WOLFMAN’S GOT NARDS: A Documentary

  • 2018 Brooklyn Horror Film Festival Announces First Films – Opens with KNIFE + HEART

    [caption id="attachment_31470" align="aligncenter" width="1200"]KNIFE + HEART KNIFE + HEART[/caption] The Brooklyn Horror Film Festival  returns October 11th to 18th in venues across Brooklyn, New York, and announced the first wave of horror films along with the brand new HEAD TRIP block spotlighting films that push the boundaries and expectations of the horror genre. Yann Gonzalez’s ravishing, Cannes selected slasher KNIFE + HEART opens and Perry Blackshear’s latest concludes the festival week with his haunting and intimate sophomore feature THE RUSALKA as part of the new Head Trip program. Knife + Heart (NY Premiere) France, Mexico, Switzerland | 2018 | 100 Min | Dir. Yann Gonzalez Known for productions like ANAL FURY and HOMOCIDAL, successful gay porn producer Anne (Renowned French actress and model Vanessa Paradis) takes her skin flicks as seriously as the most greatness-minded auteur would his or her own prestige dramas. But Anne isn’t the only one who’s infatuated with her company’s films—one by one, and in an exceedingly brutal fashion, someone is butchering Anne’s actors. As she tracks down the killer, Anne begins recreating the murders as part of an elaborate new project, all while losing track of what’s real, who’s dead, and who’s next on the chopping block. Shot on 35mm and featuring a killer retro score from M83, Yann Gonzalez’s KNIFE + HEART is an ultra-stylish and blood-soaked ode to ’70s-era De Palma, Argento, and Friedkin. The kills are impeccably staged and gruesome, the performances are campy and spot-on, and the whodunit twists are relentless. Take note, slasher and giallo fans: This will be your new obsession. The Rusalka (North American Premiere) USA | 2018 | 80 Min | Dir. Perry Blackshear Looking for some peace and quiet, Tom rents out a small and isolated lakehouse, one marked by a local legend of a woman who, after drowning, haunts the surrounding woods and drowns anyone she encounters. That myth particularly intrigues Tom’s new neighbor, Al, who’s mourning the recent death of his boyfriend. Starting off rather friendly, Tom and Al’s rapport slowly changes as the former befriends a mysterious woman named Nina, for whom Al can’t shake his negative suspicions. Back in 2015, Perry Blackshear turned heads with his creepy lo-fi breakout THEY LOOK LIKE PEOPLE; for his follow-up, the NY-based filmmaker reunites the same cast and tells a story that’s different in scope and tone yet just as subtly powerful. Equal parts supernatural romance and intimate tragedy, THE RUSALKA flips the conventions of star-crossed soul-mates fiction into a lyrical and genre-infused look at the darker side of love. Writer/Director Perry Blackshear and Lead Actress Margaret Ying Drake in attendance. 2018 Brooklyn Horror Film Festival Poster This years decadent and deadly poster is designed by New York-based creative duo Kelsey and Rémy Bennett (aka The Bennett Sisters). About the design, the sisters say, “The photo stories we created for the poster design are an ode to the 1970s golden age of horror, inspired particularly by the 1973 Brian De Palma New York set psycho sexually voyerurist exploitation film Sisters, which starred the recently deceased actress Margot Kidder, an icon of 70s slasher genre.”

    2018 Brooklyn Horror Film Festival First wave of Films, Events, and Frights

    ANTRUM: The Deadliest Film Ever Made (World Premiere) USA | 2018 | 95 Min | Dir. Michael Laicini & David Amito There’s a reason why you haven’t seen ANTRUM: because you’d be dead. This occult-heavy horror film shot back in the ’70s focuses on a pair of young siblings who head into the woods to grieve over a dead pet and unwittingly discover a literal Hell on Earth. The film has achieved notoriety due to it’s troubled lifespan: A theater in Budapest screened it in 1988 and burned to the ground; several film festival programmers attempted to play it before mysteriously dying; and a violent and blood-drenched San Francisco riot followed a mid-’90s revival effort. Believed to be cursed, ANTRUM has since been untouched—until now. Bookending the original 35mm ANTRUM print with an all-new documentary about the film’s legend, filmmakers Michael Laicini and David Amito have packaged a truly singular viewing experience, one part catnip for film historians and a much bigger part experientially demonic cinema. Directors Michael Laicini & David Amito in attendance. BOO! (World Premiere) USA | 2018 | 91 Min | Dir. Luke Jaden Married with two kids, James and Elyse are struggling to keep it together. Along with the couple’s own rifts, their daughter, Morgan, is hiding her own suicidal thoughts, while younger son Caleb channels his suppressed emotions through troublingly macabre artwork. One night, their true test arrives: a strange Halloween game left on their doorstep that, legend has it, leaves a curse on those who choose not to play. Unfortunately, that’s the choice this family makes—and evil spirits of all kinds are ready to make them pay. Back in 2015, Detroit-raised teenage filmmaker Luke Jaden made waves with the proficiently made and brutal short KING RIPPLE, starring a then-unknown Lakeith Stanfield. Three years later, with BOO!, the now-22-year-old filmmaker has delivered on that potential, crafting a supernatural chiller that’s big in scope yet intimate in character. Leading up to a whopper of a spook-show climax, Jaden’s debut feature is the real deal. Director Luke Jaden in attendance. THE CANNIBAL CLUB (North American Premiere) Brazil | 2018 | 81 Minutes | Dir. Guto Parente Life is a dream for Octavio and Gilda. Residing on Brazil scenic waterfront coast, the rich-as-all-hell couple spends their non-work hours sipping fancy drinks, basking in the sun, and eating the finest of meats. The only problem? That’s human meat, pulled from the bodies of young, financially strapped victims that Gilda lures into their home. They’re part of a secret society of wealthy flesh-eaters, all of whom answer to a charismatic yet dangerous leader. And when Gilda starts getting cold feet about eating, well, cooked limbs, she and Octavio’s marriage, as well as their lives, are put in jeopardy. The goriest satire of 2018 so far, Brazilian up-and-comer Guto Parente’s THE CANNIBAL CLUB is the best kind of, pun intended, food for thought, a razor-sharp indictment of classism that’s also raucous and viscera-laden. Politically charged and gruesomely shocking, it’s proof that horror remains the best channel through which to bomb the hierarchical system. Field Guide To Evil (NY Premiere) Various Countries | 2018 | 117 Min | Dir. Veronika Franz and Severin Fiala, Peter Strickland, Agnieszka Smoczynska, Katrin Gebbe, Can Evrenol, Calvin Reeder, Ashim Ahluwalia, Yannis Veslemes No matter where you’re from, two things are universal: fear and death. To exemplify that in the most horror-minded way possible, the minds behind the ABCS OF DEATH films have assembled THE FIELD GUIDE TO EVIL, an anthology of eight shorts that explore nightmare-geared legends specific to the filmmaker’s own native country. The sights include an Austrian ghoul known as the Trud (via GOODNIGHT MOMMY directors Veronika Franz and Severin Fiala), a Polish heart-eating ritual (THE LURE’s Agnieszka Smoczynska), a Turkish djinn (BASKIN helmer Can Evrenol), and backwoods American mongoloids (THE RAMBLER’s Calvin Reeder). Keeping its culture-fueled mission at the forefront, THE FIELD GUIDE TO EVIL separates itself from the recent wave of horror omnibuses through its uniquely measured vibe. There are scares, for sure, but its segments thrive more on Gothic unease and patient folk-tale creepiness than any supercharged shocks. The result is one of the most ambitious, diverse, and altogether fascinating horror anthologies you’ll ever see. House of Sweat and Tears (East Coast Premiere) Spain | 2018 | 104 Min. | Dir. Sonia Escolano An older woman known only as “She” leads a religious cult using violent methods of control and forcing painful punishments unto her followers in order to prove their devotion. When a mysterious man arrives claiming to be the messiah, the followers are offered another way of life beyond the path of pain. A deadly struggle for power ensues as all hell breaks loose. Claustrophobic dread drips through the narrow halls and dim candlelit rooms of the HOUSE OF SWEAT AND TEARS while moments of brutal intensity are captured by cinematographer Pepe de la Rosa’s unforgiving close up frames. Director Sonia Escolano’s atmospheric horror show sneaks up on you and leaves you gripping your chest by its shocking conclusion. Luz (NY Premiere) Germany | 2018 | 70 Min. | Dir. Tilman Singer On an otherwise nondescript night, taxi driver Luz walks into a police station, claiming that she’s been assaulted. Nearby in a bar, a mysterious woman named Nora is working her magic on Dr. Rossini, recounting how her lover recently jumped out of a taxi. As both situations transpire, the connections between Luz and Nora set the stage for a demonic night from hell for those unfortunate souls who’ve encountered the two women on this particular evening. Mind-blowingly enough, Tilman Singer’s LUZ was made as a student thesis film and is the most audacious and flat-out impressive horror debut in years, a disorienting descent into madness that’s shot on 16mm and genuinely feels like an unearthed ‘70s movie somehow rediscovered and unleashed onto the genre scene. Think Lucio Fulci if he’d moved to Germany and totally lost his already deranged mind and you’ll just be scratching the surface of Singer’s incredibly assured breakthrough gem. Piercing (NY Premiere) USA | 2018 | 80 Min | Dir. Nicolas Pesce The stress of parenthood is seemingly too much for Reed (Christopher Abbott), who, as a soul-cleansing ritual, meticulously plans the perfect murder. But as his plan unfolds, he realizes that meticulous planning has nothing to do with execution as Reed’s cat-and-mouse game quickly becomes a visually arresting, strange, S&M-infused battle between he and a mysterious call girl named Jackie (Mia Wasikowska). Based on Ryū Murakami’s novel, Nicolas Pesce’s sophomore film (the follow-up to his 2016 black-and-white shocker THE EYES OF MY MOTHER) is a remarkably unusual experience, infused with colorful visuals and an intoxicating score. An Argento/De Palma homage hidden behind the facade of a dark comedy about stabbing, PIERCING cements Pesce as one of the boldest and brightest new directors in the genre. Tower. A Bright Day. (East Coast Premiere) Poland | 2018 | 106 Min. | Dir. Jagoda Szelc To celebrate her daughter’s Holy Communion, Mula invites her estranged and mentally unstable pagan sister Kaja to stay with her family. She condemns Kaja from being alone with the child and insists she must never find out the truth that Kaja is her actual birth mother. Tensions instantly flare among the family while an ominous sense of danger surrounds the home leaving Mula to wonder if her paranoia is unfounded or has she invited a terrible evil into her home. In her feature debut, Polish writer-director Jagoda Szelc crafts a spell-binding mystery with two commanding central performances by Anna Krotosca and Malgorzata Szczerbowska (Mula and Kaja, respectively). Their back and forth battle over the daughter crackles with urgency and dire desperation. Completely unpredictable and powerfully transfixing, TOWER. A BRIGHT DAY. is one of the more exciting genre discoveries in recent memory. WOLFMAN’S GOT NARDS (NY Premiere) USA | 2018 | 91 Min | Dir. Andre Gower For a whole generation of genre fans, Fred Dekker’s 1987 horror-comedy THE MONSTER SQUAD is their very own THE GOONIES, a formative and beloved masterpiece of adolescence and Universal-Monster-inspired mayhem. THE MONSTER SQUAD’s 30-plus-year relevance isn’t just the benefactor of tireless nostalgia—it’s a genuinely great movie, treating its scares with an effective seriousness and treating its pre-teen hero characters without figurative kid gloves. Because of that, Dekker’s classic remains a fixture at repertory theaters and continues to both influence today’s filmmakers and be discovered by modern-day youngsters. Directed by MONSTER SQUAD star Andre Gower, WOLFMAN’S GOT NARDS is the ultimate love letter to that late-’80s horror staple, collecting testimonials from lovers both famous and not and Gower’s old SQUAD collaborators. But it’s more than just fan service. As the best documentaries always do, WOLFMAN’S GOT NARDS peels beneath its subject’s top layers and mines profound insights into something deeper: why horror is such a universal passion, especially for those who are young at heart.

    Head Trip Program

    Cam USA | 2018 | 94 Min | Dir. Daniel Goldhaber After introducing shocking acts of self-mutilation to her performances, webcam girl Alice flies up the charts of FreeGirlsLive.com just like she’s always wanted. Before she can enjoy her newfound success, her account is stolen by someone who looks exactly like her and performs in an identical room yet is nowhere to be found. Inspired by writer Isa Mazzei’s experiences as a cam girl, CAM pulls back the veil on an industry that’s mystery is predicated on the separation between fantasy and reality, proving ripe cinematic ground for exploring obsession and paranoia. A modern erotic thriller with a fire lead performance from Madeline Brewer, Daniel Goldhaber’s feature debut details in disturbing fashion just how obsessed we may be with our online lives. Family (North American Premiere) Israel | 2017 | 100 Min | Dir. Veronica Kedar In their dilapidated living room, Lily positions herself between her motionless family members on the sofa as her camera snaps a picture. Arriving at her therapist’s home at night, she is disappointed to find that the only person home is her cold and insensitive daughter yet has no choice but to confide in her, instead. Lily is desperate to explain why she killed her family. Israeli triple threat talent Veronica Kedar writes, directs and stars in this intimate look into a scarily dysfunctional family. Using non-linear structure and even some musical genre elements, Lily’s traumatic past is parsed through creating a framework mimicking that of a truly screwed up therapy session, adding layer upon layer to an intricate and tragic character study of a murderess. Holiday (NY Premiere) Denmark | 2018 | 93 Min | Dir. Isabella Eklöf HOLIDAY explores the relationship between Sascha, a beautiful young woman and Michael, a successful drug lord as they’re on holiday with their friends in Turkey’s gorgeous Turquoise Coast. Upon first glance, the group appears to be having a fun and glamorous time in an idyllic seaside setting, until the true horrific nature of Michael is revealed. Swedish writer-director Isabella Eklöf’s unnerving debut was considered one of the darkest films at Sundance, as it examines the difficult topic of how some women stay with and protect their abusers.

    80’s Slash-A-Thon & New York Book Launch for Ad Nauseam, by celebrated horror journalist Michael Gingold

    Featuring a 35th anniversary screening of cult-classic SLEEPAWAY CAMP Presented by Maker’s Mark The Burning USA | 1981 | 91 Minutes | Dir. Tony Maylam The rare slasher movie that features a “final boy,” this exceedingly mean-spirited and nihilistic knockout has everything you need from a stalk-and-kill body count movie. There’s an overnight kids’ camp in the woods, a young Holly Hunter and an even younger Jason Alexander, and what’s arguably the gnarliest sequence in slasher history: a ferocious and brutal multi-victim slaughter set on a raft and powered by bloody sheers. The Funhouse USA | 1981 | 96 Min | Dir. Tobe Hooper In between THE TEXAS CHAINSAW MASSACRE and POLTERGEIST, the iconic Tobe Hooper made this sorely underrated gem. Set largely within a seedy carnival, Hooper’s addition to the ’80s slasher canon has inventive circus-influenced murder scenes, sure, but its coolest contribution to the slice-and-dice sub-genre is its killer, a deformed madman who sports a Frankenstein’s monster mask and, when that mask is off, is basically a human tarantula with luscious blonde locks. My Bloody Valentine Canada | 1981 | 90 Min | Dir. George Mihalka In terms of slashers taking place around holidays, MY BLOODY VALENTINE comes second to only HALLOWEEN. The best Canadian slasher of all time, it’s a masterful blend of small-town whodunit paranoia and cavernous underground terror, with a crazed miner and his trusty pickaxe shredding through numerous victims after a local Valentine’s Day dance gets reinstated. Tough love, indeed. Sleepaway Camp (35th Anniversary Screening) USA | 1983 | 84 Min | Dir. Robert Hiltzik If you’ve never seen SLEEPAWAY CAMP before, you’re in for something special. To be more specific, we mean one of the most shocking endings in not only horror movie history, but cinema in general. Up until this classic slasher’s humdinger finale, it also happens to be an excellent and delightfully twisted murder mystery about a summer camp where kids are meeting the bad ends of knives, beehives, and hot curling irons. Michael Gingold’s Ad Nauseam NY Book Launch Ad Nauseam: Newsprint Nightmares from the 1980s, a 1984 Publishing title presented by Toronto-based horror periodical Rue Morgue and edited by former Rue Morgue editor-in-chief Dave Alexander, will highlight a golden age of horror movie ads. The 248-page, full-color, hardbound book features more than 450 rare, vintage ads culled from Gingold’s personal archive. Growing up in the ’80s, the future Fangoria writer and editor would carefully cut out ads he saw in local newspapers, leaving him with a collection tracing horror movie history via both blockbusters and obscurities. Tying into our ‘80s Slash-A-Thon, our programmer-at-large, Michael Gingold will introduce each of the four marathon films with a special slideshow presentation of the upcoming book. The Miskatonic Institute of Horror Studies teams up with BHFF once again to bring you an event you’ll be dying to tune in for – Big Scares on the Small Screen: A Brief History of the Made for TV Horror Film! The Miskatonic Institute of Horror Studies presents Big Scares on the Small Screen: A Brief History of the Made for TV Horror Film With instructor Amanda Reyes Although rarely held in high regard by critics, the made for television horror film remains an intriguing artifact of network programming. Any subgenre was up for grabs, and the output was disparate, vast, and surprisingly subversive, often producing a collective memory (or trauma, depending) shared by millions of viewers. Join us for a retrospective on the golden age of the telefilm and beyond. This event will be hosted by Amanda Reyes, editor and co-author of Are You in the House Alone? A TV Movie Compendium: 1964-1999. The Miskatonic Institute of Horror Studies is an international educational community that offers classes in horror film history and theory in London, New York and Los Angeles, as well as hosting special events worldwide.

    Jury

    2018 FEATURES JURY

    David Ninh (Director of Publicity, Kino Lorber) Elinor Lewy (Co-Director, Final Girls Berlin Film Festival) Jason Zinoman (Journalist, NY Times, Author, SHOCK VALUE)

    2018 HEAD TRIP FEATURES JURY

    Caryn Coleman (Director of Programming/Special Projects, Nitehawk Cinema) Rebecca Pahle (Journalist, Film Journal International) Jasper Basch (President, Cartilage Films)

    2018 SHORTS JURY

    Jenn Wexler (Director, Producer, Glass Eye Pix) Kyle Greenberg (Theatrical Marketing Manager, Gunpowder & Sky) Loren Hammonds (Senior Programmer, Tribeca Film Festival)

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  • 2nd Overlook Film Festival Closes with Awards Ceremony, WOLFMAN’S GOT NARDS: A Documentary Wins Audience Award

    [caption id="attachment_28503" align="aligncenter" width="1200"]WOLFMAN’S GOT NARDS: A Documentary WOLFMAN’S GOT NARDS: A Documentary[/caption] The second edition comes of the Overlook Film Festival has come to a close, with the Festival announcing its second year juried and audience awards.  Culled from a stellar lineup of 41 films (23 features and 18 short films from 12 countries), the festival’s features and short film juries deliberated over the course of the event, publicly revealing the winning selections at the festival’s closing night screening presentation of A24’s HEREDITARY. The features jury consisted of the Los Angeles Times’s Jen Yamato, Toronto Intl. Film Festival Midnight Madness programmer Peter Kuplowsky, and producer Toby Halbrooks (A GHOST STORY, PETE’S DRAGON). The jurors chose to honor director Joko Anwar’s SATAN’S SLAVES from Indonesia with the Feature Film Jury Prize. Additionally, the jurors highlighted Véréna Paravel & Lucien Castaing-Taylor’s CANIBA, giving it the festival’s scariest feature award. Actress Barbara Crampton (RE-ANIMATOR, THE PUPPET MASTER: THE LITTLEST REICH), New Orleans Film Society Artistic Director Clint Bowie, and filmmaker Misty Talley (ZOMBIE SHARK) comprised the short film jury. The jury awarded their prize to Anna Roller’s PAN with an honorable mention going to Mariama Diallo for HAIR WOLF, and L. Gustavo Cooper’s AMY receiving the honor of scariest short film. The Overlook Film Festival’s Audience Award for 2018 went to WOLFMAN’S GOT NARDS: A Documentary directed by André Gower. https://www.youtube.com/watch?v=4ROZnlMuuL0 In addition to the film lineup, the Overlook showcased 6 live performances, 5 virtual reality experiences, 4 curated immersive theater productions, 3 panel presentations and 1 weekend long alternate reality game. Discussing his experience at this year’s fest, The Overlook Film Festival’s 2018 Visionary award recipient Leigh Whannell said, “The Overlook Film Festival is a celebration of horror fandom, and I’ve been a horror fan for so long that to be recognized by the festival with an award is a complete honor. I’m happy just to be at this festival – hanging out with my fellow fans, watching amazing movies and taking part in the immersive games that are a staple of the weekend – that to take home a beautiful, shiny axe with my name engraved on it is merely the bloody cherry on top of it all.”

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  • The Overlook Film Festival Announces 2018 Lineup, Opens with ‘Unfriended: Dark Web’

    [caption id="attachment_27833" align="aligncenter" width="1200"]Unfriended: Dark Web Unfriended: Dark Web[/caption] The Overlook Film Festival today announced its second year programming lineup of 40 films (23 features and 17 short films from 12 countries) along with exciting parties, virtual reality, interactive events, and live performances – all taking place in America’s most haunted city: New Orleans, Louisiana. On opening night of the festival, audience members will enjoy the chiller Unfriended: Dark Web (United States, 2018), from Blumhouse Productions and Bazelevs Productions, directed by Stephen Susco, and starring Colin Woodell, Betty Gabriel, Rebecca Rittenhouse, Andrew Lees, Connor del Rio, Stephanie Nogueras, and Savira Windyani. The Overlook Film Festival will screen A24’s highly anticipated Hereditary (United States, 2018) as its closing feature presentation, directed by Ari Aster, and starring Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, and Gabriel Byrne. The Centerpiece of the 2018 edition of The Overlook Film Festival is St. Agatha, directed by Darren Lynn Bousman, which will hold its world premiere in New Orleans at the festival. The festival’s Visionary Award will be presented to modern genre favorite Leigh Whannell, best known for writing the first three films in the Saw franchise, as well as Insidious, and Insidious: Chapter 2, and directing Insidious: Chapter 3. Whannell is an Australian screenwriter, producer, director, and actor who will celebrate his latest directorial effort at the festival, Upgrade. The Visionary Award was established to honor a contemporary horror figure or company elevating the genre, while fostering the community by providing opportunities for new talent to thrive. In addition to the films and special guests, the Overlook Film Festival will be generously packed with live presentations. The festival’s virtual reality program will feature the world premiere of noted experience creator Jon Braver’s Delusion: Lies Within, a fully immersive, 360 degree episodic narrative from Skybound Entertainment.

    Opening Night Film:

    Unfriended: Dark Web Director: Stephen Susco Cast: Colin Woodell, Betty Gabriel, Rebecca Rittenhouse, Andrew Lees, Connor del Rio, Stephanie Nogueras, Savira Windyani United States, 2018 Preparing for his weekly Skype game night with his friends, a cyber café attendant borrows a laptop from the lost and found, only to find that the previous owner will stop at nothing to retrieve it. A sequel in name only, UNFRIENDED: DARK WEB borrows key cinematic elements from the original UNFRIENDED while telling its own edge-of-your-seat sadistic tale full of shocks and surprises that will make you think twice about who’s watching when you log on.

    Centerpiece Film:

    St. Agatha WORLD PREMIERE Director: Darren Lynn Bousman Cast: Sabrina Kern, Carolyn Hennesy, Courtney Halverson United States, 2018 Horror film impresario Darren Lynn Bousman, director of SAW II, III and IV, modern experiments REPO! A GENETIC OPERA and THE DEVIL’S CARNIVAL, not to mention the groundbreaking ongoing immersive property The Tension Experience, brings to life his latest vision, a period piece concerning a troubled woman running from her past who finds herself kept hostage by a coven of vicious nuns.

    Closing Night Film:

    Hereditary Director: Ari Aster Cast: Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, Gabriel Byrne United States, 2018 When their reclusive grandmother passes away, the Graham family is slowly taken hold by a cursed terror, one that won’t let go. A cavalcade of gifted performers led by Toni Collete star in filmmaker Ari Aster’s astounding debut feature, which has deservedly become one of the most anticipated horror films of the year since it’s electrifying debut at the Sundance Film Festival.

    Feature Film Presentations

    Arizona Director: Jonathan Watson Cast: Danny McBride, Rosemarie DeWitt, Luke Wilson, Lolli Sorenson, Elizabeth Gillies, Kaitlin Olson United States, 2017 This wickedly inventive comedic thriller that sharply utilizes the true life economic turmoil of the housing crisis as its backdrop, casts Danny Mcbride as an unhinged homeowner who attempts to take out his frustrations on a scrupulous relator (Rosemarie Dewitt) with a rampage that grows increasingly murderous. Beast Director: Michael Pearce Cast: Jessie Buckley, Johnny Flynn, Trystan Gravelle,Geraldine James United Kingdom, 2017 In this brutal, sexy, critically acclaimed debut thriller from UK director Michael Pearce, a disturbed woman finds herself caught between her oppressive family’s demands and her animalistic attraction to an alluring stranger who’s arrival in her life is suspiciously timed with a series of vicious murders in their isolated community. Blood Fest Director: Owen Egerton Cast: Robbie Kay, Jacob Batalon, Seychelle Gabriel, Tate Donovan, Barbara Dunkelman, Nick Rutherford, Zachary Levi United States, 2018 When the most exciting horror festival in the country turns the tables on its zealous fan base by trapping them on the grounds and murdering them en masse, a group of teens armed with the knowledge of a thousand horror movies must fight their way through the bloodbath in this hilarious send-up of horror culture. Blue My Mind Director: Lisa Brühlmann Cast: Luna Wedler, Zoë Pastelle Holthuizen Switzerland, 2017 During the process of moving cities with her parents and trying to start over with a new group of friends, 15-year-old Mia begins to discover unexpected changes to her body that she dare not speak about to anyone. In spite of her radical attempts to halt the process, Mia is forced to face the horrifying reality of who she truly is. Equal parts tender, surreal, and grotesque, actor-turned-director Lisa Brühlmann’s first feature is a worth addition to the adolescent body horror canon. Caniba Director: Véréna Paravel & Lucien Castaing-Taylor Cast: Issei Sagawa, Jun Sagawa France, 2017 Sensory ethnography documentarians Lucien Castaign-Taylor and Véréna Paravel turn their cameras on notorious Japanese cannibal cum manga author, pornography director, and sushi critic, Issei Sagawa. In an unprecedented and shocking interview, Sagawa reveals gruesome details about his life and crimes, as well as a peak into his fraught relationship with his mysterious brother. Don’t Leave Home Director: Michael Tully Cast: Anna Margaret Hollyman, Lalor Roddy, Helena Bereen, David McSavage, Karrie Cox Ireland, 2018 An American artist accepts a strange invitation to a secluded Irish manor to construct an original sculpture for a priestly painter whose work has been shrouded in a sinister urban legend involving the disappearance of an 8-year-old girl in this creepy, offbeat cinematic discovery from indie stalwart Michael Tully (SEPTIEN). Downrange Director: Ryuhei Kitamura Cast: Kelly Connaire, Stephanie Pearson, Alexa Yeames, Jason Tobias United States, 2017 Macabre mastermind Ryuhei Kitamura (VERSUS, MIDNIGHT MEAT TRAIN) comes crashing back with a frenetic new film of murder and mayhem. Stranded by the side of the road in the middle of nowhere from a tire blowout, a group of carpoolers become suddenly besieged by flying bullets from an unseen shooter with incredible precision and a savage will. The Farm WORLD PREMIERE Director: Hans Stjernswärd Cast: Nora Yessayan, Alec Gaylord, Ken Volok, Rob Tisdale United States, 2018 The classic horror tale of a young couple who takes a wrong turn and stumbles into a small town full of people with nefarious intentions is turned on its head in this disturbing manifesto about food production. Seeping with eerie atmosphere, this unnerving first feature from newcomer Hans Stjernswärd finds as much fear in its silences as it does in its sickening, insidious images. Ghost Stories Director: Jeremy Dyson & Andy Nyman Cast: Martin Freeman, Alex Lawther, Andy Nyman, Paul Whitehouse United Kingdom, 2017 After stumbling across a long-lost folder of material from his childhood hero, Goodman, a TV investigator known for debumking psychic hoaxes, digs deep into three cases of ghoulish hauntings. Determined to find rational explanations, Goodman quickly realizes he’s in over his head. Featuring Martin Freeman, this spine-tingling anthology, adapted from the hit stage play, tells enough tales to keep you up for nights to come. Good Manners Director: Juliana Rojas & Marco Dutra Cast: Isabél Zuaa, Marjorie Estiano, Miguel Lobo Brazil/France, 2017 A surprising, imaginative and engaging twist on classic genre stories told with a sophisticated cinematic technique, GOOD MANNERS begins unassumingly with a near destitute nurse becoming the caretaker for a wealthy, isolated pregnant woman exhibiting strange behavior. But soon her habits turn into a sleeping hunger that changes both of their lives forever. Puppet Master: The Littlest Reich WORLD PREMIERE Director: Sonny Laguna & Tommy Wiklund Cast: Thomas Lennon, Michael Paré, Barbara Crampton, Udo Kier United Kingdom / United States, 2018 During a roadtrip to a convention for the 30th Anniversary of the infamous Toulon Murders, a comic book nerd, his new girlfriend and his best friend come face to face with a set of sadistic nazi puppets out for blood. A reimagining of the Charles Band classic, this uproarious horror comedy starring Thomas Lennon, Udo Kier, Barbara Crampton, Nelson Franklin, and Charlene Yi pays homage to the Full Moon features of the late 80s, early 90s. The Ranger Director: Jenn Wexler Cast: Chloë Levine, Granit Lahu, Jeremy Pope, Bubba Weiler, Amanda Grace Benitez, Jeremy Holm, Larry Fessenden United States, 2018 A band of punks on the run from trouble with the local law hide out in the woods, only to stumble onto the radar of a deranged park ranger with a malicious approach to justice and a mysterious connection to a member of their group. Longtime indie horror producer Jenn Wexler makes her directorial debut with this manic, punk-rock take on the traditional slasher flick. Revenge Director: Coralie Fargeat Cast: Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchede, Jean-Louis Tribes France, 2017 First time filmmaker Coralie Fargeat subverts expectations of the exploitative rape-revenge film tropes from the grind house age for this explosively shocking assault on misogynistic culture that stunned unsuspecting audiences at both the Toronto and Sundance film festivals. Don’t miss one of the most intense debuts of the year. Satan’s Slaves Director: Joko Anwar Cast: Tara Basro, Bront Palarae, Dimas Aditya, Endy Arfian, Nasar Annuz, Ayu Laksmi, Egy Fedly Indonesia, 2017 When Mawarni, a famous Indonesian singer, dies of a mysterious illness, her husband and four children are left behind to pick up the pieces, only to discover that they are being haunted by a pack of rabid spirits headed by Mawarni herself. Technically billed as a remake of the 1982 Indonesian remake of Don Coscarelli’s PHANTASM, celebrated director Joko Anwar’s SATAN’S SLAVES is its own chilling throwback to 70s supernatural thrillers, packed to the brim with jump scares and iconic imagery. Sex Madness Revealed WORLD PREMIERE Director: Tim Kirk Cast: Patton Oswalt, Rob Zabrecky United States, 2018 Notorious comedian Patton Oswalt and renowned magician Rob Zabrecky star in Tim Kirk’s (DIRECTOR’S COMMENTARY) latest experiment in how to tell tales of terror. Taking the form of an audio commentary that plays out over the little known 1938 STD propaganda film SEX MADNESS, the voice of a persnickety film blogger interviews the descendant of the original motion picture’s director who harbors a nefarious secret. Tigers Are Not Afraid Director: Issa López Cast: Paola Lara, Juan Ramón López, Ianis Guerrero, Rodrigo Cortés, Hanssel Casillas Mexico, 2017 In one of the most imaginative (and award winning!) features traveling the genre festival circuit in recent months, a young girl with a missing mother joins a band of street misfits in effort to survive amidst rampant cartel violence in modern-day Mexico City. Populated with fairy tale imagery, TIGERS is at turns harshly real and terrifyingly surreal, reminiscent of films like THE DEVIL’S BACKBONE and CITY OF GOD as it details a tragic and engulfing nightmare. Upgrade Director: Leigh Whannell Cast: Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson, Benedict Hardie Australia, 2017 Fan favorite Leigh Whannell, whose work on the SAW and INSIDIOUS franchises have made him a modern genre icon, thrills and delights with this gory and action-packed foray into a science-fiction dystopia. An experimental procedure infuses a sentient computer chip into the body and mind of paralyzed Grey Trace (Logan Marshall-Green), fueling a spiraling mission for vengeance that leads to a terrifying endgame. Vampire Clay Director: Soichi Umezawa Cast: Kyoka Takeda, Momoka Sugimoto, Ena Fujita, Yuyu Makihara, Asuka Kurosawa Japan, 2017 A group of unwitting art school students find themselves in a brutal showdown against a pack of evil of modeling clay in this campy, inventive, practical effects extravaganza from Japanese FX artist turned filmmaker Soichi Umezawa. What Keeps You Alive Director: Colin Minihan Cast: Hannah Emily Anderson, Brittany Allen, Martha Macisaac, Joey Klein, Charlotte Lindsay Marron Canada, 2018 For their first wedding anniversary, Jackie and Jules retreat to a cozy cabin near a beautiful lake. The sudden appearance of Jackie’s childhood best friend sets off a chain of unlikely events that turn a quiet vacation into the deadliest game of cat and mouse in Overlook Alum Colin Minihan’s (writer of STILL/BORN) claustrophobic survivalist thriller. Wolfman’s Got Nards: A Documentary Director: André Gower Cast: Fred Dekker, Shane Black, Seth Green, Adam F. Goldberg, Ryan Lambert, Ashley Bank, Adam Green, Joe Lynch, Chuck Russell, Heather Langenkamp United States, 2018 August 14, 1987 saw the release of what has become one of the strangest, scariest and most iconic kids film to ever grace the silver screen – THE MONSTER SQUAD. In this endearing documentary, director Andre Gower takes us not only behind the scenes on the production, but also into the heart of the fandom surrounding the movie and the magic that made it such a defining cinematic experience for so many in the genre community.

    Virtual Reality Presentations

    Campfire Creepers: The Skull of Sam Director: Alexandre Aja From master of horror Alexandre Aja, the director of films such as The Hills Have Eyes, Piranha, and Horns, comes an original anthology series that brings classic campfire stories to life in stunning Virtual Reality. Produced by Oculus and Future Lighthouse and distributed by Dark Corner, Campfire Creepers invites viewers to join the fire circle at a summer camp called Camp Coyote as a group of kids take turns telling spooky tales. Inspired by cult classics like Creepshow and Tales from the Crypt, every episode of Campfire Creepers is a wild ride that will have you laughing and screaming in equal measure. Delusion: Lies Within WORLD PREMIERE Director: Jon Braver Set in the 1940’s American South, beloved author Elena Fitzgerald goes missing before releasing the final novel in her epic dark fantasy that has captivated fans Daniel and Virginia. As many believe her to be dead, Daniel and Virginia must leave their grim reality behind to save Fitzgerald from her own literary nightmare. The VR series from Skybound Entertainment is a fully immersive, 360 degrees episodic story. Delusion is based off Jon Braver’s 2014 immersive theatrical performance in Los Angeles. Masters Of The Sun Director: will.i.am This interactive comic book series from Oculus Studios, born from the mind of will.i.am (Black Eyed Peas), is a retro futuristic B-boy zombie thriller about a hip-hop group from East LA that must battle an ancient god who is turning black drug dealers and gangsters into zombies. This epic journey, spanning 13 episodes, explores gang culture, hip-hop origins, and cloaked conspiracy theories—from ancient Egypt to the streets of LA. Starring Queen Latifah, Rakim, Jamie Foxx, Ice-T, and KRS-One. Night Night Director: Guy Shelmerdine It’s time to drift off to dreamland…but first your mom is going to read you a short bedtime story. Take a journey into your childhood nightmares with Dark Corner’s sense-stunning immersive experience. Produced by Dark Corner and MPC VR. Wolves In The Walls (Chapter 1) Director: Pete Billington Eight-year-old Lucy suspects that wolves live in the walls of her family’s home. She has no one to believe her … but you. Forging a groundbreaking blend of film, theatre, audience agency, and sleight of hand, this exquisitely crafted animated experience, adapted from material by Neil Gaiman and choreographed by immersive theater company Third Rail Projects, casts you as an active performer in a narrative where you interact, have a relationship with, and go on a quest with the central character in ways that leave your mark on the experience. Live Event Presentations BLACKOUT WORLD PREMIERE Creators: Kristjan Thor and Josh Randall In 2009, an underground immersive horror experience swept through the NYC art scene and began a path that would transform the international theater community. BLACKOUT, the X-rated fear experience designed for adults over 18 to walk through completely alone. Created by directors Kristjan Thor and Josh Randall, BLACKOUT has had productions in New York, Chicago, San Francisco, and Los Angeles. Now at the Overlook Film Festival, BLACKOUT presents the world premiere of a rare and unique opportunity for the adventurous to make their way through what the NEW YORK TIMES has called the “most extreme theater event of the year.” WARNING: This is considered an extreme experience and is exclusively for pass holders. Participants are required to sign a waiver. Slots will be made available exclusively for all-access pass holders. The Canon Podcast Live Host: Amy Nicholson What films should be included in the list of all-time greats? Film critic Amy Nicholson and a guest debate, discuss and sometimes harmoniously agree about whether a film should be Canon-ized. Ultimately, the decision is yours. Cast your vote, and decide the legacy of each movie forevermore. No pressure. In Another Room Directors: Austin and Aaron Keeling Last summer, E3W Productions’ surprise hit ‘In Another Room’ invited guests to explore the richly storied rooms of a notoriously haunted house in Los Angeles, introducing audience members to the inhabitants who lived and died within its walls. Now, E3W Productions is pleased to offer exclusive access to one of the rooms from their debut show, transported to the Bourbon Orleans Hotel for the duration of the Overlook Film Festival. Audiences of three will be invited to step inside this room, where they will meet a previous inhabitant and learn of the tragedies that befell them. ‘In Another Room’ sold out in just three days upon its initial run, and this excerpt promises a haunting, moving, and extremely intimate experience. We invite those of you most attuned to the psychic and supernatural to join us for a once in a lifetime opportunity to come face to face with the unknown. Slots will be made available exclusively for all-access pass holders. Infinitely Dinner Society: Midnight Snacks Creator, Director: Annie Lesser Infinitely Dinner Society’s Midnight Snacks presents Bananas Foster. IDS Midnight Snacks are late night pairings of food and art with the math and science behind infinity. Previous snacks have included donuts paired with the infinite points of a circle, cheese cubes paired with hypercubes and oyster shooters paired with the intangible nature of infinity. Each snack features food sourced from local bakers, shop owners and farmers markets. For the Overlook Film Festival, creator Annie Lesser has designed a piece based on the cosmic horror of the multiverse featuring Bananas Foster made from Louisiana cane sugar and rum. News about Infinitely Dinner Society and the IDS MidnightSnacks can be found Instagram @infinitelydinnersociety. Slots will be made available exclusively for all-access pass holders. The Overlook Immersive Game Producer: Mali Elfman For the signature event of the Overlook Film Festival, 2018 introduces a new alternate reality game and welcomes this year’s experience designers Scott Gillies and Nick Tierce, whose credits include a range of projects with companies such as Electronic Arts, Disney, Microsoft, Niantic Labs, and Google. Throughout the entire weekend, uncover an interactive horror mystery that permeates the festival, featuring live actors inhabiting unique locations, hidden clues, tactile puzzles, and surprising twists that each player can engage with at their own level of comfort and curiosity. Follow the clues to become the protagonist of an engaging and thrilling narrative that no two players will experience in exactly the same way. Details of the game’s story will remain locked away until the festival begins, but you may wish to seek out the celestial raven, instantly. The game is available exclusively to festival pass holders, with active player registration limited to 100 available spots. All registered players must attend a game orientation upon festival check-in. Over the course of the game, curious players may receive invitations to engage further for additional immersive depth, which they may opt-in for when the opportunity is presented. Paperbacks From Hell Creator, Writer, Performer: Grady Hendrix In the early Seventies, three books changed horror forever: ROSEMARY’S BABY, THE EXORCIST, and THE OTHER. The first horror novels to hit bestseller lists since 1940, they opened the floodgates for an avalanche of horror paperbacks to pour onto supermarket shelves throughout the Seventies and Eighties until SILENCE OF THE LAMBS slit the genre’s throat in the early Nineties. Writer Grady Hendrix delivers a mind-melting oral history of this now forgotten world of Nazi leprechauns, skeleton doctors, killer crabs, killer jellyfish, killer babies, pretty much killer everything. Prepare yourself for a tour of this long-lost universe of terror that lurked behind the lurid, foil-embossed, die-cut covers of…the Paperbacks from Hell!!!! The Pumpkin Pie Show: Best of Show Creator, Writer, Performer: Clay McLeod Chapman Come join us for an encore presentation of the best Pumpkin Pie Show stories from over the last 20 years. Author Clay McLeod Chapman will lead the audience through the back-catalogue of his personal favorite tales, offering a view into the sordid lives of Southern Gothic monstrosities that explore the domestic horrors of the everyday, finding terror within our own households. This is Edgar Allan Poe for the modern age, people. The Pumpkin Pie Show: New Skulduggery Creator, Writer, Performer: Clay McLeod Chapman Author Clay McLeod Chapman is bringing BRAND NEW STORIES to the Overlook! The Pumpkin Pie Show has remained a staple of the fest – and this year they’re offering an even sweeter treat: original tales that have never been inflicted upon an audience anywhere. Flesh-eating bacteria, killer baby carrots and haunted comic books are all on the menu. These new campfire stories will be sure send a shiver up your spine. Hear them first before they’re unleashed upon the rest of the world! The Pumpkin Pie Show: One-On-Ones Creator, Writer, Performer: Clay McLeod Chapman A returning favorite from last year’s fest, please join author Clay McLeod Chapman as he takes one audience member at a time on a dark ride through this depraved, intimate storytelling experience. Think of it as a heart-to-bleeding-heart with madmen, murderers and monsters telling their own story. No fourth wall, no escape. First come, first serve. Sessions will last 20 minutes. Slots will be made available exclusively for all-access pass holders. Shock Waves Presents Host: Ryan Turek Overlook welcomes Ryan Turek, co-host of Blumhouse’s hit horror podcast Shock Waves for an insightful discussion with one of the festival’s guests. Summerland Lost Creator, Writer, Performer: Grady Hendrix The Wall Street Journal calls him “a national treasure.” His mother calls him “Sunshine.” Now author Grady Hendrix brings his one-man show about psychic teenagers and shaved cats to New Orleans with Summerland Lost: A Ghost Story. Telling the all-shocking, all-true tale of drunk Victorian teenagers who spoke to the dead, this is the real life story of how biomechanical sex cults, the ghost of Ben Franklin, suffragettes, abolitionists, anarchists, and Arctic explorers all teamed up to answer the ultimate question: is there life after death?

    Short Film Presentations

    Amy Director: L. Gustavo Cooper Cast: Danielle Kennedy, Rebekah Kennedy, Tom Fitzpatrick, Samantha Ann United States, 2017 Set against the backdrop of the deadliest heat wave in recorded history and inspired by America’s most prolific female serial killer, L. Gustavo Cooper’s AMY provides a surreal and distorted glimpse into a killing spree that captivated a nation in the early 1900s. The Beaning Director: Sean McCoy United States, 2017 An experimental sports film combining documentary techniques with horror aesthetics, THE BEANING explores a sinister theory surrounding the death of Cleveland baseball player Ray Chapman in 1920 and the subsequent rise of the Yankee dynasty. Beastly Things Director: Zev Chevat United States, 2017 A young street artist encounters a group of local schoolchildren, and learns what really makes monsters. Blood Runs Down WORLD PREMIERE Director: Zandashé Brown Cast: Farrah Martin, Idella Johnson United States, 2018 When a woman undergoes a frightening transition, her vigilant young daughter must decide between saving her or protecting herself in this haunting tale of inheritance, daughterhood, and demons. Cerulia Director: Sofía Carrillo Cast: Diana Bracho Mexico, 2017 Cerulia returns to her childhood home to bid farewell to her past, but the memories of her youth and a presence in the home will not let her go. Coyote Director: Lorenz Wunderle Switzerland, 2018 A coyote loses his family to a vicious attack by wolves. Tormented by fear, anger and grief, he sees a chance to avenge their deaths… Good Morning Director: Elaine Mongeon Cast: Maya Kazan, Jamie McShane United States, 2017 A young woman and her father adapt to terrifying changes they never expected. Hair Wolf Director: Mariama Diallo Cast: Kara Young, Taliah Webster, Madeline Weinstein, Trae Harris, Jermaine Crawford United States, 2017 In a black hair salon in gentrifying Brooklyn, the local residents fend off a strange new monster: white women intent on sucking the lifeblood from black culture. Latched Director: Justin Harding & Rob Brunner Cast: Alana Elmer, Peter Higginson, Jarrett Siddall, Bowen Harding Canada, 2017 A choreographer pursues creative inspiration at a cottage retreat while attempting to wean her demanding toddler — and unknowingly awakens a vile fairy corpse in the process. When she discovers the creature’s terrifying intentions, she will have to put her creativity to good use to lure the repugnant beast. Milk Director: Santiago Menghini Cast: Cameron Brodeur, Anana Rydvald Canada, 2018 On a late night, a young teen goes into the kitchen for a glass of milk. Upon encountering his sleepless mother, he quickly realizes things are not as they seem. Möbius Director: Sam Kuhn Cast: Caley Jones, Daiva Z, Britt Grayson, Elissa Mielke, Austin Will Canada/United States, 2017 A moth eaten tale of magic and mutation half remembered by a teen poet whose beloved lies lifeless in a stream. Pan Director: Anna Roller Cast: Anna Platen, Jeff Wilbusch, Luisa-Céline Gaffron, Sue Simmy Lemke, Emil Borgeest Germany, 2017 Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal. The Plague Director: Guillermo Carbonell Cast: Gabriela Freire, Walter Rey, Rafael Soliwoda Uruguay, 2017 Rosa’s father escapes from a nursing home and comes back to his former house. He hides a secret, and he’s not coming alone. The Sermon Director: Dean Puckett Cast: Molly Casey, Grant Gillespie, Denise Stephenson, Oliver Monaghan, Emma White United Kingdom, 2018 In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all. Tammy’s Tiny Tea Time (Episode 1: Strangers) Created by Peter Gulsvig Cast: Rachel Butera, Nate Corddry, Peter Gulsvig United States, 2018 Tammy’s Tiny Tea Time exists in the fractured psyche of a middle aged woman whose refusal to grow up has resulted in a life spent talking to inanimate objects (and a dying box turtle) in her parents’ house. Thursday Night Director: Gonçalo Almeida Cast: Bimbo the Dog Portugal, 2017 An elusive stranger pays Bimbo a visit in the middle of the night to deliver a vital message. We Summoned a Demon Director: Chris McInroy Cast: Kirk C. Johnson, Carlos Larotta, John Orr United States, 2017 They just wanted to be cool. Instead, they got a demon.

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  • 2018 Chattanooga Film Festival Releases FIRST WAVE of Films – LU OVER THE WALL, GHOST STORIES and More …

    [caption id="attachment_27508" align="aligncenter" width="1203"]LU OVER THE WALL LU OVER THE WALL[/caption] With the 5th annual Chattanooga Film Festival just under one month away, the first wave of films are here. These films join opening night films ROCK STEADY ROW and SUMMER OF ’84, as well as the world premiere of LIFE AFTER FLASH. Fresh off its world premiere at the Sundance Film Festival, LU OVER THE WALL is a gorgeously animated hallucinogenic-but-family-friendly take on the classic fairy tale of the little mermaid who falls in love with mankind, and then comes ashore to join a dysfunctional middle school rock band and propel them to fame. Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT shows how New York City, its people, and the tectonically shifting arts culture of the late 1970s and ’80s shaped his vision. In GHOST STORIES, Arch skeptic Professor Phillip Goodman embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’. Every once in a while, you see a film you just know is a classic in the making. LOWLIFE is such a film. Director Ryan Prows has crafted a darkly comic sublimely cinematic and strangely heartwarming crime tale that explodes off the screen like a Molotov cocktail. From filmmaker Josephine Decker comes MADELINE’S MADELINE, a drama that centers around a family in Queens, New York. In the film, Miranda July plays Regina, single mother to sixteen-year-old Madeline. Madeline finds herself as the youngest member of an experimental-theater company and begins to take her performance too seriously. For fans of THE EXORCIST, director William Friedkin delivers a chilling documentary with THE DEVIL AND FATHER AMORTH. Having never seen an exorcism, Friedkin wondered how close he came to truly portraying one on screen. Thus, he decided to follow Father Gabriele Amorth, an Italian Roman Catholic Priest and an exorcist of the Diocese of Rome, as he performs his ninth exorcist on an Italian woman. CFF is extremely proud to bring RBG to Chattanooga screens, a documentary about the life and work of legendary Supreme Court Justice Ruth Bader Ginsburg. Directors Julie Cohen and Betsy West interview friends, family, colleagues and the woman herself, RBG. In keeping with the theme of strong, powerful women, but this time of the fictional kind, Coralie Fargeat’s REVENGE is the ultimate tale of payback and signals the arrival of a relentlessly bold new voice. From its eye-popping tracking sequences to a score that would make John Carpenter proud, Fargeat fills every inch of every frame with style, and anger. THE LAST MOVIE STAR finds an aging, former movie star, portrayed by Burt Reynolds, being forced to face the reality that his glory days are behind him. On its surface THE LAST MOVIE STAR is a tale about faded fame, but at its core, it’s a universal story about growing old. Crazy doesn’t scratch the surface of the things you’ll see and hear when you watch THE ROAD MOVIE. Painstakingly compiled entirely from Russian dashboard cams. This is one wildly entertaining car wreck you won’t want to look away from. ICEPICK TO THE MOON, which will make its world premiere at the festival, centers on cult following of the obscure, strip-mine crooner Rev. Fred Lane. His obsessive fans, who have described him as “subversive,” “completely satirical,” “the Dada Duke Ellington,” and “Demon Frank Sinatra,” have spent years examining every detail of Lane’s albums, and yet whatever information they have found out about their hero has led them deeper into blissful confusion. ICEPICK TO THE MOON not only examines the cult of Fred Lane fans, but it also pulls the curtain back on the artist who is Fred Lane, from his early involvement in the Raudelunas arts collective of Alabama in the 1970s to his current occupation making whirligigs to sell on the craft show circuit. Following the screening will be a Q&A with director Skizz Cyzyk. Also making its world premiere is WOLFMAN’S GOT NARDS. This heartfelt documentary explores the power of cult film told through the 1987 classic THE MONSTER SQUAD and the impact it has on fans, cast and crew, and the industry. Director Andre Gower, Ryan Lambert (both stars of The Monster Squad) and producer Henry McComas will be on hand for a post-film Q&A. ONE SINGS, THE OTHER DOESN’T (L’une chante, l’autre pas) is a feminist musical about the bond of sisterhood felt by Pomme and Suzanne throughout years of changes and fraught relationships with men. At the time of release in 1977, director Agnès Varda said, “If I put myself on the screen—very natural and feminist—maybe I’d get ten people in the audience. Instead, I put two nice young females on the screen, and not too much of my own leftist conscience. By not being too radical but truly feminist, my film has been seen by 350,000 people in France.” THE LAPLACE’S DEMON finds a team of seven researchers has developed a software capable of predicting the evolution of common physical events. The final test, the prediction of the exact number of fragments caused by the fall of a glass, was a success. Interested by these results, the mysterious Professor Cornelius invites the working team in his isolated mansion on a deserted island, hiding his true intentions. As time passes, the team will lead to paradoxical situations in a growing tension that will not only test their nerves but also one of their certainties: the free will. WE ARE STILL HERE director Ted Geoghegan is back, but this time with a different kind of story. MOHAWK tracks the events of one very long day late in The War of 1812, during which a young Mohawk woman and her two lovers strike back at a squadron of American soldiers responsible for the death of her people. Although set in 1812, this film with resonate with audiences even more so now than ever. It doesn’t get more wildly influential than the Shaw Brothers’ KING BOXER. Not only was it the first bonafide Kung Fu film to be a hit in the West (under the title FIVE FINGERS OF DEATH) it very literally helped kick off the Kung Fu craze of the 70’s, ushering in an era where Bruce Lee became a household name. There is simply no overstating the cultural importance or even the coolness of this Shaw Studios treasure.

    When an awkward date on Christmas Eve leads a couple into a strange theater, they’re treated to a bizarre and frightening collection of Christmas stories. The terrifying feature film debut of writer/directors Rebekah and David Ian McKendry, ALL THE CREATURES WERE STIRRING is a frightening and fun journey through the perils of Christmas Eve with an incredible cast and a style all its own. Following the world premiere screening, directors Rebekah McKendry and David Ian McKendry, along with producers Morgan Peter Brown and Joe Wicker will stick around for a Q&A.

    THE FIRST WAVES OF FILMS FOR 2018 CHATTANOOGA FILM FESTIVAL

    LU OVER THE WALL | Director Masaaki Yuasa New kid Kai is talented but adrift, spending his days sulking and isolated in a small fishing village after his family moves from Tokyo. When he demonstrates a proficiency at making music on his synthesizer, his classmates invite him to join their nascent garage band, but their practice sessions soon bring an unexpected guest: Lu, a young mermaid whose fins turn to feet when she hears the beats, and whose singing causes humans to compulsively dance – whether they want to or not. BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT | Director Sara Driver Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and ’80s shaped his vision. GHOST STORIES | Directors Jeremy Dyson, Andy Nyman Arch skeptic Professor Phillip Goodman embarks upon a terror-filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’. LOWLIFE | Director Ryan Prows The sordid lives of an addict, an ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong. Q&A with director Ryan Prows MADELINE’S MADELINE | Director Josephine Decker A theater director’s latest project takes on a life of its own when her young star takes her performance too seriously. THE DEVIL & FATHER AMORTH | Director William Friedkin Father Gabriele Amorth performs his ninth exorcism on an Italian woman. RBG | Directors Julie Cohen, Betsy West A look at the life and work of Justice Ruth Bader Ginsburg. REVENGE | Director Coralie Fargeat Never take your mistress on an annual guys’ getaway, especially one devoted to hunting – a violent lesson for three wealthy married men. THE LAST MOVIE STAR | Director Adam Rifkin An aging, former movie star is forced to face the reality that his glory days are behind him. On its surface THE LAST MOVIE STAR is a tale about faded fame, but at its core, it’s a universal story about growing old. THE ROAD MOVIE | Director Dmitrii Kalashnikov A documentary comprised entirely of footage from dashboard cameras from Russian cars. ICEPICK TO THE MOON | Director Skizz Cyzyk *WORLD PREMIERE A feature length documentary about strip-mine crooner, Rev. Fred Lane, and the Raudelunas arts collective of Alabama in the Seventies. Q&A with director Skizz Cyzyk. WOLFMAN’S GOT NARDS | Director Andre Gower *WORLD PREMIERE This heartfelt documentary explores the power of cult film told through the lens of the 1987 classic The Monster Squad and the impact it has on fans, cast and crew, and the industry. Q&A with director Andre Gower, producer Henry McComas and Ryan Lambert ONE SINGS, THE OTHER DOESN’T | Director Agnès Varda ONE SINGS, THE OTHER DOESN’T (L’une chante, l’autre pas) is a feminist musical—with lyrics by the director—about the bond of sisterhood felt by Pomme and Suzanne throughout years of changes and fraught relationships with men. THE LAPLACE’S DEMON | Director Giordano Giulivi A team of seven researchers has developed a software capable of predicting the evolution of common physical events. The final test, the prediction of the exact number of fragments caused by the fall of a glass, was a success. Interested by these results, the mysterious Professor Cornelius invites the working team in his isolated mansion on a deserted island, hiding his true intentions. As time passes, the team will lead to paradoxical situations in a growing tension that will not only test their nerves but also one of their certainties: the free will. MOHAWK | Director Ted Geoghegan Late in the War of 1812, a young Mohawk woman and her two lovers battle a squad of American soldiers hell-bent on revenge. Q&A with director/writer Ted Geoghegan and writer Grady Hendrix KING BOXER AKA FIVE FINGERS OF DEATH | Director Chang-hwa Jeong Two martial arts schools prepare for an important tournament. (1972) ALL THE CREATURES WERE STIRRING| Directors David Ian McKendry, Rebekah McKendry *WORLD PREMIERE When an awkward date on Christmas Eve leads a couple into a strange theater, they’re treated to a bizarre and frightening collection of Christmas stories, featuring a wide ensemble of characters doing their best to avoid the horrors of the holidays. From boring office parties and last-minute shopping, to vengeful stalkers and immortal demons, there’s plenty out there to fear this holiday season. Q&A with directors Rebekah McKendry and David Ian McKendry, producers Morgan Peter Brown and Joe Wicker

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