• Director Brett Morgen and Jane Goodall Attend NYFF Premiere of JANE

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    10/05/17 - New York: NY Film Festival Screening of National Geographic's Documentary 'Jane' Director Brett Morgen and subject Jane Goodall were in attendance to introduce the stunning documentary, National Geographic’s JANE at the 2017 New York Film Festival. [caption id="attachment_24059" align="aligncenter" width="1200"]Jane Jane[/caption] JANE is the story of how Jane Goodall became Jane Goodall – using footage shot by future husband Hugo van Lawick of her first experiences in Gombe, Tanzinia in the 1960’s. Previously thought to be lost forever, the footage was only recently discovered in a storage unit, and has been now masterfully intercut with interviews of present day Jane Goodall to provide an in-depth portrait of her life. JANE will be released in select theaters starting October 20. https://www.youtube.com/watch?v=FRlUJrEUn0Y&feature=youtu.be Image: NEW YORK – OCTOBER 5: (L-R) Jane Goodall and Director Brett Morgen attend the NY Film Festival screening of National Geographic’s documentary ‘Jane’ at the Walter Reade Theater on October 5, 2017 in New York City. (Photo by Anthony Behar/NatGeo/PictureGroup)

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  • 10 Best Foreign Language Submissions for 2018 Oscars to Compete at Heartland Film Festival

    Reşeba: The Dark Wind The 26th Heartland Film Festival will debut the inaugural “Foreign Language Best Picture Contender” sidebar featuring 10 films submitted as the respective country’s official entry for the Best Foreign Language Film category at the 2018 Academy Awards®. Each selection will play once during Heartland’s 11-day celebration of international independent film. “Each year, Heartland Film Festival proudly showcases a healthy percentage of foreign language films which are much admired, roundly discussed and debated by our audiences,” said International Film Programmer Hannah Fisher. “We present this year – for the first time – a section of films submitted to the Academy of Motion Picture Arts and Sciences for consideration in the category known as ‘Best Foreign Language Film.‘ “We anticipate this program will grow and evolve in stature, in much the same way that that Heartland Film Festival continues to gain international recognition and prominence. Heartland is thrilled to be among the first North American film festivals to showcase these foreign language contenders,” concluded Fisher. Set to award more than $100,000 in cash prizes across various categories, the 2017 Heartland Film Festival will bestow a $5,000 cash prize to one of these 10 films, as selected by the Festival’s foreign language contender jury.

    Heartland Film Festival “Foreign Language Best Picture Contender” Lineup

    “One Thousand Ropes” (2016) Country: New Zealand, Director: Tusi Tamales, Distributor: Transmission Films Synopsis: When a father reconnects with his estranged teenage daughter, he is given a rare chance to reshape the future of his family in unexpected ways. “Ayla: The Daughter of War” (2017) Country: Turkey, Director: Can Ulkay Synopsis: The true story or a little orphaned girl and the soldier who fell in love with her. “Saawan” (2017) Country: Pakistan, Director: Farhan Alam, Distributor: Kalaker Films Synopsis: A handicapped nine-year old boy who lives in a valley in the mountains of Balochistan is rejected by his father, intimidated by society, harassed by friends and left alone due to his disability. Strengthened by memories and dreams of the love of his mother, he begins a perilous journey back to his family in the main city. “White Sun” (2016) Country: Nepal, Director: Deepak Rauniyar, Distributor: Kimstim Films Synopsis: A former Maoist rebel struggles to reintegrate with his unwelcoming community and move beyond a painful past. “Newton” (2017) Country: India, Director: Amit Masurkar Synopsis: A government clerk on election duty in the conflict ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels. “BPM (Beats Per Minute)” (2017) Country: France, Director: Robin Campillo, Distributor: The Orchard Synopsis: In Paris in the early 1990s, a passionate group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies. “Divine Order” (2017) Country: Switzerland, Director: Petra Volpe, Distributor: Kino Lorber Synopsis: A bucolic alpine village becomes a battleground for social change in 1970 Switzerland. “Reşeba: The Dark Wind” (2016) Country: Iraq, Director: Hussein Hassan Synopsis: Radical Islamist militants attack a village in Iraq where two young Yazidi prepare for marriage. From that moment onwards their lives are turned into a nightmare. “Pomegranate Orchard” (2017) Country: Azerbaijan, Director: Ilgar Najaf, Distributor: Buta Film Synopsis: Gabil returns home to the humble family farmstead, surrounded by an orchard of venerable pomegranate trees; since his sudden departure twelve years ago he was never once in contact. However, the deep emotional scars he left behind cannot be erased from one day to the next. “Thelma” (2017) Country: Norway, Director: Joachim Trier, Distributor: The Orchard Synopsis: A timid young woman leaves her rural home to study in Oslo. She does not understand her unique ability to manipulate her environment.

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  • 7th Catalina Film Festival Awards – ROCKAWAY and BLACK AND BLUE Win Top Prizes

    [caption id="attachment_24999" align="aligncenter" width="1200"]Rockaway John Budion Rockaway[/caption] After screening over 100 films, Rockaway was awarded the prize for Best U.S. Feature Prize, and Black and Blue the prize for Best Documentary at the 7th annual Catalina Film Festival (CFF).   Awards were issued in 14 film competition categories selected from the films screened at venues throughout the famed Catalina Island. The annual film festival also featured career tributes, as well as the annual Film & New Media Summit.

    FESTIVAL AWARDS

    U.S. Feature — Winner: ROCKAWAY / Excellence: Tater Tot & Patton https://www.youtube.com/watch?v=rBr8khZWxrE Documentary — Winner: Black and Blue / Excellence: A Classy Broad https://www.youtube.com/watch?v=n-1PHhFy1MI Wes Craven Horror — Winner: Matthew 19:14 / Excellence: The Madame in Black Screenplay — Winner: Time Zero / Excellence: The Joyrider Animation — Winner: Alike / Excellence: Catching the L Train U.S. Short — Winner: Chocolate / Excellence: The Visit Conservation — Winner: Manmade Waters / Excellence: Gaviota: The End of Southern California Advanced Student — Winner: Icarus / Excellence: The Transfer High School Student — Winner: Puget Sound / Excellence: Color My Dreams International Short — Winner: Pushing Night Away / Excellence: Girl in White International Feature — Winner: Secret from the Past / Excellence: Generation Wolf Festival Treasure — My Loyal Audience Deb Bauer Unsung Hero — SEARCHDOG Golden Fox Award for Excellence in Directing — Brian Crano, Permission

    CAREER TRIBUTE AWARDS

    Breaking the Glass Ceiling Award: 91-year-old veteran producer, Marcia Nasatir (The Big Chill, Rocky, Carrie, Apocalypse Now) Maverick Award: Actor and Activist, Matt McGorry (How to Get Away with Murder) Crest Award—Directing: Jordan Vogt-Roberts (Kong: Skull Island, Metal Gear, Destiny 2) Crest Award—Acting: Wyatt Oleff (IT, Guardians of the Galaxy)

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  • Washington, DC’s Double Exposure Investigative Film Festival Announces 2017 Lineup

    [caption id="attachment_21915" align="aligncenter" width="1200"]NO STONE UNTURNED - Alex Gibney NO STONE UNTURNED – Alex Gibneyno[/caption] The Double Exposure Investigative Film Festival and Symposium taking place October 19 to 22, in Washington, DC  will feature a lineup of 13 documentary films that go beyond the headlines to capture riveting stories and confront matters that have been hidden from the public, until now. The film program is intertwined with a daytime symposium with topics this year including panels on “the real take” on fake news, protecting sources and subjects in newly hostile environments, immersive and undercover reporting, and conversations with leading filmmakers. “We are excited to bring these probing, new investigative documentaries to Washington audiences,” said Diana Jean Schemo, Double Exposure’s founder and co-director. “This season’s slate explores timely issues in our nation’s political life just now, including race in America, the drug trade, Latin America, and the media itself.” “The films in this year’s lineup are not only great works of journalism, but great works of cinematic storytelling that bring vivid and distinct focus to a range of topics and issues otherwise left unseen,” said Sky Sitney, Double Exposure co-director. COCAINE PRISON Washington, DC Premiere Director Violeta Ayala Australia / France / Bolivia / United States From inside Bolivia’s most notorious prison a cocaine worker, a drug mule and his younger sister reveal the country’s complex and inescapable relationship with cocaine. DEVIL’S FREEDOM (LA LIBERTAD DEL DIABLO) Director Everardo González Mexico In searing testimony from both victims and perpetrators, this documentary paints an indelible portrait of violence in Mexico. Using masks to protect the identities of his subjects, filmmaker Everardo González brings a rare candor to their tales. DID YOU WONDER WHO FIRED THE GUN? Washington, DC Premiere Director Travis Wilkinson United States Travis Wilkerson sets out to explore the truth behind a family story: that his white supremacist great grandfather killed a black man in his store in lower Alabama in 1946. END OF TRUTH World Premiere Directors Tricia Todd and Eric Matthies United States An emotionally powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. By intercutting exclusive footage with intimate interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion, the filmmakers examine the leads that led to lies revealing the terrible consequence of misinformation when lives are at stake. HALL OF MIRRORS Washington, DC Premiere Directors Ena Talakic and Ines Talakic Italy / United States Edward Jay Epstein has built a career on taking a deeper look at hidden trends and unquestioned scripts that enter mainstream thinking. In Hall of Mirrors, he delves into Edward Snowden’s historic leak of data on U.S. government surveillance, delighting in the absurdities he discovers. NO STONE UNTURNED Centerpiece Film – Washington, DC Premiere Director Alex Gibney United States In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice. ONE OF US Opening Night Film – Washington, DC Premiere Directors Heidi Ewing and Rachel Grady United States Academy Award nominated filmmakers Heidi Ewing and Rachel Grady follow the lives of three people who have chosen to leave the world of Hasidic Judaism. A Netflix Original Documentary. THE OTHER SIDE OF EVERYTHING U.S. Premiere Director Mila Turajlic Serbia A locked door inside a Belgrade apartment has kept one family separated from their past for over 70 years. As the filmmaker begins an intimate conversation with her mother, the political fault line running through their home reveals a house and a country haunted by history. She fights and secures the release of hidden records that the nationalist government had removed from public archives. The chronicle of a family in Serbia turns into a searing portrait of an activist in times of great turmoil, questioning the responsibility of each generation to the next. THE RAPE OF RECY TAYLOR Washington, DC Premiere Director Nancy Buirski United States Recy Taylor was gang raped by 6 white boys in Alabama in 1944. Unbroken, she spoke up, and with help from Rosa Parks and legions of women, fought for justice. Entwined through family and social ties with local police, Taylor’s rapists were never tried for their crime. The film explores the largely hidden phenomenon of white men raping black women in the south, a crime all but ignored by law enforcement and the press. TRUSTWHO World Premiere Director Lillian Franck Germany Is the World Health Organization sick? The filmmaker and mother Lilian Franck reveals clandestine influences by the tobacco, pharmaceutical and nuclear industries on the organization, charged with protecting global health. VOYEUR Closing Night Film – Washington, DC Premiere Directors Myles Kane and Josh Koury United States Voyeur follows journalist Gay Talese as he reports on one of the most controversial stories of his career: a Colorado motel owner, Gerald Foos, who spent decades spying on his guests and recording their private moments. A Netflix original documentary.  

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  • BLACK BEACH/WHITE BEACH, GINGER NATION, KNIFE SKILLS, Among Docs Featured at Cucalorus Festival

    [caption id="attachment_24993" align="aligncenter" width="1200"]Black Beach/White Beach: A Tale of Two Beaches Black Beach/White Beach: A Tale of Two Beaches[/caption] The 23rd Cucalorus Festival takes over downtown Wilmington, North Carolina, from November 8 to 12 and will feature more than 70 documentaries, including the world premiere of Ricky and Cherie Kelly’s racially-charged motorcycle doc “Black Beach/White Beach: A Tale of Two Beaches” and the international premiere of Shawn Hitchins’ fiery, flamboyant stage show-doc “Ginger Nation.” One of many films crossing the divide between Cucalorus Film and Cucalorus Connect is Thomas Lennon’s “Knife Skills,” about a French restaurant staffed entirely by men and women just out of prison. Lennon shared, “I knew Cucalorus was a creative festival. What I didn’t know is how deep its roots run in its community, its passion to connect each film to an audience in a way that packs the biggest possible punch. They really go the extra mile, which makes the festival even more exciting for us.” Other documentary debuts include the U.S. premiere of “Forbidden Games: The Justin Fashanu Story” by Jon Carey and Adam Darke, chronicling the complex and troubled story of a talented (and openly gay) British soccer player. “The Power of Glove,” from Andrew Austin and Adam Ward, presenting the legacy of the notoriously “bad” Nintendo Power Glove, and “True Conviction” from Jamie Meltzer, depicting a detective agency run by exonerated men to free innocent people, both make their southeast U.S. premieres. “ACORN and the Firestorm,” directed by Reuben Atlas and Sam Pollard, will have it’s North Carolina premiere and documents the amateur journalists who posed as a pimp and prostitute hoping to expose America’s largest grassroots community organizing group via hidden-camera. Cucalorus also includes 55 short documentaries, including the world premiere of Joanne Hock’s “Martin Hill: Camera Man,” honoring a curator of cameras that shot some of the most iconic films in Hollywood’s past. Other key short docs include “Water Warriors” by Michael Premo, “Under the Mask” by Alex Hoelscher, and “Lonnie Holley: The Truth of Dirt” by Marco Williams.

    Feature Docs

    “No Dress Code Required (Etiqueta no rigurosa),” Cristina Herrera Borquez “True Conviction,” Jamie Meltzer “Rebels on Pointe,” Bobbi Jo Hart “ACORN and the Firestorm,” Reuben Atlas, Sam Pollard “Working In Protest,” Michael Galinsky, Suki Hawley, David Beilinson “The Power of Glove,” Andrew Austin & Adam Ward “Forbidden Games: The Justin Fashanu Story,” Jon Carey and Adam Darke “Motherland,” Ramona S. Díaz “What Lies Upstream,” Cullen Hoback “Knife Skills,” Thomas Lennon “The Road Movie,” Dmitrii Kalashnikov “Ginger Nation,” Shawn Hitchins, Mitch Fillion “Liberation Day,” Morten Traavik, Ugis Olte “The Work,” Gethin Aldous and Jairus McLeary “Purple Dreams,” Joanne Hock “Black Beach/White Beach: A Tale of Two Beaches,” Ricky Kelly

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  • John Legend, Jesse Williams to Exec Produce WITH DRAWN ARMS Documentary on Tommie Smith’s Salute at 1968 Olympics

    With Drawn Arms Singer John Legend, along with his Get Lifted partners Mike Jackson and Ty Stiklorius, and actor Jesse Williams will executive-produce “With Drawn Arms”,  artists Glenn Kaino and Afshin Shahidi’s incredibly timely documentary about the importance and inspiration of Olympic gold medalist Tommie Smith’s powerful salute at the 1968 Summer Olympics in Mexico City. In this groundbreaking film, Glenn Kaino and Afshin Shahidi use an ongoing artistic collaboration between Kaino and Smith to connect Smith’s silent but meaningful gesture in 1968 to the critical moments and most important voices of today, exploring the very nature of symbolic action and the critical importance of making images in our time. “We are excited to collaborate with true artists in Glenn Kaino and Afshin Shahidi to bring this powerful story to the world in a fresh and compelling way,” said John Legend. “In this current climate we are once again being charged to stand up to bigotry, fear, and hate. We are inspired by this story and honored to be a creative partner on this film.” “Tommie Smith is more than an iconic poster or risky act of defiance that inspires people the world over. He is a living man, whose incredible journey is worthy of examination. I couldn’t be more excited to join forces with this team of filmmakers, to share his reality and challenge our notions of heroism in the process,” said Jesse Williams. [caption id="attachment_24988" align="aligncenter" width="1200"]Glenn Kaino and Afshin Shahidi filming documentation of With Drawn Arms with Executive Producer Jesse Williams. Photo credit Deon Jones Glenn Kaino and Afshin Shahidi filming documentation of With Drawn Arms with Executive Producer Jesse Williams. Photo credit Deon Jones[/caption] Williams, who gained international acclaim with his 2016 BET Humanitarian Award acceptance speech, is an activist, actor and producer whose work spans across television, film, and technology, consistently uplifting the voices of marginalized people. “We could not be more excited that Get Lifted Film Co. and Jesse Williams will lend their impressive talents to ‘With Drawn Arms,’ a story that began 50 years ago and is as relevant now as it was then,” said Kaino and Shahidi. “We look forward to working with Jesse, John, Mike and Ty, and to benefit from their extensive creative talent as we craft this story.” “With Drawn Arms” is currently in production in Los Angeles and is targeted for a 2018 release during the 50th anniversary of Tommie Smith’s salute. With Drawn Arms is written by Glenn Kaino and directed by Kaino and Afshin Shahidi, who also serve as Executive Producers alongside Jesse Williams, Delois Smith, and John Legend, Mike Jackson and Ty Stiklorius of Get Lifted. Williams recently executive produced the documentary film “Stay Woke: The Black Lives Matter Movement” (2016) and the docu-series “America Divided” with Norman Lear. Legend’s Get Lifted banner recently produced the hit TV show “Underground” (2016), Academy Award winning “La La Land” (2016), and HBO Documentary “Southern Rites” (2015).

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  • George Clooney to Receive AFI Life Achievement Award

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    George Clooney Actor, director, writer and producer George Clooney will be the recipient of the 46th AFI Life Achievement Award, the highest honor for a career in film. The award will be presented to Clooney at a Gala Tribute on June 7, 2018, in Los Angeles, CA. “George Clooney is America’s leading man,” said Sir Howard Stringer, Chairman of the AFI Board of Trustees. “Director, producer, writer and actor — a modern-day screen icon who combines the glamour of a time gone by with a ferocious passion for ensuring art’s impact echoes beyond the screen. AFI is proud to present him with its 46th Life Achievement Award.” His latest project is Suburbicon (2017),which he directed, and also co-wrote alongside his frequent collaborators the Coen brothers.

    AFI Life Achievement Award Recipients

    George Clooney joins an esteemed group of individuals who have been chosen for this distinguished honor since its inception. 1973 John Ford 1974 James Cagney 1975 Orson Welles 1976 William Wyler 1977 Bette Davis 1978 Henry Fonda 1979 Alfred Hitchcock 1980 James Stewart 1981 Fred Astaire 1982 Frank Capra 1983 John Huston 1984 Lillian Gish 1985 Gene Kelly 1986 Billy Wilder 1987 Barbara Stanwyck 1988 Jack Lemmon 1989 Gregory Peck 1990 David Lean 1991 Kirk Douglas 1992 Sidney Poitier 1993 Elizabeth Taylor 1994 Jack Nicholson 1995 Steven Spielberg 1996 Clint Eastwood 1997 Martin Scorsese 1998 Robert Wise 1999 Dustin Hoffman 2000 Harrison Ford 2001 Barbra Streisand 2002 Tom Hanks 2003 Robert De Niro 2004 Meryl Streep 2005 George Lucas 2006 Sean Connery 2007 Al Pacino 2008 Warren Beatty 2009 Michael Douglas 2010 Mike Nichols 2011 Morgan Freeman 2012 Shirley MacLaine 2013 Mel Brooks 2014 Jane Fonda 2015 Steve Martin 2016 John Williams 2017 Diane Keaton

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  • N. Scott Momaday Documentary RETURN TO RAINY MOUNTAIN to Premiere at Santa Fe Independent Film Festival

    [caption id="attachment_24980" align="aligncenter" width="1200"]N. Scott Momaday Documentary RETURN TO RAINY MOUNTAIN RETURN TO RAINY MOUNTAIN[/caption] Return to Rainy Mountain is a documentary celebrating the life and legacy of author N. Scott Momaday and the rich cultural history of the Kiowa people. The film will have its premiere viewing during this year’s Santa Fe Independent Film Festival. Producer/Director Jill Momaday takes viewers on a visual and poetic journey to places that inform the Kiowa ancestral myths and collective identity. Following the film will be a panel discussion including Dr. Momaday, recipient of the SFIFF Lifetime Achievement Award, Jill Momaday, plus mentors to the film, Chris Eyre, multi-award-winning writer and producer, known for Smoke Signals (1998), Skins (2002) and Edge of America (2003) and moderated by Kirk Ellis, Emmy award-winning writer and producer for the HBO mini-series, John Adams (2008). Momaday’s legacy includes winning the only Pulitzer Prize for Literature awarded to a Native American writer, for his 1969 novel, House Made of Dawn. Also published in 1969, his bestselling The Way to Rainy Mountain (UNM Press) provided parts of the narrative for this film. Momaday earned a Masters and a PhD in English from Stanford University and has 20 honorary doctorates from esteemed universities. A 2005 award-winning PBS documentary Remembered Earth: New Mexico’s High Desert featured Momaday. He also narrated the 1978 documentary More Than Bows and Arrows, which aired on PBS and the Discovery Channel. Momaday was awarded the National Medal of Arts in 2007 by President George W. Bush for his writings and his work that celebrates and preserves Native American art and oral tradition.” Among other notable honors are the Oklahoma Centennial State Poet Laureate in 2007, a Guggenheim Fellowship and UNESCO’s Artist for Peace Award. Return to Rainy Mountain retraces the sacred journey of the Kiowa to Devil’s Tower in Wyoming and Rainy Mountain in southwestern Oklahoma, landmarks that inform the Kiowa oral traditions passed along for generations. Director Jill Momaday was inspired in 2014 when her Kiowa Aunt passed away at the age of 95 and she recognized the urgency and importance of capturing the Kiowa oral tradition on film. She was a great-granddaughter of Sitting Bear, the keeper of stories and knowledge, a powerful and amazing woman. “I realized with her passing, that many stories would be lost. It made a profound impression of the importance of preserving them, as my father has done with his writing,” said Momaday. As early as 1971, Dr. Momaday was recognized as a pioneer of environmental education, authoring “The American Land Ethic” which noted the tradition of respect for nature practiced by many of America’s native people. Jill Momaday steps into the role of a modern spokesperson for this tradition of respect for nature. The 2015 annual honoree for New Mexico Women in the Arts says, “In addition to sharing the Kiowa history and oral tradition, the film gave me time with my father and a chance to really know him. He was absent much of my life as he carved out his brilliant career and legacy. We’ve been fitting the pieces of a puzzle together to tell one big story which is also the bigger story of Humanity: Man’s relationship to nature, animals, the universe, Creator and each other.” The film follows one story arc of the Kiowa legends and another of the Momaday family reconciliation. The visual/sound and editing team includes Director of Photography/Editor, Doug Crawford, an Emmy and Peabody Award winning Cinematographer (Surviving Columbus: The Story of the Pueblo People, PBS, 1992) also Director of Photography for The Native Americans (TBS, 1994); David Aubrey, nominated for the EDDIE awards, Best Edited Documentary (Baraka, 1993), and Blackhorse Lowe, cinematographer (Among Ravens, 2014). https://www.youtube.com/watch?v=hrd7c2M7T2A Only The Brave Directed by Joseph Kosinski A drama based on the elite crew of firemen from Prescott, Arizona who battled a wildfire in Yarnell, AZ in June 2013 that claimed the lives of 19 of their members. Producer Michael Menchel in attendance Becoming Who I Was Directed by Moon Chang-Yong, Jeon Jin Deep in the highlands of northern India, a young Buddhist boy discovers that he is the reincarnation of an ancient Tibetan monk. This documentary explores the boy’s coronation as Rinpoche, the reincarnation of a spiritual leader, and his journey to discover the secrets of his past life. Sami Blood Directed by Amanda Kernell Elle Marja, 14, is a reindeer-breeding Sámi girl. Exposed to the racism of the 1930’s and race biology examinations at her boarding school, she starts dreaming of another life. To achieve this other life, she has to become someone else and break all ties with her family and culture. Atomic Homefront Directed by Rebecca Cammisa A major metropolitan area in the United States lies dangerously close to a large landfill containing radioactive waste and an escalating underground fire.The film documents those (mostly women) who have mobilized to get answers, created a powerful coalition and continue to fight for environmental justice. The Sensitives Directed by Drew Xanthopoulos A loving grandfather struck down by a debilitating, mysterious illness faces an agonizing choice: an uncertain future with his family or the lure of an isolated, safe community built for sensitives ​like him. As his wife and daughter struggle to keep their family together, we meet others who faced the same impossible choices: an aging mother and her twin sons living in quarantine deep in the desert and an activist in fragile recovery, who advocates for those worse off than herself. The Sensitives is an intimate, verité film focused on three families put to the test by an ​unknown illness.​ On A Knife Edge Directed by Jeremy Williams Set against a background of rising tension and protest, a Lakota teenager learns first-hand what it means to lead a new generation and enter adulthood in a world where the odds are stacked against him. Filmed over a five-year period, On a Knife Edge provides a privileged view into the interior world of George Dull Knife as he becomes politically active with the American Indian Movement, confronts the challenges of growing up on the Pine Ridge Reservation, and wrestles with accepting leadership of his storied family from his aging father. Most Beautiful Island Directed by Ana Asensio Most Beautiful Island is a chilling portrait of an undocumented young woman’s struggle for survival as she finds redemption from a tortured past in a dangerous game. Pinsky Directed by Amanda Lundquist North American Premier In the wake of a bad breakup and the death of her grandfather, Sophia Pinsky moves back home under the martial law of her Russian grandmother and is forced to reevaluate the terms of her adult life.

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  • 92 countries in Competition for Foreign Language Film Oscar at the 90th Academy Awards

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    [caption id="attachment_19636" align="aligncenter" width="1200"]Pop Aye – Kirsten Tan Pop Aye – Kirsten Tan[/caption] A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards.  Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants. The 2017 submissions are: Afghanistan, “A Letter to the President,” Roya Sadat, director; Albania, “Daybreak,” Gentian Koçi, director; Algeria, “Road to Istanbul,” Rachid Bouchareb, director; Argentina, “Zama,” Lucrecia Martel, director; Armenia, “Yeva,” Anahit Abad, director; Australia, “The Space Between,” Ruth Borgobello, director; Austria, “Happy End,” Michael Haneke, director; Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director; Bangladesh, “The Cage,” Akram Khan, director; Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director; Bolivia, “Dark Skull,” Kiro Russo, director; Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director; Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director; Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors; Cambodia, “First They Killed My Father,” Angelina Jolie, director; Canada, “Hochelaga, Land of Souls,” François Girard, director; Chile, “A Fantastic Woman,” Sebastián Lelio, director; China, “Wolf Warrior 2,” Wu Jing, director; Colombia, “Guilty Men,” Iván D. Gaona, director; Costa Rica, “The Sound of Things,” Ariel Escalante, director; Croatia, “Quit Staring at My Plate,” Hana Jušić, director; Czech Republic, “Ice Mother,” Bohdan Sláma, director; Denmark, “You Disappear,” Peter Schønau Fog, director; Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director; Ecuador, “Alba,” Ana Cristina Barragán, director; Egypt, “Sheikh Jackson,” Amr Salama, director; Estonia, “November,” Rainer Sarnet, director; Finland, “Tom of Finland,” Dome Karukoski, director; France, “BPM (Beats Per Minute),” Robin Campillo, director; Georgia, “Scary Mother,” Ana Urushadze, director; Germany, “In the Fade,” Fatih Akin, director; Greece, “Amerika Square,” Yannis Sakaridis, director; Haiti, “Ayiti Mon Amour,” Guetty Felin, director; Honduras, “Morazán,” Hispano Durón, director; Hong Kong, “Mad World,” Wong Chun, director; Hungary, “On Body and Soul,” Ildikó Enyedi, director; Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director; India, “Newton,” Amit V Masurkar, director; Indonesia, “Turah,” Wicaksono Wisnu Legowo, director; Iran, “Breath,” Narges Abyar, director; Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director; Ireland, “Song of Granite,” Pat Collins, director; Israel, “Foxtrot,” Samuel Maoz, director; Italy, “A Ciambra,” Jonas Carpignano, director; Japan, “Her Love Boils Bathwater,” Ryota Nakano, director; Kazakhstan, “The Road to Mother,” Akhan Satayev, director; Kenya, “Kati Kati,” Mbithi Masya, director; Kosovo, “Unwanted,” Edon Rizvanolli, director; Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director; Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director; Latvia, “The Chronicles of Melanie,” Viestur Kairish, director; Lebanon, “The Insult,” Ziad Doueiri, director; Lithuania, “Frost,” Sharunas Bartas, director; Luxembourg, “Barrage,” Laura Schroeder, director; Mexico, “Tempestad,” Tatiana Huezo, director; Mongolia, “The Children of Genghis,” Zolbayar Dorj, director; Morocco, “Razzia,” Nabil Ayouch, director; Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director; Nepal, “White Sun,” Deepak Rauniyar, director; Netherlands, “Layla M.,” Mijke de Jong, director; New Zealand, “One Thousand Ropes,” Tusi Tamasese, director; Norway, “Thelma,” Joachim Trier, director; Pakistan, “Saawan,” Farhan Alam, director; Palestine, “Wajib,” Annemarie Jacir, director; Panama, “Beyond Brotherhood,” Arianne Benedetti, director; Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors; Peru, “Rosa Chumbe,” Jonatan Relayze, director; Philippines, “Birdshot,” Mikhail Red, director; Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors; Portugal, “Saint George,” Marco Martins, director; Romania, “Fixeur,” Adrian Sitaru, director; Russia, “Loveless,” Andrey Zvyagintsev, director; Senegal, “Félicité,” Alain Gomis, director; Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director; Singapore, “Pop Aye,” Kirsten Tan, director; Slovakia, “The Line,” Peter Bebjak, director; Slovenia, “The Miner,” Hanna A. W. Slak, director; South Africa, “The Wound,” John Trengove, director; South Korea, “A Taxi Driver,” Jang Hoon, director; Spain, “Summer 1993,” Carla Simón, director; Sweden, “The Square,” Ruben Östlund, director; Switzerland, “The Divine Order,” Petra Volpe, director; Syria, “Little Gandhi,” Sam Kadi, director; Taiwan, “Small Talk,” Hui-Chen Huang, director; Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director; Tunisia, “The Last of Us,” Ala Eddine Slim, director; Turkey, “Ayla: The Daughter of War,” Can Ulkay, director; Ukraine, “Black Level,” Valentyn Vasyanovych, director; United Kingdom, “My Pure Land,” Sarmad Masud, director; Uruguay, “Another Story of the World,” Guillermo Casanova, director; Venezuela, “El Inca,” Ignacio Castillo Cottin, director; Vietnam, “Father and Son,” Luong Dinh Dung, director. Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

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  • Francis Lee’s GOD’S OWN COUNTRY to Compete at 2017 Stockholm Film Festival | Trailer

    God’s Own Country Director Francis Lee intense new drama God’s Own Country described as the “new Brokeback Mountain” will screen at the 2017 Stockholm Film Festival and participate in the official Stockholm XXVIII Competition. The film has been awarded at the Berlin Film Festival, Edinburgh Film Festival and Sundance Film Festival among others. God’s Own Country takes it’s start in the British countryside where we meet the young farmer Johnny Saxby who numbs his daily frustrations with binge drinking and casual sex. Until the arrival of a Romanian migrant worker named Gheorghe ignites an intense relationship that sets Johnny on a new path… This is Francis Lee’s feature film debut as a writer and director after leaving his acting career to return to the British countryside where he grew up. https://www.youtube.com/watch?v=2sPE9sbXQoQ

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  • Watch Trailer for THE HEYDAY OF THE INSENSITIVE BASTARDS Starring James Franco, Natalie Portman

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    The Heyday of the Insensitive Bastards Poster Here is the funny trailer for The Heyday of the Insensitive Bastards, a series of vignettes ranging from comical to bittersweet to poignant. The Heyday of the Insensitive Bastards stars James Franco (This is the End), Kate Mara (The Martian), Natalie Portman (Jackie), Rico Rodriguez (Modern Family), Abigail Spencer (Mad Men), Amber Tamblyn (Django Unchained), Thomas Mann (Kong: Skull Island) and Kristen Wiig (Ghostbusters). Based on short stories from Robert Boswell’s critically acclaimed book of the same name, The Heyday of the Insensitive Bastards explores the difference between fantasy and reality, memory and history, and the joy and agony of the human condition, through seven tales. The Heyday of the Insensitive Bastards has a theatrical release date of October 27, 2017. Also releasing on Digital & On Demand on the same day.

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  • Watch Trailer for Kelly Noonan Gores’ Documentary HEAL, Opening in Theaters Late October

    Heal Kelly Noonan Gores’ documentary Heal takes us on a scientific and spiritual journey where we discover that our thoughts, beliefs, and emotions have a huge impact on our health and ability to heal. The documentary will open in theaters in Los Angeles on October 20 and in New York on October 27. The latest science reveals that we are not victims of unchangeable genes, nor should we buy into a scary prognosis. The fact is we have more control over our health and life than we have been taught to believe. This film will empower you with a new understanding of the miraculous nature of the human body and the extraordinary healer within us all. HEAL not only taps into the brilliant minds of leading scientists and spiritual teachers, but follows three people on actual high stakes healing journeys. Healing can be extremely complex and deeply personal, but it can also happen spontaneously in a moment. Through these inspiring and emotional stories we find out what works, what doesn’t, and why.

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