Working Woman (Isha Ovedet)(2018)

  • Documentary RETURN TO MT. KENNEDY and Mexican Short Films Headline Ashland Festival Varsity World Film Week 2019

    Return to Mt. Kennedy
    Return to Mt. Kennedy

    Ashland Independent Film Festival will showcase 13 independent feature films and one short film program from 11 countries, including Bulgaria, Siberia, France, Mexico, Paraguay, Denmark, Kenya, Iceland, Israel, Egypt, and the USA for the 30th annual Varsity World Film Week running Oct. 4 through Oct. 11 at the Varsity Theatre in downtown Ashland.

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  • Melbourne International Film Festival Reveals 2019 First Glance and Gala Films

    The Australian Dream
    The Australian Dream

    Melbourne International Film Festival (MIFF) will open its 2019 festival with the world premiere of the documentary The Australian Dream – written by Walkley award-winning Australian journalist Stan Grant. Grant’s moving work is a powerful exploration of race, identity and belonging as told from the perspective of champion AFL footballer and Indigenous rights activist, Adam Goodes.

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  • Cuban Dancer Carlos Acosta Biopic YULI to Open 2019 Minneapolis St. Paul International Film Festival

    Yuli directed by Icíar Bollaín
    Yuli directed by Icíar Bollaín

    Yuli, a dazzling dramatization of the early life and work of legendary Cuban dancer Carlos Acosta will be the Opening Night Film of this year’s 38th Minneapolis St. Paul International Film Festival, which runs April 4 to 20, 2019.

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  • Israeli Drama WORKING WOMAN Sets US Release Date

    WORKING WOMAN
    WORKING WOMAN

    WORKING WOMAN, an absorbing Israeli drama about a young mother and wife struggling with sexual harassment in the workplace, will open theatrically in NYC March 27 at the IFC Center & Marlene Meyerson JCC of Manhattan, and April 12 in Los Angeles at Laemmle’s Royal, Town Center, and Playhouse. 

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  • 2019 Palm Springs International Film Festival to Screen 223 Films, Opens with Kenneth Branagh’s ALL IS TRUE

    All is True 
    All is True 

    The 30th annual Palm Springs International Film Festival (PSIFF) will open with All is True directed by Kenneth Branagh on Friday, January 4,  and close with Ladies in Black, directed by Bruce Beresford on Sunday, January 13. The Festival will screen 223 films from 78 countries, with a focus on cinema from France, India and Mexico, Premieres, Talking Pictures, Book to Screen, Special Presentations, FLOS: Foreign Language Oscar Submissions, Gay!La, Local Spotlight, Modern Masters, True Stories, World Cinema Now, a 30-film retrospective of selections from past festivals and more.

    In All is True, Kenneth Branagh, Judi Dench and Ian McKellen star in Branagh’s intimate, revelatory portrait of William Shakespeare in the last act of his life. His career over, he returns to his home in Stratford-upon-Avon to encounter old ghosts, old loves, and his resentful family. Branagh is expected to attend. 

    Ladies in Black, set in Sydney in 1959, Oscar®-nominated writer/director Bruce Beresford takes us back to the heyday of glamorous upscale department stores, when a concierge met you at the door and clerks wore gloves. The film from Lumila Films stars Julia Ormond, Angourie Rice, Rachael Taylor, Ryan Corr, Shane Jacobson and Alison McGirr. Beresford, Ormond, Taylor and McGirr are expected to attend. 

    30th Palm Springs International Film Festival Film Lineup

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  • Toronto International Film Festival to Spotlight 48 Films in 2018 Contemporary World Cinema Program

    [caption id="attachment_31415" align="aligncenter" width="1200"]Look at Me Look at Me[/caption] The Toronto International Film Festival will spotlight 48 films from international filmmakers in this year’s 2018 Contemporary World Cinema roster  with a strong presence from Latin America and Eastern Europe — telling stories of identity, depicting family dynamics, and making bold political statements. Several of the the impressive 27 World Premieres in the program are from TIFF veterans, including Belmonte from Uruguay’s Federico Veiroj, The Other Story from Israel’s Avi Nesher, Stupid Young Heart from Finnish Academy Award nominee Selma Vilhunen, Quién te Cantará from Spain’s Carlos Vermut, and Look at Me from Tunisia’s Nejib Belkadhi. The program also highlights film selections that have already captivated audiences worldwide this year, including “I Do Not Care If We Go Down In History As Barbarians” by Radu Jude, Birds of Passage by directing duo Cristina Gallego and Ciro Guerra, and Border by Ali Abbasi.

    2018 Toronto International Film Festival Contemporary World Cinema Program

    The Accused ( Acusada) Gonzalo Tobal | Argentina North American Premiere Angel (Un Ange) Koen Mortier | Belgium/Netherlands/Senegal International Premiere Asako I & II ( Netemo Sametemo) Ryusuke Hamaguchi | Japan/France North American Premiere Before the Frost ( Før Frosten) Michael Noer | Denmark World Premiere Belmonte Federico Veiroj | Uruguay/Spain/Mexico World Premiere Birds of Passage ( Pájaros de verano) Cristina Gallego, Ciro Guerra | Colombia/Denmark/Mexico/France Canadian Premiere Black 47 Lance Daly | Ireland/Luxembourg North American Premiere The Black Book Valeria Sarmiento | Portugal/France World Premiere Border ( Gräns) Ali Abbasi | Sweden/Denmark North American Premiere Bulbul Can Sing Rima Das | India World Premiere Core of the World Natalia Meshchaninova | Russia/Lithuania International Premiere The Dive ( Hatzlila) Yona Rozenkier | Israel North American Premiere Donbass Sergei Loznitsa | Germany/Ukraine/France/Netherlands/Romania North American Premiere El Ángel Luis Ortega | Argentina/Spain North American Premiere EXT. Night ( Leil Khargi ) Ahmad Abdalla | Egypt/United Arab Emirates World Premiere The Factory (Завод (Zavod)) Yury Bykov | Russia/France/Armenia World Premiere Florianópolis Dream ( Sueño Florianópolis) Ana Katz | Argentina/Brazil/France North American Premiere “I Do Not Care If We Go Down In History As Barbarians” ( Îmi este indiferent dacă în istorie vom intra ca barbari) Radu Jude | Romania/Czech Republic/France/Bulgaria/Germany North American Premiere Jinpa ( Zhuang Si Le Yi Zhi Yang ) Pema Tseden | China North American Premiere Let Me Fall (Lof mer ad falla) Baldvin Z | Iceland/Finland/Germany International Premiere Look at Me Nejib Belkadhi | Qatar/France/Tunisia World Premiere Minuscule – Mandibles From Far Away ( Minuscule – Les Mandibules du Bout du Monde) Thomas Szabo, Hélène Giraud | France World Premiere The Most Beautiful Couple (Das schönste Paar) Sven Taddicken | Germany/France World Premiere Museum (Museo) Alonso Ruizpalacios | Mexico North American Premiere One Last Deal (Tuntematon mestari) Klaus Härö | Finland World Premiere The Other Story (Sipur Acher) Avi Nesher | Israel World Premiere Quién te Cantará Carlos Vermut | Spain/France World Premiere The Realm (El Reino) Rodrigo Sorogoyen | Spain/France World Premiere Redemption (Geula) Boaz Yehonatan Yacov, Joseph Madmony | Israel North American Premiere Retrospekt Esther Rots | Netherlands/Belgium World Premiere Roads in February (Les routes en février) Katherine Jerkovic | Canada/Uruguay World Premiere Rosie Paddy Breathnach | Ireland World Premiere Sew the Winter to my Skin Jahmil X.T. Qubeka | South Africa/Germany World Premiere Sibel Çagla Zencirci, Guillaume Giovanetti | France/Germany/Luxembourg/Turkey North American Premiere Stupid Young Heart (Hölmö nuori sydän) Selma Vilhunen | Finland/Netherlands/Sweden World Premiere Styx Wolfgang Fischer | Germany/Austria North American Premiere The Sweet Requiem (Kyoyang Ngarmo) Ritu Sarin, Tenzing Sonam | India/USA World Premiere That Time of Year (Den Tid På Året) Paprika Steen | Denmark World Premiere Ulysses & Mona Sébastien Betbeder | France World Premiere The Vice of Hope (Il Vizio Della Speranza) Edoardo de Angelis | Italy World Premiere Winter Flies (Všechno bude) Olmo Omerzu | Czech Republic/Slovenia/Poland/Slovakia International Premiere Working Woman (Isha Ovedet) Michal Aviad | Israel International Premiere Previously announced Canadian titles in the Contemporary World Cinema program include Darlene Naponse’s Falls Around Her, Bruce Sweeney’s Kingsway, Renée Beaulieu’s Les Salopes or the Naturally Wanton Pleasure of Skin, Thom Fitzgerald’s Splinters, Sébastien Pilote’s The Fireflies Are Gone, and Maxime Giroux’s The Great Darkened Days.

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