DANIEL HOPE – DER KLANG DES LEBENS[/caption]
The Zurich Film Festival will spotlight homegrown Swiss films, three documentary films and two feature films in its Special Screenings’ section. The Special Screenings’ section also includes a line-up of eight short films put together by the Swiss Cancer League (Krebsliga).
The 39-year-old, Hamburg-born filmmaker Nahuel Lopez accompanies the British violinist Daniel Hope, who was appointed Music Director of the Zurich Chamber Orchestra last year, on a cinematic journey through his musical career. DANIEL HOPE – DER KLANG DES LEBENS is the portrait of an extraordinarily talented violinist whose career is as closely linked to Yehudi Menuhin as Yehudi is to Switzerland.
She was a muse, model and performer, a dazzling star that shone bright and intensely: Lady Shiva went from street prostitute to muse of such artists as Ursula Rodel, Lou Reed and David Bowie. She lived life in the fast lane and died tragically young. Zurich-born filmmaker Gabriel Baur’s documentary GLOW goes in search of an irrepressible woman with, ultimately, a self-destructive desire for freedom.
Mikhail Gorbachev, former General Secretary of the Communist Party and President of the Soviet Union, is the father of the political reform movements Glasnost and Perestroika. His brave politics earned him the Nobel Peace Prize in 1990. US filmmaker Leila Conners’ Swiss co-production THE ARROW OF TIME is the portrait of a Russian politician, who still continues in his tireless quest for global peace.
Born in Zurich in 1936, Rolf Lyssy is regarded as the ‘old master’ of Swiss filmmaking. His film DIE SCHWEIZERMACHER, which he made in 1978, remains at the top of Switzerland’s list of greatest box-office successes in the last 50 years. His most recent comedy DIE LETZTE POINTE highlights the less light-hearted subject of assisted suicide. Monica Gubser excels in her role as a life-weary pensioner.
37-year-old, Berne-born Juri Steinhart’s LASST DIE ALTEN STERBEN also falls into the tragicomedy category. His most recent film is the portrait of a present-day generation’s malaise brought on by living in a cotton-candy world – what is there to rebel against when everything is accepted and permitted? Lead actor Max Hubacher plays the wannabe young revolutionary.
The Swiss Cancer League (Krebsliga) presents eight short films about cancer. Filmmakers from around the word highlight in five short fiction films, two animation films and a short documentary film what it means to live with cancer. The project was initiated and supported by the Swiss Cancer League. Each director has tackled a different aspect of the illness.
Topics raised include dealing with extreme experiences, saying goodbye and the fears a cancer diagnosis can trigger, for example the fear of no longer being able to cope with everyday life or the fear of losing ones own parents. The films also demonstrate how cancer affects a person’s whole social setting.
The aim of the Swiss Cancer League’s film programme is to encourage greater understanding and increase public awareness of the plight faced by cancer sufferers and their loved ones. The Swiss Cancer League informs, accompanies and supports people during and after the diagnosis of cancer, and is committed to making sure their concerns are heard both socially and politically.
Flavio undergoes a mammography out of solidarity for his wife – with surprising results for both. A Turkish girl loses her grip when her mother is sent home from hospital, (apparently) showing no sign of having healed. Regina’s reoccurring dream sees her battle a mysterious beast – she finally manages to escape its clutches. A young woman refuses to accept that her partner is ill and finds comfort in daydreaming. SIE offers an unembellished peek at the experiences of two men whose partners both suffer from cancer. Béa sees the metamorphosis of a caterpillar into a butterfly as the symbol of her imminent death. An unusual friendship develops when a stubborn old man and a nervous young girl are forced to share a hospital room. And a mother, who lies dying, gradually says goodbye to her loved one.-
Zurich Film Festival Spotlights Home Grown Swiss Films in Special Screenings’ Lineup
[caption id="attachment_24540" align="aligncenter" width="1200"]
DANIEL HOPE – DER KLANG DES LEBENS[/caption]
The Zurich Film Festival will spotlight homegrown Swiss films, three documentary films and two feature films in its Special Screenings’ section. The Special Screenings’ section also includes a line-up of eight short films put together by the Swiss Cancer League (Krebsliga).
The 39-year-old, Hamburg-born filmmaker Nahuel Lopez accompanies the British violinist Daniel Hope, who was appointed Music Director of the Zurich Chamber Orchestra last year, on a cinematic journey through his musical career. DANIEL HOPE – DER KLANG DES LEBENS is the portrait of an extraordinarily talented violinist whose career is as closely linked to Yehudi Menuhin as Yehudi is to Switzerland.
She was a muse, model and performer, a dazzling star that shone bright and intensely: Lady Shiva went from street prostitute to muse of such artists as Ursula Rodel, Lou Reed and David Bowie. She lived life in the fast lane and died tragically young. Zurich-born filmmaker Gabriel Baur’s documentary GLOW goes in search of an irrepressible woman with, ultimately, a self-destructive desire for freedom.
Mikhail Gorbachev, former General Secretary of the Communist Party and President of the Soviet Union, is the father of the political reform movements Glasnost and Perestroika. His brave politics earned him the Nobel Peace Prize in 1990. US filmmaker Leila Conners’ Swiss co-production THE ARROW OF TIME is the portrait of a Russian politician, who still continues in his tireless quest for global peace.
Born in Zurich in 1936, Rolf Lyssy is regarded as the ‘old master’ of Swiss filmmaking. His film DIE SCHWEIZERMACHER, which he made in 1978, remains at the top of Switzerland’s list of greatest box-office successes in the last 50 years. His most recent comedy DIE LETZTE POINTE highlights the less light-hearted subject of assisted suicide. Monica Gubser excels in her role as a life-weary pensioner.
37-year-old, Berne-born Juri Steinhart’s LASST DIE ALTEN STERBEN also falls into the tragicomedy category. His most recent film is the portrait of a present-day generation’s malaise brought on by living in a cotton-candy world – what is there to rebel against when everything is accepted and permitted? Lead actor Max Hubacher plays the wannabe young revolutionary.
The Swiss Cancer League (Krebsliga) presents eight short films about cancer. Filmmakers from around the word highlight in five short fiction films, two animation films and a short documentary film what it means to live with cancer. The project was initiated and supported by the Swiss Cancer League. Each director has tackled a different aspect of the illness.
Topics raised include dealing with extreme experiences, saying goodbye and the fears a cancer diagnosis can trigger, for example the fear of no longer being able to cope with everyday life or the fear of losing ones own parents. The films also demonstrate how cancer affects a person’s whole social setting.
The aim of the Swiss Cancer League’s film programme is to encourage greater understanding and increase public awareness of the plight faced by cancer sufferers and their loved ones. The Swiss Cancer League informs, accompanies and supports people during and after the diagnosis of cancer, and is committed to making sure their concerns are heard both socially and politically.
Flavio undergoes a mammography out of solidarity for his wife – with surprising results for both. A Turkish girl loses her grip when her mother is sent home from hospital, (apparently) showing no sign of having healed. Regina’s reoccurring dream sees her battle a mysterious beast – she finally manages to escape its clutches. A young woman refuses to accept that her partner is ill and finds comfort in daydreaming. SIE offers an unembellished peek at the experiences of two men whose partners both suffer from cancer. Béa sees the metamorphosis of a caterpillar into a butterfly as the symbol of her imminent death. An unusual friendship develops when a stubborn old man and a nervous young girl are forced to share a hospital room. And a mother, who lies dying, gradually says goodbye to her loved one.
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PURGE THIS LAND, Docu on Racism in America, Wins London’s Open City Documentary Festival
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Purge This Land[/caption]
Lee Anne Schmitt’s Purge This Land documentary on racism in America is the winner of the Grand Jury Award at London’s Open City Documentary Festival.
The film which received its UK Premiere at the Festival, retells the history of racism and slavery in modern America through the prism of John Brown – a white, militant abolitionist – who was sentenced to death in 1859 for a failed attempt to start an armed revolution.
The Grand Jury said: “This film is brave in tackling a subject so relevant and poignant. Lee Ann Schmitt is self-aware of her perspective and shows total control in her authorship. Hypnotic narration interlaced with carefully composed shots, archival footage and imagery asks the viewer to address the subject in a new way. The documentary projects the infinite complexities of the subject to the landscape, and so introduces the notion of the landscape itself being guilty. Schmitt centers the narrative around a white abolitionist and her own whiteness in relation to her family, which reveals the dark side of American history as inescapable, and as in need of confrontation as ever.”
Lee Anne Schmitt said: “I am thrilled. I would like to thank the Open City jury for this incredible honor. Having worked on the film for 6 years I’m keen to talk about it and share it with the world. As the film begins its journey this is a huge affirmation.”
Special Mention went to the film From a Year of Non-Events, by Ann Carolin Renninger & René Frölke
The Grand Jury said: “This is a charming film that surprised us with its playful editing. It offers a cinematically sensory experience.”
Open City’s Emerging International Filmmaker Award went to Ziad Kalthoum’s Taste Of Cement. An inventively cinematic portrait of exiled Syrian workers trapped in a skyscraper that they are building in Beirut and unable to shake off memories of the shelling of their own homes. The film also received its UK Premiere at the Festival.
The Emerging International Filmmaker Jury said: “An ambitious and powerful film with a formalism and distinct cinematic approach which captures the lives of Syrian workers in exile. Offering a meditation on construction and destruction set in modern day Lebanon. Yet presenting a timeless narrative of labour and of longing that resonates the world over. The film underlines the talent and promise of Ziad Kalthoum on the international documentary stage and we hope marks a new era in cinematic storytelling from the Middle East.”
Ziad Kalthoum said: “When a war breaks out, it means that language and logic among humans have failed, but what I found is that I can create a new language that speaks to people through cinema during wartime.
Thank you to the Open City Documentary Festival to give me this valuable opportunity to present the film Taste of Cement here in London, and special thanks to the jury and festival director Mr. Michael Stewart.”
Special Mention went to Memory Exercises by Paz Encina. The Grand Jury said: “A film which connects audiences with the forgotten story of the Paraguayan dictatorship through a multi layered and visceral cinematic language. Merging an intimate, personal story with the history of a region that is still confronting haunting memories from the recent past.”
The Best UK Short Award went to Alexithymia by Duncan Cowles. The Best UK Short Award Jury said: “An engaging and complex non-fiction short film. Well-crafted and edited with a creative approach to the documentary form. The jury is looking forward to watching this filmmaker’s career progress, and consider them an exciting new UK talent to watch.”
Duncan Cowles said: “I’m absolutely delighted that the film has been honored in this way. I made the film for absolutely zero money, and everyone who worked on it did so for free, so for it to be as well received as this feels great. Thanks very much to Open City for playing the film, nominating it and to the judges for awarding it.”
London’s Open City Documentary Festival hosted 36 UK Premieres and took place over 6 days, from September 5 to 10, 2017, with screenings and events spanning 13 London venues.
2017 London’s Open City Documentary Festival Award Winners
GRAND JURY AWARD Winner: Purge This Land, by Lee Anne Schmitt Special Mention: From a Year of Non-Events, by Ann Carolin Renninger & René Frölke EMERGING INTERNATIONAL FILMMAKER AWARD Winner: Taste of Cement by Ziad Kalthoum Special Mention: Memory Exercises by Paz Encina BEST UK SHORT AWARD – Supported by the British Council Winner: Alexithymia by Duncan Cowles
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Guillermo del Toro’s THE SHAPE OF WATER Wins Golden Lion at Venice International Film Festival
Guillermo del Toro fairy tale drama The Shape of Water, set against the backdrop of Cold War era America circa 1962 won the Golden Lion for Best Film at the 2017 Venice International Film Festival. The film, starring Sally Hawkins, Michael Shannon, Richard Jenkins, Doug Jones, Michael Stuhlbarg, Octavia Spencer, also won the Future Film Festival Digital Award, C. Smithers Foundation Award – CICT-UNESCO, and the Soundtrack Stars Award.
https://www.youtube.com/watch?v=XFYWazblaUA
The Silver Lion – Grand Jury Prize went to Foxtrot by Samuel Maoz, and the Silver Lion – Award for Best Director went to Xavier Legrand for his film Custody (Jusqu’à la Garde). Custody also won the award for Lion of The Future “Luigi de Laurentiis” Venice Award for a Debut Film.
2017 Venice International Film Festival Awards
VENEZIA 74
GOLDEN LION for Best Film to: THE SHAPE OF WATER by Guillermo del Toro (USA) SILVER LION – GRAND JURY PRIZE to: FOXTROT by Samuel Maoz (Israel, Germany, France, Switzerland) SILVER LION – AWARD FOR BEST DIRECTOR to: Xavier Legrand for the film JUSQU’À LA GARDE (France) COPPA VOLPI for Best Actress: Charlotte Rampling in the film HANNAH by Andrea Pallaoro (Italy, Belgium, France) COPPA VOLPI for Best Actor: Kamel El Basha in the film THE INSULT by Ziad Doueiri (Lebanon, France) AWARD FOR BEST SCREENPLAY to: Martin McDonagh for the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI by Martin McDonagh (Great Britain) SPECIAL JURY PRIZE to: SWEET COUNTRY by Warwick Thornton (Australia) MARCELLO MASTROIANNI AWARD for Best Young Actor or Actress to: Charlie Plummer in the film LEAN ON PETE by Andrew Haigh (Great Britain)ORIZZONTI
ORIZZONTI AWARD FOR BEST FILM to: NICO, 1988 by Susanna Nicchiarelli (Italy, Belgium) ORIZZONTI AWARD FOR BEST DIRECTOR to: Vahid Jalilvand for BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) (Iran) SPECIAL ORIZZONTI JURY PRIZE to: CANIBA by Véréna Paravel and Lucien Castaing-Taylor (France, USA) ORIZZONTI AWARD FOR BEST ACTRESS to: Lyna Khoudri in LES BIENHEUREUX by Sofia Djama (France, Belgium, Qatar) ORIZZONTI AWARD FOR BEST ACTOR to: Navid Mohammadzadeh in BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) by Vahid Jalilvand (Iran) ORIZZONTI AWARD FOR BEST SCREENPLAY to: Alireza Khatami for LOS VERSOS DEL OLVIDO by Alireza Khatami (France, Germany, Netherlands, Chile) ORIZZONTI AWARD FOR BEST SHORT FILM to: GROS CHAGRIN by Céline Devaux (France) VENICE SHORT FILM NOMINATION FOR THE EUROPEAN FILM AWARDS 2017 to: GROS CHAGRIN by Céline Devaux (France)VENICE AWARD FOR A DEBUT FILM
LION OF THE FUTURE “LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to: JUSQU’À LA GARDE by Xavier Legrand (France) VENEZIA 74VENICE CLASSICS
VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to: THE PRINCE AND THE DYBBUK by Elwira Niewiera and Piotr Rosołowski (Poland, Germany) VENICE CLASSICS AWARD FOR BEST RESTORED FILM to: IDI I SMOTRI (COME AND SEE) by Elem Klimov (USSR, 1985)VENICE VIRTUAL REALITY
BEST VR AWARD to: ARDEN’S WAKE (EXPANDED) by Eugene YK Chung (USA) BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to: LA CAMERA INSABBIATA by Laurie Anderson and Hsin-Chien Huang (USA, Taiwan) BEST VR STORY AWARD (FOR LINEAR CONTENT) to: BLOODLESS by Gina Kim (South Korea, USA)COLLATERAL AWARDS
Arca CinemaGiovani Award Venezia 74 Best Film: FOXTROT by Samuel Maoz Best Italian Film: BEAUTIFUL THINGS by Giorgio Ferrero BNL People’s Choice Award – Giornate degli Autori GA’AGUA (LONGING) by Savi Gabizon Brian Award LES BIENHEUREUX by Sofia Djama Circolo del Cinema di Verona Award – 32nd Venice International Film Critics’ Week TEAM HURRICANE by Annika Berg Civitas Vitae Award IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Fair Play Cinema Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Special Mention: HUMAN FLOW by Ai Weiwei Fedeora Award (Federazione dei Critici Europei e dei Paesi Mediterranei) Best Film: EYE ON JULIET by Kim Nguyen Best Director of a Debut Film: SARA FORESTIER for M Best Actor: REDOUANNE HARJANE for M FEDIC Award LA VITA IN COMUNE by Edoardo Winspeare Special Mention: NICO, 1988 by Susanna Nicchiarelli Mention FEDIC – Il giornale del cibo: LE VISITE by Elio Di Pace FIPRESCI Award EX LIBRIS – THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman Best Debut Film: LOS VERSOS DEL OLVIDO by Alireza Khatami Fondazione Mimmo Rotella Award GEORGE CLOONEY, MICHAEL CAINE and AI WEIWEI Enrico Fulchignoni – CICT-UNESCO Award HUMAN FLOW by Ai Weiwei Future Film Festival Digital Award THE SHAPE OF WATER by Guillermo del Toro Special Mention: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone GdA Director’s Award – Giornate degli Autori CANDELARIA by Jhonny Hendrix Hinestroza Green Drop Award FIRST REFORMED by Paul Schrader HRNs Award – Special Prize for Human Rights THE RAPE OF RACY TAYLOR by Nancy Buirski Special Mention: L’ORDINE DELLE COSE by Andrea Segre Special Mention: HUMAN FLOW by Ai Weiwei Interfilm Award LOS VERSOS DEL OLVIDO by Alireza Khatami Label Europa Cinemas Award M by Sara Forestier Lanterna Magica Award (CGS) L’EQUILIBRIO by Vincenzo Marra La Pellicola d’Oro Award Best Production Manager in an Italian Film: DANIELE SPINOZZI for Ammore e Malavita Best Production Manager in an International Film: RICCARDO MARCHEGIANI for Mektoub My Love: Canto Uno Best Stagehand: ROBERTO DI PIETRO for Hannah Leoncino d’Oro Agiscuola Award THE LEISURE SEEKER by Paolo Virzì Cinema for UNICEF Award: HUMAN FLOW by Ai Weiwei Lizzani Award GÉRÔME BOURDEZEAU and DOMINIQUE BATTESTI IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Lina Mangiacapre Award LES BIENHEUREUX by Sofia Djama Mouse d’Oro Award MEKTOUB, MY LOVE: CANTO UNO by Abdellatif Kechiche Mouse d’Argento Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone NuovoImaie Talent Award FEDERICA ROSELLINI for Dove cadono le ombre MIMMO BORRELLI for L’equilibrio Open Award GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Francesco Pasinetti Award – SNGCI AMMORE E MALAVITA by Manetti Bros. Special Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone Special Award: NICO, 1988 by Susanna Nicchiarelli Gillo Pontecorvo Award – Arcobaleno Latino MIAO XIAOTIAN, CEO of China Film Coproduction Corporation Queer Lion Award MARVIN by Anne Fontaine Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution – 32nd Venice International Film Critics’ Week LES GARÇONS SAUVAGES by Bertrand Mandico Sfera 1932 Award LA MÉLODIE by Rachid Hami SIAE Audience Award – 32nd Venice International Film Critics’ Week TEMPORADA DE CAZA by Natalia Garagiola SIGNIS Award LA VILLA by Robert Guédiguian Special Mention: FOXTROT by Samuel Maoz C. Smithers Foundation Award – CICT-UNESCO THE SHAPE OF WATER by Guillermo del Toro Sorriso Diverso Venezia 2017 Award – Ass Ucl IL COLORE NASCOSTO DELLE COSE by Silvio Soldini Soundtrack Stars Award ALEXANDRE DESPLAT for The Shape of Water Special Award: AMMORE E MALAVITA by Manetti Bros. Lifetime Achievement Award to ANDREA GUERRA UNIMED Award LA VILLA by Robert Guédiguian Special Mention: BRUTTI E CATTIVI by Cosimo Gomez image via Twitter
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HUNTING SEASON, TEAM HURRICANE Win Top Awards at Venice International Film Critics’ Week
Hunting Season (Temporada de Caza) directed by Natalia Garagiola won the SIAE Audience Award, the top prize at the 32nd Venice International Film Critics’ Week.The film tells the story of a respected hunting guide in Patagonia faced with the education of his biological son recently expelled from school.
Team Hurricane by Annika Berg about eight teenage girls and their summer at a youth club, was awarded the Verona Film Club Award, and The Wild Boys (Les Garçons Sauvages) by Bertrand Mandico won the Award for the Best Technical Contribution.
The Venice International Film Critics’ Week (SIC) is the independent and parallel section organized by the National Union of Italian Film Critics (SNCCI) during the 74th Venice International Film Festival which ran August 30th to September 9th, 2017.
SIAE Audience Award
HUNTING SEASON (TEMPORADA DE CAZA) by Natalia Garagiola (Argentina, USA, Germany, France, Qatar)
Award realized thanks to the support of SIAE – Italian Society of Authors and Publishers and consisting of a € 5,000 prize.
Verona Film Club Award
TEAM HURRICANE by Annika Berg (Denmark)
Bestowed by a jury composed of the members of the Verona Film Club and awarded to the most innovative film in the section.
Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution
THE WILD BOYS (LES GARÇONS SAUVAGES) by Bertrand Mandico (France)
The General Delegate Giona A. Nazzaro commented: “An edition marked by women. An edition that celebrated the many diverse forms of talent and of new cinema. An edition embraced with great esteem and affection by the audience. An edition that revealed seven new filmmakers that will be talked about for years to come. This is the work and the mission of the Venice International Film Critics’ Week”.
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SUMMER 1993 is Spain’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Summer 1993 (Estiu 1993), the debut feature film of director Carla Simon, has been selected by the Spanish film academy to represent Spain in the best foreign-language film category at the 90th Academy Awards.
The story is inspired by the director Carla Simon’s own experiences as a child. Summer 1993 premiered at the 2017 Berlin International Film Festival where it won Best First Feature Award.
In the summer 1993, following the death of her parents, six years old Frida moves from Barcelona to the Catalan province to live with her aunt and uncle, who are now her new legal guardians. The country life is a challenge for Frida – time passes differently in her new home and the nature that surrounds her is mysterious and estranging. She now has a little sister for whom she has to take care of and has to deal with new feelings, such as jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. Yet, the family does what it can to achieve a fragile new balance and bring normality to their life. Occasional family outings to a local fiesta or a swimming pool, cooking or listening to jazz in the garden bring them moments of happiness. Slowly, Frida realizes that she is there to stay and has to adapt to the new environment. Before the season is over, she has to cope with her emotions and her parents have to learn to love her as their own daughter.
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Rafi Pitts’ Immigration Drama SOY NERO Opens in Theaters on September 29 | Trailer
Director Rafi Pitts makes his English-language debut with Soy Nero, a timely drama about U.S. immigration policy and war in the Middle East. The film will open in theaters on September 29.
Soy Nero features a cast of rising stars including Johnny Ortiz (McFarland, USA, American Crime), Darrell Britt-Gibson (Three Billboards Outside Ebbing, Missouri, 20th Century Women) and Aml Ameen (The Maze Running, star of Idris Elba’s upcoming directorial debut Yardie) along with veteran actors Rory Cochrane (Hostiles, Argo) and Michael Harney (Orange is the New Black).
After several failed attempts to cross the border without papers, Mexican teenager Nero (Ortiz) finally succeeds in making it back to Los Angeles. He begins to realize the difficulty of leading a regular life as an illegal immigrant so he decides to enlist in the US Army as a “Green Card Soldier”, a short cut to citizenship. Now halfway around the world, Nero guards an Iraqi border for the US Army keeping out those who pose a threat to American interests abroad.
Soy Nero is the first film to take on the story of foreign-born soldiers in the Unite States. The US has provided a path to citizenship through the military since the Vietnam War. The program works, however, some 3,000 foreign-born soldiers have been deported.
https://www.youtube.com/watch?v=LB0lgADrBb8
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Watch Benedict Cumberbatch in Electrifying First Trailer for THE CURRENT WAR
The Weinstein Company has released the first trailer for The Current War, in which Thomas Edison (Benedict Cumberbatch) and George Westinghouse (Michael Shannon) risk everything in a pitched battle to decide who will light America and usher in the new century. The film directed by Alfonso Gomez‐Rejon will open in theaters on November 24, 2017.
Starring Benedict Cumberbatch as Thomas Edison and Michael Shannon as George Westinghouse, The Current War is the epic story of the cutthroat competition between the greatest inventors of the industrial age over whose electrical system would power the new century. Backed by J.P. Morgan, Edison dazzles the world by lighting Manhattan. But Westinghouse, aided by Nikola Tesla, has seen fatal flaws in Edison’s direct current design. Igniting a war of currents, Westinghouse and Tesla bet everything on risky and dangerous alternating current. Directed by Alfonso Gomez‐Rejon (Me and Earl and the Dying Girl) and written by playwright Michael Mitnick (Sex Lives of our Parents), The Current War also stars Katherine Waterston, Nicholas Hoult, Tom Holland, Matthew Macfadyen, and Tuppence Middleton.
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Aaron Sorkin to Receive Career Achievement Award + Premiere MOLLY’S GAME at Zurich Film Festival
Aaron Sorkin will receive the Festival’s Career Achievement Award at this year’s Zurich Film Festival (ZFF), which takes place from September 28 to October 8, 2017.
The Academy-Award® winning screenwriter and renowned playwright will receive the Award for his life’s work on October 4 at the Corso Cinema. The presentation will be followed by a Gala Premiere screening of his latest film and directorial debut Molly’s Game, which will have it’s European premiere at the ZFF. Molly’s Game stars Jessica Chastain, Idris Elba and Kevin Costner.
Molly’s Game is based on the true story of Molly Bloom, an Olympic-class skier who ran the world’s most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.
Said the Festival’s Co-Directors Nadja Schildknecht and Karl Spoerri: “Aaron Sorkin is not only regarded as one of US cinema’s greatest screenwriters, he is also widely acknowledged as the writer of several legendary plays and as the celebrated creator of The West Wing, one of the most acclaimed TV series ever made, which began in 1999 and sees Martin Sheen play the US President. We are immensely proud to welcome Aaron Sorkin to Zurich, screen his directorial debut Molly’s Game and present him with this year’s ZFF Career Achievement Award.”
https://www.youtube.com/watch?v=Vu4UPet8Nyc
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THE FIXER is Romania’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Adrian Sitaru’s The Fixer / Fixeur has been selected by Romania to represent the country in the best foreign-language film category at the 90th Academy Awards.
The film starring Tudor Aaron Istodor, Mehdi Nebbou, Nicolas Wanczycki, Diana Spatarescu, Adrian Titieni, world premiered at the 2016 Toronto International Film Festival.
In The Fixer, Romanian-born Radu Patru (Tudor Istodor) is a trainee at a prestigious French news network. Serving as a translator and general problem solver, or “fixer,” for the headlining journalists during his trial period, he’s looking to make his big break. He sees his opportunity when two underage Romanian prostitutes are repatriated from France, creating an international scandal. Taking advantage of his language skills and local connections, Radu is prepared to do whatever it takes to interview one of the young girls. But as he ventures into tricky moral ground, he must stop to ask himself if, as an aspiring journalist, he can live with the consequences of his actions, and if, as a father, he’s setting a good example for his son.
https://www.youtube.com/watch?v=hTMWK6YsWY8
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AMERIKA SQUARE is Greece’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Amerika Square (Plateia Amerikis) directed by Yannis Sakaridis is Greece’s submission for the Best Foreign-language Film at the 90th Academy Awards. The film premiered last year at the Busan International Film Festival, and has won numerous awards including the FIPRESCI Prize at Thessaloniki International Film Festival, and Best Feature at the Los Angeles Greek Film Festival.
Filmmaker Yannis Sakaridis presents a clever satirical view of the Greek migrant crisis by exploring both xenophobic and sympathetic sentiments of Greeks towards foreigners escaping the war and hardships that engulfed their native lands. Told from three different points of view, the story follow through to an upbeat, yet realistic and plausible ending.
Nakos is an unemployed inhabitant of the small neighborhood of Amerika Square who grows increasingly disgruntled at the influx of Middle Eastern migrants coming to Athens. Much of Nakos’ frustration stems from his inability to do anything about the new demographics of his neighborhood, a situation he spends most of his time brooding over instead of undertaking measures to address the much bigger problem at hand – his dead-end life. The pathetic Nakos has few close allies – his parents with whom he lives and childhood friend Billy, the selfless tattoo artist next door in whom Nakos confides his hatred of immigrants. What Nakos does not confide in Billy is a sinister plan to eliminate some of the migrants utilizing a desperate measure that accomplishes a chain reaction only resulting in the loss of Nakos’ few remaining friends. Billy, a lost soul himself who has wittingly and unwittingly impacted countless other lost souls through his line of work, seizes upon an opportunity to help two migrants escape from Athens; one of which a beautiful African singer with whom he falls in love and sees that she escapes to France at great cost to himself; the other a weary Syrian doctor escaping the war in Aleppo and trying desperately to reunite with his 9 year old daughter who has been smuggled to Germany ahead of him.
In the end, sympathy and selflessness resonate more brightly than intolerance and Nakos finds his anti-migrant attitude to have cost him his only allies and the shreds of pride and dignity that had been clutching all along.
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Todd Haynes’ WONDERSTRUCK Will Close Vancouver International Film Festival
[caption id="attachment_23000" align="aligncenter" width="1200"]
Wonderstruck[/caption]
Todd Haynes’ Wonderstruck will be the Closing Night film of this year’s Vancouver International Film Festival on Friday, October 13. Shut Up and Say Something, Melanie Wood’s entrancing documentary about internationally acclaimed spoken word artist Shane Koyczan, will screen at its BC Spotlight Awards Gala on Saturday, October 7.
Todd Haynes (Carol) returns with Wonderstruck a marvelous time-traveling tale that follows the parallel fortunes of two deaf 12-year-olds – Ben (Oakes Fegley), a lad in 1977 Michigan, and Rose (luminous newcomer Millicent Simmonds), a girl in 1927 New Jersey – who, for seemingly different reasons, are drawn to a gloriously rendered New York City in search of their own burgeoning identities.
VIFF unveiled its inspiring Creator Talks program, as well as the VIFF LIVE lineup.
VIFF Creator Talks
Jeremy Podeswa, Director, Game of Thrones and Greg Middleton, Cinematographer, Game of Thrones Emmy nominees, and the winners of multiple awards for their work, director Jeremy Podeswa and cinematographer Greg Middleton are two of Canada’s most successful film and television artists. They most recently brought their skills to the HBO series Game of Thrones, directing and shooting the Season 7 premiere and finale. Earlier collaborations include the films Fugitive Pieces and The Five Senses. Carlton Cuse, Writer/Executive Producer/Showrunner, Bates Motel Showrunner Carlton Cuse has mastered the art of primetime storytelling. One of television’s most successful scribes, he’s currently writing, exec-producing and showrunning the upcoming series Jack Ryan for Amazon and Colony for USA. His TV credits include Bates Motel and the smash hit Lost. Carlton also wrote the hit film San Andreas. He is the recipient of 10 Emmy Nominations. David Slade, Director/Executive Producer, American Gods and Black Mirror Join us for a fascinating and informative session as David Slade shares some incredibly unique experiences from directing pilots and forming cinematic language for series including the critically acclaimed anthology Black Mirror and hit series American Gods. The Creator Talk will be preceded by a screening of the American Gods episode, “The Bone Orchard.” Hosted by Tim Goodman, Chief TV Critic, The Hollywood Reporter. Ane Crabtree, Costume Designer, The Handmaid’s Tale A celebrated costume designer for film and television, Ane Crabtree made a lasting impression by creating the look for the Justified, Rectify, Outcast and The Sopranos pilots, along with designing multiple episodes of those shows. Most recently, she has designed costumes for the critically acclaimed series The Handmaid’s Tale. Ane has received Costume Designers Guild Award nominations for Westworld, Masters of Sex and Pan Am.VIFF LIVE
VIFF LIVE creates exceptional immersive experiences that pair live bands with films. These one-time-only shows provide an opportunity for talented visual artists to collaborate with musicians and explore the interplay between visions and voices. In addition to the special presentation of The Green Fog – A San Francisco Fantasia accompanied by a live score from Kronos Quartet, VIFF LIVE will also feature live music performing series with some of British Columbia’s hottest rising talent: Little Destroyer, Sam the Astronaut, I M U R, Jon and Roy, LIINKS, Brasstronaut, Tonye, So Loki, Louise Burns, Graftician, Desi Sub Culture and Horsepowar.

Ahead of its premiere at the