
The biopic Tom of Finland directed by Dome Karukoski has been selected as Finland’s submission for best foreign film at the 2018 Oscars.

The biopic Tom of Finland directed by Dome Karukoski has been selected as Finland’s submission for best foreign film at the 2018 Oscars.
The 22nd Busan International Film Festival has established the ‘Kim Jiseok Award’ to honor the late Kim Ji-seok who passed away this year after devoting his whole life to discovering young Asian directors and supporting the growth of Asian cinema.
A founding member of the Busan International Film Festival, Kim Ji-seok suffered a fatal heart attack while attending the 2017 Cannes Film Festival earlier this year.
Many Asian filmmakers call the late Kim Ji-seok, the Program Director of Busan International Film Festival (BIFF), as the heart of Asian Cinema, and of BIFF. He was always sharing his life with BIFF as a founding member. He also contributed over 20 years to supporting young filmmakers in Asia, and took an essential role to establish BIFF as one of the world’s best film festivals. To follow his spirit and remember the festival identity as the hub of Asian cinema, BIFF launches the ‘Kim Jiseok Award’
The aim of the award is to discover and encourage Asian films, the ‘Kim Jiseok Award’ will be selected among films screening in A Window on Asian Cinema, a section that introduces films from the year’s most talented Asian filmmakers. Approximately 10 World Premieres in A Window on Asian Cinema will be selected as nominees and the jury members will select the final two films as the first ‘Kim Jiseok Award’ recipients. Each film will be awarded a cash prize of 10,000,000 Korean won (about 10,000 US dollars).
Jury members of ‘Kim Jiseok Award’ are Tony Rayns and Darcy Paquet, film critics who have a keen interest and contribute in the globalization of Asian cinema. Garin Nugroho, an acknowledged Indonesian director who has been invited to numerous renowned film festivals, will join the ‘Kim Jiseok Award’ jury as well. Three jurors will award outstanding films with distinct Asian characteristic.
The 22nd Busan International Film Festival will be held from October 12, 2017 to October 21, 2017.
The Book of Birdie[/caption]
The 2017 Brooklyn Horror Film Festival will close with the North American premiere of the mesmerizing, all-female casted The Book of Birdie. First-time director Elizabeth E. Schuch impressively blends psychological horror, whimsical fantasy, and feminist ideals in one-of-a-kind The Book of Birdie. Shy and fragile teenager Birdie’s unusual hallucinations, dark obsessions and fascination with blood are triggered as she’s forced into a remote convent and faced with what her fate will be.
https://www.youtube.com/watch?v=-GRWQCoMj-A
Mayhem directed by Joe Lynch will make its New York premiere as the Centerpiece screening of the festival. Mayhem follows office scapegoat Derek Cho (played by The Walking Dead’sSteven Yeun) as he’s fired f rom his cozy legal job just as the dreaded rage-inducing “ID7 virus” quarantines the building. The twist? Thanks to Cho, all acts of violence committed while infected are instantly acquitted, making it the perfect battleground for revenge.
In addition, the Brooklyn Horror Film Festival dropped its second wave two of films including, locals only showcase, shorts and more.
Mayhem directed by Joe Lynch[/caption]
MAYHEM
USA | 2017 | 86 min | Dir. Joe Lynch
NEW YORK PREMIERE
Making its New York Premiere, MAYHEM follows office scapegoat Derek Cho (played by THE WALKING DEAD’s Steven Yeun) as he’s fired from his cozy legal job just as the dreaded rage-inducing “ID7 virus” quarantines the building. The twist? Thanks to Cho, all acts of violence committed while infected are instantly acquitted, making it the perfect battleground for revenge. Director Joe Lynch (WRONG TURN 2, EVERLY) delivers a fast-paced blend of corporate satire, corporeal brutality and heavy metal in this powerful new feature.
COLD HELL (DIE HÖLLE)
Germany | 2017 | 92 min | Dir. Stefan Ruzowitzky
EAST COAST PREMIERE
After witnessing a brutal murder from the window of her apartment, Turkish-born and taking-no-shit Ozge finds herself the next target of a calculated serial killer. Unfortunately for the killer, she has her own brand of viciousness on tap and is anything but a victim. An intelligent and live-wire cross between Italian Giallo and Jason Bourne, Oscar-winning director Stefan Ruzowitzky’s (THE COUNTERFEITERS) COLD HELL is a first-rate, action-packed genre-bender.
THE CRESCENT
Canada | 2017 | 99 min | Dir. Seth A. Smith
EAST COAST PREMIERE
Plagued by painful memories, a young, recently-widowed mother relocates to a remote town and does her best to overcome emotional trauma. But the town locals have their own plans for her and before long their strange, dark and ancient traditions turn her life into a waking nightmare. Visually ambitious and tonally hypnotic, Canadian filmmaker Seth A. Smith’s haunting THE CRESCENT casts a sneakily powerful spell.
INHERITANCE
USA | 2017 | 93 min | Dir. Tyler Savage
EAST COAST PREMIERE
A man learns of the death of his absentee biological father and inherits his 2.5 million dollar home in the aptly named INHERITANCE. While staying there with his pregnant fiancé, he begins to uncover horrible truths about his father that could destroy his life. Fantastic lead performances and a patient, sinister narrative make this one hell of an impressive debut for director Tyler Savage who will be in attendance.
RIFT (RÖKKUR)
Iceland | 2017 | 111 min | Dir. Erlingur Thoroddson
NEW YORK PREMIERE
Intrigued by an unexpected call, Gunnar heads to a remote outpost to reconnect with his ex-boyfriend Einar. Despite the happy reunion the two men can’t shake the feeling that someone, or something, is there—and has sinister plans. Elegant and assured, the subtly creepy RIFT is the audacious follow-up feature from Icelandic filmmaker Erlingur Thoroddsen, whose debut feature, CHILD EATER, world-premiered at BHFF 2016 as our closing night screening. Director Erlingur Thoroddson will be in attendance.
FASHIONISTA
USA | 2016 | 106 min | Dir. Simon Rumley
NEW YORK PREMIERE
British cinema provocateur Simon Rumley completes his unofficial Texas trilogy (after RED WHITE & BLUE and JOHNNY FRANK GARRETT’S LAST WORD) with a film that proves you can’t spell “distress” without “dress.” RED WHITE & BLUE’s Amanda Fuller is fascinating as April, a clothing-obsessed woman whose suspicions about her husband’s infidelity send her down a rabbit hole of dangerous, self-destructive behavior.
SALVATION (SALVACIÓN)
Spain | 2016 | 80 min | Dir. Denise Castro
NORTH AMERICAN PREMIERE
Stuck in a hospital waiting to undergo open heart surgery, Cris finds a reason to stay in another patient named Victor who claims to be a vampire. Surrounded by death, Cris must decide between immortality and leaving her future up to fate. Filled with moments of sadness and paralyzing dread, Salvation is a terrifying new entry in the vampire canon.
GAME OF DEATH
Canada / France | 2017 | 73 min | Dir. Baz Morais & Sebastien Landry
NEW YORK PREMIERE
For a group of party-crazy teens, it’s all about smoking, drinking and sex. But that goes to hell when they play a board game that requires human blood and whose uncontrollable countdowns lead to head explosions. Survival requires killing someone else. Bodies will drop and craniums will burst in this insanely gory and fun-as-hell, splatter feature by Canadian co-directors Sebastien Landry and Laurence Baz Morais.
TO HELL AND BACK: THE KANE HODDER STORY
USA | 2017 | 108 min | Dir. Derek Dennis Herbert
EAST COAST PREMIERE
The man behind two of horror’s greatest slashers, Jason Voorhees and the HATCHET franchise’s Victor Crowley, Kane Hodder has proven himself unbeatable when it comes to offing on-screen victims. But as it turns out he’s even more unbeatable in real life, having persevered through a painful childhood and a nearly fatal accident. Derek Dennis Herbert’s heartfelt documentary TO HELL AND BACK candidly reveals the heart and soul of a horror icon.
I REMEMBER YOU (ÉG MAN BIG)
Iceland | 2017 | 105 min | Dir. Oskar Thór Axelsson
US PREMIERE
While investigating the mysterious suicide of an old woman inside a local church, a psychiatrist learns that she was obsessed his young son’s disappearance. Meanwhile, across the bay, three friends discover that the house they’re restoring is haunted. How these two stories intersect is the ultimate gut punch of Icelandic filmmaker Óskar Thór Axelsson’s I REMEMBER YOU, a haunting and cerebral marriage of the procedural with the supernatural.
Yesterday, in the Sala Grande of the Palazzo del Cinema at the 74th Venice International Film Festival, director Stephen Frears received the Glory to the Filmmaker award for his significant contribution to innovation in contemporary cinema.
Director Stephen Frears received The Jaeger-LeCoultre Glory To The Filmmaker Award and Reverso engraved watched from Chief Marketing Officer of Jaeger-LeCoultre Nicolas Siriez (L) and festival director Alberto Barbera (R). (Photo by Sebastiano Pessina)
Following the award ceremony, the Festival presented the Out of Competition screening of Frears’ new film Victoria & Abdul, receiving its world premiere screening in Venice.
Danish director Janus Metz Pedersen’s tennis drama Borg/McEnroe starring Shia LaBeouf and Sverrir Gudnason will open the 13th Zurich Film Festival on September 28, 2017. Director Janus Metz Pedersen and Björn Borg-actor Sverrir Gudnason will attend as the Zurich Film Festival’s honorary guests.
Wimbledon, July 5, 1980: tennis pros Björn Borg and John McEnroe square up at the Wimbledon final for one of sporting history’s most legendary duels. The 24-year-old Swede and world’s number one ranked tennis player (Sverrir Gudnason) is feeling exhausted and burned out. The 20-year-old New Yorker (Shia LaBeouf) is determined to beat him. The two opponents go on to deliver a nerve-racking and grinding battle in one of the most suspense-packed matches in tennis history.
Said ZFF Co-Directors Nadja Schildknecht and Karl Spoerri: „We are extremely proud to be opening the ZFF for the first time with a Swedish production. Borg/McEnroe is one of the year’s most hotly anticipated movies and is sure to delight cinemagoers around the globe.” They continued: “Borg/McEnroe is most definitely not a film just for tennis fans, but a thrilling cinema experience for everybody.”
Legends of the tennis world
The Swede Björn Borg and US American John McEnroe are two of the tennis world’s greatest legends – and their on-court rivalry is just as legendary. Borg/McEnroe depicts the two tennis icons as they prepare for the Grand Slam tournament at Wimbledon. Borg is desperate to leave his mark as the winner of five titles in a row. His opponent is the ambitious young McEnroe, who is only driven by the thought of finally knocking Borg off his throne.
While Borg prepares for the duel aided by his trainer Lennart Bergelin (Stellan Skarsgård), McEnroe continues to hit newspaper headlines. But despite the difference in their personalities, the two men come to realise that they have more in common than they could possibly have imagined.
Björn Borg and John McEnroe played each other a total of 14 times between 1978 and 1981. Their on-court rivalry was famous the world over and compounded by the competitors’ conflicting personalities: while Borg remained cool and placid, McEnroe was famous for his fits of temper.
Sverrir Gudnason and Shia LaBeouf undertook two months of intensive tennis training in order to lend their characters more authenticity. The movie was shot in Borg’s hometown of Södertälje near Stockholm in Sweden, and further in Gothenburg, Stockholm, Prague, London and Monaco.
Borg/McEnroe hits cinemas in Switzerland on October 12, 2017.
https://www.youtube.com/watch?v=IgfFdEOGUqE
A Taxi Driver directed by Jang Hun, has been selected as South Korea’s official candidate in the Best Foreign Language Film at the 2018 Oscars.
The film, starring Song Kang-ho, Thomas Kretschmann, Yoo Hai-jin, and Ryu Jun-yeol, is based on the true story of German reporter Jürgen Hinzpeter and Korean taxi driver Kim Sa-Bok.Jürgen Hinzpeter covering the Gwangju Uprising, which took place from May 18-27, 1980 in Gwangju, South Korea.
A Taxi Driver had its international premiere as the closing night film of the 2017 Fantasia International Film Festival, where Song Kang-ho won the award for Best Actor.
May, 1980, Seoul. Demonstrations denouncing the martial law proclaimed by the dictator Chun Doo-hwan disrupt the routine of Man-seob, a cranky taxi driver who curses the protesters who prevent him from working. Raising his daughter alone after the death of his wife, Man-seob is crushed by debt. Every fare counts. When he hears a colleague boast that he’s about to receive a colossal sum for taking a Westerner to Gwangju, Man-seob rushes to the rendezvous point to rob him of his client, a German journalist calling himself Peter. The latter intends to investigate clandestinely rumours that Gwangju is under siege by the army and that the government has cut off all communication between the city and the rest of the country. Man-seob, however, lies about his understanding of English and the reasons for their journey. He has no idea what he has embarked on. Their fate will be closely bound to that of the inhabitants of Gwangju.
https://www.youtube.com/watch?v=ZbUwOP9HZQk
The indie legal thriller Created Equal continues its award winning sweep, winning prizes at the Action On Film Festival in Las Vegas and the BronzeLens Film Festival in Atlanta.
Quit Staring at My Plate (Ne gledaj mi u pijat), the debut feature film from director Hana Jušić’, has been selected by Croatia as its official candidate in the Best Foreign Language Film category at the 2018 Oscars.
The film starring Mia Petričević, Nikša Butijer, Arijana Čulina, Zlatko Buric had its World Premiere at the 2016 Venice Days where the film won the FEDEORA Award for Best European Film.
In the film Marijana’s life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what’s she meant to do with it?
https://www.youtube.com/watch?v=PjE6IE9QgNk
After almost 25 years, Piers Handling, Director and CEO of TIFF, announced today that 2018 will be his final year leading the Toronto International Film Festival.
“Because of Piers’ leadership, TIFF is the leading cultural organization it is today, with a global reach and impact,” said Jennifer Tory, Chair of the Board of Directors of TIFF. “We are all indebted to him for his years of vision, innovation and dedication to the art of film.”
Handling’s tenure at TIFF has been both ground-breaking and prolific, with career highlights including:
Here are the trailers for two Netflix original documentary shorts – Heroin(e) and Long Shot premiering this weekend at the 2017 Telluride Film Festival.
Heroin(e), making its world premiere, focuses on the once bustling industrial town, Huntington, West Virginia that has become the epicenter of America’s modern opioid epidemic. With an overdose rate 10 times the national average, the crisis threatens to tear this community apart. West Virginia native Sheldon highlights three women working to change the town’s narrative and break the devastating cycle of drug abuse one person at a time. Heroin(e) shows how the chain of compassion holds one town together. The Netflix original documentary short, by Peabody award-winning filmmaker, Elaine McMillion Sheldon (Hollow), will launch on September 12.
https://www.youtube.com/watch?v=khSO7qEKbvo
Also making its’ world premiere, Long Shot, an improbable story where justice prevails with a series of events that could only happen in Hollywood. An innocent man is accused of murder, leading his dedicated attorney on a wild chase to confirm his alibi among thousands of people in a baseball stadium. To tell the whole story, the search would lead him from the LA Dodgers, to a cellphone tower, to the office of the entertainer Larry David. On the night in question, television cameras happened to be positioned throughout the stadium, and captured a story of remarkable circumstance. Directed by Jacob LaMendola (Anosmia), Long Shot launches September 29.
https://www.youtube.com/watch?v=PDxISykYRc4
Ana Urushadze’s award-winning debut feature film, Scary Mother (Sashishi deda), has been selected by Georgia as its official candidate in the Best Foreign Language Film category at the 2018 Oscars.
The film starring Nata Murvanidze, Ramaz Ioseliani, Dimitri Tatishvili, and Avtandil Makharadze, World Premiered at the 2017 Locarno Film Festival where the film won the Swatch First Feature Award (Prize for Best First Feature). After the Locarno Film Festival, the film competed at the 2017 Sarajevo Film Festival where it won the the Heart of Sarajevo for Best Feature Film; and the Cineuropa Prize.
Scary Mother follows the story of a 50-year-old housewife, Manana (Nato Murvanidze), struggling with a dilemma: she has to choose between her family life and a love for writing she has repressed for years. When she finally decides to follow her passion, she is ready to sacrifice everything for it, mentally and physically.
Here is the new trailer and poster for The Pathological Optimist directed by Miranda Bailey that documents Dr. Andrew Wakefield, the man behind one of the most highly controversial, intensely debated topics in modern medicine: the anti-vaccination movement. The film will be released in theaters on September 29th.
In The Pathological Optimist, director Miranda Bailey brings us a character study of Dr. Andrew Wakefield, one of 13 co-authors of a notorious 1998 paper in the UK medical Journal The Lancet, but who became the very public face of what has come to be known as “The Anti-Vaccination Movement.” An expat from Britain who currently resides in Austin, Texas, Wakefield allowed Bailey and her team to follow him and his family for five years beginning in 2011 as he fought a defamation battle in the courts against the British Medical Journal and journalist Brian Deer. The results of that case – and the self-reflection, pronouncements, and observations of Wakefield, his legal team, wife, and his children – create a complex and incisive look at one of our era’s most fear-provoking and continuingly provocative figures. The Pathological Optimist takes no sides, instead letting Wakefield and the battles he fought speak
for themselves.
https://www.youtube.com/watch?v=FRA0w1pvFLk