The Orchard will release the award-winning documentary film “TAKE MY NOSE… PLEASE!” in the United States and Canada on all digital and on-demand platforms beginning on January 9, 2018, director Kron’s 90th birthday. The film is currently finishing its Oscar® qualifying theatrical run in theaters in Los Angeles and New York.
The acclaimed film, directed by the 89-year-old, first-time filmmaker Joan Kron (former contributing editor at large of Allure Magazine for 25 years and former fashion reporter of the Wall Street Journal), looks at the pressure on women to be attractive through the lens of comedy, and features well-known funny women including Jackie Hoffman, Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi and a who’s-who of female comedy icons.
“I am excited to be working with The Orchard to bring this film to a larger audience,” said director Kron. “We learned in festivals and in our theatrical screenings how the picture resonates with women–and men–by opening up for discussion a topic often spoken about in whispers. After years as a print journalist, it is thrilling for me to see how a film can affect audiences viscerally. Not only is “TAKE MY NOSE… PLEASE!” entertaining – even hilarious – it is visual truth serum, giving viewers permission to talk about their own experiences with age or appearance discrimination and their attitudes, pro and con, toward cosmetic surgery.”
“Some people are surprised,” Kron adds, “that at this late age, I could learn to work in another medium, but I tell them, if I could start writing at age 41, I can become a director in my 80’s.”
Prior to its theatrical run, “TAKE MY NOSE… PLEASE!” was a selection of many film festivals around the country including the Newport Beach Film Festival, Martha’s Vineyard Film Festival, and San Francisco DocFest among others. The film won the Audience Award at the Miami Film Festival and at the Berkshire International Film Festival.
“TAKE MY NOSE… PLEASE!” follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Emmy-nominated Jackie Hoffman, a seasoned headliner on Broadway and TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet others who have taken the leap – or held out. Putting it all in perspective are surgeons, sociologists, and cultural critics. And for comic relief and the profundity only comedians can supply, there are some high-profile cameos.
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The Orchard Will Release Award-Winning Documentary TAKE MY NOSE… PLEASE!
The Orchard will release the award-winning documentary film “TAKE MY NOSE… PLEASE!” in the United States and Canada on all digital and on-demand platforms beginning on January 9, 2018, director Kron’s 90th birthday. The film is currently finishing its Oscar® qualifying theatrical run in theaters in Los Angeles and New York.
The acclaimed film, directed by the 89-year-old, first-time filmmaker Joan Kron (former contributing editor at large of Allure Magazine for 25 years and former fashion reporter of the Wall Street Journal), looks at the pressure on women to be attractive through the lens of comedy, and features well-known funny women including Jackie Hoffman, Judy Gold, Julie Halston, Lisa Lampanelli, Giulia Rozzi and a who’s-who of female comedy icons.
“I am excited to be working with The Orchard to bring this film to a larger audience,” said director Kron. “We learned in festivals and in our theatrical screenings how the picture resonates with women–and men–by opening up for discussion a topic often spoken about in whispers. After years as a print journalist, it is thrilling for me to see how a film can affect audiences viscerally. Not only is “TAKE MY NOSE… PLEASE!” entertaining – even hilarious – it is visual truth serum, giving viewers permission to talk about their own experiences with age or appearance discrimination and their attitudes, pro and con, toward cosmetic surgery.”
“Some people are surprised,” Kron adds, “that at this late age, I could learn to work in another medium, but I tell them, if I could start writing at age 41, I can become a director in my 80’s.”
Prior to its theatrical run, “TAKE MY NOSE… PLEASE!” was a selection of many film festivals around the country including the Newport Beach Film Festival, Martha’s Vineyard Film Festival, and San Francisco DocFest among others. The film won the Audience Award at the Miami Film Festival and at the Berkshire International Film Festival.
“TAKE MY NOSE… PLEASE!” follows two comedians as they deliberate about going under the knife. Emily Askin, an up-and coming improv performer, has always wanted her nose refined. Emmy-nominated Jackie Hoffman, a seasoned headliner on Broadway and TV, considers herself ugly and regrets not having the nose job offered in her teens. And maybe she’d like a face-lift, as well. As we follow their surprisingly emotional stories, we meet others who have taken the leap – or held out. Putting it all in perspective are surgeons, sociologists, and cultural critics. And for comic relief and the profundity only comedians can supply, there are some high-profile cameos.
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‘Liyana’ ‘Red Dog: True Blue’ ‘The Cage’ Win Grand Prizes at 26th Heartland Film Festival
[caption id="attachment_19102" align="aligncenter" width="1200"]
Red Dog: True Blue[/caption]
Red Dog: True Blue is the winner of the Grand Prize for Best Narrative Feature, and Liyana takes the Grand Prize for Best Documentary Feature at the 26th Heartland Film Festival. The Heartland Film Festival has earned the special designation of being a qualifying festival for the Annual Academy Awards® within the Short Films category. This means that the winner of the Grand Prize for Best Narrative Short Film (“The Cage,” directed by Ricky Staub) will qualify for consideration in the Live Action Short Subject category of the Annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules.
“Congratulations to our international prize winners who came from around the world to share their powerful stories in Indianapolis,” said Heartland Film President Craig Prater. “Feature winners ‘Liyana’ and ‘Red Dog: True Blue’ hail from Swaziland and Australia as short film winners ‘The Cage’, ‘Edges’, and ‘The Wishing Jar’ represent the U.S. and Canada. This year the Heartland Film Festival hosted more film titles and filmmakers than ever before and it is an honor to recognize these films as the best of the best.””
2017 Heartland Film Festival winners
$25,000 Grand Prize for Best Narrative Feature “Red Dog: True Blue,” directed by Kriv Stenders (Australia) [caption id="attachment_25121" align="aligncenter" width="1200"]
Liyana[/caption]
$25,000 Grand Prize for Best Documentary Feature
“Liyana,” directed by Aaron and Amanda Kopp (Swaziland, USA, Qatar)
$5,000 Grand Prize for Best Narrative Short
Underwritten by Heartland Film Endowment’s Sparks Vision Award
“The Cage,” directed by Ricky Staub (USA)
$5,000 Grand Prize for Best Documentary Short
Underwritten by Heartland Film Endowment’s Sparks Vision Award
“Edges,” directed by Katie Stjernholm and Jonathan Hiller (USA)
$5,000 Grand Prize for Best Animated Short
“The Wishing Jar,” directed by Denver Jackson (Canada)
$3,500 Best Premiere for Narrative Feature
“The Drawer Boy,” directed by Arturo Pérez Torres (Canada, Mexico)
$3,500 Best Premiere for Documentary Feature
“Defining Hope,” directed by Carolyn Jones (USA)
$5,000 Indiana Spotlight Winner
“Little Warriors,” directed by Sam Miro (USA)
$2,000 Summer White Lynch Memorial Award – High School Film Competition Grand Prize
Underwritten by Gary D. & Marlene Cohen
“Two of Five Million,” directed by Socs and DZ Zavitsanos (Greece, USA)
$5,000 Jimmy Stewart Legacy Award Winner
“Little Pink House,” directed by Courtney Moorehead Balaker (USA)
The Jimmy Stewart Legacy Award honors a single film, selected from the Festival’s feature-length narrative and documentary titles. This film embodies the ongoing legacy of actor and national hero Jimmy Stewart and demonstrates the triumph of the human spirit through determination and the defiance of odds, humble vulnerability, and courage in the face of adversity. Made possible by a partnership with The Stewart Family.
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VIDEO: Watch Michelle Morgan’s Indie Comedy IT HAPPENED IN LA Trailer, Opens in Theaters on November 3rd
The Orchard dropped the new trailer and poster for Michelle Morgan’s indie comedy It Happened In L.A. which premiered earlier this as an Official Selection of the 2017 Sundance Film Festival. The film starring also starring Michelle Morgan, along with Jorma Taccone, Dree Hemingway and Kentucker Audley will open in New York on November 3rd and in LA on November 10th. It Happened In L.A. will also be available digitally on November 14th.
Annette (Michelle Morgan) and Elliot (Jorma Taccone) are a mostly happy, moderately neurotic L.A. couple. Maybe Annette doesn’t enjoy game nights or taco stands as much as Elliot does, but no relationship is perfect, right? Rather than embracing their differences, Annette can only compare their relationship to their happy couple friends. This cannot be endorsed by Annette’s beautiful but romantically troubled best friend, Baker (Dree Hemingway), who is very well-versed on the bleakness of the L.A. dating scene. Taking its cues from classic mid-20th Century comedies with a stylish and contemporary spin, IT HAPPENED IN L.A. is an irreverent tale of life and the search for elusive love in the 21st Century.
It Happened In L.A. Trailer
https://www.youtube.com/watch?v=xP5Yq4KGYLg
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GODLESS, LADY MACBETH, SUMMER 1993 Among 5 Films Nominated for 2017 European Film Awards European Discovery
[caption id="attachment_25219" align="aligncenter" width="1296"]
BLOODY MILK (PETIT PAYSAN)[/caption]
Five films have been nominated for the EUROPEAN DISCOVERY 2017 – Prix FIPRESCI, an award presented as part of the European Film Awards to a young and upcoming director for a first full-length feature film.
The European Discovery 2017 – Prix FIPRESCI will be presented at the 30th European Film Awards Ceremony on Saturday, December 9, in Berlin.
BLOODY MILK
PETIT PAYSAN
France
90 min
DIRECTED BY Hubert Charuel
WRITTEN BY Claude Le Pape & Hubert Charuel
PRODUCED BY Stephanie Bermann & Alexis Dulguerian
https://www.youtube.com/watch?v=d0xM1ox-tJc
GODLESS
БЕЗБОГ (BEZBOG)
Bulgaria, Denmark, France
99 min
WRITTEN & DIRECTED BY Ralitza Petrova
PRODUCED BY Rossitsa Valkanova, Eva Jakobsen & Laurence Clerc
https://www.youtube.com/watch?v=IaFsohECLkE
LADY MACBETH
UK
89 min
DIRECTED BY William Oldroyd
WRITTEN BY Alice Birch
PRODUCED BY Fodhla Cronin O’Reilly
https://www.youtube.com/watch?v=zDhZI4WiQ78
SUMMER 1993
ESTIU 1993
Spain
96 min
WRITTEN & DIRECTED BY Carla Simón
PRODUCED BY Valérie Delpierre, Stefan Schmitz & Maria Zamora
https://www.youtube.com/watch?v=qxWQ5CpDqoA
THE EREMITES
DIE EINSIEDLER
Germany
110 min
WRITTEN & DIRECTED BY Ronny Trocker
PRODUCED BY Paul Zischler & Susanne Mann
https://www.youtube.com/watch?v=yh2bI6Vj2tU
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AFI FEST 2017 Announces Centerpiece Gala Films and Tribute for Filmmaker Errol Morris
[caption id="attachment_23476" align="aligncenter" width="1200"]
THE DISASTER ARTIST, JAMES FRANCO[/caption]
AFI FEST 2017 today announced the three Centerpiece Galas – CALL ME BY YOUR NAME; THE DISASTER ARTIST and HOSTILES, along with a Tribute for Academy Award®-winning documentary filmmaker Errol Morris following a screening of WORMWOOD.
Errol Morris’credits include the Oscar®-winning THE FOG OF WAR (2003), as well as GATES OF HEAVEN (1978), THE THIN BLUE LINE (1988), A BRIEF HISTORY OF TIME (1991), TABLOID (2010) and THE UNKNOWN KNOWN (2013). Morris serves on the AFI DOCS Film Festival Advisory Board and, in 2013, was the AFI DOCS Charles Guggenheim Symposium honoree.
The Centerpiece Galas CALL ME BY YOUR NAME (DIR Luca Guadagnino) will take place on Friday, November 10; THE DISASTER ARTIST (DIR James Franco) on Sunday, November 12; and HOSTILES (DIR Scott Cooper) on Tuesday, November 14. On Saturday, November 11, Academy Award®-winning documentary filmmaker Errol Morris will be honored with the Tribute.
CENTERPIECE GALAS
CALL ME BY YOUR NAME – The new film from Sony Pictures Classics by Luca Guadagnino is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. It’s the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17-year-old American-Italian boy, spends his days in his family’s 17th-century villa, transcribing and playing classical music, reading and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever. THE DISASTER ARTIST – Director James Franco reimagines the tragicomic true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable — as a celebration of friendship, artistic expression and dreams pursued against insurmountable odds. Based on Greg Sestero’s bestselling tell-all about the making of Wiseau’s cult-classic disaster piece THE ROOM (“The Greatest Bad Movie Ever Made”), THE DISASTER ARTIST is a hilarious and welcome reminder that there is more than one way to become a legend — and no limit to what you can achieve when you have absolutely no idea what you’re doing. Franco directs, produces and stars in the film, delivering a transformative performance as Wiseau in this A24 release. HOSTILES – Set in 1892 at the cusp of the Industrial Revolution, the buffalo gone, America’s indigenous population vanquished and the frontier rapidly disappearing into settlements and cities, two bitter adversaries of the Indian Wars are forced into a final, unexpected encounter. Cavalry Captain Joseph Blocker (Christian Bale), a former war hero turned jailer, and Yellow Hawk (Wes Studi), a Northern Cheyenne war chief turned prisoner, are forced to partake in a hollow publicity stunt to bolster the personal and political fortunes of Blocker’s commanding officer. Stuck in Fort Berringer, a miserable New Mexican prison outpost, Yellow Hawk is to be released to Blocker and returned to the Cheyenne homeland in Montana. It’s a particularly cynical gambit, as Yellow Hawk is dying and upon his death, his family will be imprisoned on a reservation. A belligerent Blocker believes the Chief should die in prison and is threatened with court martial when he refuses to accompany his enemy home. The plan is set in motion and Blocker, his men, Yellow Hawk and his family become complicated traveling companions. Not long after their departure, the group happens upon Rosalee Quaid (Rosamund Pike), a traumatized survivor of a Comanche massacre, and she reluctantly joins. Blocker, Yellow Hawk and Quaid turn into the unlikely heart of HOSTILES. They are tenacious fighters who have been shaped by suffering, violence and loss. Compelled to work together to endure and survive a 1,000-mile journey of Odyssey-like proportions, they’re forced to confront their preconceived notions of one another, and realize that the worst of their differences were created by forces beyond their control. Their transformation from a place of antagonism and fear to one of compassion and tolerance is a testament to the resilience of the human spirit and our capacity for change. HOSTILES features cinematography by AFI Conservatory alumnus Masanobu Takayanagi (Class of 2002).TRIBUTE SCREENING
WORMWOOD – Directed by boundary-breaking filmmaker Errol Morris, WORMWOOD explores the limits of knowledge about the past and the lengths we’ll go in our search for the truth in a twisting, evolving story of one man’s 60-year quest to identify the circumstances of his father’s mysterious death. Combining a virtuosic performance by Peter Sarsgaard with Morris’ legendary interview style, WORMWOOD examines this case from every possible angle, bringing the viewer face to face with some of the United States’ darkest secrets. A Netflix Original Story told in six chapters.
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VIDEO: Watch Adam Christian Clark’s Indie Dark Comedy NEWLY SINGLE Trailer + Poster
Check out the trailer and poster for the new dark comedy Newly Single from writer/director Adam Christian Clark. The LA set movie, starring Adam Christian Clark, Jennifer Kim, Molly C. Quinn, Anna Jacoby-Heron, Rémy Bennett, Greg Gilreath, Raychel Diane Weiner, and Marguerite Moreau, debuts in Official Competition at Tallinn Black Nights Film Festival in Estonia on Monday 27th November, 2017.
Newly Single is the second feature film by American writer/director Adam Christian Clark. After the successful run of his first film, Caroline and Jackie (Tribeca, 2012), Clark began assembling his next feature, Aaron Baby Superfecta. With considerably more money and A-list talent, Clark was on the verge of the next big step in his career. But when several lead actors dropped out, the financing fell apart, and the film collapsed. Clark found himself newly single, laid-off from a long-term TV directing job, and engulfed in a downward spiral of enthusiastic drinking and restless dating. On the verge of financial collapse and eviction, Clark doubled down, writing and directing the meta-dark-comedy Newly Single. Loosely inspired by recent events in his life, Adam Christian Clark also stepped in front of the camera for the first time to play the bitter and broken Astor Williams Stevenso
On the heels of booking a life-changing motion picture, Astor Williams Stevenson drives away his girlfriend and aggressively re-enters the LA dating scene. The film director finds himself alone and prowling; looking for love, sating his lust, and searching through the darkness of downtown Los Angeles.
Following Astor on a series of dates with a never ending parade of women, Newly Single explores the inner workings of his heart as well as the modern, urban world of dating, independent filmmaking, and the desire to be anyone but one’s true self. Astor finds himself struggling to compartmentalize the many facets of his life, until his barely restrained acerbic nature, fueled by insecurity and sadness, boils over into his personal and professional lives, leaving both in a flaming pile of ash. A noir-comedy love affair with downtown Los Angeles, Newly Single cuts through the coldness of modern dating, changing male identity, and the mad, sad desire to be loved.
https://www.youtube.com/watch?v=f3UNCqvCb9U&feature=youtu.be
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First-Ever Meet the Press Film Festival Announces Lineup – “Heroin(e)”, “Election Day 2016,” “Osama and Ayman”
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Osama and Ayman[/caption]
The Meet the Press Film Festival in Collaboration with the American Film Institute (AFI) announced its full slate of official selections – 16 short-length political documentaries produced by filmmakers from across the country. The inaugural film festival will be held at the Landmark Atlantic Plumbing Cinema in Washington, D.C. on the evening of November 13. Film screenings will be organized under seven issues and followed by Q&As with the respective filmmakers and an NBC News correspondent.
The #1 most-watched Sunday show first announced its collaboration with AFI this past August, as both institutions joined forces in recognition of their milestone anniversaries — 70th and 50th, respectively — at a time when political documentaries are more popular than ever before.
2017 Meet the Press Film Festival Lineup
Battling America’s New Epidemic
“Heroin(e)“: Once a bustling industrial town, Huntington, WV has become the epicenter of America’s modern opioid epidemic, with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness and poverty. But within this distressed landscape, Peabody Award-winning filmmaker Elaine McMillion Sheldon (“Hollow”) shows a different side of the fight against drugs — one of hope, highlighting three women working to change the town’s narrative one person at a time.Love and the Law
“62 Days“: Marlise Muñoz was 33 years old and 14 weeks pregnant with her second child when she died, suffering a pulmonary embolism. Pronounced brain-dead in a hospital in Fort Worth, TX, she had discussed her end-of-life wishes with her husband and did not want to be on life support. Director Sharon Liese tells the story of how, despite this, her family was forced to keep Marlise on mechanical support due to a little-known state law. “Edith + Eddie“: Edith and Eddie, at ages 96 and 95, became America’s oldest interracial newlyweds. Their love story, told by director Laura Checkoway, is disrupted by a family feud that threatens to tear the couple apart. Life After Prison “Knife Skills“: Over 650,000 people are released from prison every year. Director Thomas Lennon follows the launch of an haute cuisine restaurant in Cleveland, staffed by men and women recently released from behind bars to tell the story of re-entry, second chances and the healing power of fine food.Higher (Court) Education
“Fight for the First“: Director Rebecca Haimowitz addresses the freedom of the press in the Trump era through the eyes of journalists-in-training at the world’s oldest journalism school. “Gavin Grimm vs.“: Director Nadia Hallgren tells the story of transgender teen Gavin Grimm suing his local school board in 2016 after its members refused to let him use the bathroom of his choice. He was ready to take his case all the way to the Supreme Court — and then the election happened.The Cost of Justice
“A Debtors’ Prison“: Across the racially segregated landscape of St. Louis County, MO, thousands are routinely sent to jail because they cannot pay local court fines and fees. The vast majority of those fined are poor and black. Directors Brett Story and Todd Chandler follow two plaintiffs in an unfolding court case, as they describe the matrix of controls that subjected them to incarceration for being poor. “Shawna: Life on the Sex Offender Registry“: After having consensual sex with a younger boy while she was still a teenager, Shawna Baldwin found herself one of the 800,000 people on America’s sex offender registries. Director David Feige explores the effects on her life, as she is now in her mid-30s and a mother of three. “219“: A chilling portrait of the inner-workings of the death penalty in America, directed by Ed Hancox and told by the man once known as “the face of executions.” Living in America “Election Day 2016“: After a long and contentious presidential campaign, 10,000 people spontaneously came to pay tribute to Susan B. Anthony’s grave in Rochester, NY. They placed their “I Voted” stickers upon her headstone and expressed their pride and gratitude to America’s most famous suffragette. “Osama and Ayman“: Osama and Ayman are brothers, skateboarders, entrepreneurs, Americans and Muslims. As they skate through the streets of our nation’s capital, they navigate growing Islamophobia with characteristic style and humor in a film directed by Ben Mullinkosson, Sam Price-Waldman and Chris Cresci. “From Aleppo to L.A.“: Director Julia Meltzer tells the story of Dalya and her mother Rudayna fleeing Aleppo for Los Angeles in 2012. Can they hold on to their Islamic traditions in a country that doesn’t embrace them? “Roadside Attraction“: After a very famous airplane arrives at Palm Beach International Airport, an otherwise ordinary stretch of Florida highway attracts an avid cluster of excited onlookers and selfie-takers, directed by Ivete Lucas and Patrick Bresnan.On the Edge
“Ferryman at the Wall“: Originally proposed as an international peace park with Mexico, Big Bend, TX has a unique relationship with its southern neighbor. For the past 40 years, Mike Davidson has been ferrying tourists across the Rio Grande for a little taste of Mexican life — but now, as director David Freid shows, a great big border wall might divide the park. “Los Lecheros“: The fates of undocumented immigrant workers and Wisconsin’s $43 billion dairy industry are closely intertwined, as director Jim Cricchi tells the story of how both are grappling with their options for survival as fears of ICE raids and deportations under the Trump administration grow. “Monument | Monumento“: Director Laura Gabbert tells the story of Friendship Park, a unique meeting place along the US-Mexico border where family members and loved ones from both countries can see and speak to each other through a meshed fence, but cannot touch.
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Ridley Scott’s ALL THE MONEY IN THE WORLD Starring Mark Wahlberg and Michelle Williams to Close AFI FEST 2017
Director and producer Ridley Scott will be honored by AFI FEST 2017 with a Tribute and World Premiere Closing Night Gala screening of his latest film All the Money in the World on Thursday, November 16, at the historic TCL Chinese Theatre. The Tribute will celebrate Scott’s legendary filmmaking career with a moderated discussion of his work followed by the World Premiere screening. Directed by Scott, All the Money in the World stars Michelle Williams, Kevin Spacey, Mark Wahlberg, Romain Duris, Charlie Plummer and Timothy Hutton..
“For five decades, Ridley Scott’s tremendous visions of cities, new worlds, histories and science have transformed and influenced not only film, but our culture,” said Jacqueline Lyanga, AFI FEST Director. “We’re honored to be celebrating the artistry of a director whose work has had an indelible influence on cinema culture, and the lexicon of visual style.”
All the Money in the World follows the kidnapping of 16-year-old John Paul Getty III (Charlie Plummer) and the desperate attempt by his devoted mother Gail (Michelle Williams) to convince his billionaire grandfather (Kevin Spacey) to pay the ransom. When Getty, Sr., refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor (Mark Wahlberg) become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.
https://www.youtube.com/watch?v=6x62O8A8qHw
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62nd Cork Film Festival to Open with Irish Premiere of THE MAN WHO INVENTED CHRISTMAS
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The Man Who Invented Christmas[/caption]
Taking place across 10 days from November 10 to 19, 2017, this year’s 62nd Cork Film Festival, will screen more than 200 films, with the majority being Irish premieres.
Opening the 2017 Cork Film Festival is the Irish premiere of The Man Who Invented Christmas on Friday, November 10th. Downton Abbey’s Dan Stevens assumes the role of Charles Dickens in Bharat Nalluri’s film, a festive romp that recounts how Dickens’ iconic A Christmas Carol was created.
The Irish premiere of Alexander Payne’s science-fiction road movie Downsizing will close the Festival on Sunday November 19th. It stars Matt Damon and Kristen Wiig as a husband and wife who decide to shrink themselves to simplify their lives, though things don’t go to plan. Other highlights include Ruben Östlund’s The Square, which won the Palme d’Or at the Cannes Film Festival this year, and Documentary Gala, Promised Land, directed by Eugene Jurecki. The film looks at how America has changed since Elvis Presley died 40 years ago.
Celebrating the best of home-grown talent, some of the most celebrated Irish films of the year feature across the 10 days. The screening of Frank Berry’s acclaimed Michael Inside takes place on 16 November, telling the story of an 18-year-old living in Dublin who is sentenced to three months in prison after he is caught hiding drugs for his friend’s older brother. Following its successful screening at the Toronto Film Festival, the Irish premiere of gothic horror The Lodgers, takes place on November 12.
The Festival will present the world premiere screening of short films produced under the Bord Scannán na hÉireann/the Irish Film Board’s Focus Shorts and Real Shorts schemes. Over 50 Irish short films feature in the program, and for the first time, a selection will be invited to feature on the RTÉ Player post-Festival, as part of RTÉ’s principal media partnership. Shorts submissions, both nationally and internationally, exceeded 3,200 and the Cork Film Festival is the only Irish festival to have two awards with Academy Awards® accreditation. The winner of the Grand Prix Irish Short, presented by RTÉ Supporting the Arts, and the winner of the Grand Prix International Short, will automatically qualify for the Academy Awards® longlist.
Speaking ahead of the launch, Cork Film Festival Producer Fiona Clark said: “The 2017 program is a unique opportunity to see some of the best established and emerging talent working in film today.”
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Watch Bill Pullman in Western Homage THE BALLAD OF LEFTY BROWN Trailer
The official poster and trailer dropped for the Western homage The Ballad of Lefty Brown, directed by Jared Moshé, and starring Bill Pullman, Kathy Baker, Jim Caviezel, Joe Anderson, Diego Josef, Tommy Flanagan and Peter Fonda. The film opens in theaters on December 15th.
When cowboy Lefty Brown (Bill Pullman) witnesses the murder of his longtime partner – the newly-elected Senator Edward Johnson (Peter Fonda) – he strikes out to find the killers and avenge his friend’s gruesome death. Tracking the outlaws across the vast and desolate Montana plains, Lefty recruits a young gunslinger, Jeremiah (Diego Josef), and an old friend, a hard-drinking U.S. Marshall (Tommy Flanagan), to help deliver the men to justice.
After a gunfight with the outlaws leaves Jeremiah wounded, Lefty returns home with the names of Johnson’s killers only to find that he is being accused of his friend’s murder. With the tables turned, and with his friend in the governor’s mansion (Jim Caviezel) refusing to help, Lefty must evade the law and prove his innocence by exposing the powerful men ultimately responsible for Johnson’s death. A thrilling and action-packed Western, The Ballad of Lefty Brown is a story about loyalty, friendship, and the relentless pursuit of justice.
https://www.youtube.com/watch?v=Sv2khM97ylU
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LA Film Festival Moving to September in 2018
The LA Film Festival, previously held in June, will now take place in late September starting in 2018. Submissions for the 24th edition of the Festival will open January 1, 2018, exclusively on Withoutabox, as part of a new multi-year collaboration.
“The secret to dramatically changing something is to change it,” said Jennifer Cochis, LA Film Festival Director. “My passion for this Festival is unwavering and the time for an evolution has come. Film Independent is so proud of the work we’ve done in showcasing new American and international cinema that embraces diversity, innovation and unique perspectives, but the fact is that summer is a challenging time for artist driven films, and fall is where we clearly belong. This shift in our dates is an important step in enacting my aim to further develop the LA Film Festival, I sincerely look forward to better serving filmmakers, film lovers, the city and the industry in the fall of 2018 and beyond.”
“We are proud to be the home of the LA Film Festival. The festival has been a staple for filmmakers and cinephiles in Los Angeles,” said Gretchen McCourt, Executive Vice President at ArcLight Cinemas. “LA is an entertainment mecca and has been home to ArcLight for over 15 years. It is partnerships like this that continue to make our programming unique. We couldn’t be more thrilled to be with them on this journey.”
“Great festivals need great partners, and we couldn’t be happier to be entering a multi-year collaboration with ArcLight Cinema and Withoutabox,” said Film Independent President Josh Welsh. “LA audiences know and love the ArcLight experience, and as our submissions continue to grow, Withoutabox is the ideal service for us to accept and evaluate submissions from filmmakers all over the world.”

The nominations for the 27th Annual IFP Gotham Awards are out, and Jordan Peele’s Get Out lead with four nods including Best Feature, Breakthrough Director and Screenplay and Best Actor for Daniel Kaluuya. Next up with three nominations each were