Women Texas Film Festival (WTxFF) announced the official selections for the fifth year of the critically-acclaimed Dallas-based film festival. The festival focuses solely on visionary female filmmakers and features LGBTQIA+ stories, provocative documentaries, and Texas-based female filmmakers throughout its lineup. Pivoting to an all-virtual presentation, Olivia Peace’s teenage comedy Tahara will open the festival, and Lisa Donato’s Gossamer Folds is the Closing Night Selection for WTxFF, August 13-16.
We feel going all-virtual this year makes us emphasize the work we are curating even more so since there are no physical events or parties to distract us even for a moment. Therefore, we are reminded at every moment of what sets our film festival apart from other film festivals and what sets film festivals (in general) apart from simply seeing a movie at a multiplex: Curating. Discovering, introducing, and presenting dynamic female filmmakers and giving them an enthusiastic platform to show their work, discuss it, and celebrate their audacity to put those thoughts, ideas, and visions onscreen for us all to share is what is behind the work we do – whether we see that film on a big screen or in our living rooms or our laptops.
Justina Walford, WTxFF Founder and Artistic Director
During its debut earlier in the year at Slamdance, Olivia Peace’s Tahara delighted audiences and made a splash at Frameline, the celebrated LGBTQIA+ film festival, last month. The film follows two best friends who comically deal with the emotional stress resulting from the suicide of their Hebrew school classmate in very different ways. The school’s attempts to help the students understand grief through their faith immediately leads to awkward places, but after an innocent kissing exercise changes everything for one of them, the best friends find themselves distracted by the teenage complications neither of them even remotely anticipated.
Having screened a number of her short films in the festival before this year, Walford said it wouldn’t seem like WTFxFF without a Lisa Donato film. Therefore, it seems entirely right and appropriate that her new film, Gossamer Folds would be selected to close out this year’s fest. Set in 1986, the film follows a ten-year-old boy who has been uprooted and unwillingly moved to the suburbs of Kansas City. Already on unsure footing due to the move, his world is further shaken thanks to his parent’s marriage troubles. However, he finds solace thanks to the friendship he begins to find with his next-door neighbors: a retired college professor and his transgender daughter, Gossamer. Among the impressive list of familiar faces and names in the film include Alexandra Gray, Sprague Greyden, Shane West, Ethan Suplee, Jen Richards, and Yeardley Smith. While details have not been finalized, Donato will be joined by some of the cast members for a special virtual Q&A following the screening.
WTxFF will feature films covering current hot political topics like sex trafficking in Sharon Yaish and Yael Schachar’s A Whole Like Me, rance and immigration in Larrisa Lam’s Far Eat Deep South and Janette A. Lopez’s Never Going Back, and religion in Marie Skovgaard’s The Reformist – A Female Imam.
Highlights among the curated shorts include: Tracie Laymon, former WTxFF award-winner with her latest film Ghosted; comedic writer and executive producer on HBO’s Insecure, Amy Abioni’s Honeymoon; Award-winning screenwriter Stacey Davis’ Cherry; and celebrated Kenyan-American filmmaker Wanjiru Njenendu’s Boxed and more.
All films can be viewed for free with an option to donate. Seating is limited. All films except exclusive screenings can be viewed at any time starting August 13th at 5 pm until midnight, August 16th. Q&As and panels will be announced and viewable here.
The 2020 Women Texas Film Festival Official Selections
Opening Night Selection
Tahara
Director: Olivia Peace
Carrie Lowstein and Hannah Rosen have been inseparable for as long as they can remember. When their former Hebrew school classmate, Samantha Goldstein, commits suicide, the two girls go to her funeral as well as the “Teen Talk-back” session designed to be an opportunity for them to understand grief through their faith. But, after an innocent kissing exercise turns Carrie’s world inside out, the best friends find themselves distracted by the teenage complications of lust, social status, and wavering faith.
Closing Night Selection
Gossamer Folds
Director: Lisa Donato
In 1986, ten-year-old Tate is uprooted and unwillingly moved to the suburbs of Kansas City. As his parent’s marriage unravels, Tate finds solace in the unlikely friendships of his next-door neighbors: a retired college professor and his transgender daughter, Gossamer.
Additional Feature-Length Films
A Whore Like Me
Directors: Sharon Yaish, Yael Shachar
When Chilla was 22, she was kidnapped from a pub in Hungary and sold to a group of Israelis dealing with human trafficking for prostitution. Today, twenty years later, Chilla is a different woman, who has managed to get out of the drug abuse cycle, celebrating 10 years of sobriety, and volunteering at a clinic helping women on the street. But the Ministry of Interior in Israel refuses to give Chilla a resident certificate and would not accept her claim of being a women trafficking victim. She then goes searching for her kidnappers to obtain proof. The journey into the past forces Chilla to return to prostitution hell, only this time a strong woman and a camera in hand. She struggles through her trauma, but can you go back to your most painful place and stay alive?
DOBERMAN
Director: Azul Lombardia
A nap afternoon in the outskirts of town. The worlds of two women intertwine, going from a casual conversation to a battle field, without being able to avoid the inevitable: a domestic tragedy.
FAR EAST DEEP SOUTH
Director: Larissa Lam
Far East Deep South explores the seldom-told history of early Chinese immigrants living in the American South during the late 1800s to mid-1900s through the eyes of Charles Chiu and his family as they travel to Mississippi to find answers about his father, KC Lou. In the span of just several hours, a simple trip turns into an unexpected and emotional journey uncovering lost family history and the legacy of the early Chinese immigrants in the Deep South. The film provides a window into the lives of the Chinese in the South and the discrimination they faced in the midst of segregation. The film will not only highlight the struggles and perseverance of the Chinese, but explore the racial dynamics between the white, black and Chinese communities and the added challenge of exclusionary immigration policies like the Chinese Exclusion Act of 1882 that impacted families for generations.
FATED HEARTS
Directors: Elif Akarsu Polat, Cigdem Bozali
Zeynep is a girl who lives in a small Anatolian town. Her childhood passes as carefree as a festival with her best friend,Yusuf. But many things change while she reaches adolescence. Yusuf is her best friend and becomes her first love, too. While Zeynep can’t name the emotional change yet, Yusuf disappears from her life completely. This is her first big loss. This loss and her disharmony with the customary life style in her small town turns her into a lonely woman. She tries hard with all the methods she knows, to get rid of this fusty town and its pressure which affects her each and every cell painfully. She looks for the communication that she can’t establish with anyone around her and the love she lost with Yusuf, by being a pen friend with prisoners via a newspaper column. This is her adulthood game and a way to breath. Eventually, this game leads Zeynep to a lifer out of town. And this correspondence brings her to a point she can never expect. ‘…Then life plays a game. But the game never remains unfinished. The failings always getting fixed…’
HONEY BEE
Director: Rama Ra
The journey of quick-witted Natalie “Honey Bee” Sorensen, an underage truck stop prostitute trapped in a human trafficking ring and controlled by her pimp-boyfriend until she is transplanted into foster care in remote Northern Ontario and forced to confront her identity.
NEVER GOING BACK
Director: Janette A. López
When Explorer left Honduras, she left everything behind. In the middle of the night, she didn’t have the chance to ask where she was going, but she’s never afraid, her father is always there taking care of her. This Honduran family travelled to Mexico looking for a safe place. A place where their two daughters could grow and their lives weren’t on the line. This is a brief chapter of this family’s journey to protect their daughters’ lives and their innocence.
OUTLAW
Director: Ksenia Ratushnaya
OUTLAW tells the story of gay teen Nikita who is in love with the most popular boy in his school. Rebellious Outlaw, to whom anything appears to be permissible, watches on as their relationship develops. Simultaneously, we follow the tragic love story of a transgender dancer Nina and a Soviet general, set in 1985.
SEND ME TO THE CLOUDS
Director: Teng Congcong
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time.
THE REFORMIST – A FEMALE IMAM
Director: Marie Skovgaard
Together with a number of like-minded Muslim activists, Sherin Khankan wants to open one of the first mosques in Europe led by female imams. The members of the mosque are united in one vital mission: They are fighting for a re-reading of the Qur’an build on tolerance, gender equality and Islamic feminism – an approach that is at odds with the typical patriarchal interpretation and the widespread Islamophobia. The mosque is fighting for the women’s right to be able to get a divorce and to marry across religions. But the women in the mosque are divided. Should they keep their fights hidden or go public – should they take small steps towards the goal or man the barricades? Sherin’s wish is to speed things up. But when she starts to talk publicly about interreligious marriages between Muslim women and non-Muslim men, a division threatening the future of the mosque takes its it tolls on the organization.
Shorts Program
COMEDY SHORTS
CHERRY
Director: Stacey Davis
With her father dying of cancer, Helen has high hopes for the family’s last Easter together.
EXPIRY DATE
Director: Karolina Kraus
Seán and Aoife’s plan for a scheduled online date unravels before it even begins with Aoife’s co-worker caught in the middle.
OUT OF STOCK
Director: Bryan Taira
In 1973, the host of The Tonight Show, Johnny Carson, made a joke that toilet paper was going out of stock. By the next day, stores across the country were completely sold out. This is the story of the first day of the toilet paper crisis.
THE NIGHT EXPRESS
Directors: Maryna Artemenko, Oksana Artemenko
On New Year’s Eve, journalist Tanya is put on a full train by her friend. The friend claims Tanya is a surgeon to bump her up in priority for the compartment, which she must share with a drunk lawyer. Train brakes, a fallen suitcase and a severed finger now makes Tanya’s doctor claim a challenge.
THE SESSION
Director: Morgane Sarah Becerril
In the underground recesses of an S&M dungeon we join Daphne – a beautiful dominatrix. Her client obediently waits wearing only a gas mask and underwear. Entering the room with grace and power, Daphne seems ready to embody the dominant sexuality her submissive client might need. But is she ready?
WIDOWS
Director: María Guerra
After the sudden death of Alvaro, Julia “his widow”, watches the body in the conjugal home. She is surprised by an unpleasant visit. Susana “his widow” comes with the legitimate intention of saying goodbye to him.
Horror Shorts
REPLICA
Director: Álvaro de la Hoz
Olivia is willing not to fail. She goes out and tests herself, going further and further. Until she executes her plan.
STAY QUIET
Director: Chloe Carroll
When an Intruder who seems very distressed by loud noises walks into Lynn’s home, screaming for help is not an option.
SYNCHRONIZATION
Director: Anna Kasińska
In 2084, when the male sex is near extinction, four women wait for their menstrual cycles to synchronize. They all want to become mothers and there can only be one donor. When the day comes, Donor finally appears at their doorstep. During a dinner he suffers an accident and seems to be dead.
TICKS
Director: Chloe Carroll
When three young adults venture into the woods, a Tick bite could be more deadly than they ever imagined.
VICTIM
Director: Larry Brand
The uninvited find a way.
YOUR MONSTER
Director: Caroline Lindy
Nothing is going right for Laura. Sick and brokenhearted, she moves back home and finds that the terrifying monster who inhabited her closet as a kid is still alive and well — and wants to talk about life.
Isolation Shorts
BOXED
Director: Wanjiru Njendu
A fictionalized short film based on the true story of the terrifying daring escape of Henry “Box” Brown, who used creativity to escape from slavery in 1849 by mailing himself to freedom.
EUCHARIST
Director: María Cuenca
A strange and lonely man spruce himself up and carefully prepares the ritual more important of his life, his last Eucharist. Letting go is an act that requires much courage and a huge dose of love.
GENEKASHLU
Director: Natalia Trzcina
Many children in the jungle are abandoned by their parents, who leave their homes to work at the gold mines or to the cities and they never come back. Mapowa, an eight-year-old girl who lives in the Amazon jungle, with her mother and younger brother, decides to go to the city in search of her father to sing him a song on his birthday.
HONEYMOON
Director: Amy Aniobi
Honeymoon tells the story of a newlywed couple on their first night together, made all the more awkward, romantic and honest, because they only just met.
I’LL BE HERE
Director: Tiffany Murray
As the rest of the world fades away, a reclusive gardener maintains a routine of precision and detail. When signs arise that he may not be alone, an overwhelming obsession for companionship may get the best of him.
NOTHING IMPORTANT
Director: Yael Elbee
A young woman’s search for quiet might be coming to an end after she finds a hotel room key on the sidewalk.
PIZZA PARTY
Director: Tessa Hope Slovis
“We are not broken, we are a million shattered pieces glued into something strong and solid” Based on a true event preceding the Larry Nassar trials, an unlikely pair come together at a dystopian pizza party for sexual assault survivors.
SQUARE ONE
Director: Emily Jo Sargent
A semi-autobiographical film about the writer/director’s experiences of being in a closeted relationship. And of using fishing as a way to avoid sex.
Magic Realism Shorts
BUTTERFLY BIRTH BED
Director: Virginia Lee Montgomery
A metaphysical art film about regeneration, hope, and recovery. Inspired by ‘The Butterfly Effect’—the philosophical theorem that any small change in our environment, even the gentle flapping of a butterfly’s wings may manifest big climatic change.
CIRCUS PERSON
Director: Britt Lower
Left by her fiancé for another woman, Ava joins the circus to reclaim her forgotten wildness.
GHOSTED
Director: Tracie Laymon
A woman with a lot of baggage falls in love with a man haunted by his past. Literally.
HEXATIC PHASE
Director: Ariel McCleese
In the aftermath of a sexual trauma, a woman begins to melt away.
M1DAS
Director: Razan Takash
Cybele, one of the many salespeople working for Ex Nihilo Robotics, is preparing the latest items for display at the Home Robotics Expo. The prototype, M1DAS, is an android child designed to adapt perfectly to a parent’s preferences.
NO MORE THAN THIS
Director: Hai Di Nguyen
“No More Than This” is a surrealist film about Nam Nguyen, a 57-year-old Vietnamese man who lives alone and works as a museum guard. One day his worst nightmare appears to come true, that in some sense, he no longer exists.
ROYAL CO HOTEL
Directors: Paula Villegas, Rakesh B. Narwani
After a long flight, Almar Takahashi lands on the Costa del Sol, not the first time he has stayed in decadent hotels. There he meets a Norman Bates-style receptionist and a vampire who has been hiding in Torremolinos hotels for years.
Texas Shorts
BITTER
Director: Brittaney Bandoh
A suspicious, intolerant neighbor wants to take down a little girl’s lemonade stand
DREAMER
Director: Vergi Rodriguez, Diana Zollicofer
After returning from a volunteer medical trip Lily Cruz is held at immigration because of a glitch in her DACA status.
EBB & FLOW
Director: Georgia Krause
Amidst a heated immigration debate, a South Texas community fights to protect the hundreds of species of butterflies that live in duality between the US/Mexico border.
NO REALLY, I’M FINE PANDEMIC NOTWITHSTANDING
Director: Lisa Normand
A woman’s mental health deteriorates as she quarantines alone (or so she thinks) in this comedy horror.
FOR MY MONOLIDDED GIRLS
Director: Anna Tran
Set in the early 00’s, a young girl follows misleading tips from a magazine.
LOTUS
Director: Beibei Xu
Lili wants to hang out with her cool friends, but the family Buddhist bracelet that she wears keeps reminding her that she is watched by superior divinity. Although she tries very hard to blend in the new environment, she is always too self-conscious about it. In order to fully enjoy herself at a party, she decides to take the bracelet off, but eventually she loses it. Now she needs to do something to cover it, otherwise there will be some consequences.
PASTICHE
Director: Paloma Hernández
A struggling artist becomes entangled in art forgery by mistake.
THE PAINT WIZZARD
Directors: Jessica Wolfson, Jessie Auritt
Millie The Paint Wizzard, is a transgender housepainter who lives and works out of her bright yellow RV in Austin TX. Just a few years ago at the age of 58, Millie finally gained the courage to come out into the world as her true self.
WHEN YOU CLEAN A STRANGER’S HOME
Director: Sharon Arteaga
A cinematic essay where Abby, a first-generation high school student describes what her and her mom learn about people when cleaning their homes. House decor and items left around convey a privilege that unveils Abby’s imagination, jealousy, and frustrations.
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