• Sports Legends Navratilova, Nicklaus, Comaneci, Moses and Vergeer Featured in Documentary WINNING | Trailer

    [caption id="attachment_23529" align="aligncenter" width="1200"]Martina Navratilova, WInning Martina Navratilova, WInning[/caption]   Winning is the compelling and inspiring story of the journeys of five legendary athletes – tennis champion Martina Navratilova, golf great Jack Nicklaus, Olympic gymnast Nadia Comaneci, track and field star Edwin Moses, and Dutch Paralympian Esther Vergeer. The film will be hitting movie theaters starting September 8 at Cinépolis Chelsea in New York City. Through candid interviews and footage of their most exciting championship moments, Winning reveals their dreams, challenges, triumphs and explores why some athletes achieve greatness. As they reminisce about the highs and lows of their careers, these iconic athletes share a unique and intimate window into their lives. Winning features rare archival footage of the athletes’ childhoods, as well as some of their most memorable and historic moments at the Olympics, Wimbledon, The Masters, US Open, British Open, French Open/Roland Garros, PGA Tour and The Paralympics. The film features interviews with the athletes’ families, coaches, agents and competitors including Olympic Gold Medalists, Bart Conner and Derrick Adkins, track and field Olympians, Benn Fields and Herb Douglas, tennis star, Pam Shriver, legendary coaches, Sven Groeneveld and Robert Lansdorp, Duke University Professor of Sports Psychology, Greg Dale, Barbara Nicklaus, Jana Navratilova and former Olympic gymnastics coach, Paul Ziert. https://www.youtube.com/watch?v=2HM2D2qScrA

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  • Documentary Fairy Tale SPETTACOLO to Open in New York on September 6th

    Spettacolo Spettacolo is described as a documentary fairy tale directed by Jeff Malberg (Marwencol) and Chris Shellen, about a tiny Italian farming village that turns their lives into a play.  The film which had it’s world premiere at the 2017 SXSW Film Festival, will open in theaters in New York on September 6th, 2017. Once upon a time, villagers in a tiny hill town in Tuscany came up with a remarkable way to confront their issues: they turned their lives into a play. Every summer, their piazza became their stage and residents of all ages played a part – the role of themselves.  Monticchiello’s annual tradition has attracted worldwide attention and kept the town together for 50 years, but with an aging population and a future generation more interested in Facebook than farming, the town’s 50th anniversary performance just might be its last.  Spettacolo tells the story of Teatro Povero di Monticchiello, interweaving episodes from its past with its modern-day process as the villagers turn a series of devastating blows into a new play about the end of their world.

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  • SFFILM Selects Two Filmmaking Teams to Receive Sloan Science in Cinema Filmmaker Fellowships

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    San Francisco Film Society SFFILM has selected two new screenwriting teams to receive Sloan Science in Cinema Filmmaker Fellowships, which will support the development of their narrative feature screenplays.  Sloan Science in Cinema Filmmaker Fellowships are funded by the Alfred P. Sloan Foundation as part of their support of programs that cultivate and champion films exploring scientific or technological themes and characters. Under the auspices of its Artist Development program, SFFILM fellowships are awarded to filmmakers developing screenplays that tell stories related to science or technology. SFFILM Sloan Science in Cinema Filmmaker Fellowships are awarded twice annually, and each includes a $35,000 cash grant and a two-month residency at FilmHouse, SFFILM’s suite of production offices for local and visiting independent filmmakers. Fellows will gain free office space alongside access to weekly consulting services and professional development opportunities. SFFILM will connect each fellow to a science advisor with expertise in the scientific or technological subjects at the center of their screenplays, as well as leaders in the Bay Area’s science and technology communities. In addition to the residency and grant, SFFILM’s Artist Development team will offer industry introductions to producers and casting, financing, and creative advisors—investing in fellows from early script development stages through to release. Additional filmmaker support programs include the SFFILM / Rainin Filmmaking Grant, the Documentary Film Fund and full-year FilmHouse residencies. “We greatly value the partnership with the Alfred P. Sloan Foundation to support narrative filmmakers with science-related projects in development,” said SFFILM Director of Artist Development Caroline von Kühn. “With so many significant leaders in science and technology right here in our back yard in the Bay Area, we have a great opportunity to bring that talent into play to deepen these projects at this crucial early stage. Both Bell and Dark Web have first time narrative writer/director teams whose commitment to story and integrity to the sciences represent the type of work we intend to come through this program.” ”We are delighted to partner with SFFILM in awarding these two Sloan Science in Cinema Fellowships to Bell and Dark Web, two outstanding scripts about the role of technology in society, one from the 19th century and one that is totally contemporary,” said Doron Weber, Vice President and Program Director at the Alfred P. Sloan Foundation. ”In a year that saw two successful Sloan-supported projects about female scientists and engineers—Hidden Figures and Bombshell: The Hedy Lamar Story—we are especially pleased that Bell, recipient of a previous Sloan grant, is written by two women and re-examines a great man of science through the lens of the key women in his life.” Bell Darcy Brislin and Dyana Winkler, co-writers From the controversy surrounding his invention of the telephone to his lesser-known work with eugenics, this is the untold story of famed inventor Alexander Graham Bell, whose love for his deaf wife changed the course of history, both for the better and for the worse. Currently based in Los Angeles, Darcy Brislin is a freelance writer and producer. She is the recipient of a number of fellowships, including the 2016 Sundance / Sloan Commissioning Grant, the 2017 Sundance Screenwriting Lab, the Kenyon Playwrights Conference, and the 20/20/20 Killer Films Residency lead by Christine Vachon and Pamela Koffler. Her feature screenplay Crown Chasers is in development at UTA, with Maria Bello attached to produce. She is currently assisting director Ondi Timoner on the production of Mapplethorpe, a biopic about the acclaimed photographer, starring Matt Smith and John Benjamin Hickey. Dyana Winkler is a freelance filmmaker who produces, directs, shoots, edits, and writes for hire in Brooklyn, NY. Clients include JP Morgan Chase, Under Armour, the US Open, Outside Television, TV on the Radio, and more. Her most recent fiction screenplay, Bell, was awarded the 2016 Sundance / Sloan Commissioning grant and participated in the 2017 Sundance Screenwriter’s Lab. Her first feature length documentary, United Skates, is currently in postproduction and has received awards from the Sundance Institute, IFP, Chicken & Egg Pictures, Film Independent, The Fledgling Fund, New York State Council on the Arts, and California Humanities. “We’re thrilled to complete the writing process of Bell with the support and guidance of the Alfred P. Sloan Foundation and SFFILM,” said Brislin and Winkler in a statement. “We couldn’t think of a more inspiring community than San Francisco, as it has both creativity and technology at its heart.” Dark Web Mark Eaton and Ron Najor, co-writers In Dark Web, an IT specialist is forced to go off the grid in order to stay alive after she is manipulated into hacking and exploiting a large software company. Mark Eaton is a writer and director who got his start creating imaginative Super 8mm short films. He has written and directed commercials and music videos for a number of artists and brands including Blink-182, Tom DeLonge, Angels & Airwaves, Against Me, Good Old War, Macbeth Footwear, and James Coffee Co., bringing a careful balance of spirit and design to their collaborations. Eaton’s passion for visual narratives continued, directing the feature documentary Start the Machine and producing the independent sci-fi feature film Love. His feature script Dark Web was selected to be part of the Film Independent Screenwriting Labs in 2016. Ron Najor’s first production was the feature film I Am Not a Hipster, which was an official selection of the Sundance Film Festival in 2012. He next produced the film Short Term 12, which won both the Grand Jury Prize and the Audience Award at SXSW in 2013. The film appeared on over 30 top-ten lists in 2013 and garnered a Gotham Award for Best Actress for Brie Larson and a Film Independent Spirit Award for Best Editing. Najor’s feature script Dark Web was selected to be part of the Film Independent Screenwriting Labs in 2016. “We are thrilled that our script for Dark Web has been selected for the SFFILM Sloan Science in Cinema Filmmaker Fellowship, especially during this crucial time in the project’s development,” said Eaton and Najor in a statement. “As Dark Web is a technology-based story set in the Bay Area, the opportunity to further the project while living and working there will be invaluable to us.”

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  • VIDEO: Watch Trailer for PROSPERITY Documentary Featuring Pedram Shojai (aka Urban Monk)

    PROSPERITY Documentary Prosperity is the new documentary film following Pedram Shojai as he explores how every day spending can affect the world around us.  The film directed by Mark van Wijk will open in select theaters nationwide beginning September 29, 2017, in New York at IFC Center and Los Angeles at Music Hall. Dr. Pedram Shojai is an author, filmmaker, founder of Well.Org, Urban Monk, husband and father.  Prosperity is a feature documentary about his journey across the Americas to discover a more sustainable way for us all to do business and thrive on our Planet. ‘The Urban Monk’ tracks the organic roots of Rodale Publishing; the food revolution of Whole Foods Market; Guayaki’s waged war for rainforest redemption; Terra Cycle’s scheme to drain the oceans of plastic; architect CookFox’s carbon-reducing skyscraper design, alongside many others. Through these companies and more, the documentary explores an exploding conscious business movement, one fueled by social responsibility, transparency, millennials, and the realization that business-as-usual can’t go on. The film unveils effective ways for everyone to be a part of this movement and really drive the positive change needed in the world. https://www.youtube.com/watch?v=BGwySLuQdHQ image via screen grab

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  • 3 New Films Including World Premiere of MANHUNT by John Woo Added to Venice International Film Festival

    [caption id="attachment_23516" align="aligncenter" width="805"]John Woo, manhunt John Woo[/caption] The world premieres of Manhunt by John Woo; L’ordine delle cose by Andrea Segre; L’Enigma di Jean Rouch a Torino by Marco di Castri, Paolo Favaro, Daniele Pianciola have been added to the lineup of the 74th Venice International Film Festival, taking place August 30 to September 9, 2017. MANHUNT (ZHUIBU) The much-awaited return of John Woo to the crime thriller movies which made him famous, The Killer and Hardboiled. A contemporary remake of a Japanese classic of the genre, it’s the story of a Chinese man who is framed for murder in Japan; he tries to clear his name as he dodges a manhunt organized by the Japanese police and the attacks of mysterious killers. John Woo (A Better Tomorrow, Face/Off) received the Golden Lion for Career Achievement in Venice in 2010. The film will be presented Out of Competition. L’ORDINE DELLE COSE The film by Andrea Segre (Shun Li and the Poet, First Snowfall) tells the story of Corrado, a policeman who is a member of a task force running the system which controls the flow of immigrants. Corrado is sent to coordinate a delicate mission in Libya, where he meets Swada, a young Somali woman who is trying to rejoin her husband in Finland. The film will be presented in Special Screenings. L’ENIGMA DI JEAN ROUCH A TORINO – CRONACA DI UN FILM RATÉ The film by Marco di Castri, Paolo Favaro and Daniele Pianciola is a documentary about a true “laboratory of ideas” and the film it generated: Enigma. The documentary reconstructs the two years between the arrival of Jean Rouch and the project’s conclusion, and is told through the voices of its protagonists as they dialogue with extraordinary material: over 20 hours of making-of. The film will be presented in the competitive section Venezia Classici – Documentaries.

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  • Brazilian Teen Horror Drama KILL ME PLEASE Sets US Release Date

    KILL ME PLEASE Anita Rocha da Silveira’s debut feature KILL ME PLEASE, is described as “a unique blend of coming-of-age drama with slow-burning horror.” The film, an official selection at SXSW, Venice and New Directors / New Films, snagged the awards for Best Director (Fiction) and Best Actress, given to Valentina Herszage, at the Rio de Janeiro International Film Festival. Slated to open Friday, September 1, at Alamo Drafthouse Downtown Brooklyn, the film will expand nationwide during the fall. A VOD and physical media release is expected by May 2018. Bia (Valentina Herszage), Michele (Júlia Roliz), Mariana (Mariana Oliveira) and Renata (Dora Freind) are a clique of affluent high school girls. They waste away their days wandering the fields between the vertigo-inducing high rises in Barra da Tijuca, an affluent new neighborhood in Rio de Janeiro. Both privileged and abandoned by busy parents, the girls spend most of their time together. When a wave of murders begins to terrorize the neighborhood, the girls develop a morbid curiosity with the victims – and lines separating life, desire and death begins to break down. KILL ME PLEASE Blending coming-of-age with slow-burning horror, partly inspired by the 1980s teen slasher genre, Kill Me Please is a disturbing and funny dive into teenage sexuality, spirituality, loneliness and fragility – as well as an ambitious feature debut by a young and promising Brazilian director, Anita Rocha da Silveira.

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  • VIDEO: Watch Trailer for Summer Gay Romance Drama CALL ME BY YOUR NAME

    CALL ME BY YOUR NAME Here is the first official trailer for Call Me By Your Name, directed by Luca Guadagnino and adapted from André Aciman’s novel of the same name, about a summer love affair between two young men. The film which premiered at the 2017 Sundance Film Festival starring newcomer Timothée Chalamet and Armie Hammer will be released in theaters on November 24. It’s the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17- year-old American-Italian boy, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows wit h natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever. https://www.youtube.com/watch?v=Z9AYPxH5NTM

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  • THE DIVINE ORDER is Switzerland’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER

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    The Divine Order The Divine Order directed by Petra Volpe has been selected by Switzerland as the country’s official entry in the Foreign Language Film category of the 90th Academy Awards. The period dramedy set in 1971 about the fight for women’s suffrage in Switzerland screened earlier this year at the 2017 Tribeca Film Festival, where it won the Audience Narrative Award, the Nora Ephron Prize for Petra Volpe, and Best Actress in an International Narrative Feature Film for Marie Leuenberger. 1971: Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

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  • VIDEO: Watch First Trailer for Religious Drama NOVITIATE Starring Melissa Leo, Margaret Qualley

    Novitiate Check out the first trailer for the Novitiate, written and directed by Maggie Betts, which premiered at earlier this year at the 2017 Sundance Film Festival. The film starring Margaret Qualley, Melissa Leo, Julianne Nicholson and Dianna Agron will be released in theaters in NY and LA on October 27. Spanning over a decade from the early 1950s through to the mid-60s, Novitiate is about a young girl’s first experience with love. In this case, her first love is God. Raised by a vehemently non-religious, single mother in rural Tennessee, a scholarship to Catholic school soon finds Cathleen drawn into all the mystery and romanticism of a life devoted to the worship and servitude of God. With the dawn of the Vatican II era, radical changes in the Church are threatening the course of nuns’ lives. Cathleen finds herself struggling with issues of faith, sexuality, and the changing administration. As she progresses from the postulant to the novitiate stage of training, she finds her faith repeatedly confronted and challenged by the harsh, often inhumane realities of being a servant of God. https://www.youtube.com/watch?v=8kKexutLfE0

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  • First 2 Films Announced for Miami Film Festival’s 2017 GEMS Festival

    [caption id="attachment_22969" align="aligncenter" width="1200"]SUMMER 1993 SUMMER 1993[/caption] Son of Sofia and Summer 1993 are the first two films announced for Miami Film Festival’s 2017 GEMS Festival taking place October 12 to 15, 2017.

    Son of Sofia

    Son of Sofia world premiered at 2017 Tribeca Film Festival where it won the award for Best International Narrative Feature. The film is a fantastical journey through an 11-year-old Russian boy’s fraught collision with the bewildering logic of the world of adults. It’s 2004 and Misha’s mother Sofia has been in Athens for two years making the living that she could not back home in Russia, and she finally sends for Misha to join her. Upon arrival, Misha discovers he has a harsh new elderly Greek stepfather, adding to the already overwhelming sense of alienation he feels in Greece, with its language that he doesn’t speak and its obsession with hosting the upcoming Olympic Games. Psykou creates something unique: a fairytale forged out of elements of messy, thorny realism. The visual and aural design of the film quickly casts a fevered spell. Psykou crowds her frames with pop imagery of huge toy plushies, intricate Old World artifacts, lifesize animal costumes, dreamy nocturnal cinematography and heart-piercing, strange lullabies that at intervals overtake the dialogue and the action, working like siren songs to drown our dreams in the hypnotic reverie. And then in counterpoint, Psykou introduces a brash, sexy 18-year-old Ukrainian hustler working the streets of Athens who becomes a kind of Fagin to Misha’s Oliver Twist. In awarding the top prize to Son of Sofia, the Tribeca jury stated: “We unanimously agree that one film challenged us to see in a new way, and we were seduced by the surprising humanity of its difficult characters. The direction was assured, and its tone unique.”

    Summer 1993

    Like Son of Sofia, Spanish filmmaker Carla Simón‘s first feature, Summer 1993 (original Catalan language title is Estiu 1993), is a period piece set in the recent past that likewise asks us to examine our adult foibles, as we look at them through the perspective of a young protagonist – in this case, wary six-year-old Frida, who leaves the city life in Barcelona after both of her parents pass away, to live in the countryside with her aunt and uncle. Based on her own childhood experiences in Catalonia’s la Garrotxa region, Simón’s film was invited to the prestigious 67th Berlin Film Festival this past February for its world premiere, and triumphed by winning the high-profile Best First Feature Award (and a cash prize of €50,000). The film then went on to Malaga Film Festival in March, where it won the top prize – Best Spanish Film – one of Spain’s most important annual film awards. Summer 1993 was a time when fear, uncertainty, panic and taboo of the AIDS virus was at a zenith point, and in Summer 1993, it’s the secret truth about the death of Frida’s parents that is always being obliquely referred to but never named by the nervous adults who have taken over Frida’s care. Simón has an unusual gift for capturing not only the visual field-of-reference of a young person’s world (giving the sense of a fully-formed universe) but the way a young person hears ideas for the first time, and begins the process of learning about adult masks, games and secrets. In one sun-dappled, perfect summer, Frida will grow up more than any six-year-old should ever be expected to, as her new young step-parents struggle with the smiles and the tears. Summer 1993 has a touch of truth that even many personal screen memoirs don’t hit, thanks in no small part to Simón’s brilliant casting and work with actors, Bruna Cusi, David Verdaguer and the most incredible child actor discovery in years, Laia Artigas as Frida.

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  • Documentary MAMA AFRICA: MIRIAM MAKEBA on South African Singer to Be Released in US | Trailer

    Mama Africa: Miriam Makeba The documentary Mama Africa: Miriam Makeba by Mika Kaurismaki on South African singer Miriam Makeba will be released in the US by ArtMattan Films, the film distribution arm of ArtMattan Productions Mama Africa: Miriam Makeba by Mika Kaurismaki introduces to a new generation of Americans the world-famous South African singer Miriam Makeba and her legacy. Miriam Makeba (1932-2008) spent half a century traveling the world spreading her political message to fight racism, poverty and promote justice and peace. Through rare archive footage of her performances and through testimonies of her contemporaries and supporters including Harry Belafonte, Stokely Carmichael, Hugh Masekela, Paul Simon, Angélique Kidjo and many others – we discover Miriam Makeba’s remarkable journey. https://www.youtube.com/watch?v=maTw6zAJQEw

    THEATRICAL DATES:

    ADIFF DC – 8/18/17 Parkway Theater, Baltimore – 8/18 to 8/24 Austin Film Society – 9/23 & 9/30 Virginia Film Festival – 11/10 & 11/12 Hot Docs Ted Rogers Cinema, Toronto – 2/27/18

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  • 4 Indie Films Selected for Tallgrass International Film Festival Stubbornly Independent Competition

    [caption id="attachment_23490" align="aligncenter" width="1200"]20 WEEKS ( Leena Pendharkar) 20 WEEKS[/caption] Four independent films have been selected to compete in this year’s 2017 Tallgrass International Film Festival Stubbornly Independent competition. Selections include Leena Pendharkar’s 20 WEEKS, Chris Hansen’s BLUR CIRCLE, Jameson Brooks’s BOMB CITY, and Dustin Cook’s I HATE THE MAN IN MY BASEMENT. The award is given to honor an independent film or filmmaker who takes risks and isn’t afraid to tell important stories, and does all of this within the ultra-low budget of $500,000 or less. The winner will be featured as the Stubbornly Independent Gala Spotlight selection on Saturday, October 21st, will receive the Jake Euker Stubbornly Independent Award, and a $5,000 cash prize. The three runners up will be included as official selections in the festival and will be eligible for the Audience Award for Narrative Feature and $2,500 cash prize. “This year’s selections feature stories and characters that are both timely and easily relatable, while delivering a unique and bold take, leading to films that feel anything but familiar,” said Tallgrass Film Festival’s Programing Director Nick Pope. “Ultimately these are films about redemption and self-discovery in a world that can be messy and unpredictable, but also rewarding and surprising. We’re honored to be showcasing these stories to Wichita audiences.” This year marks the 6th year of the SI competition, where eligible films must be domestic narrative feature films made for $500,000 or less without traditional, theatrical, domestic distribution at the time of the festival screening. Finalists will be juried by a panel of industry professionals including Rebecca Celli (Cargo Films), Nancy Gerstman (Zeitgeist Films) and Jeffrey Winter (Film Collaborative.) The Stubbornly Independent competition winner will be announced with the Tallgrass Film Festival’s lineup next month. 20 WEEKS Director: Leena Pendharkar Country: USA, Running Time: 89min 20 WEEKS is a romantic drama about love, science and how prenatal and genetic testing impacts everyday people. Against the backdrop of modern-day Los Angeles, the story follows Maya and Ronan’s journey – interweaving their past and present – after learning that their baby has a serious health issue at their 20-week scan. Inspired, in part, by writer/director Leena’s Pendharkar’s real life experiences with her second daughter, the film seeks to explore an intimate issue that isn’t often talked about. BLUR CIRCLE Director: Chris Hansen Country: USA, Running Time: 92min BLUR CIRLCE is the story of Jill Temple, a single mother still grieving the loss of her young son after he disappeared two years ago. Unable to face the possibility that she has lost him forever, she pursues every lead and meets Burton Rose, a man with a mysterious past. The details of that past – and how Burton has responded to it – force Jill to look at her life in a completely new way. BOMB CITY Director, Jameson Brooks Country: USA, Running Time: 95min Based on the true story of Brian Deneke, BOMB CITY is a crime-drama about the cultural aversion of teenage punks in a conservative Texas town. Their ongoing battle with a rival, more-affluent group of jocks, leads to a controversial hate crime that questions the morality of American justice I HATE THE MAN IN MY BASEMENT Director, Dustin Cook Country: USA, Running Time: 103min Lonely and isolated, Claude is still grieving the murder of his wife. When he’s reluctantly coerced by his obnoxious co-worker to join him for some salsa lessons, Claude develops an unexpected crush on his instructor Kyra. Unfortunately, he’s not sure how to move forward with this budding romance since he still has an unconventional situation in his basement…

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