caption] The 2018 LA Film Festival taking place September 20 to 28, 2018. unveiled a diverse slate of 40 feature films, 41 short films, and 10 short episodic works in the U.S. Fiction, Documentary, World Fiction, LA Muse and Nightfall sections. Across the competition categories 42% of the films are directed by women and 39% are directed by people of color. “Our mission of finding fresh new voices from different geographical and cultural axes remains true,” said LA Film Festival Director Jennifer Cochis. “These storytellers are united by their ability to transport, impact and inspire audiences with the power of their craft.” Venues for the 2018 Festival include the ArcLight Cinemas in Culver City, Hollywood and Santa Monica, as well as the new LMU Playa Vista Campus (opening this fall), the Wallis Annenberg Center for the Performing Arts and the Writers Guild Theater.

    U.S. Fiction Competition

    Banana Split – USA (DIRECTOR Benjamin Francis Kasulke WRITERS Hannah Marks, Joey Power PRODUCERS Jeremy Garelick, Mickey Liddell, Pete Shilaimon, Will Phelps, Glen Trotiner, Sam Slater CAST Hannah Marks, Dylan Sprouse, Liana Liberato, Luke Spencer Roberts, Haley Ramm, Meagan Kimberly Smith) – Over the course of a summer, two teenage girls develop the perfect kindred spirit friendship, with one big problem: one of them is dating the other’s ex. World Premiere In Reality – USA (DIRECTOR/WRITER Ann Lupo CO-DIRECTOR/CO-WRITER Esteban Pedraza & Aaron Pryka PRODUCERS Ann Lupo, Nadine Martinez, Holly Meehl CAST Ann Lupo, Miles G. Jackson, Kimiko Glenn, Jill Eikenberry, Olivia Washington, Esteban Pedraza, Lauren E. Banks) – A young woman takes a journey through her own fantastic mind as she investigates her relationship to unrequited love. LA Premiere Olympia – USA (DIRECTOR Gregory Dixon WRITER McKenzie Chinn PRODUCERS Gregory Dixon, McKenzie Chinn, Elliott Lonsdale, Lucy Lola Manda, Sarah Sharp CAST McKenzie Chinn, Charles Gardner, Ericka Ratcliff, LaNisa Renee Frederick, Penelope Walker, Sadieh Rifai) – A struggling Chicago artist finds herself at a crossroads in life, overwhelmed by changes and needing to make a critical decision in her relationship. World Premiere Simple Wedding – USA (DIRECTOR Sara Zandieh WRITERS Sara Zandieh, Stephanie Wu PRODUCERS Ray Moheet, Norman Aladjem, Sara Zandieh CAST Tara Grammy, Christopher O’Shea, Shohreh Aghdashloo, Rita Wilson, Maz Jobrani, Houshang Touzie, Jaleh Modjallal, Peter Mackenzie, James Eckhouse, Rebecca Henderson, Aleque Reid) – A romantic comedy about a young Iranian-American woman and the lengths she goes to in order to appease her parents and their need to see her settled down. World Premiere Softness of Bodies – USA/Germany (DIRECTOR/WRITER Jordan Blady PRODUCERS Jordan Blady, Catherine Morawitz CAST Dasha Nekrasova, Morgan Krantz) – An American poet living in Berlin hopes to win a prestigious grant while dealing with her former relationships, a rival poet and her own penchant for stealing things. World Premiere This Teacher – USA (DIRECTOR Mark Jackson WRITERS Mark Jackson, Dana Thompson PRODUCERS Mark Jackson, Dana Thompson, Gigi Graff, Josh Mandel, Javier Gonzalez CAST Hafsia Herzi, Sarah Kazemy, Lucy Walters, Kevin Kane, Lev Gorn) – A young Arab-French woman on an introspective journey visits her childhood friend in New York City before heading to the woods upstate. World Premiere The Wrong Todd – USA (DIRECTOR/WRITER Rob Schulbaum PRODUCERS Ric Murray, Anthony Ambrosino CAST Jesse Rosen, Anna Rizzo, Sean Carmichael, Derek K. Moore, Erin Rose) – A sci-fi comedy about a man who gets caught up in extraordinary events, and the bizarre lengths he goes through to get back to his reality. World Premiere

    Documentary Competition

    Behind the Curve – USA (DIRECTOR Daniel J. Clark PRODUCERS Caroline Clark, Nick Andert, Daniel J. Clark) – The internet breathed new life into an old conspiracy theory: that the earth is flat instead of spherical. America’s flat-Earth movement appears to be growing, in spite of its detractors in the scientific community. US Premiere Facing the Dragon – USA/Afghanistan (DIRECTOR Sedika Mojadidi PRODUCER Jenny Raskin) – After international withdrawal from Afghanistan, two remarkable Afghan women working within the government and media struggle to maintain their hard-won rights while balancing what’s best for their families. World Premiere False Confessions – Denmark (DIRECTOR Katrine Philp PRODUCER Katrine A. Sahlstrøm) – “Would you confess to a crime you did not commit?” A defense attorney fights against the complex and manipulative tactics of US police interrogations, focusing on victims of coerced confessions as she helps exonerate her incarcerated clients. North American Premiere hillbilly – USA (DIRECTORS/PRODUCERS Sally Rubin, Ashley York SUBJECTS bell hooks, Billy Reddon, Ronny Cox, Frank X Walker, Crystal Good, Silas House) – Two filmmakers visit rural Kentucky, one returning home to Appalachia, to unpack the stereotype of “hillbilly” and explore the personal and painful experiences fueling our polarizing political climate. LA Premiere Mamacita – Germany/Mexico (DIRECTOR José Pablo Estrada Torrescano PRODUCERS José Pablo Estrada Torrescano, Arne Birkenstock) – A filmmaker fulfills his promise to make a film about his 95-year-old grandmother, showcasing her big personality and along the way uncovering the source of deep familial wounds. US Premiere Moroni for President – USA (DIRECTORS Saila Huusko, Jasper Rischen PRODUCERS Saila Huusko, Jasper Rischen, Sara Goldblatt) – Determined to shake up the status quo and bring positive change to his people, a young, gay college professor begins a grass-roots campaign to become the next President of the Navajo Nation. LA Premiere Same God – USA (DIRECTOR/WRITER/PRODUCER Linda Midgett) – It started out simply: a demonstration of solidarity. What followed? Life-changing events violating university and ethical codes and a public attack on a tenured professor’s ideals, faith, racial and religious identity. World Premiere The Silence of Others – Spain (DIRECTORS/PRODUCERS Almudena Carracedo, Robert Bahar) – In a country with streets that still bear his name, a group of resolute Spanish citizens seek justice for crimes committed during the brutal dictatorship of Francisco Franco by organizing a groundbreaking international lawsuit. West Coast Premiere Stammering Ballad – China (DIRECTOR/WRITER Nan Zhang PRODUCERS Ruby Chen, Yong Zhang, Sinae Ha) – The visual and musical journey of a Chinese folk musician torn between his desire for fame and his love for singing rural folk songs that are on the verge of being lost. North American Premiere Wrestling Ghosts — USA (DIRECTOR Ana Joanes PRODUCERS Ana Joanes, Toni Nagy) — Unable to understand why parenting seems like a constant uphill battle, an emotionally exhausted mother who can’t connect with her two young sons courageously confronts the events of her own traumatic childhood. World Premiere

    World Fiction Competition

    Border – Sweden (DIRECTOR Ali Abbasi WRITERS Ali Abbasi, Isabella Eklöf, John Ajvide Lindqvist PRODUCERS Nina Bisgaard, Peter Gustafsson, Petra Jönsson CAST Eva Melander, Eero Milonoff, Jörgen Thorsson) – Despite having the remarkable gift of being able to smell emotions, a border agent leads a mundane existence until she meets a stranger who shares her unique abilities and upends her life. California Premiere The Cotton Wool War – Brazil (DIRECTOR/WRITER/PRODUCERS Cláudio Marques, Marilia Hughes CAST Dora Goritzki, Thaia Perez, Thaila Lima) – Dora is a German-raised teenager visiting her enigmatic Brazilian grandmother for the first time. While trying to return to Germany at all costs, she discovers the incredible history behind the women of her family. US Premiere The Day I Lost My Shadow – France/Lebanon/Qatar/Syrian Arab Republic (DIRECTOR/WRITER Soudade Kaadan PRODUCER Amira Kaadan CAST Sawsan Arshid, Reham Al Kasar, Samer Ismail, Ahmad Ali) – In the midst of a gas crisis during the early days of the Syrian Arab Spring, a young mother takes the day off work and strays far from home with only one objective in mind: finding a working cylinder so that she may cook a meal for her son. US Premiere Heaven Without People – Lebanon (DIRECTOR/WRITER Lucien Bourjeily PRODUCERS Lucien Bourjeily, Farah Shaer CAST Ghassan Chemali, Hussein Hijazi, Jean Paul Hage, Jenny Gebara, Laeticia Semaan, Nadim Abou Samra, Samira Sarkis) – When a large family comes together for the first time in two years over Easter lunch, tensions bubble to the surface in surprising ways as they navigate an unforeseen conflict that threatens to derail their reunion. LA Premiere Microhabitat – South Korea (DIRECTOR/WRITER Jeon Go-Woon PRODUCER Kim Soon-Mo CAST Som Lee, Jae-hong Ahn) – An increase in the price of cigarettes destabilizes the economy of Miso, a young housekeeper who prefers to stop paying the rent rather than give up on the little pleasures of life. While she enjoys her smokes, Miso starts a couch-surfing journey that reconnects her with family and friends. West Coast Premiere Socrates – Brazil (DIRECTOR Alex Moratto WRITERS Alex Moratto, Thayná Mantesso PRODUCERS Tammy Weiss, Ramin Bahrani, Alex Moratto, Jefferson Paulino CAST Christian Malheiros, Tales Ordakji, Rosane Paulo, Caio Martinez Pacheco, Jayme Rodrigues) – A 15-year-old boy in São Paulo is forced to live on his own after his mother’s death. The search for a job, and dealing with his own sexual awakening, proves to be a lot to handle. World Premiere Tower. A Bright Day. – Poland/Czech Republic (DIRECTOR/WRITER Jagoda Szelc PRODUCERS Marcin Malatyński, Agata Golanska, Agnieszka Janowska, Kacper Habisiak, Andrzej Jędrzejewski, Maciej Ostoja-Chyżyński, Rafał Bubnicki CAST Anna Krotoska, Małgorzata Szczerbowska, Rafał Cieluch, Dorota Łukasiewicz-Kwietniewska, Laila Hennessy) – A protective mother has taken care of her young niece for years, raising her in the countryside as her own daughter. Her sister’s sudden return triggers a sense that she may be back to reclaim her offspring or to implement even more ominous plans. LA Premiere

    Nightfall

    The Dead Center – USA (DIRECTOR Billy Senese WRITER Billy Senese PRODUCERS Billy Senese, Denis Deck, Jonathan Rogers, Shane Carruth CAST Shane Carruth, Poorna Jagannathan, Jeremy Childs, Bill Feehely) – When a mysterious John Doe wakes up in a morgue and wanders into a psychiatric ward, a devoted doctor and curious medical examiner must slowly uncover dark and sinister secrets about the man that reveal a more horrifying truth than they could have ever imagined. World Premiere Deep Murder – USA (DIRECTOR Nick Corirossi WRITERS Josh Margolin, Quinn Beswick, Benjamin Smolen, Nikolai von Keller PRODUCERS Eric B. Fleischman, Andrew Swett, Drew Foster, Jesse Berger, Brent Johnson, Pat McErlean CAST Quinn Beswick, Katie Aselton, Christopher McDonald, Jerry O’Connell, Jessica Kennedy, Chris Redd, Stephanie Drake, Josh Margolin) – Set in an alternate reality in which everyone is a cliché from a tacky soft-core porn film, a group of increasingly self-aware stock characters are up against a mysterious killer offing them one by one. World Premiere Ghost Light – USA (DIRECTOR John Stimpson WRITERS/PRODUCERS Geoffrey Taylor, John Stimpson CAST Roger Bart, Tom Riley, Shannyn Sossamon, Danielle Campbell, Carol Kane, Cary Elwes) – The story of an unfortunate Shakespearean acting troupe that unleashes the infamous curse of Macbeth with horrifying results. World Premiere Head Count – USA (DIRECTOR/WRITER Elizabeth Callahan PRODUCERS Samuel Sandweiss, Brandon Somerhalder CAST Isaac W. Jay, Ashleigh Morghan, Bevin Bru, Billy Meade, Hunter Peterson, Chelcie May, Tory Freeth, Michael Herman, Amaka Obiechie, Sam Marra, Cooper Rowe) – During a weekend getaway to Joshua Tree, a group of teenagers find themselves under mental and physical assault from a supernatural entity that mimics their appearances as it completes an ancient ritual. World Premiere Spell – USA (DIRECTOR Brendan Walter WRITER Barak Hardley PRODUCERS Brendan Walter, Jon Lullo, Barak Hardley, Katy Stoll, Eleanor Wilson CAST Barak Hardley, Jackie Tohn, Magnús Jónsson, Birna Rún Eiriksdóttir, Tom Wright, Stacey Moseley, Michael Nanfria, Michole Briana White, Bryndís Haraldsdóttir) – Following the unexpected death of his fiancé, an American illustrator travels to the Icelandic countryside to seek solace. What he finds instead is a blurred line between reality and fantasy as magical things begin to shake his very foundation—unless it’s all in his head. World Premiere Thriller – USA (DIRECTOR/WRITER Dallas Jackson PRODUCERS Greg Gilreath, Adam Hendricks, John Lang, Dallas Jackson CAST Mykelti Williamson, RZA, Jessica Allain, Luke Tennie, Tequan Richmond, Paige Hurd, Chelsea Rendon, Mitchell Edwards, Pepi Sonuga, Jason Woods, Maestro Harrell, Michael Ocampo)– Years after a childhood prank goes horribly wrong, a clique of South Central LA teens find themselves terrorized during Homecoming weekend by a killer hell-bent on revenge. World Premiere

    LA Muse

    The Advocates – USA (DIRECTOR Rémi Kessler PRODUCERS Rémi Kessler, Robert McFalls) – A sweeping look at the homeless crisis in Los Angeles and an intimate view of the tireless advocates who strive to create better lives for their clients. World Premiere El Chicano – USA (DIRECTOR Ben Hernandez Bray WRITERS Ben Hernandez Bray, Joe Carnahan PRODUCERS Joe Carnahan, Lorenzo di Bonaventura, Frank Grillo CAST Raúl Castillo, George Lopez, Aimee Garcia, Emilio Rivera, David Castañeda, Marlene Forte, Jose Pablo Cantillo, Sal Lopez) – A cop is drawn into his ex-con brother’s death while investigating the crime-fighting exploits of a mysterious vigilante known as “El Chicano.” World Premiere Fire on the Hill – (DIRECTOR/WRITER Brett Fallentine PRODUCERS Brett Fallentine, Jordana Glick-Franzheim) – Three Black cowboys in South Central share their stories following a mysterious fire that burnt down the community’s stables, leaving the fate of the culture in question. World Premiere Funke – (DIRECTOR Gabriel Taraboulsy PRODUCERS Gabriel Taraboulsy, Alex Emanuele, Jay Holzer, Cecile Murias) – A prodigious chef mounts his culinary comeback, eyeing the most competitive street in America as a stage for his ode to the dying art of handmade pasta. World Premiere Making Montgomery Clift – (DIRECTORS/WRITERS/PRODUCERS Robert A. Clift, Hillary Demmon) – Classic film star Montgomery Clift’s legacy has been a story of tragedy and self-destruction, but a more complicated picture emerges when his nephew dives into the family archives. World Premiere Saint Judy – USA (DIRECTOR Sean Hanish WRITER Dmitry Portnoy PRODUCERS Sean Hanish, Paul Jaconi-Biery CAST Michelle Monaghan, Leem Lubany, Common, Alfred Molina, Alfre Woodard, Mykelti Williamson) – The true story of LA immigration attorney Judy Wood, who single-handedly changed the United States Law of Asylum, saving countless lives in the process. World Premiere Solace – USA (DIRECTOR/WRITER Tchaiko Omawale PRODUCERS Tchaiko Omawale, Maya Emelle, Hope Olaide Wilson, Sabine Hoffman, Sascha Brown Rice CAST Hope Olaide Wilson, Lynn Whitfield, Chelsea Tavares, Glynn Turman, Luke Rampersad, Sydney Bennett) – A teenage orphan moves to LA to live with her estranged grandmother and works to win a performance art grant while secretly struggling with binge eating. California Premiere Staycation – USA (DIRECTOR Tanuj Chopra WRITERS Tanuj Chopra, Anthony Ma, Grace Su PRODUCER Lalithra Fernando CAST Anthony Ma, Grace Su) – A modern millennial codependent couple in DTLA have their relationship thrown for a loop when he discovers a photo from an ex on her phone. World Premiere Stuntman – USA (DIRECTOR Kurt Mattila PRODUCERS Steven Golebiowski, Kurt Mattila, Eddie Braun CAST Eddie Braun, Gary Davis, Conrad E. Palmisano, Buddy Joe Hooker, Scott Truax) – A veteran stuntman sets out to complete the jump that bested his idol Evel Knievel: clearing the Snake River Canyon in a rocket-powered craft. World Premiere We the Coyotes – USA (DIRECTORS/WRITERS Hanna Ladoul, Marco La Via PRODUCERS Raphael Gindre, Kevin Van Der Meiren, Julius Schultheib CAST Morgan Saylor, McCaul Lombardi, Betsy Brandt, Khleo Thomas, Lorelei Linklater) – A young couple moves to LA from the Midwest to start a new life together, but things don’t go exactly as planned. North American Premiere

    Shorts (41)

    Agua Viva – USA (DIRECTOR Alexa Lim Haas) – A Chinese manicurist in Miami attempts to describe feelings she doesn’t have the words for. Audition – USA (DIRECTOR Richard Van) – Unable to find a sitter, an aspiring actress has no choice but to drag her three-year-old son to her audition. Beastly Things – USA (DIRECTOR Zev Chevat) – A young artist encounters a vicious group of local schoolchildren and learns what beastly behavior truly means. Black 14 – USA (DIRECTOR Darius Clark Monroe) – An archival social study examining the media coverage of a 1969 racial protest at the University of Wyoming. Burn Bridge – USA/England (DIRECTOR Rhys Jones) – Hopelessly infatuated with his clueless best friend, an adolescent boy in North Yorkshire explores his sexuality and acts out with destructive behavior. Caroline – USA (DIRECTORS Celine Held, Logan George) – A precocious six-year-old is faced with a big responsibility on a hot Texas day. Cheer Up, Baby – USA (DIRECTOR Adinah Dancyger) – A young woman who has been sexually assaulted by a stranger on the subway is rendered with psychological menace and sensory dislocation in this elliptical tale. Counterfeit Kunkoo – India (DIRECTOR Reema Sengupta) – In a city that houses millions, Smita fights a stubborn cultural bias while trying to rent a house in middle-class Mumbai. Coyote – Switzerland (DIRECTOR Lorenz Wunderle) – After wolves attack his family, a coyote goes on a vision quest of revenge. Cross My Heart – Jamaica/USA (DIRECTOR Sontenish Myers) – An American teenage girl visits her family in Jamaica and uncovers a secret that changes the way she sees the people she loves. Delay – Iran/Italy (DIRECTOR Ali Asgari) – A man and his two children miss their flight and while waiting for the next flight, undergo a transformative moment. The Earth is Humming – USA (DIRECTOR Garrett Bradley) – In Japan earthquake preparedness is a way of life, and a full-blown industry. Falling – France (DIRECTOR Benjamin Vu) – In 1994 France, a clever, gay, much-bullied young esthete and his naïve, athletic classmate develop an unexpected intimacy when they’re paired up for a high school presentation. Hair Wolf – USA (DIRECTOR Mariama Diallo) – In a black hair salon in gentrifying Brooklyn, the residents fend off a strange new horror: white women sucking the lifeblood from black culture. Hierophany – USA (DIRECTOR Kevin Contento) – A Florida boy comes in contact with the sacred while living in the margins of the South. Intercourse – Sweden (DIRECTOR Jonatan Etzan) – A passing joke between a couple blurs the lines and brings them to terms with how it has changed their relationship. Jeom – USA (DIRECTOR Kangmin Kim) – A father and son, who share the same big birthmark on their butt wage war against this genetic blemish. Kevlar – Sweden (DIRECTOR Tuna Özer) – A young man from the projects outside of Stockholm borrows his friend’s jacket to impress a hip city girl and winds up at a party in a strange land. Ladders – USA (DIRECTOR Andrew Stephen Lee) – The bright future facing a smart, ambitious Dominican teen becomes clouded with doubt following a pointed interaction at a fundraising gala. Libre – USA (DIRECTOR Anna Barsan) – Undocumented immigrants forced to spend months in detention turn to private companies to secure their release on bond in this gripping documentary. Lotus – Iran (DIRECTOR Mohammadreza Vatandoust) – After a controlled flood an old woman is left to gaze from her window at the island she’s forbidden to visit, longing for the object of her affection. Mud – USA (DIRECTOR Shaandiin Tome) – On her last day of life, a woman faces the inescapable remnants of alcoholism, family and culture. Nevada – USA (DIRECTOR Emily Ann Hoffman) – A young couple’s romantic weekend getaway is interrupted by a birth control mishap in this stop-motion animated comedy. One Leg In, One Leg Out – Canada (DIRECTOR Lisa Rideout) – A lively, strong-willed sex worker struggles to move from the streets and into a career as a social worker, hoping to help fellow trans sex workers find acceptance. The Passage – USA (DIRECTOR Kitao Sakurai) – Fleeing a pair of mysterious agents sends a dim-witted mute on a series of absurd misadventures. Room 140 – USA (DIRECTOR Priscilla Gonzalez Sainz) – Immigrants just released from detention centers spend their first night in Oakland at a motel paid for by a local pastor. Roya – USA (DIRECTOR Shaina Pakravan) – On the night of a relative’s engagement party, an image conscious Iranian-American mother clashes with her free-spirited teenage daughter. Scratch – Spain (DIRECTOR David Valero) – A young DJ with a cognitive disability has trouble understanding the violent word around him; his actions subvert societal concepts of perpetrator and victim, apology and forgiveness. Shadow Animals – Sweden (DIRECTOR Jerry Carlsson) – A young girl follows her parents to a party where the adults’ behavior becomes increasingly strange. The Shift – USA (DIRECTOR Elivia Genny Shaw) – For San Francisco’s 911 dispatchers, the city is hard to escape. Sin Cielo – USA (DIRECTOR Jianna Maarten) – Two teenagers pursue young love in the borderlands where life under cartel violence may be inescapable. Skip Day – USA (DIRECTORS Ivete Lucas, Patrick Bresnan) – With graduation approaching, a group of high school seniors take a day at the beach to revel in the joys of being young in an increasingly unsteady world. Swedi – Sweden (DIRECTOR Sosi Chamoun) – A woman in a grocery store contends with a clerk who won’t leave her alone in this one-take shot. This Magnificent Cake! – Belgium/France/Netherlands (DIRECTORS Emma De Swaef, Marc James Roels) – Set in colonial Africa in the late 19th century, this breathtaking stop-motion epic examines colonialism through five different stories. This, My Favorite Mural – USA (DIRECTOR Michael Arcos) – The Latinx immigrant experience in Louisiana is explored through the eyes of a German woman who becomes obsessed with finding the artist who painted a tire shop mural. The Things You Think I’m Thinking – Canada (DIRECTOR Sherren Lee) – On his first date since a devastating accident, a burn victim throws himself back into the world of relationships and the fear of allowing love back into his life. True Love in Pueblo Textil – USA (DIRECTOR Horatio Baltz) – A young girl living in the Cuban countryside describes how it feels to be stricken with the world’s oldest infliction: love. War Paint – USA (DIRECTOR Katrelle Kindred) – For a bright South LA teen, what should be a happy 4th of July weekend becomes an unexpected lesson in the stark realities of power and racism. Weekends – USA (DIRECTOR Trevor Jimenez) – A young boy shuffles between the homes of his recently divorced parents in this surreal hand-animated film set in 1980s Toronto. While I Yet Live – USA (DIRECTOR Maris Curran) – African-American quilters from Alabama talk about love, religion and the fight for civil rights as they continue the tradition of quilting that originally brought them together. Wild Wild West: A Beautiful Rant By Mark Bradford – USA (DIRECTOR Dime Davis) – The origin of artists is explored through paper, percussion and one provocative creative.

    Episodes: Indie Series from the Web

    Avant-Guardians, dir. Clarence Williams II, USA Flatbush Misdemeanors, dirs. Dan Perlman, Kevin Iso, USA Fresh, dir. Grant Scicluna, Australia Kiki and Kitty, dir. Catriona Mackenzie, Australia Otis, dir. Alexander Etseyatse, USA Petal & Paint, dir. Bradley Smith, USA Psusy, dirs. Duckworth, Jaya Beach-Robertson, New Zealand Revenge Tour, dir. Andrew Carter, USA Robits, dir. Christopher Parks, USA Tracy Buckles, dir. Robin Nystrom, USA

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  • Mammoth Lakes Film Festival Announces 2018 Line-Up + Opening and Closing Films

    [caption id="attachment_26511" align="aligncenter" width="1200"]Mia Wasikowska, Robert Pattinson. Damsel. Regie/director: David Zellner, Nathan Zellner Mia Wasikowska, Robert Pattinson in Damsel.[/caption] The Mammoth Lakes Film Festival (MLFF) announced their feature film line-up, as well as the Opening and Closing Night films, for the fourth edition of the festival, taking place May 23 through 27 at venues across Mammoth Lakes. The 2018 Mammoth Lakes Film Festival will open with Damsel on Wednesday, May 23. Robert Pattinson and Mia Wasikowska star in a comedic homage to classic Westerns. Samuel (Pattinson), is a businessman who sets out to rescue his kidnapped fiancée Penelope (Wasikowska). The situation turns out to be more complicated than it first appears, and Penelope is no mere damsel in distress. The film from Magnolia Pictures is directed and written by David Zellner and Nathan Zellner. [caption id="attachment_26877" align="aligncenter" width="1200"]Love, Gilda Love, Gilda[/caption] The festival will close with the documentary film Love, Gilda on Sunday, May 27. In her own words, comedienne Gilda Radner reflects on her life and career. Weaving together her recently discovered audiotapes, interviews with friends (Chevy Chase, Lorne Michaels, Laraine Newman, Paul Shaffer and Martin Short), rare home movies and diaries read by modern-day comedians inspired by Gilda (Bill Hader, Melissa McCarthy, Amy Poehler, Maya Rudolph and Cecily Strong), Love, Gilda opens up a unique window into the honest and whimsical world of a beloved performer whose greatest role was sharing her story. The film from CNN Films is directed by Lisa D’Apolito. “We’re excited to bring such a dynamic and diverse lineup to this year’s festival,” said Festival Director Shira Dubrovner. “In four short years, we’ve already begun to establish MLFF as a must-attend festival thanks to our scenic and majestic backdrop of the Eastern Sierra and world-class cinema.” “MLFF focuses on films that have powerful, innovative artistic voices,” said Director of Programming Paul Sbrizzi. “We look forward to bringing our festival-goers the bold style and thought-provoking stories found in this year’s slate.”

    The Mammoth Lakes Film Festival line-up

    Core Competitions

    Narrative Features:

    Birds Without Feathers – In this pitch-black comedy, six broken individuals unable to make a human connection will give everything away in an attempt to receive love. Directed and written by Wendy McColm. West Coast Premiere Fort Maria – A sensitive, lyrical look at an agoraphobic Bulgarian woman and her adopted African-American daughter, as they each evaluate their lives and their relationship after the death of the beloved family dog. Directed and written by S. Cagney Gentry and Thom Southerland. My Name Is Myeisha – A charming, talented teenage girl crosses over into a candy-coated hip-hop-musical dreamscape on the fateful night she crosses paths with police. Directed by Gus Krieger, written by Rickerby Hinds. The Queen of Hollywood Blvd. – On her 60th birthday, the proud owner of a Los Angeles strip club finds herself in hot water, leading her on a downward spiral of violence and revenge. Directed and written by Orson Oblowitz. West Coast Premiere Rock Steady Row – A college freshman’s bike is stolen and he’s compelled to go to battle with the comic-book villain that rules the reigning fraternity using Walkmen and No. 2 pencils as weapons. Directed by Trevor Stevens, written by Bomani J. Story.

    Documentary Features:

    Buddha.mov – Lured by the chance of being the protagonist of a documentary film, Buddha Dev starts authorizing unrestricted access into the most private parts of his life. Directed by Kabir Mehta. West Coast Premiere Crime + Punishment – A group of brave officers risk it all to expose the truth about illegal quota practices in the NYPD. Directed by Steven Maing. Minding the Gap – The lives of three young skateboarding friends grow together and apart as they try to process childhood trauma and escape the cycle of domestic violence in their Rust Belt hometown. Directed by Bing Liu. Tourists – A disturbing and hilarious trip around the world, observed through the amateur cinematography of naïve, outspoken and judgmental middle-class tourists. Directed by Mateusz Romaszkan and Marta Wójtowicz-Wcislo. North American Premiere Vianey – New Jersey and Bronx based underground hip hop artist Vianey Otero (Icey Trap) discusses growing up on the streets, the lure of escorting, everyday life in jail, and being a female artist in the music industry. Directed by Marko Vuorinen. West Coast Premiere White Tide: The Legend of Culebra – There’s an island, there’s a map, there’s buried treasure… $2 million dollars just waiting for someone to dig it up. There’s just one slight problem: it happens to be in cocaine form. Directed by Theo Love. West Coast Premiere

    Foreign Features:

    Barren and Empty the Sea (Spain) – Esteban wakes up one morning and everybody accuses him of being a stranger that happens to look just like Esteban.Directed and written by Lucas Parnes Pereira and Jesus Serna. International Premiere Melodrama / Random / Melbourne! (Australia) – A feminist documentarian, a pick up artist and a virgin’s lives collide, and blood will be shed on neon-lit streets of Melbourne. Directed by Matthew Pastor, written by Celina Yuen and Matthew Victor Pastor. North American Premiere Tower. A Bright Day (Poland) Just before her daughter’s First Holy Communion, Mula’s long lost sister Kaja pays them a visit, harboring a secret. The family believes in reconciliation, but Mula has her reasons to be afraid. Directed and written by Jagoda Szelc. North American Premiere Vidar the Vampire (Norway) – The wildly hilarious adventure of a Christian farmer searching for a higher purpose to life, who falls into sin and wakes up as the Prince of Darkness in the city of Stavanger, Norway. Directed and written by Thomas Aske Berg and Fredrik Waldeland.

    Spotlight Presentations:

    Dyna Does Dressage – Documentary about the first mule ever to compete at the national level in the competitive equestrian sport of dressage. Directed by Sarah Crowe. Home + Away – A group of students with family on both sides of the US/Mexico border navigate academics, athletic competition, a school in need of greater funding and familial strife during the their final year at a Texas high school. Directed by Matt Ogens. West Coast Premiere On Her Shoulders – Nadia Murad, a 23-year-old Yazidi genocide and ISIS sex slave survivor, becomes the voice of her people and their best hope to spur the world to action.Directed by Alexandria Bombach. Pick of the Litter –  The story of puppies from the moment they’re born through their quest to become guide dogs for the blind, the ultimate canine career. Directed by Dana Nachman and Don Hardy Jr. A Woman Captured – Director Bernadett Tuza-Ritter’s incredible document of the evolving consciousness of a Hungarian woman who has been held as a domestic slave for 10 years and decides to undertake a daring escape. Directed by Bernadett Tuza-Ritter. West Coast Premiere The festival will also feature Short Film Programs of 26 Narrative Shorts, 10 Documentary Shorts, 11 Animation Shorts and a program of classic animation from East Germany. Over $40,000 in cash and prizes will be given out in nine categories to this year’s films in competition.  Winners will be announced on Sunday, May 27 at a Closing Night reception.

    The 2018 Mammoth Lakes Film Festival Jurors

    Allison Amon (EVP Sales & Development, Bullitt) Lindsey Bahr (Associated Press) Peter Baxter (Filmmaker; President/Co-Founder, Slamdance) Shalini Dore (Variety) Alonso Duralde (TheWrap) Tim Rhys (MovieMaker Magazine) Vincent Spano (Actor) Nicole Sperling (Vanity Fair) Rachel Winter (Producer) Ana Souza (Sundance Film Festival) Scenery Samundra (Tru Thoughts, NTS Radio)

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