
Maren Ade’s dark comedy, Toni Erdmann was the big winner at the 14th International Cinephile Society Awards (ICS), taking top honors for Best picture, director, non-English language film and original screenplay.
HANDSOME DEVIL[/caption]
Here is the first official trailer for Handsome Devil, an Irish funny, music-drenched coming-of-age story set in an elite Dublin rugby school from writer-director John Butler. Handsome Devil which premiered at Toronto International Film Festival stars Andrew Scott (Sherlock, Spectre) alongside rising stars Fionn O’Shea and Nicholas Galitzine.
Heading up a cast of bright new talent is Fionn O’Shea as gawky, sixteen year-old Ned, a bright, artistic lad who faces his own hell on earth when he is sent to an all-boys Irish boarding school where the manly pursuit of rugby is virtually a religion. He steels himself for the loneliness, ridicule and constant insinuations about his sexuality. Everything changes with the arrival of his new roommate Conor (Nicholas Galitzine), a star player in the rugby team, and inspirational English teacher Dan Sherry (Sherlock and Spectre star Andrew Scott). Ned and Conor bond over a mutual appreciation of cool music and an unlikely friendship blossoms and faces unbearable pressures from a school grimly attached to its narrow macho values.
A music-mad 16-year-old outcast at rugby-mad boarding school forms an unlikely friendship with his dashing new roommate, in this funny and observant coming-of-age tale from Irish novelist and filmmaker John Butler.
The Writers Guild of America last night announced the winners of the 2017 Writers Guild Awards for outstanding achievement, honoring Moonlight with award for Original Screenplay and Command and Control with the award for Documentary Screenplay.
The WGAW presented several honorary awards during its ceremony: Oscar-nominated actor James Woods (Salvador, Nixon) presented the WGAW’s Laurel Award for Screenwriting Achievement to Academy Award and WGA-winning screenwriter-director Oliver Stone (Platoon, Born on the Fourth of July, JFK); Emmy-winning The Newsroom star Jeff Daniels presented the Paddy Chayefsky Laurel Award for Television Writing Achievement to Oscar and WGA-winning The Social Network screenwriter and The West Wing / The Newsroom Creator Aaron Sorkin; Emmy-nominated actress Kerry Washington (Confirmation, Scandal) presented the Paul Selvin Award to screenwriter Susannah Grant (Erin Brockovich) for her script for the HBO telefilm, Confirmation, which embodies “the spirit of constitutional rights and civil liberties which are indispensable to the survival of free writers everywhere;” actor Jeff Goldblum (Independence Day: Resurgence, Jurassic Park) presented the Valentine Davies Award to acclaimed screenwriter-director Richard Curtis (Love Actually, Four Weddings and a Funeral, Bridget Jones’s Diary) for his humanitarian service and charitable efforts around the globe; Emmy-winning and Oscar-nominated actress Shohreh Aghdashloo (The Expanse) presented the Jean Renoir Award for International Screenwriting Achievement to late Iranian filmmaker Abbas Kiarostami (Taste of Cherry, The Wind Will Carry Us, Certified Copy), whose son Ahmad Kiarostami accepted on his behalf; and writer Howard Michael Gould (Instant Mom) presented the Morgan Cox Award to Emmy-nominated M*A*S*H writer and past WGAW Board of Directors member Dan Wilcox for his Guild service.
I CALLED HIM MORGAN[/caption]
I CALLED HIM MORGAN, Kasper Collin’s (My Name Is Albert Ayler) documentary portrait of legendary jazz musician Lee Morgan and the woman who tragically took his life will open in New York on March 24 and Los Angeles on March 31. Featuring cinematography by Oscar-nominated DP Bradford Young (Arrival, Selma), I CALLED HIM MORGAN swept a prestigious group of fall film festivals—Venice, Telluride, Toronto, New York, and London.
The film will open theatrically on Friday, March 24 at New York’s Film Society of Lincoln Center, and followed on Friday, March 31 by openings at Manhattan’s Metrograph Theater and Los Angeles’ Laemmle Monica with a national expansion to follow.
On a snowy night in February 1972, 33-year-old jazz trumpet star Lee Morgan was shot dead by his common-law wife, Helen, during a gig at a club in New York City. The murder sent shockwaves through the jazz community, where Morgan played with such greats as Dizzy Gillespie, Art Blakey and John Coltrane. Helen served time for the crime and, following her release, retreated into obscurity. Over 20 years later, a chance encounter led her to give a remarkable interview. Helen’s revealing audio “testimony” acts as a refrain throughout the film, which draws together a wealth of archival photographs and footage, interviews with friends and bandmates and incredible jazz music to tell the ill-fated pair’s story. Part true-crime tale, part love story, and an all-out musical treat, I CALLED HIM MORGAN is a captivating chronicle of the dramatic destinies of two unique personalities and the music that brought them together.
Featuring Wayne Shorter, Paul West, Charli Persip, Albert “Tootie” Heath, Larry Ridley, Jymie Merritt, Bennie Maupin, Billy Harper, Larry Reni Thomas, and more.
EVERYTHING BUT A MAN[/caption]
The 2017 Hollywood Black Film Festival (HBFF) will open on Wednesday February 22 with the feature film “The Preacher’s Son” and close on Saturday February 25 with “Everything But A Man.”
The HBFF will feature an exciting line up of 100 films, along with panels, panelists and festivities over a four-day period. HBFF happens February 22 to 26, 2017 and will be hosted at Hotel MdR, 13480 Maxella Ave, Marina Del Rey, CA 90292. Known as one of the leading Black film festivals in the world, the Hollywood Black Film Festival (HBFF) is now in its fourteenth year, the upcoming edition of Hollywood Black Film Festival’s theme is “Festival at the Beach”.
OPENING NIGHT
THE PREACHER’S SON
Director: Trey Haley
Writer: Carl Weber
Stars: Christian Keyes, Clifton Powell, Valarie Pettiford, Vanessa Bell Calloway and MORE…
Based on the characters from New York Times bestselling author Carl Weber’s novel The Preacher’s Son. Bishop T.K. Wilson, his wife & two children are a well-respected family in their community — yet the Wilson kids are fighting temptations, and the bishop’s son, Dante, has plans that don’t include taking over his father’s church. Tri-Destined Studios
CLOSING NIGHT
EVERYTHING BUT A MAN
Writer/director: Nnegest Likke
Stars: Monica Calhoun, Jimmy Jean-Louis and Camille Winbush and MORE…
She’s sexy, smart, successful… and still single. “Everything But A Man” explores the paradox modern career women face, having to think and act like a man in the work world, but still be expected to behave like “a lady” in order to keep a man. The story follows a high achieving but secretly lonely lawyer who despite all her material success is a failure when it comes to love. Things heat up for her when she meets a handsome, mysterious man from another culture. But his radical lifestyle differences threaten to shake up her world and challenge her beliefs on love, relationships and what it means to be a “strong” woman. Race, class, gender and culture all clash in this unconventional romantic comedy-drama. N’Vision Pictures, Jet Media Productions, Bek Films & Sneak Preview Entertainment
The Audi Short Film Award goes to Lebanese director Karam Ghossein – here with Jason Lusty, Head of Marketing Germany at AUDI AG[/caption]
Lebanese director Karam Ghossein has won the Audi Short Film Award, along with its €20,000 cash prize at the 2017 Berlin International Film Festival for his short film Street of Death.
Director and cameraman Karam Ghossein creates a stream of images from the present combined with stories from the past, occurring like a kaleidoscope along the highway to the Beirut International Airport. In the 22-minute-long firm, struggles for power and respect remain as persistent points throughout the ages. The international short film jury for 2017 includes Christian Jankowski, an artist and Professor at the State Academy of Art and Design in Stuttgart; Kimberly Drew, Curator and Social Media Manager at the Metropolitan Museum of Art New York; and Carlos Núñez, Artistic Director of the SANFIC Santiago International Film Festival.
A total of 23 films from 19 countries competed in the Berlinale Shorts section. Under the title “Reframing the Image,” curator Maike Mia Höhne assembled a series of films focused on recalibrating one’s own perception, offering the filmgoer a unique new perspective. “The short film is the hotbed of creativity for the film industry. This is where directors execute their visions and provide food for thought, sometimes experimentally, sometimes essayistically. This gives rise to new trends – and that’s what we want to support with the Audi Short Film Award,” says Jason Lusty, Head of Marketing Germany at AUDI AG, explaining Audi’s involvement. The Audi Short Film Award is presented in the Berlinale Shorts section alongside the Golden and Silver Bears, and is among the world’s most lucrative short film awards.
On Body and Soul (Testről és lélekről) by Ildikó Enyedi[/caption]
A slaughterhouse in Budapest is the setting of a strangely beautiful love story, the Hungarian film On Body and Soul by Ildikó Enyedi, crowned winner of the Golden Bear for Best Film at the 2017 Berlin International Film Festival. The film also is the winner of the Berliner Morgenpost Readers’ Jury Award.
Little Harbour (Piata loď )[/caption]
The members of the Children’s Jury awarded Little Harbour (Piata loď ) by Iveta Grófová the winner of the Crystal Bear for the Best Film in Generation Kplus program at the 2017 Berlin International Film Festival. The Grand Prix of the Generation Kplus International Jury for the Best Film award is a tie – the prize went to Becoming Who I Was by Chang-Yong Moon, Jin Jeon, of Republic Korea, and Summer 1993 (Estiu 1993) by Carla Simón of Spain.
Insyriated[/caption]
The audience at the 2017 Berlin International Film Festival has cast its votes, and the Panorama Audience Awards go to Insyriated by Philipp Van Leeuw for best fiction film and I Am Not Your Negro by Raoul Peck for best documentary.
Insyriated is a tautly-constructed chamber drama about trying to live a normal life in a war zone. It is the second film starring Hiam Abbass that has won the Panorama Audience Award (she also played the lead in Eran Riklis’s Lemon Tree in 2008).
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I Am Not Your Negro[/caption]
Raoul Peck’s filmic essay I Am Not Your Negro about James Baldwin and his three assassinated friends – civil rights activists Medgar Evers, Martin Luther King, and Malcolm X – has also been nominated for an Academy Award as Best Documentary Feature.
The Panorama Audience Award has been given since 1999. Since 2011, not only the best fiction film but also the best documentary film have received awards. During the festival, moviegoers are asked to rate the films shown in Panorama on voting cards after the screenings. In 2017 a total of 29,000 votes were cast and counted.
This year Panorama presented 50 feature-length films from 43 countries, of which 21 screened in the Panorama Dokumente series.
Panorama Audience Award Winner Fiction Film 2017
Insyriated
Belgium / France / Lebanon 2017
By Philippe Van Leeuw
2nd place Panorama Audience Award Fiction Film 2017
Close-Knit (Karera ga Honki de Amu toki wa)
Japan 2017
By Naoko Ogigami
3rd place Panorama Audience Award Fiction Film 2017
1945
Hungary 2017
By Ferenc Török
Panorama Audience Award Winner Panorama Dokumente 2017
I Am Not Your Negro
France / USA / Belgium / Switzerland 2016
By Raoul Peck
2nd place Panorama Audience Award Panorama Dokumente 2017
Chavela
USA 2017
By Catherine Gund, Daresha Kyi
3rd place Panorama Audience Award Panorama Dokumente 2017
Ghost Hunting (Istiyad Ashbah)
France / Palestine / Switzerland / Qatar 2017
By Raed Andoni
The Kompagnon Fellowships and stipends of EUR 5,000 were awarded for the first time at the 2017 Berlin International Film Festival to System Crasher (Systemsprenger) by Nora Fingscheidt, and Der grüne Wellensittich by Levin Peter and Elsa Kremser.
With the Kompagnon Fellowships, Berlinale Talents and Perspektive Deutsches Kino have joined forces to support talented directors and screenwriters residing in Germany. The initiative does not, however, merely intend to further concrete film projects. In addition to strengthening the artists’ signatures, the mentoring program will provide the winners with professional coaching and a chance to network with the industry.
The jury commented on Systemsprenger (System Crasher) by Nora Fingscheidt, “Nora Fingscheidt’s Systemsprenger (System Crasher) outlines the story of nine-year-old Benni, a problem child whose mother, unable to cope, hands her over to the authorities. But Benni proves resistant to all corrective measures – that is, until social worker Micha decides to risk establishing a personal relationship with the child and in doing so crosses a line.
A disquieting, sensitive, and very well researched portrayal of our educational system and a poignant humanistic plea for those labelled difficult, non-conformist, or dysfunctional.
Nora Fingscheidt refrains from providing answers, but instead lets the questions she has raised resound in space. Systemsprenger touched our hearts and lastingly affected our thinking.”
In its statement on Der grüne Wellensittich by Levin Peter and Elsa Kremser, the jury commented, “Der grüne Wellensittich plays in Belarus and recounts the story of 34-year-old Mischa. At night he works as an autopsy assistant, during the day he paints corpses in oils. Mischa gets to know 17-year-old Anna, whose suicide attempt made it possible for them to meet in the first place. For both of them, loneliness has led to an obsession with death – yet out of this situation, authors Levin Peter and Elsa Kremser unleash the most beautiful forms of feeling alive: creativity and love.
This fiction film treatment has realistic protagonists, in particular Mischa, who is supposed to play himself. Interweaving documentary principles and staged components, this experimental hybrid exploration promises to produce an extraordinary film in both form and content. This is all the more so because the authors never seem to judge or interpret – neither the people, nor the world in which they are trying to define themselves. Instead they observe and let spaces emerge that are driven by compelling images and characters, and not by authorial narrative intentions.
When a radical trust in one’s material is stronger than all fears of rejection, then it becomes possible for unforgettable films with a heartbeat to evolve. Der grüne Wellensittich has this potential.”
The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger[/caption]
Awarded for the first time this year and endowed with EUR 5,000, The Best of All Worlds (Die Beste aller Welten) by Adrian Goiginger is the winner of the 2017 Compass Perspektive Award for Best Film at the Berlin International Film Festival.
The jury members watched the 14 films in the Berlinale’s Perspektive Deutsches Kino section, and after debating passionately, they picked their favorite – The Best of All Worlds. The jury commented, “The film is the story of seven-year-old Adrian, who lives in 1990s Salzburg with a heroin-addicted, but loving mother and her friends. His life is like an adventure playground – until both child services and the brutal reality of drug addiction threaten to destroy his world.”
Director Adrian Goiginger’s film is based on his own childhood and is a disturbingly realistic portrayal of the seemingly hopeless battle between maternal love and addiction. Goiginger leaves open to interpretation whether it is the drug itself, or society’s way of dealing with it, that presents a greater threat to the child protagonist.
With his sensitive direction of a brilliant ensemble cast, the film is touching without becoming kitschy; the unpretentious cinematography gets under your skin without being voyeuristic.
The jury also spontaneously awarded a “special jury prize” to Final Stage directed by Nicolaas Schmidt. The jury commented, “Final Stage by Nicolaas Schmidt is an experiment in essayistic montage set in an urban consumer space. It comprises three sequences – separation, pain and reunion. The film turns cinema into an interactive space, in which the audience’s associations become the narrative. With this prize, we want to encourage young filmmakers to take structural-technical risks.”
Butterfly Kisses[/caption]
Butterfly Kisses by Rafael Kapelinski, of the United Kingdom is the winner of the Crystal Bear for the Best Film by the Youth Jury Generation 14plus at the 2017 Berlin International Film Festival. The Generation 14plus International Jury awarded the Grand Prix of the Generation 14plus for the Best Film to School Number 3 (Shkola nomer 3) by Yelizaveta Smith and Georg Genoux.
Crystal Bears and the Awards by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education) in Generation 14plus
The Grand Prix of the Generation 14plus International Jury for the Best Film, endowed with € 7,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education): School Number 3 (Shkola nomer 3)
By Yelizaveta Smith, Georg Genoux, 2016, Ukraine / Germany
We give the Grand Prix to a film that unpacked itself slowly involving the audience through details and personal account from the perspective of its protagonists, delivering with a range of tenderness, trauma, and even banality and humor. It has a sensitive approach and is direct in form without discourse or presumption. We admire the collaboration between director, cinematographer and protagonists and how they built a space of trust. This film doesn’t let the narrative of war take over the emotional world of its young characters, who allowed us to connect with the most precious and intimate details of their lives.
Special Mention: Ben The Foolish Bird (Niao)
By Huang Ji, Ryuji Otsuka, 2017, People’s Republic of China
Our special mention goes to a film that haunted us with its mystery and how it speaks about human relationships that pave their way through detached modern tools of communications. What sets this film apart are the well planned ellipses and the remarkable performance of the young actress, Yao Honggui from China.
Special Prize of the Generation 14plus International Jury for the Best Short Film, endowed with € 2,500 by the Bundeszentrale für Politische Bildung (Federal Agency for Civic Education): The Jungle Knows You Better Than You Do
By Juanita Onzaga , 2016, Belgium / Colombia
We give the special price for best short to a film that has a hybrid approach to the autobiographical. A film that hovers between the past and the present and yet has an intuitive way of showing us a character who couldn’t be closer to the filmmaker herself.
Special Mention: U Plavetnilo (Into the Blue)
By Antoneta Alamat Kusijanović, 2017, Croatia / Slovenia / Sweden
Special mention goes to a film which reveals the complexities of adolescence, when its four characters must confront their expectations and desires against a dramatic seaside landscape.