• Tropfest NY Film Festival is Looking For Short Films

    [caption id="attachment_2163" align="alignnone"]Manhattan’s Bryant Park[/caption]

    Tropfest, which describes itself as the world’s largest short film festival, announced it is calling for entries for Tropfest New York, which will take place at Manhattan’s Bryant Park on June 23rd.  Filmmakers will have the opportunity to see their short film screened in front of a massive live and online audience, and judged by an industry and celebrity panel for a chance to win $20,000 cash and other prizes.

    Founded 20 years ago in Sydney, Australia, Tropfest is supported by some of the biggest stars in the international film community, Tropfest New York Ambassadors include: Hugh Jackman, Russell Crowe, Nicole Kidman, Anthony Lapaglia, Liev Schreiber, Geoffrey Rush and Charles Randolph.

    Dozens of successful directors, writers, actors and others got their start at Tropfest.  Festival alumni include: Sam Worthington (Avatar, Last Night); Joel Edgerton (The Great Gatsby, Warrior, Animal Kingdom); Alister Grierson (director of the James Cameron-produced Sanctum); and Tony Rogers, whose Tropfest short, Wilfred, was the origin of the popular U.S. TV series of the same name starring Elijah Wood.

    There are a few simple guidelines Tropfest entrants must follow: all short films must be produced specifically for the event and have their premiere at Tropfest New York; films cannot exceed seven minutes, including titles and credits; and each film must contain the Tropfest Signature Item (TSI), which changes each year.  For the inaugural Tropfest New York, the chosen TSI is a staple of New York culinary culture, the “Bagel”.  In Tropfest tradition, filmmakers can include the “Bagel” in their films in any manner they choose.

    The Tropfest New York main event will be open to the public, free of charge. It will take place on Saturday June 23, 2012 at New York City’s Bryant Park, located in midtown on Sixth Avenue between West 40th and West 42nd Street.  An industry and celebrity panel will judge the selected finalists live, under the stars. During the final awards ceremony, the panel will announce the 1st, 2nd, and 3rd place winners as well as awards for Best Actor and Best Actress and a People’s Choice award. Previous Tropfest judges have included some of the biggest names in the international film community

    In addition to the short film competition that serves as the centerpiece for the 3 day-long event, other ticketed festivities will include musical performances and a filmmaker symposium.

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  • Russian hit film Hipsters Coming to New York

    The hit Russian film, Hipsters, (Stilyagi) directed by Valery Todorovsky will open at Cinema Village in New York on February 24, 2012. Hipsters won four Nikas (Russian Oscar) for best film, production design, costumes and sound. The film has played in numerous North American film festivals including Toronto, Seattle, Chicago-winning Best Art Direction, and Washington D.C.


    Hipsters is a lavish, candy-colored musical set in Cold War Russia circa 1955. It tells the story of a communist party youth, Mels (named after Marx, Engels, Lenin, Stalin), whose life is changed when he encounters Moscow’s vibrant underground, American influenced jazz scene and the non-conformist kids, Hipsters, who inhabit it.

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  • IFFR announces Spectrum 2012 line-up

    SMALL ROADS, James Bennin

    In its main section Spectrum, the International Film Festival Rotterdam screens films by experienced directors and maestros of artistic and experimental cinema. In total, Spectrum is made up of seventy-two features and documentaries from thirty-two countries, among which eight films supported by IFFR’s Hubert Bals Fund. The full Spectrum title list is available here.

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  • Trailer for 84th Academy Awards starring host Billy Crystal and Megan Fox

    The Academy of Motion Picture Arts and Sciences has partnered with Funny Or Die to produce a trailer for the 84th Academy Awards. The trailer features host Billy Crystal and celebrity cameo appearances by Robin Williams, Josh Duhamel, Megan Fox, William Fichtner and Vinnie Jones.

    “We wanted to try something a little bit different this year instead of a traditional, clip-based piece,” said Academy Chief Marketing Officer Christina Kounelias. “The trailer has a fun twist that conveys how excited everyone is to have Billy back.”

    Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012.

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  • Independent Lens to Premiere 3 New Documentaries on PBS for Black History Month

    [caption id="attachment_2155" align="alignnone"]Daisy Bates – First Lady of Little Rock[/caption]

    “Independent Lens” will celebrate Black History Month, February 2012, on public television with premieres of three new documentaries.

    “Independent Lens’s” Black History Month program kicks off on February 2, 2012 with the premiere of “Daisy Bates: First Lady of Little Rock,” the story of a seven-year journey by filmmaker Sharon La Cruise to get to know the mostly-forgotten civil rights activist Daisy Bates. Beautiful, glamorous, and articulate, Bates was fearless in her quest for justice, stepping into the spotlight to bring national attention to issues — and some say to herself. Unconventional and egotistical, she became a household name in 1957 when she fought for the right of nine black students to attend the all-white Central High School in Little Rock, Arkansas. Her public campaign culminated in a constitutional crisis — pitting a president against a governor and a community against itself.


    [caption id="attachment_2156" align="alignnone"]The Black Power Mixtape 1967-1975[/caption]
    Fresh from a successful theatrical run, on February 9, 2012 “Independent Lens” presents Goeran Hugo Olsson’s “The Black Power Mixtape 1967-1975.” In the late 1960s and early 1970s, Swedish television journalists came to America to document the burgeoning black power movement. This fascinating film weaves this long-lost trove of film into an irresistible mosaic chronicling the movement’s evolution: footage shot on the streets of Harlem, Brooklyn, and Oakland; interviews with Black Power leaders including Stokely Carmichael, Angela Davis, and Eldridge Cleaver; and contemporary audio interviews with leading African American artists, activists, musicians, and scholars. The film provides a fascinating look at the people, society, culture, and style that fuelled an era of convulsive change.

    [caption id="attachment_2157" align="alignnone"]More Than a Month[/caption]

    Finally, on February 16, 2012, “More Than a Month” follows African American filmmaker Shukree Hassan Tilghman on a cross-country campaign to end Black History Month. Humorous and thought provoking, “More Than a Month” combines cinema verite, man-on-the-street interviews, and inspired dramatizations to explore what the treatment of history tells us about race and power in “post-racial” America. What does it mean that we have a Black History Month? What would it mean if we didn’t?

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  • The Artist and Starbuck Among Vancouver Film Critics Circle nominations

    [caption id="attachment_2153" align="alignnone"]Starbuck[/caption]

    The Artist topped the Vancouver Film Critics Circle nominations, receiving nods for best picture, best actor, best director and best screenplay.

    The Vancouver Film Critics Circle which highlights Canadian films, nominated Café de flore, Small Town Murder Songs and Starbuck for best Canadian film, and Daydream Nation, People of a Feather and Sisters& Brothers for best British Columbia film.

    The nominees for the 2012 Vancouver Film Critics Circle Awards:

    BEST CANADIAN FILM

    Café de flore

    Small Town Murder Songs

    Starbuck

    BEST ACTOR IN A CANADIAN FILM

    Mohamed Fellag, Monsieur Lazhar

    Patrick Huard, Starbuck

    Peter Stormare, Small Town Murder Songs

    BEST ACTRESS IN A CANADIAN FILM

    Keira Knightley, A Dangerous Method

    Vanessa Paradis, Café de flore

    Ingrid Veninger, i am a good person/i am a bad person

    Rachel Weisz, The Whistleblower

    Michelle Williams, Take This Waltz

    BEST SUPPORTING ACTOR IN A CANADIAN FILM

    Vincent Cassel, A Dangerous Method

    Viggo Mortensen, A Dangerous Method

    Seth Rogen, Take This Waltz

    BEST SUPPORTING ACTRESS IN A CANADIAN FILM

    Hélène Florent, Café de flore

    Jill Hennessy, Small Town Murder Songs

    Hallie Switzer, I am a good person/I am a bad person

    BEST DIRECTOR OF A CANADIAN FILM

    David Cronenberg, A Dangerous Method

    Ed Gass-Donnelly, Small Town Murder Songs

    Ken Scott, Starbuck

    Jean-Marc Vallée, Café de flore

    BEST BRITISH COLUMBIA FILM

    Daydream Nation

    People of a Feather

    Sisters&Brothers

    BEST FILM

    The Artist

    The Descendants

    The Tree of Life

    BEST ACTOR

    Michael Fassbender, Shame

    Jean Dujardin, The Artist

    Michael Shannon, Take Shelter

    BEST ACTRESS

    Elizabeth Olsen, Martha Marcy May Marlene

    Meryl Streep, The Iron Lady

    Michelle Williams, My Week With Marilyn

    BEST SUPPORTING ACTOR

    Kenneth Branagh, My Week with Marilyn

    Albert Brooks, Drive

    Christopher Plummer, Beginners

    BEST SUPPORTING ACTRESS

    Jessica Chastain, The Help, Take Shelter, The Tree of Life

    Melissa McCarthy, Bridesmaids

    Shailene Woodley, The Descendants

    BEST DIRECTOR

    Michel Hazanavicius, The Artist

    Terence Malick, The Tree of Life

    Martin Scorsese, Hugo

    BEST DOCUMENTARY

    Cave of Forgotten Dreams

    The Interrupters

    Nostalgia for the Light

    Project Nim

    Surviving Progress

    BEST SCREENPLAY

    Woody Allen, Midnight in Paris

    Michel Hazanavicius, The Artist

    Alexander Payne and Nat Faxon & Jim Rash, The Descendants

    Steven Zaillian and Aaron Sorkin, Moneyball

    BEST FOREIGN LANGUAGE FILM

    A Separation

    Poetry

    The Kid with a Bike

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  • World Premiere of Period Drama Les Adieux à la reine to Open 2012 Berlin Fest

    [caption id="attachment_2151" align="alignnone"]Les Adieux à la reine – – Farewell My Queen[/caption]

    The 62nd Berlin International Film Festival will open on February 9, 2012 with the world premiere of the period drama Les Adieux à la reine (Farewell My Queen) starring as Diane Kruger (Inglourious Basterds), Léa Seydoux (Midnight in Paris) and Virginie Ledoyen (Army of Crime).

    In a screen adaptation of Chantal Thomas’ prize-winning novel of the same name, French Director Benoît Jacquot (Tosca, Villa Amalia, Deep in the Woods, among others) portrays the first days of the French Revolution from the perspective of the servants at Versailles. With ironic overtones, a historical drama unfolds that also draws parallels to the present.

    Versailles in July 1789. Unrest is growing in the court of King Louis the XVI. The people are rebelling – a revolution is imminent. Behind the facades of the royal palaces, everyone is thinking of fleeing, including Queen Marie Antoinette (Diane Kruger) and her entourage. Among her ladies-in-waiting is Sidonie Laborde (Léa Seydoux) who as the Queen’s reader has become quite intimate with her. With great amazement, Sidonie experiences the first hours of the French Revolution.

    The French-Spanish co-production Les Adieux à la reine will participate in the competition of the 62nd Berlin International Film Festival.

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  • BAFTA to honor Martin Scorsese

    The 2012 BAFTA Film Awards Fellowship will be presented to Martin Scorsese at the Orange British Academy Film Awards ceremony, on 12 February.

    Awarded annually by BAFTA, the Fellowship is the highest accolade bestowed upon an individual in recognition of an outstanding and exceptional contribution to film. Previously honoured Fellows include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench and Vanessa Redgrave. Christopher Lee received the Fellowship at the Film Awards last February.

    Tim Corrie, Chairman of BAFTA, said: “Martin Scorsese is a legend in his lifetime; a true inspiration to all young directors the world over. We are delighted to honour his contribution to cinema history and look forward to paying tribute to him in London on 12 February.”

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  • 10 Films Remain in the Running in Visual Effects Category for Oscar

    [caption id="attachment_2148" align="alignnone"]The Tree of Life[/caption]

    The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 84th Academy Awards®.

    The films are listed below in alphabetical order:

    “Captain America: The First Avenger”
    “Harry Potter and the Deathly Hallows Part 2”
    “Hugo”
    “Mission: Impossible – Ghost Protocol”
    “Pirates of the Caribbean: On Stranger Tides”
    “Real Steel”
    “Rise of the Planet of the Apes”
    “Transformers: Dark of the Moon”
    “The Tree of Life”
    “X-Men: First Class”

    All members of the Visual Effects Branch will be invited to view 10-minute excerpts from each of the 10 shortlisted films on Thursday, January 19. Following the screenings, the members will vote to nominate five films for final Oscar consideration.

    The 84th Academy Awards nominations will be announced live on Tuesday, January 24, and the Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26.

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  • Director Peter Luisi to be honored with Independent Award at 5th San Joaquin International Film Festival

    Swiss director and screenwriter, Peter Luisi, will be honored in person with the Film Society’s Independent Award at the Opening Night of the 5th San Joaquin International Film Festival (SJIFF). The Opening Night film is Mr. Luisi’s “The Sandman.”

    The Independent Award honors a spirited innovator who empowers independent filmmaking through impactful creativity, exemplary talent and steadfast leadership.

    Mr. Luisi was born in 1975 in Zurich, Switzerland. He studied film production in North Carolina and UC Santa Cruz in the United States of America. In 1999, he founded his own company, Spotlight Media Productions AG. He has since worked as an independent director and screenwriter. Mr. Luisi’s films have garnered eight nominations from the Swiss Film Prize, the national film award of Switzerland. His debut film “Crazy Love Crazy” (2004) won the Zurich Film Award. In early 2011, “The Sandman” won the Audience Award at Filmfestival Max Ophuels Prize in Saarbrücken, Germany; and was nominated for three Swiss Film Prizes, including Best Fiction Film.

    History of the Award: Mr. Luisi will be the second honoree of this award. The first honoree was Jon Gunn, whose film “Like Dandelion Dust” was the Closing Night selection of SJIFF in 2009.

    Swiss Cinema at SJIFF: “The Sandman” is the second film from Switzerland selected to open the San Joaquin International Film Festival: Denis Rabaglia’s “Marcello Marcello” opened the festival in 2009, and the film’s lead actor Francesco Mistichelli was honored with the San Joaquin Film Society’s Discovery Award.

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  • Cinema Eye Honors Announces 2012 Heterodox Nominees

    [caption id="attachment_2144" align="alignnone"]Snow on tha Bluff[/caption]

    The Cinema Eye Honors for Nonfiction Filmmaking today announced the five nominees for its second annual Cinema Eye Heterodox Award, sponsored by Filmmaker Magazine. The 2012 Heterodox Award will be presented at the Cinema Eye Honors for Nonfiction Filmmaking on January 11 at the Museum of the Moving Image in Astoria, Queens, New York.

    The Cinema Eye Heterodox Award honors a narrative film that imaginatively incorporates nonfiction strategies, content and/or modes of production. These films illuminate the formal possibilities of nonfiction filmmaking while raising provocative questions about on-going documentary orthodoxy and the perceived boundaries between narrative and nonfiction filmmaking. Last year’s inaugural Heterodox Award went to Matt Porterfield’s Putty Hill.

    “As more and more nonfiction films integrate artistic fictional devices and narrative structures, and fiction films take on elements seen in documentary storytelling – the importance of artist-led conversation grows,” said Cinema Eye Honors Co-Chair Esther Robinson. “In its second year, the Heterodox Award continues to be an exciting and important home to this discussion, contributing to a rich and important cross-genre dialogue.”

    The five films nominated for the second Heterodox Award are: Mike Mills’ BEGINNERS, Ivan Fund and Santiago Loza’s THE LIPS, Lech Majewski’s THE MILL AND THE CROSS, Sergei Loznitsa’s MY JOY, and Damon Russell’s SNOW ON THA BLUFF.

    The Cinema Eye Honors nominations committee made its recommendations for nominations based on a list of eligible films that met the general criteria for the Cinema Eye Honors including two extra festivals that program narrative films. Finalists were then selected jointly by the committee and the writers and editors of Filmmaker Magazine.

    “In a year when the reality of our social, political and economic situation dawned on 99% percent of us, filmmakers made their own reckoning,” said Filmmaker Magazine Editor-in-Chief Scott Macaulay. “This year’s Heterodox honorees are bracing, lovely, radical and troubling – fiction features for which the purely invented is not enough.”

    Inspired by their subjects — which include people, countrysides, and even a painting — the filmmakers selected for this year’s Heterodox Award let these subjects’ realities bleed into their films, creating fascinating dramas in which the world outside is given a voice and documentary tactics are skillfully deployed in the pursuit of dramatic truth.

    The jury selecting the winner of the 2012 Heterodox Award consists of: Natalia Almada (Director: EL VELADOR – 2011 Cannes Film Festival; EL GENERAL – 2009 Sundance Film Festival Documentary Directing Award), Sandi Dubowski (Director /Producer: TREMBLING BEFORE G-D – 2001 Teddy Award for Best Documentary at Berlin Film Festival; JIHAD FOR LOVE), Shannon Kennedy (Editor, The Trials of Darryl Hunt; A Walk Into the Sea: Danny Williams and the Warhol Factory – 2007 Teddy Award for Best Documentary at Berlin Film Festival), Alrick Brown (Director/Writer: Kinyarwanda – 2011 Sundance Film Festival World Cinema Dramatic Audience Award Winner), and Kimberly Reed (Director: PRODIGAL SONS – Winner, FIPRESCI Prize at Thessaloniki Documentary Film Festival).

    The Five Nominees:

    [caption id="attachment_785" align="alignnone"]Beginners[/caption]

    Beginners: Drawing from autobiographical elements, including his relationship to his dying father, Mike Mills has made a sensitive, insightful, and whimsically funny ode to romance and reinvention. Starring Ewen McGregor, Melanie Laurent and Christopher Plummer, Beginners mixes drama with not only humor but also brief documentary essays that examine everything from art to the history of California gay culture.

    [caption id="attachment_2145" align="alignnone"]The Lips[/caption]

    The Lips: Ivan Fund and Santiago Loza’s Argentine picture, “The Lips” (“Los Labios”), a subtle and challenging mix of documentary and narrative filmmaking, follows three women who deeply inhabit their cinematic roles as social workers interacting with members of an impoverished rural Argentine community. Facing desperate poverty that threatens to overwhelm even the greatest reserves of calm, humor, and empathy, the trio moves into makeshift living quarters and records data on the needs of the community, while still taking time for an occasional night out.

    [caption id="attachment_1998" align="alignnone"]The Mill and the Cross[/caption]

    The Mill and the Cross: Lech Majewski’s The Mill and the Cross is an epic restaging of and journey into Pieter Bruegel’s celebrated 1564 painting, “Way to Calvary.” Rutger Hauer stars as Bruegel, Michael York is his art collector friend, and Charlotte Rampling is the inspiration for his Virgin Mary. Majewski explores not only the rich iconography of this work but, using digital technology to make his picture a dialogue with not only the past but the nature of creativity itself.

    [caption id="attachment_2146" align="alignnone"]My Joy[/caption]

    My Joy: Ukranian documentary director Sergei Loznitsa made his debut drama with My Joy, a harshly riveting journey through the countryside of contemporary Russia. Following a truck driver as he makes his various deliveries, Loznitsa draws upon his own experience shooting and traveling through the Russian provinces in this bold and terrifying film.

    Snow on tha Bluff: As authentic a document of the life of a young, black, crack-dealing single parent as you will ever see, Damon Russell’s “Snow on tha Bluff” audaciously mixes footage from the camcorder of the film’s real-life inspiration with dramatic scenes to create a sometimes indecipherable mixture of real life and fiction, documentary authenticity and cultural mythmaking.

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  • 20 More Films Added to 2012 Berlin International Film Festival

    [caption id="attachment_2142" align="alignnone"]Death For Sale by Faouzi Bensaïdi[/caption]

    20 films have been confirmed for the Panorama section of the 2012 Berlin International Film Festival. The Panorama section with its Main Programme, Panorama Special and Panorama Dokumente series will screen some 50 films in all.

    Two works by European directors are opening the Panorama Special:

    Tony Gatlif is returning to Panorama with Indignados. Inspired by Stéphane Hessel’s bestseller “Time for Outrage!” this French film allows viewers, in both enacted scenes and real situations, to see the recent protests of our times through the eyes of an illegal woman immigrant. She experiences the Occupy movement, the poverty of those who share her fate, and the dissatisfaction of a young generation of European society in revolt. Previously, Gatlif presented in Panorama his films Rue du départ in 1987 and Swing in 2002.

    As in her second feature film, Ono (Stranger), which screened in Panorama in 2005, Polish director Malgoska Szumowska once again radically probes gender relations. With Juliette Binoche in the lead, Elles leaves much room for contemplation and in a masterly fashion reveals the underlying longing that apparently every notion of relationship, and especially that of the nuclear family, attempts to conceal.

    Alongside renowned names such as Hou Hsiao-Hsien (who with 10+10 is presenting a survey of works from Taiwan by ten well-known and ten new directors), Volker Schlöndorff, Cao Hamburger, Pen-ek Ratanaruang and Teona Strugar Mitevska, this year’s feature films include new works by Ira Sachs, Kirsten Sheridan and Srdjan Dragojevic as well as by newly discovered filmmakers such as Umut Dag from Austria, Helena Klotz from France, Faouzi Bensiada from Morocco and Ngoc Dang Vu from Vietnam.


    Feature films to date:

    10+10 by Hou Hsiao-hsien, Wang Toon, Wu Nien-Jen, Sylvia Chang, Chen Guo-Fu, Wei Te-Sheng, Chung Meng-Hung, Chang Tso-Chi, Arvin Chen, Yang Ya-Che and others, Taiwan

    Death For Sale by Faouzi Bensaïdi, France
    With Fehd Benchemsi, Fouad Labiad, Mouhcine Malzi, Imane Elmechrafi, Faouzi Bensaïdi

    Die Wand (The Wall) by Julian Roman Pölsler, Austria/Germany
    With Martina Gedeck

    Dollhouse by Kirsten Sheridan, Ireland
    With Seana Kerslake, Jonny Ward, Ciaran McCabe, Kate Brennan, Shane Curry

    Elles by Malgoska Szumowska, France/Poland/Germany
    With Juliette Binoche, Anais Demoustier, Joanna Kulig

    Fon Tok Kuen Fah (Headshot) by Pen-Ek Ratanaruang, Thailand/France
    With Nopachai Jayanama, Sirin Horwang, Chanokporn Sayoungkul, Apisit Opasaimlikit, Krerkkiat Punpiputt

    From Seoul To Varanasi by Kyuhwan Jeon, Republic of Korea
    With Donghwan Yoon, Wonjung Chio

    Hot boy noi loan – cau chuyen ve thang cuoi, co gai diem va con vit (Lost In Paradise) by Vu Ngoc Dang, Vietnam
    With Luong Manh Hai, Ho Vinh Khoa, Linh Son, Phuong Thanh, Hieu Hien

    Indignados by Tony Gatlif, France
    With Isabel Vendrell Cortès

    Keep The Lights On by Ira Sachs, USA
    With Thure Lindhardt, Zachary Booth, Julianne Nicholson, Souleymane Sy Savane, Paprika Steen

    Kuma by Umut Dag, Austria
    With Nihal Koldas, Begüm Akkaya, Vedat Erincin, Murathan Muslu, Alev Irmak

    La mer à l’aube (Calm At Sea) by Volker Schlöndorff, France/Germany
    With Léo Paul Salmain, Ulrich Matthes, Martin Loizillon, Jacob Matschenz, André Jung, Harald Schrott, Thomas Arnold, Christopher Buchholz

    L’âge atomique by Héléna Klotz, France
    With Eliott Paquet, Dominik Wojcik

    Leave It On The Floor by Sheldon Larry, USA/Canada
    With Ephraim Sykes, Miss Barbie-Q, Phillip Evelyn, Andre Myers, James Alsop

    Mei-wei (My Way) by Kang Je-kyu, Republic of Korea
    With Jang Dong-gun, Odagiri Joe, Fan Bingbing

    Mommy Is Coming by Cheryl Dunye, Germany
    With Esther Maria Ufer, Maggie Tapert, Ignacio Rivera

    Parada (The Parade) by Srdjan Dragojevic, Serbia/Republic of Croatia/ Macedonia/Slovenia
    With Nikola Kojo, Milos Samolov, Hristina Popovic, Goran Jevtic, Toni Mihailovski

    The Woman Who Brushed Off Her Tears by Teona Strugar Mitevska, Macedonia/Germany/Slovenia/Belgium
    With Victoria Abril, Labina Mitevska, Jean Marie Galey, Arben Bajraktaraj

    Wilaya by Pedro Pérez Rosado, Spain
    With Nadhira Mohamed, Memona Mohamed, Aziza Brahim, Ainina Sidameg, Ahmed Molud

    Xingu by Cao Hamburger, Brazil
    With João Miguel, Felipe Camargo, Caio Blat, Maria Flor

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