VIMooZ

  • Home
  • Film Festival News
  • VIMooZ Cinema

Tropical Memories


  • “The War Has Ended” and “Tropical Memories” Win Prizes at the 2018 Berlinale Co-Production Market

    2018 Berlinale Co-Production Market Prizes Three monetary prizes were awarded to selected narrative film projects at the Berlinale Co-Production Market which was held from February 17 to 21, 2018. The Eurimages Co-Production Development Award, endowed with 20,000 euros, was presented on Sunday to the project The War Has Ended, represented by the producers from Madants, Poland, Match Factory Productions, Germany and Transfax Film Productions, Israel. The prize money is intended as a project development grant from the European film subsidy organization Eurimages. The first Eurimages Co-Production Development Award in Berlin in 2015 went to the project 3 Tage in Quiberon (3 Days in Quiberon), directed by Emily Atef, and the resulting completed film is celebrating its premiere at this year’s festival in Competition. The VFF – (Film and Television Producers Rights Association) from Munich awarded its VFF Talent Highlight Award, endowed with 10,000 euros, to the project Tropical Memories (dir: Shipei Wen), presented at the Co-Production Market by producer Jing Wang from the People’s Republic of China. Each year since 2004, the VFF has honored a promising project by up-and-coming filmmakers from the “Talent Project Market”, organised by the Berlinale Co-Production Market in cooperation with Berlinale Talents. This year, producers Maya Fischer from Israel, and Charlotte de La Gournerie from Denmark were also nominated. They pitched their projects to participants of the Berlinale Co-Production Market and each received a nomination prize of 1,000 euros. The ARTE International Prize this year also goes to the project The War Has Ended by director Hagar Ben Asher. ARTE bestows the 6,000 euro prize on an artistically outstanding project drawn from the selection of the Berlinale Co-Production Market. At the 15th Berlinale Co-Production Market, the producers of the 36 selected narrative film projects also meet potential co-producers and financiers. The more than 1,300 one-on-one meetings with potentially matching partners among the total of 600 participants are meticulously planned ahead of time. Books for possible screen adaptations and series projects are also presented. They are the focus of “Books at Berlinale” and “CoPro Series” respectively. The team received more than 2,100 requests for meetings this year. More than 270 films that came to the market looking for partners have since become completed films. Five of those are screening this year at the Berlinale. Image:  Eurimages Co-Production Development Award 2018 – front row: Marek Rozenbaum (Transfax), Beata Rzeźniczek (Madants), Klaudia Smieja (Madants), Catherine Trautmann (Eurimages), Hagar Ben Asher (Director), Doreen Boonekamp (Eurimages Award Jury); back row: Martina Bleis (Berlinale Co-Production Market), Roberto Olla (Eurimages), Francine Raveney (Eurimages), Csaba Bereczki (Eurimages Award Jury) © Lydia Hesse / EFM 2018

    Read more



Film News

Animation | Anime

Documentary

Foreign Language Films

Independent Film

SciFi + Horror

Short Films

Thriller

More Film News

Awards

Film Reviews

Trailers

Interviews

People

Film Release Calendar

Film Festivals

Film Festivals News

Film Festivals (List)

Film Festivals Calendar

Company

Home

About Us

Privacy Policy

Terms Of Use

Contact Us

Internship Program

Cookie Policy (EU)

Opt-out preferences

  • Bluesky
  • YouTube
  • Instagram
  • Facebook
  • Pinterest
  • LinkedIn
  • Threads
  • X

Copyright © 2026 — VIMooZ LLC | Designed by TTHINKS

Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}