Museum[/caption]
Another five films, including Steven Soderberg’s Unsane, and Gael García Bernal in Alonso Ruizpalacios’ Museum, have been added to the Competition lineup of the 68th Berlin International Film Festival; and a further six films have been invited to participate in the Berlinale Special Program.
The 68th Berlin International Film Festival will take place from February 15 to 25, 2018. The complete program will be presented on February 6, 2018.
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Berlinale 2018: More Films Added to Competition and Berlinale Special Lineup
[caption id="attachment_26657" align="aligncenter" width="1200"] Museum[/caption]
Another five films, including Steven Soderberg’s Unsane, and Gael García Bernal in Alonso Ruizpalacios’ Museum, have been added to the Competition lineup of the 68th Berlin International Film Festival; and a further six films have been invited to participate in the Berlinale Special Program.
The 68th Berlin International Film Festival will take place from February 15 to 25, 2018. The complete program will be presented on February 6, 2018.
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“Three Billboards Outside Ebbing, Missouri” is Big Winner of 2018 Screen Actors Guild Awards
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Actor Frances McDormand (4th from L, at microphone) and ‘Three Billboards Outside Ebbing, Missouri’ castmates accept the Outstanding Performance by a Cast in a Motion Picture award onstage during the 24th Annual Screen Actors Guild Awards[/caption]
The Screen Actors Guild Awards presented its coveted Actor statuettes at the 24th Annual Screen Actors Guild Awards, hosted by Kristen Bell. Honored with individual awards were Frances McDormand, Gary Oldman, Allison Janney and Sam Rockwell for performances in motion pictures, with the Actor for a motion picture cast performance going this year to “Three Billboards Outside Ebbing, Missouri.”
Rita Moreno presented Morgan Freeman with the 54th Life Achievement Award, following a filmed salute to the Academy Award winning actor, producer, voice actor and activist, which mirrored when Freeman presented Moreno with the 50th Life Achievement Award. Felicity Huffman introduced a filmed “In Memoriam” tribute to the SAG-AFTRA members lost during 2017. In keeping with the SAG Awards tradition of highlighting the work of SAG-AFTRA members, SAG-AFTRA President Gabrielle Carteris introduced a montage that illustrated the union’s diversity and the wide range of its members’ professional skills.
The complete list of recipients for the 24th Annual Screen Actors Guild Awards® follows:
The 24th ANNUAL SCREEN ACTORS GUILD AWARDS®RECIPIENTS
The Theatrical Motion Picture Recipients are:
Outstanding Performance by a Female Actor in a Leading Role FRANCES McDORMAND / Mildred – “THREE BILLBOARDS OUTSIDE EBBING, MISSOURI” (Fox Searchlight) Outstanding Performance by a Male Actor in a Leading Role GARY OLDMAN / Winston Churchill – “DARKEST HOUR” (Focus Features) Outstanding Performance by a Female Actor in a Supporting Role ALLISON JANNEY / LaVona Golden – “I, TONYA” (Neon) Outstanding Performance by a Male Actor in a Supporting Role SAM ROCKWELL / Dixon – “THREE BILLBOARDS OUTSIDE EBBING, MISSOURI” (Fox Searchlight) Outstanding Performance by a Cast in a Motion Picture THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (Fox Searchlight) ABBIE CORNISH / Anne PETER DINKLAGE / James WOODY HARRELSON / Willoughby JOHN HAWKES / Charlie LUCAS HEDGES / Robbie ŽELJKO IVANEK / Desk Sgt. CALEB LANDRY JONES / Red Welby FRANCES McDORMAND / Mildred CLARKE PETERS / Abercrombie SAM ROCKWELL / Dixon SAMARA WEAVING / PenelopeThe Television Recipients are:
Outstanding Performance by a Female Actor in a Television Movie or Limited Series NICOLE KIDMAN / Celeste Wright – “BIG LITTLE LIES” (HBO) Outstanding Performance by a Male Actor in a Television Movie or Limited Series ALEXANDER SKARSGÅRD / Perry Wright – “BIG LITTLE LIES” (HBO) Outstanding Performance by a Female Actor in a Drama Series CLAIRE FOY / Queen Elizabeth II – “THE CROWN” (Netflix) Outstanding Performance by a Male Actor in a Drama Series STERLING K. BROWN / Randall Pearson – “THIS IS US” (NBC) Outstanding Performance by a Female Actor in a Comedy Series JULIA LOUIS-DREYFUS / Selina Meyer – “VEEP” (HBO) Outstanding Performance by a Male Actor in a Comedy Series WILLIAM H. MACY / Frank Gallagher – “SHAMELESS” (Showtime) Outstanding Performance by an Ensemble in a Drama Series THIS IS US(NBC)ERIS BAKER / Tess Pearson ALEXANDRA BRECKENRIDGE / Sophie STERLING K. BROWN / Randall Pearson LONNIE CHAVIS / Young Randall JUSTIN HARTLEY / Kevin Pearson FAITHE HERMAN / Annie Pearson RON CEPHAS JONES / William Hill CHRISSY METZ / Kate Pearson MANDY MOORE / Rebecca Pearson CHRIS SULLIVAN / Toby Damon MILO VENTIMIGLIA / Jack Pearson SUSAN KELECHI WATSON / Beth Pearson HANNAH ZEILE / Teenage Kate Outstanding Performance by an Ensemble in a Comedy Series VEEP(HBO) DAN BAKKEDAHL / Roger Furlong ANNA CHLUMSKY / Amy Brookheimer GARY COLE / Kent Davison MARGARET COLIN / Jane McCabe KEVIN DUNN / Ben Cafferty CLEA DUVALL / Marjorie Palmiotti NELSON FRANKLIN / Will TONY HALE / Gary Walsh JULIA LOUIS-DREYFUS / Selina Meyer SAM RICHARDSON / Richard Splett PAUL SCHEER / Stevie REID SCOTT / Dan Egan TIMOTHY SIMONS / Jonah Ryan SARAH SUTHERLAND / Catherine Meyer MATT WALSH / Mike McLintock Image: Actor Frances McDormand (4th from L, at microphone) and ‘Three Billboards Outside Ebbing, Missouri’ castmates accept the Outstanding Performance by a Cast in a Motion Picture award onstage during the 24th Annual Screen Actors Guild Awards at The Shrine Auditorium on January 21, 2018 in Los Angeles, California. 27522_013 (Photo by Kevin Winter/Getty Images) *** Local Caption *** Frances McDormand;Sam Rockwell;Darrell Britt-Gibson;Woody Harrelson;Abbie Cornish;Lucas Hedges;Zeljko Ivanek;John Hawkes;Samara Weaving;Sandy Martin;Amanda Warren
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Sundance 2018: See New Poster for Nicolas Pesce’s PIERCING Starring Christopher Abbott, Mia Wasikowska
Here is the poster for Piercing, written and directed by Nicolas Pesce, that World Premiere in the Midnight section at the 2018 Sundance Film Festival. Piercing stars Christopher Abbott, Mia Wasikowska, Laia Costa, Marin Ireland, Maria Dizzia, and Wendell Pierce
Reed (Christopher Abbott) is going on a business trip. He kisses his wife and infant son goodbye, but in lieu of a suitcase filled with clothes, he’s packed a toothbrush and a murder kit. Everything is meticulously planned: check into a hotel and kill an unsuspecting victim. Only then will he rid himself of his devious impulses and continue to be a good husband and father. But Reed gets more than he bargained for with Jackie (Mia Wasikowska), an alluring call girl who arrives at his room. First, they relax and get in the mood, but when there’s an unexpected disruption, the balance of control begins to sway back and forth between the two. Is he seeing things? Who’s playing whom? Before the night is over, a feverish nightmare will unfold, and Reed and Jackie will seal their bond in blood.
Based on the critically acclaimed cult novel by Ryu Murakami, Director Nicolas Pesce (THE EYES OF MY MOTHER, Sundance 2016) blends psychological horror with comedy and stylish neo-noir, resulting in a sly take on the fantasy of escape and the hazards of modern romance.
2018 Sundance Film Festival Screenings:
World Premiere: Saturday, January 20th at 11:59pm (PC Library)
Public Screening #2: Sunday, January 21st at 8:30pm (Egyptian, PC)
Public Screening #3: Wednesday, January 24th at 8:30pm (The MARC)
Public Screening #4: Friday, January 26th at 11:59pm (Broadway 6, SLC)
Public Screening #5: Saturday, January 27th at 11:59pm (PC Library)
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“Call Me by Your Name,” “Lady Bird,” “A Fantastic Woman” Among Nominees for 29th GLAAD Media Awards
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Call Me By Your Name[/caption]
Actress Trace Lysette and actor Wilson Cruz announced the nominees for the 29th Annual GLAAD Media Awards live on GLAAD’s Facebook page from Park City, Utah during the Sundance Film Festival. The GLAAD Media Awards ceremonies will be held in Los Angeles on April 12, 2018 at The Beverly Hilton, and in New York on May 5 at the New York Hilton Midtown.
Among the nominees: Golden Globe winner Lady Bird; Golden Globe nominees Call Me By Your Name, The Shape of Water, and A Fantastic Woman. GLAAD announced a Special Recognition Award for Jay-Z’s song and music video “Smile” featuring his mother Gloria Carter who used the song to come out as a lesbian. A Special Recognition Award was also given to the animated short film In A Heartbeat.
“What people see in the media has a powerful impact on how they treat others and the GLAAD Media Awards raise the bar for media to tell LGBTQ stories that accelerate acceptance,” said GLAAD President & CEO Sarah Kate Ellis. “At a time when anti-LGBTQ policies and harassment are on the rise, it is imperative that Hollywood and news media tell more LGBTQ stories that reflect the community’s rich diversity – and build understanding that brings all communities closer together. This year’s nominees showcase stories that span races, genres, ages, and geographies, challenge misconceptions, and broaden understanding and acceptance of LGBTQ people across the globe.”
29th Annual GLAAD Media Awards Nominations
Outstanding Film – Wide Release Battle of the Sexes Fox Searchlight Call Me by Your Name Sony Pictures Classics Lady Bird A24 Professor Marston and the Wonder Women Annapurna Pictures The Shape of Water Fox Searchlight Outstanding Film – Limited Release BPM The Orchard A Fantastic Woman Sony Pictures Classics God’s Own Country Samuel Goldwyn Films/Orion Pictures Thelma The Orchard The Wound Kino Lorber Outstanding Comedy Series The Bold Type Freeform Brooklyn Nine-Nine FOX Crazy Ex-Girlfriend The CW Modern Family ABC One Day at a Time Netflix One Mississippi Amazon Superstore NBC Survivor’s Remorse Starz Transparent Amazon Will & Grace NBC Outstanding Drama Series Billions Showtime Doubt CBS The Handmaid’s Tale Hulu Nashville CMT Sense8 Netflix Shadowhunters Freeform Star FOX Star Trek: Discovery CBS All Access This Is Us NBC Wynonna Earp Syfy Outstanding Individual Episode (in a series without a regular LGBTQ character) “Chapter 8” Legion FX “Grace” Pure Genius CBS “Lady Cha Cha” Easy Netflix “The Missionaries” Room 104 HBO “Thanksgiving” Master of None Netflix Outstanding TV Movie or Limited Series American Horror Story: Cult FX Feud: Bette and Joan FX Godless Netflix Queers BBC America When We Rise ABC Outstanding Kids & Family Programming Andi Mack Disney Channel “Chosen Family” Danger & Eggs Amazon “The Emergency Plan” Doc McStuffins Disney Channel Steven Universe Cartoon Network The Loud House Nickelodeon Outstanding Scripted Television Series (Spanish Language) Las chicas del cable Netflix La doble vida de Estela Carrillo Univision Ingobernable Netflix Outstanding Documentary Chavela Music Box Films Gender Revolution: A Journey with Katie Couric National Geographic Kiki Sundance Selects “Real Boy” Independent Lens PBS This is Everything: Gigi Gorgeous YouTube Red Outstanding Reality Program Gaycation with Ellen Page Viceland I Am Jazz TLC RuPaul’s Drag Race VH1 Survivor: Game Changers CBS The Voice NBC Outstanding Music Artist Miley Cyrus, Younger Now RCA Records Halsey, Hopeless Fountain Kingdom Astralwerks Records Honey Dijon, The Best of Both Worlds Classic Music Company Kehlani, SweetSexySavage TSNMI/Atlantic Records Kelela, Take Me Apart Warp Records Perfume Genius, No Shape Matador Records Sam Smith, The Thrill of It All Capitol Records St. Vincent, MASSEDUCTION Loma Vista Recordings Wrabel, We Could Be Beautiful Epic/Sony Records Kesha, Rainbow Kemosabe/RCA Records Outstanding Comic Book America, by Gabby Rivera, Joe Quinones, Ming Doyle, Stacey Lee, Ramon Villalobos, Walden Wong, Jen Bartel, Annie Wu, Aud Koch, Flaviano, Joe Rivera, Paolo Rivera, José Villarrubia, Jordan Gibson, Tamra Bonvillain, Brittany Peer, Rachelle Rosenberg, Travis Lanham (Marvel Comics) The Backstagers, by James Tynion IV, Rian Sygh, Walter Baiamonte, Jim Campbell (BOOM! Studios) Batwoman, by Marguerite Bennett, James Tynion IV, Steve Epting, Jeromy N. Cox, Stephanie Hans, Renato Arlem, Adriano Honorato Lucas, Fernando Blanco, John Rauch, Deron Bennett (DC Comics) Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, Yona Harvey, Rembert Browne, Alitha E. Martinez, Manny Mederos, Joe Bennett, Afua Richardson, Roberto Poggi, Tamra Bonvillain, Rachelle Rosenberg, Virtual Calligraphy, Joe Sabino (Marvel Comics) Deadman: Dark Mansion of Forbidden Love, by Sarah Vaughn, Lan Medina, Phillip Hester, José Villarrubia, Janice Chiang (DC Comics) Goldie Vance, by Hope Larson, Jackie Ball, Brittney Williams, Noah Hayes, Sarah Stern, Jim Campbell (BOOM! Studios) Iceman, by Sina Grace, Alessandro Vitti, Ibraim Roberson, Edgar Salazar, Edgar E. Tadeo, Robert Gill, Rachelle Rosenberg, Joe Sabino (Marvel Comics) Lumberjanes, by Kat Leyh, Shannon Watters, Carolyn Nowak, Ayme Sotuyo, Maarta Laiho, Aubrey Aiese (BOOM! Studios) Quantum Teens are Go, by Magdalene Visaggio, Eryk Donovan, Claudia Aguirre, Zakk Saam (Black Mask Comics) The Woods, by James Tynion IV, Michael Dialynas, Ed Dukeshire (BOOM! Studios) Outstanding Daily Drama The Bold and The Beautiful CBS Days of Our Lives NBC The Young & the Restless CBS Outstanding Talk Show Episode “Australia Marriage Equality” Last Week Tonight with John Oliver HBO “Danica Roem” The Opposition with Jordan Klepper Comedy Central “Laila and Logan Ireland, Transgender Military Couple” The Ellen DeGeneres Show syndicated “Laverne Cox and Gavin Grimm” The View ABC “Trans Veterans React to Ban” The Daily Show with Trevor Noah Comedy Central Outstanding TV Journalism – Newsmagazine “A Boy Named Lucas” 20/20 ABC “China Queer” The Naked Truth Fusion “Gay Purge?” Nightline ABC “The Pulse of Orlando: Terror at the Nightclub” Anderson Cooper 360 CNN “Trans Youth” VICE on HBO HBO Outstanding TV Journalism Segment “The Abolitionists Face the Love Army” KAPP-KVEW Local News KAPP-35/KVEW-42 [Tri Cities/Yakima, Wash.] “DJ Zeke Thomas Goes Public” Good Morning America ABC “Murders Raise Alarm for Transgender Community” NBC Nightly News with Lester Holt NBC “Transgender Murders in Louisiana Part of Disturbing Trend” CBS Evening News CBS “Transgender Rights under Fire in Trump Era” AM Joy MSNBC Outstanding Newspaper Article “Fearfully and Wonderfully Made: The Journey of a Transgender Man” by Lauren McGaughy The Dallas Morning News “Lesbian College Coaches Still Face Difficult Atmosphere to Come Out” by Shannon Ryan Chicago Tribune “Pulse Victims’ Families in Puerto Rico: ‘We Have to Cry Alone'” by Jennifer A. Marcial Ocasio Orlando Sentinel “Revised Guidance on HIV Proves Life-Transforming” by Lenny Bernstein The Washington Post “The Silent Epidemic: Black Gay Men and HIV” [series] The Atlanta Journal-Constitution Outstanding Magazine Article “America’s Hidden H.I.V. Epidemic” by Linda Villarosa The New York Times Magazine “Beyond ‘He’ or ‘She’: The Changing Meaning of Gender and Sexuality” by Katy Steinmetz Time “Forbidden Lives: The Gay Men Who Fled Chechnya’s Purge” by Masha Gessen The New Yorker “Free Radical” by Nathan Heller Vogue “Trans, Teen, and Homeless” by Laura Rena Murray Rolling Stone Outstanding Magazine Overall Coverage The Advocate Billboard People Teen Vogue Time Outstanding Digital Journalism Article “The Ballad of Bobby Brooks, the First Gay Student-Body President of Texas A&M” by Lauren Larson GQ.com “For Those We Lost and Those Who Survived: The Pulse Massacre One Year Later” by James Michael Nichols HuffPost Queer Voices “‘I Am a Girl Now,’ Sage Smith Wrote. Then She Went Missing.” by Emma Eisenberg Splinter “Meet the Transgender Student Who Fought Discrimination at His Maryland High School (and Won)” by Nico Lang INTO “Why Bisexual Men Are Still Fighting to Convince Us They Exist” by Samantha Allen Splinter Outstanding Digital Journalism – Multimedia “Former Patriots and Chiefs Tackle Ryan O’Callaghan Comes Out as Gay” Outsports/SB Nation “Made to Model: Trans Beauty in Fashion” LogoTV.com “‘This Is How We Win’: Inside Danica Roem’s Historic Victory” by Diana Tourjée Broadly.Vice.com “Transgender Day of Remembrance” by Saeed Jones AM to DM, BuzzFeed News “US Travel Ban Leaves LGBT Refugees in Limbo” by Nina dos Santos CNN.com Outstanding Blog Autostraddle Gays With Kids My Fabulous Disease Pittsburgh Lesbian Correspondents Transgriot Special Recognition In a Heartbeat written & directed by Esteban Bravo and Beth David “Smile” by Jay-Z featuring Gloria Carter, 4:44 Roc Nation/Universal Music Group Outstanding TV Journalism – Newsmagazine (Spanish Language) “Así viven los estudiantes transgénero después de que Trump anulara la ley de baños de Obama para escuela públicas” Primer Impacto Univision “Pulse, huellas de la masacre” Docufilms CNN en Español “Ser transgénero en Latinoamérica: sus experiencias y crecimiento” Vive la Salud CNN en Español Outstanding TV Journalism Segment (Spanish Language) “Comunidad LGBTQ vulnerable bajo nuevo gobierno” Perspectiva Nacional Entravision “Entrevista con Daniela Vega” Showbiz CNN en Español “Joven transgénero tiene un mensaje para las familias: ‘Acepten a sus hijos'” Al Punto Univision “El triunfo de una diseñadora mexicana transgénero en Nueva York” Noticias Telemundo Telemundo “Unidos contra la discriminación y el acoso contra la comunidad LGBT” Despierta América Univision Outstanding Digital Journalism (Spanish Language) “La compleja realidad de ser gay en América Latina” cnnespanol.cnn.com “‘No aprobar el Dream Act significaría una sentencia de muerte’, jóvenes LGBT y DACA” by Araceli Martínez Ortega laopinion.com “Padres de familia de Dallas luchan por los derechos de su hija transgénero” by Karina Ramírez aldiadallas.com “Primera senadora trans aspira a impulsar medidas para sectores discriminados” efe.com “Tres hermanitos para dos papás” by Jacqueline García laopinion.com
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“The Shape Of Water” and “Jane” Win 2018 Producers Guild Awards
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The Shape of Water[/caption]
The 29th Annual Producers Guild Awards was held last night at the Beverly Hilton Hotel in Los Angeles, and “The Shape Of Water” won the top award, the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures. The documentary “Jane” snagged The Award for Outstanding Producer of Documentary Motion Pictures.
29th Producers Guild Awards Winners
The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures: “The Shape Of Water” Producers: Guillermo del Toro, J. Miles Dale The Award for Outstanding Producer of Animated Theatrical Motion Pictures: “Coco” Producer: Darla K. Anderson The Award for Outstanding Producer of Documentary Motion Pictures: “Jane” Producers: Brett Morgen, Bryan Burk, Tony Gerber, James Smith The Norman Felton Award for Outstanding Producer of Episodic Television, Drama: “The Handmaid’s Tale” (Season 1) Producers: Bruce Miller, Warren Littlefield, Daniel Wilson, Fran Sears, Ilene Chaiken, Sheila Hockin, Eric Tuchman, Frank Siracusa, John Weber, Joseph Boccia, Elisabeth Moss, Kira Snyder, Leila Gerstein The Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy: “The Marvelous Mrs. Maisel” (Season 1) Producers: Daniel Palladino, Amy Sherman-Palladino, Sheila Lawrence, Dhana Rivera Gilbert The David L. Wolper Award for Outstanding Producer of Long-Form Television: The Long-Form Television category encompasses both movies of the week and limited series. “Black Mirror” (Season 4) Producers: Annabel Jones, Charlie Brooker The Award for Outstanding Producer of Non-Fiction Television: “Leah Remini: Scientology and the Aftermath” (Season 1, Season 2) Producers: Leah Remini, Eli Holzman, Aaron Saidman, Myles Reiff, Adam Saltzberg, Erin Gamble, Lisa Rosen, Grainne Byrne, Taylor Levin, Alex Weresow, Rachelle Mendez The Award for Outstanding Producer of Live Entertainment & Talk Television: “Last Week Tonight with John Oliver” (Season 4) Producers: John Oliver, Tim Carvell, Liz Stanton The Award for Outstanding Producer of Competition Television: “The Voice” (Season 12, Season 13) Producers: John de Mol, Mark Burnett, Audrey Morrissey, Lee Metzger, Chad Hines, Amanda Zucker, Kyra Thompson, Jay Bienstock, Stijn Bakkers, Mike Yurchuk, Teddy Valenti, Carson Daly NOTE: The PGA does not vet individual producers of short-form programs, sports programs, or children’s programs. The winning programs in these categories are: The Award for Outstanding Short-Form Program: “Carpool Karaoke” (Season 1) The Award for Outstanding Sports Program: “Real Sports with Bryant Gumbel” (Season 23) The Award for Outstanding Children’s Program: “Sesame Street” (Season 47)
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Watch Trailer for Australian Thriller “Goldstone”, Opens in Theaters in U.S. on March 9
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Goldstone[/caption]
Goldstone, the latest film from Writer/Director/Director of Photography/Editor/Composer Ivan Sen, is described as a “Neo Western” crossed with “Outback Noir.” The drama charged thriller is the winner of four AACTA Awards (Australian version of the Oscars) for Best Director, Best Actor, Best Supporting Actress and Best Cinematography. The cast includes Aaron Pedersen, Alex Russell, Jacki Weaver, Cheng Pei-Pei, David Wenham, David Gulpilil, Michelle Lim Davidson, and Tom E. Lewis. Goldstone opens in theaters in New York and Los Angeles on March 9, 2018.
Goldstone is a frontier mining outpost, where different cultural worlds collide, in an epically beautiful desert landscape. It is a place where Indigenous, and non-Indigenous, people push against each other like tectonic plates. It is a clash of cultures, ideologies and spirits, and it has been happening since “outsiders” first arrived in Australia.
Indigenous Detective Jay Swan arrives in Goldstone on a missing persons enquiry. What seems like a simple investigation, however, opens a web of crime, corruption, trampling of land rights and human trafficking. Jay must pull his life together and bury his personal differences with a young local cop, so together they can bring justice to Goldstone.
https://www.youtube.com/watch?v=L0f-D2wIUKU
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Watch New Trailer for Warwick Thornton’s Award Winning SWEET COUNTRY
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Sweet Country by Warwick Thornton[/caption]
Samuel Goldwyn Films has released the new trailer for Warwick Thornton’s critically acclaimed festival hit Sweet Country which opens in theaters in early Spring 2018.
Sweet Country had its world premiere at the 2017 Venice Film Festival where Warwick won a Special Jury Prize. The film then went on to win the coveted Platform prize at the 2017 Toronto International Film Festival as well as winning Best Film at the Adelaide Film Festival and the Asia Pacific Screen Awards.
Sweet Country draws on the conventions of the American Western to explore the genesis of contemporary Australian racism and the generational neglect of Aboriginal people. It’s 1929 on the vast, desert-like Eastern Arrernte Nation lands that are now known as the Central Australian outback. Sam Kelly (Hamilton Morris), a middle-aged Aboriginal man, works the land of a kind preacher, Fred Smith (Sam Neill). After an ill-tempered bully arrives in town and Kelly kills him in self-defense, he and his wife, Lizzie, go on the run as a posse gathers to hunt him down.
https://www.youtube.com/watch?v=xfFYmtPegOI
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Sundance 2018: See Bart Layton’s AMERICAN ANIMALS New Poster
Here is the new poster for American Animals, written and directed by Bart Layton and World Premiere tonight in the U.S. Dramatic Competition at the 2018 Sundance Film Festival. American Animals stars Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, Ann Dowd, and Udo Kier.
Lexington, Kentucky, 2004: Spencer and Warren dream of remarkable lives beyond their middle-class suburban existence. They head off to colleges in the same town, haunted by the fear they may never be special in any way. Spencer is given a tour of his school’s incredibly valuable rare book collection and describes it all to Warren. Suddenly, it hits them—they could pull off one of the most audacious art-thefts in recent history, from the university’s special collections library. Convinced they can get away with it, they recruit two other friends. Suddenly, the dance of knowing what happens if they cross the line becomes all-consuming.
Buoyed by an exceptional cast, BAFTA Award–winning documentary director Bart Layton (The Imposter, 2012 Sundance Film Festival) makes a brilliant leap into the world of fiction, cleverly utilizing elements of nonfiction to propel the narrative. A “mostly” true story, American Animals is both a thrilling heist film and an existential journey of four misguided young men searching in all the wrong places for identity, meaning, adventure, and the kind of life that movies are made about.
2018 Sundance Film Festival Screenings:
World Premiere: Fri. 1/19, 3:30 p.m., Eccles PC
Press & Industry Screening: Friday, January 19th at 6:00pm (Park Ave Theater)
Second Public Screening: Sat. 1/20, noon, Grand SLC
Third Public Screening: Sat. 1/20, 10:00 p.m., Redstone 2 PC
Fourth Public Screening: Sun. 1/21, 9:00 p.m., Sundance Resort Provo
Fifth Public Screening: Wed. 1/24, 3:00 p.m., PC Library PC
Sixth Public Screening: Fri. 1/26, 9:00 p.m., Sundance Resort Provo
Seventh Public Screening: Sat. 1/27, 11:30 a.m., MARC PC
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Yan England’s Indie Thriller “1:54” Sets a March Release Date | Trailer
Breaking Glass will release Oscar-nominated writer-director Yan England’s (“Henry”) awarding-winning, psychological thriller 1:54. The film will have a Los Angeles theatrical release on March 9 and a DVD/VOD release on March 13.
1:54 follows Tim, a shy sixteen-year-old athlete, who is gifted with a natural athletic ability for running. However, the last four years of high school have been tough on him because of Jeff and his crew. In his last year of high school, Tim is sick and tired of feeling like a loser, and wants to shine for once. He decides to stand up to Jeff by dethroning him in the 800m championship, the event Jeff is known for in school. But behind the competition and rivalry, a secret is wreaking havoc. Soon, Tim finds himself pushed to the edge because of the pressure he endures where human limits reach the point of no return.
1:54 held its world premiere at the Angouleme French-Language Film Festival where it took home Best Actor and the Student’s Jury prize, its US premiere at the Chicago International Film Festival, and played numerous other festivals, including BFI Flare: London LGBT Film Festival, Busan International Film Festival, OUTshine Film Festival, and the Vancouver International Film Festival. The film stars Antoine Olivier Pilon (Mommy) in a powerful, career-making performance alongside Sophie Nélisse (Professor Lazhar, The Book Thief).
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Paul Schrader to Receive Award at Audi Dublin International Film Festival + Premiere “First Reformed”
Director and screenwriter Paul Schrader will receive a Volta Award at the Irish Premiere of his new film First Reformed at the 2018 Audi Dublin International Film Festival.
Gráinne Humphreys, Festival Director, said “Paul Schrader started his career as one of the talented young filmmakers who were at the centre of an extraordinary renaissance of American cinema in the 1970s. Schrader has also had a remarkable career as a director and, as a critic, he’s a passionate advocate and interrogator of film culture. I know my excitement at his visit and the Irish Premiere of First Reformed will be shared by many of Dublin’s cinema fans and we’re delighted to be honoring him with ADIFF’s prestigious Volta Award.”
In First Reformed, ex-military chaplain Toller (Ethan Hawke) is tortured by the loss of the son he encouraged to enlist and struggles with his faith. A faith that’s challenged by befriending a radical environmentalist, Michael, and upon learning of his church’s complicity with unscrupulous corporations.
Previous winners of Audi Dublin International Film Festival’s Volta Award include Al Pacino, Julie Andrews, Danny DeVito, Daniel Day-Lewis, Joss Whedon, Brendan Gleeson, Angela Lansbury, Stanley Tucci, Stellan Skarsgård, Kristin Scott Thomas and Ennio Morricone. The Volta Award is named after Ireland’s first dedicated cinema, the Volta Picture Theatre on Mary Street in Dublin, which was opened on the 20th December 1909 by an enterprising young novelist named James Joyce.
Schrader will be this year’s ADIFF Guest Curator, selecting and introducing three films that have inspired his own work as a filmmaker including Robert Bresson’s Pickpocket (1959), Yasujirō Ozu’s An Autumn Afternoon (1962), and Donald Cammell & Nicolas Roeg’s Performance (1970).
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Audi Dublin International Film Festival 2018 Announces Rich Line-up of Irish Documentaries
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A Mother Brings Her Son To Be Shot[/caption]
With the festival about a month away, the Audi Dublin International Film Festival taking place February 21st to March 4th, 2018, gave a taste of their exciting 2018 film program by announcing this year’s Irish documentary line-up.
Festival Director, Gráinne Humphreys said, ‘This year’s Irish documentary line-up, full of World and Irish Premieres reveals a preoccupation with the tensions between long-held traditions and the contemporary society. These extraordinary films ask questions of what we can treasure and protect, what can be re-invented and what we need to learn to let go of. These profound and searching documentaries give a glimpse of what’s in store when the full Audi Dublin International Film Festival programme is announced on 24th January’.
One farmer’s courageous struggle to maintain a centuries-old lifestyle in the shadow of a huge multinational is traced in the Irish Premiere of Feargal Ward’s The Lonely Battle of Thomas Reid; the walk of the Camino is re-invented as a Kerry curragh sea journey in the Irish Premiere of Dónal Ó’Céilleachair’s The Camino Voyage featuring Brendan Begley and Glen Hansard; and Paul Duane traces a hypnotic musical journey that brings us to the earliest Western music still in existence in the World Premiere of While You Live, Shine.
A less welcome tradition, that of dissident Republican vigilantism in pockets of the North, is shockingly explored in the Irish Premiere of Sinéad O’Shea’s much-anticipated A Mother Brings Her Son to Be Shot. The Troubles also reverberate through the Irish Premiere of Donal Foreman’s The Image You Missed, which sees the filmmaker grapple with the legacy of his estranged father, Arthur MacCaig, and the decades-spanning archive of the conflict in Northern Ireland that he created.
Each year the Arts Council’s Reel Art scheme, in association with ADIFF and Filmbase, commissions two films that offer filmmakers a chance to make highly creative, imaginative and experimental documentaries on an artistic theme. Receiving their World Premieres at this year’s festival in the IFI are Rouzbeh Rashidi’s Phantom Islands, a visceral exploration of the boundaries between documentary and fiction and Niall McCann’s reflective encounter with Irish musician and artist Adrian Crowley in The Science of Ghosts.
Lastly, major Irish filmmaker Pat Collins returns to documentary with Twilight, a beautiful evocation of the end of day, that was filmed over two years in Baltimore, West Cork.
Irish Documentaries at ADIFF 2018
The Lonely Battle of Thomas Reid The Science of Ghosts Phantom Islands Twilight Light While You Live, Shine The Image You Missed The Camino Voyage
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Berlinale 2018: Guy Maddin’s “The Green Fog” Among 44 Films Featured in Forum 2018 Lineup
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The Green Fog. Regie/directors: Guy Maddin, Evan Johnson, Galen Johnson[/caption]
The Forum program of the 2018 Berlin International Film Festival will feature 44 films, 35 of which world premieres. This year, Arsenal – Institute for Film and Video Art is putting on the Forum as part of the Berlinale for the 48th time.
21 years after his directorial debut The Day a Pig Fell into the Well, Korean director Hong Sangsoo makes a more auspicious return to the Forum. Grass is another cheerfully melancholy story about the guests at a small café whose owner loves classical music. Kim Minhee, who won the Silver Bear for Best Actress in 2017, plays a café regular who always seems to be at the table in the corner writing on her laptop. She repeatedly draws inspiration from what’s happening around her, picking up the threads of the dialogue and spinning them further and sometimes even actively intervening in conversations. Is she perhaps the author of these relationship dramas in miniature, whose stores and themes mirror one another?
French director Claire Simon is equally willing to try out new experiments in her documentary works. In her new film Premières solitudes (Young Solitude), she creates a cinematographic space for open, intimate discussion together with pupils from a school in the Paris suburbs. As they talk together about their backgrounds, parents, first loves, longings and fears for the future, ten ordinary teenagers forge ever closer bonds. It’s good to realise you’re not alone.
For his part, Ukrainian director Sergei Loznitsa is showing a film at the Berlinale for the very first time. In Den’ Pobedy (Victory Day), he observes the huge crowds that gather each year at the Soviet War Memorial in Berlin-Treptow on May 9th and records the hustle and bustle with quiet precision, as different moods come to the fore: pride, contemplation, patriotism, curiosity, the desire for recognition.
Two films from this year’s program draw on video material shot by their directors in periods of political upheaval and imbue it with new significance. At the end of the 1980s, Kristina Konrad collected opinions on the streets of Uruguay in relation to a referendum to be held on a law granting impunity to those responsible for the military dictatorship. Unas preguntas (One or Two Questions) takes a magnifying glass to the democratic process.
Around the same time, the scandal surrounding the Nazi past of former UN General Secretary and Austrian president Kurt Waldheim was making headlines worldwide. Edited together entirely from archive footage, Ruth Beckermann’s Waldheims Walzer (The Waldheim Waltz) is a documentary essay of frightening topicality.
Julien Faraut also works with material largely shot in the 80s in L’empire de la perfection (In the Realm of Perfection). Back then, tennis-obsessed director Gil de Kermadec attempted to use film as means of analysing the game. His meticulously shot footage of John McEnroe matches during the French Open forms the starting point for an ironic look at the parallels between film and the sporting world: cinema lies, sport does not.
Corneliu Porumboiu’s Fotbal Infinit (Infinite Football) takes an equally peculiar look at the world of sport, this time in provincial Romania, following a local official’s attempts to bequeath the world an improved version of the beautiful game. But does everything here really just revolve around football?
Two features from the US shine a light on intellectual escapism. Ted Fendt’s second feature Classical Period is once again shot in Philadelphia on 16mm and tells a drolly melancholy story about intellectualism and loneliness. The members of a reading group exchange cultural and literary references with such vigour that there’s little room for anything else: an attempt to leave the modern world behind or merely their own solitary existences?
Ricky D’Ambrose’s debut Notes On an Appearance may be set in Brooklyn, but unfolds in a similar milieu. Before the backdrop of the disquiet spread by the followers of a controversial philosopher, the film uses both real-life documents and smartly falsified writings to tell the story of a young man who one day disappears without warning. An eerie look at modern life with shades of dystopia.
Josephine Decker’s Madeline’s Madeline on the other hand plunges into the analogies of creativity and insanity. The young titular heroine doesn’t like spending time with her mother, played by actress Miranda July, and feels far freer when with her theatre group. But where does the border lie between personality and role?
Two features from Morocco explore gender relations. Jahilya by Hicham Lasri (the title alludes to the pre-Islamic “time of ignorance”) is a furious condemnation of the misogyny of Moroccan society and all its attendant malice.
Narjiss Nejjar’s Apatride (Stateless) gives an account of a historical event from a female perspective, an event that still dictates the relationship between Morocco and Algeria to this day. Full of beguiling images, her feature shows how a gentle, yet determined woman attempts to prevail over the border between the two countries.
It would be more than appropriate to refer to the electrifying directorial debut An Elephant Sitting Still as a new hope for Chinese cinema. But its 29-year-old director Ho Bu, who had previously made a name for himself with two novels, took his own life soon after the film was completed. This visually stunning work links together the biographies of a range of different protagonists in virtuoso fashion, narrating the course of one single, tension-filled day from dawn until dusk, painting a portrait of a society marked by selfishness in the process.
The films of the 48th Forum:
14 Apples von Midi Z, Taiwan / Myanmar – WP Afrique, la pensée en mouvement Part I by Jean-Pierre Bekolo, Senegal – IP Aggregat (Aggregate) by Marie Wilke, Germany – WP Amiko by Yoko Yamanaka, Japan – IP Apatride (Stateless) by Narjiss Nejjar, Morocco – WP Aufbruch (Departure) by Ludwig Wüst, Austria – WP La cama (The Bed) by Mónica Lairana, Argentina / Germany / Netherlands / Brazil – WP La casa lobo (The Wolf House) by Joaquín Cociña, Cristóbal León, Chile – WP Casanovagen (Casanova Gene) by Luise Donschen, Germany – WP Classical Period by Ted Fendt, USA – WP Con el viento (Facing the Wind) by Meritxell Colell Aparicio, Spain / France / Argentina – WP Los débiles (The Weak Ones) by Raúl Rico, Eduardo Giralt Brun, Mexico – WP Den’ Pobedy (Victory Day) by Sergei Loznitsa, Germany – WP Die Tomorrow by Nawapol Thamrongrattanarit, Thailand – IP Djamilia (Jamila) by Aminatou Echard, France – WP Drvo (The Tree) by André Gil Mata, Portugal / Bosnia and Herzegovina – WP L’empire de la perfection (In the Realm of Perfection) by Julien Faraut, France – WP An Elephant Sitting Still by Hu Bo, People’s Republic of China – WP Fotbal Infinit (Infinite Football) by Corneliu Porumboiu, Romania – WP Grass by Hong Sangsoo, Republic of Korea – WP The Green Fog by Guy Maddin, Evan Johnson, Galen Johnson, USA / Canada + Accidence by Guy Maddin, Evan Johnson, Galen Johnson, Canada – WP Interchange by Brian M. Cassidy, Melanie Shatzky, Canada – WP Jahilya by Hicham Lasri, Morocco – WP Kaotični život Nade Kadić (The Chaotic Life of Nada Kadić) by Marta Hernaiz, Mexico / Bosnia and Herzegovina – WP Last Child by Shin Dong-seok, Republic of Korea – IP Madeline’s Madeline by Josephine Decker, USA – IP Maki’la by Machérie Ekwa Bahango, Democratic Republic of the Congo / France – WP Mariphasa by Sandro Aguilar, Portugal – WP Minatomachi (Inland Sea) by Kazuhiro Soda, Japan/USA – WP Notes On an Appearance by Ricky D’Ambrose, USA – WP Old Love by Park Kiyong, Republic of Korea – IP Our House by Yui Kiyohara, Japan – IP Our Madness by João Viana, Mozambique / Guinea-Bissau / Qatar / Portugal / France – WP Premières armes (First Stripes) by Jean-François Caissy, Canada – WP Premières solitudes (Young Solitude) by Claire Simon, France – WP SPK Komplex (SPK Complex) by Gerd Kroske, Germany – WP Syn (The Son) by Alexander Abaturov, France / Russian Federation – WP Teatro de guerra (Theatre of War) by Lola Arias, Argentinia / Spain – WP Tuzdan Kaide (The Pillar of Salt) by Burak Çevik, Turkey – WP Unas preguntas (One or Two Questions) by Kristina Konrad, Germany / Uruguay – WP Waldheims Walzer (The Waldheim Waltz) by Ruth Beckermann, Austria – WP Wieża. Jasny dzień. (Tower. A Bright Day.) by Jagoda Szelc, Poland – IP Wild Relatives by Jumana Manna, Germany / Lebanon / Norway – WP Yours in Sisterhood by Irene Lusztig, USA – WP