
Thirteen new independent feature projects from the U.S., Cuba, Kenya, Mexico, Morocco, and Palestine have been selected for the 2018 Sundance Institute Directors and Screenwriters Labs.

Thirteen new independent feature projects from the U.S., Cuba, Kenya, Mexico, Morocco, and Palestine have been selected for the 2018 Sundance Institute Directors and Screenwriters Labs.
MarVista Entertainment has released the new trailer for The Year of Spectacular Men directed by Lea Thompson. The film starring Madelyn Deutch, Zoey Deutch, Lea Thompson, Avan Jogia, Melissa Bolona, Jesse Bradford, Brandon T. Jackson, Cameron Monaghan, Zach Roerig, and Nicholas Braun, opens in theaters on June 15th.
Izzy Klein has (barely) graduated from college, broken up (sorta) with her boyfriend, and is stranded in New York City with a bad case of pre-real-world millennial-itis. Unsure of what the next step is, her movie star little sister Sabrina convinces her to move back home to Los Angeles and into her shared apartment with movie star boyfriend Sebastian, where they can keep an eye on rudderless Izzy. Emotionally unable to deal with the loss of her father, and slightly distracted by her mother Deb’s newfound love affair with loopy yogi Amythyst, Izzy funnels her energy into dating a colorful bouquet of five complicated and spectacular men: Aaron, Ross, Logan, Mikey, and Charlie, over the course of the next year. Coping just barely with the help of her trusty notebook, she falls in and out of some not so romantic romances, and figures out that when it totally feels like the end of your story, it’s often just the beginning.
https://www.youtube.com/watch?v=_SWHlI8JSbU
Madeleine Olnek’s acclaimed Wild Nights With Emily, a rousing Emily Dickenson comedy starring Molly Shannon, will open this year’s tenth annual Lighthouse International Film Festival (LIFF), taking place June 7-10, 2018 on Long Beach Island, New Jersey.
The official trailer dropped for the indie comedy Bernard and Huey, directed by Dan Mirvish, co-founder of the Slamdance Film Festival. Freestyle will release Bernard and Huey in select theaters starting June 8th.
Bernard and Huey is the story of roguish Huey (David Koechner) and nebbishy Bernard (Jim Rash), who are unlikely friends in late 1980s New York. Years later, a bedraggled Huey crashes at Bernard’s upscale bachelor pad. As the two reconnect, Bernard starts a relationship with Huey’s estranged daughter Zelda (Mae Whitman), an aspiring graphic novelist. Huey slowly gets his mojo back and tries to seduce various women in Bernard’s life, while reconnecting with his family. As the two friends return to their old ways, at least one of them finds himself in danger of marrying a woman old enough to be his wife. Bernard and Huey is directed by American filmmaker Dan Mirvish, co-founder of the Slamdance Film Festival, and director of the films Omaha (The Movie), Stamp and Deliver, Open House, and Between Us previously. The screenplay is written by Oscar/Pulitzer-winner Jules Feiffer.
https://www.youtube.com/watch?v=t1AIDBQR1lg
Lost Bayou by Brian C Miller Richard[/caption]
The Independent Filmmaker Project (IFP) has selected 20 feature films for the IFP Filmmaker Labs, IFP’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. Combining documentary and narrative features together for the first time, the program begins today, running May 21-25 at the Made in NY Media Center by IFP located in DUMBO, Brooklyn.
The Filmmaker Labs continues its dedication to supporting underrepresented voices, with over 60% of this year’s attending Lab Fellows, and over 70% of the directors specifically, being diverse in regards to gender, ethnicity, sexual oreientation, and disability. Furthermore, this year’s Labs projects represent a range of creative visions from all over the world, with films shot around the United States, as well as Brazil, Costa Rica, Ghana, Lebanon, Mexico, Russia, South Korea, and the United Kingdom.
“In today’s independent film landscape, with modes of distribution and exhibition in seemingly constant flux, the Filmmaker Labs remain firm in their commitment to supporting the next generation of boundary-pushing filmmakers,” says Joana Vicente, IFP’s Executive Director. “By removing the boundaries between non-fiction and fiction storytelling labs, these ambitious, wildly diverse and highly international Lab projects will receive more opportunities than ever to have their voices heard.”
The first ever Lumbee Film Festival showcasing bold, original new films made by American Indians, especially members of the Lumbee Tribe living in North Carolina and across the United States takes place on Saturday, June 23, 2018 at the UNC Pembroke Entrepreneurship Incubator.
The Festival features a panel discussion with community organizers, filmmakers and tribe members discussing cultural extraction, cultural appropriation, and other issues faced by indigenous communities and their work within the cultural sector. The Festival also presents the “Lumbee Filmmaking Challenge” as the grand finale screening, in which every submitted film under three minutes — no jury, no rules — will be shown. The Lumbee Filmmaking Challenge encourages creativity and storytelling in many forms, from many voices – young and old, far and near – anyone with a cell phone can make a short video and send it in.
American Indian filmmakers can submit narrative, documentary or experimental films of any length or genre to the festival by June 7, 2018. Submissions can be made through the Cucalorus website . There is no entry fee – so submit a film for free!
“It is wonderful to have an opportunity for the community to come for free to see films made for and by American Indians, amplifying our voices, our challenges and our accomplishments. I think I am most excited about ‘What Lumbee Means To Me’ as we express our pride in our people, culture, place and traditions,” said Festival Director Kim Pevia.
Pevia is joined on the staff by graphic designer Chad Locklear and a programming committee including artist Ashley Minner and filmmaker Malinda Maynor Lowery.
The Lumbee Film Festival is a partnership between the Lumbee Tribe of NC, Cucalorus, and the NC Arts Council. It takes place at the UNCP Entrepreneurship Incubator at 202 Main Street- downtown Pembroke, NC on Saturday, June 23, 2018.
Prison Logic[/caption]
The 49th Annual Nashville Film Festival concluded its 10-day festival on Friday with the highly-anticipated announcement of the 2018 Award Winners. The top feature film awards went to Prison Logic directed by Romany Malco, winning the Narrative Competition Grand Jury Prize, and Minding the Gap directed by Bing Liu taking the Documentary Competition Grand Jury Prize.
After the rain caused the opening night to move to Sunday May 20, Rooftop Films opened up its Summer Series last night with the first ever outdoor film screening in Green-Wood Cemetery. Rooftop Films always kicks off the Summer Series with a program of short films, and this program included wild and adventurous works from all over the world, including three recipients of Rooftop Films Filmmakers Fund grants: Mauricio Arango’s To The Dead, Marc Johnson’s Ultraviolet, and Niki Lindroth Von Bahr’s award winning animated masterpiece, The Burden. Despite being pushed back a day due to weather, the event was a huge success, with more than 650 guests in attendance.
The screening took place along Sylvan Water, located in the scenic and historic Green-Wood Cemetery. The evening also included live music from L’Rain, gorgeous projection mapping on Green-Wood Chapel designed by Brendan Bercik, and an after-party featuring a DJ set from DJ Tara, courtesy of Lay’s Poppables, as well as drinks from Corona Extra, Ketel One Family Made Vodka, and Fever-Tree.
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Photos (Courtesy of Emily Hawkes) | Rooftop Films
President Barack Obama and Michelle Obama have entered into a multi-year agreement to produce films and series with Netflix.
The Obamas will produce a diverse mix of content, including the potential for scripted series, unscripted series, docu-series, documentaries and features. These projects will be available to the 125 million member Netflix households in 190 countries.
The Obamas have established Higher Ground Productions as the entity under which they will produce content for Netflix.
“One of the simple joys of our time in public service was getting to meet so many fascinating people from all walks of life, and to help them share their experiences with a wider audience,” said President Obama. “That’s why Michelle and I are so excited to partner with Netflix – we hope to cultivate and curate the talented, inspiring, creative voices who are able to promote greater empathy and understanding between peoples, and help them share their stories with the entire world.”
“Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others,” said Mrs. Obama. “Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.”
“Barack and Michelle Obama are among the world’s most respected and highly-recognized public figures and are uniquely positioned to discover and highlight stories of people who make a difference in their communities and strive to change the world for the better,” said Netflix Chief Content Officer Ted Sarandos. “We are incredibly proud they have chosen to make Netflix the home for their formidable storytelling abilities.”
Happy as Lazzaro[/caption]
Netflix has acquired Cannes Film Festival 2018 award winners “Happy As Lazzaro” and “Girl.” “Happy as Lazzaro” premiered in competition and was awarded Best Screenplay for Alice Rohrwacher, and the Camera d’Or for best first film was awarded to Lukas Dhont for “Girl.” “Girl” premiered in Un Certain Regard at the Cannes Film Festival where it was awarded Best Actor for Victor Polster
Girl by Lukas Dhont[/caption]
Five filmmaking teams will receive a total of $100,000 in funding in the inaugural round of SFFILM Westridge Grants to help support the screenwriting and project development stages of their narrative feature films. SFFILM Westridge Grants, which are awarded twice annually, are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time. The next application period is now open.
SFFILM Westridge Grants provide film projects support in their critical early stages, safeguarding filmmakers’ creative processes and allowing artists to concentrate on thoughtfully developing their stories while building the right strategy and infrastructure to guide them through financing and production. In addition to cash grants, recipients will benefit from SFFILM’s comprehensive and dynamic artist development program, SFFILM Makers, as well as support and counsel from SFFILM and Westridge Foundation staff and the 2018 FilmHouse Mentor Advisory Board. All grantees will spend one week in the Bay Area attending a retreat geared towards honing their craft, strengthening their scripts, and making connections to other filmmakers and industry professionals.
The panelists who reviewed the finalists’ submissions were Noah Cowan, SFFILM Executive Director; Lauren Kushner, SFFILM Senior Manager of Artist Development; Nicole Perlman, screenwriter (Guardians of the Galaxy, Captain Marvel) and 2018 FilmHouse screenwriting mentor; Shelby Rachleff, Westridge Foundation Program Manager; and Caroline von Kühn, SFFILM Director of Artist Development.
“The Westridge Foundation is an incredible new ally in empowering US-based filmmakers grounded in Bay Area values,” said Caroline von Kühn, SFFILM Director of Artist Development. “This grant supports artists grappling with important topics in our country’s culture. This group of inaugural winners, through their valuable perspectives and historically underrepresented voices, will shape how we engage in conversations about these topics, collectively and with one another.”
“We are proud to provide resources to these filmmakers in the crucial early stages of telling their unique, important stories,” said Shelby Rachleff, Westridge Foundation Program Manager. “Westridge is thrilled to partner with SFFILM both in supporting these five outstanding projects, and in helping to amplify the powerful and nuanced voices of the filmmakers who are bringing them to life.”
Central Airport THF[/caption]
The Sundance Institute will award $585,000 in targeted grants to twenty-three projects from independent nonfiction storytellers. 57% of the supported projects are helmed by women, and 48% are from outside the U.S.; 34% of grantees are first-time feature filmmakers.
“These artists are hard at work on projects that capture the world as it is, as well as imagining it as it could be,” said Hajnal Molnar-Szakacs, the recently-appointed Director of the Sundance Institute’s Documentary Film Fund. “The stories here deeply reflect my team’s collaborative vision for this fund and we are thrilled to highlight voices with richly diverse sensibilities and perspectives. In our current cultural and political moment, independent storytelling is vital: to help make meaning and present a layered, complex interpretation of truth.”
Sundance Institute has a long history and firm commitment to championing the most distinctive nonfiction films from around the world. Recently-supported films include Hale County This Morning This Evening; I Am Not Your Negro; Last Men in Aleppo; An Insignificant Man; Casting JonBenet; Strong Island; Hooligan Sparrow; Newtown and Weiner.