• Benicio Del Toro to Receive the Honorary Heart of Sarajevo Award at 21st Sarajevo Film Festival

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    Benicio Del Toro A Perfect Day Academy Award®-winning actor Benicio Del Toro will receive the Honorary Heart of Sarajevo Award for his extraordinary contribution to the art of film at the 21st Sarajevo Film Festival. Previous recipients of the festival’s most prestigious award include among others Angelina Jolie, Gael Garcia Bernal, Steve Buscemi and acclaimed international award-winning directors Jafar Panahi, Mike Leigh, Béla Tarr and Danis Tanovic.  The Heart of Sarajevo Award was designed by French designer and filmmaker, Agnès B, who is also a patron of the festival. Del Toro will present Fernando León de Aranoa’s drama “A Perfect Day”, in which he has a starring role, and which recently premiered in Directors’ Fortnight at the 68th Cannes Film Festival. The film will be screened as a part of the Open Air Program, the festival’s largest screening venue, where Del Toro will also receive the Honorary Heart of Sarajevo in front of an audience of 3,000 film enthusiasts. The acclaimed actor will also hold a master class for the participants of Talents Sarajevo, a networking and training platform for emerging film professionals from Southeast Europe and Southern Caucasus. Since it was founded in 2007, Talents Sarajevo has become the regional hub for meeting and training of aspiring film professionals. Throughout his career, Del Toro has earned critical accolades including winning an Academy Award® for Best Supporting Actor for his role in Steven Soderbergh’s “Traffic” and an Oscar® nomination for his work in Alejandro Gonzales Inarritu’s “21 Grams.”  Re-teaming with Soderbergh to star in “Che”, the biography of Che Guevera, Del Toro’s performance won him the Best Actor award at Cannes in 2008 and again the following year at the Goya Awards in Madrid, Spain. Del Toro made his motion picture debut in John Glen’s “License to Kill” opposite Timothy Dalton’s James Bond and has earned critical acclaim for his performances ever since.  In addition to winning a Best Supporting Oscar® for “Traffic,” he has also garnered a Golden Globe, a Screen Actors Guild Award, BAFTA Awards, Berlin International Film Festival’s Silver Bear Award as well as recognition from the New York Film Critics Circle, the National Society of Film Critics, and the Chicago Film Critics Association. Loved by audiences and critics alike, Del Toro has worked with such directors as Paul Thomas Anderson, Oliver Stone, Robert Rodriquez, Peter Weir, George Huang, Abel Ferrara, Guy Ritchie, Sean Penn, Susanne Bier, Terry Gilliam. Del Toro can next be seen starring in Denis Villeneuve’s “Sicario” opposite Emily Blunt and Josh Brolin, which is scheduled for a September 18th, 2015 release by Lionsgate in the U.S. https://www.youtube.com/watch?v=eQfqygkNMqE

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  • Un otoño sin Berlín (An Autumn Without Berlin) to World Premiere at Basque Film Gala at 2015 San Sebastian International Film Festival

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    Un otoño sin Berlín (An Autumn without Berlin) directed by Lara Izagirre Un otoño sin Berlín (An Autumn without Berlin) directed by Lara Izagirre will have its premiere at the 2015 San Sebastian International Film Festival, in the Basque Film Gala on September 21st in the Victoria Eugenia Theatre. Un otoño sin Berlín is programmed as part of the Festival’s Zinemira section and competes for the Irizar Basque Film Award, which goes to the best Basque film presented as a world premiere. The film stars Irene Escolar, Tamar Novas, Ramón Barea and Lier Quesada. It tells the story of June, a young girl who comes back the town of her birth by surprise after spending time abroad. The return home will be painful: her family and her first love, Diego, have changed. She too has changed, and repairing the broken ties won’t be easy. But just like the autumn wind, June will take the place by storm. Un otoño sin Berlín is the feature film debut of Lara Izagirre (Amorebieta, 1985). A graduate in Audiovisual Communication from the University of the Basque Country, she continued her film studies at the New York Film School. In Barcelona, she completed her master’s degree in screenwriting at the Escuela Superior de Cine y Audiovisuales de Cataluña (ESCAC). It was there that she started writing the screenplay of Un otoño sin Berlín, for which she received a grant from the Basque Government for its development. In 2010 she founded the production company Gariza Produkzioak, with which she produced and directed several shorts: Bicycle Poem(2010), KEA (2011), Next Stop Greenland (2012) and Larroxa (2013). Her short film Sormenaren Bide Ezkutuak(2013) was premiered as part of the Culinary Zinema section at the 61st edition of the San Sebastian Festival.

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  • ONCE IN A LIFETIME (LES HÉRITIERS) Wins Audience Award at 2015 Wave Film Festival | TRAILER

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    ONCE IN A LIFETIME (LES HÉRITIERS), Marie-Castille Mention Schaar

    ONCE IN A LIFETIME (LES HÉRITIERS), Marie-Castille Mention Schaar’s emotional drama about an inner city high school teacher who enrolls her students in a competition around what it meant to be a teen in a Nazi concentration camp, took home the audience award in the third annual “Wave Film Festival”.

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  • Watch TRAILER for Alex Ross Perry’s QUEEN OF EARTH, in Theaters on August 26th

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    QUEEN OF EARTH IFC Films has released a trailer for Alex Ross Perry’s QUEEN OF EARTH, starring Elisabeth Moss and Katherine Waterston, set to be released on August 26th in New York with a national rollout to follow. Catherine (Elisabeth Moss) has entered a particularly dark period in her life: her father, a famous artist whose affairs she managed, has recently died, and on the heels of his death she’s dumped by her boyfriend James (Kentucker Audley). Looking to recuperate, Catherine heads out to her best friend Virginia’s (Katherine Waterston) lake house for some much needed relaxation. However, once Catherine arrives relaxation proves impossible to find, as she is overcome with memories of time spent at the same house with James the year before. As Catherine reaches out to Virginia with attempts at connection, Virginia begins spending increasing amounts of time with a local love interest, Rich (Patrick Fugit), and fissures in the relationship between the two women begin to appear, sending Catherine into a downward spiral of delusion and madness. A bracing, eerie look at the deep bonds of friendship and the horrific effects of such bonds being frayed, Queen of Earth is a thrilling examination of a deeply complex relationship between two miserable women. https://www.youtube.com/watch?v=AU3a8oniq2s

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  • 36th Durban International Film Festival Awards; SUNRISE Wins Best Film

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     Sunrise directed by Partho Sen-Gupta The 36th Durban International Film Festival announced the award-winners at the closing ceremony, prior to the screening of the closing film, The Prophet directed by Roger Allers.  The award for the Best Feature Film, went to Sunrise directed by Partho Sen-Gupta. The film was described by the jury as “an uncompromising, brilliantly-crafted film that takes us through a fragmented mind, into a shady world allowing us to enter the reality of Mumbai’s underbelly”. (pictured above) Necktie Youth directed by Sibs Shongwe-La Mer The award for Best South African Feature Film went to Necktie Youth directed by Sibs Shongwe-La Mer, described by the jury as “a film desperate to reconcile the seemingly disparate realities of its country, and whose urgent questions about South African life are posed with such mischievous energy that they cannot help provoke debate, itself one of the most important responsibilities of cinema.” (pictured above) Shongwe La-Mer also won the award for Best Direction, for Necktie Youth, “for displaying a unique, contemporary voice weaving together poetic images and a striking view of South African youth with a boldness seldom seen in South African cinema.” The Best Documentary and Best SA Documentary awards went toBeats of the Antonov directed by Hajooj Kuka and The Dream of the Shahrazad directed by Francois Verster, respectively. The jury awarded Beats of the Antonov “for its story, characters, relevance and visual interpretation,” and for a “story told with grace, while honouring the integrity of the people who gave them access as well as the subject matter.” The Dream of the Shahrazad The Dream of the Shahrazad was awarded for the way in which “the filmmakers pushed themselves beyond their comfort zone, taking mythology and bringing it into the centre of modernity,” and for being “an ambitious film..(that) addresses life post revolution and what is left after heartbreak.” (pictured above) FEVERS Didier Michon for his charismatic and captivating performance in Fevers directed by Hicham Ayouch received the Best Actor Award. (pictured above) The award for Best Actress went to Anissa Daoud for her portrayal of a determined activist who takes a stand, in an important film Tunisian Spring directed by Raja Amari. The Aftermath of the Inauguration of the Public Toilet at Kilometre 375 directed by Omar el Zohairy Best African Short Film award went to The Aftermath of the Inauguration of the Public Toilet at Kilometre 375 directed by Omar el Zohairy. The jury described this as an “exceptional film explores and pushes new avenues in political satire and the cinema.” (pictured above) Unomalanga and The Witch directed by Palesa Shongwe, and cited by the jury as “a gentle and unexpected film (that) sheds light on the subtleties of relationships between women”, won the Best South African Short Film award. Rights of Passage   A new award, the Production Merit Award goes to Rights of Passage directed by Ntombizodwa Magagula, Mapula Sibanda, Lerato Moloi, Valencia Joshua, Zandile Angeline Wardle, Tony Miyambo, Rethabile Mothobi, Yashvir Bagwandeen. (pictured above) Sabrina Compeyron and David Constantin, won the Best Screenplay Award for “craftily tracking the age-old struggle between capital and labour spanning the end of industry and the disenfranchisement of a society” in Sugar Cane Shadows directed by David Constantin. Jean-Marc Ferriere, took the honours for Best Cinematography “for creating a distinctive, atmospheric, highly-crafted and visually dynamic world depicted almost entirely in the dark”, in Sunrise directed by Partho Sen-Gupta. Special Mention for Direction was made of Kivu Ruhorahoza for Things Of The Aimless Wanderer, “for a courageous and single-minded attempt by a director harnessing all means at his disposal to tell a personal, intricate and political story.” Raja Amari’s Tunisian Spring (Printemps Tunisien) A Special Mention for Best Film was given to Tunisian Spring by Raja Amari, “for it’s powerful depiction of an event that has, and continues to have, resonance in the world.” (pictured above) Democrats, directed by Camilla Nielsson Democrats directed by Camilla Nielsson, got a Special Mention for a Documentary,which is “commended for putting a human face on a story that is complex and sometimes almost opaque.” (pictured above) Ryley Grunenwald The Shore Break The Amnesty International Durban Human Rights Award for the film that best reflects human rights issues went to The Shore Break, directed by Ryley Grunenwald. The jury citation reads “The film powerfully portrays a struggle within a local community regarding foreign mining rights in a pristine environment…(and) concisely and movingly uncovers this complex and urgent matter, which is still under investigation and in need of public support.” (pictured above) The DIFF Audience Award also went to The Shore Break directed by Ryley Grunenwald. A further Amnesty International Durban Human Rights Honorary Award was given to The Look of Silence directed by Joshua Oppenheimer, a film that “bravely uncovers the genocide in Indonesia in the 1960’s.” Beats of the Antonov Arterial Network’s Artwatch Africa Award, for an African film that meaningfully engages with the issues of freedom of expression, went to Beats of the Antonov, directed by Hajooj Kuka. The jury citation said  “This compelling film shows how the power of music, dancing and culture sustains the displaced people living in the remote war-ravaged areas of Southern Sudan.” (pictured above)

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  • Relationship Drama 6 YEARS, Directed by Hannah Fidell go for Release Date of August 18th | TRAILER

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    6 YEARS, directed by Hannah Fidell The relationship drama 6 YEARS, directed by Hannah Fidell and starring Taissa Farmiga, Ben Rosenfield, Lindsay Burdge, Joshua Leonard, Jennifer Lafleur, which premiered at 2015 SXSW Film Festival, will be released on iTunes and digital platforms on August 18th and on Netflix on September 8th. A young couple in their early 20s, Dan and Melanie, have known each other since childhood.  Now their 6-year romantic relationship is put to the test when Dan receives an attractive job offer from the record label with whom he interns, and he must choose between a move forward and a future with Mel.  Growth and temptation happen – but will their relationship remain part of their future? Writer/director Hannah Fidell explores the struggles of young love as it begins to face the next steps into adulthood.  Taissa Farmiga and Ben Rosenfield give warm, genuine performances as Mel and Dan, alongside Lindsay Burdge (star of Fidell’s A Teacher) as a colleague of Dan’s who entices him in more ways than one. https://www.youtube.com/watch?v=lH2UscNnO6Y

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  • Indie Comedy GUIDANCE Directed by Pat Mills Sets Release Date of August 21 | TRAILER

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    Guidance Pat Mills GUIDANCE, a comedy film about the downward spiral of a man who has no limits, will open theatrically in New York on Friday, August 21 at The Village East Cinema with a national release to follow. GUIDANCE is the first feature for writer/director Pat Mills, a child actor on the hit kids show “You Can’t Do That On Television”, and stars Pat Mills, Zahra Bentham, Tracey Hoyt, Kevin Hanchard, Alex Ozerov, Eleanor Zichy. David Gold, 36, a pathologically immature former child actor, has never been able to get over high school. Recently diagnosed with skin cancer, unemployed and with nothing left to lose, he fakes his resume and gets a job as a high school guidance counselor. Quickly winning over the students at Grusin High with his laidback attitude and similar interests, he befriends Jabrielle, a teenaged outcast and soon learns that sometimes you can go too far, especially when it comes to committing a ridiculous crime. https://www.youtube.com/watch?v=dLm0d_3uj4I

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  • Pakistani Film, DUKHTAR (Daughter), Sets U.S. October Release Date | TRAILER

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    DUKHTAR (Daughter) DUKHTAR (Daughter), a film written, produced and directed by Afia Nathaniel, and Pakistan’s Official Submission for Foreign Language Film at the 87th Academy Awards, will open in New York at Cinema Village on October 9, and in Los Angeles at the Laemmle Music Hall on October 16. The opening weekend of DUKHTAR in New York will coincide with the International Day of the Girl Child and will feature special Q+As after the screenings. A national release will follow. DUKHTAR premiered at the 2014 Toronto International Film Festival and went on to screen at numerous international film festivals including Busan, Sao Paulo, London, Stockholm, Dubai and Palm Springs, winning several awards along the way including “Best Director” and Audience Award for “Best Feature Film” at South Asian International Film Festival, Jury Award “Best World Feature” at Sonoma International Film Festival and Audience Award “Best Feature Film” at Créteil International Women’s Film Festival. In a village in Pakistan, a young mother Allah Rakhi (Samiya Mumtaz) kidnaps her ten-year old daughter Zainab (Saleha Aref) to save her from a child marriage. Pursued by her husband’s family and the groom’s henchmen, they escape onto the open mountainous highway where seeking help Allah Rakhi convinces a reluctant Sohail, (Mohib Mirza) a cynical ex-Mujahid truck driver, to take them on-board. Described by Variety as “Crisp Grandeur”, the film unfolds against the surreal landscapes of northern mountainous Pakistan all the way to the vibrant city of Lahore as the deadly hunt for mother and daughter intensifies. Shot in 30 days in below freezing conditions mostly in the disputed territory between Pakistan and India with more than 200 extras, and chase scenes filmed on the world’s highest altitude roads, helmed by a first-time female director-producer with an all-male crew of 40 men, this feminist road-trip movie has created history in the fledgling independent film industry of Pakistan. Director Afia Nathaniel says, “The seed of the film is inspired by the true story of a mother from the tribal areas of Pakistan who kidnaps her two daughters and seeks a new future for them. The story resonated with me deeply because in Pakistan, I come from a humble family of very strong women, women who have endured extremely tough lives in hope of a better one for their children. So while studying Film Directing at Columbia University in New York, I penned a fictional screenplay for this road-trip thriller. The mother’s journey into the unknown would raise important questions about the price we are willing to pay for freedom, dignity and love in a time when modernity, tradition and fundamentalism have come to a head. In the ten years that it took me to make this film, I became a mother to a daughter myself and the issue of child marriage became even more personal. Every year, around the world, nearly 15 million girls lose their childhood to marriage and for me this is an unacceptable reality. And so the determination to make the film and have it seen by audiences never left me.” https://www.youtube.com/watch?v=Zo5xat8WLjU

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  • Watch TRAILER for MISSISSIPPI GRIND starring Ryan Reynolds & Ben Mendelsohn

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    MISSISSIPPI GRIND starring Ryan Reynolds A24 has released the trailer for MISSISSIPPI GRIND starring Ryan Reynolds, Ben Mendelsohn, Sienna Miller, Analeigh Tipton, Robin Weigert and Alfre Woodard.  MISSISSIPPI GRIND opens in theaters September 25, 2015, and available on DirecTV August 13, 2015. In this lively, freewheeling road movie, Emmy Award nominee Ben Mendelsohn plays Gerry, a talented but down-on-his-luck gambler whose fortunes begins to change when he meets Curtis (Ryan Reynolds), a younger, highly charismatic poker player.  The two strike up an immediate friendship and Gerry quickly persuades his new friend to accompany him on a road trip to a legendary high stakes poker game in New Orleans. As they make their way down the Mississippi River, Gerry and Curtis manage to find themselves in just about every bar, racetrack, casino, and pool hall they can find, experiencing both incredible highs and dispiriting lows, but ultimately forging a deep and genuine bond that will stay with them long after their adventure is over. Reminiscent of classic 1970s American Cinema, Mississippi Grind is an unforgettable journey featuring two characters who—flawed as they may be—are always worth rooting for.  It’s a film about friendship, addiction, regret, family, and the paths we sometimes unexpectedly find ourselves on—told with empathy, humor, and a remarkable light touch by acclaimed filmmakers Ryan Fleck and Anna Boden (Half Nelson, It’s Kind of A Funny Story). https://www.youtube.com/watch?v=7p1MNB6TNQU Mississippi Grind also stars Sienna Miller, Analeigh Tipton, Robin Weigert, and Alfre Woodard. It is produced by Jamie Patricof and Lynette Howell, who previously worked with Fleck and Boden on Half Nelson, and also produced The Place Beyond the Pines and Blue Valentine.

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  • World Premiere of Don Cheadle’s MILES AHEAD to Close 53rd New York Film Festival

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    Miles Ahead, Don Cheadle Don Cheadle’s directorial debut Miles Ahead will make its World Premiere as the Closing Night selection of the upcoming 53rd New York Film Festival taking place September 25 to October 11, 2016. Cheadle, who co-wrote the script, stars as the legendary musician opposite Emayatzy Corinealdi and Ewan McGregor. New York Film Festival Director and Selection Committee Chair Kent Jones said: “I admire Don’s film because of all the intelligent decisions he’s made about how to deal with Miles, but I was moved—deeply moved—by Miles Ahead for other reasons. Don knows, as an actor, a writer, a director, and a lover of Miles’ music, that intelligent decisions and well-planned strategies only get you so far, that finally it’s your own commitment and attention to every moment and every detail that brings a movie to life. ‘There is no longer much else but ourselves, in the place given us,’ wrote the poet Robert Creeley. ‘To make that present, and actual … is not an embarrassment, but love.’ That’s the core of art. Miles Davis knew it, and Don Cheadle knows it.” Don Cheadle added: “I am happy that the selection committee saw fit to invite us to the dance. It’s very gratifying that all the hard work that went into the making of this film, from every person on the team, has brought us here. Miles’ music is all-encompassing, forward-leaning, and expansive. He changed the game time after time, and New York is really where it all took off for him. Alice Tully Hall, Lincoln Center… feels very ‘right place, right time.’ Very exciting.” Miles Davis was one of the greatest artists of the 20th century. And how do you make a movie about him? You get to know the man inside and out and then you reveal him in full, which is exactly what Don Cheadle does as a director, a writer, and an actor with this remarkable portrait of Davis, refracted through his crazy days in the late-70s. Holed up in his Manhattan apartment, wracked with pain from a variety of ailments and fiending for the next check from his record company, dodging sycophants and industry executives, he is haunted by memories of old glories and humiliations and of his years with his great love Frances Taylor (Emayatzy Corinealdi). Every second of Cheadle’s cinematic mosaic is passionately engaged with its subject: this is, truly, one of the finest films ever made about the life of an artist. With Ewan McGregor as Dave Brill, the “reporter” who cons his way into Miles’ apartment. The film was produced by Don Cheadle, Pamela Hirsch, Lenore Zerman. Along with Daniel Wagner, Robert Barnum, Vince Willburn and Daryl Porter. NYFF previously announced Robert Zemeckis’s The Walk as the Opening Night selection and Luminous Intimacy: The Cinema of Nathaniel Dorsky and Jerome Hiler, the first-ever complete dual retrospective of the experimental filmmakers.

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  • Watch Official Trailer for HE NAMED ME MALALA Documentary

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    documentary, HE NAMED ME MALALA Here is the official trailer for the documentary, HE NAMED ME MALALA, an intimate portrait of Nobel Peace Prize Laureate Malala Yousafzai, who was targeted by the Taliban and severely wounded.  HE NAMED ME MALALA opens in select theaters on October 2, 2015. HE NAMED ME MALALA is an intimate portrait of Nobel Peace Prize Laureate Malala Yousafzai, who was targeted by the Taliban and severely wounded by a gunshot when returning home on her school bus in Pakistan’s Swat Valley.  The then 15-year-old (she turns 18 this July) was singled out, along with her father, for advocating for girls’ education, and the attack on her sparked an outcry from supporters around the world. She miraculously survived and is now a leading campaigner for girls’ education globally as co-founder of the Malala Fund. Acclaimed documentary filmmaker Davis Guggenheim (An Inconvenient Truth, Waiting for Superman) shows us how Malala, her father Zia and her family are committed to fighting for education for all girls worldwide. The film gives us an inside glimpse into this extraordinary young girl’s life – from her close relationship with her father who inspired her love for education, to her impassioned speeches at the UN, to her everyday life with her parents and brothers. “One child, one teacher, one book and one pen can change the world.” – Malala https://www.youtube.com/watch?v=jtROMdwltJE

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  • Free Jazz documentary FIRE MUSIC launches Kickstarter Campaign

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    FIRE MUSIC documentary Documentary FIRE MUSIC launches KICKSTARTER Campaign to shine a light on the Free Jazz revolution, described as the most radical musical movement of all time. FIRE MUSIC is a feature length documentary currently in production, which tells the definitive history of the Free Jazz revolution. Directed by Tom Surgal, produced by Dan Braun, and executive produced by Thurston Moore and Nels Cline, the film seeks to tell the story of an irrepressible art form that has inspired generations of fans the world over. FIRE MUSIC will launch a KICKSTARTER Campaign today to complete the documentary and bring the project to film festivals and theaters for fans across the globe to enjoy. Commenting on the project, Executive Producer Thurston Moore stated: “Free Jazz is liberation, is the excitement of the new and now….. It is with respect, passion and knowledge that Tom Surgal captures the significance of this self proclaimed “Fire Music.” His work, like its subject, shines for the collective call of beauty and unity.” FIRE MUSIC seeks to preserve this vital history and the music of a criminally ignored art form that has gone cinematically undocumented for far too long. Free Jazz is one of the original outsider art forms that broke all the rules. Spearheaded by legendary mavericks like John Coltrane, Ornette Coleman and Cecil Taylor, it is the cultural precursor to all the other musical protest scenes that followed, such as Punk, Hardcore and Hip Hop. It gave voice to a disenfranchised generation galvanized by the burgeoning civil rights and anti-war movements. In the late 1950s, when the Abstract Expressionists took the art world by storm and The Beats forever changed the face of literature, a new radical form of Jazz erupted from New York’s Lower East Side. This new music was a far cry from the toe-tapping, post Bebop sound of the Jazz mainstream popular in the day. This was an angry form of Jazz that mirrored the more turbulent times in which it was being played. The coming together of these like-minded artists, iconic figures such as Albert Ayler, Sun Ra, Eric Dolphy and Pharoah Sanders, was a historic occasion. Like the Dadaists, the Lost Generation and the Italian Neo-Realists before them, the early progenitors of the Free Jazz scene were initially met with skepticism and outright disdain. They were accused of being anti-Jazz and the music they played was dismissed as being pure noise. Undeterred by their critics, they would soldier on in relative obscurity and in the process create one of the most influential bodies of work of the contemporary age. Interviews, archival footage, and live performances combine to depict the sights and sounds of some of the most influential artists of the period including: Sam Rivers, Wadada Leo Smith, Oliver Lake, John Tchicai, Roswell Rudd, Noah Howard, Dave Burrell, Marshall Allen, Prince Lasha, Sonny Simmons, Bobby Bradford, Sirone, Rashied Ali, Gato Barbieri, Evan Parker, Gunter Hampel, Han Bennink, Peter Brotzmann, Barry Guy, Paul Lytton, Keith Rowe, Gunter Baby Sommer, Trevor Watts,Tristan Honsinger, Joseph Jarman, and renowned Jazz historian and six time Grammy winner Gary Giddins. Live, never before seen concert footage includes performances by: Peter Brotzman, Han Bennink, Gunter Baby Sommer, Urlich Gumpert, Dave Burrell, Paul Lytton, Ken Vandemark, Evan Parker, Gunter Hampel and Marshell Allen. FIRE MUSIC is led by writer/ director Tom Surgal who is known for directing a series of groundbreaking music videos for leading alternative bands like Sonic Youth, Pavement and the Blues Explosion. Tom was a teenage protégé of Brian DePalma and has worked in a wide range of film production jobs, including production design, casting and writing. Tom is also a working musician who performs regularly with Nels Cline (Wilco), Thurston Moore (Sonic Youth), Jim O’Rourke and Mike Watt (Minutemen, The Stooges) and is co-leader of the improvisational ensemble White Out. He is also a curator who has programmed a number of celebrated music series at various downtown New York venues, including an entire month of shows at John Zorn’s hallowed performance space The Stone. Tom is also recognized as a leading authority on Avant-garde Jazz and boasts one the world’s largest collections of Free Jazz recordings. Dan Braun, co-president of one of the top documentary production and sales companies, Submarine Entertainment, produces the project. Dan recently produced Peggy Guggenheim: Art Addict which debuted at the Tribeca Film Festival and executive produced the award-winning documentary “Kill Your Idols” and the No Wave documentary “Blank City. Dan is also an Executive Producer on the recently released base-jumping documentary “Sunshine Superman.” Dan’s company, Submarine Entertainment has represented and sold the Oscar winning documentaries “Searching for Sugar Man,” “20 Ft from Stardom,” “Man on Wire” and “The Cove.” Other films in the companies portfolio include “NAS Time is Illmatic,” “Muscle Shoals,” “Tales of the Grim Sleeper,” “Citizenfour,” “Keep on Keepin On,” “The Great Invisible,” “Blackfish,” “Cutie and the Boxer,” “Winter’s Bone,” “Bill Cunningham NY,” “Tiny Furniture,” “Queen of Versailles,” “Chasing Ice,” “Big Star: Nothing Can Hurt Me,” “Super Size Me” and many more. Executive producers are musicians Thurston Moore (Sonic Youth) and Nels Cline (Wilco). ranked respectively #99 and # 82 on Rolling Stone’ s rating of “100 Greatest Guitarists of All Time”.

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