Octavio Is Dead![/caption]
The 10th DTLA Film Festival, taking place October 17 to 21, announced today the 11 documentary and 17 narrative feature-length movies in the 2018 line-up, under the of women’s empowerment, a nod to the #metoo and #timesup movements. In keeping with the theme, 18 of the 27 (65%) of the new feature films screening at the festival are by women directors.
In separate ceremonies, Rosanna Arquette and Malcolm McDowell are to be honored with the festival’s Independent Film Pioneer Award for their body of work in independent cinema. Arquette appears in two films in competition at the festival. She stars in Amanda Sthers’ “Holy Lands” as a matriarch attempting to hold her family together even as she must confront her own mortality. The film, co-starring James Caan, Tom Hollander and Jonathan Rhys Meyers, will screen as the festival Centerpiece presentation. Arquette also co-stars in Sook-Yin Lee’s “Octavio Is Dead!” a contemporary ghost story. In a career spanning four decades, Arquette has appeared in many signature roles, including “Desperately Seeking Susan” (1985), for which she earned a Best Actress Golden Globe Nomination, “Pulp Fiction” (1994), “After Hours” (1985) and “The Whole Nine Yards” (2000). Over the past year, she has become a public face of the #metoo movement.
McDowell stars in the festival’s Los Angeles premiere screening of director Kayla Tabish’s “Culture of Fear,”a dystopian suspense thriller. Forever known for his iconic starring role as Alex in Stanley Kubrick’s “Clockwork Orange” (1971), he would go onto star in “O Lucky Man” (1973), based on his concept and the script that he co-wrote, Paul Schrader’s “Cat People” (1982), “The Caller” (1987) “Gangster No. 1” (2000), Robert Altman’s “The Company (2003), “The Employer” (2013) and literally dozens of other independent and studios releases spanning six decades.
In the festival’s tradition of presenting an archival movie to conclude the festival, this year’s Closing Night Film will be a special 20th anniversary screening of director Kevin Rodney Sullivan’s “How Stella Got Her Groove Back”(1998) with appearances by the cast and crew.
In “A Tuba To Cuba” filmmaker T.G. Herrington profiles a cultural institution, The Preservation Hall Jazz Band of New Orleans, as they journey to Cuba in search of musical camaraderie and historical root. In “Underdogs,”first-time director Téo Frank also is in search of musical origins but with the focus on hip-hop, as he travels from his native Paris to New York. Hip hop plays another leading role in Sam Bathrick’s “16 Bars,”the third documentary in the festival’s music series. The film follows three inmates as they collaborate with Grammy -Award-winning artist Speech of Arrested Development, discovering painful elements of their past in the process.
Three inmates are also the subject of Tamara Perkins’ inspirational documentary “Life After Life”as they set out to prove their success on the other side. The theme of overcoming challenges permeates two films about veterans. In “Surviving Home,” co-directors Jillian Moul and Matthew Moul document the lives of four generations of warriors after returning from war. In Anita Sugimura Holsapple’s “Battlefield Home – Breaking The Silence,”a Vietnam era military child exposes the unflinching impact of war on family dynamics.
A battle of another kind is the subject of filmmakers Tricia Russo’s and Craig E. Shapiro’s “Love Always, Mom,”an inspirational documentary about a stage-4 cancer survivor’s journey to build a family after diagnosis. Family is also the focus of Ensar Altay “Guardian of the Angels,”a documentary profile of a widower who continues to find his wife’s love in his care of their child with special needs. In co-directors Liza Meak’s and Kathryn Basiji’s documentary “The Edge of Success,”it’s youth who take matters into their own hands when their high school is plagued by suicide clusters.
Social justice is manifested in myriad ways in fiction and nonfiction films screening at the festival. In Sally Colón-Petree’s documentary “Women Like Us,”three American women are inspired by the powerful women they encounter in Kenya, who against all odds are successfully confronting a host of social injustices from female genital mutilation to child prostitution. In “Give Us This Day”co-directors Michael Zimbalist and Jeff Zimbalist track a year in East St. Louis, the city with the highest homicide rate in the United States. Told from the perspectives of both police officers and residents, a community plagued by gun violence experiences complex challenges, heartbreak and hope.
Also screening at the festival are two dramas that tackle social injustice. In Laura Somers’ “Rich Kids,”economic class divide is the backdrop as a group of teens from a low-income community break into a mansion to enjoy the good life if only for a day. Class divides also figures into the theme of Collin Schiffli’s dramatic feature “All Creatures Here Below,”about a destitute couple struggling to find refuge for themselves and a stolen infant.”
The impact of crime is explored in Wes Miller’s “River Runs Red,”about a hardened detective (John Cusack) and a grieving father (George Lopez) who take the law into their own hands when police violence spirals out of control. Taye Diggs co-stars. Jay Francisco Lopez’s “Love, Cecy”is based on a true crime story of a promising high school student whose brutal murder was chronicled by the media nationwide. In Richard Levien’s “Collisions,”a 12-year-old must turn detective when she returns home with her younger brother to find their house ransacked and their immigrant mother missing.
Searching for a lost loved one is also the theme of Ilana Rein’s suspenseful “Perception,” the story of a successful businessman who comes to believe that a small-time psychic has the power to reconnect with his dead wife. Psychological thrills freefall in Angela Matemotja’s “Elevate,” a set of intertwining stories about people trapped in elevators who must face their greatest fears. In Amanda Kramer’s “Paris Window,” adult siblings Julian and Sunny are caught in a trap of their own making as they maneuver hallucinatory paranoia and sinister conspiracies in their otherwise lovely pied-à-terre.
Comedy and drama blur in several films screening at the festival. Director Sean McGinly uses a light touch to explore profound questions about life, love, friendship and family in “Silver Lake.”Wendy McColm’s “Birds Without Feathers”also navigates the shoals of human connections in her black comedy about six broken individuals on their quest for love. Nancy Goodman’s rom-com “Surprise Me”is a seemingly light-hearted story of an event planner but with a darker undercurrent about eating disorders. Jean Lee throws cautionto the wind in her absurdist comedy “Original Sin,”which follows the consequences to the marriage of a respectable couple when an enfant terrible artist pays a visit.
Lines blur as well in Joy Shannon’s genre-bending “My Dead Selfie,”a ghostly horror story that tackles head-on issues of racism and racial identity in America. In Anne-Sophie’s “Ballet Blanc,” the innocence of childhood reveals itself as a bloody terror in a unsuspecting small town.WOMEN LIKE US
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28 Feature Films to LA Premiere at 2018 DTLA Film Festival
[caption id="attachment_31965" align="aligncenter" width="1200"] Octavio Is Dead![/caption]
The 10th DTLA Film Festival, taking place October 17 to 21, announced today the 11 documentary and 17 narrative feature-length movies in the 2018 line-up, under the of women’s empowerment, a nod to the #metoo and #timesup movements. In keeping with the theme, 18 of the 27 (65%) of the new feature films screening at the festival are by women directors.
In separate ceremonies, Rosanna Arquette and Malcolm McDowell are to be honored with the festival’s Independent Film Pioneer Award for their body of work in independent cinema. Arquette appears in two films in competition at the festival. She stars in Amanda Sthers’ “Holy Lands” as a matriarch attempting to hold her family together even as she must confront her own mortality. The film, co-starring James Caan, Tom Hollander and Jonathan Rhys Meyers, will screen as the festival Centerpiece presentation. Arquette also co-stars in Sook-Yin Lee’s “Octavio Is Dead!” a contemporary ghost story. In a career spanning four decades, Arquette has appeared in many signature roles, including “Desperately Seeking Susan” (1985), for which she earned a Best Actress Golden Globe Nomination, “Pulp Fiction” (1994), “After Hours” (1985) and “The Whole Nine Yards” (2000). Over the past year, she has become a public face of the #metoo movement.
McDowell stars in the festival’s Los Angeles premiere screening of director Kayla Tabish’s “Culture of Fear,”a dystopian suspense thriller. Forever known for his iconic starring role as Alex in Stanley Kubrick’s “Clockwork Orange” (1971), he would go onto star in “O Lucky Man” (1973), based on his concept and the script that he co-wrote, Paul Schrader’s “Cat People” (1982), “The Caller” (1987) “Gangster No. 1” (2000), Robert Altman’s “The Company (2003), “The Employer” (2013) and literally dozens of other independent and studios releases spanning six decades.
In the festival’s tradition of presenting an archival movie to conclude the festival, this year’s Closing Night Film will be a special 20th anniversary screening of director Kevin Rodney Sullivan’s “How Stella Got Her Groove Back”(1998) with appearances by the cast and crew.
In “A Tuba To Cuba” filmmaker T.G. Herrington profiles a cultural institution, The Preservation Hall Jazz Band of New Orleans, as they journey to Cuba in search of musical camaraderie and historical root. In “Underdogs,”first-time director Téo Frank also is in search of musical origins but with the focus on hip-hop, as he travels from his native Paris to New York. Hip hop plays another leading role in Sam Bathrick’s “16 Bars,”the third documentary in the festival’s music series. The film follows three inmates as they collaborate with Grammy -Award-winning artist Speech of Arrested Development, discovering painful elements of their past in the process.
Three inmates are also the subject of Tamara Perkins’ inspirational documentary “Life After Life”as they set out to prove their success on the other side. The theme of overcoming challenges permeates two films about veterans. In “Surviving Home,” co-directors Jillian Moul and Matthew Moul document the lives of four generations of warriors after returning from war. In Anita Sugimura Holsapple’s “Battlefield Home – Breaking The Silence,”a Vietnam era military child exposes the unflinching impact of war on family dynamics.
A battle of another kind is the subject of filmmakers Tricia Russo’s and Craig E. Shapiro’s “Love Always, Mom,”an inspirational documentary about a stage-4 cancer survivor’s journey to build a family after diagnosis. Family is also the focus of Ensar Altay “Guardian of the Angels,”a documentary profile of a widower who continues to find his wife’s love in his care of their child with special needs. In co-directors Liza Meak’s and Kathryn Basiji’s documentary “The Edge of Success,”it’s youth who take matters into their own hands when their high school is plagued by suicide clusters.
Social justice is manifested in myriad ways in fiction and nonfiction films screening at the festival. In Sally Colón-Petree’s documentary “Women Like Us,”three American women are inspired by the powerful women they encounter in Kenya, who against all odds are successfully confronting a host of social injustices from female genital mutilation to child prostitution. In “Give Us This Day”co-directors Michael Zimbalist and Jeff Zimbalist track a year in East St. Louis, the city with the highest homicide rate in the United States. Told from the perspectives of both police officers and residents, a community plagued by gun violence experiences complex challenges, heartbreak and hope.
Also screening at the festival are two dramas that tackle social injustice. In Laura Somers’ “Rich Kids,”economic class divide is the backdrop as a group of teens from a low-income community break into a mansion to enjoy the good life if only for a day. Class divides also figures into the theme of Collin Schiffli’s dramatic feature “All Creatures Here Below,”about a destitute couple struggling to find refuge for themselves and a stolen infant.”
The impact of crime is explored in Wes Miller’s “River Runs Red,”about a hardened detective (John Cusack) and a grieving father (George Lopez) who take the law into their own hands when police violence spirals out of control. Taye Diggs co-stars. Jay Francisco Lopez’s “Love, Cecy”is based on a true crime story of a promising high school student whose brutal murder was chronicled by the media nationwide. In Richard Levien’s “Collisions,”a 12-year-old must turn detective when she returns home with her younger brother to find their house ransacked and their immigrant mother missing.
Searching for a lost loved one is also the theme of Ilana Rein’s suspenseful “Perception,” the story of a successful businessman who comes to believe that a small-time psychic has the power to reconnect with his dead wife. Psychological thrills freefall in Angela Matemotja’s “Elevate,” a set of intertwining stories about people trapped in elevators who must face their greatest fears. In Amanda Kramer’s “Paris Window,” adult siblings Julian and Sunny are caught in a trap of their own making as they maneuver hallucinatory paranoia and sinister conspiracies in their otherwise lovely pied-à-terre.
Comedy and drama blur in several films screening at the festival. Director Sean McGinly uses a light touch to explore profound questions about life, love, friendship and family in “Silver Lake.”Wendy McColm’s “Birds Without Feathers”also navigates the shoals of human connections in her black comedy about six broken individuals on their quest for love. Nancy Goodman’s rom-com “Surprise Me”is a seemingly light-hearted story of an event planner but with a darker undercurrent about eating disorders. Jean Lee throws cautionto the wind in her absurdist comedy “Original Sin,”which follows the consequences to the marriage of a respectable couple when an enfant terrible artist pays a visit.
Lines blur as well in Joy Shannon’s genre-bending “My Dead Selfie,”a ghostly horror story that tackles head-on issues of racism and racial identity in America. In Anne-Sophie’s “Ballet Blanc,” the innocence of childhood reveals itself as a bloody terror in a unsuspecting small town.
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Impressive Slate of 96 Feature Film Selections on Lineup for 4th Bentonville Film Festival
[caption id="attachment_27971" align="aligncenter" width="1200"]
Mary Goes Round[/caption]
The inclusive lineup for this year’s 2018 Bentonville Film Festival includes 42 Competition Films, 13 episodic content presentations, notable showcase screenings of top festival films, critical favorites, anniversary screenings of classics, a presentation of family focused and animated greats, and every film to date from the Marvel Cinema Universe in a special free-to-the-public presentation for BFF’s film fans.
“This year’s edition of the Bentonville Film Festival truly exemplifies our mission,” said BFF co-Founder Geena Davis. We are thrilled to honor industry pioneers, while at the same time recognizing current trendsetters and changemakers, and showcasing a new class of inclusive storytellers. To be able to bring them all together in one place to enact change – that is what BFF is all about.”
Films in the dramatic feature competition this year include: Marisol Gomez-Mouakad’s ANJELICA; Sanghoon Lee’s BANANA SEASON; Kevin Arbouet’s BENJI THE DOVE; Marinanna Palka’s EGG; Tom Huang’s FIND ME; Sean Olson’s F.R.E.D.I.; Anne-Marie Hess’s GOOD AFTER BAD; Jenna Laurenzo’s LEZ BOMB; Molly McGlynn’s MARY GOES ROUND; Autumn McAlpin’s MISS ARIZONA; Vashhti Anderson’s MOKO JUMBIE; Santiago Rizzo’s QUEST; Alex Ranarivelo’s RIDE; Jenn McGowan’s RUST CREEK; Megan Griffith’s SADIE; Anthony Nardolillo’s SHINE; Ramaa Mosley’s TATTERDEMALION; Mark Dennis and Ben Foster’s TIME TRAP; Teddy Smith’s URBAN COUNTRY; Nadine Truong’s I CAN I WILL I DID; Suzi Yoonessi’s UNLOVABLE; and Kendall Goldberg’s WHEN JEFF TRIED TO SAVE THE WORLD.
Documentary features in competition include: Marvin Blunte’s 6 WEEKS TO MOTHER’S DAY; Joanna James’s A FINE LINE; Skye Borgman’s ABDUCTED IN PLAIN SIGHT; Robin Hauser’s BIAS; Stacey Reiss’s DAUGHTERS OF THE SEXUAL REVOLUTION; Luis Prieto’s THE DISUNITED STATES OF AMERICA; Brian Ivie’s EMANUEL; Dan Habib’s INTELLIGENT LIVES; Susan Kucera’s LIVING IN FUTURE’S PAST; Trish Russo and Craig E. Shapiro’s LOVE ALWAYS, MOM; T Cooper’s MAN MADE; Sebastien Paquet’s MIND OVER MATTER; Rob Herring and Ryan Wirick’s THE NEED TO GROW; Kulap Vilaysack’s ORIGIN STORY; Kate Hickey’s ROLLER DREAMS; Mark Hayes’s SKID ROW MARATHON; Robin Berghaus’s STUMPED; Jillian Moul and Matthew Moul’s SURVIVING HOME; Maya Washington’s THROUGH THE BANKS OF THE RED CEDARS; P.J. Marcellino, and Hermon Farahi’s WHEN THEY AWAKE and Sally Colón-Petree’s WOMEN LIKE US.
The Episodic Projects vying for prizes are: Ben Strang’s Beast; Morgan Beck’s Brooke; Keith Miller’s Brooklynification; Jennifer Morrison’s Fabled; Raj Trivedi’s From Jappan; Corrie Chen and Tori Garrett’s Mustangs FC; Kholi Hicks’s Reaver Vs. Specter; Max Rissman’s Root for the Villain; Will Seefried’s Sink Sank Sunk; Andrew Olsen’s SusaneLand; Jeremy Redleaf’s Threads; Milena Govich’s Unspeakable; and Allison Vanore’s Whatta Lark (Ep 1).
BFF previously announced that Elissa Downs’s THE HONOR LIST would make its world premiere as the Opening Night selection, with Lea Thompson’s THE YEAR OF SPECTACULAR MEN screening as this year’s Centerpiece selection.
Special Spotlight selections include; Carlos Lopez Estrada’s drama BLINDSPOTTING, about the intersection of race and class, set against the backdrop of a rapidly gentrifying Oakland; Sara Driver’s documentary BOOM FOR REAL, about legendary New York City-centric artist Jean-Michel Basquiat; Brett Haley’s crowd-pleaser HEARTS BEAT LOUD, starring Nick Offerman and Kiersey Clemons as a father and daughter, who form an unlikely songwriting duo; Julie Cohen and Betsy West documentary RBG, about the inestimable Justice Ruth Bader Ginsburg; Andrew Bujalski’s latest, SUPPORT THE GIRLS, about a restaurant manager attempting to outmaneuver the owner as she tries to help one of her employees; and Jennifer Fox’s Sundance hit, THE TALE, which stars Laura Dern, Ellen Burstyn, and Common, in a devastating film which dramatizes Fox’s reconciling her memories of her first sexual relationship with the reality of what actually transpired.
The Sony/ConAgra Outdoor Theatre @ Lawrence Plaza will offer a number of family-friendly and animated hits including; the recent Academy Award winner, Lee Unkrich and Adrian Molina’s COCO, Ang Lee’s classic, CROUCHING TIGER, HIDDEN DRAGON (2000); Otto Bell’s adventure film, THE EAGLE HUNTRESS (2016); both Joe Johnston’s JUMANJI (1995) and Jake Kasdan’s recent blockbuster hit, JUMANJI: WELCOME TO THE JUNGLE, and Tony Bancroft and Barry Cook’s animated classic, MULAN (1998), celebrating its 20th Anniversary.
Additional highlights and events within the film festival are; the Easterseals Disability Film Challenge Finalists screening on Wednesday, May 3, followed by a Q&A with founder Nic Novicki; the special Project Zero screening and event on, Sunday, May 5, to raise awareness for the Arkansas-based organization’s mission to diligently and passionately promote adoption through the foster care system; the Helen R. Walton Children’s Enrichment Center, Ready Nation, Moms in Film and Arkansas Advocates for Children and Families presentation of Raising America on Friday, May 4, followed by a panel discussion with Kyle Peterson, Alysia Reiner and others; the Samsung Create Event, on Thursday, May 23, presenting student filmmakers challenged to make a short film based on the mission of BFF by utilizing a Samsung Galaxy phone and tablet; and Marvel Experience, Wednesday May 2 – Friday May 4, at Skylight Cinema which will offer the ultimate Marvel Experience for film fans, with free film screenings, themed concessions and galactic experiences.
For the 4th consecutive year, BFF will remain the only film festival in the world to offer guaranteed distribution to its narrative feature film winner. BFF’ s distribution partners include AMC Theatres, Lifetime, Starz, ACI-Inspires and others.
In 2018, BFF will add new prizes for its other juried categories. Through a partnership with MarVista Entertainment, the winner of the Short Film Competition will be awarded a directing role on one of MarVista’s future feature films, providing an opportunity for diverse ideas, opinions and stories to be heard.
The winner of the Documentary Film Competition will receive a mentorship prize package sponsored by ITVS, a San Francisco-based nonprofit organization that has, for over 25 years, funded and partnered with a diverse range of documentary filmmakers to produce and distribute untold stories. The Episodic Competition winner will receive a prize package sponsored by SeriesFest, an award winning festival dedicated to showcasing the best and boldest in episodic storytelling from around the world, that includes a screening at the SeriesFest Season 4 in Denver, a consultation with an industry professional, and a VIP Badge.