Victory Day (Den’ Pobedy)

  • Documentary Filmmaker Sergei Loznitsa Receives Dragon of Dragons Award at Krakow Film Festival

    Filmmaker Sergei Loznitsa Receives Dragon of Dragons Award at Krakow Film Festival Every year the third day of the Krakow Film Festival ends with the ceremony devoted to the most important festival award – Dragon of Dragons – awarded for an exceptional contribution to the development of the world cinema. This year the Krakow Film Foundation Program Council honored outstanding documentary filmmaker Sergei Loznitsa as the 21st winner of this prestigious prize, and also the youngest one in the history of the award. “I can say that Krakow Film Festival is my festival. I came here with my first film and since then each of my documentary films has been shown here. So in this sense Krakow is my city” – said Sergei Loznitsa. The head of the Program Council, film critic and scholar Prof. Tadeusz Lubelski said that “despite the variety of genres Loznitsa’s films are very coherent. First of all, in the stylistic sense: they are easily recognized by the distinctive minimalism, infinitely extended shots (as if he was waiting to extract from reality a hidden truth), carefully counted rhythm and precisely created soundtrack. It produces a certain archaic effect as if the director was going back to one of the previous eras in the history of cinema to reformulate its language, with a complete absence of the author’s commentary neither as voiceover nor non-diegetic music”. The official Dragon of Dragons ceremony took place on May 29th, 2018 during the 58th Krakow Film Festival. As part of the retrospective included in the festival program, the festival screened films made by the director and among them his latest documentary “Victory Day” (“Den’ Pobedy”), which will have in Krakow its Polish premiere. The traditional winner’s master class will take place on May 30th in Małopolski Ogród Sztuki. The ceremony ended with the screening of three films personally introduced by the director: “The Letter”, “The Train Stop” and “The Old Jewish Cemetery”. Sergei Loznitsa was born on September 5th, 1964 in Baranovchi in today’s Belarus which was at the time a part of the Soviet Union. He was growing up and studying in Kiev where he graduated from Kyiv Polytechnic Institute as an engineer and mathematician. For a few years he was doing research in the Institute of Cybernetics and worked as a Japanese translator. In 1997 he graduated with honours in film production and directing from Gerasimov Institute of Cinematography in Moscow. He lives in Berlin. During his 20-year-old career Loznitsa made a lot of films that turned out to be an international success. His three feature films “My Joy” (2010), “In the Fog” (FIPRESCI Award) (2012), “A Gentle Creature” (2017) and one documentary “Maidan” had their world premieres at the Cannes Film Festival and this year he received the best director award in the Un Certain Regard competition for his feature film “Donbass”. His other feature documentary “The Event” premiered in Venice in 2015. His films won numerous awards at film festivals around the world. Loznitsa’a documentary debut “Today We Are Going to Build a House” was awarded at KFF the Bronze Dragon award. In the following years he received in Krakow the main festival awards three times: in 2006 the Golden Dragon for “Blockade”, in 2008 the Golden Horn for “Revue” and in 2013 once again the Golden Dragon for “The Letter”. Last year, as a part of the Focus on Germany section, the festival presented his film “Austerlitz”. In 2007 he was a member of the International Short Film Competition jury with Andrzej Żuławski as the head of the jury. The Dragon of Dragons award, awarded this year for the 21st time, is the highest accolade of the Krakow Film Foundation Program Council, the organizer of the Krakow Film Festival, and is a proof of recognition of the contribution to the development of the documentary and animated world cinema. A lot of outstanding filmmakers were among its winners including Werner Herzog, Kazimierz Karabasz, Bohdan Kosiński, Bogdan Dziworski, Allan King, Albert Maysles, Jonas Mekas, Helena Trestíková, Stephen and Timothy Quay, Raoul Servais, Jerzy Kucia, Paul Driessen and Priit Pärn who is also a festival guest this year taking part in the Focus on Estonia section.

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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  • FSLC Announces 5th Art of the Real Lineup, Opens with Premiere of ‘John McEnroe: In the Realm of Perfection’

    John McEnroe: In the Realm of Perfection
    John McEnroe: In the Realm of Perfection

    The Film Society of Lincoln Center today announced the fifth edition of Art of the Real, an essential showcase for the most vital and innovative voices in nonfiction and hybrid filmmaking, taking place April 26 to May 6. The 2018 lineup features a host of brilliant new works and exciting artist spotlights, including one world premiere, eight North American premieres, and seven U.S. premieres, with many of the filmmakers in person.

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  • Berlinale 2018: 18 Documentary Films Nominated for Glashütte Original – Documentary Award

    [caption id="attachment_26756" align="aligncenter" width="1000"]Viaje a los Pueblos Fumigados (A Journey to the Fumigated Towns) Viaje a los Pueblos Fumigados (A Journey to the Fumigated Towns)[/caption] This year, for the second time ever, the 2018 Berlin International Film Festival will present the Glashütte Original – Documentary Award.   A total of 18 documentary films from the current program of the Competition, Berlinale Special, Panorama, Forum, Generation and Perspektive Deutsches Kino sections and the special presentation Culinary Cinema are nominated for the Glashütte Original – Documentary Award.  All nominated films will celebrate their world premiere at the Berlinale 2018. The Glashütte Original – Documentary Award is endowed with € 50,000, and trophy funded by Glashütte Original. The prize money will be split between the film’s director and producer.  The prize will be presented during the official Award Ceremony in the Berlinale Palast on February 24. A three-member jury will pick the winner: Cíntia Gil (Portugal) – co-director of the Doclisboa, documentary film festival in Portugal ; Ulrike Ottinger (Germany) -director; and Eric Schlosser –  (USA)investigative journalist, playwright, screenwriter, and filmmaker. The following films are nominated for the Glashütte Original – Documentary Award:

    Competition – Out of competition

    Eldorado Switzerland / Germany By Markus Imhoof

    Berlinale Special

    Viaje a los Pueblos Fumigados (A Journey to the Fumigated Towns) Argentina By Fernando Solanas

    Panorama

    Al Gami’ya (What Comes Around) Lebanon / Egypt / Greece / Qatar / Slovenia By Reem Saleh Až přijde válka (When the War Comes) Czech Republic / Croatia By Jan Gebert Ex Pajé (Ex Shaman) Brazil By Luiz Bolognesi Game Girls France / Germany By Alina Skrzeszewska Obscuro Barocco France / Greece By Evangelia Kranioti Zentralflughafen THF (Central Airport THF) Germany / France / Brazil By Karim Aïnouz

    Forum

    Den’ Pobedy (Victory Day) Germany By Sergei Loznitsa L’empire de la perfection (In the Realm of Perfection) France By Julien Faraut Minatomachi (Inland Sea) Japan / USA By Kazuhiro Soda Premières solitudes (Young Solitude) France By Claire Simon Waldheims Walzer Austria By Ruth Beckermann

    Generation

    Ceres Belgium / Netherlands By Janet van den Brand What Walaa Wants Canada / Denmark By Christy Garland

    Perspektive Deutsches Kino

    The Best Thing You Can Do With Your Life Germany / Mexico By Zita Erffa draußen Germany By Johanna Sunder-Plassmann, Tama Tobias-Macht

    Culinary Cinema

    The Green Lie Austria By Werner Boote

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  • Berlinale 2018: Guy Maddin’s “The Green Fog” Among 44 Films Featured in Forum 2018 Lineup

    [caption id="attachment_26603" align="aligncenter" width="1280"]The Green Fog. Regie/directors: Guy Maddin, Evan Johnson, Galen Johnson The Green Fog. Regie/directors: Guy Maddin, Evan Johnson, Galen Johnson[/caption] The Forum program of the 2018 Berlin International Film Festival will feature 44 films, 35 of which world premieres.  This year, Arsenal – Institute for Film and Video Art is putting on the Forum as part of the Berlinale for the 48th time. 21 years after his directorial debut The Day a Pig Fell into the Well, Korean director Hong Sangsoo makes a more auspicious return to the Forum. Grass is another cheerfully melancholy story about the guests at a small café whose owner loves classical music. Kim Minhee, who won the Silver Bear for Best Actress in 2017, plays a café regular who always seems to be at the table in the corner writing on her laptop. She repeatedly draws inspiration from what’s happening around her, picking up the threads of the dialogue and spinning them further and sometimes even actively intervening in conversations. Is she perhaps the author of these relationship dramas in miniature, whose stores and themes mirror one another? French director Claire Simon is equally willing to try out new experiments in her documentary works. In her new film Premières solitudes (Young Solitude), she creates a cinematographic space for open, intimate discussion together with pupils from a school in the Paris suburbs. As they talk together about their backgrounds, parents, first loves, longings and fears for the future, ten ordinary teenagers forge ever closer bonds. It’s good to realise you’re not alone. For his part, Ukrainian director Sergei Loznitsa is showing a film at the Berlinale for the very first time. In Den’ Pobedy (Victory Day), he observes the huge crowds that gather each year at the Soviet War Memorial in Berlin-Treptow on May 9th and records the hustle and bustle with quiet precision, as different moods come to the fore: pride, contemplation, patriotism, curiosity, the desire for recognition. Two films from this year’s program draw on video material shot by their directors in periods of political upheaval and imbue it with new significance. At the end of the 1980s, Kristina Konrad collected opinions on the streets of Uruguay in relation to a referendum to be held on a law granting impunity to those responsible for the military dictatorship. Unas preguntas (One or Two Questions) takes a magnifying glass to the democratic process. Around the same time, the scandal surrounding the Nazi past of former UN General Secretary and Austrian president Kurt Waldheim was making headlines worldwide. Edited together entirely from archive footage, Ruth Beckermann’s Waldheims Walzer (The Waldheim Waltz) is a documentary essay of frightening topicality. Julien Faraut also works with material largely shot in the 80s in L’empire de la perfection (In the Realm of Perfection). Back then, tennis-obsessed director Gil de Kermadec attempted to use film as means of analysing the game. His meticulously shot footage of John McEnroe matches during the French Open forms the starting point for an ironic look at the parallels between film and the sporting world: cinema lies, sport does not. Corneliu Porumboiu’s Fotbal Infinit (Infinite Football) takes an equally peculiar look at the world of sport, this time in provincial Romania, following a local official’s attempts to bequeath the world an improved version of the beautiful game. But does everything here really just revolve around football? Two features from the US shine a light on intellectual escapism. Ted Fendt’s second feature Classical Period is once again shot in Philadelphia on 16mm and tells a drolly melancholy story about intellectualism and loneliness. The members of a reading group exchange cultural and literary references with such vigour that there’s little room for anything else: an attempt to leave the modern world behind or merely their own solitary existences? Ricky D’Ambrose’s debut Notes On an Appearance may be set in Brooklyn, but unfolds in a similar milieu. Before the backdrop of the disquiet spread by the followers of a controversial philosopher, the film uses both real-life documents and smartly falsified writings to tell the story of a young man who one day disappears without warning. An eerie look at modern life with shades of dystopia. Josephine Decker’s Madeline’s Madeline on the other hand plunges into the analogies of creativity and insanity. The young titular heroine doesn’t like spending time with her mother, played by actress Miranda July, and feels far freer when with her theatre group. But where does the border lie between personality and role? Two features from Morocco explore gender relations. Jahilya by Hicham Lasri (the title alludes to the pre-Islamic “time of ignorance”) is a furious condemnation of the misogyny of Moroccan society and all its attendant malice. Narjiss Nejjar’s Apatride (Stateless) gives an account of a historical event from a female perspective, an event that still dictates the relationship between Morocco and Algeria to this day. Full of beguiling images, her feature shows how a gentle, yet determined woman attempts to prevail over the border between the two countries. It would be more than appropriate to refer to the electrifying directorial debut An Elephant Sitting Still as a new hope for Chinese cinema. But its 29-year-old director Ho Bu, who had previously made a name for himself with two novels, took his own life soon after the film was completed. This visually stunning work links together the biographies of a range of different protagonists in virtuoso fashion, narrating the course of one single, tension-filled day from dawn until dusk, painting a portrait of a society marked by selfishness in the process.

    The films of the 48th Forum:

    14 Apples von Midi Z, Taiwan / Myanmar – WP Afrique, la pensée en mouvement Part I by Jean-Pierre Bekolo, Senegal – IP Aggregat (Aggregate) by Marie Wilke, Germany – WP Amiko by Yoko Yamanaka, Japan – IP Apatride (Stateless) by Narjiss Nejjar, Morocco – WP Aufbruch (Departure) by Ludwig Wüst, Austria – WP La cama (The Bed) by Mónica Lairana, Argentina / Germany / Netherlands / Brazil – WP La casa lobo (The Wolf House) by Joaquín Cociña, Cristóbal León, Chile – WP Casanovagen (Casanova Gene) by Luise Donschen, Germany – WP Classical Period by Ted Fendt, USA – WP Con el viento (Facing the Wind) by Meritxell Colell Aparicio, Spain / France / Argentina – WP Los débiles (The Weak Ones) by Raúl Rico, Eduardo Giralt Brun, Mexico – WP Den’ Pobedy (Victory Day) by Sergei Loznitsa, Germany – WP Die Tomorrow by Nawapol Thamrongrattanarit, Thailand – IP Djamilia (Jamila) by Aminatou Echard, France – WP Drvo (The Tree) by André Gil Mata, Portugal / Bosnia and Herzegovina – WP L’empire de la perfection (In the Realm of Perfection) by Julien Faraut, France – WP An Elephant Sitting Still by Hu Bo, People’s Republic of China – WP Fotbal Infinit (Infinite Football) by Corneliu Porumboiu, Romania – WP Grass by Hong SangsooRepublic of Korea – WP The Green Fog by Guy Maddin, Evan Johnson, Galen Johnson, USA / Canada + Accidence by Guy Maddin, Evan Johnson, Galen Johnson, Canada – WP Interchange by Brian M. Cassidy, Melanie Shatzky, Canada – WP Jahilya by Hicham Lasri, Morocco – WP Kaotični život Nade Kadić (The Chaotic Life of Nada Kadić) by Marta Hernaiz, Mexico / Bosnia and Herzegovina – WP Last Child by Shin Dong-seok, Republic of Korea – IP Madeline’s Madeline by Josephine Decker, USA – IP Maki’la by Machérie Ekwa Bahango, Democratic Republic of the Congo / France – WP Mariphasa by Sandro Aguilar, Portugal – WP Minatomachi (Inland Sea) by Kazuhiro Soda, Japan/USA – WP Notes On an Appearance by Ricky D’Ambrose, USA – WP Old Love by Park Kiyong, Republic of Korea – IP Our House by Yui Kiyohara, Japan – IP Our Madness by João Viana, Mozambique / Guinea-Bissau / Qatar / Portugal / France – WP Premières armes (First Stripes) by Jean-François Caissy, Canada – WP Premières solitudes (Young Solitude) by Claire Simon, France – WP SPK Komplex (SPK Complex) by Gerd Kroske, Germany – WP Syn (The Son) by Alexander Abaturov, France / Russian Federation – WP Teatro de guerra (Theatre of War) by Lola Arias, Argentinia / Spain – WP Tuzdan Kaide (The Pillar of Salt) by Burak Çevik, Turkey – WP Unas preguntas (One or Two Questions) by Kristina Konrad, Germany / Uruguay – WP Waldheims Walzer (The Waldheim Waltz) by Ruth Beckermann, Austria – WP Wieża. Jasny dzień. (Tower. A Bright Day.) by Jagoda SzelcPoland – IP Wild Relatives by Jumana MannaGermany / Lebanon / Norway – WP Yours in Sisterhood by Irene Lusztig, USA – WP

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