• Monty Python Terry Jones’ Doc BOOM BUST BOOM About 2008 Economic Crash Opens March 11 | TRAILER

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    [caption id="attachment_11892" align="aligncenter" width="1200"]BOOM BUST BOOM BOOM BUST BOOM[/caption] Monty Python Terry Jones’ new feature documentary BOOM BUST BOOM investigates the worldwide economic crash of 2008, and how we can avoid another global collapse in the future. BOOM BUST BOOM will open theatrically on March 11 in New York (Village East Cinema), followed by release on iTunes and On Demand on March 15. Analyzing the direct link between the unstable financial system and our reliance on mainstream economics, the film puts a spotlight on the mistakes of the past some politicians and central bankers would like us to forget. A mix of live action, animation, puppetry and song, the film charts the ancient cycle of boom and bust and offers the world a solution. BOOM BUST BOOM features high profile advocates for change such as John Cusack, journalists Paul Mason and John Cassidy plus leading experts including the Chief Economist of the Bank of England, Andy Haldane, and Nobel Prize winners Daniel Kahneman, Robert Shiller and Paul Krugman. The documentary is a result of a meeting between writer, director, historian and Python Jones and economics professor and entrepreneur Theo Kocken, BOOM BUST BOOM is co-written by Jones and Kocken and co-directed by Jones with son Bill Jones and Ben Timlett, AKA Bill & Ben Productions. Inspired by the film, students from Rethinking Economics (who also appear in BOOM BUST BOOM) announce a brand new current affairs and education website, launching in late March. Economy will be a rich mix of new and diverse content with a global perspective from comedy pieces and live event video to vox-pops, innovative social content, explainers, commentary plus art & illustration. With support from BOOM BUST BOOM executive producers Cardano Education, Economy is on a mission to change the way we think about economics and make it more relevant to people’s lives. https://www.youtube.com/watch?v=7XtnZDNXCKM

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  • MAGNET to Release Sundance Shocker Film THE EYES OF MY MOTHER

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    [caption id="attachment_11889" align="aligncenter" width="1200"]THE EYES OF MY MOTHER THE EYES OF MY MOTHER[/caption] THE EYES OF MY MOTHER, the “hauntingly beautiful and shockingly original” debut from filmmaker Nicolas Pesce, has been acquired by Magnet Releasing, the genre arm of Magnolia Pictures, for release. The film fuses classic horror ingredients with gothic black-and-white imagery and was called the “discovery of this year’s Sundance” by Indiewire’s Eric Kohn. It also features a breakout performance from newcomer Kika Magalhaes. Magnet is planning a 2016 theatrical release. In the film Magalhaes plays Francisca, a young woman who has been unfazed by death from an early age. Francisca’ mother, a former surgeon, imbued her with a thorough understanding of the human anatomy. When tragedy shatters the family’s idyllic life in the countryside, Francisca’s deep trauma gradually awakens some unique curiosities. As she grows up, her desire to connect with the world around her takes a distinctly dark form. The film was rapturously received by critics at Sundance. “It contains some of the most memorable, almost poetic visual compositions in a very long time” wrote Roger Ebert.com critic, Brian Tallerico. Variety was equally enthusiastic, calling the film “a Sundance standout” and “an impressive, highly original horror fable” while Vulture dubbed it “a slick, simmering nightmare.” Eric Kohn added that “Francisca is a movie monster for the ages.” “Nicolas Pesce has crafted an auspicious and unforgettable debut that immediately establishes him as one of the most exciting genre filmmakers to watch today,” said Magnolia President Eamonn Bowles. “This is the kind of film Magnet was started for.” “I’m very excited for the film to have found a home with Magnet,” said Nicolas Pesce. “They’re responsible for releasing so many of the movies that inspired me, so to be included in this family is incredible. The life they’ve given to both foreign and domestic genre films is unparalleled, so for THE EYES OF MY MOTHER to be released through them is a dream come true.” THE EYES OF MY MOTHER was produced by Jacob Wasserman, Schuyler Weiss, and Max Born and executive produced by Borderline Films’ Antonio Campos, Sean Durkin and Josh Mond under their new Borderline Presents label. Filmmaker Nicolas Pesce recently signed with United Talent Agency and Washington Square Films, while lead actress Kika Magalhaes was snatched up by Anonymous Content.

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  • Powerful Doc THEY WILL HAVE TO KILL US FIRST: MALIAN MUSIC IN EXILE Gets U.S. Release Date | TRAILER

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    [caption id="attachment_11886" align="aligncenter" width="1200"]They Will Have To Kill Us First: Malian Music in Exile They Will Have To Kill Us First: Malian Music in Exile[/caption] Timed to Music Freedom Day 2016, BBC Worldwide North America will release Johanna Schwartz’s “timely and powerful” feature documentary They Will Have To Kill Us First: Malian Music in Exile. They Will Have To Kill Us First: Malian Music in Exile will open theatrically on March 4 in New York (Village East Cinema) and April 1 in Los Angeles (Laemmle Santa Monica Theater) with additional markets to follow. Music is the beating heart of Malian culture, but when Islamic jihadists took control of northern Mali in 2012, they enforced one of the harshest interpretations of sharia law by banning all forms of music. Radio stations were destroyed, instruments burned, and Mali’s musicians faced torture, even death. Overnight, the country’s revered musicians were forced into hiding or exile, where most remain — even now. But rather than laying down their instruments, these courageous artists fought back, standing up for their freedoms and using music as a weapon against the ongoing violence that has ravaged their homeland. They Will Have To Kill Us First is director Schwartz’s debut feature, and follows Songhoy Blues andmusicians Kharia Arby, Fadimata “Disco” Walet Oumar,and Moussa Sidi as they each deal with the unfathomable situation in different ways. Telling the story of the uprising of Touareg separatists, revealing footage of the jihadists, and capturing life at refugee camps where both money and hope are scarce, Schwartz and her indefatigable, mainly female, crew chart the perilous journeys to war-ravaged cities, as some of Mali’s most talented musicians set up and perform at the first public concert in Timbuktu since the music ban. Co-written by Schwartz and Andy Morgan, renowned journalist and former manager of Grammy® Award winning band Tinariwen, They Will Have To Kill Us First is produced by Sarah Mosses of Together Films and executive produced by Andre Singer (The Act of Killing) alongside Stephen Hendel, Victoria Steventon, OKAY Africa and Knitting Factory Entertainment. They Will Have To Kill Us First: Malian Music in Exile, features an original score by Nick Zinner (Yeah Yeah Yeahs), and a commissioned soundtrack featuring Songhoy Blues, Kharia Arby, Fadimata “Disco” Walet Oumar, Moussa Sidi and many more to be released on March 4 timed to the film’s release and Music Freedom Day 2016. https://www.youtube.com/watch?v=3TX7ybW6nAQ

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  • “LOOK AT US NOW, MOTHER!” A Film About Mother/Daughter Relationship & Forgiveness Opens April 8 | TRAILER

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    [caption id="attachment_11882" align="aligncenter" width="1200"]LOOK AT US NOW, MOTHER!, a film by Gayle Kirschenbaum LOOK AT US NOW, MOTHER!, a film by Gayle Kirschenbaum[/caption] LOOK AT US NOW, MOTHER!, by Gayle Kirschenbaum, and a hit at film festivals around the world and winner of numerous awards, will be released in the U.S. by Kirschenbaum Productions. LOOK AT US NOW, MOTHER! will open in New York at the Village East and in Los Angeles at the Laemmle Monica Film Center in Santa Monica and Town Center 5 in Encino on April 8. Other cities will follow. What trauma could make a child certain that she was born into the wrong family? What wounds are inflicted when the home that’s supposed to be a haven isolates her as an outsider; when her mother’s words are rarely nurturing but instead, ruthlessly shaming, demeaning and critical? What will it take for the adult that child becomes to forgive such a past? Is forgiveness even possible? This is the dilemma that Emmy® award-winning filmmaker Gayle Kirschenbaum faces in her relentlessly honest and bitingly funny documentary, LOOK AT US NOW, MOTHER! Her film is about the transformation of a highly charged mother/daughter relationship from Mommie Dearest to Dear Mom, from hatred to love. The documentary is the expanded version of the funny, award-winning festival favorite film, MY NOSE, in which we follow her mother’s relentless campaign to get Gayle to have a nose job. LOOK AT US NOW, MOTHER! is comprised primarily of decades-worth of intimate family home movies and videos—from 8 mm film coverage of Gayle’s outwardly “Leave it to Beaver-esque” childhood in an upwardly-mobile Long Island suburb, to personal family celebrations, fights, and even tragedies right up to the present—it’s the story of one determined woman’s quest to reconcile with and understand her past, which means forgiving her proud, narcissistic and formidable elderly mother, Mildred. With raw courage and equal parts humor and pathos, Gayle invites the audience to take this epic journey along with her. Gayle is determined to unlock the key to her family’s pain and crack open her mother’s brittle shell. When Mildred grudgingly agrees to participate in the process, the two of them (with the help of a therapist) uncover shocking family secrets and long-buried suffering that throw their family history into sharp relief, and begin to shift the dynamics of their complex relationship. The specter of loss haunts the film almost as strongly as the pain of criticism: Mildred’s still a powerhouse well into her ninth decade, but Gayle knows her mother won’t be around forever. Can she learn to understand, love and forgive her mother—before it’s too late? LOOK AT US NOW, MOTHER! may be about one mother-daughter relationship, but its insights and lessons are universal. In order to move forward into the future, we all have to forgive what happened in our pasts. Gayle Kirschenbaum brings her unique brand of fearless honesty and laugh-aloud humor to a film that took decades to shoot, about a relationship that took a lifetime to mend. https://vimeo.com/119594942

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  • Max Landis’ Directorial Debut ME HIM HER to Open on March 11th | TRAILER

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    [caption id="attachment_11878" align="aligncenter" width="1000"]ME HIM HER ME HIM HER[/caption] ME HIM HER, written and directed by Max Landis, and starring Luke Bracey, Dustin Milligan, Emily Meade, will be released in New York, Los Angeles, and on VOD platforms, on March 11th by FilmBuff. The directorial debut of Max Landis, who had previously penned the screenplays for Chronicle and American Ultra, ME HIM HER is a madcap romantic comedy about Brendan (Point Break’s Luke Bracey), a heartthrob television star who enlists Cory (90210’s Dustin Milligan), his shiftless slacker best friend to fly out to LA and help him keep his newly-realized homosexuality a secret from Hollywood. Upon arrival in LA, Cory has a drunken one-night stand with Gabbi (The Leftovers’ Emily Meade) and is mostly too busy trying to see her again to help Brendan – despite the fact that Gabbi is a lesbian. With a rowdy cast rounded out by Alia Shakwat, Geena Davis, and Haley Joel Osment, ME HIM HER is a bizarrely endearing high-energy sendup of modern love. https://www.youtube.com/watch?v=mGRAYRs2964

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  • Under the Shadow Kicks Off Lineup for 2016 New Directors / New Films

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    Under the Shadow
    Under the Shadow

    The Film Society of Lincoln Center and The Museum of Modern Art have announced the complete lineup for the 2016 New Directors / New Films (ND/NF), taking place March 16 to 27 in New York City. 

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  • Tribeca Film Festival to open with Fashion Documentary THE FIRST MONDAY IN MAY

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    [caption id="attachment_11869" align="aligncenter" width="1200"]The First Monday in May The First Monday in May[/caption] The world premiere of Magnolia Pictures’ The First Monday in May will open the 15th annual Tribeca Film Festival on Wednesday, April 13, 2016. Directed by Emmy Award nominated filmmaker Andrew Rossi (Page One: Inside The New York Times) the intimate documentary looks at The Metropolitan Museum of Art’s most attended Costume Institute exhibition in history, “China: Through the Looking Glass.” The film follows curator Andrew Bolton, now Curator in Charge of the Costume Institute, in an exploration of the tension between fashion and art. The Tribeca Film Festival runs April 13 to April 24. Opening night is sponsored by Farfetch with special thanks to Thakoon. “The First Monday in May illuminates the debate between fine art, fashion, pop culture and captures the creativity, passion and visionaries behind the exhibition and gala – Andrew Bolton and Anna Wintour,” said Jane Rosenthal, co-founder, Tribeca Film Festival, and Executive Chair, Tribeca Enterprises. “It is an honor to pay tribute to a fellow New York cultural institution on our opening night.” “It’s an honor to premiere this film downtown with the Tribeca Film Festival for their fifteenth Festival, and I am truly thrilled to partner again with Magnolia Pictures,” said director Andrew Rossi. “The First Monday in May celebrates creativity in art and fashion and is deeply rooted in the creative world of New York, so to launch at a Festival that came into life in order to support that culture is very meaningful. We’re so excited to have the team at Magnolia behind the film, bringing it to audiences all across the country.” The First Monday in May follows the creation of The Metropolitan Museum of Art’s “China: Through the Looking Glass,” exhibition, an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events co-chaired every year by Condé Nast Artistic Director and Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano), the movie dives into the debate about whether fashion should be viewed as art. Produced by Fabiola Beracasa Beckman, Sylvana Ward Durrett, and Dawn Ostroff, in association with Relativity Media, Conde Nast Entertainment, Mediaweaver Entertainment and Sarah Arison Productions, The First Monday in May will be released in theaters on April 15. The film features Wong Kar Wai, film director and Artistic Director of “China: Through the Looking Glass”; Baz Luhrmann, film director and creative consultant for the Met Gala; Vogue’s Andre Leon Talley; Harold Koda, Former Curator in Charge of the Costume Institute; Thomas Campbell, Director of The Metropolitan Museum of Art; Maxwell K. Hearn, Douglas Dillon Chairman of the Department of Asian Art at The Metropolitan Museum of Art; and fashion designers Jean Paul Gaultier, Karl Lagerfeld, John Galliano, and Ricardo Tisci; as well as cameos from some of the leading names in fashion and entertainment. https://www.youtube.com/watch?v=MRFCVG85X_s

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  • Award-Winning Film RABIN IN HIS OWN WORDS, to Open in U.S. on May 6th

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    [caption id="attachment_11865" align="aligncenter" width="1200"]Yitzhak Rabin, Bill Clinton, and Yasser Arafat during the Oslo Accords on 13 September 1993 Yitzhak Rabin, Bill Clinton, and Yasser Arafat during the Oslo Accords on 13 September 1993[/caption] 20 years after his assassination, Yitzhak Rabin himself tells his dramatic life story in RABIN IN HIS OWN WORDS, a film by Erez Laufer, that is set for release in the U.S. by Menemsha Films. Winner – Best Documentary at the Haifa International Film Festival 2015, RABIN IN HIS OWN WORDS will open at the Lincoln Plaza Cinema in New York and Laemmle Royal and Town Center 5 in Los Angeles, as well as in South Florida, on May 6th. A national release will follow. RABIN IN HIS OWN WORDS is an “autobiography” of sorts, the story is told entirely in Rabin’s own voice. Through a combination of rare archival footage, home movies and private letters, his personal and professional dramas unfold before the viewer’s eyes – from his childhood as the son of a labor leader before the founding of the State of Israel, through a change of viewpoint that turned him from a farmer into an army man who stood at some of the most critical junctures in Israeli history. Through a brilliant diplomatic career as Israeli Ambassador to the United States and his entry into the Israeli political arena, and through his later years during which he served as Prime Minister, opposition leader, Minister of Defense and Prime Minister once more, in which he made moves that enraged a large portion of the public, until the horrific moment when his political career and life were suddenly brought to an end. RABIN IN HIS OWN WORDS brings the man – flesh and blood – back to life, if only momentarily. The film relays the personal and political life of the man and the myth – as he lived it. Like any good protagonist, his narrative is well rounded: sacrifice, heroism, hubris, humor and heartache. Yitzhak Rabin was a complex, contradictory character: honest, innocent and timid while forceful, determined and resilient; a loyal friend who spent much of his time in solitude; blessed with a sense of resolve paralleled only by the doubt that shadowed it; calm and collected like a dormant volcano bound to erupt one day; courteous and contained, he was a gentleman with the fiery temperament of a red-head. The film combines rare archives that, since they were originally broadcasted 40 years ago, have not been seen or heard, a private 8 mm mostly shot by Rabin, a super 8 mm of Rabin in color in 1948 shot by American couple visiting Israel, and private letters to his sister his father and to his wife Leah. The director Erez Laufer is the co-Editor of two Oscar nominees for Best Documentary: Chris Hegedus and D. A. Pennebaker’s The War Room (1993) and Laura Poitras’ My Country My Country (2006) His own film Mike Brant, Laisse-moi t’aimer won the 2002 Israeli Academy Award for Best Documentary, and had its international premiere at the Directors Fortnight, Cannes Film Festival 2003.

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  • Watch TRAILER for “Creepy, Weird” Turkish Horror Film BASKINO

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    Baskin, Can Evrenol IFC Midnight has released the trailer for the “creepy, weird” Turkish horror film BASKINO, directed by Can Evrenol. BASKIN opens on VOD and in NY at The IFC Center on March 25th, and in LA at Arena Cinema on April 1st. A five-man unit of cops on night patrol get more than they bargain for when they arrive at a creepy backwater town in the middle of nowhere after a call comes over the radio for backup. Entering a derelict building, the seasoned tough guys and their rookie junior, who’s still haunted by a traumatic childhood dream, do the one thing you should never do in this kind of movie: they split up. They soon realize they’ve stumbled into a monstrous charnel house and descend into an ever-more nightmarish netherworld where grotesque, mind-wrenching horrors await them at every turn. This is one Baskin (that’s “police raid” to you non-Turkish speakers) that isn’t going to end well. But wait! Things aren’t what they seem in this truly disturbing, outrageously gory, and increasingly surreal film whose unpredictable narrative pulls the carpet from under your feet and keeps you guessing right up to the final moment. A wildly original whatsit that reconfirms Turkey as the breakout national cinema of the moment. https://www.youtube.com/watch?v=y9SfWmXQY3o

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  • LAST OF THE ELEPHANT MEN Among Winners of 2016 Big Sky Documentary Film Festival

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    [caption id="attachment_11860" align="aligncenter" width="1200"]LAST OF THE ELEPHANT MEN, directed by Daniel Ferguson and Arnaud Bouquet LAST OF THE ELEPHANT MEN, directed by Daniel Ferguson and Arnaud Bouquet[/caption] Before a boisterous crowd packed into The Loft in downtown Missoula last week, the juries of the 2016 Big Sky Documentary Film Festival revealed their selections in the festival’s four competition categories. Winners include LAST OF THE ELEPHANT MEN, directed by Daniel Ferguson and Arnaud Bouquet, FOLLOWING KINA, directed by Sonia Goldenberg, HUNTING IN WARTIME, directed by Samantha Farinella and ZONE BLANCHE, directed by Gaëlle Cintré. Feature Competition – films over 40 minutes in length Winner: LAST OF THE ELEPHANT MEN, directed by Daniel Ferguson and Arnaud Bouquet – For centuries, the Bunong indigenous people of Eastern Cambodia lived with elephants, depending on them for every aspect of life. Now with the forest around them threatened by logging and mining companies, both the Bunong and the elephant face a desperate struggle to survive. Jury Statement: We were struck by the film’s sensitive exploration of the mythic relationship between elephants and people among the Bunong people of Cambodia. The film is beautifully and patiently shot. By capturing the interdependency between the Bunong and their elephants, it turns these amazing animals into characters in their own right. Artistic Vision Award, Feature: FOLLOWING KINA, directed by Sonia Goldenberg – When Kina Malpartida won her title as the first Peruvian World Boxing Champion, the country was struck by a female boxing fever. Inspired by her, two young women fight against all odds to sustain a dream and become the next champion. Without any official support, they are driven by passion and perseverance to succeed in a totally male-dominated sport. Jury Statement: We were highly impressed with the manner in which the film takes viewers into the real world of women’s boxing in Peru, culminating in the insightful depiction of the rural and urban backdrops to two women, Alicia and Anita, both of whom hope to follow in the footsteps of Kina Malpardita. Big Sky Award – Presented to one film that artistically honors the character, history, tradition and imagination of the American West. Winner: HUNTING IN WARTIME, directed by Samantha Farinella – Profiles of Tlingit veterans from Hoonah, Alaska who saw combat during the Vietnam War. The veterans talk about surviving trauma, relating to Vietnamese civilians, readjusting to civilian life, and serving a government that systematically oppresses native people. Their stories give an important human face to the combat soldier and show the lasting affects of war on individuals, families and communities. Short Competition – films between 15 and 40 minutes in length Winner: DAGUAVA DELTA, directed by Rainer Komers – Far from the centre of the Latvian city of Riga, the suburbs Bolderāja and Daugavgriva are a kind of social island or biotope – a blend of apartment and detached family houses, backyards, shipyards, docks, yacht club, sea academy, historic fortress and barracks. Here, where the Daugava River flows into the Bay of Riga, anglers crowd the sunny mole during the spawning season of sprat, while veterans in the local pub are in memorial of their fallen fathers on Victory Day. Artistic Vision Award, Short Competition: ZONE BLANCHE, directed by Gaëlle Cintré – Four women who are electro-hypersensitive -a rare condition where people find themselves acutely intolerant to electromagnetic fields, including cell phone signals and WiFi- are driven deep into the Alps in search for remote shelters. Because of their extreme condition, their way of life, between a primitive existence and post-apocalyptic science-fiction, has never been photographed. Until now. Jury Statement: Working within the constraints of being unable to record with any electronic digital media, Zone Blanche creates a rich portrait of women who must live outside of society because of their sensitivity to electromagnetic fields. Utilizing the poetic language of avant-garde cinema, the film draws on the documentary impulse to give the audience access to the experiences of people who don’t have the option to tell their stories in contemporary digital media. Mini-Doc Competition – films 15 minutes and under Winner: MINING, POEMS, OR ODES, directed by Callum Rice – Robert, an ex-shipyard welder from Scotland, reflects on how his life experience’s have influenced his new found compulsion to write. His retrospective poetry revels a man who is trying to achieve a state of contentment through words and philosophy. Artistic Vision Award. Mini-Doc Competition: A CEREBRAL GAME, directed by Reid Davenport – A filmmaker with cerebral palsy ponders his changing identity through the lens of baseball. Jury Statement: The jury is pleased to present an Artistic Vision Award to A Cerebral Game, a film we feel especially demonstrates the core virtues of perseverance and passion that are essential to the art of filmmaking itself, and perhaps especially to the documentary genre. It’s quite an accomplishment to make a great documentary of any length – but this filmmaker has emerged against all odds. In this case, the filmmaker narrates his own story while creating a visual landscape that is at once disorienting and nostalgic – and the result is so raw and compelling it’s impossible to turn away. We open on shaky ground and come to discover, thanks to this director’s honesty and fearlessness, that we are watching the results of his inability to hold the camera steady – and that that ability is not what makes great filmmaking. He has the talent and fortitude to move forward and work on his dream and the resulting film is truly moving and inspiring.

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  • WHITE LIES, New Zealand’s Oscar Entry for Best Foreign Film, to Open in NYC on March 5th | TRAILER

    White Lies “WHITE LIES” (Tuakiri huna), New Zealand’s entry in the 2014 Oscar competition for best foreign-language film and distributed in the USA by ArtMattan Films, will receive its US Premiere Theatrical Release in New York City at MIST HARLEM from March 5 to 11, 2016. White Lies will also screen at the Jean Cocteau Cinema (Santa Fe, NM), The Cinema Art Center (Huntington, NY) and Studio C Cinema (Cornelius, NC) starting on March 4, 2016. Based on a novel by “Whale Rider” writer Witi Ihimaera, White Lies is an intense women-centered drama that explores with great humanity and sensitivity such difficult topics as race relations, skin bleaching and abortion. Paraiti is the healer and midwife of her rural, tribal people – she believes in life. But new laws in force are prohibiting unlicensed healers, making the practice of much Maori medicine illegal. She gets approached by Maraea, the servant of a wealthy woman, Rebecca, who seeks her knowledge and assistance in order to hide a secret which could destroy Rebecca’s position in European settler society. This compelling story tackles moral dilemmas, exploring the nature of identity, societal attitudes to the roles of women and the tension between Western and traditional Maori medicine. https://www.youtube.com/watch?v=5TmzTQoMidc

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  • HOCKNEY, A Documentary about David Hockney’s Life & Art Sets U.S. Release Date | TRAILER

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    HOCKNEY documentary HOCKNEY, a documentary film by Randall Wright (Lucian Freud: A Painted Life), will be released in the U.S. by Film Movement. After screening at Outfest, London, Vancouver, Palm Springs film festivals among others, the film will open at the Film Society of Lincoln Center and at Metrograph in New York, and at Laemmle Royal, Playhouse 7 and Noho 7 in Los Angeles on April 22, 2016. A national release will follow. HOCKNEY is the definitive exploration of one of the most significant artists of his generation. For the first time, David Hockney has given access to his personal archive of photographs and film, resulting in an unparalleled visual diary of his life. The film chronicles Hockney’s vast career, from his early life in working-class Bradford, where his love for pictures was developed through his admiration for cinema, to his relocation to Hollywood where his life long struggle to escape labels (‘queer’, ‘working class’, ‘figurative artist’) was fully realized. David Hockney offers theories about art, the universe, and everything: “I’m interested in ways of looking and trying to think of it in simple ways. If you can communicate that, of course people will respond; after all, everybody does look.“ But as HOCKNEY reveals, it’s the hidden self-interrogation that gives his famously optimistic pictures their unexpected edge and attack. The documentary traces the artist’s journey to live the American or Californian dream, yet paradoxically reveals that he never broke ties with the childhood that formed him. Did Yorkshire awkwardness in his blood give him the willpower to survive relationship problems, and later the AIDS plague that killed the majority of his friends? Acclaimed filmmaker Randall Wright offers a unique view of this unconventional artist who is now reaching new peaks of popularity worldwide, and, at 78, is as charismatic as ever, working in the studio seven days a week. https://www.youtube.com/watch?v=TUsjBK3q58k

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