The Telluride Film Festival today unveiled the 2017 poster designed by artist and graphic designer Lance Rutter. Telluride Film Festival’s prestigious annual gathering for film industry insiders, cinema enthusiasts, filmmakers and critics takes place every Labor Day weekend in the picturesque town of Telluride, Colorado. The 44th edition of TFF will run September 1-4, 2017.
Lance Rutter has spent the last 30+ years of his career devoted to graphic design, working on projects in his Chicago design studio, teaching design at the School of the Art Institute of Chicago, serving on the national board of the AIGA, and presiding over the 2008 and 2010 Chicago International Poster Biennials, among other public design advocacy initiatives. Rutter’s own posters have been a part of international exhibitions in the U.S., France, Poland, Mexico, Japan, Hungary, China, the Slovak Republic, Bolivia, Russia, and Iran. He is currently the VP of Design for Quantifind, a tech start-up in Silicon Valley, where he is responsible for everything from the company’s branding and office space design to the design of their data analytics software.
“I don’t think it’s possible to overstate how thrilled I was to be asked to create a poster for the 44th edition of the Telluride Film Festival,” said Rutter. “So many really wonderful artists have become part of this legacy, and it’s an honor to now be associated with them. After speaking with several people who have a deep love of—and long association with—Telluride, I believe there is something uniquely magical that happens there every year. While the foundation of Telluride has rightfully been a celebration of film, the Festival itself is more about the coming together of the lovers of film. From creators to admirers, it is about the people who fill, and then transform the place. The collegial atmosphere, the “realness” and accessibility of the people, their joy and warmth… those are the things that enchant Telluride—and what I hoped to express in the poster.”
“Lance’s design for this year’s poster is simply stunning,” said Telluride Film Festival executive director Julie Huntsinger. “Working with him has been a delight from start to finish. Lance is a true artist, and a true professional.”
Rutter joins a prestigious list of artists who have shared their talents with Telluride Film Festival. Past poster artists include Yann Legendre, Laurent Durieux, Christian Marclay, Dean Tavoularis, Ed Ruscha, John Mansfield, Julian Schnabel, Dottie Attie, Doug and Mike Starn, David Lance Goines, Chuck Jones, David Salle, Alexis Smith, Jim Dine, Seymour Chwast, Frederic Amat, Francesco Clemente, Dave McKean, Gary Larson, Chip Kidd, John Canemaker, Mark Stock, Laurie Anderson, William Wegman, Ralph Eggleston, Maira Kalman and Dave Eggers.-
Telluride Film Festival Unveils 2017 Poster Designed by Lance Rutter
The Telluride Film Festival today unveiled the 2017 poster designed by artist and graphic designer Lance Rutter. Telluride Film Festival’s prestigious annual gathering for film industry insiders, cinema enthusiasts, filmmakers and critics takes place every Labor Day weekend in the picturesque town of Telluride, Colorado. The 44th edition of TFF will run September 1-4, 2017.
Lance Rutter has spent the last 30+ years of his career devoted to graphic design, working on projects in his Chicago design studio, teaching design at the School of the Art Institute of Chicago, serving on the national board of the AIGA, and presiding over the 2008 and 2010 Chicago International Poster Biennials, among other public design advocacy initiatives. Rutter’s own posters have been a part of international exhibitions in the U.S., France, Poland, Mexico, Japan, Hungary, China, the Slovak Republic, Bolivia, Russia, and Iran. He is currently the VP of Design for Quantifind, a tech start-up in Silicon Valley, where he is responsible for everything from the company’s branding and office space design to the design of their data analytics software.
“I don’t think it’s possible to overstate how thrilled I was to be asked to create a poster for the 44th edition of the Telluride Film Festival,” said Rutter. “So many really wonderful artists have become part of this legacy, and it’s an honor to now be associated with them. After speaking with several people who have a deep love of—and long association with—Telluride, I believe there is something uniquely magical that happens there every year. While the foundation of Telluride has rightfully been a celebration of film, the Festival itself is more about the coming together of the lovers of film. From creators to admirers, it is about the people who fill, and then transform the place. The collegial atmosphere, the “realness” and accessibility of the people, their joy and warmth… those are the things that enchant Telluride—and what I hoped to express in the poster.”
“Lance’s design for this year’s poster is simply stunning,” said Telluride Film Festival executive director Julie Huntsinger. “Working with him has been a delight from start to finish. Lance is a true artist, and a true professional.”
Rutter joins a prestigious list of artists who have shared their talents with Telluride Film Festival. Past poster artists include Yann Legendre, Laurent Durieux, Christian Marclay, Dean Tavoularis, Ed Ruscha, John Mansfield, Julian Schnabel, Dottie Attie, Doug and Mike Starn, David Lance Goines, Chuck Jones, David Salle, Alexis Smith, Jim Dine, Seymour Chwast, Frederic Amat, Francesco Clemente, Dave McKean, Gary Larson, Chip Kidd, John Canemaker, Mark Stock, Laurie Anderson, William Wegman, Ralph Eggleston, Maira Kalman and Dave Eggers.
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TRUE TO THE GAME Starring Late Nelsan Ellis, Vivica Fox, Columbus Short Sets Release Date | Trailer + Poster
True To The Game, an adaptation of Teri Woods’ fan favorite and NY Times best-selling novel of the same name, and starring the late Nelsan Ellis, will debut in theaters nationwide on September 8, 2017.
Featuring an all star cast including Vivica Fox, Columbus Short, Andra Fuller, Draya Michele, Nafeesa Williams, newcomer Erica Peeples and the late Nelsan Ellis, True To The Game chronicles the love story of a charismatic drug lord, Quadir (Columbus Short) and Gena, a young woman from the projects of Philadelphia. Set in the 1980s in Harlem, NY, this exciting story comes to life as it shows their journey of love while navigating the nuances of the drug game, and their movement towards positivity when tragedy strikes.
“I am humbled and honored to have partnered with Manny Halley and Imani Motion Pictures to bring the True To The Game vision to life. As my fans have been anticipating this release for years, I am anxious for the loyal readers to view this adaptation on the big screen,” says Teri Woods, Author of True To The Game.
“As a fan of Teri Woods and her creative contributions to depict the reality of urban life, I am excited to have acquired the rights and bring her vision to life. True To The Game is a favorite because it highlights everything that all people want: financial prosperity, love and happiness. However, it also shows that there is a heavy price associated with those things in the street life. The film will highlight the impact of consequences of self motivated actions that that alter the lives of many,” says Manny Halley, CEO of Imani Motion Pictures.
https://www.youtube.com/watch?v=9JV5dTITBxY
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SPIELBERG, New Documentary on Famous Director to Debut on HBO
Steven Spielberg, one of the most famous filmmakers in the world, will be the subject of a new documentary SPIELBERG that will debut exclusively on HBO on Saturday, October 7, 2017. Directed and produced by award-winning documentarian Susan Lacy, the feature-length documentary examines Spielberg’s filmography in depth, revealing how his experiences fed his work and changed it over time.
Steven Spielberg has built an unrivaled catalogue of groundbreaking films over the course of his nearly 50-year career. Charting the evolution of this iconic figure, Lacy draws on nearly 30 hours of exclusive interviews with the director, who opens up about his bittersweet childhood and lifelong obsession with moviemaking, his precocious early work as a TV “wunderkind,” his rise to fame through an incredible string of blockbusters, his later forays into more serious dramatic films, and the personal and professional relationships he’s cultivated through the years.
SPIELBERG also includes insights from members of Spielberg’s family, as well as friends and colleagues, plus clips and behind-the-scenes footage from many of his milestone films, including “Jaws,” “Raiders of the Lost Arc,” “ET: The Extra-Terrestrial,” “Jurassic Park,” “Schindler’s List,” “Saving Private Ryan,” “Bridge of Spies” and many more.
Lacy interviewed more than 80 subjects for the film, ranging from A-list celebrities, to directors and producers, to industry insiders, including J.J. Abrams, Christian Bale, Drew Barrymore, Cate Blanchett, Francis Ford Coppola, Daniel Craig, Daniel Day-Lewis, Brian de Palma, Laura Dern, Leonardo DiCaprio, Richard Dreyfuss, Ralph Fiennes, Harrison Ford, David Geffen, Tom Hanks, Dustin Hoffman, Holly Hunter, Jeffrey Katzenberg, Ben Kingsley, Kathleen Kennedy, George Lucas, Liam Neeson, Martin Scorsese, Oprah Winfrey and Robert Zemeckis.
The result is a remarkably intimate portrait that combines Spielberg’s compelling first-person narrative with an in-depth exploration of the creative process and craftsmanship that have set him apart, highlighting themes such as separation, reconciliation, patriotism, humanity and wonder, which recur throughout his work.
Susan Lacy is the creator and former executive producer of the celebrated WNET series “American Masters,” which is shown on PBS nationwide. She has won countless awards, including ten Primetime Emmys(R) for Outstanding Documentary Series and 12 Peabody Awards. As executive producer of “American Masters,” Lacy produced a library of 250 films exploring the lives of America’s most enduring cultural icons, from Charlie Chaplin to James Baldwin to Bob Dylan. She has also directed films on subjects as diverse as Leonard Bernstein, David Geffen, Joni Mitchell, Judy Garland, Paul Simon, Rod Serling and Lena Horne.
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French Actor Mathieu Kassovitz to Receive Locarno Festival’s 2017 Excellence Award
Mathieu Kassovitz will be honored with the Excellence Award Moët & Chandon at the Locarno 70 film festival. The French actor, filmmaker and screenwriter will be its guest on the Piazza Grande at the world premiere of Sparring by Samuel Jouy, on Saturday August 5.
The Excellence Award Moët & Chandon of the 70th Locarno Festival will be given to Mathieu Kassovitz, a unique figure within French and international cinema, a beloved and controversial director on the one hand and the interpreter of cult films on the other. He is known to the wider public thanks to his performance in the role of Nino Quincampoix together with Audrey Tautou in Le fabuleux destin d’Amélie Poulain (2001) by Jean-Pierre Jeunet.
Mathieu Kassovitz made his debut as an actor at the age of eleven in Au bout du bout du banc (1978), the starting point for a lifetime as an actor and for a career spent before and behind the camera. In 1993 the film Métisse, which he wrote, directed and acted in, garnered him two nominations at the Césars. In 1994 his performance in Jacques Audiard’s film Regarde les hommes tomber (1994) consecrated him due to a César for best male emerging talent. The talent and uniqueness of this actor and director are confirmed by his 1997 performance in Le cinquième élément by Luc Besson and in La haine in 1995 – the latter written and directed by him. It won the Palme in Cannes for best director – in it, he tailors a role for himself as a skinhead – it is of a chilling topicality, and a viral force, recounting a forgotten generation and an entire country through one single suburb. In the following years, Kassovitz continued his career between auteur cinema and mainstream cinema, collaborating with filmmakers of great depth such as Costa-Gavras (Amen, 2002), Steven Spielberg (Munich, 2005) and Michael Haneke (Happy End, 2017).
Carlo Chatrian, Artistic Director of the Locarno Festival: “Mathieu Kassovitz is one of the most talented actors of his generation. He is the heir of that great tradition of performers who manage to achieve credibility in the most diverse roles: in the shoes of a priest as much as in a Mossad agent’s. His all-rounded performance in the shoes of the boxer and father Steve Landry in Sparring, which shortly followed his acting in Happy End, is the umpteenth confirmation that Kassovitz is an actor who knows how to embody the differing souls of a people like few others can.”
Mathieu Kassovitz will receive the Excellence Award Moët & Chandon on the Piazza Grande on Saturday August 5, 2017. His tribute will be accompanied by the screening of a selection of films from his career.
Previous Excellence Award winners include Susan Sarandon, John Malkovich, Michel Piccoli, Isabelle Huppert, Gael García Bernal, Juliette Binoche, Giancarlo Giannini, Edward Norton, and Bill Pullman in 2016.
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Melbourne International Film Festival Unveils 2017 Lineup, Closes with Paul Williams’ GURRUMUL ELCHO DREAMING
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GURRUMUL ELCHO DREAMING[/caption]
The 2017 Melbourne International Film Festival (MIFF) unveiled its full program line-up of more than 358 films representing 68 countries, including 251 features, 88 shorts, 17 Virtual Reality experiences, 12 MIFF Talks events, 31 world premieres and 135 Australian premieres. It all happens over 18 days, spanning 13 venues across Melbourne, from August 3 to 20, 2017.
“What a pleasure it is to launch this year’s Melbourne International Film Festival,” said Artistic Director Michelle Carey. “This year’s program offers audiences an amazing opportunity to explore new worlds through film – from our Pioneering Women and Sally Potter retrospectives to the return of our Virtual Reality program as well as a particularly strong line-up of special events, we can’t wait to open the doors to MIFF 2017.”
The festival will kick off with the Opening Night Gala screening of Greg McLean’s MIFF Premiere Fund-supported JUNGLE, and will wind up with the world premiere Closing Night screening of Paul Williams’ GURRUMUL ELCHO DREAMING. A profound exploration of the life and music of revered Australian artist Geoffrey Gurrumul Yunupingu, the film uses the tools of the artist’s music – chord, melody, song – and the sounds of the land to craft an audio-first cinematic experience, offering a rare insight into a reclusive master.
Joining the MIFF guest line-up are Australia’s Melissa George, starring in the MIFF Premiere Fund-supported THE BUTTERFLY TREE; Italian director Luca Guadagnino with his acclaimed new film CALL ME BY YOUR NAME, a sensuous story of first love and the end of adolescence; and newcomer Jennifer Brea making her way to MIFF with UNREST, a feature documentary capturing her darkest moments as she is derailed by Chronic Fatigue Syndrome.
Further international guests include Peter Mackie Burns, the debut feature director of DAPHNE, a refreshing portrait of contemporary womanhood; Francis Lee, with his depiction of British rural life in GOD’S OWN COUNTRY; Slavko Martinov, the force behind the entertaining flockumentary PECKING ORDER; Gabe Klinger on behalf of PORTO, a film presented in Super 8, 16mm and breathtaking 35mm; director Sami Saif and cinematographer Anders Löfstedt with their music documentary THE ALLINS; Thai filmmaker Anocha Suwichakornpong, winner of the Top Prize at the 2016 Thai National Film Association Awards for her feature BY THE TIME IT GETS DARK; and Annie Goldson, director of KIM DOTCOM: CAUGHT IN THE WEB, a documentary about the court case surrounding the internet’s most wanted criminal. MIFF guests also include Daniel Borgman, director of LOVING PIA, a winsome tale blurring documentary and fiction; and Florian Habicht, director of SPOOKERS, a film focusing on a former psychiatric hospital that is now a haunted attraction.
Following last year’s success, VIRTUAL REALITY (VR) returns to MIFF in 2017. Leading the charge is the world premiere of Lucas Taylor’s INSIDE MANUS, taking the audience behind the razor wire to meet the asylum seekers on the Manus Island detention centre. Other VR world premieres include Lester Francois’ RONE, a distinctive portrait of the Melbourne street artist; Khoa Do and Piers Mussared’s THE EXTRACTION, a work imagining a perilous journey through the post apocalypse; and Christopher Bailey’s ACROSS, set in a world where two beings live in opposite cliffs – where one side is a paradise and the other a wasteland.
The VR program continues with Jeff Goldblum making a cameo appearance in MIYUBI, a feature length film about a family’s relationship with its Japanese toy robot, from co-directors Félix Lajeunesse and Paul Raphaël; George Gittoes expands upon his MIFF 2015 feature Snow Monkey, taking audiences on a VR tour to Afghanistan in the world premiere of FUN FAIR JALALABAD; and Ben Smith’s THE HUNT FOR THE YIDAKI, the companion piece to the MIFF 2017 Premiere Fund-supported feature WESTWIND: DJALU’S LEGACY, will also receive its world premiere. Meanwhile UNREST VR, a film about Chronic Fatigue Syndrome – made by Amaury La Burthe and other key collaborators on Notes on Blindness: Into Darkness (MIFF 2016) – screens as an expansion piece to Jennifer Brea’s feature documentary, also showing at MIFF 2017.
In addition to UNREST, MIFF’s much-loved DOCUMENTARIES program delivers an array of gripping real-life character studies. Catch WINNIE, Pascale Lamche’s Sundance Directing Award-winning portrait of Winnie Madikizela-Mandela, variously viewed as the wife of South Africa’s most revered leader, the mother and/or enemy of her nation and a revolutionary force in her own right; Andres Veiel’s BEUYS: ART AS A WEAPON, an extensive look at the felt-clad, hat-wearing German performance artist Joseph Beuys; and DINA, the Sundance Grand Jury Prize-winner from Dan Sickles and Antonio Santini that offers a heartfelt and heart-melting portrait of love in all its strangeness and wonder.
The Documentaries program also takes audiences behind the closed doors of wildly diverse environments. In the remarkable debut film THE WORK, America’s most hardened criminals share their demons with the everyday public during the world’s most intense group therapy session in Jairus McLeary and Gethin Aldous’ SXSW Grand Jury Prize-winner; Jean-Stéphane Bron’s THE PARIS OPERA is a film candidly charting the day-to-day drama during a season of upheaval for the revered company; and ROLLER DREAMS finds Australian director Kate Hickey tracking down the original stars of the Venice Beach 80s roller dancing movement to build a funky portrait of the rise and fall of the craze.
MIFF’s toe-tapping MUSIC ON FILM program dances to its own beat with THE ALLINS where award-winning Danish documentarian Sami Saif turn his lens on the most outrageous musician to ever live – GG Allin – revealing the man behind the maniac behind the music; and in Kyoko Miyake’s TOKYO IDOLS, teenage girl pop stars grapple with finding fame and the creeping fixation of their male fan bases in an eye-opening look at Japanese idol culture.
Musical influencers take centre stage in the Sundance Special Jury Prize-winning RUMBLE: THE INDIANS WHO ROCKED THE WORLD, where Catherine Bainbridge sets out to reinstate Native American trailblazers to their rightful place in the pop music pantheon; and Lucy Walker, director of the MIFF 2013 Best Documentary Audience Award-winner The Crash Reel, returns with BUENA VISTA SOCIAL CLUB: ADIOS, a touching farewell to the beloved son cubano musicians as they complete their final tour.
A stellar line-up of homegrown talent will be showcased in AUSTRALIAN FILMS. Marking the halfway point of the festival will be the CENTREPIECE GALA world premiere screening of THREE SUMMERS, the first Australian film from comedian Ben Elton. Romantic leads Robert Sheehan and Rebecca Breeds are joined by a glittering ensemble featuring Michael Caton, Magda Szubanski, Deborah Mailman, Jacqueline McKenzie and John Waters for an of-the-moment, multi-story comedy set over three years at a fictional folk-music festival.
Continuing the Australian Films showcase, David Wenham makes his feature directorial debut with a Before Sunrise-style romance set to the distinctive sounds of Megan Washington with ELLIPSIS, starring Emily Barclay and Benedict Samuel; MIFF offers an exclusive preview of the second series of GLITCH, a Matchbox Pictures production commissioned by ABC TV and co-produced by Netflix, set in a fictional Victorian town where deceased former residents have crawled out of their graves in the local cemetery; and in a special screening presented by the National Film and Sound Archive’s digital restoration program – NFSA RESTORES, MIFF will also present the classic rip-roaring homegrown action flick, SHAME, where an award-winning Deborra-Lee Furness – also a guest of MIFF 2017 – turns the tables on a country town’s entrenched male violence.
Celebrating its 10th birthday in 2017, the MIFF PREMIERE FUND stages six world premieres (each with its director in attendance) comprising: Greg McLean’s MIFF Opening Night Film JUNGLE, starring Daniel Radcliffe; Luke Shanahan’s uniquely stylish psychological thriller RABBIT, featuring The Great Gatsby’s Adelaide Clemens playing identical twins linked by more than just DNA; MIFF guests Melissa George and Ed Oxenbould starring alongside Ewen Leslie and Sophie Lowe in Priscilla Cameron’s THE BUTTERFLY TREE, a coming-of-age tale of love and loss tinged with magical realism; Eddie Martin’s HAVE YOU SEEN THE LISTERS?, an intimate account of the cost of success of Australia’s most renowned street artist, Anthony Lister (also a guest of the festival); Naina Sen’s THE SONG KEEPERS, telling the incredible story of a hidden musical legacy of ancient Aboriginal languages and German baroque songs that are being preserved by the Central Australian Aboriginal Women’s Choir (who will also attend the festival); and Ben Strunin’s WESTWIND: DJALU’s LEGACY, portraying the quest of Yolngu elder Djalu Gurruwiwi (who will attend the festival) to preserve his songlines with a little help from global pop star Gotye.
Marking the MIFF Premiere Fund’s 10-year milestone, the festival will also screen three retrospective highlights from the Fund’s early years: the 2009 MIFF Opening Night film BALIBO, written and directed by Robert Connolly and starring Oscar Isaac, Anthony LaPaglia and MIFF Ambassador Gyton Grantley; Amiel Courtin-Wilson’s BASTARDY, a poetic and impressionistic portrait of the life of indigenous arts personality Jack Charles; and Ana Kokkinos’ all-star ensemble BLESSED, which features Frances O’Connor in an AFI Award-winning performance.
PIONEERING WOMEN, a program of 80s and early 90s Australian films directed by women, will pay tribute to some of the country’s finest cinematic trailblazers, including director Ann Turner with the world premiere of her digitally restored horror meets coming-of-age drama CELIA; Gillian Armstrong with a digital restoration screening of STARSTRUCK, the iconic and colourful musical comedy about two Sydney teenagers who try to break into the music biz to save the family pub (which also features an appearance by MIFF Ambassador Geoffrey Rush). Both films are proudly presented by the National Film and Sound Archive’s restoration program – NFSA RESTORES. Don’t miss this opportunity to revisit other classics such as BEDEVIL (directed by Tracey Moffatt), THE BIG STEAL (directed by Nadia Tass) and FLOATING LIFE (directed by Clara Law), with guest Q&As and a Conversation panel in store among other events.
MIFF’s ever popular NIGHT SHIFT program returns with innovative horror and genre films including A PRAYER BEFORE DAWN, in which French provocateur Jean-Stéphane Sauvaire (Johnny Mad Dog, MIFF 2008) returns to the brutal underworlds of masculine violence, in an adaptation of Billy Moore’s memoir of his time in Bangkok’s notorious Klong Prem prison; MY FRIEND DAHMER, Marc Meyers’ disturbing vision of America’s most notorious serial killer during his adolescence, featuring a breathtaking performance by Disney star Ross Lynch; and BLOODLANDS, a brutal mix of family blood feud and supernatural horror marking the first ever co-production between Australia and Albania, directed by Steven Kastrissios (The Horseman, MIFF 2008).
For the first time in its history MIFF will also present a SCI-FI program, showcasing a selection of the genre’s best films including IKARIE XB-1, Jindřich Polák’s little-known pioneering masterpiece that influenced everything from Star Trek to 2001: A Space Odyssey… and beyond; INVENTION FOR DESTRUCTION, from inventive animator Karel Zeman, the first steampunk film, bringing the stories and visuals of Jules Verne to life; LE DERNIER COMBAT, a work taking audiences back to where it all began for renowned sci-fi director Luc Besson, with his striking 1983 film starring Jean Reno in his feature debut; and STRANGE DAYS, featuring Ralph Fiennes, Angela Bassett and Juliette Lewis, Kathryn Bigelow’s 20-year-old, James Cameron-scripted, VR tech-noir. And for the night owls, running all night at the Astor Theatre is MIFF’s inaugural SCI-FI MARATHON, presenting a collection of the genre’s most venerated, controversial and enduring or under-appreciated fan favourites. For full details visit miff.com.au/marathon.
The TRUE CRIME program returns in 2017 with some of the most intriguing and sinister stories of our time. Oscar-nominated documentarian David France (How to Survive a Plague, MIFF 2012) delivers a piercing survey of the origins of transgender activism and a search for justice in THE DEATH AND LIFE OF MARTHA P JOHNSON; Erik Nelson’s A GRAY STATE is a riveting murder mystery, political thriller and unparalleled psychological profile about rising alt-right filmmaker and Iraq veteran David Crowley and his family; and Pete Nicks’ THE FORCE is an award-winning look at the day-to-day operations of the Oakland Police Department as it grapples with endemic corruption, sexism and racial violence.
ANIMAL DOCUMENTARIES, a new program strand for 2017, puts the spotlight on some of the world’s most intriguing creatures. TROPHY sees Shaul Schwarz (Narco Cultura, MIFF 2013) and Christina Clusiau take on a charged debate in a controversial film that will upend everything audiences thought they knew about animal conservation; PECKING ORDER, the year’s best feel-good flockumentary from Slavko Martinov, introduces us to people taking the world of chicken fancying as seriously as life and death; and A RIVER BELOW, Mark Grieco’s provocative and murky morality tale about a TV conservationist’s battle to save the Amazon’s disappearing pink river dolphin, will leave audiences shocked and awed.
MIFF’s HEADLINERS program will bring audiences the most-buzzed about films from the festival circuit. Highlights include Ruben Östlund’s Palme d’Or-winning THE SQUARE, a film marking the director as modern cinema’s most savage and inventive satirist; Claire Denis’ Cannes Director’s Fortnight award-winning romantic comedy LET THE SUNSHINE IN, starring Juliette Binoche; Geremy Jasper’s fabulous Sundance triumph PATTI CAKE$, featuring Australian acting discovery Danielle Macdonald in the role of a New Jersey battler and aspiring rapper; SONG TO SONG, a love story from Terrence Malick set against the backdrop of the Austin music scene, featuring Ryan Gosling, Rooney Mara, Michael Fassbender and Natalie Portman; and THE PARTY, Sally Potter’s caustic comic satire of a broken England, with a stellar ensemble headed by Kristin Scott Thomas, Patricia Clarkson and Timothy Spall.
Showcasing MIFF’s admiration for the inimitable British director, this year the festival also proudly presents a SALLY POTTER RETROSPECTIVE. Screening the complete oeuvre of Potter’s feature films, along with a selection of her early shorts from 1969 to 1986, the retrospective includes: THE TANGO LESSON, where Potter plays opposite Argentine tango performer Pablo Verón for a seductive dance of reality and fiction; ORLANDO, the director’s stunning second film featuring a triumphant lead performance by Tilda Swinton as the androgynous titular character living across four centuries; THE GOLD DIGGERS, Potter’s seminal work that came to influence and define feminist cinema of the 1980s; and GINGER AND ROSA, starring Alice Englert and Elle Fanning as two friends threatened by a belief-shattering betrayal.
The festival’s INTERNATIONAL program is packed with innovative cinema from countries near and afar. MIFF Patron Geoffrey Rush shines as Alberto Giacometti in Stanley Tucci’s FINAL PORTRAIT, a snapshot of several weeks the artist spent trying to paint author James Lord; Fatih Akin (Head-On, MIFF 2004) delivers the morally charged thriller IN THE FADE, featuring Diane Kruger in the performance that won her Best Actress at Cannes; and from Aisling Walsh comes MAUDIE, starring Oscar nominees Sally Hawkins and Ethan Hawke exploring the sensitive but rousing true tale of Maud Lewis, one of Canada’s most inspiring folk artists.
Some 14 of Australia and New Zealand’s hottest emerging directors will have their short films premiere in the festival’s ACCELERATOR program and also participate in Accelerator Lab, MIFF’s prestigious development workshop assisting directors to transition to feature filmmaking. They are W.A.M (Bill) Bleakley; Nina Buxton; Kate Lefoe; Frank Magree; Zoe McIntosh; Victoria McIntyre; Greta Nash; Tin Pang; Simon Portus; Nikki Richardson; Rachel Ross; John Sheedy; Nick Waterman; and Dave Whitehead.
The MIFF SHORTS program will screen local and international films spanning animation, documentary, experimental works and more, with highlights including the riveting INDONESIAN SHORTS, a program screening works from some of Australia’s closest neighbours, and Cannes Short Film Palme d’Or winner A GENTLE NIGHT, from MIFF Accelerator alumnus Qiu Yang, while other Accelerator alumni directors returning with new short films are Alice Englert, Audrey Lam, Nora Niasari, Julietta Boscolo, Billie Pleffer, Dylan River and Alena Lodkina.
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PURGE THIS LAND, An Essay Film on Abolitionist John Brown to Close Open City Documentary Festival | Video Clip
Lee Ann Schmitt’s Purge This Land, an essay film exploring the legacy of the radical abolitionist John Brown will be the Closing Night gala film of the Open City Documentary Festival. The history of racism and slavery in modern America is retold in this highly topical film, which spans the 1850s to present-day USA. The film will receive its UK Premiere on Sunday September 10 at London’s Regent Street Cinema.
It was also announced last week that the festival will open with the UK Premiere Taste Of Cement, Ziad Kalthoum’s intimate portrait of exiled Syrian construction workers building a skyscraper in Beirut. The 7th Open City Documentary Festival takes place over six days in venues across London from 5 to 10 September 2017.
Michael Stewart, Founder of Open City Docs, said: “We’re thrilled to be closing this year’s festival with Purge This Land. Lee Ann Schmitt’s intimate, captivating film packs a real political punch and we’re very proud to be showcasing some of the most exciting and innovative documentary filmmakers from around the world here in London.”
https://vimeo.com/100519353
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8 Indie Filmmaking Team Win Spring 2017 SFFILM / Rainin Filmmaking Grants
Eight filmmaking teams will receive a total of $300,000 in funding in the latest round of SFFILM / Rainin Filmmaking Grants to help with the next stage of their creative process, from screenwriting to postproduction.
SFFILM / Rainin Filmmaking Grants are awarded twice annually to filmmakers whose narrative feature films will have significant economic or professional impact on the Bay Area filmmaking community and meaningfully explore pressing social issues. More than $4 million has been awarded since the launch of this grant program in 2009, making the SFFILM, in partnership with the Kenneth Rainin Foundation, the largest grant-maker for independent narrative films in the United States.
The SFFILM / Rainin Filmmaking Grant program has funded more than 50 projects since its inception, including Geremy Jasper’s Sundance breakthrough Patti Cake$, which is on its way to a July theatrical release; Alex and Andrew Smith’s Walking Out starring Matt Bomer and Josh Wiggins, which premiered at the 2017 Sundance Film Festival; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes in 2015 and has created buzz across the international festival circuit; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Ben Zeitlin’s debut phenomenon Beasts of the Southern Wild, which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture).
The jury noted in a statement: “This group of finalists was exceptionally strong, and we are thrilled to support these eight bold and deeply human films, which collectively represent such a wide range of tones, styles, voices, and artistic visions. These filmmakers showcase the ever-growing talent coming out of San Francisco, and their work will contribute to the growing strength, diversity, and richness of the Bay Area filmmaking community.”
SPRING 2017 SFFILM / RAININ FILMMAKING GRANT WINNERS
The Continental Aron Kantor, writer/director; K.M. Soehnlein, cowriter – screenwriting – $25,000 A young, gay Latino immigrant working at New York’s legendary Continental Baths gets swept up in the burgeoning gay rights movement and the early disco scene while navigating an affair with his married boss. Jinn Nijla Mu’min, writer/director; Avril Speaks, producer – post-production – $50,000 Summer is a carefree, Black teenage Instagram celebrity whose world is turned upside down when her mother abruptly converts to Islam and becomes a different person. At first resistant to the faith, she begins to reevaluate her identity after becoming attracted to a Muslim classmate, crossing the thin line between physical desire and piety. Josephine Beth de Araújo, writer/director – screenwriting – $25,000 An obedient eight-year-old girl unintentionally witnesses a rape in Golden Gate Park. Unraveling with fear and paranoia, her subsequent violent outbursts put her family and classmates in jeopardy. Music Moves Us Cyrus Tabar, writer/director – screenwriting – $25,000 In a near future where music is outlawed in an authoritarian state, a passionate woman and her friends throw illegal techno dance parties in Oakland, California, and broadcast on a bootleg pirate radio station to bring people together. Refuge Mohammad Gorjestani, writer/director; Malcolm Pullinger, producer – screenwriting – $25,000 Set in 2025, Refuge depicts a brewing cyberwar between the US and Iran which puts Sonia, a young Iranian refugee and activist, at risk of deportation or internment. Her only escape may come at a greater price than she’s willing to pay. A Rooster on the Fire Escape Guetty Felin, writer/director/producer; Danielle Dreis, producer – packaging – $25,000 Upon coming to America, the Celestin family was hopping to leave behind the traumas of the brutal dictatorship of their tropical native land, but the sacrifices they made for their freedom create a dark spiral from which they might not recover. Sorry to Bother You Boots Riley, writer/director; Jonathan Duffy, George Rush and Kelly Williams, producers – production – $75,000 Sorry To Bother You tells the story of Cassius Green, a Black telemarketer who discovers a magical key to telemarketing success, propelling him into a macabre universe where he is selected to lead a species of genetically manipulated horse-people. We the Animals Jeremiah Zagar, writer/director; Jeremy Yaches and Christina King, producers – post-production – $50,000 Based on the bestselling novel by Justin Torres, We the Animals explores the beautiful and savage nature of family and the viscerally charged landscape of youth through the eyes of Jonah, the youngest son of a mixed-race, working-class couple, as he discovers his artistic identity.
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Nelsan Ellis’ Family Says He Died of Heart Failure Due to Alcohol Withdrawal Complications
The family of actor Nelsan Ellis who starred on HBO’s True Blood and recently in the independent film Little Boxes, has released an official statement regarding the cause of his death. In the statement released to The Hollywood Reporter, his family said that the actor struggled with drug and alcohol abuse for years, and his heart failure was due to alcohol withdrawal complications. Nelsan Ellis died on Saturday, at age 39.
His family released the statement to The Hollywood Reporter via his manager Emily Gerson Saines in an effort to help others who may be struggling with the same addictions that afflicted Ellis:
Nelsan’s father has bravely agreed for me to share the circumstances of Nelsan’s heart failure. Nelsan has suffered with drug and alcohol abuse for years. After many stints in rehab, Nelsan attempted to withdraw from alcohol on his own. According to his father, during his withdrawal from alcohol he had a blood infection, his kidneys shut down, his liver was swollen, his blood pressure plummeted, and his dear sweet heart raced out of control.
On the morning of Saturday July 8th, after four days in Woodhull Hospital, Nelsan was pronounced dead. Nelsan was a gentle, generous and kind soul. He was a father, a son, a grandson, a brother, a nephew, and a great friend to those that were lucky enough to know him. Nelsan was ashamed of his addiction and thus was reluctant to talk about it during his life. His family, however, believes that in death he would want his life to serve as a cautionary tale in an attempt to help others.
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Stony Brook Film Fest Announces Guests, incl. TEXT FOR YOU’s Karoline Herfurth
The international list of guests coming to the 22nd Annual Stony Brook Film Festival includes filmmakers delivering unique background stories on moviemaking. U.S. filmmakers from across the country will also join with the many international filmmakers representing features and shorts.
Short films will also be represented by movie people from afar including guests from Israel (Across the Line, Thurs, July 27 at 7:00 pm), Armenia (The Simon’s Way, Mon, July 24 at 7:00 pm), Latvia (Just, go! Wed, July 26 at 9:15 pm), and Estonia (Snowgirl, Sat, July 22 at 4:00 pm).
On Opening Night at the U.S. Premiere of Welcome to Germany, (Thurs, July 20 at 8:00 pm) Picture Tree International’s Managing Partner, Andreas Rothbauer, will represent the film. Picture Tree is one of Germany’s leading sales agencies and brings two outstanding movies to Stony Book, Welcome to Germany and Hannah’s Sleeping Dogs (Thurs, July 27 at 9:15 pm).
From the United Kingdom, Waking David, (Fri July 21 at 7:00 pm) will be represented by director Kevin Nash and two actresses in the movie, Kristy Bruce and Harriet Madeley. The director and the three main actresses in Waking David collaborated to write the screenplay.
The family-friendly animated film, Ethel & Ernest, (Sat, July 22 at 4:00 pm) will have U.K. producer Camilla Deakin on hand to answer questions about the animated gem, featuring the voices of Jim Broadbent, Brenda Blethyn and Luke Treadaway.
The Sounding (Sat, July 22 at 7:00 pm) is one of the U.S. productions at the Festival, with many cast and crew on hand, including Catherine Eaton, director, co-writer and main actress in the film.
Representing an amusing account of romance, Love is Thicker Than Water (Sat, July 22 at 9:30 pm) is co-director and writer Ate Dejong, returning to the Stony Brook Film Festival for the second time. For those who have seen the National Geographic’s Genius series “Einstein” – you may be interested to know that the young actor playing Einstein, Johnny Flynn, stars in the film.
A World Premiere documentary, To the Edge of the Sky (Sun, July 23 at 4:00 pm) will bring Academy Award winners, Todd and Jedd Wider to the Festival. The Wider brothers, who grew up in Stony Brook, were the directors of To the Edge of the Sky, which reports on the disease Duchenne Muscular Dystrophy and the mothers who are fighting to get drugs approved to help their son.
A delightful American indie, Laura Gets a Cat (Wed, July 26 at 7:00 pm) will have director, writer and actor Michael Ferrell on hand, along with Dana Brooke, who plays Laura, the 30-something unemployed writer in the film, as well as many cast members.
The Second Act of Elliott Murphy (Wed, July 26 at 9:15 pm) makes its U.S. Premiere, with rocker Elliott Murphy coming in from his home in Paris to represent the film and play a song or two live. Director Jorge Arenillas will be along to represent the compelling documentary about the singer songwriter’s life on the road.
Purple Dreams (Thurs, July 27 at 7:00 pm) is a documentary about the first high school given permission to perform the musical “The Color Purple.” Joanne Hock, director and producer, Robin Grey (a Stony Brook Alum) will be representing the documentary.
Closing Night’s feature, the U.S. premiere of Text for You (Saturday, July 29 at 8;00 pm) will have the lead actress Karoline Herfurth on hand for a Q&A after the screening. Ms. Herfurth is well-known in Germany and an audience favorite in that country. Following the screening is Stony Brook’s very own “Oscar” style awards ceremony.
Image: 2017 Stony Brook Closing Night, Text for You, Friedrich Mücke and Karoline Hurfurth.
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Watch New Trailer for Weird Film KUSO, Debut Film from Rapper Flying Lotus
Check out the new trailer that was released today for KUSO, the debut film from acclaimed producer and rapper Flying Lotus, that premiered earlier this year at the 2017 Sundance Film Festival. The film will be released in theaters in Los Angeles, and on SHUDDER nationwide on July 21st, 2017.
Broadcasting through a makeshift network of discarded televisions, KUSO depicts the aftermath of Los Angeles’s worst earthquake nightmare. Viewers travel between screens and aftershocks into the twisted lives of the survived, experiencing a hallucination that is half-Cronenberg, half-Ren & Stimpy.
The debut film from acclaimed producer and rapper Flying Lotus, KUSO is a blistering, fever dream of filmmaking that uses music, special effects and animation to take a unique look at the dark history of America.
KUSO marks the feature directorial debut from Steve, the filmmaking alter-ego of Steve Ellison, better known as music producer, DJ and rapper Flying Lotus. Ellison’s name has become synonymous with creative innovation, having released five seminal studio albums, a slew of audio-visual marvels and, in the process, gaining two Grammy nominations including one for his work on Kendrick Lamar’s “To Pimp A Butterfly”.
Produced by Eddie Alcazar, and featuring Hannibal Buress (NEIGHBORS, Broad City), Anders Holm (Workaholics, The Mindy Project), Tim Heidecker (Tim and Eric Awesome Show, Eastbound and Down), and iconic Funk musician George Clinton, the film also includes an original score and musical collaborations with Aphex Twin and Akira Yamaoka.
https://www.youtube.com/watch?v=bZ3GJxzVkIs
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Luciana Farah’s SOMEBODY CLAP FOR ME to World Premiere at Zanzibar International Film Festival | Trailer
Somebody Clap For Me from Brazilian director Luciana Farah, will have its world premiere at the 20th edition of the Zanzibar International Film Festival taking place July 8 to 16, 2017.
A rollercoaster ride from grassroots poetry to the political heart of Uganda, this captivating labour of love provides a fascinating window into life in a country in which three-quarters of the population is under 25. Linking Uganda’s oral tradition to its 21st Century culture of hip-hop and slam poetry, the film brings its protagonists to the fore, providing a constantly shifting portrait of a Kampala-based youth movement that uses spoken word to challenge the oppressive restraints of Ugandan society and the increasing constraints on freedom of speech under current president Yoweri Museveni.
As Farah chronicles the resurfacing of village bonfire storytelling traditions in the form of open-mic poetry events, we meet some of the scene’s key actors, including Roshan, a mixed race Ugandan who has grown up in the UK, Ugly Emcee, a freedom-of-speech activist who reveals himself to be the grandson of Idi Amin, and Medals the Born Again Politician, who challenges the status quo with both his conviction and command of political pastiche.
The film, which was shot over the course of three years with a crew of East African film students, follows these and other poets as they go about their daily lives in Kampala, the eclectic individual portraits building to form a cross-sectional vision of a country trying to shed its past and create a more inclusive and democratic reality, despite the conservative forces that are attempting to hold on to power.
What begins as a documentary about a grassroots poetry collective, twists and turns unpredictably as it takes viewers into the political and cultural heart of contemporary Uganda. Fuelled by the universal themes of love and identity and made using unconventional filmmaking techniques, Somebody Clap for Me was produced with the support of Maisha Film Lab and the Doha Film Institute.
“I am extremely happy for Somebody Clap for Me to be premiering at ZIFF,” said Farah. “The festival has a long history of supporting independent African cinema and it is fitting that the film will receive its first public screening at one of Africa’s leading film festivals.”
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Poster + Watch Trailer for South African Film THE WOUND (Inxeba)
The South African film The Wound (Inxeba) has won the Best Film Award in the International New Talent Competition, at the 2017 Taipei Film Festival ahead of its African premiere at the Durban International Film Festival on July 14.
The film, the first feature from writer-director John Trengove, stars musician and novelist Nakhane Touré as Xolani, a lonely factory worker who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When Kwanda (Niza Jay Ncoyini), a defiant initiate from the city, discovers his mentor’s secret, Xolani’s entire existence begins to unravel.
The Wound which premiered at this year’s Sundance Film Festival and later opened Berlinale Panorama went on to win a string of awards.
At Cinema Jove, the Valencia International Film Festival, The Wound was awarded the Luna de Valencia for Best Feature Film, as well as the Best Actor Award for Nakhane Touré.
At one of the world’s longest-running film festivals, the Sydney Film Festival, The Wound won the Audience Award for Best Feature.
At the 41st Frameline, San Francisco’s international film festival, held from 15 to 25 June and where 147 films were screened, The Wound won the First Feature Award.
Shortly before that, it was awarded the prize for Best Feature Film at the 32nd Lovers Film Festival, an LGBTQI festival held in Turin, Italy.
In April, the film received the Jury Prize for Best Narrative at the 19th annual Sarasota Film Festival in Florida, in the US.
https://www.youtube.com/watch?v=ubSlj-G4P6I