Whispering Truth to Power

  • Athena Film Festival Reveals 2019 Lineup, Opens with Julia Hart’s FAST COLOR, Closes with KNOCK DOWN THE HOUSE Featuring Alexandria Ocasio-Cortez

    Fast Color
    Fast Color

    The Athena Film Festival (AFF) at Barnard College will open its 2019 edition on Thursday, February 28, with the New York premiere of “Fast Color.” The film, directed by Julia Hart and written by Hart and Jordan Horowitz, stars Gugu Mbatha-Raw as a hero forced to run when her superhuman abilities are discovered. Years after abandoning her family, the only place she has left to hide is home. Lorraine Toussaint and David Strathairn co-star.

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  • 2018 Durban International Film Festival Announces Films in Competition and Jury

    [caption id="attachment_30652" align="aligncenter" width="1200"]Spell Reel Spell Reel[/caption] The Durban International Film Festival today announced the films and jury members for competition at this year’s 39th edition of the festival, which takes place from July 19 to 29, 2018. Award categories are Best Feature Film, Best South African Feature Film, Best Documentary, Best SA Documentary, Best Short Film, Best African Short Film, Best South African Short Film, Best Actor Award, Best Actress, Best Direction, Best Cinematography, Best Screenplay, Best Editing, Artistic Bravery, Audience Choice Award, Wavescape Audience Choice Award and the Amnesty International Durban Human Rights Award. Feature films in competition are Clint (India) directed by Harikumar Ramakrishna Pilla, Farewell Ella Bella (SA) directed by Lwazi Mvusi, The Foolish Bird (Ben Niao) (China) directed by Ji Huang, Otsuka Ryuji, High Fantasy (SA) directed by Jenna Bass, Mayfair (SA), directed by Sara Blecher, The Movie Of My Life (O Filme Da Minha Vida) (Brazil) directed by Selton Mello, Pororoca (Romania, France) directed by Constantin Popescu, Rafiki (Kenya, South Africa) directed by Wanuri Kahiu, The Recce (SA) directed by Ferdinand Van Zyl, The Reports on Sarah and Saleem (Palestine, Netherlands, Germany, Mexico) directed by Muayad Muayad, Supa Modo (Germany, Kenya), directed by Likarion Wainaina, The Tale (USA) directed by Jennifer Fox, A Trip To The Moon (Un Viaje A La Luna) (Argentina) directed by Joaquín Cambre. [caption id="attachment_30651" align="aligncenter" width="1200"]Silas Silas[/caption] Documentary films in competition are We could be Heroes (Denmark, Morocco, Tunisa, Brazil) directed by Hind Bensari, Silas (Canada/South Africa/Kenya) directed by Anjali Nayar and Hawa Essuman, Whispering Truth To Power (South Africa/Netherlands) directed by Shameela Seedat, New Moon directed by Philippa Ndisi-Herrmann, Kinshasa Makambo (Democratic Republic Of The Congo/France/Switzerland/Germany/Norway) directed by Dieudo Hamadi, Amal (Egypt/Lebanon/Germany) directed by Mohamed Siam, Spell Reel, (Germany/Portugal/France/Guinea-Bissau) directed by Filipa César, Shakedown (Usa) directed by Leilah Weinraub, The Silk and the Flame (Fei’e Pu Huo) (United States) directed by Jordan Schiele, The State Against Nelson Mandela and the Others (France) directed by Nicolas Champeaux and Gilles Porte. All SA documentaries and features are also eligible for the SA Best Documentary and SA Best Feature awards. Fiction section jurors are Bongiwe Selane, the award-winning SA producer with a string of credits behind her including her debut SA block buster feature Happiness is a Four-Letter- Word; Hakeem Kae Kazim, the well-known British-Nigerian actor who has gained international acclaim for his performance in the Oscar nominated film Hotel Rwanda. He has countless credits in major international films such as The Triangle with Sam Neill, Pirates of the Caribbean III, X-Men Origins: Wolverine with Hugh Jackman and many more. Nse Ikpe-Etim Nigerian is a multiple award-winning actress who DIFF audiences will remember from her role in the celebrated Meg Rickards’ film Tess. The documentary film jury includes Uzanenkosi on of the SA’s busiest and most prolific producers, who created InterSEXions the award-winning first of its kind, world over drama series that won an unprecedented 11 SAFTA awards. Nakai Matema, a veteran Zimbabwean Producer who has produced several ground-breaking documentaries including Rehad, Desai’s My Land, My Life and Leo Phiri’s A Fighting Spirit from the STEPS for the Future series. Nigerian filmmaker Mahmood Ali-Balogun who has directed numerous films including multiple award-winning film Tango With Me, and has been on the juries of numerous festivals such as Cairo International Film Festival, Toronto International Film Festival, Abuja International Film Festival and African International Film Festival (AFRIFF). Dorothee Wenner is a Berlin-based freelance filmmaker, writer and curator who has been on the selection committee of Berlin’s International Forum since 1990 and serves as the Berlinale’s Delegate for India and sub- Saharan Africa. The Shorts Jury includes Alicia Price, Head of the Film Department at SAE Cape Town and Leon Van Der Merwe, a founding member, Chief Operating Officer, board member and director of the Cape Town International Film Market and Festival (CTIFMF). The Amnesty International Durban jury is convened by its chair Coral Vinsen with members Professor Margaret Daymond, Lazola Kati , Betty Rawheath and Nelvia Rawheath.

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  • 2018 Sheffield Doc/Fest film Unveils Lineup of ‘bold and innovative non-fiction films’

    [caption id="attachment_29118" align="aligncenter" width="1200"]Before Father Gets Back Before Father Gets Back[/caption] The 2018 Sheffield Doc/Fest film program lineup presents bold and innovative non-fiction films made by some of the most authentic international filmmakers working today. 2018 audiences will be treated to 37 World, 18 International, 24 European and 70 UK film premieres. The works are selected across the main program Doc/Adventure, Doc/Expose, Doc/Think, Doc/Love, Doc/Rhythm, Doc/Visions, and focus Retro/Electric Avenues, New/UK, New/Lebanon program strands and accompanying Special Live events. Doc/Fest 2018 film program includes one special Preview screening, a late-night offering as Docs ‘Til Dawn and a selection of outdoor screenings Free Screen. The festival opens on Thursday 7 June with the world premiere of Sean McAllister’s A Northern Soul.

    OPENING NIGHT

    A Northern Soul (World premiere; UK, 2018, 80 min, dir. Sean McAllister) – Following A Syrian Love Story’s Doc/Fest Grand Jury Award win in 2015, Sean McAllister returns to Sheffield to open the Festival’s 25th Edition with the World Premiere of A Northern Soul. With his signature vision and sense of rapport, Sean reflects on changes to his Yorkshire hometown: a city divided by Brexit that is simultaneously celebrated as UK City of Culture and hit by austerity. Drawn to the fringes of town, Sean encounters Steve, a struggling warehouse worker by day and hip-hop performer by night, with a dream…

    SPECIAL PREVIEW

    McQueen (UK/USA, 2017, 111 min, dir. Ian Bonhôte and Peter Ettedgui) – Archival footage and personal testimonials present an intimate portrait of revolutionary British fashion designer ‘Lee’ Alexander McQueen, the working-class boy who became a global one-man fashion brand.THE FULL FILM program LINE-UP – BY STRAND:

    DOC/ADVENTURE

    Before Father Gets Back (World premiere; dir. Mari Gulbiani, 80 min) – In a Georgian village, from which many men have left for Syria, two girls escape a shared longing for their fathers through the magic of cinema. Bruce Lee & the Outlaw (World premiere; dir. Joost Vandebrug, 85 min) – Nicu, a young homeless boy, is adopted by Bruce Lee, the notorious “King of the Underworld” and goes to live with him in the tunnels underneath Bucharest. Central Bus Station (World premiere; dir. Tomáš Elšík, 78 min) – Central Bus Station, a building which has turned from great gift to a place for immigrants. Yonathan has learnt that it can reveal the essence of the society as well as one’s soul. Ghosthunter films in competition Into The Okavango films in competition Love Means Zero (UK premiere; dir. Jason Kohn, 89 min) – At eighty-six, famed tennis coach Nick Bollettieri is a living legend. At his academy in Florida, he raised a generation of champions. Too Beautiful: Our Right to Fight (World premiere, dir. Maceo Frost, 77 min) – Cuba ranks highly at Olympic boxing, but women can’t compete. This immersive film follows Havana boxer Namibia, who’s hoping the ban is lifted before she ages out of eligibility. Over the Limit Phantom Cowboys (International premiere; dir. Daniel Patrick Carbone, 93 min) – Three boys in small town America find their hopes and dreams tempered by their circumstances. Moving back and forth over eight years, this is a moving, skilful exploration of adolescence. Tanzania Transit (European premiere; dir. Jeroen van Velzen, 75 min) – On a train crossing Tanzania, a riding microcosm of East African society, we follow three main characters, reflecting on the strength to survive. The Game The Insufferable Groo (World premiere, 98 min, dir. Scott Christopherson) – Having directed nearly 200 low-budget movies, Utah filmmaker Stephen Groo seeks Jack Black for his latest human/elf fantasy drama. This hilarious yet sincere portrait depicts an uphill production battle. The Lonely Battle of Thomas Reid (UK premiere; dir. Feargal Ward, 77 min) – Thomas Reid lives a solitary life. But beside his 17th century farm looms a vast American factory. When the Irish State tries to take his farm, he vows to resist. The Man Who Stole Banksy (European premiere; 91 min, dir. Marco Proserpio) – A Palestinian taxi driver attempts to sell a Banksy mural on eBay. As we follow the artwork, we uncover a secret art market of stolen walls from around the world. Three Identical Strangers (European premiere; 96 min, dir. Tim Wardle) – In 1980, three New York identical triplets, separated at birth, discovered each other. But behind the remarkable story lurked a dark secret that questioned the notion of who we are. Time Trial Vienna Calling (World premiere; dir. Petr Šprincl, 67 min) – In this docufiction road movie, a grave robbing artist and his sidekicks journey to Vienna in a horse drawn caravan of death to return some famous teeth.

    Shorts

    Zion – see Short Doc Award Cheer From Parts Unknown Hands Up, Chin Down Skip Day Skywards To Be a Torero Taking the Waters The Water Slide

    DOC/EXPOSE

    A Thousand Girls Like Me (European premiere; dir. Sahra Mosawi, 76 min) – A young Afghan woman confronts the will of her family and the traditions of her country to seek justice for years of sexual abuse from her father. A Woman Captured Commander Arian I, Dolours (European premiere; dir. Maurice Sweeney, 82 min) – Dolours Price, bred to violent republicanism, yet ultimately haunted by her actions, gave a filmed interview not to be broadcast until after her death. This is her shocking story. Kinshasa Makambo Laila At The Bridge Lost Warrior Of Fathers and Sons On Her Shoulders One or Two Questions (UK premiere; dir. Kristina Konrad, 237 min) – In 1986, Uruguay passed a law granting amnesty for human rights violations committed by the military and police during the dictatorship (1973-85). One or Two Questions uses footage of interviews recorded on the streets between 1987 and 1989, to present a multifaceted reflection of the country and its inhabitants, in which the values of democracy – such as peace, justice – are continually questioned. The Ballymurphy Precedent (World premiere; dir. Callum Macrae, 106 min) – The little known story about the death of eleven innocent people at the hands of the British Army in a Catholic estate in Belfast in 1971. This is a massacre that few have heard of, yet it was one of the most significant events in the Troubles. The British army continues to cover it up because they cannot afford to admit the truth. The relatives of those who died are fighting for justice – and our investigation shows why. This secret massacre led directly to the Bloody Sunday killings by the same Parachute regiment just five months later. The Congo Tribunal (UK premiere; dir. Milo Rau, 100 min) – Staged as a tribunal on-location in Bukavu and Berlin, director Milo Rau creates an unshrouded portrait of one of the biggest and bloodiest economic wars in human history. The Distant Barking of Dogs The Silence of Others The Trade (European premiere; dir. Matthew Heineman, 125 min) – Addicts and their families struggle in Atlanta, drug lords and poppy-seed farmers toil in Mexico, and narcotics units and dealers clash in Columbus. Under The Wire (World premiere; dir. Chris Martin, 93 min) – A powerful film that tells the story of celebrated Sunday Times journalist Marie Colvin and photographer Paul Conroy’s ill-fated trip to Syria in February 2012. Based on Conroy’s book of the same title. When the War Comes (UK premiere; dir. Jan Gebert, 76 min) – A paramilitary group in Slovakia is recruiting hundreds of young men, aiming to create a model community based on military drill, obedience and fear. Whispering Truth to Power (European premiere; dir. Shameela Seedat, 87 min) – With exclusive, behind-the-scenes access, this film charts the final year in office of South African anti-corruption champion Thuli Madonsela as she attempts to seek justice for ordinary people. After successfully challenging President Jacob Zuma for illegal use of state funds, she faces the biggest challenge of her career: exposing the systematic takeover of government by a private family in cahoots with the President.

    Shorts

    Black Sheep – see Short Doc award Ebrahim Fake News Fairytale Las Nubes The Holiday Inn-Side Watching the Detectives Doc/Dispatch – showcase for short documentary journalism from citizen reporters, investigative filmmakers and responsive news units; projects TBA

    DOC/LOVE

    Amal América Ashore (UK premiere; dir. Leonor Teles, 82 min) – Ashore portrays the life of a singular fisherman in an ancient riverfront community near Lisbon as he drifts between ocean solitude and family anchors. For The Birds Game Girls (UK premiere; dir. Alina Skrzeszewska, 90 min) -This compassionate observational documentary charts the relationship between two homeless women in Los Angeles’ sprawling Skid Row. Tiahna seems resigned to street life, but girlfriend Teri wants to escape. Have You Seen The Listers? (UK premiere; dir. Eddie Martin, 86 min) – From the director of All This Mayhem, a candid and personal family portrait as young father Anthony Lister embarks on the rocky road to become the world’s greatest street artist. Home Games (World premiere; dir. Alisa Kovalenko, 86 min) – A season in the life of Alina, a poor 20-year-old girl from Kyiv who has a chance to be saved by football. A Northern Soul (World premiere) – see OPENING NIGHT Minding the Gap Out (UK premiere; dir. Denis Parrot, 70 min) – The first documentary to address LGBTQ+ coming out stories exclusively through social media footage. People’s Republic of Desire (European premiere; dir. Hao Wu, 95 min) – In China’s popular live streaming showrooms, two internet celebrities seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives. The Eyes of Orson Welles (UK premiere; dir. Mark Cousins, 110 min) – Filmmaker Mark Cousins dives deep into the visual world of this legendary director and actor, to reveal a portrait of the artist as he’s never been seen before. Turning 18 (World premiere; dir. Ho Chao-ti, 87 min) – Two young girls meet at a vocational training program after which their lives move in completely different directions. Both from broken homes, Pei searches for hope in love, while Chen struggles to avoid her parents’ fate. As they approach 18, the undercurrents of their lives surface, nearly overwhelming them. How can an unloved life find a strength of her own? Young Solitude

    Shorts

    Baby Brother Black I Am Confessions of an Angry Mother Landline Last Man Standing Lotus Lovers of the Night Mountain – see Short Doc award Pumpkin Movie

    RETRO/ELECTRIC AVENUES

    Cocorico Monsieur Poulet Disorder

    Shorts program

    Black Film City of Contrasts Horse of Mud + Sad Song of Touha + The Sandwich IFO In Order Not To Be Here Liberty City Crawl (Superman II) Many Thousands Gone Mobile Men Moor Mother Live in London My White Baby Secrets From the Street: No Disclosure Sto Lat Strolling – also see Free Screen on page xx The Strike

    DOC/RHYTHM

    Antigone (UK premiere; dir. Pedro González Rubio, 73 min) – In the biggest public university in Latin America a group of theatre students and their teacher prepare Antigone, a Greek tragedy that addresses the conflict between the rules of power and the will of a young woman to do the right thing. Life, theatre and fiction are interwoven following the rehearsals in classrooms, in their homes, in public spaces and surrealist landscapes of the city. Ashes and Embers (UK premiere; dir. Manon Ott, 71 min) – A poetic and political portrait of a working-class suburb in the process of change, “Ashes and Embers” invite us to meet its inhabitants: a journey from dusk to dawn where, while speaking of their lives, they also express their revolt and their quest for freedom. Blue Note Records: Beyond the Notes (European premiere; dir. Sophie Huber, 85 min) – The film explores the vision behind the iconic American jazz record label. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate. Legendary artists Herbie Hancock and Wayne Shorter come together with today’s generation of ground-breaking Blue Note artists such as Robert Glasper and Ambrose Akinmusire to record an All-Stars album. Desolation Center (UK premiere; dir. Stuart Swezey, 92 min) – followed by live performance from Thurston Moore – The film vividly portrays the untold story of a series of guerrilla desert gatherings now recognised as the inspiration for Burning Man and Coachella, with performances by Sonic Youth, Minutemen, Meat Puppets, Swans, and more. Generation Wealth (dir. Lauren Greenfield, 108 min) – Lauren Greenfield’s postcard from the edge of the American Empire captures a portrait of a materialistic, image-obsessed culture. Simultaneously personal journey and historical essay, the film bears witness to the global boom-bust economy, the corrupted American Dream, and the human costs of late stage capitalism, narcissism, and greed Harmony (UK premiere; dir. Frederick Paxton, 71 min) – Bold city symphony reveals the terrible beauty in Siberia’s polluted Chelyabinsk. A mesmerizing mix of sound and image highlight the often punishing rituals inflicted on young Russian boys and girls. Milford Graves Full Mantis (UK premiere; dir. Jake Meginsky, Neil Young (Co-Director), 91 min) – Celebrating the creativity of legendary American percussionist Milford Graves, this film is itself a kaleidoscope ode to the creative process, and a unique homage to the free jazz pioneer. Parallel Planes (International premiere; dir. Nicole Wegner, 100 min) – This film pays homage to the American DIY spirit and the diversity of the US musical landscape outside the commercial music industry. Nicole Wegner maintains eye level with her twelve subjects, including Ian MacKaye (Minor Threat, Fugazi), Michael Gira (Swans) and Valentine Falcon (Get Hustle), who gleefully hack the music industry and play by their own rules. Punk Voyage (dir. JP Passi, Jukka Kärkkäinen, 97 min) – PKN, a band of four mentally disabled men, is Europe’s no 1 punk-rock act. When the band’s leader decides to retire, Punk Voyage shows all the quarrels, tears and laughter. Shakedown (UK premiere; dir. Leilah Weinraub, 72 min) – “If you straight, you don’t need to be in the front.” Former drag show host Teresa and Ronnie-Ron co-founded Shakedown in the 90s, establishing a thriving underground scene. Dancers including Egypt, Miss Mahogany, I-Dallas and Slow-Wine entertain the throng. This strip club was a space for LA’s African-American queer community to explore identity, sexuality and have an incredible time. Silvana (UK premiere; dir. Mika Gustafson, Olivia Kastebring, Christina Tsiobanelis, 91 min) – Silvana Imam is a fierce force of nature. We witness the Swedish rap artist’s career soar, and the genesis of her relationship with pop artist, Beatrice Eli. The pair become Sweden’s Beyoncé and Jay-Z; a power-couple of phenomenal talent and influence. As the pressures of her iconic status begin to spiral, Silvana is forced to confront her inner conflicts. This One’s For The Ladies (International premiere; dir. Gene Graham, 83 min) – Race, class and sexuality intersect at Newark strip club the Dojo: a karate school by day, home to the New Jersey Nasty Boyz by night. In addition to spotlighting the exotic dancers who work there – both male and lesbian – Gene Graham’s affectionate portrait celebrates the community of women who sustain this microcosm of black American society. Tranny Fag Yellow Is Forbidden (European premiere; dir. Pietra Brettkelly, 94 min) – Haute couture is the most exclusive club in the world: Mostly men. Exclusively European. Largely conglomerate-funded. Yet, Guo Pei, an independent Chinese designer has been invited to present a collection.

    Shorts

    Artificial Things Arr. for a Scene Mini Miss To The Front: Scenes From a Women’s Rock Camp Weltschmerz – see Short Doc award

    DOC/THINK

    A Journey to the Fumigated Towns Boys Who Like Girls (World premiere; dir. Inka Achte, 68 min) – Two years have passed since the infamous Delhi gang rape, and India is ablaze with talk of men’s role in gendered violence. Teenager Ved joins a boys’ club run by ‘Men Against Violence and Abuse’ and realises there may be a healthier path for him than the one paved by his abusive father. Will his be the first generation of boys that actually likes girls? Central Airport THF Ex-Shaman Flow (World premiere; dir. Nicolás Molina, 82 min) – FLOW observes the human connection between two rivers: Ganges in India and Biobío in Chile. It proposes a poetic journey blending both civilizations through the flow of one great river. German Class (World premiere; dir. Florian Heinzen-Ziob, 89 min) – Over the course of six months the film closely follows the daily ups and downs of a group of children from abroad as they take their first steps in the German school system. Infinite Football (World premiere; dir. Corneliu Porumboiu, 70 min) – Romanian filmmaker Porumboiu focuses on Laurentiu Ginghina, a bureaucrat who dreams of revolutionizing football. Yet when the director makes Ginghina’s alternative game reality, the bureaucrat can’t stop reworking his theories. Esta Todo Bien (World premiere; dir. Tuki Jencquel, 70 min) -“That’s the drama. You can’t get sick.” These sadly apt words are spoken by Francisco, an activist who delivers badly needed medicines in Venezuela where salaries peak at twelve dollars a month and 16,000 doctors have left the country. Our New President Radio Atlas: A Lunkhead Among The Stars (dir. Gyrid Listuen, 47 min) – Radio Atlas presents Gyrid Listuen’s Prix Europa-winning radio documentary from the nineties — exploring the internal world of a young man with Down’s Syndrome. The Cleaners (UK premiere; dir. Hans Block, Moritz Riesewieck, 88 min) – Digital scavengers’ are outsourced to delete inappropriate content from the net, while at the same time the lives of people around the globe are dramatically affected by online censorship. A ‘cleaner’ rates thousands of disturbing images every day, with lasting psychological impact. From the shared global village to fake news and radicalization, the film charts the rise and fall of social media’s utopian ideology. The Dread The Gospel of Eureka The Pain of Others The Proposal The Trial (UK premiere; dir. Maria Ramos, 139 min) – The Trial offers a behind-the-scenes look at the impeachment of Dilma Rousseff, Brazil’s first female President. The film portrays the “judicial political” trial first at the House of Representatives and then, at the Senate focusing on the President’s Defence Team: her lawyer José Eduardo Cardoso and two senators who struggle to prove the President’s innocence against a majority vote by a Congress riddled with corruption. The Waldheim Waltz What Is Democracy? When Lambs Become Lions

    Shorts

    90 Seconds in North Korea Girlhood Give I Am Bisha I Signed The Petition The River of the Kukamas

    DOC/VISIONS

    Arboretum Cycle (UK premiere; dir. Nathaniel Dorsky, 137 min) – A magical collection of seven 16mm films by Nathaniel Dorsky, explores the beauty of Californian nature in Spring light. Each silent film celebrates qualities of energy, joy, fullness, and rebirth. Black Mother Doel Female Human Animal (European premiere; dir. Josh Appignanesi, 74 min) – Shot in the real-life contemporary art world, Female Human Animal is a psycho-thriller about a creative woman disenchanted with what modern life and “modern men” have to offer her. When writer Chloe Aridjis curates an inspiring retrospective of the surrealist Leonora Carrington, an elusive, brooding man appears, seeming to offer more. A darkly romantic docufiction that puts on screen the lurid unconscious of our new sexual politics. Going South (UK premiere; dir. Dominic Gagnon, 104 min) – Going South is the second part of a tetralogy in which Dominic Gagnon intends to explore the cardinal points of the Internet in the post-truth era. Hale County This Morning, This Evening La Commune (Paris, 1871) Last Year in Utopia (UK premiere; dir. Jana Magdalena Keuchel, Katharina Knust, 72 min) – In this revealing and playful Brechtian recreation of events, six cast members from a cancelled German reality television program make an emotional return to their show’s isolated forest location. Margaret Tait: A Century (64 min, dir. Margaret Tait) – Marking both the centenary of the 1918 suffrage act and her birthday, pioneering British filmmaker Margaret Tait is the center of Margaret Tait: A Century -a mini retrospective collection of her titles: Colour Poems, A Portrait of Ga, Tailpiece, Aerial, Where I am is Here. McQueen Music When The Lights Go Out Obscuro Barroco Shirkers Sleep Has Her House (UK premiere; dir. Scott Barley, 90 min) – A hypnotic reverie in a dark forest, underneath waterfalls and shifting shapes in the night. Captured on an iPhone, this is a symphonic and haunting science fiction of nature. The Task Turtle Rock Victory Day (UK premiere; dir. Sergei Loznitsa, 94 min) – Once a year, crowds gather in Berlin’s Treptower Park to mark the anniversary of the Soviet victory over Nazi Germany. Master of sustained observation, Sergei Loznitsa, captures the medal bedecked veterans and burly biker gangs assembling for this spring day of patriotic songs and speeches. Loznitsa’s carefully framed compositions become a meditation on the nationalistic myths still gripping Europe. Worlds of Ursula K. Le Guin (World premiere; dir. Arwen Curry, 65 min) – A trailblazing rebel who shook the world of literature, defying gender norms, societal expectations and patriarchal gatekeeping. Ursula K Guin remains a peerless lightning bolt of imagination and political insight.

    Shorts

    A God’s Shadow Cops Are Actors Fluid Frontiers Here There Is No Earth House Maskirovka Rebirth is Necessary – see Short Doc award Song for Europe With history in a room filled with people with funny names 4

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  • 2018 Hot Docs Awards: A LITTLE WISDOM and WE COULD BE HOROES Win Top Prizes

    [caption id="attachment_28891" align="aligncenter" width="1200"]We Could Be Heroes We Could Be Heroes[/caption] The 2018 Hot Docs film festival wraps today and last night at the Hot Docs Awards Presentation, 13 awards and $85,000 in cash and prizes were presented to Canadian and international filmmakers. The Best Canadian Feature Documentary Award went Friday to “A Little Wisdom,” and the Best International Feature Documentary was awarded to “We Could Be Heroes.”

    2018 Hot Docs Awards

    Best Canadian Feature Documentary Award A Little Wisdom (D: Yuqi Kang; P: Yuqi Kang, Maro Chermayeff; Canada) Jury statement: “Best Canadian Feature goes to Yuqi Kang’s A Little Wisdom for her outstandingly crafted experience of young orphan monk, Hopakuli. This absorbing cinematic film captures the distinct and moving inner rhythms of a Tibetan monastery, welcoming us into a world that we never thought a mischievous child could reveal.” DGC Special Jury Prize – Canadian Feature Documentary What Walaa Wants (D: Christy Garland; P: Anne Köhncke, Matt Code, Christy Garland, Justine Pimlott; Canada, Denmark) Jury statement: “We award the DGC Special Jury Prize – Canadian Feature Documentary to What Walaa Wants for displaying an extraordinary bond between filmmaker and subject which then carries over to the audience. Christy Garland creates an exceptional emotional arc by focusing on Walaa’s growth and transformation.” Emerging Canadian Filmmaker Award Michael Del Monte for Transformer (Canada) Given to a first or second-time Canadian filmmaker with a feature film in the Canadian Spectrum program, the award includes a $3,000 cash prize courtesy of Hot Docs. Jury statement: “The Jury awards Michael Del Monte with the Emerging Canadian Filmmaker Award for Transformer, a film that formally and emotionally rises to the multidimensional nature of its subject, Janae Marie Kroczaleski, with great clarity of mind and with inner and outer beauty.” Best International Feature Documentary Award We Could Be Heroes (D: Hind Bensari; P: Bullitt Film/Vibeke Vogel and Cinetelefilms/Habib Attia; Denmark, Tunisia, Morocco, Qatar) Jury statement: “We award We Could Be Heroes with the Best International Feature Documentary Award for how it uses an intimate friendship to turn the sports film inside out, countering assumptions about masculinity, faith, and disability with warmth and affection.” TIE! Special Jury Prize – International Feature Documentary Whispering Truth to Power (D: Shameela Seedat; P: Francois Verster, Shameela Seedat, Neil Brandt, Brechtje Smidt, Millan Collin; South Africa) Screening Saturday, May 5, at 6:45 p.m. at the TIFF Bell Lightbox. Jury statement: “For its timely portrait of a bad-ass public servant who uses her office for good at a pivotal moment in South African politics, we co-award the Special Jury Prize – International Feature Documentary to Whispering Truth to Power.” Wind of Swabia (D: Corrado Punzi; P: Davide Barletti; Italy) Jury statement: “With its epic sweep and personal details, this subtle exposé of environmental degradation wins viewers over with the unexpected power of elegant compositions and biting wit.” Emerging International Filmmaker Award Elan Bogarín and Jonathan Bogarín for 306 Hollywood (USA) Given to a first or second-time international filmmaker with a feature film in the International Spectrum program. Jury statement: “For its creative approach to issues of memory and legacy, exploring the universality of grief through the seemingly mundane relics left behind, we award the Emerging International Filmmaker Award to 306 Hollywood.” In the Emerging International Filmmaker category, the jury acknowledged Jill Magid, director of The Proposal with an honorable mention. Best Mid-Length Documentary Award The Call (D: Enrico Maisto; P: Riccardo Annoni; Italy) Jury statement: “This deceptively simple portrait of the Italian criminal justice system at work demonstrated a formal rigor and quiet intimacy that opened up broad questions about civic duty, justice, democracy and human nature.” Best International Short Documentary Award Haunted (D&P: Christian Einshøj; Denmark) Jury statement: “With its stylized tableaux and dry, quirky sensibility, Haunted uniquely explores deeper universal truths about family, home, time and loss.” In the Best International Short Documentary category, the jury acknowledged Zion (D: Floyd Russ; P: Carter Collins; USA) with an honourable mention. Best Canadian Short Documentary Award Prince’s Tale (D&P: Jamie Miller; Canada) Jury statement: “Prince’s Tale is the kind of documentary we don’t see enough of—an honest portrait in which the subject has agency to choose where his story begins and where it doesn’t end.” In the Best Canadian Short Documentary category, the jury acknowledged Vika (D&P: Christian Borys, Marta Iwanek; Canada) with an honorable mention. Hot Docs is an Academy Award qualifying festival for short documentaries and, as winners of the Best International Short Documentary Award and the Best Canadian Short Documentary Award respectively, Haunted and Prince’s Tale will qualify for consideration in the Documentary Short Subject category of the annual Academy Awards without the standard theatrical run, provided they complies with Academy rules. Lindalee Tracey Award Fazila Amiri and Tim Tracey The award honours an emerging Canadian filmmaker with a passionate point of view, a strong sense of social justice and a sense of humour. Each recipient will receive a $5,000 cash prize courtesy of the Lindalee Tracey Fund, $5,000 in post-production services from Technicolor, and a beautiful hand-blown glass sculpture by Andrew Kuntz, specially commissioned to honour Lindalee. Hot Docs Outstanding Achievement Award Presented by the Hot Docs Board of Directors to Barbara Kopple Hot Docs Focus On retrospective Canadian filmmaker John Walker was honoured during the presentation as the recipient of this year’s Focus On retrospective. Don Haig Award Montreal-based producer Ina Fichman of Intuitive Pictures Don Haig Award Pay It Forward Prize Montreal-based producers Fanny Drew and Sarah Mannering from Colonelle Films As part of the award, the recipient can name an emerging female documentary filmmaker to receive a $5,000 cash prize, courtesy of Telefilm Canada, and professional development opportunities at the Hot Docs Festival to further her career path. Doc Mogul Award On April 30, 2018, Cara Mertes, director of Ford Foundation’s JustFilms, received the 2018 Doc Mogul Award at a special luncheon.

    AUDIENCE AWARDS

    Scotiabank Docs For Schools Student Choice Award On Her Shoulders (D: Alexandria Bombach; P: Hayley Pappas, Brock Williams; USA)  

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