• “THE NEW BLACK” and “SLOMO” Win Audience Awards at AFI DOCS

    THE NEW BLACK directed by Yoruba RichenTHE NEW BLACK directed by Yoruba Richen

    THE NEW BLACK directed by Yoruba Richen received the Audience Award for Best Feature, and SLOMO directed by Joshua Izenberg received the Audience Award for Best Short at AFI DOCS presented by Audi (formerly Silverdocs). The festival announced the Audience Award winners earlier today wrapping up the five day festival. THE NEW BLACK examines how African-American voters have become bitterly divided on the issue of gay marriage because of homophobia rampant in one of the pillars of the African-American community – the church. Focusing on the fight for marriage equality in Maryland, it argues that this hot-button issue is a matter of civil rights.

    SLOMO directed by Joshua IzenbergSLOMO directed by Joshua Izenberg

    This year’s Audience Award for Best Short went to SLOMO directed by Joshua Izenberg. The film asks what would really happen if you quit your lucrative job and just did what you wanted all day, like subject John Kitchin, a doctor who traded his medical practice for rollerblades and sandy beaches, and explores the neurological and spiritual joys of slow acceleration.

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  • Actress Meg Ryan Honored at 2013 Taormina Film Festival

    MEg Ryan at 2013 Taormina Film Festival

    Actress Meg Ryan was honored with the Taormina Arte Award Lancia at the 2013 Taormina Film Festival in Italy.

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  • Actress Marisa Tomei Honored at 2013 Taormina Film Festival

    Marisa Tomei at 2013 Taormina Film Festival

    Actress Marisa Tomei attended the 2013 Taormina Film Festival in Italy where she was honored with the Taormina City Prize.

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  • Academy Announces Submission Dates For 2013 Oscars

    academy-awards1

    The Academy of Motion Picture Arts and Sciences announced category submission deadlines for 86th Academy Awards consideration.

    The dates are as follows:

    Scientific and Technical Awards  – Friday, July 12
    Documentary Short Subject  – Tuesday, September 3
    Documentary Feature  – Monday, September 23
    Live Action Short Film  – Tuesday, October 1
    Animated Short Film  – Tuesday, October 1
    Foreign Language Film  – Tuesday, October 1
    Animated Feature Film  – Friday, November 1
    Original Score  – Monday, December 2
    Original Song  – Monday, December 2
    Official Screen Credits Form  – Monday, December 2
    All submissions are due by 5 p.m. PT

    Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre at Hollywood & Highland Center and televised live on the ABC Television Network. 

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  • TRAILER: Bobcat Goldthwait’s BigFoot Horror Film “WILLOW CREEK” Releases Trailer

    WILLOW CREEK

    A trailer has been released for horror film WILLOW CREEK which premiered earlier this year at Boston Independent Film Festival.  Bobcat Goldthwait, known for his “gruff but high-pitched voice” who has also directed WORLD’S GREATEST DAD, 2009; GOD BLESS AMERICA, 2012, wrote and directed the BIg Foot “found-footage” horror film.

    willow-creek-poster

    Jim and his girlfriend Kelly are in Willow Creek, California, to retrace the steps of Bigfoot researchers Patterson and Gimlin, who, in 1967, recorded the most famous film of the legendary monster. Kelly is a skeptic, along for the ride to spend time with her boyfriend between acting gigs. Jim, a believer, hopes to capture footage of his own, so his camera is constantly rolling.

    The small town is a mecca to the Bigfoot community; sasquatch statues guard the local businesses, murals of the missing link line the roads, and Bigfoot burgers are the town delicacy. The couple interview locals who range from skeptic to believer and from manic to completely menacing. Some of the stories they hear are of chance encounters with a gentle creature, while others are tales of mysterious eviscerations.

    On the day that Jim and Kelly plan on hiking into the woods to look for proof, they are given a simple warning: “It’s not a joke. You shouldn’t go there.” Despite the ominous message and Kelly’s own reservations, they head deep into the forest to set up camp. The events that follow will make them wish they had simply spent the night at the Bigfoot Motel. [IFFB]

    http://youtu.be/eHcqBIPecRE

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  • Kathleen Hanna Documentary “THE PUNK SINGER” to Get a Fall 2013 Release

    Kathleen Hanna The Punk Singer

    The punk roc documentary THE PUNK SINGER directed by Sini Anderson will be released in the Fall 2013 by Sundance Selects. The Punk Singer: The Documentary about Kathleen Hanna focuses on Kathleen Hanna credited as a founder of the third wave of feminism and Riot Grrrl movement.

    Kathleen Hanna, lead singer of the punk band Bikini Kill and dance-punk trio Le Tigre, rose to national attention as the reluctant but never shy voice of the riot grrrl movement. She became one of the most famously outspoken feminist icons, a cultural lightning rod. Her critics wished she would just shut-up, and her fans hoped she never would. So in 2005, when Hanna stopped shouting, many wondered why. Through 20 years of archival footage and intimate interviews with Hanna, “THE PUNK SINGER” takes viewers on a fascinating tour of contemporary music and offers a never-before-seen view into the life of this fearless leader. SXSW

    http://youtu.be/xuhtI_Kgn3E

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  • French Films “DELICATE GRAVITY” and “STRANGER BROTHERS” Take Top Awards at 2013 Palm Springs International ShortFest

    DELICATE GRAVITY DELICATE GRAVITY

    French films took the top prizes at the 2013 Palm Springs International ShortFest – DELICATE GRAVITY (Délicate Gravité) directed by Philippe André was awarded the BEST OF FESTIVAL AWARD, and STRANGER BROTHERS (Faux Frères) directed by Lucas Delangle was awarded the BEST OF FESTIVAL AWARD. Both films are now eligible to be submitted to the Academy of Motion Picture Arts and Sciences for Oscar consideration.

    The 2013 Palm Springs International ShortFest award winners are:

    JURY AWARDS

    BEST OF FESTIVAL AWARD
    DELICATE GRAVITY (Délicate Gravité) (France), Philippe André
    Yvan Attal and Anne Parillaud are wonderful as two lonely spirits who come together by chance when a cell phone call to a wrong number provides the catalyst for a meeting.

    PANAVISION GRAND JURY AWARD
    STRANGER BROTHERS (Faux Frères) (France), Lucas Delangle
    Guillaume returns to the village where he grew up to pick up the car he inherited from his father years before. Once there, he encounters his step brother, and things get a little more complicated.

    FUTURE FILMMAKER AWARD – Winner received a $2,000 cash prize and a GoPro Hero 3 Camera courtesy of Radiant Images.
    RHINO FULL THROTTLE (Nashorn Im Galopp) (Germany), Erick Schmitt
    Bruno roams the streets of Berlin, gazing behind the many facades and surfaces as he seeks the soul of the city. Unexpectedly, he meets an ally in his quest and immediately falls in love. But she is also on a quest, and it’s one that has her leaving Bruno and Berlin very soon.

    Jury Special Mention – The jury would like to give a special mention to the short film The Wall from Norway for its grit, humanity and creativity.


    AUDIENCE AWARDS

    AUDIENCE FAVORITE LIVE ACTION SHORT
    WALKING THE DOGS (UK), Jeremy Brock
    Emma Thompson stars as Queen Elizabeth in this delicious rendering of the infamous 1982 incident in which a man broke into the Queen’s bedroom while her security guard was out in the palace grounds walking the dogs.

    Runner-up – GREAT (Germany), Andreas Henn

    AUDIENCE FAVORITE DOCUMENTARY SHORT
    NOT ANYMORE: A STORY OF REVOLUTION (USA), Matthew VanDyke
    Shot on the ground with a hand held camera and told in striking first person, the Syrian struggle for freedom as experienced by a 32 year old rebel commander, Mowya, and a 24 year old female journalist, Nour, in Aleppo, Syria is exposed like no TV newscast could do.

    Runner-up – SLOMO (USA), Josh Izenberg

    AUDIENCE FAVORITE ANIMATION SHORT
    A GIRL NAMED ELASTIKA (Canada), Guillaume Blanchet
    A spirited girl made of rubber bands journeys across her corkboard universe in this delightful stop-motion film.

    Runner-up – CHOPPER (Netherlands), Lars Damoiseaux, Frederik Palmaers

    The ShortFest Online Audience Award went to SHELVED (New Zealand), directed by James Cunningham. The film will be available to view on the PSIFF website for the next three months.


    JURY CATEGORY AWARDS 

    BEST ANIMATION SHORT
    First Place ($2,000) – ARTS & CRAFTS SPECTACULAR #2 (Germany),Ian Ritterskamp & Sébastien Wolf
    This surreal claymation extravaganza wryly celebrates the close encounter of such disparate pop figures as Popeye and Yoko Ono during a be-in at a museum somewhere in time.

    Second Place ($500) –Chopper(Netherlands), Lars Damoiseaux & Frederik Palmaers

    BEST LIVE ACTION SHORT OVER 15 MINUTES
    First Place ($2,000) – WILD HORSES (USA), Stephanie Martin
    Mireille Enos stars in this story of cruelty, courage, love and memory as two generations of women bear witness to the brutality common to wild horse roundups in the American West.

    Second Place ($500) – SPRING TIDES (Les Grandes Marées) (France), Mathias Pardo

    BEST LIVE ACTION SHORT 15 MINUTES AND UNDER
    First Place ($2,000) – WE KEEP ON DANCING (Australia), Jessica Lawton
    Two distinctly disparate characters come together over a broken down Volkswagen Beetle in this sweet, amusing tale of love, loss and… car trouble.

    Second Place ($500) – NOT FUNNY (No Tiene Gracia) (Spain), Carlos Violadé

    BEST DOCUMENTARY SHORT
    First Place ($2,000) – LETTERS FROM PYONGYANG (Canada), Jason Lee
    The tragedy of a divided Korea is powerfully evoked in this profound personal journey undertaken by filmmaker Jason Lee, who ventures with his father from South to North, across the Korean peninsula, in search of clues of his family’s unsettled past.

    Second Place ($500) – DECEMBER 25 (Australia), Wendy Dent

    STUDENT CATEGORIES

    BEST STUDENT ANIMATION
    First Place – HARALD (Germany), Moritz Schneider
    Harald is a champion wrestler with a monster mother for his coach. Though his true love is growing flowers, coach mom doesn’t wanted him distracted by such trifles, so when she takes away his latest plant, Harald is forced to sieze the day.

    Second Place – THE MAGNIFICENT LION BOY (UK), Ana Caro

    BEST STUDENT LIVE ACTION SHORT OVER 15 MINUTES
    First Place – MAGMA (Poland), Pawel Maslona
    Dedicated furniture salesman Janusz always knows just how to close a sale but after an extremely rare accident at work, he finds his carefully constructed life unraveling.

    Second Place – PAULINE IN A BEAUTIFUL WORLD (USA), William Thompson

    BEST STUDENT LIVE ACTION SHORT 15 MINUTES AND UNDER
    First Place – JUMP (Australia), Aimee Lee Curran
    In a visually dazzling story about the importance of family when pursuing your dreams, Jump tells the tale of 12-year-old Edwin, a circus clown like his father, who dreams of becoming a trapeze artist..

    Second Place – RELICS(USA), Jennie Allen

    BEST STUDENT DOCUMENTARY SHORT
    First Place – EMPTY NEST (Myanmar), Zaw Naing Oo
    In one small pocket of Yangon, the urban center of Myanmar, Daw Ni Lang lives very modestly with her husband and young son. It’s a hard life, but she’s managed to raise four children who are all well-educated… if only they would call home a little more often.

    Second Place – JONATHAN (Ecuador), Abe Zverow

    BEST STUDENT CINEMATOGRAPHY
    Leigh Lisbão Underwood (cinematographer), THE BOY SCOUT (USA)
    Trapped in their car for days after an unexpected snowstorm strands them on a remote mountain road during an impromptu trip, Grant and Leah confront a life-or-death choice… With another storm on the way, should they stay or should they go.

    Second Place – Tam Morris (cinematographer), JUMP (Australia)

    BEST US FILM SCHOOL STUDENT FILM AWARD
    First Place – MY FATHER’S TRUCK (Xe Tai Cua Bo) (Brazil/Vietnam), Mauricio Osaki
    10-year-old Mai Vy skips school one day to help her father with his passenger truck for hire. Set along the countryside of Northern Vietnam, Mai Vy is soon confronted with varying shades of morality and harsh realities as she learns how things outside the classroom really are.

    ADDITIONAL PRIZES The Alexis Award for Best Emerging Student Filmmaker went to OSTRICHLAND (USA), directed by David McCracken. T

    Bridging the Borders Award presented by Cinema Without Borders went to THAT WASN’T ME (Aquel No Era Yo) (Spain) directed by Esteban Crespo. The runner-up was TRYOUTS (USA), directed by Susana Casares.

    The next Palm Springs International Film Festival will be held January 3-13, 2014.

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  • “HAVING YOU,” and “HOW TO FOLLOW STRANGERS” Awarded Top Honors at 2013 Lower East Side Film Festival

    HAVING YOUHAVING YOU

    “HAVING YOU,” and “HOW TO FOLLOW STRANGERS” were awarded top honors at the 2013 Lower East Side Film Festival (L.E.S* Film Festiva), which ran June 13 – 23 in New York City.

    Prix D’or Winner, “HOW TO FOLLOW STRANGERS” is directed by Chioke Nassor and stars Broad City’s Ilana Glazer. There is a true story of a woman who died in her apartment and it took people a year to find her body decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule DOES notice…

    Best Feature Winner, HAVING YOU, is directed by Sam Hoare and stars Golden Globe Nominated Anna Friel, Golden Globe and BAFTA Nominee Romola Garai, and BAFTA Nominee Phil Davis. Jack has finally managed to propose to his infertile girlfriend when his life is turned upside down by the arrival of an old one-night stand that introduces him to his seven year old son.

    The Full List of Winners are:

    PRIX D’OR – Best of Fest – How To Follow Strangers. Dir. By Chioke Nassor
    BEST FEATURE – Having You. Dir. By Sam Hoare
    AUDIENCE AWARD – i hate myself 🙂 Dir. By Joanna Arnow
    BEST LIVE ACTION SHORT – The Caretaker. Dir. Lauren Lillie
    BEST DOC SHORT – Wright’s Law. Dir. By Zack Conkle
    BEST ANIMATION – Fear of Flying. Dir. By Conor Finnegan
    L.E.S* NEIGHBORHOOD AWARD – The Birdman. Dir. By Jessie Auritt.

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  • Jonathan Demme’s ENZO AVITABILE MUSIC LIFE to Kick Off 2013 Maine International Film Festival

    ENZO AVITABILE MUSIC LIFE

    ENZO AVITABILE MUSIC LIFE directed by Oscar-winning director Jonathan Demme (Silence Of The Lambs, Philadelphia, Stop Making Sense) will kick off the Opening Night of the 16th Maine International Film Festival (MIFF) on Friday, July 12 at the Waterville Opera House. Jonathan Demme, the MIFF 2002 Midlife Achievement Honoree, will introduce his new film, which centers on Enzo Avitabile, the Neapolitan musician who’s blazing a world music trail in his collaborations with other musicians from around the Mediterranean and around the world, including Buena Vista Social Club’s Eliades Ochoa.

    ENZO AVITABILE MUSIC LIFE is the first in a special section of MIFF 2013 called “Demme Does Music,” designed to highlight what the festival describes as Demme’s fantastic feel for and ability to convey the excitement of music. Although his feature films, including classics like Silence of the Lambs, for which he won the Best Director Oscar in 1992, Philadelphia, Melvin and Howard and Something Wild, invariably have a strong musical element, according to Festival Programmer Ken Eisen, it is Demme’s “beautiful portfolio of films directly centering on music and musicians that really shine with the excitement, power and thrill of Jonathan’s wonderful ability to wed film with music.”

    ENZO AVITABILE MUSIC LIFE will open theatrically at Lincoln Plaza and a downtown theater in New York on October 18, and at the Royal and other Los Angeles area Laemmle theaters on October 25.  A national release will follow.

    http://youtu.be/bMY73xNXDJk 

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  • Director Paris Barclay Elected First African American President of the Directors Guild of America

    Paris Barclay

    Director Paris Barclay was elected President of the Directors Guild of America by acclamation at the Guild’s National Biennial Convention held over the weekend at DGA National Headquarters in Los Angeles.

    “I am profoundly honored to be elected President of the DGA,” said Barclay to the assembled delegates after the vote. “The DGA has worked for more than three-quarters of a century to advance the creative and economic rights of directors and their teams and I look forward to continuing this strong tradition of service. As the son of a glass blower and a tile maker from Chicago, I am extremely humbled to have the honor to serve in the footsteps of the legendary leaders of the DGA like Frank Capra, Robert Wise and Gil Cates.”

    Barclay has a deep history of service to the Guild, having most recently served four terms on the National Board as First Vice-President, beginning in 2005 and as Third Vice-President from 1999 to 2005. Barclay joined the Guild in 1992 and began his service as a member of the African American Steering Committee in 1993. He joined the Western Directors Council in 1997 as an alternate and was elected a full Council member in 1999 and has served on the Council for 16 years. In 2007, the Guild honored Barclay with the Robert B. Aldrich Achievement Award for extraordinary service to the DGA and its membership.

    Barclay has directed over 130 episodes of television during his directing career, including: Sons of AnarchyGleeSmashHouseCold Case, NCIS: Los Angeles, In Treatment, The Good Wife, CSI, Lost, The ShieldThe West Wing, ER and NYPD Blue. In addition to episodic directing, Barclay has been an active director-producer, currently serving in that role in Sons of Anarchy and previously for In Treatment, Cold Case, City of Angels and NYPD Blue.  

    Barclay has received 10 DGA Award nominations for Outstanding Direction in Comedy and Drama Television. He became the first Director in the history of the Guild to receive a comedy and a drama nomination in the same year, two years in a row (2008 In Treatment & Weeds and 2009 In Treatment & Glee). He won the 1998 DGA Dramatic Series Award for his NYPD Blue episode “Heart and Souls” featuring the death of Jimmy Smits’ character Bobby Simone. He has also won two Emmy Awards for his direction of NYPD Blue and received four additional Emmy nominations for producing and directing. Barclay has also received three NAACP Image Awards, four Peabody Awards, two Humanitas Prizes, and countless other recognitions. He also directed the HBO movie for television The Cherokee Kid and the Miramax feature Don’t Be a Menace to South Central While Drinking Your Juice in the Hood. He began his career in advertising working as a creative executive and then segued into directing commercials and music videos for artists including: Janet Jackson, Bob Dylan, and LL Cool J.

    Barclay, a graduate of Harvard College, is married to his husband, Christopher Barclay, and has two sons.

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  • 2013 LA Film Festival Winners; MOTHER, I LOVE YOU and CODE BLACK Win Top Awards

    MOTHER, I LOVE YOUMOTHER, I LOVE YOU

    The Los Angeles Film Festival announced the jury and audience award winners for the 2013 Festival;  the top awards –  the DIRECTV Narrative Award went to Janis Nords for MOTHER, I LOVE YOU, which made its United States premiere at the Festival; and the DIRECTV Documentary Award went to Ryan McGarry for CODE BLACK, which made its world premiere at the Festival.

    The Audience Award for Best Narrative Feature went to SHORT TERM 12 directed by Destin Daniel Cretton and the Audience Award for Best Documentary Feature went to AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS, directed by Grace Lee. Wadjda, a Sony Pictures Classics release directed by Haifaa Al Mansour won the Audience Award for Best International Feature.

    Awards were given out in the following categories:

    DIRECTV Narrative Award (for Best Narrative Feature)

    Winner: MOTHER, I LOVE YOU directed by Janis Nords
    Producer: Alise Gelze
    Cast: Kristofers Konovalovs, Matiss Livcans, Vita Varpina, Indra Brike, Haralds Barzdins

    Film Description: Like a lot of children, 12-year-old Raimonds has his quiet side, his talented side (he plays saxophone at a music school), a mischievous streak and a resourcefulness born of desperation. Often on his own while his single mom works, and routinely at odds with her when they do spend time together, Raimonds finds thrilling companionship in Peteris, a boy who steals money from one of the apartments his mother cleans. Raimond’s increasingly dangerous decisions will have thorny repercussions for him and those close to him. Latvia

    The Narrative Award carries an unrestricted cash prize of $10,000 funded by DIRECTV, offering the financial means to help filmmakers transfer their vision to the screen. The award recognizes the finest narrative film in competition and is given to the director. A special jury selects the winner, and all narrative feature-length films screening in the Narrative Competition section were eligible.

    In bestowing Janis Nords with the DIRECTV Narrative Award, the Jury stated:

    “As filmmakers ourselves we are finely attuned to the processes of making a film and sometimes find it difficult not to analyze a film on a purely technical or esoteric level.  In the case of our selected film, we found ourselves absorbed so completely in its world that we removed our critical eye. Its story is simple, deftly executed, and features a prodigious central performance. The careful escalation of dramatic tension, the truthful portrayal of a strained mother-son relationship, the stunning night time photography of an urban landscape and the confidant direction – never sacrificing substance for style – thoroughly won us over.  It is with a deep appreciation for its delicacy, emotional resonance and assured control of craft that we award the Grand Prize to Mother, I Love You.”

    DIRECTV Documentary Award (for Best Documentary Feature)

    Winner: CODE BLACK directed by Ryan McGarry
    Producer: Linda Goldstein Knowlton

    CODE BLACKCODE BLACK

    Film Description: Continually understaffed, under-budgeted and overrun with patients, public hospital ER waiting rooms are by definition seas of misery. The ER of the old L.A. County Hospital+USC Medical Center, which was the first academic Department of Emergency Medicine in the US was, by all accounts, a war zone.

    Code Black follows a team of young, idealistic and energetic ER doctors during the transition from the old to the new L.A. County as they try to avoid burnout and improve patient care. Why do they persist, despite being under siege by rules, regulations and paperwork? As one doctor simply states, “More people have died on that square footage than any other location in the United States. On a brighter note, more people have been saved than in any other square footage in the United States.”

    The Documentary Award carries an unrestricted cash prize of $10,000 funded by DIRECTV, offering the financial means to help filmmakers transfer their vision to the screen. The award recognizes the finest documentary film in competition, and is given to the director. A special jury selects the winner, and all documentary feature-length films screening in the Documentary Competition section were eligible.

    In bestowing Ryan McGarry with the DIRECTV Documentary Award, the Jury stated:

    “It’s unusual for a first-time filmmaker to integrate complex, multifaceted ideas so seamlessly into a visceral, action-packed and character-driven story that they end up creeping up on you, as if you’d thought of them all by yourself. With a strong point-of-view rooted in personal experience, and without judgment, this year’s winning film deftly disarms a hot-button political issue by reframing it as a human issue and shows us, instead of telling us, why we should care. Instead of rehashing familiar arguments, it drills down to find the universal in the specific. It’s heart warming, and also heart stopping. The winner of the 2013 Los Angeles Film Festival Documentary Competition Grand Jury Prize isCode Black directed by Ryan McGarry.”

    Best Performance in the Narrative Competition

    Winner: Geetanjali Thapa in Kamar K.M’s I.D.

    Film Description: The feature directorial debut from Indian filmmaker Kamal K.M. may be called I.D., but this drama has less to do with individual identity than it does our shared personal connection. A carefree young woman living in Mumbai named Charu is visited by a painter who’s been hired to do a touch-up to one of her apartment walls. But when the man falls unconscious, Charu discovers that she alone must attend to this stranger, first getting him to the hospital and then trying to discover who he is. India

    In bestowing Geetanjali Thapa with the Best Performance Award, the Jury stated:

    “The Narrative Competition Jury gives an award for Best Actor to the very talented Geetanjali Thapa for her portrayal of Chara in Kamal K.M.’s I.D. Thapa’s performance is recognized in part for her ability to win over the audience’s empathy for a character that initially lacks, indeed even resists, empathy. Rarely conversational, her ability to speak volumes with gesture and silence is a revelation to the audience. With an onscreen presence that commands attention, we see her rising star as something that excites us as filmmakers, and we are privileged to bear witness to the start of Thapa’s very promising career.”

    Audience Award for Best Narrative Feature

    Winner: SHORT TERM 12, directed by Destin Daniel Cretton
    Producers: Maren Olson, Asher Goldstein, Joshua Astrachan, Ron Najor
    Cast: Brie Larson, John Gallagher Jr., Kaitlyn Dever, Keith Stanfield, Rami Malek

    SHORT TERM 12SHORT TERM 12

    Film Description: Working with at-risk youth in a foster care facility, Grace never knows when things might suddenly go sideways. Likewise, Destin Daniel Cretton’s film keeps viewers off-balance starting with its brilliantly staged opening scene, rarely allowing a moment’s peace before another crisis erupts. Having reached a critical juncture in her relationship with her boyfriend Grace is pushed to her breaking point by the arrival of Jayden, a girl whose troubled home life parallels the one she endured.

    This award is given to the narrative feature audiences liked most as voted by a tabulated rating system. Select narrative feature-length films screening in the following sections were eligible for the Audience Award for Best Narrative Feature: Narrative Competition, International Showcase, Summer Showcase, Community Screenings and The Beyond.

    Audience Award for Best Documentary Feature

    Winner: AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS, directed by Grace Lee
    Producers: Grace Lee, Caroline Libresco, Austin Wilkin
    Featuring: Grace Lee Boggs

    AMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGSAMERICAN REVOLUTIONARY: THE EVOLUTION OF GRACE LEE BOGGS

    Film Description: Intimate and inspiring, Grace Lee Boggs’ story is one of a lifelong work for social justice and equality. Born into a middle class Chinese immigrant family and educated at Barnard in the 1930s, the young Grace soon noticed the inequities in American society and spent the next eight decades working to change the status quo, becoming an icon of the African American movement. Using her advanced education and intelligence not to accrue vast wealth but to work towards the betterment of all people, Boggs became a true American hero.

    At 97 she continues to work tirelessly to educate and activate Americans, young and old, to work for the changes in which they believe. Director Lee (no relation) gives us a writer, activist and philosopher as she works her way through decades of social and political upheaval, inspiring all the way.

    This award is given to the documentary feature audiences liked most as voted by a tabulated rating system. Select documentary feature-length films screening in the following sections were eligible for the Audience Award for Best Documentary Feature: Documentary Competition, International Showcase, Summer Showcase and Community Screenings.

    Audience Award for Best International Feature

    Winner: WADJDA, directed by Haifaa Al Mansour
    Producers: Gerhard Meixner, Roman Paul
    Featuring: Reem Abdullah, Waad Mohammed, Abdullrahman Al Gohani, Ahd, Sultan Al Assaf

    WADJDAWADJDA

    Film Description: This rousing, pioneering gem–not only the first Saudi Arabian feature shot within the Kingdom, but the first ever directed by a woman–focuses on a remarkable 10-year-old girl named Wadjda, who sets her sights on buying a beautiful green bicycle so she can race her friend Abdullah through the suburban streets of Riyadh. But in this conservative society, virtuous girls don’t ride bikes, and her mother forbids it. The rebellious Wadjda decides to raise the money herself – by entering a Koran recitation competition at her school. The troublemaker must pose as a pious, model student to achieve her goal. Germany/Saudi Arabia/United Arab Emirates

    This award is given to the international feature audiences liked most as voted by a tabulated rating system. Select international feature-length films, both narrative and documentary, screening in the following sections were eligible for the Audience Award for Best International Feature: Narrative Competition, Documentary Competition, International Showcase, Summer Showcase and The Beyond.

    HONOLULU FILM OFFICE AWARD for Best Narrative Short Film

    Winner: WALKER directed by Tsai Ming-Liang
    Producer: Chen Kuan-Ying
    Cast: Lee Kang-Sheng

    Description: In this stunning meditative piece, the walking pace of a monk measures up against the bustling streets of Hong Kong. China

    In bestowing Tsai Ming-Liang with the Honolulu Film Office Award for Best Narrative Short Film Award, the Jury stated:

    “Great storytelling comes in many different forms, and like an ancient koan, our winner is deceptively simple and surprisingly playful. It features the epic odyssey of one man, seemingly poised against the forces of modernity as he advances – silently, deliberately -from day to night, from tiny alleys to towering skyscraper avenues, across the frenetic city of Hong Kong. At journey’s end, we, too, are transformed by the sweet moment when denial morphs into glee: Walker from Tsai Ming-Liang.”

    HONOLULU FILM OFFICE AWARD for Best Documentary Short Film

    Winner: STONE directed by Kevin Jerome Everson
    Producers: Madeleine Molyneaux, Kevin Jerome Everson

    Description: A real-time documentary of a street hustler running a betting game of finding the ball under one of the three caps.

    In bestowing Kevin Jerome Everson with the Honolulu Film Office Award for Best Documentary Short Film Award, the Jury stated:

    “Documentaries can expose us to the world’s harsh realities, but they can also reveal the beauty and mystery of the everyday. The latter is very true in the case of our winner for Best Documentary Short, which is only seven minutes long but is filled with character detail and suspense. Consisting of only one shot, this short introduces us to an unnamed street hustler as he bets onlookers that they can’t find the ball hidden underneath one of three caps, our winner is filmmaker Kevin Jerome Everson’s Stone.”

    HONOLULU FILM OFFICE AWARD for Best Animated/Experimental Short Film

    Winner: OH WILLY… directed by Emma De Sweaf, Marc James Roels
    Producers: Ben Tesseur, Nidia Santiago

    Description: Fleeing a nudist colony where he witnessed his mother’s passing, Willy has an unexpected encounter. Belgium/The Netherlands/ France

    In bestowing Emma De Sweaf and Marc James Roels with the Honolulu Film Office Award for Best Animated or Experimental Short Film Award, the Jury stated:

    “Several of the animated shorts at this year’s festival were inventive and startling, but our winner was a truly exceptional piece of work. This humorous, moving and ultimately sublime short tells a story of life, death and rebirth with wobbly thighs, vomit, breastfeeding, space travel and bunny rabbits – all against the backdrop of a nudist colony. The winner of Best Animated or Experimental Short is Oh Willy…”

    Audience Award for Best Short Film

    Winner: GRANDPA AND ME AND A HELICOPTER TO HEAVEN directed by Åsa Blanck and Johan Palmgren
    Producers: Åsa Blanck

    Description: An unsentimental young boy goes on a final excursion with his grandfather to collect chanterelle mushrooms. Sweden

    Awarded to the short film audiences liked most as voted on by a tabulated rating system. Short films screening in the Shorts Programs or before Narrative Competition, Documentary Competition, or International Showcase feature-length screenings were eligible for the Audience Award for Best Short Film.

    Audience Award for Best Music Video

    Winner: KATACHI directed by Kijek/Adamski
    Music: Shugo Tokumaru

    This award is given to the music video audiences liked most as voted on by a tabulated rating system.

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  • REVIEW: Unfinished Song

    Unfinished Song (Song for Marion)

    Thank goodness UNFINISHED SONG (titled “Song for Marion” overseas) was made by an English filmmaker. I say that because Hollywood would have completely destroyed this wonderful story by overfilling it with cheesy, contrived moments. Hollywood doesn’t have the guts to make this kind of film without a “star.” Instead of the wonderful performances from Terrence Stamp and Vanessa Redgrave we’d likely get Steve Martin in one of his less-than-great performances and Cher.

    But thankfully writer/director Paul Andrew Williams made this movie on English soil. UNFINISHED SONG stars Stamp and Redgrave as Arthur and Marion, an elderly couple who is trying to cope with Marion’s cancer. Marion spends her final months as a member of a neighborhood senior citizen choral group that performs outside the box music (like the B-52s and, to my surprise, Motörhead). Grumpy Arthur doesn’t cope quite as well, and he doesn’t get Marion’s singing though it’s not much different from his old man pub domino games. Even worse, Arthur is concerned that all the energy Marion puts into performing is taking a toll on her health, and it’s also clear that Arthur is jealous of the joy Marion gets out of singing because he doesn’t believe he is capable of making her that happy anymore. Add that to Arthur’s uncomfortable relationship with his son James (Christopher Eccleston) and his resentment of Marion’s choir teacher, Elizabeth (Gemma Arterton), and Arthur has to do a lot of emotional growth for someone his age.
    Unfinished Song (Song for Marion)

    Again, the movie is wonderfully English, and I’m not just talking about Arterton’s familiar cute cockney accent. Despite the harrowing material, it is at its heart a comedy. Stamp brings such a presence to the film, and because of his career-long stern persona the tender moments hit harder than one would expect. This is equaled by Redgrave’s powerful performance as a cancer-stricken woman who won’t give up on life. The two have wonderful chemistry. And I never expected to enjoy senior citizens singing 1990s rap songs as much as I did. Along with that, Arterton really needs to be doing more movies like Unfinished Song and not Prince of Persia or Hansel & Gretel.

    Is the material cliché? Is it overly sentimental? Sure. But most of us have hearts, don’t we? Unfinished song presents a sweet story that never seems manipulative, which is harder to find in movies like this than you think. While one might question some of the logic (I refuse to believe Arterton’s character is a woman who has trouble finding dates), you can’t deny the sincerity. Though Unfinished Song isn’t a movie for everyone – I can’t imagine many teenagers connecting with it – it is one that others will find hard not to love.

    Review Rating: 4 out of 5 : See it …… It’s Very Good

    http://youtu.be/t7sJs2sHPec

     

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